Destiel has definitely soured my opinion on Misha especially since he continues to feed into it. It would not be so bad if he didn't make everything so sexual in relation to this ship. It seems like out of the entire cast Jensen is definitely the one who is sexualized the most and destiel fans continue to act like that is ok because JA and Misha are friends. Not one of them care how Jensen might feel if he knew they look at him at this sexual fantasy to make their ship cannon. These people are not his fans no matter how much they like to claim they are. The ship only bothers me because the fans seem unhinged. Maybe if they shipped for fun instead of trying to make a statement that none of them even believe in other fans would take them more seriously.
Yeah, the hellers have annoyed me from the start, even way back when I shipped D/C in fandom over their disregard for other fans, the show, the actors, and basically anyone who didn't see their ship as an important cause/inevitable canon rather than just a fanon ship. But there also just came a point where I could no longer give Misha the benefit of the doubt either. Not because he's talking about shipping, or even specifically a non-canon ship? That could be fine! It's because of the specific way he talks about it and how a certain loud, batshit part of the fandom reacts to what he says.
Hellers want to pretend, despite everything Jensen has consistently said over the years about not wanting to talk about shipping in general and specifically not seeing D/C as any part of his character's canon story? That it's no big deal to keep dragging him into it. Actually, he's really into D/C and RPF of him and Misha - or it's at least a-okay because they're friends!
We'll ignore the part of that which is obviously deluded self-serving fetishistic bullshit. But it also pointedly ignores that there is a world of difference between joking with someone versus making someone the butt of your jokes. Especially regarding a subject you know they want no part of. Especially when you so specifically do it where they aren't present or active. The way he talks about the ship frequently treats Jensen and/or Dean like a subservient sexual object. It's often pointedly about laughably trying to make himself sound dominant. It's often pointedly crass and vulgar. It's often dishonestly contradictory to what Jensen and others have publicly said about the ship. They want to pretend like it's friendly banter/ribbing between him and Jensen, but it clearly isn't. It doesn't have the right tone, context, or level of interaction for that. It's him performing to his audience at Jensen's (and the show's) expense. As I've said many a time in regards to Misha, with friends like that ...
The thing is, both sides of that coin are about treating Jensen like a blow up doll. Any opinion or feelings he has don't matter, he's just a vehicle to project onto in the hopes it will get them what they want. In the fanatic shippers' case, the ship made canon. In Misha's case, continued money and attention. Funny how right when he needs to re-open Cameo for extra funds, this is how Grifter McQueerbait spent a J2-less con, huh?
Which is why Misha gets no benefit of the doubt from me. He doesn't care about his supposed friend getting called a homophobe for not playing along. He doesn't care about any of his other coworkers or the network who were very good to him getting similar blowback accusations from his lies and sly imprecations. He sure as hell doesn't care about his fans as he keeps setting them up to be disappointed over and over and over again. Hell, he doesn't even care enough about any of it to be consistent from con to con, because he changes his story according to his mood and whoever else is on stage.
Hey, if he keeps getting money and attention for it and someone else always faces the consequences, why change? Friendship? Integrity? Being gainfully employable? Pfft. Who needs it! There's $$$ to be made right now, baby! So I also just think he's a fucking idiot. Although I'll give him this, I didn't think even the hellers were daft enough to keep signing up to be fleeced this transparently with the same recycled material 3+ years post-show.
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what's your opinion on steves 'ending' in endgame? i generally feel like it sort of goes against a character arc of his, and a bit conflicting how much he did to not lose bucky and then sorta ditched it all the second he could actually exist with him once more, kinda also feels like a plot hole in some scenarios for his character and the future but i'm probably talking with some form of bias, I'm not too sure!! so I wanted to know another persons perspective on it!!
opinion: Was Bad
credentials: My very first introduction to Marvel was my best friend (hardcore Steve Rogers fan, called me “her Bucky”, was as insane abt Steve as i currently am abt tony) bringing me to see Endgame, and then her talking MAD SHIT about the ending for the next few months. I have heard every criticism. I learned that the ending was character assassination before i even know what character was being assassinated.
