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#also so so important that end of the world is that second episode
billpottsismygf · 3 days
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Space Babies! Weird episode, but it had a charm. I had already prepared myself for the fact that RTD's era was notoriously camp and weird, and that I would for the first time be experiencing new episodes by him as an adult rather than as a 9-13 year-old, so it's not news to me that there would be some campy nonsense with a deeper message, and that this might be more jarring than I'm used to. The deeper themes were really thrown out (refugees, anti-abortion hypocrisy, genocide, capitalism) without being dwelt on, but that's not necessarily a problem.
The babies themselves were... a little unnerving? The mouth movements were quite uncanny, along with their voices and the general "I love you, Ruby!" of it all. I've just now made the connection that the latter puts me in mind of adverts for baby dolls.
The gunky snot monster felt very early 2000s British children's TV. If you weren't there for that, just know there was so much slime; think Slitheen exploding. I am very glad it got rescued. Nice message with the Doctor not usually running from things just because they look scary and, even though this is a creature specifically manufactured to be scary, it still deserves a shot at life.
It feels like a strange story to start with because I suspect it'll have mixed reviews. I would think you'd want a slightly more solid episode to draw people in with. Anyway, there was still a lot of thought put into making this a proper jumping off point with all its Doctor Who 101 stuff. Funny for a long-time viewer hearing it all rattled off in record time, but important to establish for new people, and I do think it's important for the show to remain accessible to people who haven't been obsessing over it for twenty years or more.
As a jumping off point, it very specifically reminded me of The End of the World. There's the big observation deck on a space station where the new companion, in her second episode and first off-world adventure, gets her phone updated so she can call her mum, in particular. The parallels to Rose are interesting, especially with the lecture the Doctor gives Ruby about how they can't travel back to meet her missing parent(s).
Speaking of that, there's some intrigue there with the snow appearing and the memory changing. I didn't like the Doctor doing a DNA scan of Ruby without her knowledge. It feels very 11th Doctor, especially when he literally scanned Amy and withheld medical information, but also the way he treated all his female companions as mystery boxes to solve without telling them. I guess we'll see what that's all about at a later point.
I'm still not completely sold on Millie Gibson, but Ncuti Gatwa is wonderful, and I do really appreciate their chemistry.
Small things:
Jocelyn was a good character, and the Nan-E filter made me laugh several times.
That place name before the Doctor turned the translation circuits off was absolutely not in English. Slightly weird way to phrase that line if it's going to be called Pacifico del Rio.
This is a very early point in the series for Ruby to get a TARDIS key! We're really speedrunning the usual steps here.
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Why hello there.
Listen,I don’t have much to say about the newest LO episode so here’s an ares ranking to go along with the other ones.
Spoilers.
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Percy Jackson:
6/10
Look,Ares is a really weird figure when it comes to how the media presents him.
Almost always they present him as this sexist frat boy when in mythology he is:
A reported protector of mistreated woman.
The patron god of the amazons and was worshipped to the point that their leader had 2 babies with him.
Scored the GODDESS PF LOVE AND BEAUTY and there is no way you cannot convince me she doesn’t have some pretty high standards(even though apparently you can convince most of the writers on this list)
And as much as I love Percy Jackson,it is not devoid of crimes.
In the first book,he helps Luke/Kronos steal Zeus’ master bolt and Hades’ helm of invisibility as to start a civil war within the gods.id say this is a pretty good portrayal overall.
…until we get to the second book.
This myth will be very important so long story short:a daughter of ares got r*** by a son of Poseidon so Ares,like any reasonable and bloodthirsty god of war,fucking killed him.
After this,he got put on trial for murder as if he wasn’t the literal god of bloody war,and all the ladies vouched for him so he got set free.
Let’s just say,Rick Riordan didn’t know of this myth.
In the second book,there’s a scene where Clarisse La Rue,a DAUGHTER of ares talks to him through a magic mirror.
There,he threatens her and says he should have sent one of his sons on the quest.and keep in mind she is his FAVORITE DAUGHTER.
So yeah.
I don’t really like this portrayal but he gets points for bringing Clarisse and (technically)Frank into this world since I like them both.also the fact that Percy could tell he had beef with him even without having any other memory.
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Lore Olympus:
1/10
FUCK THIS GUY
Remember when I said that modern Ares was more often than not a sexist frat boy?we’ll add “predator” and “Reddit nice guy” to that list because RS can’t write.
If in Percy Jackson Aphrodite had terrible standards here said standards are so much worse.
He spends MONTHS trying to seduce a 19-YEAR-OLD and then tries to marry her without her consent.
Also,sir,YOU HAVE THE GODDESS OF LOVE AND BEAUTY FULLY AT YOUR DISPOSAL AND YOURE PICKING A GURL WHO DOESNT EVEN KNOW HIW TO USE A COMPUTER????
Great.this guy is a predator,Reddit nice guy,AND stupid.
I remember saying that the only character who could get a lowers rating than LO Persephone being LO hades and then I remembered this fuck existed.
Fuck him.
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Hades:
10/10
Your know when you see something and then immediately want to wash your eyes with soap?this is my soap.
He is my third favorite Olympian in the game,coming third to Hermes and Artemis.
So here’s a few reasons why I like him:
Doom anything with impending doom and the increasing doom damage boon does absurd amounts of damage.
Curse of nausea is one of the best duos in the game.
He respects woman.(oh look they finally Aphrodite standards)
His quest is stupidly easy and he was the first Olympian who’s bond I maxed out.
I know this joke has been made so many times but.he really is a Chthonic simp.
He doesn’t get too pissed if you don’t pick him is trial of gods.hes just here for the bloodshed.
It may be just the fact that almost every other interpretation of ares is bad,but I really like him.
Also Aphrodite wearing his face paint in hades 2-
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OSP:
7/10
He’s cool.
I really don’t have much else to add except the helmet stays on during sex.
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Gods school:
5/10
Welp Back to the incels-
Him straight up telling Aphrodite that he can do whatever he wants because she won’t leave is just.why.
I don’t get why people go to this myth,turn it around,and act as if they’ve done a service by making Ares miserable when in the myths it was already a good ending.
What is with the obsession with making ares a toxic ex boyfriend when in the myths him and ‘dite were literally love and war.
Another issue I have with gods school is the fact they made Aphrodite a Karen Smith when in the myths shes a Regina George but that’s a problem for the Aphrodite ranking.
Also I just realized the Aphrodite Hephaestus ares myth is the og “I fell in love with a bad boy story”-
Epic:the musical:
8/10
I don’t have a physical picture of him but I already like him.
The only time he he appears is during a bit of an unfinished song but he does bring up some pretty good points,like the Scylla thing.
Also the fact Athena didn’t directly refute any of his points but instead persuaded him with the fact that the moment Ody gets home the suitors are going to be fucked is surprisingly great.
Also can I just say how absolutely hyped I am for god games?Aphrodite’s part fucking rocks and I’m excited for Apollo and Hephaestus.
Also here’s my ranking for epic Hermes since I wasn’t part of the fandom back then:
10/10
*insert dolphin laugh here*
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variousqueerthings · 6 months
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rewatched the first two nu!who episodes with a friend and gyaaarfh just imagining this old old being that's been traumatised by a genocide and is out of step with who they used to be and deeply lonely and so ready to die to save people, but also has become so dissociated from individual connection and therefore has just forgotten how to be and is presumably just down to sacrifice themself and let it end finally, and then rose tyler smiles at them and they're like "ah yes I do in fact have hope and whimsy and love still in my body, thought I'd never get any of that back, turns out I care about living and stuff"
the power that is rose tyler smiling
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sundrop-writes · 2 months
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Careful - Chapter Four
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(Dad)Spencer Reid x (Mom)Fem!Reader
Chapter Four: Last Hope
It’s just a spark but it’s enough to keep me going.
Summary:
The entire axis of your world is shifting.
Spencer is not the man you left alone all those years ago, and you don't know how to react to him being such a perfect, caring father. You also don't know how to react to the potential that you could be killed by someone who has already gutted five other women.
Luckily, Spencer is there to protect you. Another thing you don't fully know how to react to - but somehow, you just go with it.
Dad!Spencer Reid x Mom!Fem!Reader. Exes to Lovers. (Slight) Fluff and Angst.
Word Count: 8,800
Criminal Minds Masterlist | AO3 Link | Series Masterlist
Detailed warnings and author's notes below.
Warnings: Again, basic warnings for a Criminal Minds episode - mentions of murder/killing, the reader character is the next target of a serial killer; mentions of the reader wearing a sexy Halloween costume (during a flashback); mentions of gender roles - the reader doesn’t raise Sebastian with strict gender roles (and Spencer appreciates this); mentions of the reader giving birth (not graphic descriptions); some emotional tension between Spencer and the reader; angst because Spencer is upset about missing out on so much of Sebastian’s life; passing mention of abortion; the reader is threatened (in a graphic way) and called whore in a derogatory manner by the UnSub; Spencer is also threatened in a very graphic way by the UnSub; specific threats of stabbing and rape (toward the reader); passing mention of poop (because come on, this is a little kid, and kids talk about their poop a lot); I believe that’s it for this chapter.
A/N: So, this chapter starts off with a flashback rather than ending with one, because flashbacks are important to how information is revealed to the audience, and I think it works here. Idk what else to say about this chapter - I think it's a nice transition into the climax. I hope you guys enjoy it!!
...
Halloween. It was always a time when Spencer thrived the most - and he thrived even more when spending it with you. 
It was your second Halloween together as a couple, and Spencer loved that you enjoyed celebrating the holiday just as much as he did. You loved dressing up, you loved all of the spooky lore behind Halloween. And of course, you loved listening to all of the real life facts he had to tell you about Halloween’s history, and things like vampires, werewolves, zombies, and all of the Halloween traditions and how they evolved over time. 
You didn’t think before that learning about the origins of Halloween could make it even more fun, but Spencer somehow made it into the most exciting educational documentary of your life. 
This year, you had invited him to a house party that one of your work friends was hosting. It would be some light drinking, finger food, dancing to cheesy Halloween songs, and most likely sitting around and talking while roasting marshmallows around your friend’s backyard fire pit. It wouldn’t be anything big, but you expected it to be a really fun night. 
You showed up to Spencer’s place wearing a straight off the rack, generic ‘sexy witch’ costume. It consisted of a very wide brimmed pointy hat, dark make-up, and a tight corset drawing attention to your curves, as well as a short tulle skirt, flared sleeves, and black fishnets and black boots to top off the look. He found you irresistible and almost wanted to stay at home. But he was looking forward to the party; he was excited to meet your friends and he knew that the occasion meant a lot to you. 
He told you that he was planning on going as a young Ernest Hemmingway, and as much as you adored it, because it was a very Spencer thing to do - you knew that it was very unlikely that anybody else at the party would be able to identify his costume on sight, and that would probably disappoint him. He would be standing proudly, asking people to guess who he was, and they would come up blank because they weren’t in the same mindset as him. 
So you advised him of this, and encouraged him to steer his costume in a different direction. (And Spencer - trusting any advice you gave, simply let you lead him.) 
You took the late 1800s style clothing he had picked out for the occasion, and some of the makeup you had brought in your bag for potential touch-ups - and you convinced him to let you dress him up as a sexy vampire who had been turned in the late 1800s. 
You did his makeup - with some dark eyeliner, that he winced at the entire time, some dark eyeshadow, and some red lipstick smudged around his mouth to appear as though it were blood he had just siphoned from his latest victim. And the entire time you worked, he came up with an elaborate name and backstory for his vampire character. You delighted in listening to him tell you all about Frederic Henry - named after a Hemmingway character. A man who was shot in the military and assumed dead, but who was saved in the trenches of World War I by a vampire’s bite, and then lived on. 
You encouraged him to wear his shirt unbuttoned quite a bit, creating a deep V down to his chest that he wouldn’t have worn any other time. Thinking about his story, you even used the eyeliner to create the scar of a bullet wound on his chest, slightly hidden by his shirt - something to hint at Frederic’s tragic past. 
(Both you and Spencer got way too into it, but you were having fun.) 
You were running a bit late by the time you left Spencer’s apartment, but it was a casual house party, and you knew that nobody was going to call you out for being ‘late’. 
You parked a few blocks away, not wanting to drive through the neighborhood with so many kids out and about on foot. It was still early in the evening, and many kids were still out, knocking on doors, getting their candy. 
“They’re so cute, aren’t they?” You remarked as the two of you walked down the sidewalk, hand in hand with Spencer as you made your way toward the party among a sea of Trick or Treaters. 
“Kids in costumes? Or just kids in general?” Spencer replied with a chuckle, trying to clarify what you had said. 
(There was a hopeful edge in his voice, a daring longing in his eyes as he looked at the parents helping their children from house to house. Something deep inside of him that hoped the two of you could have your place here a few years from now.) 
“Kids in general are cute.” You shrugged. “But kids in their little costumes are so much cuter.” 
Spencer’s insides fluttered - seeing you light up with joy just talking about children, knowing that it might be in your future. Knowing that it might be a part of his future with you. 
“If we had a baby, would you wanna dress him up for Halloween?” Spencer asked. 
You wanted to fixate on the ‘if’ - to tell him that you thought it was something more certain in your future, with the way things were going. That you thought he would make an amazing father. That you wanted it to be a ‘when’. 
Instead, you chose a different part of his statement to pick at. 
“You sound awfully certain that our kid would be a boy.” You chuckled. “Please don’t tell me you’re one of those guys who would be disappointed by having a girl.” 
That would be a dealbreaker for you. As amazing as Spencer was - he had to be just as good of a father to a daughter as he would be to a son in order to stay in the picture. 
“Goodness, no.” Spencer replied, shaking his head. 
He held back. He didn’t tell you that he had spent far too much time - hours on the plane rides back home, nights when he couldn’t sleep - thinking about his future with you. He imagined three kids. An oldest boy, and two girls, about a year or two apart each. A golden retriever, a house - he had even picked out which district he wanted to live in based on schools in the area and lowest crime rates. 
He knew it was stupid, but he had already been squirreling away money for a downpayment on that house. When you were ready, he wanted to be able to give you everything you could ever ask for. He had way too much time to fantasize, and he didn’t want to admit that to you now. 
“Just - it slipped out.” He chuckled. “I would be thrilled if we had a little girl. But - I pictured us having a boy.” 
In his mind’s eye, his daughter was so much like you. And if that came to pass, then he would be the luckiest man on earth. 
“You did?” You grinned at him, a distinct light in your eye. 
Spencer found his chest untightening as he breathed in relief. 
“Well, if he’s half as cute as you,” You said, moving a hand over to pinch one of his cheeks, which made him smile and let out a huff, half forming into a laugh. “Then I definitely wanna dress him up in a Halloween costume. Especially while he’s still little and cute and can’t argue about what I wanna dress him up as. Before he starts talking and wants to be that fuzzy guy from Star Wars.” 
“You mean Chewbacca?” Spencer asked, wondering which one you were talking about. 
“Yeah!” You said. “The big ugly one. The little teddy bear guys are cute, but the big one is kind of creepy.” 
“We had an all-day Star Wars marathon, and you didn’t tell me that you thought Chewbacca was creepy?” Spencer chuckled, his mind now distancing from the subject of the two of you having kids. 
“Yeah, because you were there to protect me!” You replied, your voice still filled with lightness and laughter. “And I didn’t even really realize it until after. I had this weird nightmare-” 
“You had nightmares about Chewbacca?” 
