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#also i feel this explains why i have such an issue with the post-birth scene. it goes against alicents
alicentsgf · 1 year
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nothing is more subtle or more heartbreaking to me than alicent in the wedding feast scene. and half these shots dont even follow her, they follow viserys shes just in the background, (which just perfectly sums up the way alicent and her desires are stifled by viserys/his wants just btw)
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so shes just watched whatever it was that was happening between daemon and rhaenyra. salt in a very fresh wound. and as far as i can work out was literally tearing up over it (if we look at the screenshot above). but then people are screaming and pushing and shoving and alicent instinctively gets up before anyone else at the table even does, still looking like shes about to cry the whole time, right up until the moment she realises its not just pushing and shoving - theres a fight happening exactly where rhaenyra was just a moment before, and suddenly her expression changes to this shot of her blatantly worrying about rhaenyra:
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"but lydia, how do you know shes worried about rhaenyra? she could just be in shock at seeing the fight and concerned in general."
because its spelled out for us the next time we see her:
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this shows us pretty obviously alicents only really interested in where rhaenyra is. this is a tv show, they don't show someone's reaction to something just for the sake of it and alicent is the only person we see react to rhaenyra being safe. she even appears to relax at the end, as if relieved.
this very clearly sets the stage for alicent's refusal to accept any physical harm to rhaenyra - so we can understand why she feels so much guilt and self-loathing over slicing open rhaenyra's arm, and why she is so adamant about protecting rhaenyra in episode 9 even after everything she and rhaenyra have put each other through. just as rhaenyra has a desire to reconcile with alicent she cant shake, reaching out for her even in moments when shes been given no reason to hope (like at the council in episode 6 and dinner in episode 8), alicent has this desperate need to make sure rhaenyra's safe, even at times when she has no intention of reconciling with her. even when shes at her most hostile, harbouring enough resentment to show up to rhaenyras wedding wearing a declaration of war, alicent still cant stomach the thought of rhaenyra being physically harmed. and it doesn't seem to be an aspect of her characterisation thats going anywhere anytime soon.
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autismprotocol · 1 month
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Sorry for the late post (I work nightshifts) but I figured I should give more info on the Hungers thing. It's a theory I've mostly seen being floated in the youtube comments or one-off tumblr posts, so I'm not sure where it originated. It's one of those "this is either the key to the whole series or a fan-created red herring that will be discredited by the end of season 1".
The primary evidence of it is the fact that for the first 5 episodes the horror has been entirely driven by a passion or desire of the statement give, and their desires have gotten more focus then their fear.
Harriet wants to see her dead husband again, even if he's come back wrong. RedCanary seems driven by the thrill of urban exploration and a desire to clear the magnus institute first. Darla has body image issues (hence why the probable flesh avatar ink5oul can get her) and thus wants to feel pretty (ink5oul also is only willing to work on her when she states a clear desire). Samuel Webber wants to be with the wife he murdered. Voilin guy from episode 4 (who tumblr user fandom-geek stipulated might be James Smithson of the Smithsonian museum) wants his musical talent to be recognized even if it costs blood (and Stranger McArtifact gives him his deepest desire rather than his worst fear). Tom the horror fan is ecstatic to get a personal screening of an obscure horror movie he's been searching for.
Again, any theory based on the first 5 episodes should be taken with a grain of salt. Needles doesn't really fit into it (I guess he wants people to be afraid of him?) and the stranger and buried's charity auction from hell in episode 7 certainly doesn't fit in (unless the "good cause" is playing ironic genie to the people the artifacts are being sold to). It's just an idea I've seen being floated around about how the powers might be different in this timeline.
Thank you so much for the extra info on the hungers/desires theory! when discussing it with my roommate we are starting to beileve that what we're seeing in this world is the birth/ creation of avatars and they had the theory that avatars (at least in protocol) are born from a strong desire I really love this idea so I'm gonna try to prove the few from the newest episode under this theory that
EP 8: Give and Take - for this one we actually can't fit that cleanly into the theory (if you have a theory about how it could fit in please leave it in the comments or send a ask :D ) we are thinking that the inccident read in the episode about the brutalist liminal spaces was a ritual, rather than the birth or the individual act of an avatar.
EP 9: Rolling with it- this avatar (Evil dice dude) was born from a desire to control his luck.
Ep 10: Saturday night: Neil Dickerson is tricky i still have no idea if he's an avatar himself or if it's just Mr Bonzo but either way Bonzo was created from Nigels desire to be famous,
I'll be interested to know if this pattern continues into future episodes. So far I see the Desire theory being a pretty strong case to explaining the origin of the esoteric inccidents the O.I.A.R files.
also just a quick update: I'm working on a Episode 10 breakdown but Its taking a while because I wanted to illustrate some scenes to add some visual flair :0 it will hopefully be out by tomorrow or monday!
-Echo
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mordekaykt · 10 months
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I can't believe this shit again, but here we go, after seeing recent insane, vapid takes on Becca Butcher's sexual assault and some serious consideration about whether it is worth to finally post this draft sitting around for 3 days and cause a potential shitstorm, I opted for yes. So let's see why Becca having been raped isn't unrealistic/her lying and that Homelander is very much someone with proclivity to commit sexual assault.
My target here is mostly those in the fandom who, even though condemning and clearly disagreeing with the horrible things Homelander does, AND at the same time acknowledge his trauma and the role of his upbringing, somehow ignore and deny that he's a rapist. I love this character and am blown away by Starr's portraying him and feel sorry and for what he's been through since day one of his birth, and understand that he's a result of his environment and inhumane treatment by Vought, a victim of the company himself. And while finding the chance slim, I'm also hoping for some kind of redemption for Homelander at least in the way that he recognizes his crimes and errors, and whatever his punishment will be, it's not just going to end up in a big circlejerk over his deserved downfall and the show watchers' joy over him suffering even more.
The fact that the alpha sigma whatever male shitheads don't believe she was raped isn't even surprising so this post is clearly not meant for them. That would be like trying to explain poetry to a a bag of trash, and if anyone dares come up with the unsubstantiated and proven false, MRA-perpetuated "but evil wahmmen lie about rape often" I'm not even going to bother to engage, since a man is more likely to be raped by another than falsely accused by a woman. Resources on this issue at the bottom of this post.
And if any of you're thinking why I am making this into a big deal because this is just a TV show, well these beliefs and attitudes don't just exist for fiction, they persist in real life, against real rape survivors. But the biggest takeaway for many of you from this is gonna be crying about how toxic and mean this fandom is because someone called you out for your garbage takes anyways.
Particularly are some insane and absurd reasoning that I've seen around here, such as 1)Homelander isn't a rapist because that's unlike him, he exerts power over people in ways other than rape) 2)Why didn't Becca tell Butcher, who would have believed her?
Your reasons and arguments as to why Becca wasn't raped are vapid and can be debunked in a second after watching the necessary scenes. You can like a character all you want, but it's very tiresome and immature how him committing rape is downright rejected and dismissed not to hurt one's worldview. Apart from the fact that Becca explicitly says she was raped, you ignore a major contributor factor, namely that Homelander is a misogynist. It's laughable having to spell this out, but it's glaringly obvious from multiple scenes.
In season 2 episode 5 during the scene where Billy is about to rescue Becca from the Vought facility, but she doesn't bring Ryan and refuses to escape, SHE ALSO VERY CLEARLY TELLS SHE WAS RAPED, explaining to Billy why she didn't disclose her assault.
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"He raped me and when I found out I got pregnant, I didn’t come to you. I didn’t come to you because I was scared, cause I knew you that you’d chase after him and you would seek revenge and that wouldn't be good for anyone." She says this word from word, and it's the same conversation where she says Billy was always one bad day away from bludgeoning someone to death in a parking lot. How could you catch onto that part but ignore what I highlighted now?
In season one, after Butcher storms out of the supe collateral damage survivor group, he tells Hughie what happened to Becca. He says that a security camera recorded Becca sitting on the same bench him and Hughie are sitting now, for three hours and she didn't move a muscle, after she left Vought Tower and Homelander (can't attach more screenshots because of the 30 per post limit).
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This in itself is already suspicious, but let's say she just committed adultery and is regretful, sitting there reflecting on it, sure. In season one, there is room for some ambiguity (even though from this information alone - sitting there barely moving for hours - one should suspect this truly wasn't a consensual encounter. Obviously, when you only focus on how much you hate Butcher and view everything coming from his as lie and manipulation, you miss the details) since everything we know about what happened to Becca were from Billy and - during the season finale confrontation - Homelander's recollections and words. Season two makes it very clear what happened, at least for people with functional brain cells.
The way so many people dismiss and doubt rape survivors because they aren't perfect victims (not having physical injuries, they willingly stayed alone with the accused rapist - an attitude regarding Becca I see often, dumbfucks saying that she went to the conference room with Homelander on her own, she didn't look hurt , and the Homelander "doesn't come across as a rapist/it's just not in character for him") is vomit inducing.
Billy Butcher is very far from a good man, yes - he is also abusive, violent, manipulative and treats people around him horribly to achieve his goals - and the show going with the Becca fleeing him after a one night stand with Homelander version could have worked, totally, if they decided to go down that route. But their encounter was very clearly not consensual, regardless how hard is it to accept.
Your argument that Homelander being a rapist is OOC because mommy milk fetish and whatnot, completely ignores that Homelander is a massive misogynist, and it clearly manifests. He mocks women, denigrates women all the time. And there are a bunch of examples for this.
When, in S01E05 Stillwell (she is a groomer that's absolutely true) dares not babysit him and takes her son to the doctor he comes with the "strong single mom" which is very typical jab for putting down women.
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Moms who raise their children on their own are routinely diminished and made fun of, whereas the same cannot be found for single fathers. It is a misogynistic attitude stemming from viewing the woman as someone who failed to secure herself the father of her child, putting all the blame on her and nothing on the absent father (who might even be deceased in certain circumstances, not just deadbeat). When you write in Google "hatred single mom misogyny" the bloody related searches look like this:
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He tries to have Starlight put on a sexualized dance for his birthday, in season 3 to objectify and undermine her, he forces her into a fake pretend relationship, then to anger both her and Hughie he talks about her (“is she a good fuck?”) like a piece of meat he is bargaining about, as if she wasn’t even there as a human being.
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In season 1 episode 7 when he confronts the Seven, showing the pictures of Hughie and the Boys and accuses Starlight of being a traitor who’s cooperating with the boys, he mocks her sexual assault by Deep; “I know that you want to make this whole Deep thing an All the single ladies’ moment – power, right?”. His posture and tone clearly indicate he means power in this context as women’s power to call out and have their rapists and abusers face consequences, power as in women’s empowerment altogether – and how ridiculous he finds the whole concept. This shows how lowly he thinks about women’s issues and agencies.
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More on the Deep, Homelander brings him back in S03E02 to hurt and distress Starlight, HE DELIBERATELY REINTRODUCES THE MAN INTO THE TEAM WHO ORALLY RAPED HER. He tries to gaslight and use her faith against her very obvious fury (“Doesn’t Christ tell us to turn the other cheek?”) to minimize and dismiss Starlight’s trauma and objection to her rapist’s presence.
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He wants to harvest Maeve's eggs (which might not be sexual but is reproductive exploitation - but yeah, a man who'd do this to a woman without consent is definitely not rapey right?), and the passive aggressive touching-almost-kissing her in S01E03 at A-Train's race are signs of a man who is unhealthily jealous and obsessive over his intimate partners (signs of an abuser). Maeve is visibly uncomfortable, tries to brush it off with a grin and refusal to indulge in the topic of their breakup.
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Now, this is personal, but I’m sure way too many women can relate to situations when you tried to prevent being hurt at the hands of a violent, emotionally unstable man by a smile and appearing meek and harmless.
And another very important detail the implications of which I'm sure 99% of the viewers miss (unless you've been with a physically abusive partner), is how quick he is to engage in intimate partner violence: and there are two major instances of this during his relationship with Stormfront. After he burns down his trailer when she leaves him for hours as he's waiting for her in the trailer, with the bouquet of flowers, she arrives back and descends onto film set piece he's standing on and tries to explain herself. He reaches for her neck, and doesn't yet strangle her, but the hand and the implication are a clear sign of how he is absolutely ready to act physically violent towards his partner after a single confrontation, just because she was gone for a few hours and didn't tell him where she was.
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In another scene, once again following Stormfront being absent, Homelander is standing in her apartment with his back facing her (you can see the scaffolding in this scene after they wrecked the apartment during sex in E05).
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"Remember when you said you don't break easily?" He doesn't engage physically, but his posture and words are very much threatening. He is a man who has absolutely zero qualms in using physical intimidation against his partners. He is violent and ready to cause harm to anyone, of course, since he can do whatever the fuck he wants, and his intimate partners aren't an exception.
And an important fact here for real life: a man who puts his hands around your neck to threaten and intimidate is very much likely to kill you next - actually 750% more likely.
An abusive man being a rapist is anything but a rare occurrence. And delving further into his behavior with Becca, it's very far from him trying to pretend that he is a part of some fantasy of an all-American happy family. The fact that some of you go awww at him basically using his son and Becca's love for her child to force her to participate in some kind of nonexistent, loving family scenarios while she is clearly, visible uncomfortable through it all (the breakfast with pancakes scene has it all), is painfully ignorant and shows clear lack of empathy for a mother who has to play nice with the man who ruined her entire life without an ounce of regret. When he is with Ryan and Becca, he further abuses her through the child. He is deliberately trying to alienate him from his mother, turning his against her and undermine Becca's maternal role, which culminates in him and Stormfront taking Ryan away. But he's so cute and babygirl for roleplaying as if he's actually part of a family, right?
"But but Becca was so mean for hiding Ryan and preventing him from experiencing life by having him live in a fake, shut off facility! Homelander just told his son the truth which he deserved to know!" You shitheads missed the part wherein Vogelbaum said she had to sign and NDA and never tell about this to anyone in exchange for Vought providing her with safety during the gestation and birth? You think Vought would have allowed her to take The Homelander's son and live casually like civilians? It was in their interest to keep Ryan, the first natural born supe hidden first and foremost from his father, so they might have a chance at using him as contingency against his father if needed - this is referred to by Butcher in S02E08 during his conversation with Stand Edgar, when Billy was bargaining with him. And Becca had every fucking reason to want to stay hidden and off radar and never want to meet her rapist again.
And while Homelander invades her home where she was basically banished after what he'd done to her, Becca must stand there and hold her mouth shut because she wants to protect her child who is way too young and naive to recognize the patterns his rapist father is utilizing, let alone understand what rape is. In S02E02, after dropping Ryan off at piano practice and she races to talk to Dr. Park, she is enraged, distressed and on the verge of crying, demanding an explanation. She begs to be relocated to safety; she was promised how “I would never have to see him again”. He pleads with the man on the phone, “You have to protect us.”
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And when she has to endure her rapist’s presence, she is obviously very uncomfortable with his presence, that much is clear from her body language (SE2E02 when Homelander walks past her after she calls Ryan inside to do his math homework, he brushes her arm, and she flinches away). A screenshot doesn't do this justice but re-watching merely this scene will show you what I mean, on Prime Video at 00:06:52.
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You say it's likely she was walking on eggshells around Billy back when they were together (which can be), but you are blind to her actually walking on eggshells and being extremely uncomfortable in Homelander's company?
After Homelander pushes Ryan off the roof she straight out says "you don't get to say that [call himself the father] after what you did to me!" He doesn't deny nor tries to challenge her accusation, he simply responds by saying all he did was give her a son, before he grabs her to intimidate her physically.
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And after watching Becca being so tormented, scared and anxious about this man, some of you have the galaxy brain take of “uhm akshuelly, he can’t be a rapist, that’s so unlike him, duh.”
There is a strong correlation between men being rapists and holding misogynistic beliefs. It's a part of rape culture. Just like victim blaming, what you are also doing if you think she couldn't have been raped because she wasn't physically injured, Homelander just "doesn't give off rapist vibes" and so on.
Because the fact is that this man has everything going on - childhood trauma, exposure to violence, stunted emotional development, entitlement, misogynistic attitudes - for him that make it believable and 100% in character for him to rape.
