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#also remember these are my ~opinions~
hypewinter · 6 months
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Jazz wasn't crazy. People might argue that burning her childhood home to the ground with her parents still inside would be an indicator of insanity. But how else was she supposed to react after coming back home from college to find out her parents had brutally killed her brother via vivisection?
Dying her hair blonde wasn't crazy either before anyone asked. Plenty of girls dyed their hair when they needed a change. Besides, she could never live with herself if she kept the same hair color as that vile woman.
Admittedly Jazz would have to secede moving to Gotham had been a little crazy but it was the perfect place to start fresh and blend in despite her "quirks". She had even picked out a nice new identity for herself.
Clearly Jazz was not crazy as she had managed to land a job at Arkham Asylum as a psychiatrist. If she were really insane would they have ever hired her? No they wouldn't have.
Jazz was not crazy. She was very much sane. Just like her precious Mr. J.
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trans-cuchulainn · 6 months
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there is no moral value in reading fast and there's also no moral value in reading slowly. people who read slowly aren't automatically/necessarily reading more thoroughly and thoughtfully than people who read quickly, and at the same time reading is not a race. some people read fast because that's how their brains work; some people read slowly because that's how THEIR brains work. some fast readers are getting deep into analysis and close reading and some slow readers are just along for the ride and not thinking too hard. these are both equally valid and valuable ways of engaging with books
and nobody should shame anybody else for reading slowly but also if i see one more post that suggests people who read quickly only read meaningless garbage (your elitism is showing btw) and lack reading comprehension, i will start blocking people. it's just bullshit, and it's weird judgy bullshit at that. some people have jobs in books where reading hundreds of books a year is part of it. some people are academics. some people are bedridden or isolated and trust me you get through a lot of books when you're stuck in your room alone for days. and some people love the books you consider garbage and they're just having fun passing the time with light fiction that isn't too brain intensive and there is absolutely nothing wrong with that either, because reading can be a form of relaxation and doesn't always have to be an ~intellectual challenge~ to be worth doing, actually
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nuclearnyx · 11 months
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scintillyyy · 2 months
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the thing is. i don't particularly love the whole steph sends assassins after tim at the end of robin thing. but it is fascinating to me as one of those things that dc's like "okay, this did happen because we need it to have happened (it's pretty important as far as setting up steph and tim to move on to red robin & batgirl, it's extremely important that steph makes a mistake that causes harm so that tim is upset with her & so there's a justifiable reason steph can't be spoiler anymore & to set the stage for their dynamic in the reborn era & because her doing this to tim is also important to maintain tim's self-isolation at the start of red robin because if he had a girlfriend to depend on who he wasn't mad at he wouldn't be quite so self-destructive), but at the same time we desperately need to pretend like it did not happen (because if it did, and steph sent assassins after tim, he's entirely justified in being mad at her & also if she did that dick would probably feel about steph the way he feels about jean-paul valley)"
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in-tua-deep · 4 months
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Saw the most amazing little guy at the art museum today
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batsplat · 14 days
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February 2014 (text from Mat Oxley's The Valentino Rossi Files: Everything I've ever written about VR: From 2008 to now):
During the winter the nine-time champ spent more time than usual thrashing round his dirt track ranch, keeping himself mentally and physically sharp and getting used to a motorcycle moving around beneath him. He knows that Marc Marquez’s ability to ride on the ragged edge with a more muscular, more sideways style is changing MotoGP, so he needs to change with it. Rossi may never look as spectacular as Marquez on a dirt bike or a MotoGP bike, but both his former and current crew chiefs believe he can do better than he did last year, when Marquez made him look rather second rate.
Rossi on inviting Marquez to the ranch:
"Yeah, for sure, a lot of time. But I think that Emilio [Alzamora, Marquez's manager] is not very happy that Marc come because he said that after we make a race and maybe it's dangerous." (x)
A Sideways Glance at Misano 2014, including pre-event karting on Wednesday night where Marquez reportedly struggled:
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Misano 2014 (text from Mat Oxley's Valentino Rossi: All His Races):
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^ Márquez won the first ten races of 2014 and this was the first time all year he was beaten in a straight duel. He couldn't handle Rossi's pace at Misano, so he ended up losing the front and falling.