So. i don’t think it’s good. Getting into the Meta of the MCU for a sec, the MCY movies are partially paid for by the USA military etc etc so they reflect some political targets of the country. You gotta watch for propoganda in the movies. and in endgame, it was the happy little family. There was the family together in Wakanda, Tony being all domestic with his wife and daughter, Clint finally got to be back with his family. The snap brought back other family members, including don’t remember enough but generally… they were pushing the happy family thing. The US birth rate is down, and i imagine that part of the funding included some sort of push for more family imagery, in order to influence people to settle down together.
And then there’s Steve. Who has always had a found family, he’s out of time, away from his legal family. He doesn’t have any way to be included in this push for a family. My guess for what happened in the writers room is that they assumed everyone would fall for it hook line and sinker. that people would start believing, somehow, that birth family and nuclear family structures are most important.
If you look at it from the framework of their imagined audience, who thinks a nucular familg reunited is the happiest structure of all, Steve got a happy ending! He got to be with a hetero romantic partner!
Where they went wrong, is that nobody fuckin fell for it. Because it wasn’t convincing in the slightest. They spent hours after hours showing how desperately Steve cares for Bucky, and then they betray Steve’s primary motivation (keeping friends safe) in order to fit into their Nuclear Family Initiative.
they accidentally created a character who was the perfect encapsulation of an audience member who would NOT care most about a nuclear family unit. They made a character who cares most about a non-romantic partner. And then, they had to try to convince us that it was the same guy, while actively betraying his core values.
Bad ending. Wrong ending. Betrayed the audience and the character.
And it’s due to propoganda.
(side note: as far as i can tell, they’ve moved from “family unit” to “parenting is important”. Most blatant example i saw of this was in the last GotG, but it’s all over. they’re making everyone parents.)
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Audiodrama Sunday 04/28/24
So much stuff this week! I think this is going to be my longest writeup yet!
@camlannpod what the fuck? Trying to avoid spoilers, but the ending of that episode was wild. The sound design for the last scene was so good. Also “You're good with an axe, right?” was brutal, I audibly said "oof". Only 1 more episode in the season, hopefully they get funding for a second one.
The first episode of @wanderersjournalpod came out this week. This was a promising start to a new show, I'm excited to see where it goes from here. The setting feels very mystical, I can't wait to learn more about the world.
@worldsbeyondpod was so tense. Suvi and Ame had the most awkward conversation in existence. This story has so much nuance, neither of them are clearly in the right, though I feel inclined to take Ame's side due to the "Geas + Alter Memory" double espionage scheme. Meanwhile Ursulon discovers that Orima of the Reaching Green is a short queen and gets a cool horse.
I'm now up to date with @lostterminal. Season 15 was great. I love Nia, and Daphne and Raffi were really interesting new characters. Also, the dragon was terrifying. This show doesn't usually have very much action, so the confrontation with it really stood out. The description of the automatic turret going "click, click" as it locked on to Maddie was so intimidating.
@worldgonewrongpod I loved this episode. The storytelling felt so natural and real, like someone telling me a story about a weird road trip they went on. I think I said this about the last episode too, but this was my favorite episode yet. It also sets up the backstory which was never really explained as to why Jamie and Malik are separated at all.
In @midstpodcast we finally had a nicer episode. No horrible fucked up Weep/Trust stuff happening, just Lark reunited with Zeila and Sherman. However, there's so much tension between these characters. I was surprised that Lark forgave Sherman for selling her out. Something to remember is that Lark and Sherman had been hooking up before everything went to shit, which was mentioned once and I think really changes their relationship.
New @keepitsteadypod! This is the first new episode of this show since I started doing these. This was a really cute episode. For how popular fake dating is as a trope in fandom spaces, you don't see a lot of it in audiodramas.
Fun episode of Mission Rejected this week. It was cool to see Bowden go from "vain actor" to "badass spy" when the stakes ramped up. We don't get to see him take charge very often, it was neat for him to be a competent leader. I wonder if the gang lying to Zelda(who definitely saw through it) and Chet(who probably didn't) is foreshadowing for more of a conflict with the new Secretary of Defense later in the season. Also I loved the squabbling gay couple running an illegal mining operation as the villains of the week.
@breakerwhiskey episode 200 wow. A letter from Harry! We learned that Harry has been listening to most of Whiskey's broadcasts, which recontextualizes a lot of the previous episodes. Also, the end was heartbreaking.
