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#and death in the end of course
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creators: here is a charismatic character who, due to certain circumstances, becomes an anti-hero and a very influential person in the criminal world, whose actions are explained in the context of the general setting, who calmly gets his hands in blood, but at the same time you can understand why he became like that and in general is not without tragedy
me: sounds great, but it’s still not a fact that I’ll love him, any more arguments?
creators: he is a loving father
me: fuck, I'll take it
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gammija · 13 days
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a nuance that gets a bit lost in martin 'murder' blackwood is that while he's definitely not against a good killing, it's more of a fun couple's activity rather than true heartfelt passion, you know?
i mean, twice he's had the opportunity to have Jonah get shanked, and he foils them, even though he wants the guy dead. Like, murder is always an option, but he usually tries other, less direct methods first - in fact id say that his trying to be clever and moral still leading up to the end of the world is exactly what drives him to say, ok well fuck it then, let's get our murder on
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llawlieta · 7 months
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Get you a boy who stands like a stoat
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hitlikehammers · 3 months
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to die by your side (is such a heavenly way to die)
rating: t ♥️ cw: angst with a happy ending (which is actually kinda fluffy?), limbo/near-death experiences, post-S4/Upside Down-heavy, falling in love ♥️ tags: falling for each other in the space between life and death, happy ending
for @steddielovemonth day twenty-six: Love is a fire that never goes out (@sidekick-hero)
this is because of 1) this song being too close to the prompt for me to disengage it in my head, and the chorus therefore dictating this plot line, and 2) @hbyrde36 picked it and, again, I am very susceptible to people indicating they like a thing and would enjoy more, so @hbyrde36: I hope you enjoy what this became ♥️
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“Oh fuck, not you, too.”
Steve looks up—when did he sit down, he doesn’t remember sitting down, he doesn’t remember how even got here, and hey, actually, where is here—
“What?” Steve looks toward the voice; familiar. See the wreath of curls around a pale face.
“This is death, right?” Eddie’s crossing over to him, crouching just beside; “I’m dead, like, I am very sure I’m dead, but you’re here, so—“
“I don’t,” Steve breathes in sharp—tries to get his bearings, tries to see but it’s just black in every direction, his lungs feel like they’re halved in size all of sudden, everything feels tight and painful and hard like inhaling isn’t something guaranteed, and his heartbeat feels like it’s dragging the carcass of something with it when it pumps, laborious and—
He’s is breathing, though, even if it’s kinda half-assed; he’s got a heartbeat, even if it feels like it’s about to fucking give out.
That doesn’t…that doesn’t sound like death.
“I,” Steve licks his lips; his mouth is so fucking dry but swelling kinda hurts and…he’s not as fucked up as he has a feeling he should be, he needs to think harder than he’s ready for just now to figure out what the last thing that happened between where he was, and where he is but: he thinks he should be more fucked up on, like, an instinctual level that knows he should be pretty fucked up, basically, and he’s not.
But again: he still hurts, and that…also doesn’t sound like death.
He swallows anyway; not that it helps.
“Max said there was this, black void,” Steve works through the first thing that comes to mind slowly, processes as he speaks; “with water,” and he looks down and sees the ripples in what he’s sitting in, moving around him but…but the reflections are right, and there’s no light so how are there even wrong reflections; he wasn’t good in his science classes but he feels pretty sure you need light to see anything in a mirror, plus—
“Water,” he flicks his hand from the standing pool around him up at Eddie without warning: “that wasn’t wet.”
Eddie splutters, but it dies down quick: it’s supposed to be wet. He expects it to be.
But it’s not. His eyes go so fucking big.
“It’s attached to the Upside Down,” Steve pushes on; “Eleven can like, come here, but,” he shakes his head and Eddie grimaces: she lost her powers.
“So it’s almost-death,” Eddie surmises, and drops into the not-water next to Steve.
“I guess so,” Steve shrugs, and draws his legs up; hugs his knees.