Valentino was fast throughout practice and secured his first front-row start of 2014. [Rossi was asked after qualifying about the threat posed by Marquez and Lorenzo, identifying Lorenzo as the favourite before adding, "But you never know with Marc. He's a bastard."] In the race he rode better than in years, hanging his upper body inside the motorcycle more than ever before to increase turning. He snatched the lead from Lorenzo and then fended off Márquez, who struggled to find enough grip to match Vale. At one-third distance the world champion pushed it too far and slid off, so Vale cruised home 1.6 second ahead of Lorenzo. His crew had done a great job of creating maximum grip via adjustment to chassis balance and electronics set-up. His 107th GP victory showed he was once again as fast as anyone, because when he won at Assen 2013 he didn't have to beat Márquez, Lorenzo or Pedrosa, who were all injured. "It's fantastic to come back to victory again," he beamed after his first win with [new crew chief Silvano] Galbusera. "I knew we could fight and I pushed from the start. I always work hard and never give up and trust that days like this can happen."
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^ The breakthrough win at Misano. For the first time since his return to Yamaha he had gone head-to-head with Jorge Lorenzo and Marc Márquez and beaten them both. From this moment another world title was a possibility.
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Aragon 2014 press conference:
Rossi: Revenge at the ranch! No, first of all, we enjoy a lot, because have a lot of riders and also from superbike and a lot of bike on the track and was a good day, yeah. Marc was very fast, already fast like me at the first time, as always, and I think he did the best lap time but I won the race so is 1-1, so is... come si dice, pareggio pareggio [tied]. Marquez: Yeah, yeah, was really nice, you know, I was really [impressed] to see his circuit, his home, because in the future I would like to have, because was impressive and riding there was all the riders was really nice and... like Valentino says, we were there fighting together like in Misano race more or less, but yeah... the important thing is that we enjoy it and was really nice to ride there with him and also with the other riders.
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Valentino Rossi, Marc Marquez and the Ranch
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kenobihater · 2 months
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of all the star wars movies, which of them do y'all 1) enjoy the most 2) consider the best quality and 3) think you've rewatched the most. add your answers in the reblogs or replies, i'm genuinely curious how much of an overlap there is within everyone's three answers. mine don't overlap at all! they're revenge of the sith, empire strikes back, and the force awakens :^)
#len speaks#star wars#revenge of the sith#empire strikes back#the force awakens#not tagging more films than that bc i cant b bothered. incoming tag ramble ahead bc i have sw brainrot rn and im making it everyones prob❤️#i rlly struggled 2 remember if id watched tfa or aotc more. i went w/ tfa bc it was formative to me as a teen and ive seen it probably 6ish#times? whereas aotc was the first sw movie i remember (specifically the scene of obiwan serving c*nt in the bar lmao) but i've only seen it#for sure 4.5 and maybe 5.5 times. the .5 is from when i got bored after obi-wan's scene ended and ran off to go play in the mud or smthn 😭#i'm sure tfa will eventually get surpassed in number of rewatches by aotc and rots bc i don't fw the direction of the ST but that's my#current ballpark estimate of my total number of rewatches#as an adult tho if i just wanna watch a star war i'll go with aotc bc it's fun and ends semihappily and i can turn my brain off for the#spinny lightsabers. it's great background noise or for if you're sick or whatever. rots on the other hand? i won't talk through that unless#i'm quoting it with my brother and i am LOCKED IN 100% entirely entranced by it all#i almost picked rogue one for the best quality answer but i think the character writing is weaker and the facial cgi is creepy. esb beats#it by a hair imho bc of that. the vader hallway scene goes hard tho!!!#also i'm not covering shows or games or books or anything else in this post - simply the films. might ask abt shows later but that might#also give me hives bc so many of the shows suck ass and i don't rlly want ppl extolling the virtues of t.bb in my notes 💀#and yes i do think one's enjoyment and one's opinion of quality are two things that often overlap. but sometimes you just like something#bad and that's awesome. like rots is the best of the prequels by a large margin and i adore the opening and characters and many of the#scenes but that doesn't mean it's the best star wars has to offer ykwim? it's my specialest most favoritest sw movie but that doesn't blind#me to the dialogue lmfaooo
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shsl-heck · 8 months
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Thinking about the Chevalier interlude, specifically the inaugural team of Wards. Like in universe, they sell it to this first group of kids (and presumably the rest of the world) as a place for second chances, to find friends and mentors who understand what youre going through, where you can learn to use your powers safely while making good memories. The kids broadly seem to believe in these noble intentions of course, but what really gets me is that I've seen readers buy into it!
