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#and i loved loved loved the flashback scenes of them doing work work
phxntomhives · 2 days
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About the reaction of Gregory in the latest Kuro ep
Here are some theories about his scream and his reaction at the fire. I love that they don't have much background info so we can just say whatever we want. It's not like anyone can tell me I'm wrong ✨ so here is some angst xoxo
I genuinely hope not one of these is true
1) His house burned down
I mean it still happens today, accident happens. So yeah, his house could have burned down. It doesn't matter your age, that would be traumatizing. On top of that, if a fire suddenly spread out, it is possible that some people may have not survived, adding more fear of fire. Anyone, from the servants to his family could have died in a similar accident, maybe he himself barely survived. Of course he wouldn't want anyone to get close to that hell, and will react badly if they try to do it. And you won't really stop to elaborate, especially if you see possibly seeing flashbacks of the scenes you already saw once.
He feels hopeless while staring at the fire and I wouldn't be surprised to see a tiny Gregory looking at the same scene and just be normally scared, a fear that will remain with him for life. It's the other prefects that somehow snap him back to reality, hopefully freeing him from the bad memories.
2) alternative: a friend's house burned down
Basically the same as before, but his house is lucky enough to not be the victim here. Just like Lizzie saw the Phantomhive manor burning down, he could have seen the house of a friend being devoured by the flames. And unlike the previous version... There is no guarantee there was a survivor. In the worst case scenario, he may have seen the people inside being able to run out of the building, but with high degree burns so extended and dangerous that they weren't able to survive. Maybe he had to see his friend/relative/fiancé come out screaming in pain, burned to the point of being unrecognizable, and later watch them die before his eyes without being able to help. And he just doesn't want to go through all of that again. He isn't letting anyone of them go any closer to the fire and put their life at risk.
3) Lost works
He is an artist. He made 4 different sketches (ok one was the labyrinth game BUT STILL) completely different one from each other, in something like 10 minutes? If that's is his average time to create a piece of art, just how many has he made in the years he has been living there? Thousands probably? Some may be silly or stuff that he doesn't like and he was just waiting to throw away, but others may be drawings he cared about, in which he put all of himself. Hell, maybe there are paintings that took him MONTHS or YEARS to make. And they are all vanishing in a single night. All the effort he puts in them, all the memories he saved as a picture, gone. Turned into ashes without him being able to do anything. Everything he has ever worked on burning in front of his eyes. He can't retrieve anything of those and is likely mourning them already. When the other students want to enter he wonders if they will put themselves in danger to maybe retrieve them. I think Edward trying to enter in particular triggered him, maybe the other students don't know him a lot but Edward has been with him for a while now, since he was Herman's fag/drudge. He can't NOT have noticed that Violet spend his time drawing and maybe he even saw some pieces that Violet was proud of. So he knows that the moment Edward steps in the building, he is likely to try to save anything that he can carry out, because it is important to someone out there. But getting any of those works may put him in danger. And therefore, Violet is scared. He is scared there can be other knightly heroes among the students, that will put themselves in danger to retrieve anything they can still save. "I can remake a drawing, but I can't bring you all back to life." and so he tries to stop them. He tries to do it as an introvert that is having a very bad internal crisis and mourning. But he tries, because while he cares of his art, he can't put it above other's people lives.
4) There are nudes
Hopefully I made you laugh with the title. What I mean is: it's their dorm, they have likely decorated it in the best way to suit their taste and expose themselves in the most true way they can. It's their place and they can be themselves in there. But they are aware they are considered the "weirdos" of the school. Some probably don't care but some may have decided to be truly themselves only inside the comfort of the house. This could also be true for Violet himself. So not only you are watching your home burning down, but now the same strangers that made fun of you, made you feel badly about themselves, want to enter? And potentially learn more secrets about the poeple that lived there? What they cherished and didn't want to share because they didn't feel comfortable to show? It would all be there in plain sight for anyone to see. And so Violet screams at them to not enter. The house can burn down for all he care, but he will let the precious secrets burn down with it so that none of them will have to risk their reputation at school (and later outside) because of him.
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marymekpop · 1 year
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⟢ highlight of the hour: our blooming youth [3/20] ⟣
The cases that your brother solved.. is it true that you solved all of them?
I did it together with my servant.
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poorly-drawn-mdzs · 3 months
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Bros before Ho(oh my god is that Hanguang-Jun?)
[First] Prev <–-> Next
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aroaessidhe · 8 months
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2023 reads
The Deep Sky
scifi mystery thriller
on a deep space mission traveling from an environmentally devastated earth with hope to restart humanity elsewhere
when they’re halfway, an explosion kills 3 crew and pushes them off course
the only witness is the Alternate who has no specific role, and she has to figure out who caused it & if they might continue to sabotage, while they're figuring out a way to get back on course with limited resources
flips between present and the past: of her childhood and training for the mission, her identity struggles, and relationship with her mother
questions the ethics of ‘restarting’ humanity elsewhere vs putting resources into fixing earth
#the deep sky#yume kitasei#aroaessidhe 2023 reads#i really loved this!!!!!#very intense but also a lot of interesting character introspection#love the virtual reality AI aspect!!!! though I do feel like. in the end I was expecting it to go way further with it?#(basically like instead of seeing the inside of the ship all the time they can 'be' in forests or aquariums or whatever)#no romance#(there’s side lesbians; and one flashback scene where she briefly wonders about kissing a random person; that's it)#emotional core about her mother and brother and best friend !!#i like that it gets into the flaws of 'humanity's last hope on another planet' bc like. yeah in real life things....don't work like that...#why is there zero acknowledgement that the concept of every one of them being expected to give birth being extremely fucked up?#like obviously everyone on board is there because they agreed with that but there’s not a single flashback of#when they found out that information; or mention of someone questioning it...#(for example a character mentions that they hid their mental health/use of a therapy animal bc they wouldn't have been let in and the -#eugenics around that is iffy to say the least)#but to me. pregnancy is horrifying and nobody questioning that was weird.#also there’s supposedly 80 people on board but we get to know less than 10 of them which felt a bit strange at points#Also! I love the cover. I can’t find the designer (the book info only credits the internal lllustrator..)#also: bird facts!
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pagesofkenna · 10 days
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doing the math and i'm pretty sure chilchuck is getting his bow back next week, and we might finally get to meet the canaries (the elves), if not next week then definitely the week after!
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ziracona · 11 months
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Iirc Griffin did something similar in Amnesty, when Aubrey succeeded on a roll that should've saved another character's life, but it didn't work and I don't think they ever explained why
Yeah!! And in Amnesty, Ned used a point of LUCK. To get a 12. That in MOTW is a guaranteed success. You do not take harm in Protect Someone if you use luck. Also, a fucking shotgun does not DO 7 points of harm anyway. It’s 3. And he fucking KILLED him. Never forgiving Griffin for that one >.>
#that’s not just cheap it’s /explicitly/ against the rules#I don’t ever like if a DM is giving ‘me vs you’ vibes to the players in any form but cheating and lying is the worst#ask#anonymous#like dgmw I love Griffin and most of the time quite enjoy his DMing but several times he has now made me /boiling/ mad#not super happy about the way he has handled Devo’s religious trauma either. like Travis is great#incredible character. he’s got some huge flaws but you also get why Devo is how he is and sometimes he’s super right. but Griffin has too#much been like ‘what if the church wasn’t so bad : )’ like Travis had to /push/ for the flashback trauma scene w Guidance to be something#upsetting and abusive. like let him have a history#taz amnesty spoilers#also not a fan of his new ‘no backstories’ thing#like yeah it can get too much or awkward but they can also be great??? you don’t want to live in them but you want them to give you a rich#basis for where the charcater in-story starts. ??? it causes no issues if you do that?#and it’s fun to occasionally have them be relevant even just for a goofy one off. I had a player be a changeling who had helped a coup in#another country and her co-revolutionary she was with and close to turned on her for racial reasons bc she was a changeling when he found ou#out and tried to kill her and they have a mutual ‘if I ever see you again’ and the experience dramatically influenced how she interacted w#other characters in the campaign bc baggage. but she never even /brought it up/ to a Pc or npc. it’s just rich character to work with#you gotta trust players and yourself a little not let having details overwhelm a story it’s not hard#and if it starts to happen it ain’t hard to correct
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automatic-midnight · 13 days
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My biased, really unpopular take is that I think rit/su/maya is an objectively boring ship.
#just to be clear I don’t hate it there’s absolutely nothing wrong with the ship it’s just such a nothing burger to me#like ok yes without a doubt Maya has a crush on Ritusko absolutely this is backed up by canon material#but from Ritsukos side the most the viewer comes away with is that Ritsuko holds mayas skills in decently high regard#a few moments of friendly chit chat and that’s it#it would be one thing if we actually saw Ritsukos more personal opinions on Maya but we never see that so fandom has to fill in the blanks#and now barring that all aside it’s just a ship dynamic even when fleshed out in fanon that im not intrigued by#in a show where the characters are so messy and terrible the ship feels so out of place#ohhhh Maya could fix Ritsuko NO she could not#the only way I could find the ship interesting is if you get weird with it#like focus on the inherent power imbalance of a boss and an employee how would they deal with that?#how would things change as the show progresses and Maya realizes Rituskos blurred morals#how would the ship work with Gendo in the picture? how would Maya actually help ritusko overcome her issues and deep rooted problems#and even with all that being said it’s just not interesting to me#Maya doesn’t have enough going as a character for me to care to ship her with Ritsuko#this is partly why I like misaritsu so much#you know so much about their individual characters and their dynamics that it’s easy to expand it further into hypothesizing#their relationship in a romantic light#evangelion#like misato and Ritsuko are individually super well written fleshed our characters and on top of that put in moments like the elevator scene#or Ritsukos flashback to talking about when Misato hooked up with Kaji for a week#or just every time Ritsuko looks at Misato if you really want to reach#there so many moments of good characterization between them that it’s so easy to ship them#the point I’ll give to ritsu/Maya is that the one sided crush is 100% intentional and implied in canon#Misato and Ritsukos relationship (as far as I’m aware) was never intended to be romantic or queer coded or anything like that#i’m not delusional#I don’t think anno or sadamoto was writing subtextual nuclear toxic yuri when they were thinking about Misato and ritsukos relationship#no one was in the writing room saying “oh boy I can’t wait to write subtext about how comphet Ritsuko is in unrequited love with Misato”#I’m not that far gone but purely from a potential ship perspective misaritsu has so much more going for it#asu/rei too that’s another super interesting f/f ship that people ignore#asurei isn’t my do or die ship but that’s a ship that’s genuinely super interesting to think about as a potential romantic relationship
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ambrosiagourmet · 3 months
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I want to talk about why I think this is the one of the most important Falin panels:
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So, Falin is really nice, right? It's one of the first things we really learn about her. She's kind even to the monsters of the dungeon - choosing to ward the party rather than fight spirits and cause them needless harm.