“One nightmare! It was only one!” 
The subject of children was forgotten, then. 
Your laughter echoed off into the night, and you didn’t think much of the conversation. 
Spencer remarked on it as a precious memory - as a sign that his savings account was an insurance policy for his future, not a fool’s errand. After the break-up, he thought about it over and over - he wondered where he had gone so wrong, how he had lost you. If you had felt so secure in your future together - how had he lost you?
… 
Spencer wasn’t sure how it was possible, but he was growing more and more love for Sebastian with each passing moment. 
After he got off the phone with Derek, he went back into the house to be mobbed by Sebastian. Having the boy run into his arms with so much excitement - it made him feel more heroic than anything he had done with the BAU for the past years of his life. So often, when he carted off a killer to jail or when he saw a victim returned to the arms of their family, he couldn’t feel the relief or the calm that JJ or Gideon spoke of. He just felt so empty. 
But having Sebastian hug him tight and ramble in his ear with excitement about all his plans for their afternoon - it made his chest swell with a grand importance that he had only gotten a taste of when he was with you. When he was making you happy. It felt like a moment that his whole life was leading up to. 
You asked Spencer if it was okay for you to go back to your office and get some work done while he occupied Sebastian, and he could think of nothing he wanted more - except maybe for you to join him, and to spend some true quality time with him and his son. But he hoped that would come later. And this in itself was progress - you trusting him to play with Sebastian, to spend time alone with him while you got your work done. 
Sebastian showed Spencer every single one of his toy dinosaurs, and they played with those for quite a while. They also had a tea party with some large bears and dolls present - and Spencer was delighted by the fact that you didn’t buy him gender specific toys. Knowing that this opened up different areas of play and imagination, and allowed for his development to be nurtured by gentleness and caring that young boys didn’t often get in a society so rigid about gender roles. 
Spencer really couldn’t imagine a better boy. You had raised such a beautiful, smart son. Someone who was polite, so caring, and gentle. 
Spencer was practically swollen with love, overwhelmed at getting to spend time with his son. 
His heart felt as though it might burst out of his chest and he knew that he looked fitful, actively holding back overwhelmed tears while Sebastian poured the imaginary tea for each member sitting around the small plastic table and they clinked their tiny plastic cups together in a toast. 
Then, Sebastian wanted to show Spencer a favorite movie of his. He rushed downstairs to put it on the TV, and as he was picking it out among the DVDs, he became distracted by something at the top of the shelf beside the TV. 
“My Halloween basket!” Sebastian said, pointing to an orange basket at the top of the shelf - one that did appear as though it was for Halloween, with a jack-o-lantern’s face painted on the front of it. 
“Mommy says treats are for after dinner. But… can we have one now?” The boy looked hopefully toward Spencer, knowing that he would be able to reach the basket and bring it down toward him. 
Spencer didn’t want to undermine your rules. You had done so well raising Sebastian this far, so you were clearly doing everything right. 
He crouched down to the boy’s level. 
“We should go ask your Mommy if it’s okay to have one.” He told Sebastian, who nodded, and then ran off toward your office with that thunderous urgency in his steps. 
He heard a distant ‘Mommy!’ - and a bang that could have been Sebastian’s version of a knock or him downright smacking the office door until it opened. But then he heard your voice murmuring and what must have been a frustrated sigh. 
Spencer felt slightly bad that he had sent Sebastian to interrupt your work, especially over something so small. But he didn’t want to lose progress with you and have you reaming him out for giving your son sugar without your permission. 
You soon came into the room and went straight for the candy bucket, lifting it off the shelf and bringing it down to Sebastian’s level so that he could choose one. 
“I know it seems cruel. But I didn’t want him eating it all on Halloween and puking, so he’s allowed to have one a day, usually as a treat after dinner.” You explained, clearly wanted to lay out your reasoning for Spencer. 
“No, no, it’s not cruel.” Spencer replied quickly. “It’s a good idea. Regulating his intake of sugar while not completely restricting it as something sacred or off-limits. It’s a good call.” 
Sebastian picked out a small packet of M&Ms, and then you went to lift the bucket away, and he spoke up. 
“Can I pick one for my friend Spencer, too?” He asked. 
“Yeah, go ahead.” You nodded, and then you added on: “Spencer’s favorite is Snickers.”
Of course, Spencer was floored that you remembered this. 
Sebastian picked out a mini Snickers and then excitedly thrust it in Spencer’s direction. 
“Aw, thanks buddy!” Spencer said, eagerly taking it with a grin, even reaching out to give him a high five while he smiled up at Spencer in return. 
(He was too busy looking at Sebastian with those stars in his eyes to notice the way you were watching the pair - watching all of your dreams unfold before you with an odd mixture of bitterness and affection swelling up inside of you.) 
Sebastian moved on to picking out the movie and you went to walk out of the room again, seemingly to get back to work, but Spencer stopped you. Something else was on his mind. 
“Y/N.” He called your name gently, and you turned back to him, your arms crossed stiffly. 
He was just glad that you didn’t seem so angry at him using your name this time. 
“Do - do you have any pictures of Sebastian in his Halloween costume?” He asked meekly, afraid that you would stamp out this request with more anger and defensiveness. 
“Why?” You gaped, seeming very confused that he would even ask this. 
“I - I just wanted to see.” Spencer replied. 
‘Because I missed out on so much of him.’ He hesitated to say. ‘I know it’s impossible, but I want those years back.’ 
The deep sadness lingering in Spencer’s eyes caused your stomach to clench. 
He had really changed. This wasn’t the same man who had been standing in the apartment that night. This wasn’t the same person who had been so callous and stubborn - the same person that you felt you needed to protect your unborn child from. 
Maybe this was the man you had fallen in love with, somehow rescued from the clutches of that person you didn’t know who had mocked you while wearing Spencer’s face. 
“Gimme a minute.” You told him. And then you leaned in close before you whispered something else. “And you should let him see you eat the Snickers, otherwise he’s gonna be insulted.” 
Spencer smiled at this. 
Sebastian waved him over then, and he asked which DVD Spencer would rather watch. Spencer ate the Snickers and thanked Sebastian for sharing his treats once again while the boy went through a very detailed explanation of the plot of the films so Spencer would have an informed choice. And then Spencer picked, and Sebastian moved to put the movie into the DVD player. 
This was when you came back with a thick envelope filled with pictures and handed them over to Spencer. 
“I had these printed a while ago.” You explained. “I was planning on making a scrapbook for my mom, for mother’s day. It’s… basically every important moment in Sebastian’s life.” 
“That’s my baby picture!” Sebastian said excitedly, looking over at the pictures in Spencer’s lap. “That’s when I was a baby, after I was born. I was one day old. Mommy said that everyone used to be one day old at some point, but that just sounds weird!”
Spencer’s throat clenched up with tears, and this clashed with the laughter he experienced from Sebastian’s comments. 
But as he looked through the pictures, he had a much harder time holding back his tears. 
Seeing all of the pictures, all of those moments - it slowly broke him. 
The first picture was one of Sebastian wrapped in a very clinical swaddling blanket when he was still so new and wrinkly, only hours after his birth. Spencer could imagine how small Sebastian would have been in his arms. The tiny little newborn sounds he would have made. Spencer wished that he could have held your hand through the birth, that he could have been there with both of you in the hospital during those first few days of his life. 
Then, a picture of you holding Sebastian in his nursery when you had brought him home from the hospital - a photo that was most likely taken by your mom. You had such a big, bright smile on your face. You looked so perfect with him in your arms. You were such a good mother. 
There were pictures of him when he was more alert - his big, curious eyes looking at the world for the first time; what appeared to be his first picnic out at the park when he was laying on his back on a soft blanket, taking in the world for the first time. Spencer could imagine how sweet his baby laughter would be - what it would have been like blowing raspberries on his soft belly and kissing you under the warm sun. 
He continued flipping through the photos - another one of what must have been his first Halloween. He was dressed up as a chubby round Jack-o-Lantern with his little fist in his mouth, drooling around it while your mother held him for the picture. 
And then - pictures of him walking experimentally while you held him by both of his hands; him sitting in front of a Christmas tree, opening an exciting Christmas toy that made him beam with a big smile. 
Pictures of important memories all throughout his life, all the way up until recently. This past Halloween, he had dressed up as Luke Skywalker. 
He liked Star Wars. 
“Um, can I use your bathroom?” Spencer choked out. 
He knew that he was crying very blatantly now. 
His chest was caving in as all of it truly hit him - how much of his son’s life he had missed. He didn’t wait for you to direct him because he knew that he had passed the bathroom coming down the hall. He abandoned the photos in the middle of the coffee table, haste to escape.  
Sebastian looked at him with sad eyes as he stormed out of the room. 
“Why is my friend Spencer sad?” He asked in a small voice, looking up at you. “He doesn’t like my pictures?” 
“No, honey, your pictures are beautiful.” You assured him, kneeling down by the table and gathering up the pictures. “It’s complicated…” You let out a huff, not knowing how to explain it to him. Not even knowing where to start. “It’s grown-up stuff, okay? Just - just watch your movie.” 
You stacked the photos back into the envelope, and you hoped that Sebastian wouldn’t follow you as you raced down the hall toward Spencer. You weren’t surprised to find the bathroom door closed. 
“Spence,” You called out his name as you knocked gently on the bathroom door. 
That gutted him even more. Spence. 
Another harsh reminder of the life he had lost. 
“I’m sorry.” He called back, his voice audibly drenched in tears. 
Your throat tightened up. 
This began to shift your entire axis. The man you had left standing alone that night - you thought he was a man who would have never cared about your son. Someone who would have asked you to get an abortion or distanced himself from the pregnancy as much as possible. 
But this man - this felt like the Spencer you knew, the one you fell in love with. 
He cared so much. 
This was someone who could fit into your life, someone who could help raise your son. 
And tugging right at your heart, something you wanted to deny - this was a man you wanted to be your husband, as well as the father of your child. 
“Spencer, please-” 
Spencer opened the door then, and upon instinct, you drew back, wrapping your arms tightly around yourself. Unconsciously, you were protecting yourself. 
“I’m sorry.” He apologized again. “Did I scare him? I didn’t mean to.” He asked, looking behind your shoulder as if waiting for Sebastian to appear. 
There it was again - prioritizing your son above all else. Worry for him. 
Something you wouldn’t have expected. Something that forced you to shift your whole perspective. 
“He’s fine.” You told him. “He - he probably just wants you to watch the movie with him.” You said, entirely honest, motioning toward the living room - where the sound of Sebastian’s cartoon movie could be heard playing from the television. 
“I’ll be out in a minute.” Spencer noted, reaching for some toilet paper to wipe his eyes with. 
You squeezed your hands tighter around your arms, resisting the urge to reach out and touch him. You wanted to wipe those tears away yourself. Spencer’s keen eye went right to this movement, and you felt so caught. 
“I should go start dinner.” You said, eager for an excuse to escape the situation. 
You whisked down the hall before Spencer could say anything else, and before his mind could linger too much on it - on you - his phone rang again. 
It was a number he didn’t recognize, but he had to guess that it was one of the phones from the local police station - someone from the team calling with an update about the case. 
“Reid here.” He answered, deeply hoping that he didn’t sound too tearful over the phone. 
“Do you like pretending, Doctor Reid?” 
That certainly wasn’t a voice he recognized. 
“Excuse me?” Spencer squeaked back, having no clue what this meant. 
“Do you like playing house, Doctor Reid?” 
The person on the other end posed a slightly different question. The voice was sharp and certain, completely devoid of genuine emotion. It caused a chill down Spencer’s spine, and he knew, somehow- 
The UnSub had gotten a hold of his phone number, and felt the need to taunt him by getting in contact with him. 
“Unlike you, I’m not playing.” Spencer growled in return, already having the profile in his pocket. “I don’t need to play house to fulfill some God complex. I fully intend to spend the rest of my life being there for my son, raising him. And as long as I am here, in this house, no harm will come to my son or the woman who raised him.” 
“Hmm…” The man seemed entirely bored with Spencer’s words. “The woman who raised him. Such a funny way to talk about that whore you supposedly once loved. But she did such a good job raising the boy, didn’t she? Seems like she didn’t even need you in the picture, did she? Such a sweet little thing… anybody could just waltz right into that house, slit her throat and take him. He’s smart enough to do well on his own now.” 
Spencer knew that it was a tactic intended to get to him, and he shouldn’t have let it emotionally affect him as much as it did - but fuck, it got to him. 
“Don’t talk about her that way.” He growled into the phone. “Don’t talk about them, that way, I swear to god, I’ll-” 
“You’ll do what, Doctor Reid?” The man cut him off, clearly mocking him. Clearly in disbelief that Spencer could ever truly be violent in response to his family being threatened. 
Spencer choked on a breath, trying to compose himself. 
“Now, now. Simmer now.” The man cooed, still mocking, entirely condescending. “And don’t you worry, Doctor. Every whore gets her time to be an angel. I’m sure that she’s going to look so beautiful when she’s moaning and writhing in pain while my knife plunges into her guts. Don’t worry, Daddy - I’ll treat her as gently as I can.” 
Spencer sucked in a breath, preparing to yell at the man, but then - the line went dead with a sharp ‘click’. Spencer pulled back his phone and looked at the display - he memorized the number so that he could give it to Garcia later, and then, he called JJ. 
“Reid, hey.” 
She sounded worried. 
Any rage pumping through him that the unknown man had triggered in him melted away, and he immediately wondered why JJ had taken on that sad, sullen tone. 
Before he could ask, she spoke up again. 
“We… were just wondering if we should call you.” 
“What’s wrong?” He asked. 
“The UnSub knows you’re in the house.” She announced, ripping the band-aid off all at once. 
Spencer wondered again how this was possible. But he figured that it was better to exchange information and let the questions naturally arise than to ask the questions himself. 
“Yeah, he just called me.” He told JJ. “Clearly with the intention to antagonize me.” 
“Wait, hold on.” JJ sighed. In the police station, she walked into the conference room where the team was working and put her phone on speaker for the room before she spoke to Spencer again. “Tell them what you just told me.” 
“Someone who I can only assume was the UnSub just called me.” Spencer explained. “It was very clear that he was trying to antagonize me. He - he seemed jealous that I’m here - that I’m trying to take his place as father in the household before he could get here.” 
“What makes you say that?” Hotch asked. 
“He claimed that I was ‘playing pretend’. He called me Daddy. He mocked my love for Y/N, and taunted me with the idea of him… potentially killing her.” Spencer found those last words particularly difficult to speak, but he knew that the team needed all the information at hand. 
“Let me guess, he called you from a blocked number?” Prentiss wondered aloud. 
“No, actually.” Spencer replied. “Do you have a pen? I can give you the number and you can have Garcia run it.” 
“Fire away.” Prentiss replied. 
“503-202-1052.” Spencer told her. 
“I’ll call Garcia now.” She said - on the other end, getting up from the table to call Garcia on her cell. 
“JJ said you guys have something too?” Spencer asked, still wondering what JJ had meant. 
“The scumbag sent us a letter.” Morgan answered. “The envelope was full of pictures. A bunch of pictures of your girl and the kid from weeks back - them at the park, at restaurants, at the grocery store. He’s way farther ahead in his timeline than we thought he was.” 
“Yeah, and there’s… something else.” Rossi sighed. “He also included pictures of you and JJ standing on the porch when you arrived at the house. And one of you coming back to the house later, by yourself. In one of them… he crossed your eyes out with a red marker. It’s clear that he sees you as competition. A clear threat to his fantasy.” 