“Fucking great,” Eddie huffs, sneers, and it’s…Steve not sure why exactly, but it feels…targeted. Directed at him, because one, yes: he isthe only other thing here—as far as he can tell—but the words Eddie’d no-greeted him with float back into his consciousness:
Not you.
“Sorry to rain on your parade, man,” Steve bites out and shoves his head down between his thighs, maybe to breathe, maybe to think, maybe to hide, maybe to fucking cry, maybe to…fuck, he doesn’t even know.
He thinks he’s in the middle of trying to split the difference of every possible thing when Eddie’s voice breaks the still in the dark: “I didn’t,” and honestly, Steve’s never heard that voice sound so soft, so small; “that’s not what I meant,” and it’s an apology even if they words don’t add up exact, Steve feels it clear like a blow to the solar plexus. He turns to Eddie, who’s staring out at the nothing.
“I don’t want to be alone,” Eddie whispers, and his lip trembles, Steve can see that despite the lack of light.
Steve can see tears on that face, too, despite the lack of any light.
“But I hate that you’re here,” Eddie’s voice catches on kind of a whine, and Steve maybe would startle, when a hand reaches out and covers his; Eddie still does look at him, but he flattens his hand over Steve’s like a squeeze:
“That you’re here, too.”
And, oh. Okay.
Okay.
They’re here, then. Together.
Here.
___________________
It takes a while—he thinks; he thinks it’s a while, but one of the first things that makes itself plain in this godforsaken place is how times means absolutely fucking nothing, so; he think it takes a while to remember the vines.
They were coming back for Robin, and Steve would die before he let her get hurt so: that’s the last thing he remembers.
For Eddie, it’s the bats; Steve grimaces, hates even imagining like…swarms of them. More of their bites.
He’s the one who reaches for Eddie’s hand, this time—he wants to say it’s just a little comfort for the particularly bad things that are coming up as they sit here, as they draw patterns in the not-water and blow against it to make little waves just for shits, mindless and stupid: he wants to say that when it gets too much, and then keeps going, when it’s the worst, they’ve started to reach because what else can they do? Who else can they lean on?
Who’s gonna fucking know?
Actually: no. He doesn’t want to say that.
He wants to say the truth: the truth being they touch a lot. They reach a lot. They reach because it’s quiet. They reach because it’s dark. They reach because they’re frustrated. Or they’re scared. Steve could map Eddie’s calluses blind if he was asked to. Eddie traces his veins without being able to see close enough to know that he’s right.
He wants to say the truth: that he wants to touch. He craves it. And not just from anyone.
He craves this.
He doesn’t know what that fucking means.
But he’s the one who reaches, and covers Eddie’s hand, presses down to keep him when Eddie remembers the bats.
And he’s the one who leans, who rests their shoulders together and holds his breath.
But Eddie is the one who doesn’t move away, who leans in too, he tips his head onto Steve and breathes out slow so Steve can feel the warm damp of it on his skin and…
Steve’s heart’s fucking pounding, but then also it’s kinda like fluttering, and either way:
That’s not death.
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Steve likes that the not-water is…not water, because lying back in it doesn’t fuck up his hair. Which…feels cleaner than it should be he figures maybe that’s just the same as both he and Eddie not being riddled with the wounds they should be rights be covered in—he can run his hands through it and that’s really all he wants, his hands, or like, you know if other hands wanted—
Whatever; he’s not going to question the not-water. He’s happy it doesn’t make him a wet dog just for trying to lay back and pretend there are stars.
Which he’d still be doing, if a weird…flapping noise hadn’t started up over to the left.
He has to squint in the no-light to see what the fuck’s going on, something in Eddie’s hands, oh shit, flapping, is it one of those fucking bats—
“What the fuck?”
Eddie freezes, and turns. And Steve sees what’s in his hands.
Doesn’t change his question.
Eddie just blinks at him. And runs his thumbs over the desk of cards he’s holding, flicking them one by one: flapping.
“Where the hell did those come from?”
Eddie shrugs. “Pocket.”
Steve gapes a little.
