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#also it bears to be repeated
greencarnation · 6 months
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I went to an Ilan Pappé talk yesterdays - I really recommend his books if you've not checked them out already. He's arguably one of the worlds leading experts on Zionism and the "Israel"-Palestine conflict, so obviously everything he said was great, but what I want to highlight:
Someone asked him if he thought the protests and petitions and calling you reps and shit would work, and he said no, it never will. It's still important to do that but the powerful will never surrender their power to the powerless just because they ask for it. Asking the UK and the US to cut ties with their imperial outpost in the Middle East is like asking an animal to gnaw off it's own limb - it won't do it unless its only other choice is dying completely.
So who does have the power to put a stop to this, we asked. The working class of the imperial core. That's us, and we are the most powerful people in the world right now, because this war machine can't function without us. Movements like this can only be built from the ground up, so stop looking to the government and start looking to your community. We need to make it more unprofitable to support Israel than it is to cut ties with it.
This is a call to action. The people HAVE the power, and we have to use it. Yes, that's you. Contact your trade union, your workplace, your school, your church, your university. Your friends, family, any connections you have. As many people on board as possible, with one goal: shut it down. Take direct action now.
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c6jpg · 29 days
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JADEITE REDOLENCE ❖ favorite chenyu vale overworld tracks
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kyouka-supremacy · 4 months
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Again the sickness speaking but here's something that has been going through my mind since forever:
I feel like a good way to mitigate a lot of discontent with the doa arc ending and in general the whole Dazai-being-flawless issue bsd has going on is by comparing bsd to Sherlock Holmes by Arthur Conan Doyle. Please bear with me for two minutes.
When Sherlock Holmes was being published, people were intrigued and enamoured by Holmes' brilliant and charming, crimes-solving figure. People read the stories for the pure joy of being left gaping at his superhuman wits again and again; they didn't want to see him fail, they wanted to be shocked and amazed by his genius. When Holmes died and then came back, nobody lamented it being unrealistic, because realism was not what people were reading the books for! They were reading to be impressed, to cheer for the hero and then take satisfaction in seeing him turn out victorious. That's the author-reader deal that was made there: to impress and to enjoy being impressed.
As of recently I feel like we've been asking from bsd something it never promised us in the first place. Maybe it's just not that kind of series! Maybe it's more about surprising the reader with how the hero is going to make it and less about highlighting his flaws and insecurities. And like, that's okay! That's why Dazai getting away with it isn't it him getting away with it “again”, it's just how bsd is; in a way, it's what makes bsd bsd.
I think it really clicked with me like it never did before when I watched the last episode of season 5; because the arc ending felt so shocking and unpredictable, very deus-ex-machina trope, a little underwhelming in its lowering the stakes that were there the whole time, and yet so extremely on brand with bsd, I didn't even have it in me to be disappointed. It was so similar to the Guild's arc ending and even more to the Cannibalism arc ending, and maybe it really is just a pattern, maybe it really is what bsd aspires to be, and that's okay too.
Also, I can't stretch this enough: if it's not your cup of tea, that's fine. I can't say it's mine either. But I feel like criticizing bsd now for how it's always been falls quite short, because it really feels like demanding from it what it never promised to deliver in the first place. That's just as far as my current perception of the series goes, though, so feel free to disagree with me on this.
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uncanny-tranny · 5 months
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Brought to you because of my searing hatred for the DEA 💛
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reasonsforhope · 9 days
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If you're wondering why I set up ko-fi membership stuff after I really resisted monetizing in any way for so long, btw... Honestly, it's because taxes and some big surprise vet bills this month kinda. decimated my savings. by a lot.
Normally I'm okay enough financially, but I'm in a really high cost of living area, and it's just been a really rough month in a lot of different ways.
So, if you're interested in supporting me or my work, whether it's with a membership or a one-time thing or whatever - and only if you can genuinely afford it - that would honestly be amazing and more helpful than I strictly like to admit
As an extra incentive, if this ko-fi thing goes well, I'll commit to actually answering asks and shit again lol
Either way <3 <3 to all of you
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julnites · 8 months
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We'll get through this, one step at a time 🌱
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stainedglassthreads · 4 months
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I just. Love how delighted Toriel is that Kris has a friend, and doesn't really care who said friend is. In Chapter 1, the second Kris says that they're hanging out with a friend, Toriel's tune changes immediately and she says Kris can continue hanging out with said friend as long as they please. In Chapter 2, when she meets Susie, she doesn't get judgmental in any way, and all their interactions are just really cute. Baking together, punning together, letting her stay over...