“But - how does he know that I’m Sebastian’s real father?” Spencer wondered aloud. 
“Perhaps he only sees you as competition because you’re another male encroaching on his territory. Because you’ve spent prolonged time at the house, seemingly to protect her and the child.” Hotch theorized. 
“No…” Spencer said, putting the pieces together in his. “On the call, he said: ‘Such a funny way to talk about that whore you supposedly once loved.’” Spencer repeated it perfectly from memory, feeling a pang in his chest at calling you a ‘whore’, even if it wasn’t his own wording. “It was like he knew that me and Y/N dated before and broke up. Like he knows that Sebastian is a result of our previous relationship.” 
“That is… strange.” Rossi remarked. “Do you think that Y/N might have mentioned your relationship to a friend, or a neighbor? Maybe… she might have confided in somebody?” 
“It’s possible.” Spencer sighed. “But since she’s moved here, she’s surrounded herself with women. A female babysitter, fellow moms as her friend group.” It was something he had noticed in the more recent photos of Sebastian. “Our UnSub is a man - I don’t see her divulging those types of things to him, even if she didn’t know he was a potential threat.” 
“Well either way, he knows. And he’s pissed off.” Morgan sighed. “I mean, the wording of this letter… it makes sense why he seems so hostile toward Reid. It’s not just anger toward a random man who’s encroaching on his territory - it’s a personal rage towards someone he feels could actually ruin his chances with Y/N if he’s built up this fantasy of having her in his mind over these weeks.” 
Morgan picked up the letter and read some lines from it. “‘I will stab him in the spine, paralyzing him and forcing him to watch as I rape that whore - I will take her as my own while he pleads for mercy. I will show him what happens when weak men abandon their obligations. If Daddy wants to play, I’ll play too.’” 
“Is that really what he thinks?” Spencer huffed, unable to hold back his emotions. “That I abandoned my obligations? Does he really think that-?” 
“Reid.” Hotch said firmly, cutting off Spencer’s ranting. “Stay calm. What we really need to ask ourselves now is: how does he know so much about you? How does he know so much about your past that even we didn’t know?” 
He added this on - seemingly taking offense to the fact that most of the team didn’t know that Spencer had a serious girlfriend in the past. A relationship that had resulted in a child. 
Just then, Emily came back into the room. 
“Garcia said the phone number goes to a public library on the other side of town.” She announced. 
“Morgan, you and Prentiss go to the library - see if anyone there saw the UnSub or if they have any potential security footage of him.” Hotch ordered. 
“Reid, see if you can convince Y/N to come into protective custody.” Hotch added on, turning his attention to the man on the phone. “With the UnSub being further along in his timeline than we thought, and seemingly being provoked by your presence, we really need to protect her and her child. Stress that fact to her. We need to keep a close eye on her until we can find a viable suspect.” 
“Yes, of course.” Spencer replied, before ending the call. 
Spencer splashed some cold water on his face, truly trying to pull himself together before he exited the bathroom. 
It truly hit him, then. 
This day wasn’t about some soft, sappy reunion with you and his son. This day was about the fact that you had been targeted by a dangerous, deranged killer. And he needed to do everything in his power to protect you from that horrible man. 
A fresh, vicious wave of determination went through him - if he had to tear out the man’s throat with his teeth, then he would. He wasn’t going to let even the tiniest amount of harm come to you or his boy. Not today, not tomorrow, not ever. 
He put on a smile, not wanting to potentially scare Sebastian with a frown or his trembling fear over what might happen. He tried his hardest to push all of it out of his mind for now as he walked down the hallway and back into the living room - where a musical cartoonish number was in full swing on the TV. 
“You were in the bathroom for a long time!” Sebastian commented brightly. “Did you have to go poop?” 
Spencer let out a laugh at this. This almost instantly lifted his mood - the fact that such a young kid didn’t have the sense of embarrassment or social constructs in order to know that it wasn’t really routine to ask someone what they had been doing in the bathroom. He easily found humor in Sebastian’s bluntness. 
“Seb, what did we say about asking people about their poop?” You called out from the kitchen, clearly having heard the conversation. 
(So this was a habit of his?) 
“Sorry!” Sebastian called back. Sebastian then turned back to Spencer. “Your poop is only your business. Unless you have to tell the doctor about your poops.” He assured Spencer, clearly repeating something that his mother had told him. 
Spencer nodded. “It’s all good, bud.” He said, smiling at Sebastian. “I’m gonna go talk to your mom, okay?” 
“Are you gonna watch the movie with me?” Sebastian asked. 
“I promise, I’ll watch whatever you want to later.” Spencer replied. 
He made it a promise because he wanted to hold himself to it - he wanted to spend lots of days watching films with his son. And playing games, and teaching him things. He promised himself that there would be lots of time to do these things with Sebastian in the future because nobody would interrupt that for him. 
But for now, he had to convince you to agree to protective custody so that the three of you could have the safety and security of a future together. 
Sebastian seemed content with this answer and turned back to the TV, and Spencer ventured into the kitchen, where you were preparing dinner. 
“Hey, Spence.” You greeted him gently. “I’m assuming that you’re staying for dinner? It’s nothing fancy, just some pasta with cream sauce, and chicken and broccoli.” You explained, gesturing around to the many items you had surrounding you - a pot of boiling water, and cutting boards with different vegetables, and one sequestered off in the corner with cut-up chicken pieces waiting to be put in a frying pan that was still heating up. 
“Sounds good.” He easily agreed. “After dinner, we need to pack a bag for Sebastian, and you need to get some stuff together so that we can get you guys into protective custody.” He said, posing it more like a gentle suggestion than a question that you could say no to. 
He truly hoped that he wouldn’t have to go into the graphic details as to why you needed the protection - why it was more urgent now. He hoped that he wouldn’t have to resort to telling you about the man who had threatened to go poking around in your insides with a knife while making him watch. 
Not surprisingly, you completely ignored what Spencer said. 
“Unless you prefer Turtle Mac n Cheese?” You said, instantly deflecting away from the topic, holding up a box of mac n cheese that had some cartoonish characters on it. They were green and looked vaguely like anthropomorphic turtles. Spencer guessed that this was what you were making for Sebastian’s dinner - most likely along with having him eat some broccoli, because you seemed determined for him to at least somewhat eat healthy. “I think that cartoon shapes really give it that extra gourmet flare.” 
“Stop that.” Spencer demanded gently, taking the box out of your hands and placing it somewhere else on the counter. You frowned at him. “Stop acting like what’s happening isn’t a big deal. If you’re doing this because you’re frightened-” 
“I’m not frightened.” You said, cutting him off. “I just don’t think that the FBI needs to be wasting resources on me when there’s people out there who are actually in danger. Or people who have dead loved ones who need answers.” 
“Exactly.” Spencer pressed. He lowered his voice before he spoke his next words, though he knew it was unlikely that Sebastian would hear him over the movie playing on the TV. 
“The man who sent you those flowers has already killed five other women.” He stressed, pointing behind you, toward the vase with the white carnations in it. He was surprised that you hadn’t thrown the flowers away after what he and JJ had told you. “Five women’s families are waiting for answers about who killed them. And you could be helping us-” 
“I can’t help you, though.” You shrugged. “There are no men in my life. There’s nobody Spencer. There hasn’t been since I broke up with you.” You snapped, giving him a harsh glare - as though you resented him for ruining you, tainting your heart and leaving you broken. 
The realization shattered him a bit more. All this time, he had been worried that you had moved on, that you were living a better life without him. But you had been just as lonely as he was - aside from the company of a small child that reminded you more and more of Spencer every single day. 
Spencer took a breath, trying to focus. 
“Just come into protection.” He pressed. “The FBI will take you to a safehouse, and-” 
“A safehouse?” You scoffed. “How is that any safer than the house we’re currently standing in? Does it have bulletproof windows and a steel reinforced door? Or - or is it just a regular house with regular windows, and regular walls, and a regular door? Just like my house?” You chuckled sarcastically, moving to grab the cutting board with the chicken, shoving it into the now heated pan with the back of your knife. 
Spencer’s nerves were grated on by your sarcasm. 
“Dammit, Y/N!” He shouted, much louder than he intended to. “Can’t you see that I’m just trying to protect you?” 
“Yeah, and where the hell was that attitude four years ago when I begged you to-” You swiftly cut yourself off, the words dying off in your throat, not wanting to rip open old wounds. 
You tossed the items back onto the counter with a crash, only causing more tension in the air. You took in a sharp breath - suddenly, standing in front of the stove, you felt too hot. 
You reached for the edge of your hoodie without thinking, and peeled it up over your head. You were wearing a thin camisole underneath, but surprisingly, your black bra being so visible through the thin white fabric wasn’t the thing that caught Spencer’s eyes as more and more of you was revealed. 
There it was. 
The four-pointed star necklace that he had given to you on your birthday was sitting in the middle of your chest, right where it belonged, glaring at Spencer, taunting him. 
It became apparent to him in seconds that you had been wearing it all day. You had answered the door earlier that day wearing that pale blue hoodie, having no clue that Spencer would be on the other side. You had no reason to impress him, quite angered that he was even there in the first place, actually. So you had been wearing it under your hoodie since before then - since the beginning of the day, likely. 
You had been holding it close to your chest as something precious - hiding it under your clothes as a secret, just for yourself. 
If there was a single shred of doubt in Spencer’s mind that he had loved you more, that he had missed you more since the break-up, it was gone now. You hadn’t dated other men, and you had silently carried that symbol of him, as if unconsciously beaconing him back to you. 
When you finally got the fabric off your head, you instantly noticed him gaped-jawed and staring at your chest. You wouldn’t have called him a pervert, because before you even glanced down to confirm that you had the necklace on - you knew. A terrible guilt struck through your gut, like you had been caught stealing something, and you froze up on the spot. 
You and Spencer locked eyes for a moment, and his hands quivered with the terrible need to reach out and touch you - though in that moment, standing just across the kitchen from you, he felt a thousand miles away. He had a terrible need to hold you, yet he had never felt more distant from you. He had never felt more prohibited from touching you since the moment you had first grabbed his hand on that very first date. 
How long had you wanted him back and said nothing? How many days had you woken up thinking about him, knowingly raised his son alone, and made no effort to contact him? 
“I - I have to go change my clothes.” You said, your voice so utterly small. “Can you watch the stove?” 
You didn’t wait for a reply before you turned and whisked off again, clearly too eager to escape the tension. 
Spencer busied himself with watching over the food - stirring here and there, and starting the cartoon turtle mac and cheese based on its boxed instructions - trying desperately not to think about what all this meant. 
When you came back, you were wearing a simple, light tee shirt. And it was easy to see that you had taken off the necklace and put it away somewhere. 
… 
Having Spencer there for dinner felt like role-playing as a family. 
With Sebastian in his usual seat behind the dinosaur placemat, sitting between the two of you - it felt like something out of a strange, distant dream. He kept looking to Spencer for encouragement when he ate his broccoli and didn’t spill his juice, and Spencer stared at you across the table, having that constant fond look in his eye whenever he turned back to Sebastian or talked to him in that sweet, soothing voice. 
Spencer also watched you, and tried to make it seem subtle. You noticed his eyes drifting over to your plate, ensuring that you were eating, as he had done many times before. You wanted to make another snarky comment about him pretending to care, but you kept your mouth shut. 
It felt so shallow, and plastic, with the supposed threat hanging over your head; knowing that the only reason Spencer was there in the first place was because he believed that you were in danger. 
Yet, it felt like something you had been doing all your life. It felt like just another night. Like Spencer had come home from work to this a thousand times; like you would get up and do the dishes and kiss him and then bring him to your bed for the night. It felt like that’s how things should be. 
You really weren’t sure if you loved it or hated it. 
You were nearly finished with your food and Spencer’s dinner was half-done, food getting cold on his plate while he encouraged Sebastian to finish up - when there was a knock on the door. 
You expected it to be JJ again, pressing you about the protective custody thing. You let out a harsh sigh when Sebastian quickly wormed out of his chair and raced toward the door - eager to answer it himself. 
“Seb!” You called after him. “What have I told you about answering the door when Mommy isn’t there?” 
You raced after him and uncomfortably grabbed him up with a gut full of food, Spencer trailing behind you awkwardly. 
“You’re here now!” Sebastian argued, laughter in his voice. 
“Here, go with your-” 
You abruptly cut yourself off, stopping yourself from saying ‘go with your dad’. 
“Go back to the table with Spencer.” You told him, turning him around and directing him toward the man. You couldn’t bear to look him in the eyes, knowing that he could predict exactly what that verbal near-slip was. “I will answer the door.” 
“Come on, bud.” Spencer encouraged him. “If you finish up all your dinner, we can have a treat later,” 
He hated to promise something you hadn’t permissed, but he knew that you needed the distraction right now. 
You unlocked the door and opened it, fully expecting JJ to be standing there patiently (likely having heard that entire exchange from behind the door). You were surprised when nobody was there, and instead, your eyes drifted downwards to a large brown envelope sitting on the step. 
It didn’t seem to have any kind of shipping label on it - just your first name written on the front in bright red ink. It made you startlingly curious, at the same time, caused a tight knot to form in your gut. You picked it up, bringing it inside before you closed the door and locked it again. 
You brought it back to the kitchen and placed it on the kitchen island, and of course, this caught Spencer’s attention where he could see you from his place at the table. 
“Y/N, what is that?” He asked, unable to mask the frantic worry popping up in his voice. 
“I don’t know.” You said, feeling slightly haunted by it yourself. 
You moved to open the envelope, and before Spencer could stop you, something echoing in the back of his mind - chirps about potential poison or even a bomb - you had ripped it open and spilled the contents onto the counter. 
Your insides quaked when you saw what it was. 
Spencer rushed over to look at the items with you, and naturally, this drew Sebastian’s attention as well. 
“What is it, Mommy?” He asked, marching over and trying to get a peek over the edge of the counter, but not yet tall enough to see - which you were thankful for. 
“Did you finish all your dinner?” You asked, leaning over to look at him. 
“I did!” He said proudly, nodding. 
“Okay, then, why don’t you go into the pantry and pick a cookie?” You said, hoping that your sudden flood of worry and fear didn’t quake through your voice as you forced a smile for him. 
“Okay!” He cheered brightly. 
He ran off to the large cupboard beside the kitchen table, eager to pick between the varieties of cookies that you had there. 
(Again, he was smart - but easily distracted. That you were thankful for.) 
“Y/N-” Spencer gasped when he saw the items that had come out of the envelope. 
“I don’t wanna hear it.” You said, your voice now quivering with tears you found yourself unable to hold back. “I don’t wanna hear about how you were right.” 
You stared down at the items in horror. 
It was several photos of you; very voyeuristic shots of you going about your daily life. Several of them including Sebastian when you had been doing perfectly innocent things - going shopping, playing at the park. Even pictures of the two of you playing in your own backyard. A view of you getting dressed through your bedroom window. 
One of the photos - a photo of nothing more than the front door to your home - had a message scribbled across it in bright red marker. 
‘Daddy misses you. Be home soon. xoxo’  
“That’s not what I was going to say.” Spencer sighed. 
He saw how horribly you were shaking - he saw the tears brimming your eyes. This time, he truly couldn’t help himself. He stepped around the counter, and upon instinct, he swept you into a tight hug. 