“You’ve had them the whole time?” because again, even if the feeling’s shifted: what the fuck
“Lots of pockets, man,” Eddie grins cheekily as he shakes his jacket out, like Steve can see any pockets.
Then he’s walking over to Steve on his knees before dropping cross-legged and shuffling the deck before he taps them out on his thigh and leans in:
“Pick your poison.”
And Steve’s played his share of cards, is actually pretty decent at poker, but, like…
“I don’t,” he bites his lip and stares at the predictable red pattern of the face-down cards;“I don’t want to think,” he finishes, kinda fucking lame, but Eddie’s not deterred, flips a few cards off the top with a thump before balancing the rest on his knee, offering half the cards he’s still holding to Steve with a little wiggle of his eyebrows:
“Go Fish?”
And Steve, he, like—
This is not-death, right, but whatever it is, it’s probably not good, and yet here Steve sits, with five cards in his hand and…Jesus.
He feels his lips stretch and he doesn’t think he’s smiled like this in…
In a while.
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“Three Musketeers,” Steve answers when they’re lounging in the not-water, heads lined up so sometimes Steve feels the tickle of Eddie’s curls.
“The fuck?” Eddie huffs a laugh; the question was just things they’d miss if they never get out of here; like, it’s a little morbid and also a little hopeful all at once.
They’ve been working deeper in the category of food for a bit now, and so it’s candy bars. And Steve does not see what’s controversial about his choice, honestly.
“I love those, shit,” Steve waves his hand in the air, dismissing Eddie’s very wrong opinion, here; “they’re just,” Steve hums, tries to figure out the best way to defend a genuinely fucking excellent snack food:
“They’re simple,” and that sounds like a weak defense but look at where they are, look at their lives, that is fucking high praise. “Not too sweet and like, light and airy and,” Steve tilts his head, imagines the mouthfeel:
“Kinda delicate when you bite into ‘em,” he feels himself grin a little: “like bubbles or something,” because…yeah.
They’re awesome, but then he looks over at Eddie, who’s already turned to look at him, his gaze…something. Weighty but not oppressive. Piercing but not painful.
“Sorry,” Steve feels himself flush and it’s no the first time, or the worst time, but he’s grateful just like he is every time that there’s no fucking light and whatever lets them see at all doesn’t give away a blush; “sorry, that’s—“
“That’s adorable,” Eddie says with something…equally undefinable in his voice as much as his eyes, but this thing makes Steve feel, like, warm and tingly, a little, under his skin, in his chest; “you’re right, they’re…” and Eddie reaches for his hand, which they do a lot, yeah, but not…not so often for good things and this feels…like a good thing.
“They’re really good,” Eddie presses his hand over Steve’s, like a blanket, all encompassing—Steve has broad hands but Eddie’s fingers are longer than he’d ever noticed and he—
Steve likes how they fit.
“Under-appreciated, I think,” Eddie’s voice has lowered, softened, and it kinda feels like he’s saying something that has nothing to do with candy bars at all: “because people aren’t looking close enough to see how amazing it is.”
Yeah, for how Eddie’s staring at him, and for how Steve’s pulse has ramped up all of a sudden: Steve doesn’t really think Eddie’s talking about chocolate at all.
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“You’re really good company.”
Eddie turns and blinks Steve’s way.
“What?”
Steve swallows; he’s not sure what made him say it. Except that it’s true.
“I’d have liked it,” he starts, like, expands on the point rather than revisiting the simple part; “if we could have, y’know,” and he gestures between them; “hung out.”
Eddie tilts his head, and he doesn’t smile exactly, but it kinda feels like his whole face, maybe his whole body, is a smile.
“Well,” he huffs a little laugh, like a disbelieving sound; “we’re hanging out, now.”
And Steve smiles the normal way, which is probably lesser to look at, but he wishes really hard that Eddie could, like, slip under his skin and see how it feels on the inside. “Yeah,” Steve grins at the darkness for a second, chews his lips a little, suddenly kinda…bashful, fuck:
“Yeah we are,” and then he breathes in deep, and makes himself be brave with something he doesn’t wholly understand:
“I like it,” and that’s an understatement.