A South-African study involving incarcerated rapists meant to examine perspectives and reasoning behind rape found that
a combination of emotional, social and cognitive adversities have been implicated in deviant behavior (e.g., antisocial behavior and an impaired ability to be accountable for actions) and sexual offenses (Ward and Beech, 2006). Adverse outcomes are shaped by the individual’s social, cultural, physical and interpersonal environment which has an impact on their emotional state, ability to act appropriately, to control emotions, perceptions of reality and modeling memories related to socially acceptable behavior (Ward and Beech, 2006). An important social/environmental factor that shapes emotional and cognitive states in adulthood is childhood trauma exposure (Carr et al., 2013). Men exposed to severe childhood trauma, e.g., abuse, neglect, community violence exposure and adverse parenting styles, are more likely than non-exposed men to develop depression, post-traumatic stress disorders, anxiety disorders, poor cognitive functioning and impaired learning (Gunnar and Vazquez, 2001; Bilbo and Schwarz, 2012; Scoglio et al., 2021). They are also more likely to display violent, antisocial behavior and to become chronic perpetrators of rape (Fox et al., 2015; Piotrowska et al., 2015; Moffitt, 2018). Victimized children also often have more violence supportive attitudes especially when exposed to domestic violence as children along with widespread societal exposure and acceptance of violence against women (Debowska et al., 2021). Social and contextual factors encouraging male entitlement, hyper-masculinity, toxic masculinity and unequal gender norms are other key factors that drive rape perpetration (Maneta et al., 2017; Selepe et al., 2020). Hyper-masculinity and toxic masculinity are associated with insecurities, hypersensitivity, distrust toward women and satisfaction obtained from controlling and dominating women (Malamuth et al., 1996). Rape perpetrators often describe rape as a way to exert power, dominance and control over women and use it indirectly as a tool to conceal insecurities (Selepe et al., 2020). Linked to this, male entitlement, where men believe that they have total control over women and their bodies, influences them to perpetrate sexual violence (Selepe et al., 2020). One study reported that male perpetrators believe that as men, they are entitled to sex with their female partners regardless of their consent, especially if they are married (Adinkrah, 2011).
If you are pondering on "Why didn't she tell?", you are a extremely ignorant and lacking emotional intelligence. You have no idea what it feels to be sexually assaulted, that much is clear. It's not as easy as just going and talking about it, even to someone you love and trust, because of the shame and humiliation the victim feels and how much they blame themselves for what happened. Sometimes, even the victims themselves doubt whether what happened to them was actually rape.
• According to the Arizona Coalition to End Sexual Violence and Assault , there are many reasons why victims may choose not to report to law enforcement or tell anyone about what happened to him/her. From the reasons listed by them, the ones that apply in the context of Becca are concern for not being believed, fear of the attackers getting back at him/her, embarrassment or shame, fear of being blamed.
• A lack of education on consent and misconceptions about sexual violence can make it difficult for someone to identify when an assault or rape is taking place. Research by the End Violence Against Women (Evaw) coalition shows that widespread confusion over rape and its consequences is prevalent. According to Evaw research, 33% of people in Britain think it is not usually rape if a woman is pressed into having sex but there is no physical violence. One in 10 people are not sure or think it is usually not rape to “have sex with a woman who is asleep or too drunk to consent”. Research by the sexual health charity the Family Planning Association has shown that only 47% of people think it is acceptable to withdraw consent if they are already naked.
• Research suggests that it can take years – sometimes decades – for some survivors to realise or accept that their experience amounts to sexual assault or rape. Psychologists refer to this as “unacknowledged rape” or “unacknowledged assault”. One study on the subject from the US estimates a staggering 60% of female university students have experienced unacknowledged rape. Other studies have determined that between 30% and 88% of all sexual assaults go unacknowledged by survivors.
On false rape accusations by Rape Crisis Scotland:
An extensive study into rape case attrition undertaken by Kelly et al in 2005 concluded that the rate of false allegations stood at 3%.
A study produced by the Crown Prosecution Service in England & Wales in March 2013 revealed that over a 17-month period between January 2011 and May 2012 – when all false allegation cases were referred to the DPP – there were 5,651 prosecutions for rape, but only
35 for making false allegations of rape.
In Scotland, rape and attempted rape have the lowest conviction rate of any crime type. However an acquittal does not mean that the allegation was false, it means that the jury did not consider that the Crown had proved the case beyond reasonable doubt.
Weiser’s 2017 overview and analysis of the false report literature highlighted that studies applying rigorous and correct methodologies ‘consistently find that the false report rate is estimated to be between 2% and 10%’.
Channel 4’s 2018 fact check reinforced the fact that false allegations of rape are rare, concluding that ‘Men are more likely to be raped than be falsely accused of rape’.
A separate fact check conducted the same year by Full fact concluded that as a figure for the number of reported rapes based on false allegations: ‘Evidence from England and Wales suggests that 3-4% is a reasonable estimate.’
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liesoverthec · 3 years
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OG 911 Character Details from Canon Pt 2
Hi y’all I’m back! I just wanted to say thank you to everyone who reblogged the last details post - I sort of just thought people would like it and it would die, so to see it travel and hopefully reach more writers was so great so thank you again!
Details under the cut since I went a little crazy 😅 and if this is your first time seeing this, the first part, and any future parts, can be found under this tag here!
Quick note before I get to the details - always, ALWAYS take details from dialogue or plot over details from the set or props if they contradict each other. The writers have the ultimate say over what happens on the show/for the characters, so whatever they say goes, even if it goes against something props has already laid down (eg, Chim’s birthday, sorry Libra crew. He’s an Aries or a Pisces). So keep that in mind for the future in case some of these details I have which are from props/set are changed in the future, or if you’ve noticed something yourself!
Also if you have questions, I am MORE than happy to answer them, although if you leave them in the tags on this post I’m probably gonna lose them, so if it’s something you’d genuinely like an answer to, drop it in my inbox! Besides my standard “ask” tags, I’m also tagging asks about canon details with this tag here. Every time I make a big post like this, I’m going to link all the asks I’ve gotten since the last post, but if you’re looking for more info in the mean time, that’s the other spot to look!
Buck has a grill on his patio.
Eddie doesn’t hang Christopher’s art on the fridge - instead it is either hung on the corkboard in Chris’ room to the left of the door, or Eddie puts it in an actual frame and hangs it using a hammer/nails in Christopher’s room. All the Diaz family has on their fridge is a bunch of bendy people magnets. (I absolutely ADORE him putting all this effort into treating Christopher’s art like it’s something you’d buy from a professional artist).
Info on everyone’s ages can be found here. (Little more discussion of Chim’s situation here).
Albert has a bachelor’s degree! I don’t know in what though, except that it’s some field for which is a Master’s is useful.
Athena was in a sorority in college, Delta Sigma Theta. Their website describes them as “ ...a sisterhood comprised primarily of Black, college-educated women ... [that] considers the issues impacting the Black community and boldly confronts the challenges of African Americans and, hence, all Americans ”, which I love for Athena, and feel is very in-character for her at that time in her life!
Chim is an aviators dude. When he wears sunglasses, they’re always aviators.
Athena also wears nothing but aviators.
Bobby wears square aviators.
Eddie, on the other hand, always wears Wayfarers.
Buck either doesn’t really like sunglasses or he constantly forgets he owns them, since we’ve only seen him wear them once in 60 eps, in a move I’m pretty sure was ONLY for dramatic effect.
Hen’s sunglasses change style over the seasons like her regular glasses do, but she tends to like browline sunglasses.
Info on Christopher’s school can be found here!
There are two colors of dispatch polo, and there doesn’t seem to be any rhythm or reason for who wears what. Maroon - Maddie and Linda. Blue - Josh and May. Jamal has actually worn both maroon and blue, so it doesn’t seem to be TOTALLY set in stone although I’ve never seen anyone else switch. Sue is too badass to wear a dispatch shirt.
Both Bobby and Eddie drive 4 door pickups. Bobby’s is navy. Eddie specifically has a black, 2020 GMC Denali 1500 pickup truck (in case you want to specifically look up what the inside of it looks like or what features it has 😂)
Info on the 118’s medical certifications can be found here.
Correction to Eddie’s living situation from last post: no next door neighbors, but instead UPSTAIRS neighbors. (Pointed out by Abigail in this ask). Also since someone else was wondering the notes of the last post - no, there is absolutely no discussion on the show of whether or not Eddie rents the apartment or owns it. But based on the fact that it’s 1) LA and 2) an apartment, my guess would be he rents it.
When Maddie isn’t feeling like herself, she tends to straighten her hair rather than curl it. It seems to be more when she’s uncertain about her place in her own and other people’s lives, rather than just when she’s simply worried - eg it’s straight in 2B, when she’s uncertain if she wants to continue working as a dispatcher/is unsure about her relationship with Chim.
For work, Chim, Eddie and Buck all use black duffel bags with a LAFD patch on the top. Hen uses several different cute bags, and Bobby seems to have a plain black duffel bag.
Watches - Bobby, Athena, Chim, Hen and Buck all wear their watch on their left wrist (but Athena ONLY wears hers for work, she takes it off at home.) Eddie wears his on his right wrist, and Maddie doesn’t wear one.
Chim (and Maddie by default) literally still have the exact same couch as in the pilot. (Which means that Chim has cuddled Tatiana on that couch, AND Albert has had sex on it. TIME TO GET A NEW ONE, BUCKLEY-HANS 😂)
The 118 has five different rigs - the engine (E118), the ladder truck (T118), two ambulances and the captain’s truck. 95% of the time, when the team is chilling in the cab of a rig and chatting (eg the ‘stuck under a live telephone pole’ scene in Jinx), they’re in the engine, not the truck. (Which I personally learned recently are NOT interchangeable terms!)
Athena and Michael got married when Athena was 37.
If you’d like to give Maddie a full name beyond “Maddie”, you should use Madeline. (I know, I know, in 4x04 she says Maddie is the name on her birth certificate, and that you should never use props details if they contradict script details, but I always thought that was a super weird exchange in 4x04 which could be explained by Maddie getting a nickname since she was born when Margaret and Phillip, you know, actually loved their kids and showed it, so of course Buck doesn’t get one, and in 4x04, Maddie was trying to avoid the entire issue of why she got one and Buck didn’t. But! Do what you want, and use Madeline as the full version of Maddie if you’d like, since that’s what’s on the BOLO in 2x13 😂)
Athena’s call sign is 727 L30, but she doesn’t have a specific squad car - the number changes throughout the series.
Chim really likes chewing gum, but he’s the only one out of the entire family!
The station has an Xbox One S, and it’s white.
In the real LAFD, there are stations 1 through 114. To avoid confusion while filming on the streets (I’m assuming), our fictional LAFD never uses the number of a real station. So if you want another station for a fic, and you want something that would be real in OUR universe, use the numbers 115 and above. They’ve gone as high as 221 in our universe.
Battalions - station 118 is in Battalion 7, which is also not a battalion in real Los Angeles. The 118 has interacted w/ Battalion 1, which is a real battalion, but other ‘non-real which makes them more likely for our universe’ battalions include numbers: 3, 8, 13, 16, 19 and above.
S1 Buck knew the term Jedi, but based on context, didn’t understand AT ALL the context provided by Star Wars, so there’s another edge of his pop culture limits for you.
Chim is the most tech-savvy out of everyone, hands down.
Athena has a VERY active Twitter account.
Abuela’s house number is 8902. I don’t have a street name for you unfortunately though. :/
Athena’s favorite flowers are white roses. None of the other women are really flower people.
Michael likes to wear purple.
When they’re at a call, Buck does pretty much all of the stuff with the hammer and the saw. Eddie does all the work needed with the drill.
Harry goes to Meadowbrook Elementary.
Buck lives on the fourth floor of his apartment building, across the hall from Apt. 416. The lovely @lovelessmotel found this listing for what is more or less the apartment. What happened was: the set crew rented this apartment for the one episode at the end of s2 when Buck moved in, and then over the summer before s3 built their own set of it, and changed some things - eg giving him an island, and moving the sink to a second counter against the far wall, you can see the changes here in this amazing gif set by the awesome Austen, but the listing should let you click around a little more upstairs and figure out dimensions better than what the show provides!
When Athena and Hen go out to eat together, it’s always fast food burgers and fries.
Waffles are Athena’s favorite food, and tiramisu is her favorite dessert.
Every takeout we’ve seen Buck eat has always been in a Chinese food takeout container, and we know he likes Thai food the best. EXCEPT! The one time we see him eat takeout with Eddie and Christopher, they have pizza. So take from that what you will......
Eddie has a cell phone and a landline.
Chim is a shameless multiple texter.
Chim and Bobby sleep closest to the door in their respective bedrooms (both right side of the bed if you are standing at the foot, facing the headboard), and Athena and Maddie sleep furthest away from the door (left side).
Some canon last names for other firefighters at the station in case you wanna add more people to a fic - Mitchell, Sanchez, Serrano (woman), Porter, Meyers (woman), Maxwell, Voyta
Hen and Karen really love decorating their house with dark/red wood.
Karen is Mommy and Hen is Mama.
Bobby has a brother, and a grandmother, and that’s literally ALL we know about his family outside of Marcy and the kids.
Evidence points to Eddie being the oldest child in his family.
Karen has multiple brothers (no sisters), but no idea how many - just that one of them is named Trey, and one of them lives in LA and has kids. They might be the same brother and they might not be.
Both Hen and Athena are only children.
Athena has been on the police force for 30 years.
Christopher and Denny are the same age (born in 2011), and Harry is two years older than them.
Michael lives in apartment 308.
The bank in this universe is CalAm.
Hen and Karen have a picture of Denny, May and Harry on their fireplace mantel.
Eddie having a black thumb + a lot of plants in his living room = him buying fake plants bc he likes the aesthetic ™ or someone (cough Carla cough) is taking care of them for him.
The COVID timeline in OG’s universe is fucked up compared to the real world’s, so it shouldn’t be used as a way to measure time! They just throw it in wherever it makes sense for the story they want to tell (eg the vaccines in s4 ep 8), since s3 was both done before COVID hit but also airing while it was happening. It makes absolutely no sense for May to graduate in March nor for Chris to be going to what is specifically labeled summer camp, and the vaccine plotline was INCREDIBLY early, even for real life, so don’t use anything from that as a measure of time. I’ve found except in specific examples, eg the two tsunami episodes, it’s very safe to say every episode covers a week - fall holidays on the show line up with their real life counterparts, indicating about the same amount of time is passing for us and them.
On that note - Jee-Yun was born in late January, early February 2021. (Conceived in Pinned, which was end of March/beginning of April, meaning Maddie was around a month along at May’s graduation in May ➡ 42 weeks + 3 days from then = late Jan/early Feb. Which unfortunately means we most likely won’t see her birthday celebrated on screen. If we assume she was conceived on the date Pinned aired, aka the very sexy hotel scene, then January 21st or 22nd would be Jee’s birthday, depending on if she was born after midnight or not.
Buck has had at least one other Jeep between the one Maddie gave him, and the one he has now, which means that when he needs a new car, he is purposefully choosing Jeeps.
I hope this was all as interesting/enjoyable to you as it was to me! And just to repeat - I love answering questions so pls let me know if you have any at all ❤
🐝🐝🐝🐝🐝
Tagging: @buckbuckley
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drabsyo · 3 years
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I was wondering...I was always confused about Narcissa’s hair. It’s been a while since I read the books. Did she color it blonde to show her now belonging to House Malfoys. Or was it naturally blonde? Movies confused me a bit I guess.
Yes, this had me confused too! I've agonized and toiled over it, more than I probably should, about how I should draw her hair because people have generally different views, which is totally understandable! 💕
And I've always wanted to discuss it, so now that I've been given a reason to... Well.
If you take a look at some of my Narcissa fanart, you'll notice the different ways I'd color her hair. I was so confused. Is she a light blonde? Dark blonde? A mix of raven hair and blonde hair? If she has blonde hair then why does her family have (mostly) dark hair? And WHY does she have blue eyes?! This woman is absolutely confusing! (Which is kind of, you know, fitting because Narcissa always loves to be a mystery to literally anyone lol)
So I did my homework, asked around, and scoured every bit of information, canon or otherwise, that I could find about her. It led me to this:
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In canon, this is what the Black sisters look like. You can find the page here. Narcissa is a child here, and already has blonde hair. So we can go ahead and safely assume that she was born with natural blonde hair. But in the films, Narcissa has black and blonde hair. I don't actually know why they gave her that hair color, maybe so that the audiences wouldn't question her blood relations with the Blacks--I don't know. I really don't. But now we have a book version Narcissa, one who has full blonde hair. And a movie version Narcissa, one who has raven and blonde hair. At least, that's how the different hair colors started: a movie version, and a book version.
So... here's where it gets confusing.
To my knowledge, it isn't actually explained why her hair color is the way it is in both the movies and the books. Having blonde hair does raise many questions, how is she the "only" blonde in a family of dark hair and dark eyes? To top it all off, it gets even more confusing, because fanon writes and draws her either as a full blonde or a mix of raven and blonde hair. We just have this large pile to sift through of her having either hair color. No one actually explains anything. She's just... infuriatingly there. She's either blonde or raven haired and blonde. BUT fanfiction writers, as I've observed, give their own reasons why Narcissa's hair color is the way it is in their respective stories. And it's actually pretty creative and interesting! It adds even greater depth to her character, and it fits the narrative of the story even better. Remember, the character we're dealing with is Narcissa Black. One of her main traits is "she won't do anything unless there is a clear purpose behind it." This character is deliberate, meticulous, and she makes sure to plan ahead at all times. And so, some fanfiction writers decide to play on that.