Unconsciously, he caged you away from any potential danger with his arms around your shoulders - holding you like he would have when you had a nightmare or when you shied away from men you considered ‘creepy’ on the subway. Your arms wrapped tightly around his waist, your fingers digging into his back for comfort, clinging to him like you would have clung to a life raft at sea. 
You broke into sobs, the sound muffled by his chest, and Spencer’s own heart stung - knowing that the true depth of the danger had finally hit you. 
“It’s okay.” He told you. “It’s gonna be okay.” 
He rubbed a flat palm across your back, hoping to comfort you in some way, even though he knew that the terror of the whole situation was mounting - and it was a horrible thing to face. 
“Spencer-” You sobbed out, unsure what you even wanted to say. 
“I’m going to make sure it’s okay.” He said firmly. “You know I won’t let anyone hurt you, right?” 
It wasn’t even a question in your mind. The two of you had your problems back in the day, but you knew that Spencer would never let any harm come to you. 
You clung tighter to him, savoring the moments while Sebastian was still distracted - likely sneaking more than the singular cookie you had allotted him to have, not that you cared in the slightest right now. 
If there was anything else on your mind aside from the potentially crippling fear as the realization truly hit you, any room past the fact that you had been stalked and secretly surveilled by a murderer for weeks now; then you might have considered the fact that when you had woken up this morning, you never would have never thought that Spencer Reid, of all people, would be such a comforting touch to you. 
Oh, how things change. 
Spencer was hesitant to let you go from the hug. 
But he had to call the team, because this was an important break in the case. And he had to see what kinds of arrangements they could make for you - if they could find a safehouse for you on such short notice, or if he would be taking you to the field office or the police station. 
You cleaned the cookie crumbs off Sebastian and took him to the living room, trying to maintain some sense of calm while you turned on a random cartoon show on cable. He got out a puzzle and you helped him with it while Spencer stepped into the other room and dialed Morgan’s number. 
“Hey, Reid.” Morgan greeted him. “How’s married life treating you?” 
“Not funny.” Spencer replied, his voice short and frustrated. “The UnSub just delivered another package here. More photos. And a message. ‘Be home soon’. It’s pretty clear that he’s planning on making his move soon.” 
“Woah.” Morgan replied. “Well, if Y/N didn’t want protective custody before, then I’m assuming that scared her into complying.” 
“Yeah.” Reid agreed. “Where should I bring her?” 
“Hold on.” 
There were some voices clustered on the other end, and then, the next person to speak on the phone was Hotch. 
“Reid… you’re not going to like what I have to say.” 
“What is it?” Spencer prodded. 
“Morgan and Prentiss got nothing at the library. So far, the only thing we’ve got on this UnSub is the fact that Y/N is likely his next victim, and he doesn’t seem eager to break pattern just because you’re in the house.” 
Spencer didn’t like where this was going. 
“You’re not insisting-?” He asked, and Hotch filled in the blank for him. 
“Our only chance to catch him could be… catching him in the act. We could tie him to the other crimes if we catch him breaking into the house-” 
“The house that my son is currently in.” Spencer huffed. 
“We could bring the boy into protective custody. And leave Y/N there. We know that he never hurts the children, that’s not part of his MO.” Hotch offered meekly. 
“But he gets some kind of catharsis from playing house.” Spencer replied. “If we move Sebastian, that might cause him to break pattern, and he could just move onto another victim.” 
Then, something else occurred to Spencer. 
“Also, we don’t know how he’s surveilling us.” He added on. “If he sees where we’re moving Sebastian, he might go after him.” 
He considered that another woman - someone completely unsuspecting, someone unprepared, someone innocent with no way to defend herself - would be killed if Spencer made the wrong choice. It could be more than one woman if the UnSub got away and simply continued his patterns uninterrupted. 
This was more controlled. The UnSub seemed determined to confront Spencer. 
Spencer felt that was a confrontation he could win. 
“We can have unmarked cars posted on every block. And the minute he breaches the house, you call it in. He won’t get anywhere near them.” 
Spencer hated that it was their only choice. 
“Okay.”
...
Keep reading here: Chapter Five - Brick By Boring Brick
976 notes · View notes
recycledraccoon · 6 months
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Burrows End is SO SO good and Aabria is such a master of story telling. This season, despite being genuine DnD vs other systems Aabria has used, hasn't actually seen all that much full blown combat. Like, of course they've fought things throughout, but it's been so much more information hunting and puzzling together all the lore. But this obviously means those scenes we do have such full blown COMBAT with sets so much more important, which was obvious in the reactor....but the bear....so obviously it's been focused on in reference to Tula's reveal, or as a show of how fucked up biology wise this world they live in is and how dangerous it is in the forest.
But it's also Aabria laying such incredibly subtle groundwork. It's showing us "this is possible in this world. This happens. They can get inside of you, burrow into you, and you will be their walking warren. Parasite and host intertwined."
And then we move on...we focus on the secrets of the first stoats and learning of all these human things, and the chipmunks and bear are just fun tidbits to throwback to about how scary and fucked up things are, but no longer relevant.
Last week we heard those tapes, and I thought "that voice change there...the 'they're so sneaky'...was that a first stoat, who we only heard as squeaks, instead speaking through Dr. Wenabocker as he died?"
And I forgot about the bear too.
But the SECOND it was revealed that Wenabocker left, that his body was gone and that Phoebe left too? It all clicked.
The Bear wasn't just a fun, really cool fucked up battle set for an episode, it was incredibly important foreshadowing. The foundation, the trap, the big bad all at once hidden behind a cool, fucked up bear in the second goddamn episode of the season.
1K notes · View notes
j4gm · 8 months
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SPOILERS!!! REFERENCES AND EASTER EGGS IN F&C ep. 10: CHEERS
The finale!
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Pawn Swan! This was another character who first appeared in Steve Wolfhard's post-finale loredump about the 1000+ world. I never expected to actually see him in the show.
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Nuts how this is like the third time we've seen Simon's ass. I love how Shermy is just chilling and playing video games while GOLB lets this random old man take a turn at the wheel.
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This establishing shot of Fionnaworld shows that it's very small. By the time it is restored at the end of the episode, this ominous white border is gone and there are more buildings, implying that it became a complete world.
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I can't believe Gary was thirsting after Scarab in this situation.
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There is a shop called Evergree Flowers; likely a reference to the episode Evergreen.
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This shop window advertises that you can learn to kick bugs. Appropriately enough, Cake kicks Scarab through this shop window while in her Godzilla form.
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The Betty statue has become GOLBetty.
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It should be clear by this point that Casper and Nova are a parallel to Simon and Betty, with all of their decisions being made by Casper with little consideration for Nova due to their unbalanced power dynamic. This is why Simon realises that he should have been more considerate of Betty's dreams, rather than single-mindedly chasing the Enchiridion and the crown.
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The credits confirm that genderswapped Ash is named Ashley. I wonder what happened to her after she fell into the void. Probably nothing good.
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Poor Marshall never gets to finish his songs. Truly he is the genderswapped Marceline.
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The name "GOLBetty" is now canon; Simon uses it in this scene.
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I'm not sure what's happening to GOLBetty here. A loose thread to pick up if this story ever gets a continuation, perhaps.
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Simon steps through several different universes, including all the ones we saw during this miniseries. I'm not sure what this world full of tiny bears is meant to be.
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Some kind of industrial capitalist hell universe.
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This is the Water Park Prank artstyle, implying that Water Park Prank takes place in a separate but canon universe. So Water Park Prank is now canonically canonical! (what a ridiculous phrase)
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Some kind of Jake universe.
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A universe featuring Magwood and his volcano lair, from the episode Evergreen.
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The snail! It's not dead after all. And it's a great way of symbolising a return to regular Ooo, as is the reappearance of the smiley butterfly.
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This was a strange selection of characters. I hope Jay hasn't left his younger siblings on their own if their dad is dead. At least baby Finn won't have to grow up in Vampworld, though part of me liked imagining what that would have been like.
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Fionna mentions that his is her top fantasy. The other two of her top three fantasies were Cake being able to talk and a kingdom made of candy.
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She gets a hammer, like she had in the dream sequence at the very beginning of the miniseries.
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Kheirosiphon goes back to working in a teashop, just like he did on The Drift before he was imprisoned by Scarab. Also Marshall's outfit here is incredibly gay, it's great.
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There is an ad here for a daddy issues themed comedy night. Sounds like Marceline's kind of place.
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Prismo's face glitches for a second. Ominous.
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Simon definitely needs to move out. This is probably an even more important realisation than coming to understand his influence over Betty.
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In the credits of this episode, Simon is finally at peace.
And with that, the miniseries is over! Back to the long wait. Will this be it for Adventure Time? Or is there yet more to come...
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lost-and-ephemeral · 3 months
Text
Series: In Her Shadow, pt.2 (ft. main trio)
Part 1 | Part 2
Slowly but surely she replaced you in his heart.
Pairing: Xavier x reader, Zayne x reader, Rafayel x reader (seperate)
Tags: angst, hurt no comfort, reader is not MC, breakup
A/N: I recieved a lot of comments and request asking me to continue, so here we are! I've tried my best. Ty everyone, I appreciate every message, even if it would be hard to mention every single one of them in this post. Also, if you want to be tagged in future fics, let me know!
-`♡´- MASTERLIST -`♡´- 
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Rafayel
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You began to notice that Rafayel was spending less and less time with you, choosing his bodyguard over you.
It wasn't obvious at first, yeah, but as time went on, everything became so noticeable that you couldn't ignore it anymore. Especially when he forgot about your plans with him and didn't even consider apologizing for it.
The smell of someone else's perfume in his studio, the way Rafayel would leave you at home and take her to all the important events because "you probably don't like spending time among journalists and annoying guests." It seems that he didn't even notice the moment when you were completely estranged from each other.
And all your attempts to talk to him about it ended with nothing.
"She's my bodyguard," he'd say. "No wonder I take her everywhere I go. Is there anything wrong with that?"
Yes, a lot of things were wrong.
But he was completely unwilling to notice it, and you were tired of collecting the shards of your broken heart from the floor day after day. Those warm feelings that brought a sense of lightness and happiness in your heart suddenly turned into pure torture.
You had to end it all, even if it'll hurt so much.
When you arrived at his studio this morning, you came face to face with "Ms. Bodyguard" herself. She was just about to leave, and didn't even hesitate to embrace your beloved. Right in front of you.
Maybe you would've exploded from all these negative emotions, if you had any strength left to be mad or to cry. But there was only emptiness in your heart.
You became strangers to each other.
"I'm breaking up with you," you said without any regret and pushed him away as he tried to hug you. "I don't want to be a second choice after your precious bodyguard."
"W-wait, why? What... But I didn't do anything!" he replied confused, apparently not realizing how much he's been hurting you all this time.
"Maybe that's the point. That you'd do anything for her, but not for me."
He looked at you with the same confusion in his eyes, trying to figure out if it was a joke, but you continued before leaving this place forever.
"You were everything to me, Rafayel. But for you, I was just a small episode of your life. I'm tired. You've been spending all your free time with her, like I didn't exist. It'll be better this way. Goodbye."
No matter how long he was calling your name, asking you to stop, to come back and talk with him, you didn't.
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Zayne
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Loving a cardiac surgeon with his busy schedule is hard.
But it's even harder when he no longer cares about your existence and spends a significant amount of time with his childhood friend.
After Zayne forgot about your reservation at the restaurant, making you feel like you were the last fool in this world, some more time has passed.
Yeah, he apologized. No, he didn't start spending less time with his "friend".
It's hard to count how many evenings you spent alone when he stayed late at work for her or was invited to a "friendly" dinner with her. But it happened often enough so finally your love turned into suffering.
At first you tried to convince yourself that you're too jealous and he's just happy to finally reunite with someone close to him from his youth. You care about your friends too, don't you?
But it only got worse.
All your plans were constantly adjusted to his friend's wishes. She wants to take him to a cafe at the same time you were planning to go to the cinema? "Sorry, love, let's reschedule our date for another day". You've made him his favorite dinner? Too bad, his friend already brought him dinner at work and he's not hungry.
Eventually you started feeling like he stopped enjoying your time together and just continued to exist in the same apartment with you out of habit.
Talking didn't get you anywhere, because Zayne didn't notice how much he was hurting you (or he simply didn't want to notice it) with his actions and only distanced himself from you even more.
At some point you felt like he put an ice wall around himself again.
He stayed late again this evening, completely forgetting his promise to spend time with you. You packed your things with tears in your eyes, ready to say goodbye to life with Zayne once and for all.
And he showed up at the doorstep of his apartment just as you were ready to leave.
"What's going on?" his voice didn't betray a shred of emotion. "Where are you going?"
"I'm going to leave you and your lovely friend together so I don't have to be an unwanted addition to your life."
Zayne was taken aback at this statement and was about to say something, but you interrupted him.
"You were the one who brought happiness and comfort into my life. You were the one who made me feel loved and wanted. But now I realize that I wasn't good enough for you. Goodbye."
You walked away and closed the door behind you, leaving him all alone.
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Xavier
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Before, you without a doubt would've said that your relationship with Xavier was the ultimate dream.
But now it wasn't actually true.
Yes, your beloved still showed care and attention every spare minute he had. Just not to you. It seemed as if his colleague started to occupy his every thought.
During dinner, on a walk, after missions. He was always talking about her, how strong she is, and how lucky he is that she chose him as her partner. His eyes were shining with delight you had never seen before.
You were happy for him, but only until it crossed the line. Only until you started to feel like he was in love with her, not with you.
One day you found yourself completely miserable. Xavier texted you that he would be late because they had "decided to celebrate another successful mission". Except that you were usually the one he shared his joy with. But things have changed.
Even though you were the brightest star in his world, you were inevitably lost behind the glow of the Moon.
You were trying to be better, to be more interesting. Trying to reach an unattainable ideal. But you couldn't. After all, maybe you were never meant to be together if it turned out like this. Maybe you weren't enough for him.
You couldn't remember the last day you didn't cry. Sometimes alone, sometimes locking yourself in the bathroom after another conversation about this "super-strong collegue". But Xavier didn't seem to notice it at all.
"I thought maybe you'd be interested to know what happens during missions," he said when you brought up this painful topic.
And, yes, you were interested. But all you heard was, "She took down that Wanderer so easily, I couldn't take my eyes off her." Or, "she's so good with her weapon, it's amazing."
He distanced himself from you so much that you hardly spent any time together.
He wasn't even home the day you left.
Xavier sent you a message saying he'd be late again. As usual, with her. Even though he promised to have a movie night and you had already prepared everything you needed for it.
Maybe it's even better if you don't see the look in his eyes the moment you tell him you're breaking up with him. You packed your things and left a note on the table, next to the snacks you bought.
"Maybe in another universe I would be worthy of you so you could look at me with the same adoration. I can see that you enjoy spending time with her much more. And we should break up so you don't torment my heart anymore. Goodbye."
You glanced around his apartment one last time before leaving it forever.
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♡ tags: @skyowlz @prettytemis @aishasreality @randompersonwhoexist @kreishin @reni502 @moonyzstarz @chin-chii
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sarucane · 6 months
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How did Stede know that Ed wanted to "watch the world burn"?
This one is fun because it's such a smooth and well-written character development that it's actually really easy to miss what a big shift happens for Stede in the first three episodes of S2. But in E1, Stede is saying this about Ed
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and in less than an hour of screentime, he's mostly caught up with what's actually been happening to Ed.
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So how'd Stede figure that out? Get to know Ed better, despite being separate from him?