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In the above early flashback in chapter 11, we see Marcille fawning over Falin's kindness, calling her an angel. Namari calls her soft-hearted. We see Falin choose not to fight even when a zombie attacks - instead she resolves the confrontation with a hug. After the flashback, the first thing Senshi says is that Falin "sounds like quite the person," which Marcille strongly affirms.
At this point in the story, all we have seen of Falin are these impressions; she is a healer, an angel, a caretaker with an infinite well of kindness towards everyone she meets - both friend and foe.
And honestly, that remains most of what we have to go by to understand her. The only times we get to see Falin on the page, alive and just herself, are in the opening and closing pages of the story and in the brief period of time after she is resurrected.
Nonetheless, we do have some more details to work with. For one, there is the scene that The Panel is from - a short memory in chapter 75, when Marcille flashes back to while she's dying. In that scene, Falin prepares to teleport them all out, and says that she's sorry "if there is a person at [their] destination." And that's when we get The Panel.
If you teleport someone or something into another person, the person teleported into is likely to be, at minimum, severely injured. They could die.
We can see a lovely little horrifying example of exactly why in one of the Daydream Hour doodles:
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So, hmm. That's not... that's not SUPER nice. Certainly not displaying the same "kindness to all, friend and foe included" we saw represented earlier. On a basic level, this adds some nuance to Falin's kindness. We see it break a little, when pushed to the limit. We see her chose to protect the people she loves above all else.
Which makes sense! As Laios says when the Winged Lion accuses him of similarly being motivated more by his friends' safety than everyone else in the dungeon, "...most people, aside from virtuous do-gooders, would feel the same way."
So, we can take The Panel as simply showing a moment of weakness for Falin. A time when she was pushed to her limits, and that "most people" selfish side of her shone through.
However... I think there's a little more going on with Falin than just her being an angel 99% of the time, except just that once. I love The Panel because I think it helps us understand that Falin isn't just motivated by kindness - she also has a desire to avoid seeing people in pain.
Isn't that the same thing?
No, no it very much is not.
Let's look at a short comic from the Falin section of the Adventurer's Bible, because I think it illustrates this point perfectly. The group is complaining about how much Marcille's healing hurts, and comparing it to Falin's, which "doesn't hurt a bit." Marcille retorts with the following:
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Now, the punchline of this comic is that, despite Marcille's sentimental assertion that she's "thinking of [them]" by letting her healing magic hurt, they all still prefer to be healed by Falin.
But hey, this wouldn't be the first time that Dungeon Meshi hides a very real character beat or insight in a gag, so let's think about this somewhat seriously.
If Marcille is right (and she knows a fair bit about magic, so we can assume that she has at least somewhat of a point), then what Falin is doing isn't kind. I suppose if someone specifically requested to not feel the pain, it could be kind, but that's not really what happened here. She is the one who felt badly about the others being in pain, and she is the one who decided, without telling them or giving them a choice in the matter, to take away that pain.
Both Marcille and Falin are healing the party, but Marcille is doing it in a way that accomplishes the task in the most straight forward way, without any additional interference. Falin is going out of her way to perform the healing in a way she is more comfortable with. A way that avoids pain.
Going back the The Panel, I don't think its a coincidence that the only time we see Falin (well, non-chimera Falin) willing to do something that could hurt someone is when any potential pain will be far away from her. If she got someone hurt or killed by teleporting the party to the surface? Not only would it be far out of her sight, but she'd be dead before she had to deal with any consequences of that action.
Falin is not a confrontational person. She doesn't push when Marcille won't tell her the truth about the resurrection, and she comforts Laios about her own death - both of those things happening in the only full chapter she is alive and conscious in the whole story.
We also know that she considered accepting Shuro's proposal, despite not having any special feelings towards him, and that Falin never explained to Marcille that she wanted them to share a meal together. When she brought Marcille various foods at the academy, she just accepted Marcille's confused rejection and gave up.
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And lastly, we know that she is still in contact with her parents, despite the neglect and abuse she suffered at their hands. Although the way someone chooses to handle contact with abusive or bad family is a complicated topic, which I don't want to overly simplify, I do I think this fact gets at the heart of how she handles conflict.
So many people that Falin loves have hurt her. There are understandable hurts, like Laios leaving the village, or Marcille not understanding the food. And there are bigger, far less justifiable hurts - like her parents neglecting her throughout her childhood, and sending her away to be alone at the magic academy.
It doesn't seem like Falin has ever confronted any of it directly.
And the unhealthy aspects of this kind of avoidance of pain and confrontation is one of the things that the story of Dungeon Meshi is all about. We see Laios grapple with it before he goes to kill Falin, and we see Marcille acknowledge it at the end of the story, when she tells Laios that she has come to terms with Falin's death:
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Eating is a part of life. Consuming other living things is a part of life. It isn't really possible to avoid that pain - you can only hide from the truth of it. You have to be selfish everyday. You have to eat - to choose to live. To choose to take up space.
And this is something Falin embraces, too. She comes back to life, after all.
We see her choose to come back to life.
And how does she make that choice? She eats. She consumes, and then she is asked a question by the manifestation of hunger itself:
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Do you want to eat more?
There is a double meaning in the Winged Lion's final words on the next page.
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When I first read this, I took it as him saying: life is cruel. You will suffer. You will feel more pain.
But perhaps, especially for Falin, this also means: you are choosing a path where you must cause pain. Where you must consume. Where you must take, and must be selfish. Because eating is the special privilege of the living, and it is their burden, too. In order to stay alive, she will need to keep eating.
And she chooses that. Chooses to be selfish. It's why her resurrection scene is so important, and it's why The Panel is so important. Because Falin coming back isn't the ultimate reward for all of the party's hard work.
It's her choice. Just like it was her choice that started everything in the first place. But this time, she doesn't choose to accept causing pain for the sake of Marcille and Laios. She does it for her own sake.
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thompsborn · 7 months
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im sorry im just making vague posts about the new spidey game but i dont wanna spoil anything so all my spoiler reactions are in the tags but for now just:
OH MY GOD
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funniest disney history facts i can think of atm
literally EVERYBODY thought the lion king was gonna flop and pocahontas would be their greatest movie ever made. people begged to ditch lion king and work on pocahontas.
the reason robin hood ends so abruptly is that there was an actual ending planned and storyboarded but the crew spent too long arguing about everyone’s fursonas to finish animating it
madam mim was way less comedic in the original book but because her character was too similar to maleficent (who was in their latest film at the time), the sword and the stone crew decided to differentiate her by making her fucking hilarious
when making a goofy movie, jeffrey katzenberg (studio chairman at the time) told bill farmer to give goofy “a normal voice.” farmer, who had been voicing goofy for eight years at that point, including in the goof troop show that a goofy movie was a sequel to, was very confused. after making an attempt they decided to scrap that note completely.
as of march 2023, farmer is still voicing goofy, and tony anselmo has been voicing donald since 1986. the 2017 reboot of ducktales, which was slated as “wanting to do for donald what goofy movie did for goofy,” featured both actors as those characters; they had also been doing the voices for the original ducktales and goof troop/goofy movie. all the times goofy and donald interact in the 2017 ducktales however, donald was voiced by guest star don cheadle as a joke
current voice of mickey mouse bret iwan has stated that he has attempted to play kingdom hearts and did not do well
disneyland’s current world of color halloween overlay features a plot that is basically “the disney villains simultaneously adopt a goth kid” and i love it
people will make jokes about “well math says that the beast would’ve been 11 when he was cursed” well that was actually the original intent, but a flashback scene of baby beast was scrapped because he looked “too much like eddie munster”
when disney sent a representative to pixar to check on toy story production, she was like “this is all great! what style of music are you thinking” and they were like “for what” “for the songs” “we uh. we weren’t gonna have. any songs” and she went dead silent and then went “i have to make a call” and left the room
saludos amigos and the three caballeros were made as ww2 propaganda. the government commissioned disney to make movies to make latin america like them so that they wouldnt side with the nazis and provide them an in to invade, and latin america really liked donald duck so
saludos amigos was apparently the first time many usamericans realized that latin american people were like. people. film historian alfred charles richard jr said that the film “did more to cement a community of interest between peoples of the americas in a few months than the state department had in fifty years”
while latin america generally liked both films, chilean cartoonist rené rios boettiger fucking hated the chilean segment of saludos amigos, seeing the main character of pedro the plane as a weakass bitch, so in response he created condorito, the most popular comic character in all of latin america
disney wanted to adapt ts eliot’s old possum’s book of practical cats. his widow adamantly refused, and then sold the rights to andrew lloyd webber bc he wanted to make it sexy and she said “tom would’ve liked that”
in case you haven’t seen the defunctland, walt disney wanted epcot to be a futuristic utopia where he was basically the dictator. then he died so they just made it another theme park
speaking of defunctland the first defunctland video was on disneyworld’s alien attraction and please watch it. please it’s so funny
after the huge failure of the black cauldron disney was going to shut down its animation department. the department tried to convince them to keep them alive by showing them the one scene they had finished for the next movie– the mouse burlesque from the great mouse detective. it worked
the only attraction the black cauldron ever got was in tokyo disneyland where they put a tour under cinderella’s castle where everyone had to escape the disney villains trying to kill them, only to end at the horned king and the cauldron, who would try to sacrifice them to satan. this tour was popular but was closed in the early 2000s as the tunnels didn’t fit earthquake regulations and i want it in disneyworld so bad
walt disney once referred to his unionizing workers, led by goofy’s creator art babbitt, as “commie sons of bitches,” and i want a mickey build-a-bear that calls me a commie son-of-a-bitch whenever i squeeze its paw
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5ummit · 4 months
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AO3 Ship Stats: Year In Bad Data
You may have seen this AO3 Year In Review.
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It hasn’t crossed my tumblr dash but it sure is circulating on twitter with 3.5M views, 10K likes, 17K retweets and counting. Normally this would be great! I love data and charts and comparisons!
Except this data is GARBAGE and belongs in the TRASH.
I first noticed something fishy when I realized that Steve/Bucky – the 5th largest ship on AO3 by total fic count – wasn’t on this Top 100 list anywhere. I know Marvel’s popularity has fallen in recent years, but not that much. Especially considering some of the other ships that made it on the list. You mean to tell me a femslash HP ship (Mary MacDonald/Lily Potter) in which one half of the pairing was so minor I had to look up her name because she was only mentioned once in a single flashback scene beat fandom juggernaut Stucky? I call bullshit.