I started season 2 of @longcatmedia's Mockery Manor! I'm 2 episodes in and really like it so far. JJ and Bettie are employed in different parks, JJ is on the run from an organized crime ring, and Bettie became a monk? Also, it's clear that neither Hilda nor Jenkins stole the shipment, neither of them have motive. But I don't know who else would have motive either. Lots of mysteries this season.
Spout Lore had a great planning episode. I'm excited for the "saving Highspear" arc, the Highspear is so cool as a concept. A reverse Tower of Babel, that lets the whole world talk with each other. A literal monument to wizard hubris, which feels destined to fall. However I doubt it will, because, as the players mentioned, it would be really annoying from a storytelling perspective if everyone suddenly spoke different languages. This has actually made me realize I really want a story set shortly after some sort of "fall of the Tower of Babel", where communication is a struggle, but that's just because I think linguistics is cool. Anyways, the buffet talk had me rolling.
What a great week! However, it did not help my queue, which continues to grow instead of get smaller. I'll reach the end of it one day.
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HI GORGEOUS!!!!
PLEASE PLEASE PLEASE TELL US ABOUT YOUR WIPS AND AUS IM REALLY INTERESTED 🙏🙏🙏
Foams at the mouth
I’m in the middle of writing up a whole HC post for someone asking about a highschool AU but I’m gonna take this opportunity to sidetrack the conversation towards something I’d love to genuinely see from the series… a HEAVY (film) noir lean. Think: Bogart, Framed, Gilda, Vertigo… probably pushing the era back 40’s, 50’s way (Maybe even some 30’s lean in there, if I could get away with it) instead of the general 60’s vibe Lupin has going for it.
I think there’s a TON of potential there. I mean, I’m aware something like this was pitched (and never picked up, sigh…) so there IS sentiment there, and the idea has been thought about, but instead of TWCFM’s ‘serious Lupin’ I’d love to see a true noir ‘serious Lupin’. I think you can put these characters into a serious setting without making them straight up evil, and I’ll be honest, I think it would be way more appealing than the stuff they’ve been releasing lately (besides Zero. I have to admit that I loved Zero).
I’d want the gang to actually feel like criminals, though. Cutting shady deals in illegal bars, Lupin running his mouth to big players about whatever new heist he has up his sleeve. I’d take them back to being Miyazaki-esque ‘living paycheck-to-paycheck’ rather than ‘insta-rich Lupin funding his hedonistic spirit’ because I think that would work better in this universe: Lupin is constantly getting them in hot shit with the big leagues because he can’t keep his mouth shut. Jigen has shot ten guys this week who have come knocking at their hideout’s door looking for trouble. Goemon’s sick of digging graves and is antsy to finally be who he dreams of being. Fujiko’s got her eyes on a bigger prize, like always.
Zenigata’s an underpaid beat-cop-turned-inspector who has been trying to climb the ranks for a long while. He’s ambitious, but a little too soft for his own good: he’s hopeful in a way that most of the guys in his squad aren’t, and that makes him the perfect candidate for when the commissioner has to shill a shitty 9-5 case on an unsuspecting worker. A file lands on his desk, and he flips through it with this eager fire, like he’s just been asked to take on the world, and Lupin and his gang smile up at him from the pages.
Lupin is a crook, he learns. Part-time petty thief, full-time smooth-talker: a man with a legacy to live up to and not a whole lot to show for it besides a reputation as a lady-killer and a particularly long unpaid tab at the seediest bar in town. His sticky fingers have landed him in more trouble than they’ve gotten him out of, and recent reports say that he’s managed to get under the skin of the most notorious once-criminal-now-film-director in town… the very criminal that underhandedly paid Zenigata’s boss to start an official investigation in the first place.
Jigen is a gun-for-hire. Babysitter, bodyguard, hitman… whatever you need, he’ll do, however begrudgingly. He’s not a guy you mess with: and his reputation is actually pretty good in criminal circles. He’s well-respected and well-liked. Or, he was, until the monkey-faced man at the bar implicated him in a crime he didn’t commit. Now, he’s babysitting without pay, and he’s starting to get a little sick of having to put bullets into the faces of old friends who decide his bounty is worth more than his loyalty. Figures.