"Oh, it's such a tragedy that the Wards program became this awful thing that traumatizes kids even more, and expects them to die for the sake of civilians! It's fallen so short of what it was originally supposed to be!"
No it has not??? The fact that the triumvirate and Hero are saying it has this noble goal doesn't make it true. The Wards was pretty clearly always a way to increase the amount of bodies the prt could throw at threats, and we know this because it was started by the fucking Triumvirate as a part of the Protectorate! Alexandria literally came up with the idea of the Protectorate to legitimize the power of capes, and have a consistent source of heroes Cauldron could throw at problems. That is the whole reason for the PRT/Protectorate existing. So when we have this group of children brought in a subsidiary, there are 2 real options.
1). Cauldron and Alexandria decided they would be really niceys and created this program with no intentions other than helping these kids out.
Or 2). As things got worse, they realized the Protectorate didn't have enough manpower to do what they needed, and so they expanded it to include children (the demographic most prone to triggering). That way, they greatly increase the number of capes who they can send to fight and die as needed, and the ones who do survive their tenure in the Wards will be better trained when it comes time to join the actual Protectorate.
At the risk of sounding conceited, I think the second one is far more likely based on everything we know about Cauldron. Maybe it was originally a little nobler, and the goal was just to create more well trained heroes and cut back on young villains, but there's no way Alexandria, Doc Mom, and Contessa didn't factor in the ability to sacrifice the kid heroes if it improved their chances of success. That was absolutely a perk at minimum.
That's the real tragedy of the inaugural Wards. The kids were lured in with promises of safety, comraderie, and second chances like lambs to the slaughter. All the while, Alexandria and Cauldron knew that many (if not most) of these children would suffer abuse by the prt (like in the case of Reed), die, or face a fate worse than death like poor Mouse Protector. It's horrifying! The idea that they didn't know the danger these kids would be in is literally inconceivable. Especially when one of you is also the head of the prt! They knew, and they didn't care. It improved their chances at the end of the world, and so they did it no matter the cost.
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the-lavender-clown · 1 month
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Jin and Zuko is the superior Zuko ship and is criminally underrated
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marblerose-rue · 1 year
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click for better quality!
the planes of existence
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oneatlatime · 7 months
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Want to get your thoughts on something you've touched on in a couple places. A pretty popular idea in the fandom is that one of the (in-universe) reasons airbenders have gone so hard into the peace-and-love monk thing is a self-awareness that, if they didn't, there's not a whole lot anybody could realistically do about it.
Like, Southern Air Temple pretty strongly implies that Gyatso solo'd a room full of comet-roided firebenders. It killed him but he did it, and while he is a master Airbender, we're not given any real indication that he is uniquely so, right?
I have many thoughts on this! Sorry in advance for the long post! And sorry if this goes a bit off topic!
Short answer: I don't agree.
Long answer:
We've seen that nations' cultures tend to reflect their native bending styles. Or vice versa. It's probably a chicken and egg scenario. The Fire Nation chose to spread (like wildfire) and is full of hot headed, impetuous roid-rage sufferers who can't see or plan for the long term. Fire itself easily becomes ungovernable and is at best muzzled/leashed, always waiting for the next chance to bubble over in unplanned / unpredictable / generally unhelpful directions (Hi Zhao!). So an element shapes a culture shapes and element until you've got a positive feedback loop (or in the case of the Northern Water Tribe, a negative feedback ourobouros due to outside pressure). Importantly, neither culture nor element develops in isolation; I think they develop simultaneously.