You can skip this part if you want to avoid spoilers but I've compiled a small list of instances in (Cissamione) fanfiction where Narcissa's hair is mentioned.
🔹 In Extinction by rubikanon in Chapter 10: Build and Break, Hermione asks Narcissa about it. Here, Narcissa has black and blonde hair. She explains that she only decided to dye it blonde to "fit in with the Malfoys." We can gather two things from that alone, which resonates with her character perfectly: 1.) Narcissa is loyal and 2.) Narcissa purposefully wants to show the rest of the world how loyal she is by committing to having blonde hair. The woman has some serious commitment, and it shows. But now, the way that it's slowly growing back into her natural black hair color, hints that perhaps Narcissa no longer wishes to fit in with the Malfoys. However, if we take an even closer look, we can safely assume that Narcissa isn't the kind of person to just leave her hair color "unattended" like that. Remember, she's meticulous. And this is a big deal for her, the fact that she's just kind of letting it grow back instead of either fully dyeing it back to black, or dyeing it back to blonde. It suggests that perhaps she's a little unsure this time, perhaps it is her uncertainty that is the reason why it's now a mix of both. Another grey area? Or maybe it's actually something more deliberate? Maybe now, she likes that it's a mix of both. That other half now being solely for Draco, and not to fit in (completely) with the Malfoys any longer. Who knows why Narcissa does things the way she does? We can speculate to the ends of the earth, or be as smart as Hermione Granger (or with the case of Extinction, see Hermione's thoughts), but something tells me we'd still be a good step behind.
"Which one is your natural hair color?" I wondered aloud.
(Narcissa) She glanced up at the unexpected question. I was relieved she hadn't sensed my attention yet. It's not like I meant anything by it, I told myself. She was so beautiful, one couldn't help but notice. And feel physically drawn to her. And want to see her two-toned hair fanned across her back, slipping over the bare skin, silky beneath my fingers...
"Why do you ask?" Her query brought me back to reality, and I hurriedly corrected my imagination to include a pretty dress covering the rest of her.
"I don't know." I chewed the inside of my cheek, suppressing my other thoughts. "I'm just curious."
Her gaze returned to the fire. "You've seen enough of my relatives to guess which color is genetic. The blond is something I added to fit in with the Malfoys, after Draco was born." She was quiet for a moment. "He looks so much like his father. I suppose I wanted to share some resemblance."
🔹 In Killing Me Softly by Looktotheedges in Chapter 4: Nagging, Hermione suggests that perhaps Narcissa is part Veela because of her blonde hair and very attractive features, like Fleur. Which is this whole other theory/plot that's very interesting, but won't be discussed in this post. Narcissa tells Hermione that Sirius has always been blonde, and that it isn't out of the question for her to be blonde either. Sirius Black. A blonde. I know! Maybe it's there because it's funny that Sirius is actually blonde like Narcissa. Prissy, haughty, lady-like Narcissa. Arguably the 'girliest' cousin that he has. No, no, no. He doesn't want to be anything like Narcissa. Anyway, if that's the reason, I think that's hilarious and cute.
Narcissa turns away. 'I am aware my appearance is frightfully drab. Work has been…'
Hermione holds back a disbelieving scoff. 'Narcissa. You always look beautiful. And you’re talking to the witch with grass in her hair who practically lives in her office all week.'
Narcissa just leans further over the crib. 'A blonde little boy. It has been so long since… I can almost imagine…'
Hermione stands next to her. Looks down at the peacefully sleeping Louis. He does look remarkably like Draco. 'Are you sure there’s no Veela blood in you? You weren’t secretly switched at birth?'
'Like a changeling?'
'It would explain your blonde hair.'
'Sirius was also blonde, it is not completely out of the question for us Blacks.'
What?!
(...) 'I know. But it is the truth. He was blond until he was about seven… then it began to darken. Mousy. Dull. He wanted to look cool and brooding instead, so he got his hands on some kind of charm right before he set off for Hogwarts. A new, edgy Sirius. It was around then he forbade us from calling him Siri. Said it sounded too girly.'
🔹 In Fixed in Time by TheWorldsaBeastofBurden in Chapter 9: Sisters and Saviors, it's also tackled a little humorously. Andromeda let's a little comment slip while they're in the middle of trying to heal Hermione. Something funny, something that suggests Andromeda and Bella, when they were children, have always wondered why Narcissa is blonde unlike them.
The first words spoken occurred after they’d risen and attempted their casting. Andromeda’s preparedness to take on their task had been clear in her mind so Narcissa rose with her sister, wrapped an arm around her waist and held her near as the woman raised her wand to draw up the rest of the injury she’d dropped, half a slash across Hermione’s hip bone…
That remained half, as Andromeda growled out, “...it isn’t working.” she looked to Narcissa, “Why aren’t you powering me?”
What nonsense? “I am!” she insisted. She was! Or “I- I am trying to!” Her magic was active and alive, pulsing to rise from her skin and transfer into Andromeda’s but it- it wasn’t working! “Could...could it be that you were disowned?”
“Disowning doesn’t take away the fact that we share blood, our magic is directly related. Ugh, Bella always said you were adopted!”
“Oh ha- oh.”
“...oh?” Andromeda returned.
“...it’s not an issue of power. It is what I intend to aid in casting,” Narcissa slowly worked out. Oh, it was most blessed Mister Goyle could be brought to assist the present Hermione. If her present self had been brought to aid Andromeda? “...I cannot harm Hermione.”
Andromeda sighed with some frustration. “I understand you are so tenderly in love-”
“It isn’t- I’m avowed! I- when we arrived from the future we had to escape Malfoy Manor, I couldn’t bring Hermione through the wards without...I couldn’t add her directly, that would be visible. I had to...attach her permission to mine.”
🔹 In Glass Silence by Zarrene Moss (Menzosarres), which probably gives one of the most interesting backstories for Narcissa's hair, for why it's blonde. I can't put a clip of the scene here without hogging up a huge chunk of space on your dash, so I'll try to explain it as best I can instead.
Understand that these come with serious 🛑spoilers🛑 so please do read it at your own risk.
In Glass Silence, Narcissa's hair and eye color was black at birth. But after an accident with raw magic, something Bellatrix wasn't able to control when they were children, Narcissa almost dies. Bellatrix, using even more raw magic, tries desperately to pull Narcissa's "life force" back, but at the cost of losing the eumelanin that made Narcissa's eyes and hair black. Narcissa survived, but now has very little eumelanin left, which is why she's so pale, blonde, and has blue eyes. Every time Narcissa looks at a mirror, her reflection is a reminder of the day she almost died. Bella, on the other hand, is reminded of that day every single time she looks at Narcissa.
So! These are only a few fanfictions I could think of at the top of my head that tackles the issue of Narcissa's hair. In the books, to my knowledge, she is described as having blonde hair and very pale skin.
But let's take another deep dive, if you're up for it.
These are mostly theories, which are largely unconfirmed, but I think they're interesting to think about.
There's this description in the wiki:
"Narcissa Malfoy is described as tall, slim, "nice looking", and very pale, with blue eyes, long blonde hair, and a clear, cold voice. Her hair colouring thus differs from most of the House of Black, who generally have dark hair, though Narcissa does possess the arrogant good looks characteristic of her family."
There's also this pinterest photo of the Black sisters being compared to each other side by side, descriptively and physically. I'm so sorry, I don't know who drew it, but here's a link to the post on pinterest.
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"Narcissa threw back her hood. She was so pale she seemed to shine in the darkness... long blonde hair streaming down her back."
Which is interesting because this hints that she's... different. It's a bit literal in this sense--she comes from a pureblood family, arguably the most influential and notorious one, the Blacks, who mostly have dark hair and eyes, and yet her physical appearance directly contrast that. There's also the matter of her namesake. She's the only Black to be named after a flower instead of a galaxy or a star. We aren't really given any explanation why she's the only one who's different. Even Sirius, who fought and died for the side of the Light, is named after the brightest star in the sky. Even Andromeda. It's been said that this is actually meant to be a parallel of some sort to Lily Evans. Narcissa and Lily are both named after flowers, even Petunia (Lily's sister). And I know there's this thing where it's a tie up to how Harry was ultimately saved by a mother's love: Harry lived at the beginning because of his mother's love, and Harry lives once again at the end of the books because Narcissa, a mother who wanted to save her own son, saved him.
If you read that scene in the books where Harry is saved by Narcissa, the whole scene is actually... pretty soft? There's that sort of disarming softness about Narcissa in that moment, where Harry expected to be callously dragged and prodded for a heartbeat. Instead, he gets a surprisingly gentle touch, a curtain of long blonde hair shielding him from the darkness, and the kind of tenderness he wouldn't expect from his enemies, "Is Draco alive?"
It's almost like Narcissa's appearance is something of a "tell". With Andromeda, she's described to have kind eyes, open, unguarded. She inherited her family's dark eyes and dark hair, and she even looks like Bellatrix's twin. I suppose we could say, Andromeda wants to fight that in any way she can by being openly kind. Narcissa is quite literally the opposite--guarded eyes, stoic expressions, cool and calculated emotions. We're veering into this fine line between fanon and canon in terms of their characterization (but only due to lack of canon materials) but personally, I think Narcissa having blonde hair and blue eyes is somewhat more fitting for her character. Again, this line:
"Narcissa threw back her hood. She was so pale she seemed to shine in the darkness... long blonde hair streaming down her back."
It's like that one glaringly obvious hint that everyone overlooks simply because... because it's the most obvious one. "Me! I'm different! I'm the last person you'd expect, but it really is me!"
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Anyway. I've rambled on long enough. Hope this clears up some of that confusion, anon. Hoping it didn't ADD even more confusion... 😂 At the end of the day, this is just me speculating, gushing, and being One Big Fool™. So.
But either way, blonde hair, dark hair, mix of both, I adore her. Pretty much.
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bookofmirth · 3 years
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Elain & the mating bond
In this post, I am going to examine one of the theories going around regarding what Elain does and does not know regarding the mating bond that she has been aware of for about 2~ years in canon time. Moreover, I am going to argue that she does know that it can be rejected, and why it would be incredibly OOC for multiple characters to have not told her.
Elain’s agency and inaction regarding the bond are a separate issue, and so they won’t be discussed here. 
Now, let’s proceed with evidence showing what we know about the characters, namely Feyre and Elain. Elain is obviously the one whose knowledge is in question, while Feyre is presumably the one telling (or withholding) information because she is everyone’s mom.
Let’s start with Feyre.
She would not keep any information about how the mating bond works from her sister. She has lived in Prythian longer than Nesta or Elain. She knows more about how the world works, and she prepared her sisters for it on multiple occasions throughout the series:
“They can lie,” I say, giving her information I hoped she would never need. “Faeries can lie, and iron doesn’t bother them one bit. But ash wood - that seems to work. Take my money and buy a damned grove of it for Elain to tend.” (ACOTAR chapter 31)
Fae fertility cycles had never been something I’d considered, and explaining them to Nesta and Elain had been uncomfortable, to say the least. (ACOFAS chapter 5)
Fae bargains were no idle thing. [Cassian] knew that Feyre had already versed Nesta in them, when her sister had first come here. As a precaution. (ACOSF chapter 12)
In addition, we have the fact that Feyre was the one going out to hunt and feed the family since she was a child. She has proven, time and again, that she would do anything to protect her sisters.
So if we were to say that Feyre never told Elain about how the mating bond works, then that would indicate a sudden, frankly OOC shift from what Feyre has been known to do before. If we were to argue that Feyre withheld the information for political reasons, that would also be counter to nearly every single decision she has ever made about her sisters in the series. Since her childhood. In a word, Feyre would not withhold this information from Elain unless she were suddenly a very different person, or a huge asshole. Or both.
Now, Elain. 
There is no evidence to provide here because she has been on the page so little. Many times when her name appears, she isn’t actually in the scene. However, it’s important to think about the potential reasons for why Elain wouldn’t know she can reject the mating bond, and what that implies about her character (just as we looked at Feyre’s character above):
Scenario 1: Elain hasn’t asked. This doesn’t look great on her because it puts her in a state of extreme, frankly irresponsible complacency about her own life. Could she be afraid? Worried? Feeling a down-low tickle she doesn’t know what to do about and doesn’t know who to ask? Perhaps. But considering how much of an impact the mating bond has on her life, again, it would be irresponsible and dare I say spineless not to ask. Not a super good look.
Scenario 2: Elain was lied to, for political reasons. This doesn’t look great on Feyre (and likely Rhys, since we know he likes to stick his nose in her family business). In fact, it goes counter to everything mentioned above regarding Feyre’s character. It would potentially victimize Elain, vilify Feyre, and be incredibly detrimental to their relationship. Also, it’s likely that Feyre would have mentioned it in the feysand short when they were discussing Elain and the gloves.
Scenario 3: No one, ever, has talked about their own or other’s mating bond experiences around Elain. This would include Feyre and Rhys, him talking about his parents, Viviane and Kallias, talk about Miryam and Drakon. Unlikely. She’s probably wondering why her sister is so horny all the time. And as the biggest feysand shippers of all time, Mor, Cassian, and Azriel definitely would have talked about the months and the cabin and the soup and the frenzy, all the while grinning at feysand and slapping Rhys on the back.
Scenario 4: Elain knows that the bond can be rejected, but is leaving Lucien on the hook for the sake of the Night Court. I don’t think I have to explain that this also paints her in a really poor light.
Overall, there is no explanation for Elain not knowing that spares her, except for Feyre having lied, which wouldn’t happen. Especially with everyone then witnessing the nessian bond coming together. Saying that Elain doesn’t know how the mating bond works means that she is utterly passive, an observer of her own life at best. 
And for fun, Nesta.
And just for another example, we can take a quick glance at Nesta’s character. Nesta, who had nothing at risk regarding mates, as far as everyone knew, was still well-informed enough to know how the bond worked.
Nesta considered. Then pulled something out of her pocket. A small biscuit, swiped from a tray in the birthing room. “Then here. Food. From me to you, my mate. That’s the official ritual, isn’t it? The sharing of food from one mate to another?” (ACOSF chapter 78)
They are alone during this scene. There is no indication that Nesta learned how the bond works after finding out that she had one. In fact, when Nesta finds out that she has a mate, she knows exactly what that means already.
In conclusion
The idea that Elain is uninformed about the mating bond is not canon. It is a theory. And in order to support that theory, we would have to disregard the characters’ past behavior and completely change the way we think about their values and motivations - namely, that Feyre would suddenly have decided to put something or someone else above her love for her sisters, or that Elain doesn’t have enough curiosity or drive to better understand her own life. Or both.
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emblemxeno · 3 years
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JP vs. Localization in Fire Emblem Fates: Revelation
(Okay, for real this time lol)
Again, here’s a link to my sources post.
Fortunately, this route follows suit in terms of good localization quality after Conquest. It’s the shortest out of all the posts, since I don’t really have a lot to talk about. Mostly subtle line changes, references and a few key points of information that were cut out. I also went through Hidden Truths and Heirs of Fate to see if I could add stuff from those on here, but there were no big problems that I found.
Once again, the main part of this post will all be put under the cut. If a chapter isn’t covered, it means I didn’t think there were any differences worth talking about.
I’ll use localized names for characters and locations, unless I feel the need to do otherwise.
I’ll be using she/her when referring to Corrin in this post. (I flipped a coin to decide the gender lol)
Also, note that after Chapter 14, the translation of this route on Fateswartable ends, so I mostly relied on the English patch done by Serenes at that point forward. (I also used PegasusKnight.com as a reference to fall back on if I needed it)
Chapter 7
-A minor gripe I have with localization. The JP version compares Touma (Valla) to hell constantly. To jump ahead a bit, I believe in the JP versions of the End of All Sky/Land/Below tracks are even called The End of All Roads Heaven/Earth/Hell. The Vallites are also often called demons in the JP version, and Anankos himself is known as the ‘Invisible Demon Dragon’.
Another cool thing I just thought of too, is a connection to a popular Japanese short story. Zelda fans might be familiar with the story, “The Spider’s Thread”, which inspired the Ancient Cistern dungeon in Skyward Sword.
The beginning of the story has Buddha walking through paradise (heaven), before coming across a pond. The pond is filled with crystal clear water, and covered with water lilies/lotuses. As Buddha gazes further into the pond, he begins to see the depths of hell.