Goemon’s a man slightly-less-out-of-time. A famous Japanese-American film star, he’s known world-over for starring in Samurai flicks alongside his leading lady, Fujiko Mine. The thing is, Goemon is classically trained in swordslinging, and when Lupin offers him an opportunity to be the very person he’s been portraying on screen, he’s more than happy to throw his reputation away. He never cared much for fame, anyway. There’s just this one little hitch: he’s enamoured with the sword he last used on set, and he won’t take no for an answer when he asks Lupin to retrieve it for him.
Fujiko has her eyes on a prize a little more exciting than Zantetsuken: the film empire she’s helped build herself. The tabloids can’t get enough of her, and she knows that a marriage to the most famous director the world has ever seen might just secure her a place in history. The thing is, the man she’s trying her best to seduce has stopped paying her attention since his beloved priceless-antique-turned-prop-sword went missing, and she’s determined to get it back for him. Because what would make him fall quicker? Ah, there’s just one catch: Lupin is kind of charming, and the life he’s living is… exciting. Tempting. Fujiko likes playing with fire, but she’s starting to get a little too close to this one particular flame. The heat has her cheeks burning… Or maybe that’s Goemon’s doing.
They’re a strange little bunch, the Lupin Gang. But man, do people have a habit of underestimating them. Zenigata included. Because what he thinks to be a simple case of theft soon turns into something more sinister as the layers of movie-magic veneer begin to peel away. Maybe Lupin was onto something, targeting this guy, and maybe this hotshot director isn’t quite as reformed as he says he is.
He went to court recently, after all. Say, how much did he pay the judge to overturn that guilty verdict? Zenigata would like that sum as a pay rise once this has all blown over. That, and some fresh smokes.
((Mmm someone should hop on board and help me develop this I think. Could be a fun little exercise on the side… if it’s up anyone’s alley >:) ))
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i'm gonna make a list of all the characters i want because i can:
5-stars:
pyro - yoimiya
geo - zhongli, albedo
anemo - venti, kazuha
cryo - ayaka, shenhe
hydro - kokomi
4-stars:
pyro - yanfei
geo - yun jin, ningguang
I also wouldn't mind getting these characters:
diluc, tighnari, heizou, qiqi (yeah i know i know lol but i honestly wouldn't mind using her), ganyu, nilou, childe, mona, fischl, beidou
I honestly don't like and/or care about these characters, but begrudgingly admit that they would be a benefit to my account:
nahida, scaramouche, raiden shogun
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I can fix him*
*bad writing, underutilized gameplay mechanics, characters with unfulfilled potential, funded by bootlickers
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Hrmm... Revising my game and I feel like there's still sooo much writing left to do, for something that probably won't even amount to much, so.. I do want to narrow my focus more (especially given my health problems seeming to get worse/less energy the past few years), but I'm not sure how would be best to...
I currently have 5 characters as the Main ones with full planned questlines and such, with each character having 6 quests you can do for them. But I haven't really started the writing for the 5th main character.
So then I was thinking, if I were going to write 6 full quests worth of content anyway... is it better to allocate that time on just doing a Complete 6 Quests for ONE single character, OR would it be better to do something like.. choose THREE side characters and do 2 quests for each of them? So that people have a wider variety to interact with and sort of sample around (of course with the idea that, once the first version of the game is released, IF people actually care about it enough to make it worth the effort, I would then add additional content to complete those 3 characters stories as well)
-
SO... If you were playing an interactive fiction sort of game centered around talking to & doing quests for a cast of characters (like there's no larger plot, more it's just about interacting with people, every character kind of has a self contained story, the focus is just learning about them and the world and exploring the area) --- Which would you rather have?
(and of course it would be stated up front which characters have only partial questlines, so people don't expect them to have full quests like the others and then get disappointed, or etc. etc.)
Basically, is it better to just focus in specifically on having one fully complete questline? Or for there to be a few stories that are not complete yet, but have more initial options available?
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why does everything i get really into always end up being so god damn niche. by the year 2035 i am going to be blogging exclusively about the interpersonal relationships between the pillbugs and snails hiding underneath the bricks lining the flowerbeds in my parent's garden.