Like, with how Toriel is characterized in Deltarune compared to Undertale, I feel like a lot of people make her...meaner, I guess. They take how she acts around Asgore, and use that to inform how she'd act in other situations. But she doesn't think Susie is a bad influence on Kris at all, she's really happy to welcome Susie into the house and meet her! It's adorable! So I don't think she's quite as strict and judgmental as some assume, or if she is, her desire for Kris to be happy overrides her 'knows what's best for you' tendencies. She's clearly not fully aware of Kris' situation, but is aware enough to be concerned, and to let some things (like waking them up, letting them wander Hometown after school, or devouring an entire pie) slide if it means they're safe and happy.
...On the flip side. It's also kinda sad. Kris isn't really hated by anyone in Hometown, but between being the only human, the situation their parents are in, Asriel(who they're closest with) moving away, the emptiness of their room and how they sometimes lock themself in the bathroom for lengths of time, the way Berdly, MK, and Snowdrake talk about them at various points...it's not so hard to understand why Toriel's so happy and relieved that there's someone outside herself and Asriel Kris has a positive relationship with. They used to be friends with Noelle, and they seem on pretty good terms with Catti, but I don't think they're quite friends right now. So it's also somewhat sad. Susie is probably Kris' first friend in a very long time. But maybe Noelle and Berdly can also become genuine friends, too.
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romance-rambles · 16 days
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THE QUEENLY TRADITION OF KILLING BEARS AND SAVING PRINCES
In the very same forest where his parents met, Ayn reminisces about them with you. The conversation gets derailed long before you decide to tease him about the Sword of Transcendence—only to get teased in turn.
— pairing: [godheim] ayn alwyn x little painter/you
— word count: 1.3k
— tags: established relationship, referenced pregnancy, takes place after an AU of courtyard reunion/crown's weight where they were together the entire time
— note: i've had this in mind since the scene where you kill a bear. it's the writer's fault for making parallels so easy to draw.
— return to lbc masterlist | series: none
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"THIS—" AYN SAYS AS THE sound of the careful footsteps and rustling grass draw closer to his location, underneath the very same tree that witnessed his parents' first meeting. "—is where my parents met. It took a while for me to find it, but I can finally show it to you."
In lieu of a greeting, his queen gazes upon him with a displeased expression. "I could've been an assassin."
Rather poetically, your long, messy hair has been tamed into a well-behaved plait. But you are not his mother, and he is not his father. There should be no tragedies in your future, and Lars will once more sit on the throne only if Ayn's own child refuses it.
"I knew it was you." He watches the ends of your red bow—the same shade as your dress—peak out shyly from behind your head. "Do you not trust my instincts?"
You don't respond. Instead, your gaze travels to the initials carved onto the tree trunk, where the E of his mother's maiden name has been overwritten by the A of his father's, and his own, surname. Crossing the remaining distance, you neatly sidestep his hand and places yours over the crude outline of the heart surrounding them.
"She saved him from an assassin," you murmur, voice distant and guilty.
At once, he knows where it is your thoughts have wandered to. Ayn shifts, reaching out his gloved hand to you—an offer, to do as you please, whether it's to pull yourself down, or pull him up, or to simply hold on.
"This is where Father meant to give her the Sword of Transcendence," he explains, once you take his hand and sit down. His voice has grown softer, and you take it as your cue to rest your head on his shoulder. "But he changed his mind after one of his knights stopped him and made a ceremony of it."
Even though you've heard this story before, you seem as enchanted by it as you did the last time—and all the times before that. You adjust your hand, intertwining your fingers with his, and when he looks over at you, he sees nothing but pure affection in your gaze.
Birdsong accompanies his story, as does the gentle rustling of the leaves. Closing his eyes, he remembers the days where his parents would narrate it for him. As a child, before he began to properly notice Father's treatment of Mother, he found it to be nothing less than a perfect fairytale.