And then Eddie hums, and covers Steve’s hand as he murmurs:
“Me too, sweetheart.”
And Steve’s heartbeat catches on that word, or more, reaches for that word, that name, greedy and wild and it pounds out that same desperate mantra blood-in-blood-out unwavering:
not-dead, not-dead, not-dead, not—
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Eddie’s smile is so fucking pretty.
He didn’t know what Speed was, like the card game, so they’ve each got a pile balanced on a knee as the flip and they’re pressed up tight at their crossed legs to make a little table from their limbs for the discards and Eddie’s just…
It’s not just his smile.
“My grandpa taught me to play,” Steve comments idly, mostly just for something to say when it looks like they’re stuck and need to flip from the sides.
“It’s chaotic,” Eddie looks up and meets Steve’s eyes, his own fucking glittering when the lack of light should make that impossible but Steve thinks Eddie is kinda impossible so probably it fits.
“I like it,” he proclaims, as he reaches for another card to start the momentum back up, raises an eyebrow at Steve and waits for him to follow suit like he’s the expect, like Steve didn’t fucking just show him this game—
“You would,” Steve snorts and Eddie?
Eddie just beams bigger, and that catches in Steve’s pulse, nudges it to sing something that’s more than just not-dead; that’s more…
That feels more
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It’s the more-feeling that breaks him, in the end.
“You called me big boy.”
Steve doesn’t really have control over his mouth, when it happens. Or else, like, he doesn’t think before the words tumble out, and the lie in the not-water and stare at the absence of the starts in the not-sky.
His heart’s jumped up to his throat, now.
Eddie’s quiet, for a while, even if time doesn’t mean anything here; Eddie’s quiet, and Steve’s heart wants to jump out of his fucking mouth but if it does than it’s got two destinations: it can’t drown in the not-water so that’s fucking useless, and then there’s Eddie, Eddie’s hands, Eddie’s chest and—
“I,” Eddie finally speaks, and his voice is rough, far away;“I, yeah.”
Steve doesn’t know what he was expecting. He wasn’t planning on saying anything so there weren’t any expectations built in.
“You looked at me,” Steve’s whispering, but it wavers, it moves with the force of his blood; “like you…” Steve licks his lips, swallows a whimper because what is he doing, what is he doing—
“Being almost-dead is really going to take the thunder out of your backlash on this, Harrington,” Eddie cuts into his panic and Steve’s head snaps over to look, to try and read Eddie’s expression: scared. Bracing for impact. Like Steve would, like Steve could ever—
“No, no, I,” Steve raises himself up and scoots over to Eddie, grabs his hands and presses them together in his own, never once looks away from Eddie’s eyes as they stretch wide.
“What did you mean?” because Steve’s started this, and Eddie’s anxious for it and…he needs Eddie to understand he’s not upset, he’s confused, his heart’s all swollen for it, he just, he—
“With the, with calling me that, and with leaning in like you did in the woods,” his breath’s shaking on the exhale: “with all the looks,” and he tries to leave it all in his eyes, on his face, open and clear for all that he doesn’t understand, but also for all that he…that he hopes.
Eventually, Eddie sighs, and squeezes his eyes shut tight, almost like a wince.
But he doesn’t pulls his hands away.
“You’re not stupid, Steve.”
Steve shakes his head, even if Eddie can’t see it.
“I’m very stupid.”
And Eddie’s eyes fly open, look wrathful, look offended on…Steve’ behalf, what the fuck?
And yeah, yeah, he’s opening his mouth now to fight him, to fight Steve about Steve and…no. No, that’s not the point.
“I’m stupid,” Steve says again, but quick so he can get it out; “about like,” he tries to find the right words and remembers Robin’s point on it once:
“About, you know, matters of the heart.”
Eddie’s features slacken, and his mouth drops open as he blinks at Steve before he eventually chokes out:
“Heart?”
But Steve can hear it. He can hear the confusion, like his own, but also just like his own:
He thinks he can hear the hope.