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I wish GI wasn't trying to push people (kinda specifically longer players) away from the game, like damn. I really hope new players are watching closely and not just deciding "there are haters" or "complainers." Some of the things, like the age old where's the end-of-game road map, have been actual game needs that haven't been addressed for years. Game needs, guys. Idk, if you still call some people haters/complainers, then I'm probably gonna call you a bootlicker lol
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sometimes I will see opinions, and I just have to live with that. It gets to me sometimes tho
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hmm, maybe there's yet a use for my tomestones after all
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We share the love language of biting. Now imagine TWST beatsfolk has that as an actual sign of courting. Like you're chilling with Leona, not dating or wooing him, and then you bite his cheek in affection. And all of Savanaclaw is shocked because among them, it's the same as i.e. proposing marriage. The utter chaos XD
OHH MY GOSSSHHH YOUR BRAIN >>> I LITERALLY LOVE THIS SO MUCH??? HAHAHA SODEFHSELKJD i'm gonna expand on that for a few characters...
Accidentally courting them
General warnings: Gender-neutral reader, not really proof read lol. Obvious Malleus and Lilia favoritism <3 I also decided that they ARE dating in this scenario, I think its cuter that way in my head heuheu
Featuring: Leona, Ruggie, Jack, Malleus, Lilia, ... and Rook HAHA.
TW: none! Just a bunch o' fluff of biting your non-human lover without realizing it was a sign of courtship <3
Leona
It was a typical day for Leona. You two were sitting in the lounge where most of the other students lingered, Leona becoming rather... possessive as of late. Instead of resting in his bedroom away from prying eyes as you had requested from your lover, he ignored all your feeble cries requesting privacy. Instead, he holds you in his lap without worrying what others are thinking. A form of showing others you were his, and his alone. You were conflicted in your feelings, staring at him. His eyes were closed, but he could feel your gaze burning into his head.
"How long are you-" Then it happened. You gave in. You gave his cheek a bit of a nibble. All of the sudden the chattering stopped, all eyes were on you, before they start patting Leonas back and giving him congrats while a few seemed to pull presents right out of their asses.
"Wha- what's going on?" Leona grumbled with a light blush before growling and pushing the face of someone who tried to hand him another gift.
"You all look like idiots! You know biting means something different to us. Don't be dumb." Okay, now you were extra confused. Seeing your utter ignorance, Leona sighed.
"Biting in our land is a sign of courtship, herbivore." ...Oh. You blush deeply and hide your face in his chest, Leona looking away flustered and ruffling your hair.
"Try again in a few years, and I just might bite you back."
Ruggie
You were walking down the halls with your boyfriend when suddenly you had the urge to just...bite him. an overwhelming sense of love and affection for the fact he had given you some of the bread he (probably legally) got ahold of. You smiled fondly at the bread and back at Ruggie before placing your mouth on the bulb of his shoulder, causing him to yelp in suprise and dropping his half of the bread.
"wha- huh?! What was that for?" He became flustered, bending over to pick up his bread and slowly move away from you with bright red cheeks. You furrowed your eyebrows and hugged yourself, almost embarrassed.
"I'm sorry, I just...I dunno," Your cryptic and non specific response left him with his jaw open and eyes wide, spluttering out things like "We're still in school! I don't have the funds yet-" before a familiar fist came and knocked the back of Ruggies head. Leona stood there smiling in amusement and chuckling at you.
"I don't think they know what that means to us beastman, Ruggie." Even more confused then before, you asked for clarification.
"You just asked him to marry you with that bite of yours, herbivore." Now YOUR mouth was wide open, and Ruggie managed to get flee from the scene without much notice from you nor his senior.
Oh brother. You have a lot of communicating to do with that one.
Jack
You were sitting at the lunch table eating away at your food when you noticed...Jack's biceps. You marveled at the sight of his bulky arms- it's a wonder to you how he managed to become so strong and have the motivation to train all day. With a burst of admiration, instead of biting into your sandwich - you took a bite into his muscle. He yelped in suprise and just stared at you, face slowly turning red. Ace and Deuce laughed at his reaction, ready to ask you what was up before Jack took it upon himself to... well, flustered and rapidly spit-firing plans.
"W-we are still so young! Are you sure about this? I-i never knew our relationship was at this level!" He grabbed both of your hands and looked you in your (bewildered) eyes.