Sound familiar? “Azura is walking through Hoshido, before coming across a lake. The lake is filled with crystal clear water, and when she gazes into the lake she sees the fallen kingdom of her birth. Valla, the kingdom associated with water lilies/lotuses in the game, has been turned into hell itself.”
This association loses its meaning a bit when the comparisons to hell are a bit toned down, as well as when the Buddhist inspirations were kind of supplanted in favor of Greek renames. It’s not supremely important to the plot as a whole, but it’s something interesting I wanted to bring up.
-In the JP version, while explaining what happened in Valla, Azura eventually says “Using the art of manipulating people’s souls, he (Hydra/Anankos) made the people kill each other.” This bit of the people killing each other was cut in localization.
Chapter 12
-In the JP version, when Corrin asks Flora if she knows anything about dragons, Flora says “Sorry, I don’t know…The ancestral dragon of the Ice Clan has already perished and isn’t part of the legend. I don’t know what role it plays, sorry…” Localization makes her response “I'm sorry, but I can't think of anything... They've been gone so long that we don't even have tales of dragons in the Ice Tribe. I'm sorry I couldn't be of more assistance...”
So, the JP version explicitly says the Ice Dragon is dead (I believe Fates’ second artbook mentioned this as well), whereas the localization only says the First Dragons have been gone for a long time.
Chapter 16
-There’s not really much of a problem that I have with what Ryoma says about Corrin “having leadership qualities at a young age” but I wanted to do comparisons regardless cuz the word choice might lead one to different conclusions. In localization, Ryoma says this:
Ryoma: Huh... So she told us the same thing... I don't think it's in Corrin's nature to lie. And there's a leadership quality about her that just attracts followers. I remember being jealous of her as a child, in fact. Even at such a young age, she displayed the characteristics of a ruler. Silly to be jealous of her, right?
In the JP version, Ryoma says this:
Ryoma: Oh... So, she told you the same thing. …Corrin isn’t one to tell lies. She’s been like that since childhood. She’s always genuine and honest... She has this mysterious appeal that draws people to her. Seeing my younger sister with the qualities of being a ruler... Honestly, it makes me feel envious. …What a ridiculous thing to say, right?
Again, I don’t necessarily have a problem with how it was localized, but some might. The localization version might have people think that Corrin somehow was a fantastic leader at such a young age, but JP is more clear that it was about the qualities she had at a young age that would be valuable as a leader.
Chapter 19
-A minor gripe. In the localization, Azura says that Anankos uses his magic to send Vallites to Nohr and Hoshido to stir up conflict. In the JP version, she says he uses magic, along with the help of a body of water. That’s why whenever you fight Vallites outside of Valla proper, there’s a body of water nearby; Hoshido’s lake (and the ponds shown in Hinoka’s CQ battle which are in the capital) for Chapter 5, the sea for BR chapter 11, the burning falls for BR chapter 21, and the city for Rev chapter 13. Similarly, the consequences of being a victim to the curse are described as “turning into sea foam” in the JP version. Localization as a whole kind of toned down how much water has an influence on the story.
Chapter 23
-Probably the pettiest gripe I have lol. As Arete is fading away from Azura’s arms, Azura has a different reaction in localization and Japanese. In localization, Azura says “Mother? Mother!” while a voice clip of her in-battle pain cries plays. In the JP, she says  “*Sob... Sob*…! Mother... Mother...!”, while a voice clip of her crying plays. Her crying voice clip I don’t recall hearing anywhere else.
This is one of the few times in the you get to see Azura express a heavy and heartfelt emotion, since her rough childhood caused her to remain guarded and stoic around everyone. The equivalents to this scene in other routes is her death scene in Birthright, and her crying with Corrin over Ryoma’s death in Conquest; a normally unflinching and aloof character breaking down is a rarity, and indicates that the cause of it is something to take note of for the character as a whole. Localization softened this aspect, and I take issue with it, despite it probably seeming trivial to most other people.
Chapter 24
-When Corrin is questioning the phantom Mikoto, an exchange happens. In localization, part of it goes like this:
Corrin: But this can't be... Are you truly my mother?
Mikoto: I am. Even as a puppet of Anankos, my spirit at least remains my own.
Corrin: I... I believe you.
In the JP version, it goes like this:
Corrin: It can’t be... …Are you really my mother?
Mikoto: Yes... I became an Invisible servant, controlled by the Invisible King... Even so, I am your mother.
Corrin:  …………
Again, a minor thing that I don’t personally have issue with, but replacing Corrin’s silence with an admittance of belief could make some believe she has “reverted” back to being too naïve.
Chapter 26
-While Gunter is relaying his past, an exchange happens. In localization, it goes like this:
Gunter: I ask myself that, every day. I cannot understand the minds of royals. To you all, we commoners are little more than pawns in your schemes... Or weeds to be killed on a whim.
Corrin: That's not true...
Xander: Is that how people view the royalty?
Ryoma: Such an impression would easily breed powerful resentment...
In the JP version, Corrin, Xander and Ryoma don’t say anything. They just remain silent.
Endgame
-Not a major problem so much as a general thing about the game, but I can think of like... at least three memes that Treehouse inserted into the localization. Now I like memes, but there is no better way to date your media nowadays. One of them was Kana’s “That’s dragon for I love you” which tbh, is kind of cute and isn’t the most well known meme so I guess I can let it slide. Another is Felicia saying “I had one job!” when she messes up in the dining hall, which isn’t that big of a deal since the dining hall is very optional.
The last one I can think of is why I put this specific grievance here, and it’s during Corrin’s speech before facing Anankos.
Corrin: We won't back down! This is my... This is our destiny! Ready your weapons! Fight for your friends! With the Seal of Flames... With the Fire Emblem on our side! We fight for our world!!
Yeah, she says “Fight for your friends” which is everyone’s favorite Ike line from Brawl. Now, this isn’t even a totally inaccurate translation either, but it kind of just... makes the moment funny for the player when it’s supposed to be commanding and serious I guess.
But yeah, not the most important issue by far, but something I’d thought to mention. Hell, it’s not even that bad compared to how they made Peri’s, Effie’s and Hisame’s quirks into exaggerated and tired jokes. And the Beruka-Saizo support. Never forget.
-When Azura and Corrin are by the lake and discuss the latter’s plans to rule, Corrin says this in localization:
Corrin: I'm going to make Valla a wonderful place! In honor of the true last king and for Queen Arete. And everyone who fought... I promise to make them all proud.
In the JP version, she says this:
Corrin: I’ll make the Invisible Kingdom (Valla) into a great land. For the previous monarch, Queen Shenmei (Arete)… And for all of my allies who fought beside me. I promise.
So, JP version only mentions Arete as the reigning monarch of Valla. Which makes sense, cuz unless there was some wild “keeping the bloodline pure” shenanigans in Valla, Arete being the Queen keeps in line with what we know about the rest of Valla’s history. Arete was royalty from birth, as was her sister Mikoto. Arete is the one who passed down Lost in Thoughts and the pendant to Azura.  
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A long bitch of an interview with Euronymous, from Orcustus zine in early ‘92.
What is Orcustus? Orcustus was an early 90’s black metal ‘zine run by none other than Bård “Faust*” Eithun— murderous pretty-boy, and o.g Euronymous simp. I think he might have also played drums in a band called Emperor... but I’m not sure! Its full name is actually “Orcustus— The Shadow of The Golden Fire”, and no, I’m not making this up.
This particular issue here opens up with a quote from a short story called ‘The Doom That Came To Thomas Parkes*’.
Assuming the reader hasn’t read the story, Faust explains that the quote is in reference to what happened to the titular ‘Thomas Parkes’ when he tried to raise spirits. Faust then admits that he’s unsure of his own ability to ‘raise spirits’, but says he hopes that he’ll raise some fists in agreement that there’s something wrong with the underground scene. Ironically (you’ll see why this is ironic very soon), he doesn’t like that certain bands, namely Entombed, are selling so many copies of their LPs.
After a brief diatribe on just that, he goes on to explain that he was in a rush to get this mag out because of problems with the printer. Then, he tells anyone who doesn’t like the fact that this ‘zine only features black metal that they can fuck off, with three exclamation points.
Finally, we get to the end of the opening page, where Faust pulls what can only be called an early form of the Twitter exposed thread. It reads as follows, with absolutely no changes to the text:
“I would suggest you to not do any business with that sucker Evil Ludo from France. He have riped me and several others off, by not return what we ordered. I suppose he’s a medical sensation, as I didn’t know it was physical or psychical possible to live without a brain”
Why am I telling you all of this, when this is only meant to be a transcript of an interview with Euronymous, you may be asking? Because I find it funny, that’s why.
Anyhow, the Euronymous here acts and feels very differently from the Euronymous of the last interview I posted. However, I hope you’ll still enjoy it, and I hope you’re able to appreciate the tiny glimpses of humanity talking to a close friend allowed him, even though they both behave like complete asses. Even though it’s hard to sympathize with him at points.
Like last time, any (sparse) commentary will be between (parenthesis) and in bold. Without further ado, let’s get into it.
.
F: Well, how in hell shall one be able to come up with an intro worthy enough for this band? The words I wanna describe Mayhem’s music with, is not yet created, and it won’t be created either, because no one has really experienced the real darkness and pure brutality with lays behind Mayhem’s hellish sound, but I suppose you all are familiar with this band anyway. Well, in the first place, I hadn’t really thought to enclose this band in this issue, because if we look away from rereleases of old demos (“Pure Fucking Armageddon”) and live tapes, it’s a pretty long time since their last release (in ‘87 that was). I thought I rather should interview them when they released their forthcoming album “Dee Mysteriis Dom Sathanas”, but due to the circumstances, I realised the time was right for an interview now. I won’t bother you with any history shit, but I could tell a bit about what has happened last year. You all know that their vocalist Dead comited suicude in April ‘91, that was a bigg loss for the underground, and I suppose I don’t need to say that this mag is dedicated to the memory of that infernal man. Anyway, Dead was replaced by Cultòcùlus (back then called Occultus), but due to different problems within the band, he left the band in January ‘92, but let’s not say more about that, as Euronymous didn’t want me to say anything about it at all (but Euronymous, you must admit that it has sounded pretty artificial if I hadn’t mentioned it at all). So now, the band consists of Hellhammer (drums) and Euronymous (guitar (and probably bass too)). I know the singer of Tormentor (rip) from Hungary (Esihar Attila) is interested in singing on the album, and also even moving to Norway, so it seems like Mayhem got some sort of predilection to foreign vocalists, but this Hungarian guy happend to be a good one as well, so never mind that. But I don’t think this is official, so don’t tell anyone you read it here, ok? Well then, it’s an honour for me to dedicate the next following pages to one of today’s most legendary and infamous bands......... THE TRUE MAYHEM!!!!!!!
F: First of all Euronymous, I know you and Dead live/lived totally for the old black metal attitude. Is your hate now total to young and trendy bands after Dead’s suicide?
Euro: YES, we have declared WAR. Dead died because the trend people have destroyed everything from the old black metal/death metal scene, today “death” metal is something normal, accepted and FUNNY (argh) and we HATE it. It used to be spikes, nites, chains, leather and black clothes, and this was the only thing Dead lived for as he hated this world and everything which lives on it. If we had the economic possibility to do it, we should meet up at concerts and beat up ALL trend people ALL the time untill they would be too scared to go to concerts at all, now we need to suck their money instead. It’s impossible to stop the trend no matter how much we want, we have to do the best out of it and sell lots of trend shit to them. (I don’t need to tell you that that’s totally not why Dead killed himself, right?)
F: In the spring of ‘91 you started up a shop in Oslo which sells all sorts of music within metal. Is there anything you can tell us about the shop (ideas? plans?)?
Euro: Well, the original idea was to make a specialist shop for metal in general, but that’s a long time ago. Normal metal isn’t very popular anymore, all the children are listening to “death” metal now, I’d rather be selling Judas Priest than Napalm Death, but at least now we can be specialized within “death” metal and make a shop where all the trend people know that they will find all the trend music, this will help us earning money so that we can order more EVIL records to the evil people. But no matter how shitty music we have to sell, we’ll make a BLACK METAL look on the shop, we’ve had a couple of “actions” in churches lately, and the shop is going to look like a black church in the future. We’ve also thought about having total darkness inside, so that would would have to carry torches to be able to see the records.
F: Well, how is the situation all in all in the Mayhem camp right now?
Euro: Difficult as usual, but we’re closer than ever to record the Mayhem lp. Almost all the material is completed, then I and Hellhammer will record the whole thing with 3 guitars, 2 basses and so on. It will be very massive. Who’s to sing on the lp is not yet decided, we’ll wait and see what happens. We have several people who can do the job very well.
F: As Metalion of Slayer mag* said: “it seems like you at certain times lives on the edge of starvation”. Have you ever been on the thought to just give up the whole band and become a normal 9 to 5 person, or is this a completely stupid question to ask?
Euro: It has been very hard at times, but I am not a normal person anyway so it would just not be possible to do that. I’ve been thinking a lot lately about why things are as they are (this answer will be long) (that’s okay for me/Ed). The reason why we don’t have any money, is because of hardcore. We have for too long been following the “underground” rules, which say that you must hate money, you must not think you are anything, you must be open-minded, you might have a lot of attitudes and so on. Extremely stupid. But the situation has been that if you don’t follow these rules which are made by hardcore pigs, you are not accepted as a death metal or black metal band! Then you MUST be signed by some big label to be able to make some money, and we’ve never wanted to do that. Then you would anyway be labelled as “commercial” by the HC pigs. This has caused that after 8 years, we are still as broke as ever, while the HC pigs themselves are controlling all labels, and they sign only the bands which fit into their own idiotic world, that means “death” metal bands with society lyrics and jogging suits, and this is what the people see when they grow up. They don’t see any EVIL bands with spikes, as we did. Well, I’m tired about being broke, just to be “underground”. I’m tired of not having money to eat for just because tons of people will call you a “rip-off” if you don’t write 20 letters each day. It’s time to say fuck off to the whole system, which is built to strangle the evil bands in the birth. We must start taking inspirations from the ancient ones, from Venom and their likes. They did their thing BIG, and they never had to think about any idiotic underground rules. They did it big and so must we, but it must never become a trend, it must become a CULT. This is why we have started on a brand new policy with the band and the record label. It’s about time that someone makes a label for black metal and other grim music, and STRIKE BACK. There is NO reason why DSP shouldn’t be as big as Peaceville or Nuclear Blast, if we can just get the business on its feet again and get good distribution. That’s the only way to compete with the HC labels. It’s about time we start taking control over our own scene. We must spread the EVIL bands and pervert people’s souls.
F: What about the Norwegian scene then? Don’t you think that something is terribly wrong when it have gone so far that we have a christian “death metal” band here (Crush Evil)? Advices on how we should kill them?
Euro: First of all— the Norwegian scene is the BEST. There are a lot of GREAT bands (yet with no album out) and of course some shitty trend bands, but nothing as in Sweden. There you have 2-3 good bands out of 100, while here we have a few shit bands who hardly have made even a demo, while all the great bands will make records in the near future. Such as Darkthrone, Burzum, Immortal, Thorns (I’m flattered/ED*), Arcturus, Enslaved and newer bands like Malfeitor and others which I have not yet heard. BUT— when it comes to bands like Crush Evil, we must take serious action. It’s bad enough to have a couple of society bands, but a CHRISTIAN band is too much. But don’t worry, we have plans. They will not continue for a very long time.
F: And now over to something more humouristic....yes.... snuff movies. Who had been the perfect actor for a snuff movie, and why the hell aren’t they legalized? Don’t you think that every video-store should have its own section with snuff-movies?
Euro: Actually I think it’s great that movies like that are forbidden. If they were legal and easily accessible, all the small trend children would be watching them, and then it would not be something extreme anymore (I’m not sure if I agree with you here Euronymous. Snuff movies are usually too raw and brutal for the people with their “peace and life” infected minds. Remember the HC rules/ED) (shut the fuck up, Faust*) It’s just the same what happened to death metal— it became something everyone could buy in every store, something normal and accessible for everyone. All the mystic and evil atmosphere is GONE. I do not think snuff-movies are funny, I think they are DARK. I’ve seen people laugh at them, but that’s probably because they will not be mentally able to take the PAIN and EVIL on over themselves. That is the best way to watch such a movie, to try to FEEL the actual pain of the victims. It becomes much more gruesome then, and that’s great. One must be alone in the darkness and suffer with the victims, if you watch it with other people, they will often talk, laugh and so on, and then you get more distanced from it, it’s not supposed to be funny (death to fun), it’s much better when it’s depressive.