Now obviously jumping to conclusions based on gut instinct alone is horrible practice... but it is a good place to start. So let’s look at the actual numbers and discover why this entire dataset sits on a throne of lies.
Here are the results of filtering the Steve/Bucky tag for all works created between Jan 1, 2023 and Dec 31, 2023:
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Not only would that place Steve/Bucky at #23 on this list, if the other counts are correct (hint: they're not), it’s also well above the 1520-new-work cutoff of the #100 spot. So how the fuck is it not on the list? Let’s check out the author’s FAQ to see if there’s some important factor we’re missing.
The first thing you’ll probably notice in the FAQ is that the data is being scraped from publicly available works. That means anything privated and only accessible to logged-in users isn’t counted. This is Sin #1. Already the data is inaccurate because we’re not actually counting all of the published fics, but the bots needed to do data collection on this scale can't easily scrape privated fics so I kinda get it. We’ll roll with this for now and see if it at least makes the numbers make more sense:
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Nope. Logging out only reduced the total by a couple hundred. Even if one were to choose the most restrictive possible definition of "new works" and filter out all crossovers and incomplete fics, Steve/Bucky would still have a yearly total of 2,305. Yet the list claims their total is somewhere below 1,500? What the fuck is going on here?
Let’s look at another ship for comparison. This time one that’s very recent and popular enough to make it on the list so we have an actual reference value for comparison: Nick/Charlie (Heartstopper). According to the list, this ship sits at #34 this year with a total of 2630 new works. But what’s AO3 say?
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Off by a hundred or so but the values are much closer at least!
If we dig further into the FAQ though we discover Sin #2 (and the most egregious): the counting method. The yearly fic counts are NOT determined by filtering for a certain time period, they’re determined by simply taking a snapshot of the total number of fics in a ship tag at the end of the year and subtracting the previous end-of-year total. For example, if you check a ship tag on Jan 1, 2023 and it has 10,000 fics and check it again on Jan 1, 2024 and it now has 12,000 fics, the difference (2,000) would be the number of "new works" on this chart.
At first glance this subtraction method might seem like a perfectly valid way to count fics, and it’s certainly the easiest way, but it can and did have major consequences to the point of making the entire dataset functionally meaningless. Why? If any older works are deleted or privated, every single one of those will be subtracted from the current year fic count. And to make the problem even worse, beginning at the end of last year there was a big scare about AI scraping fics from AO3, which caused hundreds, if not thousands, of users to lock down their fics or delete them.
The magnitude of this fuck up may not be immediately obvious so let’s look at an example to see how this works in practice.
Say we have two ships. Ship A is more than a decade old with a large fanbase. Ship B is only a couple years old but gaining traction. On Jan 1, 2023, Ship A had a catalog of 50,000 fics and ship B had 5,000. Both ships have 3,000 new works published in 2023. However, 4% of the older works in each fandom were either privated or deleted during that same time (this percentage is was just chosen to make the math easy but it’s close to reality).
Ship A: 50,000 x 4% = 2,000 removed works Ship B: 5,000 x 4% = 200 removed works
Ship A: 3,000 - 2,000 = 1,000 "new" works Ship B: 3,000 - 200 = 2,800 "new" works
This gives Ship A a net gain of 1,000 and Ship B a net gain of 2,800 despite both fandoms producing the exact same number of new works that year. And neither one of these reported counts are the actual new works count (3,000). THIS explains the drastic difference in ranking between a ship like Steve/Bucky and Nick/Charlie.
How is this a useful measure of anything? You can't draw any conclusions about the current size and popularity of a fandom based on this data.
With this system, not only is the reported "new works" count incorrect, the older, larger fandom will always be punished and it’s count disproportionately reduced simply for the sin of being an older, larger fandom. This example doesn’t even take into account that people are going to be way more likely to delete an old fic they're no longer proud of in a fandom they no longer care about than a fic that was just written, so the deletion percentage for the older fandom should theoretically be even larger in comparison.
And if that wasn't bad enough, the author of this "study" KNEW the data was tainted and chose to present it as meaningful anyway. You will only find this if you click through to the FAQ and read about the author’s methodology, something 99.99% of people will NOT do (and even those who do may not understand the true significance of this problem):
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The author may try to argue their post states that the tags "which had the greatest gain in total public fanworks” are shown on the chart, which makes it not a lie, but a error on the viewer’s part in not interpreting their data correctly. This is bullshit. Their chart CLEARLY titles the fic count column “New Works” which it explicitly is NOT, by their own admission! It should be titled “Net Gain in Works” or something similar.
Even if it were correctly titled though, the general public would not understand the difference, would interpret the numbers as new works anyway (because net gain is functionally meaningless as we've just discovered), and would base conclusions on their incorrect assumptions. There’s no getting around that… other than doing the counts correctly in the first place. This would be a much larger task but I strongly believe you shouldn’t take on a project like this if you can’t do it right.
To sum up, just because someone put a lot of work into gathering data and making a nice color-coded chart, doesn’t mean the data is GOOD or VALUABLE.
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atlabeth · 3 months
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geyser
series masterlist
pairing: luke castellan x daughter of poseidon!reader
summary: percy learns about the first girl luke castellan ever loved.
a/n: this is a lil sad. sorry about that. but i really like it and it came out of nowhere in like 2 days so i hope you enjoy despite the sadness. title from the mitski song
wc: 6.5k
warning(s): major character death; not shown but hangs over the whole fic. angst made angstier by fluffy flashbacks. mostly told through percy’s pov but includes luke, annabeth, and reader povs
also if you saw this before on another account DONT WORRY... that account was also me. im just doing some stuff behind the scenes right now as i figure stuff out lol i promise no plagiarism is going on
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Percy thought that his head might explode. 
He didn’t know how he was still walking, honestly. His mom died, he killed a— no, the— Minotaur, all the Greek myths were real and his dad was one of them, and now he had to deal with that freak accident with Clarisse and the toilets. 
At least he would be ready next time she tried to beat him up. Percy had been the new kid enough to know there would be a next time.
All he could do was stare at the Minotaur horn in his hands, the only sign that what happened outside the border was real. The horn in his hands and the hole in his heart. 
Percy swallowed the lump in his throat. He’d been thrown into the deep end, and the only thing on his mind was when he would start to drown. 
“Hey.” Percy looked up to see the counselor he’d met earlier with Annabeth—Luke. He tossed a ziploc bag at him and he caught it, taking a moment to look at what was in it. 
“I stole you some toiletries from the camp store,” he explained. “Thought it might make you feel more at home.” 
“…Thanks.” He didn’t know if Luke was joking, but the damage had already been done. And it was the nicest thing someone had done for him so far. He set it down next to his Minotaur shoebox. “Is this the best that it gets?” 
Luke’s lips quirked up in a slight smile. “For now. We’re a little crowded, if you couldn’t tell.” 
“Just a little bit.” Percy stood up from his sleeping bag and worked out the knot in his shoulder. “Where’s your bed? Assuming you have one.” 
“I couldn’t wrangle all these cats without some back support,” he said, and he pointed to a bed in the corner. It was the only one on its own without a bunk, and he had a fair amount of decorations. Counselor privileges, he figured. Percy walked over, Luke trailing behind him. 
“Nice place,” he said. Percy picked up the Yankee’s cap on his bedside table and nodded as he looked back at him. “Nice taste.” 
“It’s for Annabeth,” Luke said. “She wanted us to match.” 
Percy nodded again in approval. “Good taste for both of you.”
Luke had various other things around — an alarm clock knocked over next to the baseball cap, a huskie sticker on the wall half-scraped off, a poster for an album he didn’t recognize. 
But the thing that caught his eye was a polaroid hanging on the wall, surrounded by a smattering of others varying in size. 
The first one had to be an old picture—Luke didn’t have his scar, and the biggest smile stretched across his face. He had a girl close with an arm slung around her waist, and she might’ve been smiling even more than Luke. A bright energy emanated around her, something that must have transferred through the picture, because Percy found himself feeling a little better just looking at her. He wondered if she was a camper. 
His eyes flicked to the next picture, which was another one of Luke and that girl. They were both laughing as she tried to put a blue hat on Luke’s head, and he protested with a hand on her wrist. They were in the forefront of a baseball game, Percy noticed.
There were other pictures, too—Luke, a girl dressed all punk, and what looked like a young version of Annabeth, most notably—but a majority of them were either Luke and that girl, or the girl all on her own. In every single one, she beamed brighter than the sun. 
Percy pointed at the picture of Luke and the girl at the baseball game, his curiosity getting the better of him. “Who’s that?”
That seemed to catch Luke off-guard, his lips parting for a moment as if he wanted to say something. It barely took him any time to get back on track, but Percy found himself frowning. 
“That’s…” Luke cleared his throat, wet his lips, shook his head. “A friend. A very good friend.”
“Does she go here?” Percy asked. 
“She did.” 
He frowned. “Where is she, then?” 
“Percy—” Luke’s voice was strained, but he didn’t really notice as he went on. 
“I didn’t see her around,” he continued, “and you look pretty close.” 
Luke blinked a couple times, and Percy swore he could see the telltale glimmer of tears starting in his eyes. A muscle worked in his jaw, and suddenly Percy was worried that he’d said something horribly wrong. He had a talent for that, it seemed. 
Fortunately, he was saved by the bell—conch shell?—and something like relief flooded through Luke’s expression. Tension still coiled in his body. 
“Come on,” he said, that camp counselor smile coming back as he put his hand on Percy’s shoulder and guided him away from the enclave. “That means dinner’s about to start.”
Percy’s frown deepened as curiosity won out again. “Was she your—”
“You don’t wanna be late,” Luke continued, ignoring his attempt. “I assume you’re pretty hungry after two days spent out?”
Well, that only made him want to push harder. But Percy figured he wouldn’t get anything out of him—especially not now. 
“…Yeah,” Percy said. “Starving.”
An odd look flickered across his face, but again, it only lasted for a second before he was back to normal. He cupped his hands around his mouth and yelled, “Eleven! Fall in!” 
Percy was at the back of the line by virtue of him being the new kid, and he found himself looking back at that picture of Luke and the girl. He didn’t know why, but something drew him to her. Before Percy could think about it more, the line was moving and his growling stomach drew his attention away. 
He would have plenty of time to ask Luke about it later. 
Or rather, ask him and piss off the only person who’d tried to be his friend so far. 
…Gods. 
Maybe he was going to drown sooner than he thought. 
-
“Luke—” 
“No!” 
“Luke, please!” 
“Annabeth will kill me if she knows—” 
“She won’t know!” 