"If you're serious about this, I promise I will protect and love you for the rest of my life. But before we go ahead with the ceremony, I want you to meet my parents and get their blessings. Oh, and I need to get a stable job after we finish school first, too, so I can support you and our future. know we haven't talked about marriage before but-" You quickly cut him off in astonishment before crying out,
"MARRIAGE?! Jack, WHAT are you talking about?! I am absolutely not ready for marriage! What got into you?!"
...Queue Ruggie and Leona hysterically laughing at your utter confusion, reveling in the ignorance of it all for a few moments longer before explaining properly what you had just committed yourself unknowingly to.
Malleus
You were laying in the bed of Malleus Draconias's dorm, scrolling on your phone whilst his tail wrapped around your waist as he sat next to you reading a book. You sighed lightly and leaned your head back against the board of the mattress, turning slightly to look at your handsome fae lover. Your eyes then went down to his pale and perfect skin of his neck, the way it was free from all blemishes, smooth, and bright. Something about it made you want to taint it a light shade of red... He felt you shuffle slightly to adjust your body to be in just the right position where his neck was in full view. He glanced over to you feeling you wriggle free from his tails grasp, tilting his head seeing the look in your eyes crazed as you leaned over and just...chomped down on his collarbone.
You felt his tail twitch and his hands quickly throw the book he was reading aside to grasp your wrists, turning your body around and pinning you to the bed and carrassing your cheek with his tail.
"Biting..." He murmured, "Does this mean the same to humans as it does to Fae? You wish to be wed?" Your jaw dropped and cheeks took on a rosey hue, stuttering over yourself.
"W-wed?! I mean, I like to bite when I feel affectionate b-but marriage...I mean maybe one day b-but-"
"Biting in Fae culture is a sign of courtship and ownership. How brazen of you to mark me," he chuckled, "I shall take it you wish to own the next king of Briar Valley?" You could tell at this point Malleus was teasing you, something he picked up from the time you two have been dating.
Malleus could not help but return the favor by riddling your body with his own bite marks. Although he understood you perhaps did not have the intention of marrying him with your silly little form of affection, he knew in his mind with every bite that he was very serious about your future with him.
Lilia
Lilia already knew that biting in the human world did not mean marriage, yet was akin to something more of "cute aggression." So when you have the habit of biting him in the privacy of yours or his room, he knows you simply meant it as a form of affection, letting him know that you had an overwhelming sense of love for the old fae. He bit you back consistently on many occasions, it just seemed to be the perfect form of showing love for one another.
You didn't actually know it meant something much deeper, until you were in the diasomnia lounge and unable to control yourself as you grabbed Lilias hand and bit down gently on his wrist. You couldn't help it, he was being so entirely silly and loving towards you, that you couldn't help but show this public display of affection. Much to everyone else's dismay, however. Sebek stares at you with his mouth agape, sounds of disbelief escaping past his lips yet a sentence unable to form. Malleus as well seemed surprised at this.
"(y/n)," Malleus said, "You wish to marry Lilia?" You coughed at the sudden question and let out a feeble and awkward chuckle.
"I mean...I wouldn't mind one day, of course. We haven't really talked about it. Why the sudden question?"
"HOW DARE YOU," Sebek cried out after finally finding his words, "How dare you bite Lilia and be so insolent as to not move forward with your actions in dignity! YOU MUST TAKE RESPONSIBILITY FOR YOUR PROPOSAL-" Lilia started snickering, cutting Sebek off with a wave of his hand.
"It's quite alright, Sebek. Biting means something much different to humans than Fae, I suppose this is the first you had seen us put on a show of affection, hence your confusion." He turned to you, who had furrowed eyebrows and pursed lips at Sebeks sudden outburst.
"Biting, my dear, is a form of courtship to us fae. It is a sign of ownership," He chuckled.
"Why didn't you tell me that?!" You exasperated, "I mean, it wouldn't have changed anything I have done, but I would have been more careful about it... especially if it means something more to you," Lilia gracefully explained he understood it meant something slightly different to humans, before gently grabbing your hand and raising it to his mouth.
"Well, now that you understand what it means," He put your ring finger into his mouth and took a bite at the base,
"Would you like to bite me once more, my dear?"
Bonus:
Rook
You bit his arm and he immediately was on one knee.