F: Through the years you have been talking about releasing bands like Samael, Rotting Christ, Master’s Hammer, Tormentor, Matricide, Imperator, Massacre etc. on Deathlike Silence Prod., but now some of these bands have released lp’s on labels which only have money in their eyes and know that black metal sells. Doesn’t that frustrate you, and don’t you feel it like the time is running out for you?
Euro: It’s a bit frustrating, but it is also a result of trying to be “underground” which is a suicide policy. Anyway, the main thing is that these evil records get released at all, and not who’s releasing them. We will probably release a record with Tormentor, they’re split up, but they still want to make their Anno Domini demo on vinyl, and we’ll try to fix it within the summer. The time is not running out, because there are a lot of really evil bands around. — most of the Norwegian bands which other labels haven’t heard about. Burzum is ten times better than all the bands on Earache together, and so are Thorns and Arcturus. So there is no problem, really. As for bands like Rotting Christ and Master’s Hammer, we might do something in the future instead. I’ve never been talking with Samael about any deal, but I wish I had as their album is FUCKING GREAT.
F: Almost all bands in the underground today says that they think they got their own style and originality, but the fact is that 95% of the bands sounds totally the same. What is an original death metal band today?
Euro: There exists no death metal bands today. There are only a handful of (mostly great) bands (in case someone hadn’t got it right— black metal has nothing to do with the music itself, both Blasphemy and Mercyful Fate are black metal. It’s the LYRICS, and they must be SATANIC. If not, it is NOT black metal) and what we choose to call LIFE METAL bands. Take a band like Therion. Their music is quite ok, it’s actually one of the best Swedish bands (even though that doesn’t say much) but their lyrics STINK. They are about society and pollution, what the fuck has that got to do with DEATH? If a band cultivates and worships death, then it’s death metal, no matter what KIND of metal it is. If a band cultivates and worships Satan, it’s black metal. And by saying “cultivates death”, I don’t think about thinking it’s funny, or being into gore, I’m thinking about being able to KILL just because they HATE LIFE. it’s people who enjoy to see wars because a lot of people get killed. How many bands think that way? Not many. I can’t think of one.
F: You’re maybe not the most active band when it comes to gigs, but at least you’ve managed to tour Germany and Turkey. What can you tell us from the tour, and is there any new gigs planed?
Euro: That tour was a big mess, we’ll NEVER take the train again! We lost quite some money, but still it was great to get to East-Germany and Turkey. The memories of the tour consist mostly of the starvation and idiotic custom officers, but still I wouldn’t like to have missed the opportunity. We don’t have any concrete plans, we’ll see happens in the future. We don’t like to play for a lot of trendies in jogging suits, so we prefer to leave it be.
F: What do you think of the fact that death metal has been on MTV?
Euro: It sucks. But it isn’t death metal anyway, so....
F: I know that you will soon release the debut album of Abruptum on DSP, so, what can you tell us about it?
Euro: It’s EVIL. It’s PURE EVIL, they were torturing each other in studio DURING the recording and you can HEAR on the music how they SUFFER. It will be the most demented record EVER, and it’s NOT for normal people. This is music which NEVER can become trendy, because normal people won’t be able to understand it. And that’s great. The price for the album it’ll be the same as for the BURZUM lp, which should be somewhere else in this ‘zine*. It’s called “Obscuriratem Advoco Amplèctere Me”, and stay away from it if you don’t like pure DARKNESS.
F: Don’t you think that people in the underground should respect others ideas and views more? I mean, it’s not accepted to spread unpopular thoughts. It seems like there is some sort of guardians of morality and most people keep in mind not to say or do anything which is not accepted by the public.
Euro: I don’t think people should respect each other. I don’t want to see trend people respecting me, I want them to HATE and FEAR. If people don’t accept our ideas as their own, they can fuck off because then they belong to a musical scene which has NOTHING to do with ours. They could just as well be Madonna fans. There is an ABYSS between us and the rest. Remember— one of the HC rules is that you must be open-minded (except for themselves), so we must be careful and avoid being open-minded ourselves. The HC pigs have correctly made themselves guardians of morality, but we must kick them in the face and become guardians of anti-morality.
F: You say you want your riffs to have a dark mood and really sound evil, but what if you came up with a riff which just sounded good, but not evil. Would you use it then?
Euro: Well, if a riff sounds good to me, it mostly means that it sounds evil too. At least when I make the music myself. Haven’t really thought about this about this before.
F: Do you think you’ve been playing this sort of music today if it weren’t for those old bands like Mercyful Fate, Venom and Hellhammer?
Euro: It’s impossible to say. Venom and the other ancient ones have been fundamental influences on Mayhem, and also the direct reason of the band’s existence. We like to think that if they hadn’t started up this, we would have, but who knows? Doesn’t really matter anyway, we hail ancient Venom as the CREATORS.
F: Ok, no more questions at the moment. End the interview in what way you want......
Euro: Perhaps it should be mentioned that well re-release the MAYHEM mini-lp “Deathcrush” VERY soon. We also have t-shirts available now. People should write for prices on things. Be EVIL, not open-minded.
Ok, I suppose some of you already know that Euronymous started up a shop in Oslo in the spring of ‘91. The shop is called “HELVETE” (which is Norwegian and means “HELL”) and are specialized within underground stuff and death metal in general (though he also have some other styles of music there). As he said in the MAYHEM interview, the shop really have a black metal look, so if you ever visit Oslo, I really recommend you to visit “HELVETE” as well. I think it’s good that people take the initiative to start up with such things, because if everyone were just passive, we would all get ruined by poser-shops like Hot Records where they take 140 NKR for the Earache albums (which you in “HELVETE” can get a CD for the same price). Euronymous also sells though mail, so write and ask for a list or something: HELVETE, Schweigaardsgt. 56, 0656 Oslo. NORWAY.”
That’s all! :)
And now for the things I put in asterisks, in order of their appearances.
*If for some reason you actually don’t know who Faust is, he was the drummer on the Emperor LP and “In The Nightside Eclipse” but you might also know him from other great hits such as “threatening to kill Mortiis from prison whilst simultaneously attempting to plead murder of the secondth degree”, “I’m glad the people Euronymous ripped off won’t get their money back because he’s dead hA hA!”, “I got fourteen years for murder because I’m a socially inept virgin— oops” and “bad... bad lyrics who’s quality somehow don’t improve with the passing of time”. All jokes are done in good humour— if it seems like I dislike him, it’s not that at all. I just find him easy to make fun of.
Here is another short bio, this one less sarcastic: he was born in Trondheim, lived around Kvikne, and Lillehammer, worked at Helvete, was a close friend of Euro’s, and has his sun in Taurus.
He also beefed with Glen Benton for dissing the Party City cape (Note: of course I’m being extremely reductive) he and Euronymous seemed to share. Here are a few pictures of Faust:
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Here is the infamous Party City cape:
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*This was surprisingly hard to find. I think he read it in a mag or something. Here’s a link to where you can find it: https://issuu.com/davidgamble/docs/paranormal37/3 page 64-65.
*Slayer mag was another zine, this one by a bloke named Metalion, who was Euro’s best friend.
*Faust (who felt the strange need to make a distinction between himself, the editor, and himself, the interviewer) also played in Thorns (well, Stigma Diabolicum), under the hilarious moniker: Fetophagia✨
*He’s being a fucking idiot, what was I supposed to say? It should be noted that Faust actually went down for the snuff films too.....
*In case you’re interested, for whatever reason, the prices for the Burzum LP were as follows:
Norge— 130 NKR
Norden— 100 K
Finland— 60 FN
Island— 1000 IK
Europe— 15$
Outside Europe,
Overseas— 15 $
Air— 22$
East Europe— 10$
By ‘norden’ he presumably meant ‘northern Norway’, and “Island” is the Norwegian word for Iceland. Notice the way he doesn’t include Sweden! (Edit: Originally I thought he didn’t include Finland because there was a black metal war with them as well, but it seems as though that feud came a bit later or had already passed)
That’s all, for real this time!
Legal disclaimer: I am absolutely, in no way shape or form, claiming that the stupid cape you see them wearing is literally from Party City. From my limited research, I’ve gathered that the Party City chain hasn’t yet opened its doors in the beautiful and glorious country we know as Norway— Norge. However, I am saying that the cheap, dinky piece of cloth covering their backs and shoulders are of the same kind of shitty quality you’d expect from a Party City Count Dracula costume and that maybe Glen had a point about how stupid Euronymous (and Faust) must’ve looked.......
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El and Morality
I don’t know about the rest of you, but the latest teaser left me with a feeling of intense dread. We see these kids playing in a seemingly carefree manner, but then Brenner comes walking in. He greets them, and they obediently respond. They’re all very used to it by this point, and they all call him Papa. He claims to have something special for them, but then we cut over to El’s isolation room and hear Brenner asking her if she’s listening.
Why does this fill me with dread? Mainly because the previous teaser showed some similar images to what we see in this one. The 8-ball, for example, is shown on one of the monitors, only it is covered in blood. It leads me to believe that something terrible happened that day. With Brenner asking if El is ready, then the shot of who appears to be El opening her eyes as if from a nightmare, has me wondering if he used her for something that resulted in the deaths of the other kids.
It’s by no means the most likely scenario for this teaser, but it’s where my mind went. The eerie music, the heavy breathing (ostensibly El’s), the fear on El’s face, it sends an ominous message. Is El remembering something from long ago? Is this a new group of kids in Brenner’s new facility? Is it just a nightmare fed with fear and guilt since she couldn’t save anyone? I really don’t know, but the idea that El may have been used to test the “worth” of the other subjects led me down an interesting road. Whether it was a “training exercise” gone wrong or a deliberate “culling” of the weak, I can’t shake the feeling that El did something that she desperately doesn’t want to remember.
If Brenner intended to use these kids to his own ends, then they should hold no allegiance to anyone but him. Emotional attachments to anyone else would be a risk in his eyes. They would need to have total, unquestioning obedience regardless of what he may ask them to do. For El to be the tool he wishes her to be, she would need to not think twice about killing. Brenner would have instilled in her, and the others, a need to garner his approval. This is why he teaches them to see him as a paternal figure instead of a doctor or teacher. We’ve seen him try to get El to kill a cat, but she refused. This upset him. Yet, we also see her have little issue killing in other circumstances. She’s somehow developed a sense of morals despite being manipulated from birth.
Morals are an interesting phenomenon. The entire concept of right and wrong really is subjective when you think about it. It’s a very abstract concept, and the way we think about it changes as we mature. However, it is also heavily influenced by external sources. In this case, Brenner would seemingly have total control over how his “children” learn to evaluate the morality of a given situation. I’ve previously spoken about El’s mental development, and how Brenner would have wanted to nurture certain intellectual domains, but restrict others. Here I want to discuss a similar process with the psychology of morality. Specifically, we will explore how El may have been manipulated into doing something that we, as viewers, would find horrific, yet come to develop a system of morals in spite, or perhaps because, of that.
Lawrence Kohlberg conceptualized the development of morality as coming in 3 levels (Pre-Conventional, Conventional, and Post-Conventional), broken down into 6 stages . These stages are more or less cumulative, as previous stages help pave the way for later ones. There’s no clear-cut ages for these stages, but level 1 generally encompasses early childhood, level 2 is later childhood and adolescence, and level 3 adulthood. The first level contains the more “primitive” or basic moral frameworks, obedience/punishment driven and self-interest driven. This is a level defined by a more egocentric understanding of the world, as it revolves around what’s “good” being what results in a positive consequence, and what’s bad being what results in a negative consequence. For children, this means learning what’s “good” as a result of an external reinforcer(i.e. “Papa) and then developing this into a sense that it can be used for a mutual benefit (”If I do what Papa says, he will be happy, and I will be rewarded.”). Since it’s still a stage defined by self-interest, there is no loyalty here, and such relationships will deteriorate once it is no longer beneficial.
This may have been Brenner’s fatal flaw. Most individuals wouldn’t move onto the Conventional level until adolescence. While these kids may have had some basic sense of loyalty to “Papa” since it’s possibly all they ever knew, it would still be easily shaken. If you offered these kids some candy, they’d probably do whatever you said unless there was enough fear preventing them from doing so. Fear, not loyalty. El was afraid of Brenner. She may have done his bidding for a long time, but it was because his approval meant better treatment, not because his approval was of value in and of itself.
Given El’s age when she escaped, she was on the cusp of adolescence. Thus, she may have been developing some early features of the 3rd stage, which we can call the “good boy/girl” stage. Here, a person would want to be considered “good” for its own sake, and would look to society for what that means. For our purposes here, Brenner and the lab could have been attempting to be the “society” that the kids would judge themselves with. They would evaluate the morality of an action based on how the others would judge them for it. This is possibly where Brenner wanted the kids to be, only with no concept of what good or bad is beyond what he instilled in them.
That may have been something of a clumsy explanation of the relevant stages of morality, but I didn’t want to get too technical. The important things to take away from this is that El’s sense of right and wrong would have largely have been defined by what resulted in her being happy and/or rewarded. She may have wanted Brenner’s approval, but only because it meant good treatment. The problem here is that El may have been getting her needs met elsewhere: the other kids. If we presume, for the sake of argument, that El developed friendships with the other kids, then we could say that these relationships interfered with the total control that Brenner would want. If she gets older and starts caring more about how they feel about her than how Brenner feels, then his power over her weakens. This is where things get potentially scary.
Let’s say Brenner noticed this happening. El is the most promising, and most dangerous, of his subjects. He must maintain total control over her. However, she is very friendly with the other kids, running the risk of developing attachments that would lead to a more conventional morality. So, Brenner sets up a scenario. He isolates El for an extended period of time, possibly even telling her that the other kids accused her of misbehavior. He tells her that they don’t care about her like he does. El, being in those early stages of moral development, starts to see them as bad since they result in her being hurt. In a real world situation, one kid would be able to do something nice for another in this situation to smooth things over, but this isn’t possible with El in isolation. Then comes the day when Brenner has “something special” in mind for the kids. He’ll see if they’re worth the time and effort, while also finding the extent of El’s obedience.
None of this means El is a bad person, as we will generally see kids acting with such selfishness. One kid gets mad at another for stealing their toy, but fifteen minutes later they’re playing together as if nothing happened. However, kids generally don’t have superpowers they can use instead of pushes and mean words. There’s also usually adults around to help mediate such issues, whereas Brenner would probably want to encourage it to ensure they wanted his approval and his alone.
It’s possible that whatever happened that day changed El and Brenner’s entire dynamic. Whether El was responsible for what (possibly) happened or was just made to witness it, it didn’t have the desired effect for Brenner. We later see El reluctant to kill unless it was to protect (or punish). It’s still unclear where that moral distinction came from, but it suggests that she no longer saw Brenner’s approval as beneficial.
What happened after Brenner walked into that room? Why did he ask if El was listening? Is a present day Brenner asking if present day El is listening while she was remembering/dreaming? Or is the voice a past Brenner asking if past El is listening to his instructions? 
Now, this could all be nothing. A good teaser will try to get us hyped up without giving anything important away. The “are you listening” might not even be from that scene at all in reality, or it could just be for the teaser. Still, I thought it a good opportunity for an exploration of morality in someone raised from birth to be a tool or weapon.
Something happened somewhere to make El believe there were right and wrong times to hurt or kill someone, and I just think this may have been a pivotal moment. I think we first see her kill (or at least serious injure) when she breaks out of her isolation cell. That can be explained by her still largely being in the first level of morality. Being in that cell was not in her own best interest, and she reached a point where she didn’t see a way to improve her situation. She may not have intended to kill the orderlies, but it was also not of concern to her. However, we also see her be more deliberate with Troy. First, she merely makes him wet himself, which is a remarkably clever solution. Later, she breaks his arm, but it appeared to only be due to him holding a knife as she simply knocked James down. When it came to the agents or the demogorgon, though, she was prepared to kill again. When she went with Kali to find one of the Lab men, she was ostensibly prepared to kill him until she realized there were kids around. The only pattern I can really see is that she will kill monsters or adults, but she’s reluctant to harm (at least seriously harm) kids or leave them without a caregiver.
I feel like this shows her being caught in between Pre-Conventional and Conventional levels of morality. She’s still largely going off of her own self-interest, but she’s also starting to consider the thoughts and feelings of others, namely her newfound friends. El seems to really want to keep them safe to the point that she risks her own safety. One could say that their approval, particularly Mike’s, is of value to her. She wants them to see her as good, and she attempts to conceal anything that would make her seem “bad” in their eyes, such as the fact that she’s messing with the compass or the fact that she opened the Gate.