Now though, most of the magic has been scrubbed off, leaving behind only a bitter taste on his tongue he associates with the life Mother could've had without him and his father. Ayn only hopes his own child won't feel the same way about him.
"And that was when he asked her to be his bodyguard," he finishes, repeating exactly what his father would say at the end.
"We met in a ballroom," you lament, after your obligatory cooing. The longing in your usual comments that you don't is especially pronounced today. "No carving hearts into meaningful trees for us."
He smiles faintly, angling his head towards you. "The ballroom is much closer to the palace than this tree."
"It doesn't have to be a tree," you murmur. Before he can comfort you, though, you spring back to life, lifting your head off his shoulder with a faux thoughtful look on your face—and he pays the price for it, your shoulder bumping against his, with a fond sigh. "But, you know, I've saved your life before. I've even killed a bear before. Even if we don't have a tree or a flower field—"
Lips stained red, slanted into a mischievous smirk. A slight tilt of your head. Gloved fingers tucking the longer strands of your bangs back behind your ear. You lean in close, until all that's left in his vision from the scenery around them is the golden hue your hair takes under the gleaming sun.
"How come I don't have a fancy heirloom sword to pass down?" you ask, clearly anticipating your turn at teasing him.
"You're right," he acknowledges easily, a bit unwilling to play along. Ayn cups his chin in such a manner that it covers up the small smile playing on his lips, and commits himself to the act. "I should've prepared some sort of gift."
The smirk on your face drops as he taps the handle of the Sword of Transcendence. A panicked gaze lingers on him, on his hand, and it isn't long before your emotions manifest in a more...physical manner.
"Wait, no—" You straighten up, hurriedly putting some distance between them, and perhaps Ayn is a terrible person for it, but he can't help but silently guffaw. "That was a joke. That's your mother's sword! You can't—you can't give that to me."
When it becomes clear that your ramblings have no end, he reaches out and curls his fingers around your wrist. The act silences you immediately, even before his patented snarky comment. You wrap your own hand around his, and your fingers slot into place in the spaces left between.
"Why not? I thought you wanted a 'fancy heirloom sword'." he quotes.
Though you hardly look threatening with the rosy hue of your cheeks clashing against your scowl, he can admire your commitment to the role. "I'll take another one."
"I don't have another one," Ayn responds innocently, taking delight in the way your glare intensifies.
"Make another one then," you fire back immediately, crossing your arms. A pout forms on your lips, before your hand slips out and cradle your still flat belly. "Your father is such a bully. Don't let him fool you, okay?"
He bites back a smile and leans closer, closing the gap between you and him. "I should be saying that about you."
You seem to understand what he's after. With a snort, you make the first move, pressing your lips to his for a quick kiss. But despite that, when you pull back, you're still holding onto your grudge.
You even go so far as to throw his own words back at him.
At that moment, he has a sudden, vivid vision of his own child—your child, separated by gender only through the length of their ambiguously-colored hair and nothing else—stirring up trouble. Usually, in idle moments, when his thoughts wander to the future, Ayn sometimes frets about what they'll take from who. From whether red eyes and deep purple hair is a better combination than the opposite, to whether they'll favor a paintbrush or an instrument, and anything in between.
But their affinity for trouble-making is something he's never budged, and right now, Ayn is certain your features lend themselves best to trouble-making.
Narrowing his eyes fondly at his wife, he says, "We can let the little one decide then."
The expression on your face as you think over his offer would fool anyone into thinking you were deliberating over something serious. You purse your lips, taking the time to exaggerate your exasperation, and declare:
"That would take years. So, I'll let you off, just this once."
"Oh, how can I ever repay you?" His voice is dripping with amusement. Ayn has the smile to match, which only widens as he pretends to have found the answer. "I know—"
"Not a sword."
Ayn bursts into laughter—the kind that leaves him breathless, with an aching stomach and a curse that only prolongs his condition. Soon, you join in as well, and then both of them are stuck in a loop, able to afford only a slight lull of peace before something or the other sets them off.
"A kiss?" he wheezes, once his laughter begins to die down. For real, this time.