By letting go of ego.
Stede's decision to bail on Ed in S1E10 is driven by selfish low self-esteem. He thinks he doesn't matter to Ed, that he's brought Ed to ruin and Ed will be better off without him. And that's actually held back his emotional investment in the relationship: Stede clearly misses Ed, but he's not devastated over the breakup to the same degree that Ed is.
But by the end of S1E10, Stede's gotten to understand himself better, and his relationship to other people. But he's also gone from not understanding that he's in love to idealizing the relationship between him and Ed, telling people they're "on a break." At the beginning of S2, he's projecting his own insecurities onto Ed, while at the same time trying to believe in a torrid love story starring himself (idealized) and an idealized version of Ed. An Ed who's still got Blackbeard's black beard.
These ideas are rooted in the same conviction that made Stede leave in the first place: he doesn't understand that he's important to Ed, so he can't absorb the fact that what he did was immensely hurtful.
In the second episode, Lucius forces him to really deal with the things he's been denying. He tells Stede "you broke him." And he does the thing that Stede just wasn't managing to do: he gets Stede to think about what's been happening from Ed's perspective, without Stede's insecurities blocking his imagination. To think about just how badly Stede hurt Ed. And to think about what pain and loss like that might mean for someone as damaged as Ed: hopelessness.
Far from Ed's life being "better without me," Stede has to face the idea that Ed might think his life will never get better again. That while Stede has been holding out hope for a reunion, Ed may have given up on both Stede and himself.
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That means it's all on Stede, to hope and to act. And he rises to the challenege.
Stede doesn't hesitate when he thinks Ed is in trouble. And he doesn't doubt that Ed needs him, shouting "I'm here!" as soon as he sees the Revenge. He faces what he finds on the ship, and sets about fixing what can be fixed, pulling the knives out of the walls.
He doesn't quite know how bad it's gotten. That Ed couldn't hold onto the ideal-pirate dramatic "watch the world burn" drive. That Ed hit a point of actual cruelty and suicidal despair.
But Stede knows Ed enough to be able to absorb that information when he gets it. To face and accept the reality of the darkness inside the man he loves.
And then to embrace his own role in keeping that darkness from consuming Ed. In the first episode, Stede was putting off looking for Blackbeard because he thought he'd make Ed's life worse. In the third, Stede tells Ed he can come back to life because he's safe now that Stede's here.
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And then Stede, again, embraces some selfishness. Asks Ed to come back to him. But this time, it's not the kind of unhealthy selfishness that makes someone obsess over what they mean to others. It's the kind of selfishness that makes people hope life might get better again. Lets people choose relationships they want, and exist in them consciously. Makes someone a strong enough person that they can give, and receive.
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inbarfink · 8 months
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I mean, I (and others) did predict Fionna coming to the realization that ‘Simon being Ice King again is very very bad actually’ via watching IK’s old tapes - in a thematic reversal of Holly Jolly Secrets…. You know, Finn learned to like Ice King more after learning about Simon Petrikov and who he used to be, Fionna learned to like Simon Petrikov more after really learning about Ice King and who he used to be. 
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But the thing that really stuck with me about how the show pulled it off is how… tame that video was. Compared to what the audience knows about how terrible Ice King could get. 
Most of the video Fionna saw was Ice King goofing off, with just the last clip giving her a tiny little taste of how prone he was to fits of anger and extreme misery
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She didn’t get to see the videos of Ice King crying for literal hours on end, she didn’t get to see him throw tantrums that make him a legitimate danger for those around him, I don’t think she actually knows he used to kidnap and stalk women on a regular basis - but that’s okay, because she didn’t need to. That tiny little taste of Ice King’s misery and pain was really all she actually needed.
Because it really speaks to how little she actually understood of the Ice King’s situation before. How much seeing that one little clip of him back in “Prismo the Wishmaster'' gave her such a totally wrong impression of what Ice King was like
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that just seeing him yell at Gunter and cry once is enough to make her totally reexamine all of her preconceived notions about him.
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And it really speaks how despite her sometimes-childish attitude, Fionna really possesses a lot of emotional intelligence. Both in how quickly she correctly gauged that Ice King’s behavior in the last clip was a regular thing for him and probably not even his worst moment and that his anger was yet another expression of his being 'super-sad'
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And how clearly her Second Thoughts about the Crown Plan didn’t start when she saw Ice King yell - they started when she saw how despite working so hard on getting himself Cursed again, Simon still couldn’t bear the idea of watching videos of Ice King’s ‘Good Times’.
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Because as much as it was important for Fionna to really know Ice King in order to fathom just how terrible the Crown Plan was, it was also equally important for her to really know Simon as well.
When she was so dismissive toward Simon’s plight in the Prismo episode, and when she so eagerly and thoughtlessly jumped on the Crown Plan - she really knew nothing about either facets of his identity. She only got such a quick clip of Ice King actually in a good mood, and all she’s seen of Simon was him at his lowest point - rude, dismissive, screaming at her face, literally considering letting her whole world burn in his own depressive spiral. 
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It’s only after they reached Farmworld and officially started to work towards the Crown Plan that Fionna really started to know who Simon Petrikov is when he’s not at rock bottom. That’s when she learned how intelligent
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And dorky
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And kind
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And comforting 
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And fatherly 
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And a silly little hopeless romantic for his GF
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he is. 
And they became real friends and she really grew fond of all of these things about him. So now, watching clips of Ice King… it takes her some time to process it, clearly, but it also bothers her how little of these traits that she likes about her friend and he likes about himself she can see in the crazy old Ice Wizard.
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Seeing also how mad and sad he could be was just what clinched the deal for her, the last excuse she could find for why it was okay (“Maybe he really was happier like that?”) gone.
And that also relates to her more general anxieties about the Crown Plan from farther in the same episode.
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Now that she’s seen how much being infused Magic changed Simon… It's no wonder she’s so worried about how Magic will change her and Cake and all of her loved ones.
And it’s not a totally unfounded fear. We’re still not exactly sure how bringing Magic back into Simon’s brain will affect Fionnaworld - but it will most likely work the same as it did the other way around? When Fionnaworld first lost its magic? So that will mean not only the people and the world will change physically, but their memories and minds will also be altered as if they always lived in the Magical World and never in the Mundane world Fionna remembers.
And that will kinda make them into different people. Gary Prince and Prince Gumball feel like the most obvious comparison. One is a literal god-king who seems to have at least a bit of the old Bubblegum Hubris problem
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The other is just a humble little put-on Barista trying to make it big
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Becoming Prince Gumball again would be in some way the ultimate fulfilment of Gary's dream - not just a Pastry Mansion but a whole Candy Kingdom! But... it would also mean giving up on all of the memories and experiences of ever having been Gary Prince. And... it's at least worth considering if it's worth it.
We know that Change doesn't have to be all bad, Cake the Cat will testify to that
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I'm sure that from her perspective, having every bit of her memories wiped and replaced is worth it if she can keep her mind and ability to speak.
But Fionna's little Storytime with Simon, I think, really gave Fionna a look to how much his reminiscing is important to him
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and really gave her a glimpse to how much people's history and memories effect who they are, and seeing this and seeing what ‘turning into a different and more magical person without your original memories’ did to Simon Petrikov
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It’s really no wonder it makes Fionna worried.
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The Agency's Older Brother: or, Ranpo's Character Development
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I want to talk about Ranpo and the development he goes through in the series, because for as much as Ranpo is an important member of the Agency, his story is focused on in small chunks that may not always, at first read, seem to be overly significant. In fact, Ranpo’s arc is very consistent and I’m fascinated to know where it’s building to, because he’s done a lot of growing in the series. A lot of the themes of his story are to do with responsibility and faith in others.
The Ranpo we meet at the beginning of the story is not the Ranpo we see now. The biggest change is that he’s a lot more personally involved with the struggles of the Agency members, taking it on himself to be proactive and protective, while previously he had to be pushed and bribed into helping much of the time. When did this change?
Well...
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[ID: Two screenshots from a scene in Poe's introductory episode of the Bungou Stray Dogs anime. In the first screenshot, Yosano lies on the carpeted ground, an axe embedded in her chest, blood pooling around her. Ranpo is crouched beside her, supporting her shoulders with one hand and clasping her hand with the other. The second screenshot is a close up of Ranpo's distressed face. End ID.]
The thing is, it's almost easy to overlook the effect this scene had on Ranpo, because Poe’s introductory chapter/episode is such a brief one. Moreover, afterwards, Poe becomes an ally and is a bit of a silly character, so it’s easy to forget sometimes that he was a legitimate threat here - and Yosano nearly died for it. This scene was incredibly significant to Ranpo for a few notable reasons.
It’s the first time someone in the Agency was in serious trouble/died without a backup plan.
It is, unfortunately, kind of on him. (Let me be real clear here: I am not blaming Ranpo. But he probably was blaming himself and that's something to keep in mind.)
To recap: Poe pulls Ranpo into his novel out of revenge, also trapping Yosano, who went with him. Ranpo realizes that they are in a world with no abilities, and importantly, he doesn't have the glasses Fukuzawa gave him.
We know those glasses mean a lot to him. When Ranpo was at his lowest, when he was convinced the world hated him, Fukuzawa gave him those glasses and told him he had a special ability. That he had a gift that no one else did that allowed him to see the truth that no one else could. Untold Origins makes it very clear that if Fukuzawa hadn't reached out to Ranpo when he did, Ranpo may have forever been outcasted. He was a kid kept in a bubble then suddenly and rudely shoved into a world he was unprepared to cope with, where he continued to get rejected and thrown out over and over - and all this on top of the grief he felt from his parents' passing. Ranpo was bitter and terrified of people, and thought everyone was pretending to be oblivious just to hurt him. Fukuzawa saved him the only way he could, in the only way Ranpo would hear him. It's not an exaggeration to say Fukuzawa saved Ranpo's life. And, while cute, it's also telling how quickly those glasses became an intrinsic part of his identity. Only maybe twenty minutes after he first received them, he was already making little doodles of himself wearing them.
Suddenly, the glasses are gone, and Ranpo goes into a funk because he "can't activate his ability without them". Obviously, we know that isn't true, and so does Yosano. Ranpo probably, deep down, knows this too, but to admit that would be to admit the president lied to him, and to uproot the very thing that gave him the means to perceive the world in a brighter light. The reason Fukuzawa had to lie in the first place was because the truth would be to tell Ranpo that his parents lied to him, something he angrily denies could ever be the case. And now, Fukuzawa is very plainly stated to be Ranpo's adoptive father. Ranpo's parents do not lie to him. He does not want to see it - and so he doesn't. This is a recurring thing with Ranpo. For as much as he sees the truth clearly, he also chooses not to see it at times when it would be uncomfortable/go against the intuition of someone he deeply trusts and respects.
And I think it's very easy to just leave it there, and say, "Oh, Ranpo realized at the end of this chapter/episode that he didn't need the glasses, that he doesn't have an ability, and that's a key turning point" but I don't feel that's the full picture or even the focus here, especially since Ranpo still hasn't reached the point where he can properly admit it aloud, even to Yosano.
The thing is, those glasses aren't just of use to Ranpo - they have sentimental value. A heck of a lot of it, for a character who is not very sentimental. The real turning point here is that Ranpo put on Yosano's glasses in order to save her.
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[ID: A screenshot of a panel from the Bungou Stray Dogs manga. Ranpo puts on a pair of glasses. His hair is blown out of his face and he wears an intense expression. End ID.]
Shortly before this, we are informed by Yosano that not only was the Agency specifically formed for Ranpo to make use of his talents, but also that it was Ranpo who invited her to join - which we later learn was a pivotal moment for her to start over after she was completely broken by her experiences in the war. And now, he is watching her bleed out because she had to take over. Because he couldn't solve it. And that, to Ranpo, is unacceptable.
But again, there's more to it. Ranpo is fundamentally a self-centered character - this is not a judgement; I actually love that about him. He's the center of the Agency, the (ostensibly) good guys of the series; a narcissistic guy with little in the way of sensitivity who wants to use his skills to help others. Not for some higher ideal, or because it's "right" necessarily, but because he's good at it, and because he's supposed to protect all the "babies" who can't solve things for themselves. I love it because it highlights a major theme of BSD, which is good as something you do rather than something you are, and also because it explains something about Ranpo himself.
See, if everyone in the world is a "baby" who needs Ranpo's assistance, then the people in the Agency are a little different. They're people hand-picked by Fukuzawa to support him, both through praise and through backup. Remember that Ranpo trusts Fukuzawa's judgement more than anything - this means that he expects the Agency members can handle themselves. So, in chapter 10, when Ranpo doesn't really care that Atsushi has been taken, citing that it's a "personal problem" and he should handle it, I really think this was some odd form of "Atsushi will be fine" and "why should I worry or do anything when I know he'll be fine". And in the past, this has been true - the Agency members always pull through. None of them, up until that point, have been in a situation that they couldn't eventually fix. Ranpo has a bubble of safety in the Agency, that basically amounts to a "villain of the week" type beat from his perspective, where troubles gets fixed up pretty quickly. All in a day's work.
But then Yosano dies in Poe's book, someone he actually had some level of responsibility for when he invited her to join his safe little circle in a world that had no place for people like them. And it's a direct result of Ranpo's refusal/inability to act.
In order to fix this, Ranpo uses Yosano's glasses. The lens he's seeing through has changed. The people in the Agency were initially "his" in that they were meant to support Ranpo, the special one "chosen" by Fukuzawa's glasses, the reason for the Agency's existence in the first place. But now the people in the Agency are "his" in that they are his to protect. He's their big brother they all look up to in a way, and as the big brother, he's got to take responsibility for their safety.
Why did this not stand out in the moment? Well, we learn something about Ranpo from Untold Origins: he's very good at pretending he's doing okay and things aren't bothering him as much as they are. He's able to hold it together up until it all comes spilling out of him during the play. Also, I do think Ranpo cares about people a good deal more than he'd have you believe. A common fanon thing about Ranpo (from what I've seen) is that he tends to forget people, which, I can see how one would come to that conclusion, but I actually think it's completely wrong. I don't think Ranpo's forgotten a single person he's accused. I don't think he's forgotten a single person he's helped.
He lied about not remembering Poe, in fact, he remembered him pretty fondly as a real challenge. He remembers the information on a person from the Special Division he was asked to look into and gave the info to Mushitarou to allow him an in. He recognizes an officer he'd helped, and it's implied he recognizes every single officer who had been present while he was working on cases in the past. Does this mean he cares about all of them? ...eh. Probably not. But it does mean that Ranpo keeps a lot of his cards close to his chest. He's disarming with his intentional childishness. And so it can be difficult for the characters and readers both to notice that events like Yosano's almost-death... actually bothered him a lot more than he let on.
Because it was his fault. Because she was his responsibility. Because he's supposed to be invincible.
And unfortunately, the story from here on out does not get any kinder to Ranpo as his safe bubble that is the Agency is repeatedly targeted in ways that are increasingly hard to repair.
Fukuzawa falls ill and nearly dies in Cannibalism arc.
A girl gets blown up and Kunikida ends up in jail because Fyodor managed to manipulate Ranpo's intel.
Mushitarou is believed to have been shot and killed trying to warn Ranpo about the Decay of Angels plan.
Taneda bleeds out from a stab wound and falls into a coma. Ranpo can do nothing but listen and cannot get him help.
The amount of times Ranpo has seen people nearly die in front of him... bro it's almost as bad as Kunikida.