We don’t really know how much time would have occurred between the event I hypothesized from the trailer and when El breaks free of the Lab. It’s possible that something happened there to get El to see some sort of moral distinction. She will prank, or even disable, a kid, but she somehow sees serious harm or killing of them as wrong. This leads me to believe that she harbors some type of guilt from her time in the Lab. It could be survivor’s guilt, especially if Brenner made her bear witness to the other’s being hurt or killed. It could also be something far worse if Brenner compelled her to hurt or kill them herself. Regardless, something happened somewhere along the time to get her to no longer as seeing her life in the Lab as “good,” leading to her escaping.
I think this is another one of those posts that got away from me, but hopefully I got my point across. If I try to hard to edit this thing, it’ll never get posted. Again, I have no idea what the teasers are suppose to mean, but they got me started on this train of thought. If you made it this far, then I apologize for those minutes of your life that you’ll never get back.
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trashcatsnark · 3 years
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Cyberpunk 2077 Spoilers and just opinions on how everyone in game is just way too nice to johnny given his personality in my opinion
Okay I know I just made a post about how I would have loved if Smasher didn't remember who the fuck Johnny is. But I also just generally wish people in the game gave less of a shit about Johnny.
Which I get sounds mean, but I'm going somewhere with this.
Johnny's arc is based around him realizing that his selfishness and cruelty got him nowhere, then deciding to change for the better, to right his wrongs before he's wiped from V's mind. He's meant to be a selfish, violent asshole who's obsessed with changing the world, but until now was never willing to change himself. It's actually very interesting to me that he has this conflict of ideas where he preaches about external change but is so stuck on the idea of remaining true to himself that he refuses to do any internal changing; saying he wants to world and the people in it to change when he speaks about the fan, but until the grave scene any notion that he's changing in the slightest is met with dismissal and disgust. And his turning point culminates at that grave scene where he realizes all his behavior got him was an unmarked shallow grave in an oil field. He's forced to confront that he didn't leave behind the legacy, the memory, that he thought he would.
But...the issue is, that's not really true. Johnny is suppose to be having this realization that no one fucking liked him, no one could stand him, that no one remembers or cares that his asshole self is gone.
However, other than the grave scene, we don't actually see any evidence of that. And even the grave scene is undercut with the fact that, part of Johnny's sorrow is seeing that no one is mourned him. No headstone, no marker, no memorial.
BUT HE HAS A NICHE IN THE COLUMBARIAN, RIGHT NEXT TO ALT!!!! It's just under his birth name, (though i do have a theory regarding that that could explain it, but thats a post for another day or in twenty minutes when i decide no, I can't be quiet) And he never comments on the columbarian niche.
Culturally, his music and Samurai is still extremely well known. Hell, his music gets played more than Kerry's and Kerry is a current artist. He's got fans who are still dedicated to him and his career. There's graffiti asking where he is. People still wear Samurai merch, there's pants with his face on them.
Even the people he hurt; don't really seem that bummed out or like they hate him. Rogue calls him a bastard, leaves him during the date, and gets mad if he ends up in V's body permanently. But, overall, she falls right back into her 2013-2023 habits. Johnny says with a cocky attitude in Tom's Diner, that she'll dance to any tune he sings her. And she does. Drops everything to go after Smasher once Johnny shows up, "Johnny being back changes things.", gives V a replica of his jacket, asks V if he talks about her, and depending on the ending even dies for him. Doesn't matter that Johnny was a cheating bastard, she still jumps when he calls even fifty some years later.
Kerry gets mad at first and then is just happy his friend is back in some way/shape/or form. Time to get the band back together!!!! And I get that he's depressed to the max, so I can totally understand why he's just happy to have something. But, we don't really see any of Johnny's shitty behavior being addressed beyond initial anger and yeahhhh johnny's an asshole.
Him being a dick is treated more like a quirky personality trait at times, like oh that johnny with his devastatingly cruel words and tendency to put everyone around him in danger, aint he a rascal.
Even AI Alt who at first is blaming Johnny for her death with basically very little reason to change her mind, ends up admitting that to at least a degree she still cares about him. That she wouldn't have even considered helping V if not for him.
So, why the hell does Johnny really feel like he has to change, other than V who's still hurt and holding him accountable to some degree. Rogue still fifty years later came running when he called. Still has fans who see him as an anarchy legend. His music is still beloved. Sure Arasaka threw him out without another thought, but that's Arasaka.
Like, to me it would have been so much more impactful. If yeah, okay he still has some fans who think he's awesome, like the vinyl seller. His music is even still a big hit on classic stations. But the people who knew him, who were hurt by his shitty fucking personality, want nothing to do with him when they realize he's back.
I would have loved if Rogue had just told Johnny to fuck off at first. As much as I love the scene of Rogue being in the room after Johnny's bender. Give me V waking up alone, pissed at Johnny's bender and asking what the fuck he has to show for it. Because all Rogue did when she realized it was him; was throw a punch and tell him to never fucking talk to her again, that she's done with his shit and has been for over fifty years. And now Johnny is hit with Rogue and V both hating his guts at the same time. Give me V who's determined even though Johnny fucked up his promise, they won't fuck up theirs. So, they decide to talk to Rogue, maybe at first they're not even allowed in the Afterlife. Rogue telling him not to let V through unless Rogue has a chance to see them, to check to see if it's really V or Johnny. Because Rogue doesn't want Johnny near her. V having to talk to Rogue and just say, I get it, you hate Johnny and have every right to. Not my favorite person either. But I promised I'd help him axe Smasher, if you're willing to help at all, I'd appreciate it. If not, I understand too. And Rogue having to decide she wants to kill Smasher more than she wants to avoid Johnny, but V better keep him on a tight leash.
Like, i think that alone, actually seeing that yes, when you treat people like shit. They don't want you around, would have been much more pivotal and impactful in his decision to change and let him have to fight harder for it, have to beg V to beg on his behalf.
V having to beg Rogue to agree to the date, he's trying to change, seriously. Just one try and if he's the same dick weasel he was before, beat the shit out of him. Rogue being really fucking resistant, trying to explain to V, this is what he does.. don't let him manipulate you kid.
Just shit like that, him having to beg Kerry to give him a chance to do the reunion show, that it'd be good for both of em. Just god, I want Johnny to more clearly feel the consequences of his actions. Rather than everyone just being like, yeah he's a butthole, but Johnny's just sort of like that and I'd still die for him. Everyone's a Johnny simp and mood, but also, THAT DOESNT LEND ITSELF WELL TO HIM ACTUALLY CHANGING HIS BEHAVIOR
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layercake · 3 years
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Why Naoto is Heavily Trans Coded, and How The Discussion Surrounding Him Needs to Change
Hello, I’ve never written or posted anything like this before LOL so this is a bit daunting. But this subject is something that’s been bothering me for a long time, and I wanted to get it out somewhere. So let’s talk about how Naoto Shirogane is heavily trans coded, and how the fandom has a problematic culture surrounding the issue that really needs to change.
Tw // discussion of misogyny , transphobia , and mentions of harassment
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Initial Shadow Confrontation 
Since the discussion is most often about what’s “canon” and what’s not, let’s first take a look at what the game actually does give us about Naoto’s character. During the confrontation with Naoto’s shadow, we learn that Naoto idolized detectives as a kid, and wanted to be one himself when he was older.
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However, this posed a problem for him in multiple ways. One, he was (is) still a child, and the people in his field don’t take him seriously because of it. He tries desperately to escape this fact, to try and act as mature as possible, but ultimately he can’t change how others will perceive him at his age.
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This is what the shadow confrontation focuses on most heavily. But then it switches to discussing the other part of the issue-- the fact that Naoto’s ideal image of a detective is a man, and he “isn’t.” 
At the end, Yukiko says “You must know already that what you yearn for isn’t to become an adult or to become a boy,” and Naoto accepts it. This is what most people point to when saying that Naoto can’t be trans, because he agrees that it wasn’t what he wished for. So, easy, right? If you take this as him telling the truth, then it looks like an open and shut case-- he isn’t trans. But Naoto’s actions don’t really fit what he says here. 
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The issue starts with these next lines (below) in particular. To me, Naoto’s tone in the first line is regretful, and doesn’t strike me as a sentiment someone who is cisgender would necessarily hold. Why would he want to “change into a man?” To fit his ideal image of a detective? As he says here, yes.
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(Real quick before I continue, it’s not clear in the dialogue screenshot but it’s important to note that Naoto does say “yes” to Yukiko’s question about him not liking being a girl. He nods his head)
The narrative that the game tries to go with after this is that the “ideal image” Naoto wanted to live up to, including the male aspect of it, was unattainable and formed primarily because he felt that was the only way he could be a detective. 
But, is this really that much of a problem? We all look up to certain types of people, people that we want to be like-- and for many, this can factor into gender identity as well. If Naoto really just wanted to be a cool, male detective, that doesn’t at all negate that being trans would be a part of that for him. 
Naoto’s other words and actions, as well as the framing of this scene as a whole, make the scenario feel a lot less believable to me for multiple reasons. Naoto never initiates the conversation that him wanting to be a boy is incorrect-- Yukiko does. Naoto isn’t even the one to trigger his shadow-- Kanji does that. Naoto had a lot less agency in a lot of these decisions than the other characters did with their shadows. 
Naoto’s Continued Actions
The fragility of the narrative Atlus put together for Naoto continues to grow throughout the rest of the game, due to the way he behaves after the initial shadow confrontation.
For starters, it’s implied that Naoto is not his birth name, something that i think a lot of people either miss or forget about-- and yet he continues to go by it throughout the course of the game. We never find out his deadname and he never expresses a desire to share it with anybody.
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The day after the “reveal,” Naoto doesn’t change anything about his appearance, mannerisms, or how he presents himself. He honestly seems uncomfortable with the fact that everyone has found out, in a way that felt much like being outed to the whole school, as opposed to finally being seen and accepted for who you “really” are.
I understand that such a drastic shift in people’s perception of you would be overwhelming to anybody, no matter if you were cis or not. But if Atlus really wanted to hone in on the idea that Naoto was happy about this change, they could’ve at least made him…. Well, happy about it. Even if it was just a small smile, just a tiny indication of relief even despite how hard it will be to adjust, it would’ve made it at least a little more believable that this is what he really wanted.
But that’s not the case. Instead, he’s uncomfortable, he still binds, he still wears the school’s male uniform, and he still goes by Naoto. The only time any of this actually changes is if you as the protagonist push him to, which… is a whole other mess.
The fact that Naoto has even gotten to this point, though, speaks more volumes to me than anything else. Passing is not easy. Coming out is not easy. Naoto would have had to go through difficult lengths in order to get not only his school, but the country and media to see him as a man.  He’s a well-known "detective prince".. someone was bound to look up his records and find out about it. That's a huge risk to take.
In addition to this, he binds. He goes by masculine pronouns and a masculine name. He very audibly changes his voice to be more masculine. I don’t know how to tell you this, but this is just…. not something cis people do? At least not comfortably. 
In fact, doing all of this would have been incredibly uncomfortable for Naoto if he was cis. As someone who experiences dysphoria, looking like and being seen as a gender you are not can be really, really painful. If transitioning was something he really didn’t want, why would he put himself through all of that? Was it really to escape misogyny? Me asking this isn’t minimizing the issue at all, because I understand that it’s incredibly serious and hard for countless women. But I would generally think someone’s first reaction to facing misogyny isn’t to… completely change their identity and present as a different gender.
On top of being probably the hardest option of escaping misogyny available to him, and one of the most uncomfortable, presenting as a man doesn’t necessarily get rid of any prejudices Naoto may face. In fact, I would argue that it’s considerably more dangerous. Especially in a rural town like Inaba, where people seem to not really understand or approve of being LGBT. Naoto is smart, he would have thought of all of this. So why?
Inherent Transphobia of Naoto’s Arc 
There is something to be said about how much misogyny is present in Japan’s workforce, especially in fields like Naoto’s, and the importance there is in discussing that. The base idea behind his struggles and message isn’t inherently a bad one, but the way the game went about it was problematic because it put down transgender identities in the process.
The first time I watched Naoto’s shadow confrontation, it was really distressing to me. The game continuously repeats the idea that you can’t “cross the barrier of the sexes,” that Naoto “can never really be a man,” and  that “you can change your name, but you can never change who you “really” are.” I hope I don’t need to explain why this is a problem.
Naoto’s wish to be a man, regardless of what was driving it, is depicted as something temporary and childish. Something that Naoto “didn’t really want,”  something that was just an excuse to run away from the misogyny he was facing. Even if it was unintentional, this message is incredibly harmful to transgender people.
It would have been a better and much more coherent message about misogyny if the writers had steered clear of trans themes entirely. In fact, I think they did so well with Sae’s character in Persona 5-- she’s in the same field of work, facing very similar struggles, but she doesn’t react in the same way as Naoto at all. 
Kanji and Homophobia 
It’s even worse that Naoto’s “reveal,” on top of being problematic by itself, is used as a method to bury Kanji’s exploration of his own sexuality. The problems with Kanji’s own shadow are bad enough to warrant their own long rant, but the reveal that Naoto was “really a girl” this whole time allows the story to completely wave off his gayness for good.
This isn’t something unique to this game-- the trope of “two boys fall in love, but one of them turns out to be a girl so it’s fine” has been used numerous times in other media to explore the topic half-assedly. It plays with the “exoticness” or “drama” of a gay romance, but backs off at the end in order to uphold societal norms and prevent backlash. 
This doesn’t really give any kind of good commentary on gay relationships, nor does it depict them in a positive or helpful manner. It isn’t something that these games should be getting kudos for doing. 
Misogyny?
I think there’s also something to be said about how poignantly bad Atlus is at really tackling the problem of misogyny. It tries, especially with characters like Ann and Sae, and in certain aspects it can succeed. But then they have scenes like the pageant and Every Beach Scene Ever, where the women are forced to wear swimsuits or revealing clothing against their will, or their bodies are talked about without their consent. There is consistently a character in each persona game who is forced to do the whole misogynistic dipshit gimmick that’s supposed to be funny-- Junpei, Yosuke, Teddie, Morgana, Ryuji-- and while this is obviously not a Persona specific problem by a longshot, it’s still indicative of how unsuccessful these games often are in delivering the message that society’s systemic misogyny is an issue.
This is something I think about a lot when people try and argue that Naoto’s story can’t be about him being trans because it’s “an important message about misogyny.” Atlus often doesn’t deliver on such stories already, and they certainly didn’t with Naoto. As soon as Naoto returns to “living as a woman” he’s subjected to the same misogyny that the other girls are. His chest is commented on, he’s forced to be in the beauty pageant, he’s made uncomfortable in the bath scenes-- really, all Atlus did after the reveal was make the problem worse for him. 
On top of this, his story never actually meaningfully tackles the problem of misogyny in the detective force. It’s not a major part of his social link or the general plot of the game-- honestly, it’s barely even touched on at all after the initial confrontation. Thus, the idea that “Naoto can’t be trans because it erases a story about misogyny” is just plain untrue. There never was a coherent one in the first place.
Problems Within the Fandom
Despite all of this, there is such an intense backlash from the majority of the fandom if anybody dares to bring up these issues with Naoto’s story. Naoto being trans is generally seen as something ridiculous and stupid, or something to insult and mock people for.
I understand that there's always going to be people who say provocative stuff like this, no matter what anyone does, and that it’s not something exclusive to this particular fandom or character. But the problem is that this rhetoric isn't just from them anymore--the consensus among so much of the fandom seems to be either that Naoto absolutely cannot be trans, or that speaking about it at all is "annoying discourse" and taboo. Even from fans that are LGBT or allies themselves. 
This in and of itself is such a telling thing to me. if you find yourself getting angry about the subject, really ask yourself why. Is it such a problem for people to reclaim a transphobic story? Is it such a problem for a character to be trans in the first place?  There is room for discussion and nuance regarding this situation, but we have to make it for ourselves. We can accept that Atlus’s base game will never actually give us a coherent story about either misogyny nor being transgender with Naoto’s story. But petty arguments and insults thrown at people who bring up this topic isn’t any of that-- it’s just poorly masked transphobia. 
So at the end of the day, no, Naoto being is trans is not “canon.” Of course Naoto would not actually be allowed to be trans, he is a main character in a game series where the only explicitly LGBT characters have been consistently buried, stereotyped, or demonized with only a few rare exceptions.
Yes, you’re allowed to headcanon whatever you want about him. I can’t stop you from wanting a story about misogyny, or from seeing Naoto’s gender as something more fluid than I do. But you can’t ignore the fact that his story, as written in canon, is laden with transphobia despite its intentions. It’s not a ridiculous or harmful thing for trans people to want to reclaim that.
There are still a lot more issues with how Naoto is treated in the game-- especially in his romance route-- but that’s a whole other can of worms I’m not ready to unpack today lol
Hopefully all of this made sense though, and feel free to bring up anything else I may have missed or point out any issues you might have with it :-) Thanks for reading!