“You held that bottle to my throat and all I wanted was for you to lean closer,” he confesses, and it feels amazing, like he can breathe again, or see in color even though there’s so little color, here.
“And slit it?” Eddie croaks, incredulous, still a little slack-jawed and Steve laughs, because he can breathe, and—
“And kiss me, you dick.”
Eddie’s mouth snaps shut, and his eyes somehow get bigger, and his chest’s heaving and Steve wants that not to be for fearing, he wants Eddie to be anything but scared, he wants Eddie to be hoping—
“Stevie,” Eddie barely breathes and…it’s not scared, or else, not like it could be. It’s hesitant. It’s…full, of something Steve thinks might be incredible.
“You call me sweetheart,” Steve leans in, pushes the point, leans more until he’s close enough where he can feel Eddie’s breath on his face; “here. Now.”
Eddie nods immediately, doesn’t try to hide from it.
“Yeah, I do,” he breathes, and watches Steve so careful, unblinking.
“What does it mean,” Steve pushes, angles his lips without even thinking, without making the choice but Eddie?
Eddie makes the choice, and he kisses Steve so fucking sure and sweet and still wild somehow and Steve never wants to not be here. Never wants to not have this mouth under his, never wants to not have Eddie’s hands in his own: he doesn’t wholly understand it, where it comes from or what all it means but…his heart’s fucking dancing, the joy’s almost sore for it’s size and when Steve breathes between them, when they break for half a second to breathe and stare and marvel and Eddie looks like he’s entranced, like he’s overjoyed, and the only other thing here is Steve?
Fuck. Fuck.
If this ends up being death, that’s okay. That’s okay, as long as there’s also this.
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He’s on top of Eddie’s chest, curled so so close, when it starts to feel…different. In his body. Like something pulling him.
The dark is still absolute but it almost feels like they’re on the brink of something, like dawn could come.
Steve fucking hates it.
“I don’t want to die alone,” Eddie whispers against his head, kisses at his hair.
“I don’t want you to die,” Steve grits out, almost violent, because isn’t this how it started, wasn’t that what Eddie meant, that he didn’t want Steve here, too—but Steve won’t accept that.
He cannot fucking accept that.
“I don’t want you to die at all.”
Eddie drags the tip of his nose back and forth against Steve’s hair some more as he breathes, breathes, breathes—
“To die by your side,” Eddie murmurs low; “would be my privilege,” and Steve chokes on a whine, a sob—it’s too much. It’s too much, and he needs this man, he needs him so much, he think he fucking loves hi—
“Maybe it’s not dying,” Steve tries, looks out into the abyss and he can’t see what’s on the way but he feels it; they both feel it: “maybe we’ll,” and he grabs Eddie’s hand and brings it to his lips.
“Maybe we’ll wake up.”
Maybe. Maybe.
“Kiss me,” Eddie exhales and Steve pulls back, slides up Eddie’s chest and hovers over him, makes to claim his lips but then Eddie lifts a palm, pauses Steve as he presses it over his racing heart and blinks at him, makes the tears fall from his lashes:
“Kiss me again when we wake up.”
And Steve will, he will, but.
He’s gonna kiss Eddie now, too. He’s going to kiss Eddie always.
He thinks his heart’s going too fast to beat out words but that, in itself, has to mean something that isn’t…death.
So he pours that conviction, and all the hope he’s got left, into Eddie as he devours him, breathes into him like they can melt together, like if Steve’s air lifts Eddie’s lungs they’ll be one person, one living soul and whatever happens…
Whatever happens will take them both.
___________________
Eddie splutters, clutches his chest; his heart’s racing, it feels like his blood’s on fire because every beat fucking burns, and the tear of his shirt where it’s stuck to his skin—dried blood, fucking hell—all up his side is absolutely disgusting, Jesus fuck—
“Eddie!”
He turns and that, that’s Henderson, and he squints; that’s Henderson running toward him, less than a minute away at that pace and Eddie doesn’t know if he can sit up but he’ll try, he digs his fingers into the mud and makes to lift—
And then something crashes into him, pins him right back down.