Much like Kunikida having extreme faith in his lofty ideals which make him fall just that much harder when he fails to uphold them, Ranpo has practically zero self-doubt and complete and utter confidence in his abilities... so when problems arise, Ranpo is very harsh on himself. He takes the blame because he's supposed to be better than that. Because he is the one with the powerful "ability" that should never fail.
In this sense, Ranpo's position in the Agency reminds me a lot of a certain person in the Port Mafia, someone who also has a powerful skill he puts towards protecting his own, someone who also received life changing words from the boss which earned him his loyalty, and someone who would do anything to defend the only place in the world he feels secure.
I think there's definitely a reason Cannibalism arc had Ranpo and Chuuya face off, I'm just saying. Both of them ostracized and thrown out as young teens by people who should've been looking out for them. Both the instigators of that arc, proactive and desperate to protect the person they are most loyal to who changed their perspectives. They've even got the same power stance, look. :P
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[ID: Two panels from the Bungou Stray Dogs manga. The first is a panel of Ranpo with the silhouette of Fyodor behind him. He is standing with his hands in his pockets, facing front with his head tilted back and to the left a little, a fierce expression on his face and his cloak billowing outwards. The second is a panel of Chuuya standing in a similar manner, arms crossed, facing front with a fierce expression as his coat billows out around him. End ID.]
Of course, there's more interesting comparisons and contrasts to be drawn between them, but I'm focusing on Ranpo in this analysis, so I think I've made my point. Chuuya is the Port Mafia's best martial artist. Ranpo is the Agency's strongest man. And that places a burden of responsibility on them that they both believe they must uphold. They're both ready and willing to do whatever it takes.
The thing is though, is that Ranpo doesn't actually have an ability. When up against someone like Chuuya, he is at a distinct disadvantage, and he knows it. "Regular people can't defeat ability users". But he's still going to come up with a way to do it anyways, and why?
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[ID: A screencap from the Bungou Stray Dogs anime. The members of the Agency all stand around Ranpo, who is seated at his desk with a smile, one hand holding his cap, the other held up in a casual gesture. The image is filtered in a soft light. End ID.]
Because his friends think he's invincible.
If Ranpo wants to maintain his safe place in a world of fear, then he has to step up to defend it, and he has to get creative about it. And that's exactly what he does. Ranpo becomes steadily more active throughout the story, which is a huge change from the start, where he had to be practically bribed to help at all. I see a lot of people point out his channeling of Fyodor's tactics to secure Kunikida's release, which is definitely a dark turn for his character, but it's not the only change.
Ranpo is now choosing to place his faith in others, the first obvious instance of this being his use of Poe's novels - which was how he defeated Chuuya. Ranpo knows that he is not going to succeed against people who drastically overpower him all alone, even if he does still take things on as personal burdens. He's also far more obvious about his protectiveness, going on the rescue himself to save the Agency members, driving a car (whereas before he needed someone to take transit with him - another indication of his increased proactivity since he's now literally driving instead of being driven), and bodily shoving Atsushi out of harm's way.
It all culminates in one of my favourite Ranpo scenes where he speaks at the conference to the police, who've worked with him before, where he asks if they will think for themselves - and tells everyone gathered there that anyone can be a detective if they think for themselves and look with their own eyes (!!!). He manages to get half the police force on his side, just through his words and his logic alone! Minoura assumes he somehow knew it would all work out, because, well, it's Ranpo. Ranpo knows everything.
But...
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[ID: An image from the Bungou Stray Dogs manga. Ranpo sits in the passenger seat of a car with an honest, helpless smile. End ID.]
He reveals he didn't know if his ploy would work at all. He had to trust that it would with no solid proof. He had to trust these people would use their heads and look beyond the obvious. He respects these people enough that he thinks at least some of them will make the right call.
Fourteen year old Ranpo, bitter and estranged from other people, would never. For him to have come such a long way is testament to the security that the Agency provided him with. In a way, Fukuzawa forming the Agency allowed Ranpo to "complete" his childhood in relative safety, so that when the world became hostile once again and his family destabilized, Ranpo had matured enough to meet it and defend himself and those he has a responsibility towards head on. The Agency is his family, and Ranpo cares for them enough that he puts his faith, not just in them, but in the people they put their faith in too.
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[ID: A panel from the Bungou Stray Dogs manga. Ranpo is kneeling in front of Fukuchi, who is sitting backwards on his chair to face him. End ID.]
...aaaaand then Fukuchi went and ruined it. Thanks, Fukuchi.
Ranpo again chooses to put his trust in someone without proof because Fukuzawa trusts him, only for that to have gotten thrown back into his face in the worst way possible. And it's in this regard, the trust aspect, that I think we'll see Ranpo develop as the story goes on.
Will he continue to show this tentative faith in people? Or will he begin to hyper-analyze, unwilling to trust again without proof?
If this arc gets resolved decently well, I think Ranpo will have no issue brushing this off as a one-time thing. However, if what I fear might happen does and Fukuzawa doesn't make it out of this arc... Ranpo will be destabilized.
I don't know that Ranpo would go "bad" per se. He likes the other Agency members. He cares about them - that's genuine. But if Fukuzawa dies, then Ranpo may begin to take darker actions in order to keep them safe, almost overprotective and harshly logical, with little room for blind trust or risks in the name of justice or honour. It may put him at odds with Kunikida, in that Ranpo may start to develop a strong "do what's necessary" mentality, even if that may be immoral. He may regress a little into his old trust issues.
However, I really don't think Ranpo will go too far down the path of darkness, even if the worst should happen. He's a lot tougher than he seems, and he has a good support system in the Agency. I guess it remains to be seen where Ranpo's story takes him next.
Until then...
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[ID: A screencap from the Bungo Stray Dogs anime. Ranpo sits in his chair in a cuter art style, having taken a bite from the pastry he has in his left hand. End ID.]
I love one good boy. :)
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wlwcatalogue · 4 months
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Chinese GL Webseries & Shorts for the Wuxia-Uninclined
Have you ever wanted to venture into the world of Chinese GL webseries and short films, only to find yourself at a loss about where to begin, or intimidated by the unfamiliar tropes and terms of the wuxia genre?
Well, worry no more! Here's a selection of non-wuxia webseries and short films curated by yours truly. Now you too can enjoy the lavish costumes and location shoots of these Chinese productions, so rarely seen in F/F works outside of feature films and the occasional TV series~
By the way, these are all translated and subbed by the inimitable Douqi (@douqi7s), whose immense contribution to the English-language baihe fandom is surely in breach of anti-monopoly laws. Offer up your thanks at her Tumblr and Twitter!
At-a-glance list
Webseries:
Ye-Mu Season 2 (1 hr 20m total, 2023) - standalone
The Vampires (41m total, 2022)
Ye-Mu Season 1 (27m total, 2022) - standalone
The Lost World (1hr 5m total, 2023)
Short films - order corresponding to the pictures above:
A Tale of Yearning (5 mins, 2022)
"She Brought Colour Into My World" (2.5 mins, 2023)
"I'm Her Weapon" (3 mins, 2022)
Miss Shen and the Woman Warlord (6 mins, 2023)
Women's Script (5 mins, 2023)
The Caged Canary (5 mins, 2023)
The Beauty of the Law (6 mins, 2023)
Flowers Bloom; Flowers Wither (9 mins, 2022)
Commentary under the cut!
FYI, I've opted to link directly to the subtitled versions since they're probably more difficult to find than regular anime, TV series, movies etc. If a link is broken, please refer to Douqi's blog directly.
Important note for the uninitiated:
It’s a bit difficult to talk about canonicity in relation to live-action works made in the PRC, as things which would normally be used as evidence of canonicity all fall under the censorship regulations— explicit references to romantic relationships or queerness, declarations of love, kissing etc. are all off the table. So while these may not look canon in the most traditional sense, they are intended to be read as such and should certainly not be dismissed as queerbaiting or yuribait. Also, the creators can get very imaginative, so this is less of a problem than you may think – see the entries on Ye-Mu Season 2 and The Lost World in particular!
1. Ye-Mu Season 2 / 叶穆 2 (32 episodes / 1hr 20m total, 2023, dir. Zhang Zhiwei) - MyDramaList
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(Note: Despite the name, Ye-Mu Season 2 is completely unrelated to the first season; the only thing the two share is the cast, crew, and focus on Penthouse-style melodrama.)
Determined to take revenge for her mother's death, Xu Baiqing (Sheng Wei) marries a wealthy and much older businessman in the hope of finding evidence to put him behind bars. But first she must assuage the suspicions of his cheerily hostile second daughter, moody youngest son, and estranged eldest daughter (Ye-Mu Zhixia, played by Wang Laoji), the latter of whom Xu Baiqing dated in university and who is currently seething at the sight of her former girlfriend marrying her father...
If you want to get a sense of the potential breadth of Chinese GL webseries, this is a pretty good place to start. It does a decent job of matching the tone and presentation of a melodrama you might catch on TV (and in fact looks higher-budget than some I can think of), while committing to something that can’t be done on TV yet— namely, featuring an F/F exes-to-stepmother storyline and delivering on the drama inherent in such a premise. Of particular note is how the framing and behaviour of Ye-Mu Zhixia is very much consistent with that of a male romantic lead; thanks to some clever writing, it’s basically impossible to deny the nature of her relationship with the main character. They don’t even lean on the plausible deniability afforded by the label of “friendship”— in fact, in an early scene she is incensed when the protagonist refers to her as “[her] only friend”. There are a few caveats – the main character ends up in a lot of scrapes that her ex-girlfriend has to save her from, the reveals are often rather unsurprising, and the story shifts more to a mystery focus around halfway – but it’s still worth checking out if a Korean-style melodrama with an F/F take on a romantic storyline sounds appealing.
 (CW: violence, murder, attempted sexual assault)
Note: See The Lost World (below), from the same creative team, for an even more impressive example of Chinese GL pushing the limits of censorship.
Links: MEGA / Internet Archive (compilation)
2. The Vampires / 吸血鬼鬼盲盒 (7 episodes / 41m total, 2022, dir. Zhang Zhiwei) - MyDramaList
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(Note: Spoilers for the first 15 minutes or so, because otherwise the summary would be “They end up locked inside with the monsters on board”, which wouldn’t tell you much more than the title already does)
Every night, Tianyue (Ye Miao/夜喵) has been having dreams about the mysterious cruise ship docked at the pier. Convinced that there is treasure hidden inside, she and her exorcist-cultivator girlfriend Xiao Ling (Wei Miao/微渺) sneak on board only to find that they are trapped there until the sun comes up. Things don’t seem too bad at first: although they run into two vampires – the cute, cheeky Xingming (Yang Fuyu) and her elegant mistress Su Tanya (Sheng Wei) – they are able to call a truce, on the condition that the humans help search the ship for the latter’s beloved (Fu Cha, played by Wang Laoji). But when Fu Cha wakes up without her memories, it is clear that something is terribly wrong, and that the ship and its inhabitants harbour more secrets than expected.
For a webseries, The Vampires takes a while to get started— it’s a bit difficult to tell what kind of story or indeed what kind of tone it’s going for just based on the somewhat campy and comedic first section. But after that wobbly beginning, it manages to pull itself together to tell a compelling – and sometimes genuinely tense – tale about a motley band of humans and vampires, and the truths they have to face together. While the ending is no happily-ever-after, I found it satisfying and hopeful, and surprisingly affecting. Also, a bunch of the characters have real polyam energy, and this is reflected in the narrative beyond mere flirting!
(CW: abusive parents)
Links - MEGA / Internet Archive (compilation) / YouTube (compilation)
3. Ye-Mu Season 1 / 叶穆 (12 episodes / 27m total, 2022, dir. Zhang Zhiwei) - MyDramaList
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(Note: Ye-Mu Seasons 1 and 2 are standalone stories; each season is entirely self-contained and the second season is not a continuation of the first.)
The head of the Ye-Mu family has died, leaving the next generation to squabble over the inheritance. It's a web of secrets, lies, and hidden resentments, as the characters dig out old grievances and fresh accusations in a desperate attempt to one-up each other. They're tangled up together to an almost incestuous degree, and indeed, the F/F subtext here is the ambiguous relationship between eldest daughter Ye-Mu Nanzhu (Sheng Wei) and second daughter Ye-Mu Nanmo (Wang Laoji) (rest assured that they are at least not biologically related).
Those who prefer darker stories and don't mind the pseudo-incest or other content warnings will find a melodrama which makes good use of its short runtime to deliver on twists, turns, and an explosive - if tragic - conclusion. That being said, the story is about the family drama in general, so do note that while the relationship between Nanzhu and Nanmo is narratively important, it is not fleshed out in great detail and certainly not the focus of the series.
(CW: suicide, ableist trope (spoiler – disabled character turns out to have been faking it), ableist language)
Links - MEGA / Internet Archive (compilation)
4. The Lost World / 夏夜知道风的甜 (1hr 5m total, 2023, dir. Zhang Zhiwei) - MyDramaList
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(Note: Spoilers for the purpose of flagging triggering content, as it’s particularly easy to trip into for this show. Also, some vague spoilers for later episodes in order to highlight in order to highlight the themes etc.)
This webseries feels like two shows smushed into one: apart from the very beginning, the first half is a gritty, bullying-focused take on university life, while the second is a true-blue romantic comedy (aside from one blip – see the note below for details). But even if you’re wary of the bullying, I would still recommend watching the back half – which is basically standalone – as it’s a very funny and heartfelt story about two childhood friends finally getting their act together. Without further ado, here’s two blurbs!
From episode 1 onwards: After saving a classmate from the class bully, popular college student Xia Huaichu (Yang Fuyu) is subjected to a lengthy harassment campaign by the latter. She is suddenly faced with having to protect her reputation in the face of false allegations and fake nudes– despite the fact that all she wants to do is focus on reconciling with another classmate, a high school best friend whom she had previously lost touch with (Mu Qingfeng, played by Wang Laoji). From episode 14 onwards: Childhood friends Xia Huaichu (Yang Fuyu) and Mu Qingfeng (Wang Laoji) are caught in a weird gay purgatory where each has feelings for the other, and suspects that the other has feelings for them too. But both are exceedingly stubborn and want the other one to take the initiative in confessing, leading to ridiculous displays of I-don’t-care-isms and lots and lots of UST. (Does anybody use that term anymore??)
As you may have guessed, I’m not too keen on the first part of this show, nor the decidedly unnecessary attempted rape segment, though that’s partly on me for not checking the content warnings beforehand. And yet I’m very glad to have stuck with it, because the second half is not only hilarious, but also a masterclass in censorship-dodging that needs to be seen to be believed. Not just in terms of the suggestive scenes, of which there are many, either— the story is literally about two women starting a relationship and having to reckon with parental disapproval, homophobia, and other obstacles which platonic friends wouldn’t have to deal with. I honestly don’t know how this ever got approved, and can only applaud. Bravo.
Note: For those who want to avoid the triggering content, I’d recommend starting at episode 14, but make sure to skip episodes 19 and 20 as there is a foiled rape attempt.
(CW for entire series: bullying (incl. violence, fake nudes), sexual harassment, attempted sexual assault, fatphobic language, homophobia
CW for episodes 14-24: attempted sexual assault in episodes 19-20, homophobia)
Links - MEGA / Dropbox
SHORT FILMS
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Quick note: Click on the English titles for the subtitled versions, and the Chinese titles (which are really just the video titles) for the originals. And yes, although the majority of these are shampoo commercials, they really do hold up as short films in their own right. Give them a try, you might be surprised!