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dontcallmecarrie · 3 years
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Replying to the commenters of this post [heads up for angst]:
To @kine-iende, who said:​
hot damn. if "our" justin was a mom-friend in their home-universe, here people would start questioning if justin was in secret a very motherly scrull or something (and be fine with it ^^). but yeah, love the trope too. was it "for the want of a nail" or "through a mirrorm darkly"? well, contrast and a what could have been would be lovely. feel enabled, whenever you want to write this :)
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I am not very familiar with the concept of Skrulls [...iirc, that’s something introduced in Captain Marvel, which I have yet to get around to], but yeah, that tracks. Assuming it’s a thing they know to look for, though, because here Justin’s being themself is the biggest and most obvious way to establish that they are not canon!Justin.
Sure, they’re identical physically, but the moment either Justin opens his mouth, the jig’s up. 
As is, not five minutes into this strange hellscape where their oldest rival looked at them with no small amount of disdain in his eyes at first, Justin had already managed to charm their way out of holding and into a very relaxed “we’ll keep an eye on him” Avengers custody. 
Well, on paper at least— in reality, most of the team doesn’t really give a damn one way or another, whereas Tony starts out morbidly curious as to just how different NHDD!Justin is to the one he’s used to dealing with, and ends up getting a concentrated dose of All The Feels™ because the moment NHDD!Justin realized this Tony had a metric buttload of undiagnosed-and-constantly-belittled mental health issues and a support system that was equal parts duct tape and caffeine, he went “oh, so this universe is the Hell Timeline, okay, makes sense :) :) :) dammit Ivan you’d better fix this stat”. 
In retrospect, Justin’s not sure when exactly the horror show started; if it was the absolute lack of concern or care the Avengers had for their Tony, or the minute they noticed the gauntness in his face. Maybe the tension between Iron Man and Captain America, or the obvious bravado this Tony used– and the fact that none of the others so much as noticed.
All Justin knows is, a version of someone they care about is hurting, hurting badly and has been for a long time now, and that’s more than enough for them to go “oh, okay, mine now”.
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For his part, Tony has no idea what the hell’s going on. The non-annoying Justin Hammer who crash-landed an Avengers debrief is...something else, and he’s torn between shock, pleasant surprise, and no small amount of existential angst and jealousy because in the span of a few hours, Tony’s had a brief taste of what some other version of him had for a lifetime, and...
Tony’s not sure how he feels about it. He’s a genius, he can wrap his head around string theory and all that good stuff, but numbers are one thing, having to live with the fact that somewhere out there, a version of him grew up with someone so unfailingly kind and supportive and—Tony can’t think of a better word for it than nurturing— and, in the span of seconds, had been able to call him out on his bullshit and seemed to instinctively push him to be better but not in the demanding way his father or the rest of the world had—
If he thinks about it too long, it makes him want to cry, just a little. Somewhere out there was a Tony who’d been enough for someone, who had never been asked to change himself, who’d been pushed up instead of repeatedly torn down and he didn’t know how to deal. 
He’d thought having a non-annoying Justin around would be funny.
This was not, it was goddamn distressing is what it was, because Tony hadn’t even known it was a possibility but now he is acutely aware of the fact that he got stuck with his Justin— the human embodiment of one of those yappy dogs who nipped at people’s heels thinking they were so tough, despite not being able to back it up.
This Justin was, uh, not that. Tony wasn’t sure if he was always like this, or if it was only with him because he shared a face with someone Justin cared about, but... was he always this much of a mom friend? And where’d that granola bar even come from, anyway? Not that he minded, it was a nice change of pace, but really?
...Tony was really going to miss him, once they figured out a way to send him back home.
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To the commenter who said:
Stephanie isn’t a canon character, is she? Because if not, NHDD!Justin might be able to pull off a “the birth of my little sister awakened my previously deeply buried parental instincts” to explain his whole… [gestures uselessly].
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Technically, she could be, in that Justin Hammer has a sister and nephew in canon [according to the wiki and a deleted scene, apparently]. I chose to make her a younger sibling in NHDD, to really emphasize the ‘reincarnated with shitty memory’ aspect of this AU. Specifically, while it’s never specified, Justin’s past life was...not great, and part of it was the fact that their younger sibling was sick. 
With what, they don’t remember anymore, but sick enough that they know health isn’t something to take for granted; sick enough that towards the end, they remember their parents had to choose between paying hospital bills and electricity, remember going to bed hungry because meds were expensive and their next paycheck wasn’t until Friday.
...suffice it is to say, there’s a reason Justin’s so protective of those he cares about, even if his memories faded a bit on the specifics as time went by.
To be fair, canon!Justin also cares for his sister and nephew; it’s just that NHDD!Justin acted more like a third parent than a sibling, once Stephanie was born. 
Bear in mind that canon!Justin’s situation is very different than NHDD!Justin’s, because canon!Justin was basically set up to fail from the start as a normal kid who was constantly compared to a child prodigy two years younger than him and terrible parents. While NHDD!Justin’s situation is similar on the surface, the difference is they’re literally a reincarnated OC, with all the baggage that entails.
Maybe, if their second life hadn’t been surrounded by adults with A+ Parenting Skills, 0/10 Do Not Recommend, their issues and traumas from last time wouldn’t have been exacerbated. If they’d been born to a regular family, Justin would’ve been a good kid but nothing special, and their memories of a past life would’ve faded away by the time they hit puberty.
But instead, they were born to the Hammer family, and proceeded to be put through the wringer. 
Which is bad enough, and meant they immediately started leaning hard on everything from their past life because these people wouldn’t know good parenting if it bit them on the nose, but...then Justin’s little sister was born, which immediately kick-started every older sibling instinct they’d ever had because last time they’d been responsible for their younger sibling’s health and safety and you can probably see where this is going. 
aka yes, some of Justin’s behaviors could arguably be called trauma responses and/or coping mechanisms and it’s something I only realized as I was writing this, and no, this AU was not supposed to be this messed up
Justin’s responsibility, their willingness to deal with shitty parents and do tremendous amounts of emotional labor if it helped anyone they took under their wing? That’s no accident, that’s what happens when a soul has to be the adult, has to step up because nobody else is going to. There’s a reason Justin has so much disdain for Hank Pym and Howard Stark’s immaturity, why they have so little patience for their parents as time goes on; their mental age means the older they get, the more they’re looking at the adults around them and judging them hard.
...ahem. Sorry for getting a bit off-topic, but hey, at least now you know a bit more about what’s going on inside Justin’s head!
And yeah, if he had to bs an explanation for why he’s such a mom friend, Justin’d be more than happy to point to his little sister as an excuse. So long as they know she exists, anyway; if not, he’ll just laugh it off and try to chalk it up to one of the differences between their universes.
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edit to remove the stuff that got through my nonexistent brain-to-mouth filter because I was averaging a not-optimal amount of sleep as I got used to my new job
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Hi! So I'm writing this story where a cold, calculating Serial Killer-Killer adopts the baby of his last victim (who was a single father). But I'm kind of stuck on what difficulties my main character could face (he's VERY inexperienced when it comes to taking care of kids and he's trying to still do his "job" of hunting killers). Do you have any advice on what problems I could throw his way?
Serial Killer Becomes Adoptive Parent
There's a lot to unpack here...
1) Why does this man decide to adopt the baby? If he's "cold and calculating" it's not likely to be out of affection for the child, a desire to experience the joy of parenting, or a moral concern for the child's welfare. Pretty much all that leaves is self-serving reasons, and someone who becomes a parent entirely for self-serving reasons is going to face different challenges than someone who becomes a parent at least partly for selfless reasons.
2) People can't just point at an orphaned child and say "I adopt you," and off they go on their merry way together. The only way that could happen is if he kidnaps the baby after committing the crime, and takes it home to raise it in secret. Otherwise, the baby would presumably be found by whoever discovers the crime scene, taken into police custody and then custody of Child Protective Services. CPS would look for the victim's next of kin to find someone to take the baby. If no one could be found, the baby would go into the foster care system and eventually be adopted by certified parents who are already working with the system and are waiting to adopt a baby.
3) That said, the only way he could officially adopt the baby would be if none of the victim's family or friends came forward and the serial killer was able to successfully falsify records and pretend to be a close relative of the victim. In that case, if CPS evaluated him and felt that he was a safe and qualified person to take the child in, then they'd probably release the baby to him and put him on the path to adopting it (which is a lengthy and involved legal process.) So, at that point, I think you'd need to consider whether or not this "cold and calculating" serial killer could appear to be a loving, responsible, and capable parent with the means to adequately provide for the child financially.
4) Assuming that the serial killer kidnaps the child from the crime scene, before it's discovered by anyone else, the challenges he'd face in raising this child would be much greater than simply being inexperienced...
Does this man have friends, family, co-workers, neighbors, or service people that he interacts with even occasionally? If so, how will he explain the sudden appearance of this child?
The discovery of a murdered man whose baby has gone missing is going to be big news, and that baby's photo and details will be splayed across television screens, billboards, and social media feeds probably nationwide. That will make things mighty difficult for the serial killer when he suddenly has a baby in his care, especially when that baby's face is currently big news. How is that going to work?
Required immunizations, doctor and hospital visits, daycare, and school are just some of the things that will be tricky for the man to obtain for the baby without a birth certificate or other official government documents. These can be faked, certainly, but every use of fake documents puts the man at risk of being found out. And if he's found to be in possession of a child who was kidnapped from his parent's murder scene, it's a short leap for the police to realize the man is actually the killer.
5) Assuming you can figure out a way around all of that, or if you simply want the child in his care for some amount of time before he's discovered, here are some general "inexperienced parent" issues he might come up against:
Sleep Disruption - babies and small children rarely sleep through the night and to a decent hour of morning. They tend to wake up (babies will cry) multiple times throughout the night, and are often awake for the day as early as four or five a.m. This can be challenging for anyone who suddenly finds themselves taking care of a child.
Feeding Issues - babies and small children require a lot of nutrition, but sometimes feeding them properly can be a struggle. They may not want to eat or may not eat the amount they're supposed to. They can be picky, entirely refusing some foods. They can also be very messy eaters, requiring clothing changes, baths, and massive clean-up efforts after some meals.
Crankiness & Tantrums - Sometimes babies and small children scream and cry incessantly. They might be tired (but unwilling or unable to sleep), hungry, gassy, in pain, frustrated, need a diaper change, or not feeling well. Sometimes, even if you try everything you can to address and relieve potential issues, they just want to scream. This can be very frustrating, even for experienced parents.
Parental Exhaustion - Babies and small children are a lot of effort. Not only are you probably beginning your day on a sleep deficit, you're going to spend your day changing diapers (8-12 changes per day for 0-1 year olds), preparing and feeding meals (several times per day), bathing/cleaning up, soothing when crying or tantruming, playing with them/interacting with them (making sure baby gets "tummy time" and crawling/walking practice), taking them outside/going for walks, cleaning up after them... It may be rewarding for people who want a child, but it's still mentally and physically exhausting, especially without help. And, given this man's situation (and all the things addressed in #4), is it likely he would have any help?
Aging - This is a long-term one, but something to consider depending on the timeline of your story. Babies grow up, and eventually they need companions, need to go to school, require medical care, and start asking hard questions like "who is my mom" or "why don't I look like you?" What will the man do when this happens?
Hopefully that gets the ball rolling in the right direction for you! Good luck with your story!
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nanis209 · 3 years
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So in my last post I said I wanted to rant a little about how I hate the ending of Arya and Gendry’s story is Game of Thrones and that is what I’m going to do now…. Spoilers I guess (it’s been two years so whatever)
Ok so I’m going to talk about each character as individual to explain why I didn’t/ don’t understand their finals decisions. (Also this is strictly based on the tv show not the books)
Let’s start with Gendry. Where in the whole of the series does Gendry express a great desire to be a Lord of Westeros??? The only time I can think of that he thought his low birth status was an issue was when Arya said she could “be his family” and he was sad because he knew that was not possible, other than that it was never something that seemed to be of great importance in his life. Now, after he was legitimized and given a title I understand he would be excited because he wouldn’t be seen as a bastard anymore, which is great but in the scene where he proposes to Arya he says “ none of it will be worth anything if you’re not with me” so why does he stay then after she says no to his proposal because it wasn’t that Arya didn’t want Gendry is that she didn’t want the life he was offering her, being a lady. He could have walked away from it all, especially after everything went to shit and they had to basically start the government over again. There was nothing really tying him to Westeros anymore just the new title he had and again he didn’t really seem to care about it even after he found out he was Roberts son… it made no sense to me!!!
And now Arya… now I understand that she never wanted to be a lady and she never wanted to be submissive to a husband and all that ( although let’s me serious, Gendry would be the sub I their relationship) but what really annoyed me was that they made it into a “one night stand” kind of situation from Arya’s perspective (in my opinion). Gendry was someone Arya cared about for years! She was shown to have some kind of feelings for him when she was young and she would check him out, she traveled with him for years, he was her friend and she trusted him! Trusted him enough that even though they had not seen each other for years, she still went to him to lose her virginity! Arya! Who is a trained assassin, literally doesn’t trust anyone, trusted Gendry enough to be vulnerable in front of him and after all of that when he proposes all she can say is “that’s not me” ………,,,, no! She could have said “it’s not our time” or “I’ll come back to you but I need to live my life first” they could have left it open ended and it would have been better than what we got. They had a great chance to really show the Stark sisters doing a 180 from the beginning of the series to the end but nope they fucked it up. Sansa started as a young girl who thought she had to get married to her Prince Charming and have kids and that’s how she would be queen and she ended it realizing that she could be powerful and rule without a man. And I’m not saying Arya needs to have a man but maybe she could have learned that being in love and having a partner in life doesn’t mean she has to be submissive to a husband, that being in love is ok and it could be part of the reason her life is happy. Especially for Arya that spend so much of the series separated from literally everyone from her old life, she could have been free and in love but nope, the show runners really said “this 18/19 year old, who had been through so much, is going to think the same way as her 12 year old self”. I made a post about how I loved the episode “The Long Night” because they showed that even Arya can get scared and she is human and she isn’t just a killing machine and then what do they do with her?? They made her seem heartless and like sleeping with Gendry was just an experience she wanted to have and not something she did with a man she cared/loved!
Anyway I done ranting. Sorry for any grammatical errors I didn’t proof read. Also it’s ok if you disagree with me this is just my opinion about these two characters
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the-shiniest-plant · 3 years
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OC Interview: Fionnuala
Draw (or use an old drawing, don’t worry!) or take a screen of your character in an interview setting and make them answer the following questions!
(I was tagged by @uselessidiotsquad and @thoseofuswhoblossom! Hi, guys!)
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Introduction
Can you introduce yourself?
- Hi! I’m Fionnuala, Nuala to friends, family, and anyone who finds my name difficult to pronounce. I’m a member of the Crystal Bloom, one of Aurene’s Champions, former Slayer of the Order of Whispers, former Warden, and Maker of Friends! Nice to meet you all!
What is your Gender Identity, Orientation, and Relationship Status?
- Cisgender Female, Panromantic Demisexual, and Single. Turns out not a lot of people want to date someone who’s dragon-branded… which I can understand.
When and where were you born?
- I was born in the Grove about…. Five minutes after midnight… sometime in the Season of the Phoenix, in… 1310! Yeah, that’s about right. I can’t remember what day, but the day doesn’t really matter to Sylvari more than the time of day, so… I guess it makes sense. Does that answer your question well enough? Yes? Good! What’s next?
What is your weapon of choice and fighting style?
- I fight with two longswords - one in each hand - and though I’m heavily armored I can and prefer to jump in and out of the Dream like most Revenants do the Mists in order to get the drop on my foes. I do use hammers from time to time when I need to hit something far away that I can’t get to. Though, most of all, I like to use the magic of Aurene to lend support to my allies in battle - regeneration, strength, cunning… though I can’t do that too much or it wears me out. Still makes me happy knowing my allies may have survived because of these gifts.
Lastly, are you happy?
- Well, I’m as happy as my current life situation allows me to be. I know I could be happier, if I had different circumstances, but right now I feel like I’m… content at the very least - my brother is safe, my Mother is getting healthier by the day, and I’m always willing to answer Aurene’s call to service. I’m a bit lonely, in all honesty, when apart from my friends in Rurikton, but for now I’m okay with that - I figure when the right person for me comes along, I won’t be so lonely anymore.
Family and Friends
What’s your family like? What is your relationship with them?