“Alright, alright— stay still, you two!” 
Your mother laughed from behind the camera as you and Luke fought with each other, you trying your damnedest to get your Red Sox cap on his head as he tried his damnedest to stop you. The frantic laughter on both sides made it a little difficult for either of you to succeed in your quest, but eventually, you got the rock up the hill and the hat on his head. 
“Take the picture, Mom!” you exclaimed, pulling Luke even closer by his arms so he couldn’t get it off. “I need the proof!” 
“I knew this was a bad idea,” Luke groaned, staring at the camera as you wrapped your arm around his side and leaned into him. He could already imagine your victorious smile, brighter than the sun beating down on them in the stadium, and just the thought of it made one of his own flit across his lips. 
“Oh, shut up, Castellan,” you said. “You chose to come to this game. Everyone’s gonna know you’re a Red Sox fan now.”
“You said you wouldn’t tell her!” Luke defended, wrenching his arms free of your control to take the hat off his head. “I don’t even care about baseball!” 
“You care so much about it,” you said cloyingly, “and you’re ride or die for the Boston Red Sox.” 
“If you say a single word—” 
“Okay, kids!” Your mother pointed at the seats next to her. “The game’s about to start—you can keep arguing, but only if you sit down so I can see.” 
“Sorry, Mom.” You grinned at her as you pulled Luke over to your seats—they were a step up from nosebleeds, but they were the ones closest to the balcony so you could at least peer over the railing down to the diamond.
“It’s alright, sweetheart.” She glanced at Luke with a smile, and he could really see where you got it from. “We’ve gotta make him a fan somehow.” 
“I guess I can live with the brand.” Luke set the cap back on your head once you were seated, purposefully pulling the brim a little over your eyes, and he smiled at you. “Even though it looks better on you, anyways.” 
“You just don’t have what it takes to be a Red Sox fan in the heart of Yank territory,” you mused, pushing the hat back up so you could see. “It’s fine.” 
Luke rolled his eyes, but he could hardly bite back his smile. 
“I am glad you came, though,” you said, glancing back at him. “I’m glad you came with me in the first place. This is gonna be the best semester.”
“Thanks for having me,” Luke said. “It’s… it’s been a while since I’ve left camp.” 
“Fingers crossed for no monster attacks, eh?” You held up your hand. “At least, not during the game. I could live with it happening any other time.” 
“Don’t speak it into existence,” your mom said. “We’re going to have a monster-free school year.” 
To humor her, you made a claw over your heart and pushed out. She hummed in satisfaction, and you looked over at Luke. “It’s gonna be fine.” 
“Yeah,” he said. “Because two kids like us aren’t gonna draw any attention.” 
“Oh, I know we will,” you said. “But I know it’ll be fine.” 
Luke frowned. “How can you be so sure?” 
You shrugged with a smile. “I’ve got you.”
And in that moment, he was thankful for the freakish heat that honestly made no sense in the spring—at least it covered up any sign of what your words did to him. 
Luke thought you were joking when you asked him if he wanted to come back home with you for the school year. He didn’t know why you wanted to go back in the first place, being a Big Three kid that apparently had a death wish, but the thought of him leaving camp was almost inconceivable. 
Even after you assured him you weren’t joking, he still wasn’t sure. He was on the run with you for three years, then… 
Well, he couldn’t think about it for too long. But Luke had been on the outskirts of regular society for so long, doing nothing but fighting for his life, that he didn’t know if he could actually function at a normal school.
But it felt right for you two to get some normal time together after you were separated for so long. It took him a semester to decide, but one day during your usual Iris message conversations, he told you he’d love to spend the rest of the year in Boston with you. Luke still remembered the grin you wore, your disbelieving but victorious cheers, the apology you yelled back at your mother for your noise. 
Luke watched you as you talked with your mom, discussing Boston’s chances and player statistics and baseball jargon he didn’t think he’d ever understand, and he knew he would sit through a thousand Red Sox games if it meant he would get to keep seeing your smile.
You must have felt his eyes on you, because you glanced over at him. “Are you okay?” 
Luke smiled. Gods, he was so glad you were here. 
“Never better.” 
-
“That one nearly got me,” Luke said. 
Percy huffed as he picked up his sword from the ground—he was pretty sure he would officially lose his mind if Luke disarmed him with that stupid move one more time. One benefit to the Hermes cabin being too scared to associate with him after getting claimed was that he wasn’t making a fool out of himself in front of other people. 
“Maybe I can only beat you when I pour water on myself,” he said. 
Luke chuckled as he took a bottle from the cooler on the side and held it up. “Wanna try?” 
He shook his head. “I think my arms will fall off if I keep going with you.” 
He tipped his shoulder. “Fair.” 
Percy stared at the ground as Luke gathered himself, trying to put the free range thoughts roaming around his head in order. It didn’t help that he’d gained a million questions after Poseidon claimed him, and it didn’t help that there’s been a newest addition to his dream last night. 
He still felt strange asking Luke about it, but he had to know more about her. Percy didn’t know why it felt like his mission to find out who this mysterious girl was, or why he felt that strange connection to her. Maybe it was the way Luke acted whenever he brought her up, maybe it was that she’d popped up in his dream next to him at the very end, maybe it was just plain old curiosity. 
“I’m not supposed to be alive,” Percy said, breaking the silence. “I could die at any time in a bunch of different horrible ways. So will you tell me more about that girl on your wall?”  
Again, Luke seemed to be caught off guard by it. Percy heard the crunch of plastic as his hand clenched ever so slightly around the bottle, and he tried to cover it up with an arched eyebrow. “Why do you want to know so badly?” 
He shrugged. What was he supposed to say? 
“I’m curious,” he decided. 
Luke huffed a dry laugh before he took a sip of water, and he stared off into the distance for a while. He did a lot of staring whenever this girl was brought up. They looked like they were best friends in those pictures, but maybe whatever they had ended badly. And if she was a demigod too…
Well, it would make sense why he didn’t want to talk about her. 
“You know that phrase about curiosity?” Luke asked. 
“And how it killed the cat?” 
He nodded, drinking some more. “It goes double for demigods.” 
“Everything else wants to kill me,” Percy said. “So curiosity’s gonna have to get in line.” 
Luke’s laugh was a little more genuine this time, and he shook his head. “I guess I can tell you a little about her. You actually probably have a right to know.” 
“Is she a half-blood?” Percy asked immediately. 
He nodded. “Yeah.” 
“Who’s her parent?” 
Luke capped his water bottle and looked at Percy for a good, long moment. His face glowed in the warm afternoon sun, his scar cast in a softer light than usual. The scar used to unnerve him, but he’d gotten used to it after weeks staring at it during sword fighting. 
“She was a child of Poseidon, Percy,” he said. “Just like you.” 
Percy felt short of breath, like Luke had just knocked his sword out of his hand and shoved him to the ground. But he stood on his own two legs that somehow still worked, and Luke hadn’t moved. 
He had a sister? 
“I have a sister?” 
“…Had,” Luke corrected. “She… she died a few years back.” 
A vice latched onto Percy’s heart. He was still having a hard time breathing. No wonder Luke always used past tense when he was talking about her. 
He had a sister, he wasn’t alone, but he was because she was dead. And if Luke was one of her friends, that meant she died young. 
Gods. 
“What about their oath?” Percy asked, trying to ignore the aching in his chest. “I’m already on thin ice for my whole existing thing. How did Poseidon get away with two kids so close to each other?” 
Luke shrugged. “I’ve never known why gods do things. Her mother was a great woman, though—I could see what drew Poseidon to her against the oath.” 
One half of Percy wanted to ask every question that kept popping into his head. The other side of him wanted to break down and cry. 
“How did you meet her?” 
“We ran into each other when we were both young,” he said. “Both child runaways, both demigods, both New Englanders—we decided to rough it out on the road together. Couldn’t be any worse than doing it on our own.”
Percy tried to imagine it. A young Luke and a younger version of that girl—maybe Percy’s age—living together in the wilderness and fighting monsters. Surviving off of nothing but their wit and skill, facing death each day before they’d even reached middle school. 
“It… it didn’t happen then, did it?” he asked hesitantly. 
Luke shook his head. “Couple years later. All we did was watch each other’s backs out there.” 
Percy couldn’t help himself. “What happened to her?”  
“The same thing that happens to everyone,” Luke said flatly. “There’s a reason I’m the oldest one here.” 
“That doesn’t make it better,” Percy insisted. “It— it makes it worse, Luke. You see that, right?”  
Luke stared at his empty water bottle then tossed it back into the cooler. When his gaze met Percy’s, he was shocked by how… tired he looked. Beyond exhausted—bone-weary. Percy wanted to say more, but he didn’t get the chance. 
“This isn’t good conversation,” Luke said, “and it’s getting late. You should hit the showers before dinner.” 
The sun still beat down on them, bright and angry in the sky, but Percy provided no argument. He had a lot to think about. 
Before they went their separate ways, Percy stopped and looked back at him. “I’m sorry she’s gone, Luke.” 
Luke’s gaze went unfocused for a moment, his eyes growing glossy. “So am I.” 
-
Percy sat on the floor of the Hermes cabin in the corner that used to be his, staring at his meager belongings. He had to decide what to take on his quest, which was made easier by the fact that he hardly had anything to his name. Things could always be worse, though. At least he would have a change of clothes. 
He should’ve been doing this in his own cabin, but it felt too empty, too suffocating in its silence. Eleven was still more familiar. He heard the door open and saw Luke walk in, and his eyes lit up when he saw Percy. 
“Hey,” he said. “I wanted to see you before you left. How’re you feeling pre-quest?” 
“Like the world’s about to end,” he said. 
Luke’s lips twitched into a smile as he sat on the bed across from Percy. “Understandable. It kinda is.” 
“It’s just overwhelming.” Percy shoved the unfolded clothes into his backpack. “I have to clear mine and my dad’s names and get Zeus’s bolt back, or else war will start. No pressure at all.” 
“You were chosen for a reason,” Luke said. “You may not see it, Percy, but you’ve improved a lot since you got here. If anyone can do this, I think it’s you.” 
Percy looked up at him, and he was reminded of the way their last conversation went. He was asking before he could really stop himself. 
“I could die on this quest and never see you again,” Percy said. “So could you tell me more about my sister before I go?”  
Luke smiled wistfully and sighed. “You really won’t let this go, will you?” 
“It’s not really something you just let go,” he said. “Besides, I… I saw her in my dream last night.” 
Luke’s smile faded. “You did?”  
Percy nodded. “For a split second, but I know it was her. I felt the same way I did whenever I looked at her pictures. And… it’s the second time she’s shown up.” 