A Tale of Yearning / 一见误终生,不见终生误 (5 mins, 2022, dir. Liu Yun Rui/流云蕊) – A bittersweet story about a literature-minded young woman (Sheng Wei) and a Chinese opera performer (Ai Ye) who bond over their love of fiction, only to be torn apart by harsh reality. Tragic ending, but I liked the more literary turn of the dialogue. Shampoo ad. (CW: homophobia)
“She Brought Colour Into My World” / “她走后,我的世界又失去了颜色” (2.5 mins, 2023, dir. Zou Hui Qu Le/走回去了) – A very restrained short film (actually, more like a music video) set during the late Qing era, wherein a sheltered young woman (Xiao Yu Za/小宇咂) falls for her female neighbour, recently returned from studying abroad (Sheng Wei). Lovely use of music and visuals to create a dreamlike atmosphere. Tragic ending. Not a shampoo ad.
“I’m Her Weapon” / 我是你手里的一把刀 (3 mins, 2022, dir. Liu Yun Rui/流云蕊) – A moody, interior piece about an assassin (Ai Ye) who yearns for some sign of affection from her handler (Sheng Wei), only to be left devastated by her new assignment. Surprisingly not a shampoo ad.
Miss Shen and the Woman Warlord / 我们是孤独行走的钟,但也要做敲响希望的钟 (6 mins, 2023, dir. Liu Yun Rui/流云蕊) – I’d like to describe this as being inspired by the story of Mai Jia’s novel The Message and the aesthetics of Kawashima Yoshiko (1990), but most Tumblr users would probably find those references deeply unhelpful. Basically, a female spy (Sheng Wei) disguises herself as a male soldier and infiltrates the mansion of a Republican warlord. There, she meets the warlord’s daughter (Ai Ye), who quickly realises that there is more to the promising young officer than meets the eye. Shampoo ad.
Women’s Script / 纵使“科考”无女子,无碍红袖书香,星辰有光 (5 mins, 2023, dir. Liu Yun Rui/流云蕊) – While sailing down a river, a girl (Zhi Chun He/至春禾) catches sight of a woman writing poetry on the riverbank (Sheng Wei), and is fascinated by both her beauty and her flaunting of the rules against women’s literacy. Shampoo ad. (CW: domestic violence)
The Caged Canary / 如果这是一场骗局,那我也只愿意输给你 (5 mins, 2023, dir. Liu Yun Rui/流云蕊) – The protagonist (Ai Ye) is sent by her parents to beguile a wealthy young man into marriage, but ends up developing feelings for his modern-woman sister (Sheng Wei) instead. Shampoo ad. (CW: attempted sexual assault)
Flowers Bloom; Flowers Wither / 她们一个被铁链禁锢,一个被男装束缚,直到救赎彼此 (9 mins, 2022, dir. Qian Li Min/千里明) – Takes the romance between a cross-dressing noblewoman (Du Ruo/杜若) and her supposedly-mad stepmother (Rou Lian Cheng/肉��橙) to tell a story about the restrictions placed on women in historical times, and how resistance, even when futile, can still have meaning. Tragic ending, obviously. Not a shampoo ad. (CW: domestic violence, misogyny, accidental misgendering, gender dysphoria)
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wearepurplejackets · 3 months
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Little recap of episode 4 of season 4 of Wakfu
Look at this!!
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You saw this beautiful smile???? This smile can stop babies from crying (and Nora). This smile can revive a puppy.
You saw it???
Well, I hope you did because I think we'll not see it in a really loooooooong time~ (maybe 9... Or 10 episodes.) The storm is coming... violently with a bat.
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(BEHOLD SPOILERS OF EP 4 OF SEASON 4 OF WAKFU)
I remember Tot said season 4 was gonna be sad a f*ck and that Yugo will have to pass some kind of "hard trial" (AGAIN) in this season because this kid will never have a good rest. Not even a breath. Stop. Give this little boy some holidays c'mon, the lord is always testing our little angel to the limit. (And by lord I mean Ankama I'm looking at you...)
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So it's very likely that Yugo will start to suffer even more in the next episode. And of course, in the entire season :))))))) Let this boy have something, someone precious by his side more than an instant and stop take it from him in the next second, I beg you. (He just found his family... And... Qilby I guess. And Adamai just abandoned him already to investigate by his own way...)
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Just seeing how the kings and queens of every nation were so disrespectful in front of him and just called his mother a monster and made her cry, well. (I want to riot! When Joris said they were "quite tense" he fell short.)
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Okay, yes, I understand the eyes in the sky~ are pretty creepy and of course I don't trust her either, at least, like this is so suspicious for sure, no one was born yesterday even when she is trying to be so kind and helpful monitoring the entire planet (yeessss mom, way too much).
But, c'mon, this is a goddess as tall as... I don't know, as much as she wants, girl she is made of f*cking magic. If she wanted she could erase you from existence. She didn't have to give a f*ck about anyone and HERE WE ARE~
The best thing you can do is looking for a fight with her in the moment you meet her with no hesitasion? Do you want to die that much? Do you know about survival? Did you skip that class maybe? (I'm going for a tea BECAUSE-)
It was so necessary to (be a little racist dear rich people and) insult the giant blue mother of your hero in his f*cking face and the people who are at least trying to do your job (which any of you losers did well, like ever, btw. When Sadida kingdom was about to be destroyed by the chaos of Ogrest what did you do?? Eh, where were you???)
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Jobs like protecting and saving your citizens from, nothing, being robbed and I don't know: imminent death??? I mean, really? Was that all you thought about in this situation? Being a d*ck was your best choice.
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These same guys here were talking about stolen freedom?? What freedom? The brotherhood of Tofu had to save your asses for like 3 season. 3 ovas and dozens of comics. The same people who criticize others actions but never assist and reunite when they are needed, Cause I don't know Rick, it seems a little fake....
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Yugo just met his mom and his sis and he already has the world of 12 hating them... Like wow, the rulers are all going to die in the hands of that kind of white demon/zombies of TLOU/soul suckers or whatever they are. And I really don't give a f*ck for any of them, ladies and gentlemen. Only the crowns are going to remain. (Down with the monarchy.)
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Weeeeeeeell.
You know what? I don't care what Yugo will do from this point. Nop, not a bit. But I'm with him to the end of everything. I will support you honey, I will defend you no matter what. I mean, I'll be totally okay if he decides to save the world for the third f*cking time and I also will be okay if in the end he prefers to let all these motherf*ckers die in an instant with no mercy and no regre-
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And it could even happen that Yugo loses someone important in season 4... (The same way I will lose my mind.) Hope that never happens, I just swear to god-
Anyway, Yugo fans, unite and brace yourselves.
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justthoughts1310 · 3 months
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ShikaTema is the Best Love Story in All of Naruto.
Okay, so Kishimoto and Ikemoto might do better with Boruto. However, as far as Naruto is concerned, ShikaTema is the best love story hands down. Let me explain.
Naruto x Hinata - Naruto spent 19 years either being oblivious to Hinata's existence or thinking she was weird.
Sasuke x Sakura - This relationship was so abusive that it was borderline criminal. I'm glad it's better now. I like Sarada, but Sasuke did not deserve a wife.
Sai x Ino - This is one of the better love stories. They kind of hit it off from the beginning in a lot of ways. However, aside from the light novel, we don't know much about it.
Asuma x Kurenai - Also, one of the better love stories, but we kind of just saw that they were together one day. Then before we know it, Asuma dies before the birth of his daughter.
Minato x Kushina - Another one of the better love stories. However, we were kind of rushed through the love story, because their entire love story was told in the past for obvious reasons.
Obito x Rin - I guess this is a good love story. I mean it almost ended in the destruction of the ENTIRE world, and Rin was in love with Kakashi the entire time, but what can you do? Did Rin and Obito end up together romantically? I have no idea. In death, Obito reverted back to his 13-14 year old self and spent eternity with 13-14 year old Rin. Yes, that's kind of romantic, but let's be honest, they can only be so romantic before it just becomes creepy and inappropriate (assuming the never age).
Now, the big one: Shikamaru x Temari.
I mean one could argue that this love story began with Temari fought Ten Ten. It was the first time Shikamaru noticed Temari. He took one look at her, and said that she had already beat Ten Ten. Naruto asked Shikamaru how he knew that, and Shikamaru said that he would not tell Naruto if Naruto couldn't figure it out himself.
Shikamaru vs Temari is the first time that Temari noticed Shikamaru, and she was utterly unimpressed with him until the very end of the fight when she realized that she was about 2 seconds for losing if Shikamaru had larger chakra reserves. From that point on, Shikamaru was never far from her mind.
Fast forward, these two lovely characters don't see each other again until Temari has to save Shikamaru from Tayuya. Shikamaru underestimates Temari's abilities, and Temari effortless kills Tayuya with her wind scythe jutsu. After seeing this, Shikamaru compares Temari to his mother.
This is important, because earlier, Shikamaru had asked his father why he married his mother, and Shikamaru's dad was basically like, "A good woman can change you."
Aside from a broken finger, Shikamaru visits the hospital to see how his severely injured friends are doing. Temari scolds him for being too emotional, because it seems as though Shikamaru is about to give up.
Shikamaru's like, "I don't need all this smoke." He gets up to leave, and his father is basically like, "You coward, are you going to let this woman talk to you crazy and all your comrades die in the future."
Shikamaru starts crying and this is the first time we see Temari show genuine concern and empathy for Shikamaru.
The next episode, I believe, Shikamaru is the one to see Temari and her brothers off from the Leaf Village as they head back to the sand.
Now, I'm going to fast forward to Shippuden. Yes, there's a filler arc in which Shikamaru saves Temari from another wind user. Upon returning to the Leaf, I believe Temari helps Shikamaru in the ninja academy with the students, and Shikamaru sees off the Sand Sibling again. You get the point.
Moving onto Shippuden, the first time we see Shikamaru in the village, we see him with Temari. Naruto keenly asks if the two of them are dating. Both Shikamaru and Temari think the assertion is hilarious, but it's actually pretty accurate.
Why, because without going through an entire play by play of every time Shikamaru and Temari were together in Shippuden, I will say this. If there's a Naruto episode with Temari in it, there's about an 80-90% that Shikamaru will be in that episode too, and that he will interact with Temari in some way.
For example, the war arc episode in which Konohamaru challenged Temari to a fight. Shikamaru did not need to be in that episode. Yet, Moegi and Udon went and found Shikamaru, so that Shikamaru could break up the fight. That was when Shikamaru said how scary Temari actually was.
There's even a shot little bonus video in which Shikamaru said, "What if it was Shikamaru Shippuden instead of Naruto Shippuden?" The an opening screen appears on the screen, and there's a silhouette of Shikamaru and Temari on the opening screen.
Temari is a long distance combat specialist. I feel that Shikamaru is mid-distance at best, but yet, both of them were in the same exact campaign during the war, and where was Temari? She was standing right next to Shikamaru.
When Shikamaru got caught up in the infinite genjustu, he dreamt of Temari by his side as they mutually agreed that marriage sucks.
My point is, as I skip a ton of points, Kishimoto had built up a relationship between these two characters for nearly 20 years. Mind you, that these characters DO NOT live in the same village. Temari has very little screen time. She has so little screen time, that she has a new outfit dang near every other time that we see her. However, the majority of the screen time she does have is with Shikamaru. The relationship between these two was set long before the light novels from Shikamaru were even considered.
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bloodyshadow1 · 5 months
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stuff I loved about the percy Jackson show already
the cast is perfect, they're the right ages and they're the right amount of snarky asshole for the main characters.
I kind of like that there's friction between Percy and Grover. it gets glossed over in the books, but yeah, Grover befriends Percy because it's his job to find half-bloods, it doesn't mean he doesn't view Percy as a friend, but I could get Percy being hurt that he thinks that's all their friendship was, that his first friend was only there as a job. It will give their relationship tension and room to grow. I also like how it establishes that Grover does care about Percy, even if Percy doesn't get it, and that at the end of the day he will choose Percy over Olympus even if he has too.
Speaking of Grover, I like that we see scenes with him outside of Percy. Obviously the books are told from Percy's POV, I love that, it gives the books a stylized personal feel getting things filtered from him. But It also has weaknesses like there can't be a scene without him and everything this filtered from his pov. It can work as a book, but it's different when it's a show. Yes, Percy is still the main character, but Grover and Annabeth are important too as main characters as well
I really liked how Luke was the person to show Percy around camp, while I'm not thrilled about Annabeth's screen time being trimmed, she will play a bigger role later in the season. until the end the camp scenes are the only ones with Luke so it makes sense. It makes Luke feel more like a character for the early stuff, he was Percy's first mentor in the books too, but here he feels more like a big brother figure and genuinely kind. Especially since Percy hasn't met Annabeth yet much less been her friend and he's currently angry at Grover, it gives him someone to be close to, someone who he views as a friend. It helps establish Luke's character and also helps make the inevitable knife to the back hurt even more
In addition to Luke playing a bigger role, I like that Chris was included in this first episode, I assume he was Chris at least I missed if he was introduced, since he seems to be Luke's best friend in the show. He is mentioned in Book to, named dropped by Annabeth I believe, and he shows up in book 4 to stay in book 5, but he's a very satellite character. Only really existing to show that half-bloods are joining Luke, then the dangers of the Labyrinth, and then as Clarisse's boyfriend. introducing him as a secondary brother figure/one of the few friends that Percy has makes him joining Luke in the second book/season more the tragic that he's more than just a name on a page. It will also be that much better when he comes back to their side again
Honestly, the whole world just feels lived in despite being an urban fantasy series.
I'm so happy they kept how the minotaur scene ended. I don't care for the design that much, but I was worried when Percy pulled out Riptide that it would be different from the books. But they kept him breaking the horn and killing the minotaur that way and I'm happy.
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metacrisisdoctor · 11 months
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i think sometimes people have a hard time seeing jackie as an individual person and this leads to them sort of seeing her as a villian in rose's story.
in my opinion it's pretty important that as much as jackie is sometimes wrong about things, she is also right about a lot of things as well.
i do feel like jackie was unintentionally holding rose back out of fear of losing her, hence her "airs and graces" comment etc- but rarely do people think of why jackie feels like this.
think of jackie tyler. in doomsday she is forty. this means when we meet her and rose she is 39, meaning she had rose at age 20, meaning she was pregnant at age 19- the same age rose is when we meet her.
