things i learned about tighnari via his story lines: (for character study purposes!)
he's extremely sensitive to heat: he visited the desert once as a child and got a heatstroke just after a few minutes of entering the area
the reason why he visited the desert was because child tighnari found out his race came from the desert, so he asked his father to take him to his heritage
he used to wonder why other people don't have ears and tails
he also used to hug his tail while reading books as a child
the glass he wears as a necklace was a magnifying glass given to him by his mother (a paleontologist). he used it around the forest as a child but now that he's older he wears it as a reminder.
tighnari was so well-liked and demanded by everyone that cyno got suspicious of him for academic corruption and forming alliances (cyno practically stalked him)
tighnari is infamous for his long lectures when someone does sometimes stupid in the forest
but his long lectures are also a part of his belief that knowledge should be shared (and not restricted, which is why he left the akademiya)
he joined the forest watchers for the very idealistic dream of making a difference for the environment (after getting sick of arrogant scholars)
only to find out they kind of suck. so he had to work to make his dream a reality, and practically took over and built a better system
everyone calls him general watchleader behind his back but he thinks it's too high a position for him (besides, there's no such thing as a general watchleader and he believes they're trying to copy their own version of general mahamatra)
tighnari is very similar to candace in terms of hospitality; people leaving the village would find that everything they needed for the travel had already been arranged and ready
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You know what I realize that people underestimate with Pride & Prejudice is the strategic importance of Jane.
Because like, I recently saw Charlotte and Elizabeth contrasted as the former being pragmatic and the latter holding out for a love match, because she's younger and prettier and thinks she can afford it, and that is very much not what's happening.
The Charlotte take is correct, but the Elizabeth is all wrong. Lizzie doesn't insist on a love match. That's serendipitous and rather unexpected. She wants, exactly as Mr. Bennet says, someone she can respect. Contempt won't do. Mr. Bennet puts it in weirdly sexist terms like he's trying to avoid acknowledging what he did to himself by marrying a self-absorbed idiot, but it's still true. That's what Elizabeth is shooting for: a marriage that won't make her unhappy.
She's grown up watching how miserable her parents make one another; she's not willing to sign up for a lifetime of being bitter and lonely in her own home.
I think she is very aware, in refusing Mr. Collins, that it's reasonably unlikely that anyone she actually respects is going to want her, with her few accomplishments and her lack of property. That she is turning down security and the chance keep the house she grew up in, and all she gets in return may be spinsterhood.
But, crucially, she has absolute faith in Jane.
The bit about teaching Jane's daughters to embroider badly? That's a joke, but it's also a serious potential life plan. Jane is the best creature in the world, and a beauty; there's no chance at all she won't get married to someone worthwhile.
(Bingley mucks this up by breaking Jane's heart, but her prospects remain reasonable if their mother would lay off!)
And if Elizabeth can't replicate that feat, then there's also no doubt in her mind that Jane will let her live in her house as a dependent as long as she likes, and never let it be made shameful or awful to be that impoverished spinster aunt. It will be okay never to be married at all, because she has her sister, whom she trusts absolutely to succeed and to protect her.
And if something eventually happens to Jane's family and they can't keep her anymore, she can throw herself upon the mercy of the Gardeners, who have money and like her very much, and are likewise good people. She has a support network--not a perfect or impregnable one, but it exists. It gives her realistic options.
Spinsterhood was a very dangerous choice; there are reasons you would go to considerable lengths not to risk it.
But Elizabeth has Jane, and her pride, and an understanding of what marrying someone who will make you miserable costs.
That's part of the thesis of the book, I would say! Recurring Austen thought. How important it is not to marry someone who will make you, specifically, unhappy.
She would rather be a dependent of people she likes and trusts than of someone she doesn't, even if the latter is formally considered more secure; she would rather live in a happy, reasonable household as an extra than be the mistress of her own home, but that home is full of Mr. Collins and her mother.
This is a calculation she's making consciously! She's not counting on a better marriage coming along. She just feels the most likely bad outcome from refusing Mr. Collins is still much better than the certain outcome of accepting him. Which is being stuck with Mr. Collins forever.
Elizabeth is also being pragmatic. Austen also endorses her choice, for the person she is and the concerns she has. She's just picking different trade-offs than Charlotte.
Elizabeth's flaw is not in her own priorities; she doesn't make a reckless choice and get lucky. But in being unable to accept that Charlotte's are different, and it doesn't mean there's anything wrong with Charlotte.
Because realistically, when your marriage is your whole family and career forever, and you only get to pick the ones that offer themselves to you, when you are legally bound to the status of dependent, you're always going to be making some trade-offs.
😂 Even the unrealistically ideal dream scenario of wealthy handsome clever ethical Mr. Darcy still asks you to undergo personal growth, accommodate someone else's communication style, and eat a little crow.
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so, Astarion and Finch. which one of them watches the other fight and thinks "that's so hot"?
finch finds astarion's skill and deftness with a blade VERY sexy admirable but i think the person who has that immediate "HOT" moment is astarion himself.
there is probably something immediately attractive to astarion "technically not a murderhobo but only because he dresses nice" ancunin about seeing a man who (for the most part) tries to favor persuasion decide that a situation is bad enough to call for killing someone
and swiftly, effectively, and mercilessly
following through with that decision.