"That—"
You don't hesitate to take him up on his offer. But this one is not a merely peck. He has enough time to pull you into his arms and onto his lap. Enough time to think about what it is that you taste like. Fruit, mostly.
When you pull back, both hands still cupping his cheeks, your eyes are glimmering with delight.
"—I'd say, is acceptable."
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christine haters that loves erik are so funny to me. you can excuse murder but you'll draw the line at "*insert the most minor flaw a character can have, ever*"?
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official-lauchzwiebel · 9 months
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Love Aziraphale's and Crowley's view of how they think humans (can) fall in love bc it's so unrealistic. Both quote media as their source (movie+books). They might subconsciously bring in their own experiences (crowley and shelter from the rain) or wishes (aziraphale and dancing), yet in real life these things seldomly make people fall for each other or realise their feelings.
Nina and Maggie get this - they see their relationship in a realistic light. They communicate (!). They draw their boundaries and state what they want or do not want at that moment.
Aziraphale and Crowley are stuck because they cannot communicate properly. They rely on signs and 'old dances', as others have mentioned already. They cannot make the switch to communicating successfully. After 6000 years of not telling the other in no uncertain terms how they feel, they are still so afraid to take that final leap. Maybe they don't even know how to do it.
So they stick with the fairytales. Sheltering and dancing. And - in the end when Crowley has lost nearly all hope he had for Aziraphale agreeing to his proposal (for it was a proposal of sorts) - he does the last thing they talked about when they spoke about their love-scheme. He kisses Aziraphale.
He's showing all of his cards, putting everything, every feeling of doubt and joy and longing and sadness and anger and love into it.
It is not reciprocated (or only for the teeniest moment).
A kiss cannot save a relationship that is doomed. It cannot make them overlook all the problems and decisions they're facing.
It is just this - one movie kiss. And it is not even good.
It doesn't work in the real world, and Crowley gets this now.
There's no hope left.
'Don't bother.'
(Also, the fact that this IS a fantasy series really adds another layer. Slay.)
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celticbotanart · 3 months
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I've been having the biggest, massive Yuki Kajiura & Projects brainrot - to be honest, I'm always in a YukiKaj brainrot, it comes and goes, but she and the singers and the band always remains a major favorite of mine for very obvious reasons, really. This is Kalafina (sadly now disbanded). This freaking masterpiece keeps being banned from YT so I decided to upload it here cause it's one I just keep watching over and over again for real.
It's the harmonies, the coreography
the gd lyrics, I mean, it's literally stuff like
From the soundless sky Falls a song without words
and
In the land of beautiful memories, Let’s begin the banquet of reminiscence
They dance like they are casting a fcking spell (that's my headcanon anyway) and it's so captivating, so hypnotizing. How am I supposed to feel normal about this??? hnnnnng
YukiKaj didn't perform with Kalafina, she does perform with FictionJunction (her other main deal), so she isnt in the video, the girls are her singers Hikaru, Keiko and Wakana respectively - no one can convince me they are not etereal beings; this performance is from the Kalafina Arena Live 2016. Lyrics translation source!
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spiderwing-nightman · 8 months
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It's fascinating that Superman is being accused of bringing destruction and invading a place he is trying to help when he's (most likely) the one fleeing the very things people think he brings.
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art-from-the-pantry · 8 months
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I don't actually go here, but have this little sketch that I made for @frogtossing that might have gotten a little out of hand. Woopsies.
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(I was looking through some Joker Out tags out of interest and got stuck on watching some music videos and the one for New Wave?? I like the vibes a lot)
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thefirstknife · 2 years
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have you seen the biphobia going around about eris? its super fucking gross
Sorry, forgot about this ask in the middle of all the other stuff that's been going on. If I understand it correctly, this is about the ongoing discourse about the ship between Eris and Drifter. I'll go a bit in depth about this because it's been gaining traction recently.
I've definitely seen some biphobic sentiments, yeah. People are really weird when it comes to bisexuality and this fandom is not any different, unfortunately.