19 is young.
think of jackie tyler, age 21, widowed with an infant daughter, on an estate and looked down upon. in army of ghosts we see that jackie's father passed away years ago, and we never see her mother either.
this is partly why the fandoms universal eyeroll at love and monsters frustrates me. that episode fleshes jackie out and shows us how deeply alone she is, but how loyal she is to rose despite the fact that the only family she has sees her as second best. the tentoo and jackie big finish audios also bring attention to this. jackie is not afraid of rose advancing in life, she is afraid of being left behind. because she has no one.
it pains me that the bf audios with her and tentoo aren't more widely known because they explore jackie and her relationship with both the doctor and rose a lot. we see how much jackie loves, and has always loved, the doctor. how she too missed him after doomsday. how she wants to be close to him again but she's afraid of what him being back in rose's life means as well, because now that the doctor is in their world, what is stopping them from leaving again? and i think it's important that jackie feels that way because it shows that her love for rose isn't just because she was lonely, despite it having had played a large part.
she genuinely loves them both and does not want to be without them, so much so that she says if/when the tardis grows the doctor has to take them all- because he has a family now. this mirrors the doctor telling donna that rose had a family and that they had become his family as well in the runaway bride.
in this sense, we should know that the doctor and jackie are on the same page. we know how much he missed rose and how that extends to the sense of family he found in the christmas invasion. however, jackie's own poor self image leads to her projecting her own fear of being left behind onto tentoo and to his relationship with rose and it causes friction in their relationship until they can both be honest with each other in the climax of the audios when they're about to die together and realize they want to live, which is why rose trapped them into talking in the first place.
jackie struggles because rose was so young when she met the doctor, and she was RIGHTFULLY wary of their relationship considering the last time rose trusted a man he left her behind and took all her money. in the audios we hear jackie say that she was the one who payed off all of rose's debts which is a stark contrast to the idea some people seem to have that jackie didn't have a job and mooches off of rose entirely- which makes no sense anyway because how does she keep the lights on at home when rose is missing for an entire year? it's much more plausible that she and rose both have jobs, and that she was going to look for a second job.
jackie gets everything she wanted in a sense. her husband back, a son, rose is still with her, but her own low sense of self is something that is hard for her to shake off because she has been looked down upon for so long because of who she is and how she was raised, so much so that the thought that rose looks down on her terrifies her. in the end of time flashback we sees jackie say that at that point in her life she isn't gonna do much better; but rose tells her she doesn't know that which speaks volumes. rose is afraid of falling victim to the helplessness jackie has in the last twenty years, but we also see that deep down jackie also wants more to her life as well, she just thinks it's too late.
jackie is proud of rose, she grows to love the doctor, but her fear of rose losing herself entirely is a valid one. just like rose wanting more out of life is valid as well. they're both right and they're both wrong which is why they bicker but also very very clearly absolutely love each other more than anything.
this is why the ending rose gets is perfect for everyone. rose gets to keep defending the earth at unit with the doctor, a life that she always wanted. the doctor gets to, in one life, have a family and be human and jackie gets to find her sense of self again and find "more" in her life, and doesn't lose what makes her who she is at all because people like jackie - working class people - are the ones who make it possible for "bigger" things to happen which is what the purpose of the back and forth between rose and jackie is. rose wanting more from her life is valid, but it's also important to rememeber not to look down on people who you subconsciously see as "less" because "less" is just as valuable.
of course rose leaving helped jackie grow, but sometimes the way people talk about jackie is unintentionally classist while also defending rose from classism.
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orionsangel86 · 27 days
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Lucienne/Lucien - How the Librarian Became the Chief.
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In The Sandman Netflix adaptation Lucienne is a stand out character and second only to Morpheus in importance, screen time, and centrality to the story. Lucienne is Morpheus's loyal Librarian, second in command, ruler of the Dreaming in his absence, and often times a voice of reason and advice for our dutiful King of Dreams. She is so well respected in her position that the other castle residents consider her their boss and would rather go to her for guidance and command than Morpheus himself. She takes care of Dream's ravens and even appears to have the power to create new ravens from newly deceased mortals like she did with Matthew. She is clearly extremely close to Morpheus, and is one of very few people he seems to actually listen to and trust. Lucienne's role in this story can not be underestimated.
So it may come as a surprise to any fans of the show who haven't read the comics to learn that Lucien (as he is called in the comics) is afforded very few of the above traits. In fact Lucien is no where near as close to Morpheus even by the very end of the story, as Lucienne is at the beginning. It is this difference that has fascinated me since I first started diving into the comics after falling in love with the show, and its something I view as extremely important when considering how the story is being adapted into a kinder, more sympathetic universe surrounding our central protagonist.
Lucienne's role is expanded greatly from her comic counterpart, and her relationship with Morpheus is shown to be much deeper. This is evident practically right away at the end of episode one when Lucienne comes to greet Morpheus upon his return to the Dreaming following his escape.
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The way she runs over to him as soon as she realises he is back, and lovingly takes his hand and is so pleased to see him is a far cry from the comic where the first thing Lucien does is bow.
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So right at the start we see a very different form of relationship here. Where Lucienne is already displaying a level of care and devotion beyond the expectations of a servant, Lucien however, is exactly that.
The servant thing has caused a bit of contention among fandom in the past. I think the confusion could come from whether or not you see Lucien or Lucienne first. Lucien IS a servant of Dream. Lucienne is more like a vice president and royal advisor. Those are two very different things after all and that difference only becomes more obvious the further you go into the story.
Lucienne accompanies Morpheus throughout his return to his crumbling kingdom, helps him as he attempt to repair the damage, follows him to Cain and Abel, and watches over his meeting with the Fates. She is by his side from the moment he returns until the moment he leaves again for the waking world to begin his quest to recover his tools, and she is responsible for Matthew's reincarnation as the new Raven and instructs Matthew to stay with him because of her concern for Morpheus's wellbeing on his quest.
I cannot stress enough how much none of this is in the comics. Lucienne shows a level of care towards Morpheus that just isn't present in Lucien in the comics. After the first meeting with Lucien at the gates of the Dreaming, Lucien doesn't appear again until he is instructed by Morpheus to conduct the census of the Dreaming. He only appears again in the Doll's House very briefly and has no involvement in Morpheus's decisions during that arc, which takes place very rarely in the Dreaming.
That's not to say that Lucien isn't a very trusted servant of Morpheus. He is the closest to Morpheus of all the residents of the Dreaming except only Matthew. But I think a lot of what we see in the show of Morpheus and Lucienne's dynamic is inspired by much later in the comics. I also think that it speaks loudly to the change in Morpheus as a character. Show!Morpheus has people almost right away who care about him and want to help him, whereas comic!Morpheus is extremely isolated. It is clear in the early comic stories that comic!Morpheus keeps himself at arms length from basically everyone. He does not have a bond with Lucien, he did not have Jessamy, and at that early stage, he didn't even have Matthew. All of this of course was primarily to make show!Morpheus a more sympathetic and likeable character - you gotta give your protagonist people who care about them, it helps raise the stakes after all.
Taking Charge - Lucienne is the real boss
One of my favourite parts of the Dolls House episodes in the Netflix show is the conflict between Morpheus and Lucienne due to the other residence and Dreaming servants going to her for advice and instruction first rather than Morpheus. Bearing in mind this only takes place less than a year after Morpheus's return from imprisonment, it speaks volumes as to how Lucienne has taken the role of leader of the Dreaming in her stride.
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But it also indicates how Morpheus' change in the show is coming at lightening fast speed compared to the comic. In the comic, Mervyn doesn't make these observations until the Brief Lives arc, and this is indicated at that point to be a very new thing - triggered by several years post fish bowl of having to face his past decisions and mistakes (and a string of scorned ex lovers one after the other ending in a horribly matched rebound relationship with a murderous witch that subsequently rejected him and triggered him literally seeking out destruction). Lucien was only put in charge of the Dreaming when Morpheus left to go on his trip with Delirium. It is during that trip that Morpheus realises how competent Lucien is and capable of running things without problem in his absence.
Mervyn's insights are made clear here:
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This is the only time in the comic that anyone dares mention that someone other than Morpheus might be the boss - and it is in no way as directly spelled out as it is in the show. "You're practically running the place" and "you secretly run this place" are quite different statements. The first only makes an observation about Morpheus's current lack of interest (in Brief Lives) in actually running his realm. It implies that Lucien is doing Morpheus' job for him, but does not go as far as to outright call Lucien the boss. Whereas in the show, that's exactly what Mervyn does.
In the comic, Morpheus overhears Mervyn's speech and immediately points out his reasoning for leaving Lucien in charge, for promoting him and giving him more authority.
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Because no one ever technically undermines Morpheus in the comic, there is no conflict here. Morpheus trusts Lucien as his loyal servant and gives him the power to rule in his stead (but only when he is absent) and there is no "secretly report to Lucien first" attitude among Matthew and Mervyn. We can perhaps interpret that this might be happening behind the scenes by this point in Brief Lives, or even just before the BL arc when Morpheus was distracted by his rebound murderess, but it is never actually directly stated that this is going on.
The tension between Morpheus and Lucienne in the show is born out of the conflict over Lucienne's position and Morpheus feeling undermined by his subjects, and its storytelling gold. But the only reason such a story works in the show is because Lucienne is so important to Morpheus in the show, because their relationship goes so much deeper than the relationship in the comic. Lucienne is not a servant, she's his god damn vice president and she knows it, and he knows it too. Throughout episodes 7 and 8 specifically he reaches out to her for her opinion and advice on the Vortex situation. He talks things through with her and seeks out her guidance. It is clear that he relies on her and it is only at the end of episode 8 when Lucienne disagrees with his punishment of Gault, that in his anger, he dismisses her.
Lucien/ne the Royal Advisor
Where Morpheus in the show seeks out Lucienne's advice and opinion frequently especially during the Doll's House arc, I have to stress that this never happens in the comic. Comic!Morpheus just does not have that kind of relationship with Lucien and does not seek his counsel at all, even though Lucien does try to give it on occassion, usually when Morpheus is about to do something extremely stupid and probably damaging to himself and the Dreaming. To name a couple times:
Season of Mists - before Morpheus returns to Hell:
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Brief Lives - before seeking Destruction:
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You'll note that in both these times Lucien's words of caution are completely ignored.
You'll also notice that in both times Lucien is taking a path of polite caution. Lucien very rarely speaks his mind to Morpheus, because he knows it won't get him very far to do so. The only time Lucien truly loses his cool and speaks freely is in The Kindly Ones (spoiler alert)
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At this point in the comic story Morpheus has basically all but given up and accepted his fate and its fucking depressing AF. Lucien is well within his right to shake the bastard HARD and snap him TF out of it. I STILL think he was too restrained here tbh!
My point here is that Lucienne already speaks her mind quite freely around Morpheus in the show. She expresses her opinions and thoughts and gives him her advice. This is such a well established dynamic by the point of the argument that it is clear that Lucienne is offended by Morpheus's dismissal of her.
Take this exchange from episode 9:
Lucienne: "Rose is weakening the walls between realms" Matthew: "You gonna tell the Boss?" Lucienne: "No." Matthew: "No?" Lucienne: "It's none of my business." Matthew: "Er, since WHEN?" Lucienne: "Since Lord Morpheus reminded me that I'm merely a librarian and should concern myself with my books from now on." Matthew: "He said that?! What's wrong with him!" Lucienne: "Nothing is wrong with him. He's always been this way. He's just been away so long I'd forgotten. He's determined to deal with the vortex and the missing Arcana by himself. Without anyones help. So any news must be reported directly and exclusively to him."
It's worth pointing out here that whilst this is framed as Morpheus being a stubborn idiot, in the comic, he does in fact deal with the vortex and the missing Arcana by himself mostly and is not so much helped but saved at the last moment by Unity Kinkaid who realises what is happening in a dream and goes to save Rose, which also saves Morpheus from Desire's trap.
In the show, Morpheus has people who care enough about him and his realm to want to get involved and help him, not out of a desire to undermine him, but simply because they care about him. That is a drastic change from the comic at this point. Morpheus in the comic is constantly shown to be struggling under the burden of his own responsibilities and this is highlighted by the fact that he doesn't really get any support or assistance, and is far too prideful to ask for it. Lucien gets the promotion and chance to rule in his absence, but it is never framed as a job he shares with Morpheus - at no point does Lucien take the burden of his responsibilities off of him. This is no Samwise Gamgee "I can carry you" moment unfortunately. Lucien does not have the power nor the bond with Morpheus to undertake such a task because Morpheus keeps him at arms length throughout the comics - but Lucienne? Well, time will tell how that may change.
An Apology from the King
In a shock horror twist that comic!Morpheus would sooner die than do himself (ha) the great emo King of the Netflix universe gives Lucienne an apology for his behaviour (sort of).
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Episode 9 displays the tension between Morpheus and Lucienne following their "break up" perfectly. Morpheus is clearly in the wrong, and Lucienne is clearly hurt by his dismissal of her support. Yet even after the fight, he still seeks out her advice in determining the cause of the disturbances in the Dreaming. He goes to her first before investigating himself (something that comic!Morpheus wouldn't even consider doing) and is surprisingly capable in swallowing his pride here even though it is clearly a struggle for him.
Later in the episode, once he realises that Lucienne was right about the disturbances, he seeks her out to tell her so, and to confirm that she was right and he was wrong. This is again something that I can't fathom comic!Morpheus doing, even nearer the end of the story I don't believe he does so, certainly not to Lucien. Fiddlers Green drums this point home when he says this:
Fiddlers Green: "... still his time there appears to have changed him as it has changed me." Lucienne: "How so?" Fiddlers Green: "Lucienne, he came to you and told you he was wrong. It was very nearly an apology. The Morpheus I knew was incapable of that."
This further reinforces not just how much Morpheus has changed in a short time, but also how much he respects and cares about Lucienne and their continued relationship.
Platonic Life Partners? Co Ruler and Closest Confident of the Dream King
When I set out to write this meta, it was with the aim to highlight Lucienne's elevated role from her comic counterpart. To try to stress the importance of her character in the show and what this means for the future of the story in the show. By the end of the last episode, Lucienne is practically granted co-ruler status of the Dreaming while Morpheus works on his creations. He asks her if she can "take care of things while he works" which she agrees "with pleasure".
I just... I can NOT stress ENOUGH how much comic!Morpheus needed this person in his life. Even though Lucien looks after the Dreaming whilst Morpheus is away in Season of Mists and Brief Lives, it is always as a last resort with Morpheus continuing to check in on Lucien during Brief Lives as if he expects trouble, and he always seems a bit confused when Lucien tells him all is fine. As if he can't quite understand how the Dreaming could be okay without him there (and I mean, after the trauma of watching your realm which is also technically a part of you crumble to dust I suppose you would be a bit attached to it!).
Comic!Morpheus constantly struggles under the weight of his responsibility. His entire thing is that he is desperate to step away and not be who he is but he simply does not have it in him to do that. He is far too bound by his rules and responsibilities. For Morpheus in the show to be given someone to support him in his rule as King and assist him with the burden of his responsibilities is actually a hugely mindblowing change to the comic, and could honestly have huge repercussions on the story going forward. Not only that, but the Morpheus in the comics is painfully lonely. He desperately needs companionship but he keeps everyone at arms length. He never allows his subjects to get too close to him, even Lucien. Even Matthew isn't afforded the same level of closeness in the comics as he is in the show. In the comics, the ONLY character who Morpheus is close to is Death. Which says a lot by itself. The second character he gets closer to as time goes on is Delirium. Which also says a lot. Think of the characters in terms of their concepts. Morpheus has no close friends in the comics (even his relationship with Hob Gadling in the comic doesn't have half the impact it does in the show) and keeps all those he interacts with at arms length except for Delirium and Death.
But show!Morpheus? He has a Matthew who is already so very devoted to him, a Hob Gadling who waited an extra 33 years on hope alone that he would return to him, and a Lucienne who rules by his side, offers him support, guidance, counsel, companionship and probably a good helping of love. How can this Morpheus possibly carry the same deep loneliness as his comic counterpart? How can this Morpheus be buckling under the weight of his duties when he already has his Samwise Gamgee right there by his side? It poses an interesting question for how the show will handle future story arcs, though it could all prove to simply make for a much more painful story, where we happen to have many more characters to react and show the deeply painful grief that we all feel at his eventual passing - or maybe, just maybe, this is a universe where Hope never died...
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