"Was that a proposal? You know mon cheri, biting one affectionately is often a declaration of courtship-" You hit the top of his head and walked away from your interesting boyfriend.
"You're not a beastman or a fae! I'm never biting you again!" Your face red and folding your arms, turning away (ah, his cute tsundere lover.)
Oh woe is Rook! He begs and begs you to bite him more, he wants to be covered in your marks. It means you were claiming him as your own, right? RIGHT??
~~~
This was so fun to write DFSEFDSFIHSLDKJF thank you for the brain rot heuheuheueheueh
Masterlist
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alrightso i didnt expect too much from nightbringer as it seemed just like a face lift with a meh rhythm game replacing the dance battle, which imo is good! In the sense that replacing basically no gameplay with actual gameplay is great.
imo tho the biggest thing that most of these games tend to fall into is, like if your going to make a visual novel- which most solmare games are, when you add mechanics to it..it needs to mesh with the game genre you chose. Which imo a LOT of these games do not do, the visual novel aspect does NOTHING to better the rhythm (or dance battles) game and visa versa. It feels tacked on the give the player more to do instead of creating a good visual novel game, which CAN be done! (some good examples are OurLife, The Arcana, Monster Prom).
also the audio mixing is so redick atm, I literally have EVERYTHING at 1 in game, my volume on my phone at low, and I still had to lower it even more using another app. As well i had to turn the sfx off- as its way too loud and I dont want to figure out the right balance myself.
i completely lost my main point if i even had one, but overall im not even slightly impressed lol. And judging from how things progressed in the og, i dont see that changing at all. I am curious how long its going to take for the music to get really repetitive, if theres going to be as many 'action' stages as the og- thats going to mean a huge repeat of songs.
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Idk not to sound like a whingey bitch, but the current watcher situation is reminding me of how people just Expect underprivileged people to take exclusion with grace. This happens with disability as well. Whenever something isn't accessible, people crack down on disabled people who express disappointment or pitch a fit because "oh well, not everything is capable of being accessible, stop ruining our fun!" Similarly, the stupid fucking Watcher streaming service is only For fans who can afford 6 dollars a month. Most of us can't, but we're expected to bow out with grace because... we don't have the privilege to be here anymore??
"Oh, you're all 'artists deserve to be paid for their work' until they actually ask for money!" I cannot give them 6 dollars a month for 4 fucking youtube videos. It's not reflective of myself or my moral standing that I can't fucking afford that. They have been funded through other means so far. It's not like they were getting Nothing just because I wasn't paying out of my own pocket.
It's frustrating because in most cases, including people would be easy. Watcher's content used to be free and funded through various means. Just add characters of color to your line-up. Just add more body types to your pictures. Fucking add image descriptions to your fucking posts already. I'm sick of people punishing marginalized people for not taking "hardship" with a smile when we're fucking excluded all the time for no fucking reason.
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how do i know what’s right?
i feel like i have zero critical thinking skills ;-;
a lot of the time when someone poses an idea or a theory they think they’re right, and so they use language that enforces that. but then someone refutes it, and uses language affirming what they believe and i see the point in their argument. and then it gets refuted again and again and again and im just confused.
hi great question. i would love it if there were a single easy litmus test to figure out who's 'right' and whose info i should trust! unfortunately things are rarely this easy, and it's actually completely normal to be overwhelmed by the amount of information being produced and shared, especially when it comes to topics you haven't researched/lived/etc. for most of us, this will be most topics!
i'd preface this by saying that i think your overall attitude here is actually a good one. you're framing it in a pretty self-deprecating way—but actually, imo this type of openness to discussion and disagreement is a really good place to start, esp when dealing with topics that are new to you. nobody enters a contentious debate with a fully fledged, defensible viewpoint. you might feel like you're just treading water here, making no progress toward being able to evaluate arguments for yourself, but i highly doubt that's true.
all of that said: while i again cannot give you a single litmus test for figuring out what's 'right', there are four pretty basic sets of questions that i automatically run through when encountering a new idea, source, topic, or argument: we can call these origin, purpose, value, and limitations.