The thing to remember, however, is that there is no canon for Eris' sexuality. There is a lot of speculation, but she has never been confirmed as any sexuality. I personally believe she must be some form of wlw, due to the sheer amount of her close relationships with women; Ikora, Mara, Sai Mota, Eriana-3, the Awoken in general (who are a matriarchal society) and so on.
A post with some details on this + links to other posts about it. Not linked here, but this has been further explored in the Witch Queen Collector's Edition book where Eris explicitly says she felt an "emotional debt" to Mara, that they had some tensions in their relationship that "remained private," and that when Eris was wounded, Mara "treated the wounds in what I interpolate was a moment of reconciliation and perhaps genuine tenderness between them."
I find it hard to believe that Eris is not wlw. However, that could mean many things. She could be a lesbian, she could be bisexual/pansexual, she could be ace or aro or both with a preference for women, or biromantic or... You get the idea. We ultimately have no idea and we're only left with speculation.
More under for length:
Some people insist that she must be a lesbian and only a lesbian and that any other interpretation is wrong. I disagree with this! There are so many other options that people should be allowed to explore and we shouldn't insist that she is canonically and objectively one thing when we don't really know. Until there is an unambiguous canonical proof for her sexuality, everyone should be allowed to HC her as they please, as long as they're not entirely erasing her closeness with women.
The same applies for people insisting that she is canonically bisexual. We don't know! I see her as bisexual (mostly because she's my blorbo and I see my blorbos as bisexual). I don't have any hard proof that she is and neither does anyone else. Canon doesn't say either way.
While some people tend to have a visceral reaction to the possibility of her being bi which I would definitely classify as some form of biphobia, there's a difference between people just being biphobic and people expressing their disdain for how Eris' in-game interactions are now largely revolving around men.
As I've said above, Eris has always had incredibly important and close relationships with women. It doesn't matter which type of a relationship they are (platonic, romantic, queerplatonic). Eris has always been heavily surrounded with other women and relied on mostly women with her interactions. Some people are reasonably upset that this has been slightly pushed aside in favour of Eris interacting more with Drifter and Crow and Zavala, rather than women.
She wasn't present at all in Season of the Lost which Bungie explained as them being limited with how many characters can be active in a given season. This is reasonable to me, someone will have to be cut. I do think that cutting Eris from Lost was a mistake however, and that they should've at least kept some of her content in lore, if not in gameplay and cutscenes. It was one of the most crucial turning points that involved her long-time antagonist (Savathun), her long-time friend (Mara) and the people she feels closely connected with (the Awoken).
In Witch Queen, Eris was there, but her appearance was fairly limited and didn't involve a lot of interactions with Ikora, which is odd. Mara showed up again and had no interactions with Eris, again. Eris was mostly interacting with Zavala and Crow and, finally, Drifter who by far gets the most screentime with Eris and has been getting it since Arrivals.
From what I've seen, people are mostly upset about this sudden shift with Eris being mostly paired up with men in lore and gameplay, while her ties to women are either cut entirely, reduced significantly or kept for special lore pieces and then not brought up again for an extended period of time. I've not seen many instances of people just vehemently disagreeing that Eris should never be with a man and that it's impossible for her to be bisexual. Even if she is bisexual, her relationships with women should still matter and not be pushed aside.
Another thing that people have an issue with (me included) is the way some of her lore with Drifter is presented. I don't mind if the plan is for them to be romantically involved. I would be more than happy if my two faves were both bi and were together. The problem I (and others) have is that there's been significant backtracking in the lore between Eris and Drifter since they first interacted in Arrivals.
In Arrivals, they first meet when Drifter is ready to pack and leave the system due to the Pyramids arriving. He always said that it was what he would do when the Darkness comes knocking again. He has always been adamant about being ready to skip town when the main threat returns. Drifter is notoriously afraid of everything and traumatised. He was 100% ready to leave. Until Eris came to ask for his help.
The two sit. They speak. They listen. Linkages forged in Light and Dark of traded secrets as the Derelict hangs in orbit around the Earth. Pacts are made. Soon, there is only the silence of knowing left between them.
They connect. Deeply. They share incomprehensible traumas that have been going on for centuries and they're both people others distrust because of how close they are to Darkness, despite their best efforts to use that closeness to help.