He let out a long sigh and shook his head, his gaze trailing off to the wall. He always looked so much older when he talked about this girl, like he was a war veteran reminiscing on his lost love. And from what he’d gathered, it might not have been too far off. 
“I told you we ran together when we were young,” he said, and Percy nodded. “We were both nine, and it should’ve been terrible, but she had a way of making everything better. Always found the bright side of things, was always able to make me laugh.” 
“She was from Massachusetts—right in the middle of Boston.” Luke chuckled as he looked at Percy. “Huge Red Sox fan.” 
Percy grimaced. “We all make mistakes.” 
Luke smiled, though it faded a bit. “We got separated for a while, but we found each other again when I got to camp. Things were more peaceful than they are now, so she’d been claimed at camp pretty quickly. I figure Poseidon wanted her to have the protection of him openly standing behind her after what happened.” 
He frowned. “What do you mean, ‘what happened’?” 
Luke shook his head. “That would be an awful story to send you off on.” 
Percy wanted to protest, but he didn’t. Luke was probably right—Percy didn’t want to make him relive it and then have to go on a death quest right after.
“A happier part, then,” he suggested.
“She ran away from home as a kid to protect her mom, but now that she had an idea of what she was doing, she started going back to school. She invited me to stay with her during the school year one year, and I accepted. That—” Luke’s throat bobbed, and the other hand clenched into a fist— “that was when she died.” 
In his stunned silence, Luke got up and went over to his alcove. He pulled the drawer open on his bedside table and pulled out a neatly folded piece of paper. It must’ve been folded and crumpled a million other times in messier ways by all the creases he could see, but when Luke opened it, he could see handwriting all over the front. 
A letter. 
“We Iris messaged each other constantly while she was at school,” he said, “and we wrote back and forth when we couldn’t. This was the last letter she sent me.” 
Percy’s first instinct was to say he wouldn’t be able to read it, but he realized that he didn’t really care. These were words that his sister wrote—he would sit here the rest of the day forcing sentences to make sense if that was what it took. 
So he took the letter when Luke offered it. 
To the one and only Luke Castellan, 
My mom said yes! After a very long interrogation (she now knows basically everything about you) and a million promises that you would be as careful as possible and that you were good enough at sword fighting to take down anything that could come after us, she said you can spend the year here. We spent a couple hours every day making my mom’s study into a guest room, so you have a place to stay.
I’m an idiot that didn’t bring enough drachmas so that’s why I have to send this letter—hopefully it gets to you soon enough, because we’re gonna come get you a week before my winter break is over. Mom is letting me drive down because she says I have to get my permit soon. It makes sense that my first big test is getting to you. If we don’t make it, it’s because we died in a fiery crash. 
Just kidding. I’m a great driver. But tell me some of your favorite songs when you reply and I’ll burn a CD for the ride—I figured out how to use LimeWire. Oh, and throw in a couple drachmas with the envelope so I can Iris message you next time. I miss your face and your voice, and my hand is cramping up writing all of this. 
But this is so exciting! I can’t wait to introduce you to all my friends at school, and show you my favorite places in the city, and make you into a Red Sox fan. And you can come to my soccer games— I’m the greatest forward there is. 
Jokes aside, I’m going to make sure you have the best time. We’ll spend every second together, Luke. We’re gonna make up for the time we lost. 
I can’t wait to see you again.
Your hurricane.  
It took Percy a long time to get through it with the words swimming all over, and it didn’t help that his vision had grown blurry. 
Tears, he realized as he blinked, and he did it again to make sure they wouldn’t fall. He couldn’t cry in front of Luke, not over a girl he didn’t even know—even if she was his sister. But maybe he was grieving that—the fact that he would never get to know her. 
“God, man. I— I’m sorry.” Percy couldn’t think of anything else to say. “She sounds like she was great.” 
Luke couldn’t even manage a smile this time as he stared at the wall. Percy was surprised he could even talk to him about it. 
“She was,” he murmured. “You would’ve liked her. And gods,” this time, a bit of a smile broke through despite it all, “she would have loved a little brother.” 
“I’m gonna make her proud on this quest,” Percy vowed. “I’m gonna clear our dad’s name for her.”
Something in Luke’s gaze had changed—sadness, almost regret. “You’re a good kid, Percy. I hope your quest doesn’t change that.” 
I hope I come back alive, he wanted to say. But given the topic matter, he didn’t. Percy carefully folded the letter back up and handed it to Luke. 
“Thank you for telling me about her, man,” Percy said. “I… I know it can’t be easy.”
Luke let out a shuddering breath as he stared at the closed letter—Percy wondered how many times he must have sat in this same position, reading her words. “No better way to honor her memory than helping her brother.” He glanced at Percy. “I see a lot of her in you.” 
He’d been wondering if he had anything in common with her. Percy felt a sudden flare of anger shoot through him—it wasn’t fair that she was dead. Poseidon was a god, and she was a teenager. He should have saved her. 
Percy’s mouth was drier than a desert. A part of him wanted to curl up in a ball and sob over the sister he never got the chance to know, but the other part of him knew—from what little Luke had told him about her—that she wouldn’t want him to. 
“I should get going,” Percy said, standing up from the floor. “We have to leave for the quest soon, and Annabeth and Grover are probably wondering where I am, and…” 
Percy trailed off, and Luke nodded in understanding. He turned around and took one of the photos off the wall—one of you alone in the middle of a park, wearing a bucket hat and absolutely beaming. 
“You deserve to have a part of her with you,” he said. “For good luck.” 
He felt himself choking up, and he pushed it down as he accepted the photo. “Thanks, man. It means a lot.”
“Good luck, Percy,” Luke said. “You’ve got a lot of people rooting for you.”
Percy found himself studying the picture of you once he made it outside, trying to memorize your face. With your wide, infectious smile that emanated pure sunlight, he could have mistaken you for an Apollo kid. But when he looked at you, he got that same warmth that he felt every time he imagined his father. 
“I won’t let you down,” he murmured. “I promise.” 
-
After sleeping in his train seat for half the day, Percy vowed to never complain about his bed in Cabin Three again. He was gonna be going down to the Underworld with permanent cricks in his neck. 
Grover was still sound asleep—Percy envied him for how easily it came to him in the worst conditions—but thankfully, Annabeth wasn’t. Her gaze was focused on the view as their train chugged along. 
Percy cleared his throat in a flawless attempt at getting her attention, and it worked. 
“You’re awake,” she said. 
“Unfortunately.” Percy sighed. “How much longer do you think it’ll be?” 
“Another day, at least,” she said. “And we’ve got a layover in St. Louis.” 
“St. Louis,” he hummed. “Nice.” 
They sat in silence for a while—there wasn’t much to talk about when they were coming off of two— or was it three, now?—near-death experiences. But eventually, Annabeth cleared her throat, taking a page from his book, and it worked again. 
“There— there’s probably something you should know,” Annabeth said, and that worked even better than clearing her throat. “You’re not the only Big Three kid to come through Camp Half-blood lately.” 
“I know,” he said. “Grover and Luke explained it.” 
Her eyes widened slightly and she leaned forward in her seat. “Luke did?” 
“…Yeah. You all already told me about Thalia.” Percy glanced away, suddenly feeling a chill in the train car. “Luke told me about my sister.” 
Annabeth went silent. 
“It’s okay,” he said. “I kind of annoyed Luke until he told me. Doesn’t really seem like a subject people at camp like to talk about.” 
“I’m just surprised he did,” she murmured. “They were… they were close, Percy. Her death destroyed him—Thalia and your sister. All of it’s complicated.”  
“Yeah,” he sighed, “I got some of that.” 
“I only knew her for a year at camp, but everyone loved her,” she said. “She was nice. Popular. Always helped when she could, always had the biggest, most infectious smile on her face.” Annabeth looked down at her hands. “She didn’t deserve the fate she got.” 
Percy didn’t think he’d ever grieved so much for someone he never knew. “But her and Luke—were they…?” 
“Yeah,” Annabeth said, “they were a thing, later on.” 
That seemed to be all she wanted to say on the matter. Percy decided not to push. 
“How did you meet her?” he asked. 
Annabeth’s lips pressed into a thin line. “I met her on the day I thought I would die.”
-
For the first time in her life, Annabeth Chase couldn’t think. 
It had all happened so fast. One second she was running with Luke and Thalia and Grover, praying to her mother and any other gods that would listen to make the horde of monsters let up even a centimeter.
The next, she’d collapsed on the ground, never so grateful to have grass and dirt and dust in her face. But she could hear Luke yelling, barely able to make it out in her delirious state—she didn’t know when she’d last had a sip of water, and they’d been running for at least three miles—but he sounded hysterical. 
She remembered her last clear thought: they weren’t going to make it. 
But they had. They had, so why was Luke losing his mind? 
Annabeth pulled herself up from the ground—how long had she been bleeding out of those slashes on her arm?—and looked for the rest of her friends. Luke wasn’t yelling anymore, instead arguing with someone she didn’t recognize in a bright orange shirt. Grover’s furry legs trembled as he stared down the hill they’d just gotten up, completely silent, and Thalia— 
Where was Thalia? 
Annabeth tried to get up but her legs gave out almost immediately, and steady arms caught her before she could fall to the ground again. Kind eyes served to ease some of her panic—she was older than Annabeth, maybe around Luke or Thalia’s age. 
Thalia— 
“Hey, you’re okay,” the voice said, and Annabeth’s attention was drawn back to you. “I’ve got you.” 
“Where’s Thalia?” she blurted out, because now she couldn’t think of anything else. 
Your brows creased and you glanced back down the hill—Annabeth did too, and she saw Grover and Luke arguing with each other. Or rather, Luke was yelling at him as Grover anxiously hooked his hands through his hair. 
“I don’t know,” you said, “but right now, I need to make sure you’re okay. Are you hurt?” 
Annabeth absentmindedly held up her arm, but she was only focused on her friends. Why wasn’t Thalia with them? Why was Luke so upset?
You cursed under your breath in Ancient Greek as you cradled her arm, and you looked back down the hill. Annabeth could see at least half a dozen other kids. 
“We’ve got two half-bloods and a satyr, one injured!” you yelled back. “Get Molly and Brayden!” 
“Three,” Annabeth found herself saying. “There’s three half-bloods—” 
“Annabeth!” 
Her head shot up at the sound of Luke calling her name as he bounded over, and her eyes widened at the blood steadily spidering across the fabric of his shirt. 
“Luke, you’re hurt—” 
“I’m fine,” he insisted. “It’s fine.” 