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i think my favorite "raditz-gets-brought-back-somehow" au is the idea that he accidentally gets brought back when goten is a kid and while everyone else is understandably wary given the last time he was around (even if they're no longer afraid of him because EVERYONE is a million times stronger than him) goten latches onto him like a goddamn leech. constantly hanging from his hair and poking at him and following him around and whatnot. calls him "mr. radish" that eventually changes to "uncle radish" when someone finally tells him his relation to goku. raditz is NOT happy about this at ALL but he really can't do anything because goten is a fucking super saiyan and could annihilate raditz with his pinky finger. so he just has to deal with it. and eventually things sort of smooth out and raditz becomes goten's weird gruff uncle that just kind of sits there while goten crawls all over him and gets all bristly when someone accuses him of caring about another person. and i say he's goten's uncle specifically because i think if he and gohan come within 50 feet of each other gohan goes mystic and stands there radiating the world's most tangible rage until raditz fucking skedaddles. gohan's gentle heart vs. the fact that raditz was quite literally the domino that triggered the absolute horror that was his childhood FIGHT
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Reading the reaction to Larian's decision to fully step back from wotc/d&d/etc has been interesting
a lot of mourning of the loss of "content"
"we could have had years and years of content" "this is heart breaking to never see these characters again" etc etc
is that what you really want? content? is this what modern media production has come to, that people aren't sated with anything less than milking a property until it's a barren husk of anything it once was?
Why can't we be happy with what we have? I don't think it's unfair to be sad about this news, especially given that it felt like some things were being teased or hinted at, and now they most likely will not come to fruition (at least at larian's hands), but is that really so bad? If you're so dissatisfied with a character's ending or arc, write a fanfiction, draw fanart, boot up the game again and just imagine your way into what you DO want
is that not the fundamental nature of d&d?
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Man Richas really is just a kid
He doesn't quite understand the weight of the situation that is q!Tubbo's death because eve he doesn't believe that Tubbo's really- dead.
He doesn't understand why others are upset with themselves and him because Creation has promised that it can bring Tubbo back with the right materials.
Richas wasn't taught that crying is good for someone. That's kinda evident in his conversation with Bad, Em, and Dapper (from bads stream last night). He was taught to smile and look at things in brighter ways, which in some cases is good, but I don't think he knows the difference in the situations.
"You do not get better at handling grief. You just learn what works for you" (Wise words from Dapper)
I think that if Creation had waited longer to show up, we would have seen a deeper emotional defiance from Richas. He's not sad of Tubbo's death because he trusts in the people around him to bring Tubbo back. He trusts in Creation's word. If there was no way to bring Tubbo back, I think that guilt would hold heavy over Richas. I don't think he would know how to deal with it.
He's a good egg, he really is. Just sympathy isn't something he's learned. He's still a kid, physically and mentally.
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So I heard we were redesigning the Scooby gang for funsies. And character design is my passion so… Have this college au!
I honestly think that Velma would be the only one who’s actually a criminal justice major or going to school for a similar field, but I also think she’d minor in like robotics or something. She’s got a full scholarship bc she’s like a super genius or something.
Daphne is a fashion design major but dabbles in a few other things when she isn’t doing mystery stuff with the gang. I’ve always seen her as a jack of all trades type who can pick up skills p easily tbh. She’s just girlboss like that. Also the fact that Shaggy wears socks and sandals drives her nuts.
Fred is a theater kid and if you think otherwise you’re wrong. Idk much about theater majors but I think he’d focus more on the technical side of things, but he’s still a pretty good actor.
Shaggy just seems like they’d be the type to be a culinary arts major bc y’know… food. He’s also on the college track team bc that also makes sense to me. And Scooby is their emotional support dog. Anxiety service dog??? (I’m not all that familiar with the terms and what is considered like a service animal or not so I’m so sorry if that’s not correct.) Also baggy clothes to hold all the snacks.
I imagine that the gang is still solving little mysteries while in school since chaotic stuff just gravitates to them via the power of being main characters, but I also think it would be fun to have like an overarching mystery as well. And I think it would include the gang noticing that despite the normal lifespan of a dog, Scooby doesn’t seem to be getting any older…
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Okay I gotta say your art + story have gotten my fanfic engines a churning and now I'm picturing AU with the bros starting out in the wildlife game but with Martin as an 18-19 year old and Chris as this 14 year old and it's more "panicked older brother trying to keep his baby bro safe" while they encounter poachers/dangers.
OKOK HEAR ME OUT....
Martin has legal guardianship over Chris (uhh parents gotta die for this i am so sorry mom and dad kratt but it's for the fanfiction so please forgive me) Which is why a 14 year old is able to join their research team. Martin is technically "homeschooling" him, (i mean technically he's learning on creature adventures so...)
Martin was offered a once-in-a-lifetime opportunity to join the Tortuga research program and Chris didn't want to be the reason that Martin held back on his dreams. So, Chris was basically like take me with you, I'll be good and stay out of trouble I promise. So basically Martin is trying to do his job while simultaneously juggling the responsibility of raising Chris. And the rest of the team helps out as well so they all become a little family and go on these adventures.
The rest of the team would step into older sibling roles as well: Aviva would teach Chris about programming and engineering, Koki would show him how the Tortuga runs and how to make small tune-ups, and Jimmy would teach him how to bake and play video games with him. JUST IMAGINE THE POSSIBILITIES
I don't think Aviva would make a CPS for him, Martin would lose his mind if she did. Chris was already a handful, he does NOT need to be running around as a gecko. Maybe she could make a less extreme version of the suit for him? Like a partial creature power suit, where it can give him traits of animals. Instead of turning into the whole leopard, it just gives him leopard claw gloves and a tail for balance. So a little kiddy version of the CPS. IDk it's just an idea.
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