The Earth Kingdom is probably the most rigid and unchanging, even when it would benefit them to change/innovate. We see rigidity and humourlessness in response to change or the unexpected (see Toph's parents) and we see an inability to let go of a bad idea, or mitigate the consequences / think on the go when things that were clearly bad ideas go bad in ways anyone with a non-earthbender brain can see coming a mile off (think The Avatar State episode). Earth digs in when it should retreat, stands solid when it should duck and weave. It is grounded to the point of stupidity (unless you're Toph or Bumi, although even Toph seems to be unbending so far). It's linear to the point of being unable to deviate from that line.
This is me guessing, but I figure since fire and water are opposites, air must be the opposite of earth, right? So while we'll never see airbending culture in a non-shrunk-down-to-one-person form, we can look at earthbending culture for its dark reflection. Well, probably not dark, but you get what I'm saying. They'll be opposites in world view. We can extrapolate.
So if earth is grounded, humourless, aggressively traditional, linear, then air must be constantly fluctuating, unchained, lighthearted, bonkers-all-over-the-place. The heaviness of earth would dictate that problems should be faced by digging in and facing them head on until the problem blinks first. The lightness of air would dictate that problems should be faced the opposite way: blinking first i.e. removing yourself from the problem entirely. The linearity of earth dictates that fights are solved by fighting - you punch me, I punch you. The non-linearity of air would seek to recontextualise a problem until it's no longer a problem because we all forgot what we were fighting about in the first place, i.e. throwing pies at it or busting out the marble trick. The heaviness of earth would cause excessive earthly attachment; the lightness of air would cause excessive detachment from worldly concerns.
To start violence is to make a statement that you wish to be involved. It's rooting yourself to a particular dispute, choosing a hill to die on. It stems from attachment. This is earthbendery behaviour (and Zuko-y, but let's not go there). To never start violence is to never invest, never dig in your feet and make a stand. To be detached. (I'm oversimplifying here.) It's clear from in-show examples that Aang's pacifism is of the "ladies don't start fights but they can finish them" variety; he's got no problem with self-defence (caveat: we have no idea how typical an air nomad Aang was). But he never attacks first that I can think of.
Violence is a very direct tool. If someone starts a fight with you, and you decide to continue it, you're choosing the most obvious action. Since when is airbending direct or obvious?
All this to say, I think that pacifism, peace and love, monkiness, etc., was more likely a natural and inevitable outgrowth of air nomad culture, caused by constant culture / element interaction, rather than a conscious choice.
So I think airbenders "have gone so hard into the peace-and-love monk thing" because the nature of their element creates a culture that discourages the traits required for effective offensive violence, and the inherent detachment and ever-changing nature of air naturally encouraged spiritual (i.e. monkly) pursuits rather than earthly ones, like whatever the conflict of the week is. I don't think self-awareness of the dangers of their element factors into it. Not to take away from Gyatso's accomplishment, but I think air is nowhere near the most dangerous element. From what I've seen so far that would be Fire or Earth, though I'd give the edge to Fire because they self-generate, and also because they've spent a largely successful century dominating the other elements. Waterbenders and earthbenders can be neutralised by taking away their element; airbenders - due to the very nature of their element - probably can't get past that initial avoid and evade instinct to become legitimate offensive threats.
As for Gyatso, I think he's an outlier. We know little about him so far, but we do know that: a) Aang says he's the best airbender (in I think the Southern Air Temple?); b) he's good enough that he was granted a statue while he was still living, learning, improving; and c) he's good enough that the monkly council (of which he is part) granted him the honour/responsibility of being the quasi-dad of the Avatar. These things tell me that Gyatso was the Spiders Georg of the Airbenders. I suspect Bumi is the same for the Earthbenders, and at least as far as the philosophy of bending is concerned, Iroh may be so for Firebenders. Even the example of Gyatso nuking the comet-enhanced firebenders is a case of defensive action in ultra extraordinary circumstances: he was staring into the teeth of a genocide while mourning the disappearance of his quasi-son and the likely loss of the world's only hope / chance at stopping the war. That's how far you have to push an airbender before they'll take a life. Unless the Avatar world pre-war is a lot more godawful than Aang has implied, airbenders probably wouldn't have been taking lives frequently enough for them to get to the point where they would have to start questioning whether they should consider pacifism.