“We have Apollo kids coming,” you said, looking up at him, still cradling Annabeth’s arm. “We’ll get y—” 
Your sentence stuck in your throat, and Annabeth could see tears welling in your eyes as your brows furrowed. She thought Luke’s eyes might burst out of his skull as he stared at you, his lips parted but nothing coming out. Neither of you were able to form words. 
When he finally did get something out, it was a single name. One Annabeth knew by heart, one that he’d mourned for years. 
“Luke?” you whispered. 
Before he had the chance to do anything, two teenagers got over the hill and called out your name, the same one Luke used. He always said you were dead, but you clearly weren’t dead, because you were here and you had her arm in your grasp and while your hands were cold, they weren’t cold enough to be dead— 
“Molly’s gonna take care of you,” you said, looking back at Annabeth and cutting off her inner dialogue. “She’ll get you to the infirmary and heal you up, okay?” 
“My friends—” 
“They’re gonna be okay too,” you said. “I promise.” 
Annabeth looked up at Luke, and he nodded. “We’ll be with you soon, Annabeth. We— we have to talk about some things.” 
So she went with Molly down the hill, and Annabeth put pressure on her bleeding wound when she told her to—it had started to sting like hell now that her adrenaline was fading. 
She looked back just in time to see you and Luke share the tightest hug ever. 
The hug of two people who realized they weren’t seeing ghosts, Annabeth thought. 
-
You bolted up in bed, eyes wide and your chest heaving as you rapidly sucked in air. Your fingers found purchase in your bedsheets, desperate for something familiar—it took a second for you to recognize your surroundings, that you weren’t in an endless void, but your childhood bedroom offered little comfort.  
You ran a hand over your forehead, damp with sweat, as you tried to calm down. Your breathing slowed, but you couldn’t shake that awful feeling that hung over you in your sleep. 
Your nightmares were getting worse, you knew that much. That raspy, demented voice used to be a rarity, and now it appeared every night. You could usually deal with your nightmares, but the sense of absolute dread that voice and the pit fostered in you was too much. You hadn’t managed to sleep through the night once since you came home for the school year.
You could deal with the monsters—to you, this was the worst part of your godly blood.
A knock rattled on the door out of nowhere, and you nearly jumped out of your skin. The only thing that calmed you down was the thought that monsters didn’t knock. 
“Come in,” you croaked, your throat drier than a desert. 
Thankfully, a monster hadn’t come to make your night even more miserable. Luke stood in the doorway, his eyebrows creased in concern, messy curls hanging just above his eyes. He wore the Red Sox t-shirt you’d bought for him at the game you dragged him to, and in your addled state, you didn’t even think to tease him about it. 
“Are you okay?” He should’ve been as disoriented as you, but his alerted eyes told a different story. 
You could only think of one thing. “How did you know?” 
Luke’s lips parted for a moment, as if he hadn’t even considered it. “I could just feel it.”
You managed a smile despite every atom in your body screaming at you. “I think that means you can come in.” 
He closed the door behind him, and you shifted over in your bed to make room for him. There wasn’t much in a twin, but you made it work. Luke’s weight pressed into the mattress, making you adjust your position, and it was more comforting than any amount of blankets. 
“You’re so cold,” he murmured, laying the back of his hand against your arm. “How do you live like that?” 
“Blame my dad,” you said. “I’ve got water in my blood.” 
“I think that’s probably a bad thing,” Luke said, and you knocked your shoulder into his with a huff. 
“You know what I mean.” 
Luke let his hand fall back in his lap, and as you brought your knees up to your chest, you pulled the covers with them. 
“So,” Luke said, glancing at you, “what’s got you awake at the witching hour?” 
“The usual,” you mumbled. 
“Nightmares that might be prophetic?” he asked. 
You made a lazy gesture with your hand. “Bingo.” 
“The worst sense of dread imaginable?” 
“Bullseye.” 
“I’m sorry,” he said. 
You shrugged. “It’s nothing I can’t deal with.” 
“You don’t always have to put on a front, y’know,” Luke said. You felt his eyes on you. “You don’t always have to be strong.” 
“I’m naturally strong,” you said with mock austerity. “Comes with the god for a dad.” 
Luke chuckled and shook his head. “You know what I mean.” 
“Yeah,” you murmured. 
You leaned into his side, fitting your head into the crook of his neck. Luke wrapped his arm around you, pulling you closer, and you let out a contented sigh. 
That voice in your nightmares seemed so small when you had Luke. 
“Can you stay?” you asked softly. 
He didn’t hesitate. “Of course.” 
“Just like old times,” you whispered. 
“Just like old times,” he agreed. 
Luke ran hot, and you’d never been more thankful for it as you fully settled into his side. Icy blood ran through your veins, and you let out a shaky sigh. You could hear his steady breathing, feel his heartbeat through his chest, and the anxiety from earlier began to steadily fade. You never felt safer than when you were with Luke. 
There was something between you—you weren’t that stupid—but you hadn’t talked about it. With you and Luke, it was just… you and Luke. You didn’t have to put a label to it. 
How could you put a label to your relationship, when you’d spent your first few years together fighting for each day, and then the next few thinking the other was dead? 
Maybe someday, you would talk about it. But for now, this was more than enough. 
“Don’t worry,” Luke murmured in your ear as your eyes began to droop. “I’m not gonna let anything happen to you.” 
And by the gods, you believed him. 
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chrollohearttags · 3 months
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the morning after • reiner braun
mornings with your husband are always fun but the one after valentines is rather eventful!
playful banter, flashbacks to heavy smut, chubby reiner, plus size black reader, mentions of anal play/toys, breeding, squirting and other slutty tings, daddy’s used, reiner being aggravating as hell 😭
word count: 1.6K
📝: goes without saying but this is so self indulgent bc why not? I need him biblically, carnally and physically. I also need to engage in hand to hand combat with him one good time.
. °•★|•°∵ ∵°•|☆•° .** . °•★|•°∵ ∵°•|☆•° .** . °•★|•°∵ ∵°•|☆
the scene was a chaotic one..a messy one indeed!..
once crispy white sheets strewn about the floor, pillows tossed to the wayside. Expensive clothing with designer tags torn to shreds as they lie in a pile in the corner near the nightstand. All a result of one thing or rather..one person in particular.
“Mmm, good morning, sugar. You look beautiful—“
“Mm, good morning to you too, sir.”
two very starkly contrasting reactions from a couple who shared equal blame in this very erratic mess that was the master bedroom of your two story ranch home. You stood before the bathroom mirror, silk robe tied around your body to match the bonnet atop your head..plumpness swaying with each step underneath as you picked at your face. Examining the aftermath of last night’s wild antics. It was Valentine's Day and to say it was your most eventful yet would be a gross understatement. Dinner in the city, giant bouquets of roses, a night at the theater, lavish gifts provided by your doting husband and of course…intense, filthy love making to end the evening. You couldn’t have asked for a more ideal night. However, you had felt the effects of what transpired and saw them too.
“What’s with the grumpy face? Why do you sound like that?” The thick country accent spouted before it was quickly overcome with loud cackling as he doubled over into the sheets. The doting husband in question was none other than Reiner Braun. Retired NFL star turned rancher and the source of your early morning headache. That was the beauty of marriage. Having that one person you could not live without but definitely could use a day or two of break away from them! And this man was no exception to the rule. “I don’t know, you tell me! You must know since you’re laughing so damn hard.” Already, he had worked you into a tizzy and you hadn’t been awake more than ten minutes at this point. Getting up to relieve yourself and examine the damage he had done. You had lash extensions that had seemed to sweat out, a slight indentation in your neck from the collar you so quickly allowed him to place around your neck and your hair? God only knew what bird’s nest was underneath this bonnet. You could’ve killed him for his little cacklefest and making light of your very distressed condition. But truthfully, you had no one else to blame but yourself. Truth was, you two brought out the absolute worst in one another. Not by way of toxic behaviors or tumultuous fights but your filthy desires. Things that you would’ve never tried or even thought of prior to meeting each other in the bedroom, all manifested once you were together. Sexual fantasies beyond anyone’s comprehension and your dirtiest secrets all shared right here. You let it all happen and consequences be damned. Enjoying each other in such carnal ways, often led to things like this transpiring and Reiner found it more and more amusing each time.
“Just pull it off, I’m sure it’s not that bad. I bet you look adorable.” “Oh, kiss my ass, Reiner! You know my hair is messed up and you’re to blame.” Shouting at your husband as he tried to conceal his laughter behind a pillow because he had already caught a glimpse of your very altered state and decided to commentate the occasion with a photo of you all disheveled; hair tousled like that of a rooster, one breast dangling from your tank top and drool coming from your mouth as you slept set to his Lock Screen..needless to say, you were not moved! “Oh it’s defintely fucked up. But ya’ look so cute! And your tits?..look amazing.” Which was of little consolation to you! But just how had this insane night come to pass? Well, you guys could only attribute it to one thing..
flashback: the night before
“Right there, baby? C’mon..moan for me.”
“Yes! Right there, take it! Fuck..”
loud, rambunctious movements sounded off from beyond the walls of your bedroom. The heavy headboard smacking against the wall as your husband’s rough hands grasped at it for leverage. Holding himself steady as he slammed into you repeatedly. Consistently deep yet sporadic thrusts filled your core with no plans to cease anytime soon. Sweat beaded from your forehead and your makeup coursed down your face like that of a stream as it melted off from the intense session. That thick, burly frame stood over your own..perspiring as well but still as energized as ever and determined to put you through this mattress! In his opposite hand, he brandished a pink leash to match the collar tied around your throat and tugged tighter to keep you reigned in. His own gift for the occasion. Along with that skin tight, latex lingerie you were sporting. Thrashing you around on his cock with brute force but you didn’t complain and in fact, begged him relentlessly for more!
“Give me that fucking pussy..open it up—thereee ya’ go.”
nodding and gliding his tongue across his lips as you placed those long acrylics to your asscheeks and spread yourself open for more working room and his viewing pleasure!…exposing that bejeweled, heart shaped plug that your other hole was sucking on at the moment. Fluttering with each thrust as those creamy strings leaked down onto it. He couldn’t get enough and neither could you, quite honestly. It felt incredible and Reiner was going to spend all night if he had to..making certain that you were well fucked and satisfied. Even if you had to crawl the next morning. Tugging that collar once more, he’d prompt you to open your mouth before filling it with spit and demanding that you rub it on your center. “That’s right, look at me when you rub that clit, sweetheart. I wanna see your pretty face when you come on this dick.” Watching and listening to you writhe and whine as you worked yourself into yet another orgasm. “I’m gonna come, daddy! Please…keep—fucking me, just like that. Just like that!” Your leg trembled whilst it dangled over his shoulder blade. Being laced with soft kisses on both your ankle and instep. His lips curled into a maniacal smile as he watched his dumb, fucked out little slut work herself into another climax. Having come a total of three times already. Once by his fingers in the living room, for a second time when he ate your pussy until tears dripped down your face and for a third now.