Covers his hands. Presses.
And he can’t get a word out, can barely fucking breathe before his lips are covered, before he’s being kissed so fucking desperate and giddy and all these feelings being fed straight into him, his heart leaping up in his throat to steal a taste but it doesn’t need to, it doesn’t need to because he feels…he feels it all everywhere, and he looks up and he shakes, he laughs, he’s gonna fucking cry—
“You woke up,” Eddie whispers, marvels, thinks his whole face is going to split open with, with joy and Steve, Steve is here, and he’s smiling back, and he’s breathing and they’re, it’s—
There’s light here. Steve’s eyes are like molten copper, they flicker, they shine.
“Promised,” Steve murmurs close, his lips moving Eddie’s lips with each syllable and the taste is, is…sweet and soft and light and perfect and Eddie almost doesn’t ask because it feels so right, so unquestionable but also he wants, something fierce and unwavering, and he needs to be sure where the water’s real, and the ripples mean something when you shift the whole fucking world, when you feel this big you know it’ll move the earth breathe your feet, so he has to ask:
“That the only reason?”
He still feels the hope from wherever they were, though; he feels it still, here, and he believes in it more in the light, he thinks, and he looks at Steve, takes him in, sees his chest rising and his pulse at the neck: real. Real, and so beautiful, and so, so—
Steve leans and kisses him hard, almost painful but it’s divine, Eddie will bask in the sting of it for the rest of his fucking life if he’s allowed, and then—
Then Steve pulls back and pins him with his eyes, now, fierce and on fire and they steal Eddie’s breath with feeling, with intent as Steve grabs at his shoulders, pulls them flush together and growls against his ear, like a vow almost:
“Only reason?” Steve huffs, shakes his head. “Not even close,” and he drags his lips over Eddie’s skin, catches Eddie’s hair, weaves into Eddie’s heartbeat:
not-dead, not-dead, not-dead
in-love, in-love, in-love—
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tag list (comment to be added): @pearynice @hbyrde36 @slashify @finntheehumaneater @wxrmland @dreamwatch @perseus-notjackson @estrellami-1 @bookworm0690 
♥️
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itspileofgoodthings · 2 years
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Good morning what are the movies or tv shows that traumatized you as a kid mine are the BBC production of A Christmas Carol and a handful of David Suchet Poirot episodes
#my dad always thought if something was well done it was appropriate for children#so we never watched the silly little kid version of things. The muppet Christmas Carol? My dad would N E V E R#anyway a Christmas Carol ruined Christmas for me for YEARS#i hated to think about it#and poirot was just. traumatizing#there’s one called murder on the links which involved a golf course at night which is one of the most terrifying locations I can imagine#also there’s one called death in the clouds#and poirot uncovers the murder because there are two spoons on the dead lady’s tray of airplane food#and the way he says ‘he picks up a spoon giving him the task of a waiter to carry out’#when explaining the murder at the end to this DAY sends chills up my spine#I know this is very obvious but the thing about fear is that it isn’t about logic or reason but it is about revelation#it’s like the flip side of moments of good and happy insight#at least for me#what terrifies me is a moment where some kind of evil is revealed in a blinding FLASH#a motive or (I guess) a ghost#and there is this presence of some malevolent entity underneath the reality of things#and something about it being SEEN almost more than it existing#is so scary. Like I.#Poirot uncovering the murder and describing it with such studied fascinated careful attention#pulling back the layers of a blind of one kind or another#shakes me to. my. CORE.#and it’s all so visual and instinctive. it’s one tiny little moment that doesn’t fit suddenly pulling back the curtain of reality#with such terrifying abruptness#makes me want to sit down and cry like a baby#the knowledge of evil doesn’t scare me. as in it doesn’t elicit an emotional/physical reaction of fear#but seeing it in embodied action. again. where it’s some tiny ordinary little detail suddenly ripping reality as you know it to shreds#the surprise of it. the recalibration it demands#I !!!!!!!!! Get so afraid
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pollyanna-nana · 2 months
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Thistle and Marcille as narrative foils
Outliving your loved ones sure does sucks…
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It’s funny. Despite being a “pure-blooded” elf, out of everyone in the cast Thistle is the one who can best understand what Marcille is going through. There weren’t any other elves in Melini, and everyone he loved and held dear was destined to die long before he would. Is it any wonder why he said yes to Delgal’s pleas for him to “protect” everyone, even if that meant taking on an incredible burden? Perhaps if even if things had played out differently, he still would’ve ended up becoming the dungeon lord for similar reasons to Marcille.