I think what this fandom idea ultimately is, is a desire for the hidden badass trope. Everyone loves it when the most peaceful character in the story is revealed to secretly be a Rambo-level fighting badass, right? Who didn't love it when kindly grandpa Roku manifested in his temple and unleashed a volcano? But I think this trope fundamentally takes something away from the appreciation of Airbending, Air Nomad culture, and the concept of Pacifism as a whole. This is just my interpretation, but applying the "secretly the deadliest all along!" trope to airbenders undermines their commitment to pacifism and makes it performative rather than earnest. It's a cop out; an acknowledgement that violence actually is the answer, and even those head-in-the-clouds monks know to use it when the chips are down. This show goes out of its way to show that non-combatants have value and a place in this world that's worth fighting for, that fighting goes way too far pretty frequently, that non-violent solutions are valid, even preferable. It would kind of undermine that message if all of the elements were easily weaponisable.
Something I've loved so far about Avatar is the show's earnestness. There have been no Marvel-style fakeout bathos plots. I feel making airbending secretly the deadliest element or similar would be exactly that sort of thing. Can't my pacifists be peaceful not because they're secretly untouchable badasses who carry the biggest stick, whom the rest of the world leaves alone out of fear, who are not a threat only because they have chosen not to be, but because that's just who they are?
On the other hand: Aang's been a one-man-army plenty of times. We've seen that; that's undeniable. So air is stupidly powerful as an element. No denying that. Gyatso did murder a bunch of people trying to kill him, so air can be deadly. But I don't think your typical airbender could be deadly. If you gave a can of airbending to a firebender, an earthbender, or even a particularly provoked waterbender, I don't doubt that they could kill people with it. But the culture that the element generated - rather than a conscious choice by that culture's participants - prevents them from taking the direct, violent, solution. And I think that culture developed in tandem with airbending, so there could not have been a time when airbenders were deadly as a rule. Air shaped airbenders as much as airbenders shaped air, and it shaped them into non-violent people.
There's a lot of power in the idea of consciously choosing, and sticking to, something that is perhaps not in line with your natural abilities. Styling airbenders as deadly-but-choosing-peace is a great way to explore themes of agency, identity, strength of character, morals, maturity, etc. But, to me, there's also a lot of power in the idea that some people just can't - not won't, but CAN'T - fight their way out of things, and this doesn't make it any less wrong to genocide the crap out of them.
If the fandom wants to headcanon airbenders as secret badasses who consciously choose nonviolence, I say a) go ahead! there's more than enough evidence to support that conclusion; b) I respectfully disagree; and c) is Iroh not enough?
tl;dr in my opinion, air's pacifism was a natural outgrowth of, and restriction imposed by, the element rather than a conscious choice; airbending can be deadly but airbenders aren't; Gyatso is not representative; 'speak softly and carry a big stick' is all well and good as a philosophy, but those who speak softly and don't have a stick are of value too.
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chelshiart · 3 months
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In 2011 I drastically reduced my DWJ book intake to dripfeed levels, so it was only in the 2024 new year that I finally decided to read Deep Secret. My god - out of all her books this seems targeted at me personally? Stressed late-20-somethings, making fools of oneself in vicinity of fav authors, artist alleys?? Also, blatant unmistakable LGBT-rep??? I can't believe I slept on this one for so long!!! Definitely putting it on the upper tiers of my DWJ bookshelf.
Anyway, here's some designs I've whipped up for the characters! As always, might tweak 'em if ever I draw more in the future, but that's what's fun about figuring out character designs. Rob in particular is a joy to me.
btw Zinka plsplspls let me table with you
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lgbtlunaverse · 7 months
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I'm a little bit insane about how in novel canon the whole xiyao ending where Jin Guangyao wants to die with Xichen, who accepts, which then makes jgy change his mind and pushes him away at the last second isn't actually explicit. A lot of adaptations chose to make it so but in the novel this is all VERY up for interpretation.