“T-take some ou—“ “Not a fucking chance, baby. If you wanna squirt, I suggest you do it with me inside you or hold it in. Your only choice.”
he was pounding into your core, swallowed up by that overwhelming tightness that was your cunt and Reiner did not want to pull out. Having already stuffed you with one hefty load, he wanted—no, needed to give you more! More of that healthy nut that spilled down onto the sheets and your little asshole as he fucked it out of you and brought you to your peak again. He could sense the sheer desperation on your gorgeous face; heaving and crying as you pawed at his once toned six pack. Replaced by a solid yet rounder core but still just as sexy as ever. Blonde stubble grazing your cheek as he leaned down to shove his tongue into your mouth. Sloppy, nasty pecks complete with light taps to your cheek and a palm residing on your forehead as he continued drilling you. “I said come, princess. I know it’s big but you can handle it, right?” Nodding profusely to sate his desire but alas, he wasn’t finished..not by a long shot. Rubbing profusely, (y/n) released a shrill cry as you let juices splatter all over his torso. The sounds of flowing liquids going on in spurts as he pumped that squirt out of your body.
“Good girl, I knew I could depend on you.” Cackling once more as he made one more move, one that would send shockwaves throughout your body. Tugging out that plug, he’d swiftly take its place before you had time to react both mentally and physically. Whispering into your ear:
“So I’ll reward you by fucking this pretty little ass of yours. Let’s see how you take it.”
end flashback
“You’re impossible, you know that? Got me looking a fucking mess…” mumbling off to yourself and smacking your teeth as you picked at your eyes in the mirror. Even so, he was still getting his fair share of cackles from your suffering! “Nonsense, you’re beautiful, poundcake..no matter what. Nothing could change that. If it makes you feel better, you can just take the black card and whatever you need redone, just go get it.” his statement seemed so sincere but alas, it wouldn’t last long and your adorable pout soon shifted to a deadpan scowl. “Thank you, papa—“ “..yeah, it’s something about the way you slobber when you’re snoring all loud that’s just so..sexy.” Mockingly chewing at his lip and narrowing his eyes. “Please, go to hell.” Tossing a nearby roll of tissue in his direction before he shielded it with a pillow. “I can’t yet. But I can go to Krispy Kreme. You want something?” It was official, you were locked in for the long haul with this man but you wouldn’t want it any other way!
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dragonmuse · 7 months
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Keep It In The Box : An Essay on OFMD Season 2 and the Failure to Heal
(here in is my season two reaction. It contains many many spoilers. It's also about 3k words long so you know what you're getting into.)
“See, I have a system for dealing with all the terrible things I've seen. There's a box in my mind, and I put the things in the box..” -Frenchie, Season 2 of Our Flag Means Death
…..and then he never opens it. Chekov’s locked box has no key in season two.
On first watch, it seemed clear to me that Frenchie’s declaration was a narrative plant. Clearly the whole season would be about that box of pain and trauma being opened, sorted through and at least the beginning of healing. The show had developed a reputation after season one of being kind and focused on queer narratives of healing from childhood. Ed and Stede’s parallels in their childhood traumas were frequently on display through season one and were repeated in flashback throughout season two. Jim’s season one arc about becoming someone who doesn’t think just of revenge and can now forge meaningful connections was profound, beautiful and often funny. Izzy is an antagonist because he doesn’t want Ed to move on or stop acting like the trauma-response version of himself. The antagonist wants to stop healing. The point is to grow, to change, to learn how to love. It’s one of the things that made season one work for me at the time, despite reservations about pacing and tone.
So naturally season two should follow suit. It’s a kind show! About healing and falling in love!
For the first several episodes, the remaining crew on the Revenge go through a gauntlet of trauma, forced to do and receive violence at Ed’s whims as he careens from self-destructive behavior to self-destructive behavior. This is the wounding setup. It was dark, but it seemed like it would have a payoff and at first it did.
Perhaps one of the most beautiful moments of the season comes in one of the small respites in those early episodes as Jim recounts Pinnochio to Fang to soothe him through his grief. That was the show that I expected. The kindness of that moment struck me very deeply. It gave me some understanding of Archie too, who seems to fall for Jim right at that moment.
That scene is the show season one promised. Season two led with packing Frenchie’s box full to bursting. Here is the fight to the death between lovers, there is a first mate who is mutilated and rotting in the very walls (the rot of the Revenge itself), and there is the storm of Ed’s rage and pain that threatens to consume all of them.
So surely these remaining episodes would concentrate on finding the humor in healing from those moments. That is the setup. Frenchie has a box. The box must eventually open.
Except time and again, all the characters who suffered are told that the only way to deal with what they’ve been through is to stick it in the box and never open it again.
Pete tells Lucius that he’s unable to move on and needs to let it go. Izzy has a story about a shark. Ed’s apology to the crew which doesn’t even contain the words ‘I’m sorry’ is just…accepted. I kept waiting and waiting for a meaningful apology to the people Ed had hurt the worst with his actions, but it seems all we get is Fang saying ‘eh, no problem, I got to hit you back so I feel better’.
The playful theme of ‘pirates are just violent sometimes’ from season one becomes a grinding horror machine in season two when every atrocity visited on someone is forgiven because the narrative needs it to be. Ed and Stede spend more time making amends with each other over the bloodless night on the beach than either of them spend trying to repent for their actions towards anyone else.
And let’s talk about Ed. Arguably this season pivots on his narrative, on his path to healing and growth. A path that starts at a very low point. His moment in the gravy basket, deciding he wants to live because there are still things to live for is so great! So one might assume that what would follow would be him pursuing those things, making amends, making connections. He and Stede have a wonderful moment, talking about being whim prone and how they’ll work to avoid that, build a relationship by going slower.
Yet, at no point do either of them stop following whims. They never heal or learn from what’s happened to them. They both keep running from thing to thing, particularly Ed. It’s a whim to sleep with Stede, it’s a whim to run off to fish, and the finale gives us just more of their whims. Ed drops fishing as fast as he picked it up. He finds those leathers in the ocean, murdering the symbolism of leaving them behind. Even the inn is a whim, one of those things Ed decided he’d be good at without evidence. And Stede joins him in that without a single on screen conversation about it ahead of the moment.
Ed needs to heal himself and to do that he needs to confront what he’s done and do the work to heal the wound. Instead, he doesn’t meaningfully apologize to anyone, besides Stede and Fang. Despite Izzy’s dying words (we’ll get to that), not only do we never see the crew caring about Ed, working to make him family in the same way they do with Fang and even Izzy, he also doesn’t choose to stay with them. So what is the point? Where is the healing? Or does even Ed, beloved main character, have to live with it all stuffed in a box?
He ends the season in the leathers he threw away, in a relationship that’s barely stabilized, going to live in a house which we are told by the narrative (in that they are very very clearly paralleling Anne and Mary with Ed and Stede or why do we even get that whole Who’s Afraid of Virginia Woolf? episode) will only end in them setting fire to each other to stay warm.
But Vee, I hear you cry, it’s a ROM-COM. This is all meant to be ha-ha funny and you are taking it so seriously!
Cool beans. Then why the hell isn’t it funny? Healing is often filled with comedy because people deal with pain with humor. You can heal and laugh at the same time. The finale especially is almost entirely devoid of laughs, almost entirely devoid of joy until the last minute for that matter. The episode that should show off with a flourish how far everyone’s come, mostly serves to show that no one has grown.
Okay that’s Ed. I want to talk about Lucius next. Our former audience surrogate (that’s taken away in season two when he doesn’t get enough screen time to perform that role and no one takes his place) really goes through the wringer. He experiences many many terrible things, including sexual assault (which is made into a grimace-laugh line that doesn’t take away from it’s seriousness because oh hey, that can be done as it turns out). He’s nervous, he’s smoking, it’s clear he’s suffering.
There’s a beautiful moment where Pete tells him ‘hey, I was also in pain. I grieved’ and that’s great. It’s good that Pete sets a boundary about Lucius not obsessing over the past to the point of occluding their future.
We even get our comedic moment where Lucius pushes Ed off the boat (still not apology, but I’d lost hope for that by then) and that doesn’t help enough. So Izzy comes in with a shark and the advice that you just have to move on.
Just…you know. Play pretend. Forget.
Shove it in a box. Ed didn’t take my leg, a shark did. Ed didn’t kill you, a shark did. Live with the person that tried to murder you because it’s your fault you dangled your leg over the side of a boat. That is the show’s message. I thought on first watch, that surely this would also come back up and be explained that you can’t live that way, that that is no way to heal. That it would become clear that this was no way through. You cannot make everything into sharks.
Lucius can move forward and still carry pain. He can still want a meaningful apology and still want to talk to his lover about what he’s dealing with while moving forward toward a brighter future.
And what of the flirtatious promise of relationships and connections being the way to heal? Look to Oluwande and Jim, whose heartfelt romance from season one was relegated to the bins of history in favor of a narrative that made him a brother Jim once had sex with. They could have had Archie AND Oluwande, who in turn could also have Zheng, but that never seems to be an option. With a single short conversation, they are broken up with, despite a brief tease at the birthday that they still ‘dance’ together, it never actually manifests. Jim and Archie never talk about what they went through. It’s swept under the rug as fast as knives are lowered.
Lucius also no longer flirts with other people, the solution to his pain is to propose and get married (but not too married, lest we forget that they’re two men, they don’t even get to be husbands or even the more respectful mates, no. They’re mateys.) This season proposes that the only happy endings are monogamous ones, where no one talks about anything painful that went before.
To ensure that message, beyond assuring the success of Oluwande and Zheng’s relationship, Jim and Archie almost entirely disappear from the narrative. Sorry you guys were given layers of trauma and no growth and not even much to do this season, we need to make sure that everyone remembers Oluwande is the break in Zheng’s day so when he says that to her five minutes later we know exactly what he’s referencing. No time for Archie to learn what an apology is or for Jim to get one line in with Oluwande that isn’t affirming their newfound broship. Must do more flashbacks to things we just did two episodes ago!
The show even dangles the conversation of the Revenge being a safe space. Why would any of them ever feel safe when the man who tortured them is allowed to walk among them and they are expected to forgive and forget? What’s safe about that? The ship is never made safe for any of them, but that’s never addressed.