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Even when the demon was punching holes in his psyche, protecting people was still on the forefront of his mind… though he lost sight of their happiness. But, ultimately…. He just didn’t want his family to die, just as much as Marcille did.
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Glass houses, and all of that.
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once-upon-the-earth · 2 months
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the "average demon kisses 8,2 angels a night" factoid is actually just statistical error. The average demon kisses 0 angels. Anthony Janthony Crowley, aka Effort-Georg, who fell deeply in love with the angel Aziraphale and kisses him every two seconds is an outlier adn should not have been counted
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steakout-05 · 6 months
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apologies to my followers who don't watch Star Trek but i still cannot get over the way Data enters the bridge in episode 2 of TNG after having just boinked Tasha. look at him. the style. the lean. the confidence.
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this is the fruitiest android i have ever seen!
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lavenderjewels · 5 months
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official choso art I love you
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lightandfellowship · 9 months
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[Image description: Digital KHDR fanart depicting the upperclassmen as chess pieces. At the very bottom of the image are four chess pieces representing Hoder, Heimdall, Sigrun, and Helgi. They are upside down and silhouetted in black against a white background. Above them are two rows of black and white squares forming a chess board pattern. Above that are three pedestals holding up Vali, Vidar, and Vala's chess pieces, with Vidar's piece resting on the tallest pedestal in the middle. Both the chess pieces and the pedestals are silhouetted in white against a black background. Above them is a white heart with Baldr's hand silhouetted in black inside of it. He holds the iconic Kingdom Hearts crown in-between his index finger and thumb, posed to place it on Vidar's chess piece. End image description.]
"I paved a path for him to succeed, if he had only followed it to the end."
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zishuge · 29 days
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The Spirealm 致命游戏 (2024) | Ep. 43
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anna-scribbles · 2 months
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h-how do you ever finish any of your work? genuine question because you seem to be productive despite your agreste syndrome and I need to learn your ways. but also how do you ever finish any of your work
unclear. last night i stayed up and finished a report worth 25% of my grade at about 5am, arrived on time for my 9am lecture, and spent about half of it zoned out while thinking about seventeen year old emilie agreste. and i was one of the most active participants in the class discussion
#in some ways it IS the move to go to grad school right out of undergrad#because your body can still sort of operate like a college kid#i’m on about 3ish hours of sleep rn and this morning it felt SO over but now i’ve eaten something and we’re so back#i also don’t really do caffeine. except sometimes i’ll go get one of those panera death lemonades#i might be able to snag a short nap before work#but anyway about seventeen year old emilie. i was thinking abt how she was in that movie solitude and adrien said she was seventeen#WAIT. NO. HE SAID SHE WAS SEVENTEEN IN THAT PHOTO ON HIS DESKTOP NOT IN THE MOVIE#well. okay whatever i’m gonna tell you what i was thinking about anyway#OKAY i’m back i just checked the wikipedia page and then i watched the end of gorizilla. to make sure i’m not lying. because i’m normal.#anyway i was thinking about the solitude film and how it’s super rare and old and obscure and whatever. and how apparently#emilie wrote it herself and andre produced it#and i’m thinking about how gabe was discovered by audrey and that’s how he got his start in the fashion industry#so now i’m like?? did gabe and emilie first meet on the set of solitude? because gabe was designing costumes or whatever?#and that’s how audrey found him? have people already thought about this??#also i just checked and it doesn’t say emilie’s last name in the credits and also it’s ‘graham films’ with the twin rings logo m#so i’m assuming she’s still emilie graham de vanily at that point#anyway it comes back to seventeen year old emilie because i started imagining seventeen year old runaway emilie having her new life in pari#after escaping her british nobility life#and the first thing she does is write and star in an original movie. of course.#and she meets this repressed bisexual punk upstart costume designer who is so the opposite of everyone she’s ever known#and he’s immediately so unhealthily obsessed with her. which she appreciates.#and then they proceed to have the most toxic doomed evil relationship of all time#also she gets cheated because once gabe gets money he represses himself SO hard that he is now exactly like all the people emilie grew up w#but at least he’s still obsessed with her#this is what i was thinking about during class today. i don’t know how i get anything done either.#ml#anna rambles#asks
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levia-san · 11 months
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Note: 九 (nine) has the same pronounciation as 酒 (wine) Divine Deity SJ has been sealed in a jar for many years Clueless farmer Yue Qi frees him shenanigans ensue(?)