Obviously, since it's their first time working together, things weren't smooth. They sometimes annoyed each other. Contact event dialogues from Arrivals and Prophecy dialogues often had them bickering over their different methods and approach to the threat; Eris is serious, Drifter tries to deflect with humor. It annoys her that he's joking, it annoys him that she is constantly doom and gloom. This makes sense, since it's their first time working together. It takes time to adjust.
In Beyond Light, they work together again and things are smoother between them. They still have their differences, but Eris admits that he is a good ally, a valuable member of the team, that his perspective brings a lot to the table and that they both understand the need for balance. Again, this makes sense. They've worked together for months at this point.
We don't hear from them a lot in the meantime, but we do get some minor hints. For example, Eris seems to have picked up on Drifter's habit to end sentences with "Trust." This would imply that they kept on communicating and that they've been friendly.
It's very strange when they get the spotlight again in Season of the Haunted and they are... bickering again. I thought they moved past that for the most part? It's been 2 years! In the Eidolon Pursuant set, Eris is uncharacteristically distrustful of Drifter, a man whose help she bet on to save the system from both Savathun's interferences and the Darkness itself. She even believed that Drifter would feed her rotted screebs, for some reason, despite the fact that they must've shared meals while working together on Europa. She is surprised when he tells her he wouldn't do that to her and that he is a good cook. She would've reasonably known this?
In this season, they've been bickering again on comms in a very childish way. They keep calling each other derogatory nicknames, despite knowing the other doesn't like them. Their relationship tends to jump all over the place from deep respect to childish bickering and back. It can be jarring. In comparison with the first lore I linked (Whispering Slab), it's so incredibly odd to hear Drifter mocking Eris for "calling him" when she is literally just speaking on a public communication.
Drifter simply isn't like this? And it shows in the lore tab from the seasonal lore book, titled "TRUST" as a callback to Drifter's catchphrase which Eris picked up on. He respects and trusts Eris. He is comfortable around her and minor jokes at his expense (and at hers!) are fine. He respects her space and her orders. He also thought of her and her expertise first to help them with relics.
I appreciate this type of an interaction that makes sense with how long they've been working together. It also makes sense with their personalities; Drifter really isn't the type to continue aggravating someone he respects and Eris isn't the one to tolerate someone being openly aggravating to her. She very clearly disliked Cayde for how he acted with her and she never backed down from her disdain. Drifter is similar in that he tends to use (and overuse) humor to deflect from his pain and trauma, but he doesn't do so when the other person is someone he likes and respects. He is especially not like that in private settings.
A lot of people dislike the way Drifter and Eris sometimes act like the classic trope of a toxic m/f relationship where they have to tease and hate each other because they're actually in love. It's immature and goes against their characterisation. I completely understand people who dislike the ship because this dynamic is being presented in lore sometimes and very often in fandom. That dislike is not inherently biphobic and it has merits especially when lore also cuts all of Eris' relationships with women in order to put Drifter in the center and have him being mean to her. It just makes no sense that Drifter would do this and that Eris would tolerate it. And it also makes no sense that she would ignore her close connections with Ikora or Mara in order to spend time with a man who is mean to her.
However, sometimes people go too far with it and instead of criticising these aspects, they simply criticise the idea of Eris liking a man. Even if their reasons are all I've mentioned above, the way a critique is framed can make a difference between that critique being reasonable or biphobic. Eris can like whoever she wants and her relationships with women aren't less valuable if she likes a man as well.
I definitely wanted to make a comprehensive post about the issue because some of the criticisms of this relationship are valid, especially when that relationship comes at the expense of us not getting more lore on a much more established friendships and relationships in general that Eris has with female characters. I think people wouldn't mind the focus on her and Drifter in the lore if we also got some new lore of her and Mara or Ikora.
It's important to understand what aspect of this people have a problem with, because for the most part, it's NOT simply about Eris possibly being bisexual. But also, people should be careful with how they phrase these criticisms because it can definitely be read as biphobia.
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samdyke · 2 years
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sam is queer but his list of issues is so long that being queer really doesn’t even scratch it. like hes just normal about it. hes got actual problems (demon blood and ocd and getting possessed again every few months and ptsd and so on) liking men just isnt one of them
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