And Zheng! Amazing, hysterically funny Zheng! She loses her ships, her entire way of life, the kingdom she built for herself and then…she doesn’t even get to captain the Revenge. We don’t know what becomes of her fleet, of her plans, her ambitions. Don’t worry about it, she has a romantic partner and isn’t that what every lady wants in the end?
(But Vee, I hear you cry again, there will be a season three! Maybe it will be All About Zheng! To which I say: then why did they present us with the most series finale feeling episode ever? If there’s more, I have no idea where it’s going. BUT VEE: BUTTONS AS SEAGULL ON THE GR- Fine. It’s time.)
Let’s talk about Izzy Hands.
Izzy manages more healing than anyone else this season. He reaches his lowest point, suicidal in the bowels of a ship that’s become a prison (very much in contrast to Ed’s suicidal low). The person he loves most in the world has shredded him physically and emotionally (and if you’re in the camp that thinks Izzy deserves the abuse that Ed gave to him, I would really like you to sit quietly with yourself and ask why you think there is ever anything anyone can do to deserve that treatment). He’s low, he shoots Ed to protect everyone, and then seems to plan to drink himself to death, mourning his losses.
And then another beautiful moment! The crew move past their own pain to help him. They work together for the first time and it’s to give Izzy mobility back. He treasures it. He cries over it. He uses that kindness extended to him to reach a new understanding of Stede and help him succeed, doing the work to make real amends. He sings in drag, he’s vulnerable and beautiful, celebrating the side of himself that he must’ve loathed in the first season. He’s an elder queer man, coming into himself.
He never gets an apology though. (‘Sorry about your leg’ without eye contact is not an apology. There is no responsibility taking, no acknowledgement of the weeks of torture that came with it.) Izzy also never really has an honest conversation with anyone about what it means that the man he loves punished him so severely for the crime of trying to protect the crew (yes, lest we forget, Izzy lost his leg because he was trying to keep Ed from re-traumatizing the crew and himself).
Izzy does all this work, but even he’s not allowed to take it out of the box. It’s a shark, not Ed. Ed is just ‘complicated’ (the language of abuse here is so upsetting and I think not even intentional).
And then he dies. His last act? To apologize to the man who tortured him and shot at him. To have done all this work, to take on all the blame. And then die.
In a rom com.
This show ends in a profoundly unfunny moment of telling the audience: this is the one character that did the work, that made amends, that tried his hardest to accept the parts of himself that he had a hard time embracing and formerly embittered him. He’s fully accepted his queerness and turned it into beautiful music. He’s disabled, and he worked hard to accept that. The man he loves will never love him back, so he worked hard to make Stede able to meet Ed on an even playing field. The Giving Tree gave up its limbs and its trunk, and it’s not even allowed to be a stump to sit on.
Kill the queer elder, who has managed to figure out how to live and in his own way how to heal. Kill him before he manages to teach anyone else how to meaningfully move forward (he almost gets it with Lucius, almost, but it’s meant to be rule of three, you know. Cigarette..shark…and then…and then fuck it, Lucius doesn’t even get to say a word at his funeral).
The message of this season again and again is that there is no healing, just moving forward. Like a shark. Like a bird that never lands.
That is not a kind show.
Season two is not a kind season.
It splinters people up and jams them back together without purpose or reason. It tells everyone who experiences pain that they should shove it in a box and not deal with it. No one who really needs one gets an apology of any sincerity. No one puts in the work to gain forgiveness. (Ed wearing a onesie is not The Work. Ed fixing a door is not The Work. Ed broke people that the show wants us to care about. Ed never does the work of making those amends. He fires off a Notes app apology at best. After all, it’s what he told himself via Hornigold in the gravy basket: you move on or you blow your brains out! Good thing he took his own advice and therefore had to change nothing to get his just rewards.
I would’ve taken just fifteen minutes of Ed trying to actually make amends. It could’ve been hilarious! Imagine awkward Ed trying to dance around what he’s doing with Jim and the two of them having a knife throwing competition about it. Or him and Frenchie attempting to make music together, writing a song about the raids they went on! It’s not just the crew robbed of their healing because of this, it’s Ed himself. He never meaningfully changes or makes amends. How is he any different at the end of the finale then he is standing on the edge of that cliff with Hornigold? He hasn’t moved on, he hasn’t healed. He tried one thing (fishing) that doesn’t fucking work and then he runs right back.
No one leaves this season better than they went into it. They’ve lost an elder queer, they’ve lost their joyous and queer polyamory, they’ve lost a chance for meaningful reconciliation with Ed and Ed lost any chance of looking like he gave shit if they did. Stede grows enough to accept the crew’s beliefs as important and then leaves them behind without a care.
Izzy gets a beautiful speech about piracy being larger than yourself. Ed and Stede, within twenty minutes of that speech, leave piracy. They are incapable of giving themselves to something bigger, apparently. They haven’t learned to be a part of a community. They haven’t healed from their childhood trauma or their fresher wounds. They are still just following their own whims.
Zheng’s life work is in tatters, but it’s fine, she has love. Oluwande and Jim aren’t together, but it's fine because they both have dedicated monogamous partners. Lucius was deeply scarred by what happened, never recovers much of his first season personality, but hey he got-well it’s not married exactly- but you know good enough!
Frenchie, who has a box forever locked in his head, is captain. Because the key to success is to lock it all in a box and never open it. What a message. What a show. Conceal, don’t feel. Smile because it’s a happy ending. Don’t mourn the dead, don’t try to tell people what happened to you (they will literally run away or cry too hard to listen and really you’re just bumming them out), and any meaningful change you make is only rewarded with death.
Frenchie is now a pirate captain with a box in his head full of trauma that’s never been opened, leading a crew with more wounds than scars. Wonder how that could turn out? Wonder how many years before he might want to retire and then happen to run across a gentleman pirate. As if no one learned anything at all.
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timmie-p · 1 month
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april fools post translation 👍 * indicates i have notes on the translation if you want to read below
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Hyun Woo —> He stopped acting in his childhood but is currently working on ALNST as a lighting crew member. Worries about his dull, slow sister
Hyuna —> The last and youngest of the ALNST cast to debut! Her real personality is gentle and innocent
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Mizi —> Fan favourite among the actors. Shy personality and very nervous about her first leading role
Sua —> The feisty actress is popular among her co-stars, thanks to her nonchalant friendliness
Sua: Great job on the shoot today. I’m sure Director Kim was only speaking so harshly because he was worried about your safety, so don’t take it personally.
Mizi: Yeah.. ((It’s sunbae!!! What should I do! What should I do!!))
Sfx: Thump thump thump [heartbeat sound]
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Ivan and Luka are actors from a different agency. They’re also in an idol group together (for the record, Luka hates it)
Ivan —> Ivan loves kids and voluntarily takes care of them
Luka —> Luka is Ivan’s best friend, so he’s forced to babysit with him
Baby Till —> Baby Till for flashback scenes
Baby Mizi —> Baby Mizi for flashback scenes when the kids are older
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Till —> Till, the youngest in the series, is actually the oldest in the cast and debuted with CF before he could even speak in a diaper commercial. Till has a strong “my pace”* persona. He just wants to quickly wrap up the shoot and go home. His dark circles are from overwork, not make-up.
Others —> Three people who want to approach their mysterious** senior but can’t
Ivan: ((Lamenting over delays..?))
Mizi: Want me to talk to him?
Luka: Yeah
Till: ((I want to go home))
Sfx: Spacing out~
*according to namu wiki, either someone who’s strongly independent and doesn’t care what others think or someone who’s always chill
**according to namu wiki, the adjective translates to a famous person who deliberately keeps their private life secret. i just went with mysterious bc it directly translates to “mystic”
i didn’t choose to translate sunbae in Mizi’s thoughts because it sounds weird and most of you probably know what it means anyway
lol it looks like everyone’s personalities were flipped. does that mean ivan actually hates kids? and till as the cool mysterious senior everyone is scared to talk to vs hyuna as no thoughts head empty is kinda funny. i have a feeling ivan and luka are shipped together a lot by fans in this au.. the woes of being besties. also mizisua is always canon 🙏 theyre so yuri
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vidduality · 3 months
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SPOILERS for Episode 6 of the Avatar Live Action series
AKA why this episode makes me SO grateful for this adaptation (re: the Zuko flashbacks and the Agni Kai).
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Wow.
I admit, I was really worried at the idea that Zuko might potentially fight back in the Agni Kai against his father in the live action. I expected to HATE it, and it's certainly a bold change, but it fits in SO WELL with why Zuko is the way that he is (and why he works so hard to push down his empathy whenever Aang tries to reason with him).
The Agni Kai - Zuko obviously did NOT want to fight his father. He still tried to apologize and beg for mercy, but in the end he was just too terrified of his father to disobey a direct order.
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But when Ozai left him an opening to see what he'd do with it, Zuko couldn't bring himself to actually land a blow that might burn him. Making his lack of ruthlessness the weakness that Ozai ends up mutilating him for - even straight up telling Zuko that compassion is weakness and then demonstrating by holding his own child down and lighting him on fire - adds a layer of depth that only enhances the original scene (and in another stroke of genius, we see Ozai nearly in tears himself. He's convincing himself of this lesson as well as Zuko, which was likely passed down to him by his own father). Honestly, this to me is even more heartbreaking than Ozai burning him for refusing to stand and fight. Zuko did everything his father asked and he still failed, because his family has distorted what it means to be honorable and believes Zuko's capacity for mercy to be a shameful weakness unbecoming of an heir to the throne.
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The 41st Division - And here come the waterworks. Assigning the very people Zuko was hurt so severely for trying to save to his ship as it's being cast out of the fire nation (presumably forever, with the Avatar not having been seen in 100 years) is SUCH a brilliant addition. His crew resents Zuko for being stuck on this impossible mission with this bratty, angry child. And Zuko is too ashamed of his "weakness" to explain why they were assigned to him.
I can totally see Zuko's hurt at their lack of respect making him even more angry (especially after everything he went through to save them from being sacrificed), and his seemingly irrational anger at them just continuing to make them resent him more in a neverending feedback loop of anger and disrespect that's been growing and festering for 3 years.
Which makes the scene at the end when Zuko's crew finally learns about how he saved their lives (as well as why he's obsessed with the avatar, why he's banished, what his scar means and why he's trying so very hard to rid himself of empathy, even if he can never quite manage it when it counts) so much more impactful. I SOBBED when the 41st Division stood at attention and showed him their utmost respect and loyalty, possibly for the first time since they've been on that ship. Zuko's soft "what's going on?" at finally being honored by his crew is just imprinted on my brain.
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The seed of the idea that his compassion may NOT actually be what was shameful about his banishment afterall can finally begin to take root.
I just, damn, I love this episode so much.
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