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ghostlygunk · 4 months
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sometimes i remember that ib fan twitter user tht was diehard insisting abt how mary did nothing wrong in the story and how garry was apparently in the wrong
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puppyeared · 5 months
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man
#maybe im being pessimistic abt this. im not saying u should wear a mask every waking moment of your life god knows i cant#but also. hell no i dont trust u if anything i distrust u ppl even more after how things played out for the past 3 years#like there are situations where it might be inevitable catching covid. most of my family members are nurses and in constant contact#but there are also a ton of ways to make that risk low as possible like masking and wearing a face shield and having sanitizer#for me its not enough to just say oh we're in a small group and we're all vaccinated#motherfucker your kid is sick from preschool EVERY TIME WE VISIT. of course ill be wearing a mask she gave me covid last year#also no the fuck it isnt seasonal the cases go up because lack of caution makes the virus spread and mutate especially around times when#ppl gather. add that with virus transmission in cold weather and its a matter of different factors increasing the risk of spread#im also tired of ppl not understanding that i wont be their responsibility if i do get sick. maybe they can help me recover#but at the end of the day the risk of death and long term health is all on me. i cant change that#the govt barely gives me accommodations what makes u think theyll do anything for every individual case of long covid or worse#im so tired. im so tired#i dont even know if its possible to want this to be over anymore i just wish we didnt have to deal with this in the first place#ALSO COUGH INTO YOUR SLEEVE SERIOUSLY HOW IS THIS SO HARD TO REMEMBER#oh its just a cold/dry throat its not like i have covid or anything. no!! its basic hygiene!!! how is this so hard to understand!!!!!!!!!!#and no this isnt abt whether people have the means to protect themselves this is me bitching abt my relatives not taking me seriously#vent#my art#myart#doodles#covid 19
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thirddoctor · 1 month
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Here's how I'm counting them:
Pratt!Crispy - the OG
Beevers!Crispy in Keeper of Traken - obviously the same incarnation as Pratt, but is he a separate Crispy? My heart says yes
Ainley!Crispy in The Velvet Dark - I can't remember how he got fried but he is and that's what counts
Ainley!Crispy in A Town Called Eternity - separate instance of crispification caused by the events of Planet of Fire
Post-Ainley Beevers!Crispy - first appears in Dust Breeding after losing his Traken body
Post-Roberts Beevers!Crispy - don't remember how he happened but he exists
Delgado!Crispy in Legacy of the Daleks - got shot by Susan. Meant to be Pratt!Crispy but this story has since been contradicted by Big Finish
Delgado!Crispy in Doorway to Hell - he gets badly burned at the end of this comic and tries to regenerate
Other possibilities that I didn't count:
Pre-Crispy Beevers - he appears in The Two Masters, but I didn't include him because 1. he's obviously the same version as Pratt/Beevers and 2. he's not crispy
AU Beevers in the Warrior's reality - again, didn't count him because he's not crispy
If I'm missing any Crispies let me know!
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