- I have a pod-brother, Sitheach! He’s a wonderful person, and I love him dearly. We’re very close, and we write to one another all the time when he’s on missions for the Pale Reavers, just to keep each other posted on current situations. He’s been home for a bit now, which is a blessing. His boyfriend misses him terribly when he’s away so seeing them back together warms my sparkly little heart!
Have you ever run away from home?
- Nope! I’ve been called everywhere I’ve been, so technically I haven’t “run away” from anything.
Would you consider marriage or having children?
- Well, marriage is a foreign concept to Sylvari, as is childbirth, but I would absolutely love a partner, and would certainly adopt orphaned children of other races if my partner was also okay with raising them, as I highly doubt with my duties as a Champion of Aurene would allow me to effectively raise a child alone. I like to think I’d be a good mother, though.
Do you secretly hate one of your friends?
- Pfffft, what kind of a question is that!? Why on Tyria would you call someone a friend if you secretly hated them? How silly!
Which friend knows everything about you?
- The only people on Tyria that know all about me are my brother, and my best friend Elspeth. That being said, I’m rather open to questions so if you see me in public and want to know more about a specific sliver of my life, just ask! I’ll do my best to answer.
Asked by Fans
Are you literate? Have you been to school?
- I can definitely read and write, as most if not all Sylvari can do that from emergence, and… does the Dream count as schooling? I know learning from Mentors does, but I feel like I learned more from the Dream than I ever did from my mentor - sorry, Maeryn, but it’s true!
What’s the eeriest prediction you made that later came true?
- I don’t think I’ve made any predictions like that, it’d be handy if I could, though… I wish I could’ve predicted the attack on the Grove during the World Summit… if we were prepared… maybe, just maybe Mother wouldn’t have been so grievously injured…
What is something that you were embarrassingly late in realizing?
- I partially understood how the other races weren’t born from pods, but what I didn’t know was the process of mammalian conception and live birth, until a kind Asura explained it to me during a stay in Divinity’s Reach. Hi, Quizz! Hope you’re well!
Do you have mental health or physical issues?
- Hoo boy, where to start… Anxiety and a bit of depression, mostly. Not being on the scene in time to help defend mother during the Shadow of Mordremoth’s attack… it really hit my self-esteem, so now, whenever I’m too late to save an innocent life, it… it haunts me for days…
What is your current main goal?
- My current goal is to protect the people of Tyria and help them in whatever way I can. It may or may not be a compulsion that I get from being Branded, but I’d likely do that anyway without the compulsion, so it works out.
Choices
Drinks or food?
- Drinks! Nothing like a good glass of Nectar after a long day of doing good things!
Cats or dogs?
- Dogs. Sylvan hounds. Specifically the puppies... I need to visit Danador’s Kennel again!
Early bird or night owl?
- Definitely a Night Owl! Which makes sense because of my Cycle. I thrive in the Evenings!
Optimist or Pessimist?
- My friends have never known me to be anything but optimistic in all my endeavors, and I certainly don’t plan to stop now!
Sassy or Sarcastic?
- Ooh, hard choice… they both have their merits… can I say “both”? Is that okay? I honestly can’t choose with this one!
Have you ever…
Been caught sneaking out?
- Of a Nightmare Camp? Yes. On several occasions, actually. I got a lot better at not being caught after I joined the Order of Whispers. Mostly because I didn’t have Ellie to help distract my foes so I could make an escape, if I was caught. Which I wasn’t! Not after Whispers.
Broken a bone?
- Never! Not even during Dragonstorm! Rather lucky on that front, my Priory friend lost her whole arm! Hi, Vledda!
Received flowers?
- No. Grown several myself, though.
Ghosted someone?
- Like, turned them into a ghost? Probably several people.
Pretended to laugh at a joke you didn’t get?
- Oh, plenty, when I was a sapling. I understood humor more and more as I kept living.
And there you have it! I tag @moonlit-grove again because I want Sitheach Lore, dang it!
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Expanding into my other Fandoms (I’m gonna have to take a stance) Read the whole thing please.
One of my oldest and most beloved anime is Inuyasha. As of late I have been binged watching the hell out of it as I am getting my BFF into different anime shows. We are really close to entering the Yashahime part of the series, and she asked if I planned to write fanfiction involving the one character which made me even watch the show as a 10-year-old.
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Sesshomaru
The first episode I ever watched involved this aloof, entitled dog fighting his brother over the sword in their father’s grave. Specifically, it was part 3 of that whole episode series were Kagome pulled out the sword. I at the time had 3 dogs of German Sheppard/wolf hybrid, they were MASSIVE dogs, fell in love with the big white fluff that was Sesshomaru’s demon form. I use to sneak staying up and watch the show faithfully to see the goodest boy as it was only on at 11pm EST on adult swim. Which meant it was bad and I was breaking the rules, I felt like a rebel.
Now I hesitated answering that question. She has no idea of what is in Yashahime, she is being careful not to spoil it so I told her I didn’t know. Recently, to find out what the feel is for Sesshomaru content, I looked into the tag on tumblr…
OH MY GOD.
Sesshomaru’s tag is FLOODED with hate. Like every four post, there is hate, distain, and attacking happening. As someone who watches Yashahime, I quickly knew why.
Sessrin.
Even now I sigh. And I sigh HARD. I am not for, nor am I against the Sessrin train. Same for the Sesskagu train. I think both sides need to look at things on a logical prospective. I plan to do just that. I know I will get hate from the either side and maybe some support as well. But if I am going to do anything in this fandom (as I like doing ships and reader inserts) it will come up.
So, like my Kaiba post, and my Sebastian Heel post, I will use my research skills as well as my COLLEGE DEGREE WHICH HAS BOTH ART AND MEDIEVAL HISTORY labelled on it to explain why this progression in the story is normal to anti-Sessrin fans and why this isn’t a crime by story standards nor should we look at it as a crime.
AS WELL
Explain to Sessrin fans why it is so weird for non-shippers to see it play out and why so much hate formed.
As I let out another sigh, we shall begin. Let’s start at an historical prospective. (Links at the bottom).
PLEASE READ THE WHOLE THING! I’LL BE ABLE TO TELL!
~~
I will start with the information I can access right away.
While finding charts on the life-span of common folk in 1590’s Feudal Japan is rather difficult, Ancient.edu states that the average lifespan was about 50. To put this in perspective, the average lifespan of Europeans at the time was somewhere between 40-45 with the latter being rare. Since most of us reading are not from Japanese descent, I will through Europe in this first.
If we look at the same time frame of 1590, we are looking at most of Western Europe had now entered the age of Renaissance. According to sources from Learning Resources in association with the National Gallery of Art, marriage was not what TV drama’s from HBO or Hulu depicted. By today standards they would be a crime, as the average age for marriage of an adult female was age 14…
The reasoning behind the young marriage age had multiple factors. First being, females were considered an adult once they were menstruating. Birthing also proved to be fatal, and since the lifespan was at best 40 and 45 if they were lucky, there was really no room to wait. Also Europe at the time had became hugely focused on making sure blood lines were legitimate, meaning to ensure the girl was a virgin, the moment she was able to reproduced she was married off. Those they married were not young teenagers either. Most marriages, a man would be in their thirties, and had probably multiple wives as women died more than men when not counting the battle field.
To make matters worse for the Renaissance Lady, these marriages would leave many young males unable to marry and if their husband died in battle, well, unfortunately they were not seen as desirable. This was due to the idea of a ‘free woman’. Should the girl not have a father, brother or uncle to return to as they too died, a widow had her freedom. But that freedom came at a cost. She would be assumed to have slept around, and in many writings, such as the Canterbury Tales, where Geoffrey Chaucer writes about a Window on a pilgrimage to the Holy Land survived her five husbands and the men in her family. In short, she was made to be a slut and to be looked down upon as no man controlled her.
The point of talking about Europe is because that is something most of us Non-Asian or Japanese people consume and like to paint in large romantic brush strokes of knights and magic. Honestly, reading G.R.R.Martin Song of Ice and Fire, he uses this model as we see the Queen of Dragons, Danny start off at age thirteen shortly after she had her first menstruation.  
Now let’s look at Feudal Japan.
As stated before, the lifespan was around 50 years. In some populations, this was even shorter. Nagaoka, Hirata, Yokota and Matsu’ura’s on demographic data at the Yuigahama-minami area in Kamakura, Japan and found both male and female remains that suggested life expectancy to have ended around age 24-25. This was largely due to living conditions and public health. In areas like these, it would make the most sense to marry and repopulate quickly as the expectancy of life was half the national average at the time.
To my frustration, I could not find a clear marriage age for Japanese women at the time of the edo period. HOWEVER, where there is a will there is a way. I took a look at famous Lords or Daimyo’s of the time. The average age of marriage of their wives was between 12-14. Much younger than I expected, but it made sense considering this is a time where war ran the show and marriage was strictly about political gain. One of these Daimyo’s was Masamune Date, who was also 13, but then as he got older took concubines who became considerably younger than him as he became older. The goal was to have as many children as possible for hires and for political marriages to gain power.
Now lets look at Inuyasha the MANGA
Lets get the manga timeline proper here. The whole adventure took place in 11 months, a month shy of Kagome’s 16th birthday. Doing a few estimations, Rin would have travelled with Sesshomaru about 8-9 of those months. But before we get into the relationship, lets look at something the ANIME made a huge mistake with in the beginning and tried to fix as the story went on.
For some reason I could only fine gifs for the Early appearances of Sesshomaru so bear with me.
Early appearances in the manga
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 ^ He was so fickle and a trickster then...
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Now early apperances in the anime.
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Later appearance in the manga
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Laster appearance in the anime
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Notice the issue here? 
Sesshomaru was CONSIDERABLY younger looking in the start of the manga. In the anime, he started off looking like an fully adult male. But as the anime went on, they tried to make Sesshomaru look younger with subtle changes to his jaw line, eye size, and his height. Yeah, his height had changed. They made him shorter.
While in the manga, we see this young-teen looking demon, slowly mature over 11 months to look like he is in his later teens and by series end, closer to being in his late teens or twenty. Yes, art changes over time, but the anime went a reverse route. I can only guess they spoke to the author of Inuyasha about her ships, as they did Drama CDs, and realized the mistake that was made in making him more mature than he was.
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You can’t tell me he doesn’t look closer to his manga self in the final act, because he does.
Since we are on the topic of the anime, lets be clear. The anime timeline and manga timeline are very different. The story in the anime (in the English) suggests that OVER a year has past since Kagome started her journey. They try to fix this in the final act, but it was still so muddled as previous seasons are to be taken as cannon. This could have been due to an translation error in the early production when the anime no longer had anymore manga material to reference. But whatever the case, for English viewers the time the group spent together felt much longer.
So now we come to the heart of the issue.
Because of the mistakes of the anime, a lot of anti-sessrin see the relationship as father daughter. I’ll be honest, watching the anime and solely the anime as a teenager and as an adult (as the manga was on hold for a very long time due to author’s health. I was in college when it finished.), I too thought it was just a father-daughter relationship and Jaken the nanny who got punched all the time. In fact, the English took hard liberties with Kagura, as the English dubs often do with characters, and made it very clear her feelings for the demon lord and Sesshomaru very much recognized them (though he never responded). Even in her death scene, it felt as if he was saying good bye to a friend more than love interest. But who really knows, as there are things that point otherwise.  When another demon mock’s Kagura’s death, Sesshomaru gets super pissy.
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The manga did also play with this fact when it came out in English, idk if the wording or message is different in the Japanese. Translation errors happen a lot even in todays releases, look at Kuroshitsuji.  So of course most anti-sessrin’s did not see this coming in Yashahime when Rin was named mother. In fact it felt like a betrayal as we were sure Sesshomaru had no romantic feelings.
Then there was the Kohaku/Rin mashup that was hinted left and right. The English anime, with its overly dramatic and blunt emotions made it appear one way. That in the end the two kids would probably be married. Then the anime as a whole made Sesshomaru older than intended. I can see why and understand how this became a problem.
On the other side of that coin.
If you followed the dub, seen ‘Swords of an Honorable Ruler’ and read the manga… Sesshomaru was not fatherly to Rin at all. In fact, Jaken picked up all of that leg work. Rin worried for Kohaku, but clearly loved Lord Sesshomaru. Sesshomaru cared about Kagura but he almost CRIED when he lost Rin.
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We have to remember that Sesshomaru and Rin’s relationship must have been very hard for the demon. While we never see his mental process expect for a few rare times, we have to remember he hated humans. In the movie, he blamed a human for the early death of his father, Sesshomaru killed without mercy. It made sense that he wouldn’t be fatherly to Rin as her just being there should have caused countless inner conflicts. Hell, he even says his father’s weakness was humans, and look who picked up that trait.
Sesshomaru was designed to, someday, walk in his father’s footsteps. So sess/rin, not a surprise. Also when you see it in a historical perspective, Rin having kids around age 15-16, makes sense. In fact you could argue he waited too long for the time period.
We also need to look more at the manga when concerned with Yashahime. 8-9 months is all Rin travelled with him and he was like hold up, and left her at the village because he KNEW she needed to come to her own conclusion. That no matter what she picked he would live with and protect her. Unconditional love on his end. She cannon wise spent YEARS living with humans and MONTHS with Sesshomaru. Again, by manga standards of cannon.
Now I can already hear the screaming about age and what not. Some sources say Sesshomaru is over 900, by the rule of thumb, if we look at anime and movie releases, we have Sesshomaru being over 500 with no define age and Inuyasha around 270 years old being more pinpointed due to the movie. Just by going by ANIME CANNON. Kagome and Inuyasha, you have a 15 year old with a 270 year old man. If you say being pinned to the tree doesn’t count, then you have 220.
Also, here is something very interesting. In the episode where Inuyasha meets the unmother, he tells her, thinking it was his mom, she died when he was very small and we have flash backs later in the series of him being small running from demons. Demons clearly age much slower than humans, even half-demons. Inuyasha can be 270 but mentally and physically be 15, the same logic works for Sesshomaru, who in the manga is not much older than Inuyasha.
In the manga, there wasn’t any grooming, in the anime, there was a ton of mess-ups but no grooming.
Would this fly in todays world? HELL NO! NO, its gross, she’s a kid. Stop.
I know any fanfic I write will lean heavily on the side of father/daughter because that is what I grew up seeing on the screen. I can’t think of Rin as an adult because years of seeing her as a cheerful little girl. It’s like seeing G.O.T Arya about to have sex for the first time in season 8… I remember when she was a kid on the show. It was way to weird and I had to look away until it ended. But that’s my 2021 mentality.
But Inuyasha is not taking place in 2021. Feudal Japan is a whole other era with its own beliefs, morals and way of life. Those who understand this have nothing wrong with them. They just understand history.
Also, just to bang some nails in…
Anyone remember Bleach? Remember the MOST accepted couple was Ichigo and Rukia…. Rukia who was hundreds of years old and Ichigo who was 15… or Ichigo’s mom who was a teenager and his dad also hundreds of years old.
Most of this also boils down to Sesshomaru being a dude. As in reverse roles in animes its accepted and they don’t have the same historical context. Inuyasha is based off of historical context of Feudal Japan.
We need to stop spreading hate. We can’t accept some forms of literature because its European fantasy but bash other fantasy based literature for doing the same thing.
Sure, its weird for those who were use to seeing the father/daughter dynamic. Yes, there are extreme sessrin fans who post really questionable illegal content when they decide to leave Rin as an 8-year-old…
But this wasn’t ever meant to be perverted. The story was meant to make sense on a logical and historical base.
I hope everyone takes the time to read this. I love Inuyasha, I love Sesshomaru. I am just sick of seeing so many people fighting over what should be the revival of a beloved series. While yes, there is still room for sess/rin not being a thing, until it is stated otherwise, why hate each other? This fandom will only lose people by doing this. Calling people names or accusing them of illegal endorsement can hurt someone these days over social media.
Tumblr allows you to block tags. You don’t have to read anything or watch anything you don’t like. We gain nothing from attacking each other but can lose so much by doing so. Fanart, really good fan fiction, friends, ideas, sharing fond memories. Both sides have the right to feel as they feel, but no right in hurting each other.
A fandom is meant to bring people together. Not start a war…
Thank you.
https://onlinelibrary.wiley.com/doi/abs/10.1002/ajpa.20402
http://www.italianrenaissanceresources.com/units/unit-2/essays/husbands-and-wives/#:~:text=Marriage%20not%20only%20reflected%20order,to%20ensure%20the%20bride's%20virginity.
https://www.ancient.eu/Canterbury_Tales/
https://www.ancient.eu/article/1424/daily-life-in-medieval-japan/#:~:text=Just%20as%20Japanese%20people%20today,in%20Western%20Europe%2C%20for%20example.
https://en.wikipedia.org/wiki/Date_Masamune
https://en.wikipedia.org/wiki/Megohime
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