Here's what actually happens in the text: Lan xichen stabs jgy, jgy moves away from lan xichen, xichen follows him, wwx realizes jgy is about to open the coffin and calls "watch out!" to lan xichen. Jgy unseals nmj, pushes xichen away, nmj kills jgy and they are both dragged into the coffin which is sealed again.
Here's what wei wuxian, our narrator, thinks is happening: Jin Guangyao wanted to lead lan xichen to his death out of revenge for stabbing him. Lan Xichen, unaware, simply followed Jin Guangyao to try and stop him from getting away. Wei wuxian's warning came too late, but Jin Guangyao- for an unknown reason- changed his mind at the last second and pushed lan xichen out of danger before lan xichen had any idea of what was going on.
Here's what most fans as well as the teams behind several adpatations think is happening: Jin Guangyao leads Xichen to nmj's coffin to die with him, Xichen accepts, because of this acceptance, proof xichen still cares for him, Jin Guangyao pushes him out of harm's way. Wei Wuxian just doesn't get that gay people who aren't him or Lan Wangji exist.
Here's what ALSO MIGHT BE HAPPENING: Jin guangyao wants to die in a different way than he is currently dying. Maybe he's afraid of what'll happen to his body after his death like he was scared for his mother's, maybe he wants to confront nmj one last time now that there's nothing more for him to lose, maybe - if he can't take her body with him- he'd at least like his final resting place to be where he buried his mother. Lan Xichen thinks he's trying to get away and follows but Jin Guangyao, who despite everything doesn't want him to die, pushes him away. Xichen doesn't know what happened until it's already happened. What he would've wanted if he had known remains up in the air.
Or, alternatively: Jin Guangyao's reasons are as above, but unbeknowst to Wei Wuxian, Xichen DOES know what jgy is about to do and either misinterprets this as an invitation to all die together, or inidividually decides he, too, is done, and wants to join his sworn brothers in the grave. To Jin Guangyao this has nothing to do with Lan Xichen, and he still doesn't want him to die, so he pushes him away against Lan Xichen's wishes.
Every single one of these interpretations is unhinged and they are all supported by the original text. It's like a choose your own adventure of tragic gay endings.
#mdzs#mdzs meta#meng yao#jin guangyao#lan xichen#nie mingjue#3zun#xiyao#rs: i wish it could've been you#honestly which is worse for xichen. Being denied his wish explicitly or only realizing he wanted it after it'd already been denied for him#OR genuinely not wanting to die but being forced to live with the fact that even after he essentially killed him jgy still saved his life#just another way he's in his debt#like no matter what he's not coming out of here okay#i switch between a bunch of these all the time but actually favor the last 2 because they're very underexplored in my opinion#I like it when 'i never even thought about hurting you' remains true to the bitter end. He never even considered it#also I just... have a lot of feelings about that being his mom's coffin#do you remember that in the novel the coffin was so heavy only sect leaders could bear the weight?#so for the burial a group of sect leaders had to be the pallbearers... the SYMBOLISM GUYS!! THE SYMBOLISM!#jgy dies in infamy but despite everything it's the highest of cultivation society who carry the coffin he's buried in#he's in the same coffin as a great sect leader!! As nmj!! After a whole life fighting an uphill battle finally in death they are equal#it's not justice and it's not fair but it's... something#wwx's interpretation is the one i favour the least. sorry bro you remain an unreliable narrator to me.#it feels rather uncharitable towards jgy which makes sense for wwx's pov but makes it not my favorite#there's an alternative version of that intepretation where jgy THINKS he's doing the coffin trio pact and thinks xichen accepts.#and has the same realization of oh no he still cares I don't want him to die and pushes lxc away#meanwhile lan xichen hasn't actually processed any of this because it all happened in about 0.4 seconds#i like that one slightly more but it's still not my favorite#there's tragedy in the misunderstanding but it's a bit convoluted.
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lonichedgehog · 2 months
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Cassidy looks alright, but I think something like this would have worked better on him ngl
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flashhwing · 3 months
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if you think that Flint is in love with Silver is that really shipping or is that just media literacy
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perenlop · 2 years
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literal lesbian icon
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