origin: who's the author? do they have any institutional affiliations? who pays their salary? is this argument or paper funded in any way? is the argument dependent upon the author's social position or status (race, class, etc) and if so, are those factors being discussed clearly? does the author have ties to a particular nation-state or stakes in defending such a nation-state? what's the class character of the author and the argument? what's the social, economic, and intellectual context that gave rise to this argument or source?
purpose: why is this source or person disseminating this information or making this argument? are they trying to sell you anything? are their funders? are they trying to persuade you of a particular political viewpoint? keeping in mind the answers to the 'origin' questions, are there particular ideological positions you would expect to find in this source or argument, and are they present? what are the stakes for the author or source? what about for those who cite the source or further disseminate or publish it?
value: what does this source or argument accomplish well? what aspects of the argument are new to you and strike you as insightful? are there linkages being made that you haven't encountered elsewhere, and that you think are effectively and sufficiently defended? are there statistics or empirical data that might be useful to you in forming your own argument, even if you disagree with how this source or author is interpreting them? what does this argument or source tell you about the types of debates being had, and the rules of those debates?
limitations: where does this argument or source fail you or fall apart? are there obvious rhetorical fallacies you can identify? is the author forgetting or overlooking some piece of information that you know of from elsewhere? which viewpoints may be omitted? keeping in mind the answers to the 'purpose' questions, if this source is defending a particular ideology or political position, is that one you agree with? is it only defensible so long as the author omits or distorts certain pieces of information? are there points where the argument jumps from evidence to a conclusion that the evidence can't fully support? are there alternative explanations for the evidence?
over time you will often find that it becomes more and more automatic to ask yourself these questions. you will also find that the more you read/hear about a particular topic, the faster you can determine whether someone is presenting all of the evidence, presenting it fairly, and using it to fully defend the argument they ultimately want to make. and you will probably also find that at some point, you're able to synthesise your own argument by pulling the strong parts from multiple other people's viewpoints, combining them with your own thinking, and fitting them together in a way that adequately explains and materially analyses the issue at hand.
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Ok I usually agree with you on things but even as someone who didn't like tadc, I don't see the issue with selling merch?? Lackadaisy, hazbin/helluva boss, monkeywrench, literally almost every indie project does that, it's how they get a good amount of their funding, why is that itself an issue?
alright this'll be the last question i answer on it because we're officially at the point where people are saying "oh yeah, well what about this?" in reference to stuff i already spoke about, so i'll use this as a summary:
I was asked what I think about The Amazing Digital Circus a few weeks ago, and as a show, I think it's pretty inoffensive. I think the premise and character design is pretty generic, and I think the plot is definitely trend-riding, but ultimately the pilot had some funny jokes and pretty good visuals.
I added an addendum later on to follow up in saying that my perspective has shifted to one of disdain, because I'm sick of seeing it everywhere, and I'm tired of people saying it's already a masterpiece despite the minimal legwork it has put in so far as a story. This is compounded by the fact that the studio company behind it, Glitch Productions, is being unrelentingly commercial with it, to the extent that there was merch designed and available the same day the video itself went live, especially since the pilot itself was never even set to get a sequel, let alone a "series", despite the fact that it is being advertised and sold as a series. This left a bad taste in my mouth, as in my eyes it's become a pretty hollow flavor of the week fandom with a hype culture that people are conflating with actual quality.
Someone asked about the nature of the "no confirmed episode 2", which I later provided some context for in the form of a screenshot from an article where staff of Glitch Productions came forward and said pretty unambiguously that there wouldn't be more episodes unless people bought enough merch. This isn't a horrible sin by itself (Toby Fox famously sold merch for a demo of Deltarune), but the fact that merch sales are being treated like a crowdfunding campaign, with the threat of cancellation very unambiguously behind the "encouragement to buy merch in order to help greenlight the show", is a tactic that feels gross to me. Crowdfunding itself is okay, but the fact that there is no set goal in place, no "if we sell x amount of shirts the show will be get an entire season!" or anything like that, sounds a lot like "if you do not buy enough acrylic charms and tshirts then this show you like will not continue. how many have to be sold? we'll let you know when we reach the goal".
That is, in its entirety, the discourse, AKA my opinion that people kept asking for clarification and justification for. I personally really don't like The Amazing Digital Circus for its lack of depth combined with its ruthless commercialism. I find it repulsive in that way. That's it.
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