Hey, I did a thing!

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I am here today to talk about marinette's school.

THERE'S NO WAY THATS PUBLIC SCHOOL

So, obviously, its a rich kids school

Lets go through the list

Chloe - daughter of the literal fucking mayor and a celebrity (i cant care enough to remember what her mom does)

Adrien - model and son of (apparently) Paris' only fashion designer (have you seen any other posters with other models in that show? Yeah, me neither)

Marinette - daughter of the owners of a very well known bakery (we're not even gonna mention how many contests she's won, and my girl designed an album cover for jagged stone, but thats out of topic)

Alya - daughter of the chef who works in the mayor's hotel

Sabrina - daughter of a police officer (idk about police ranks and shit but i'll bet my ass he makes a good amount of money)

Juleka - daughter of Jagged Stone (if he pays child support, there's no way a rock star like him is giving little money to raise his children) (oh yeah and THEY LIVE IN A FUCKING BOAT. That cant be cheap)

Alix - daughter of a guy who is in charge of most things at THE LOUVRE (he works there, and it seems like that to me)

Mylene - her dad starred in a movie, i am pretty sure thats not something that happens every day

Zoe - again, step daughter of the mayor, daughter of a celebrity

Kagami - i'm not sure what her mom does but the point is she's rich (i love kagami so much but i havent watched mlb for years and im only getting back to it now, what kagami's mom does is not important)

Thats as far as my memory goes, i don't know if we've seen the rest of the class' family

Plus, i think at least 2 celebrities have been to their school one day or another, i could be wrong tho

NAPOWRIMO24 #9: ODE TO A PAIR OF PLATFORM BOOTS

reminders of the passage of time moodeboard

i've always got to pick faves that have the dumbest fucking takes made about them i stg

according to letterboxd i've watched 261 films this year (not counting un-logged films and the couple of weeks left to go)

so despite being tripped up in my plans by suddenly speedrunning doctor who these last couple of months, it's not been a bad year on the whole:

watched my first horror exploitation films -- "cannibal holocaust" and "last house on the left." I cannot say this genre will ever be a favourite, but there is a fascination to the uncomfortable feeling of realism in both of these

overall I watched much less horror this year, partially because I spent october travelling, so didn't do my usual one-per-day themed watch. out of these "lair of the white worm," (generally want to go down more of a ken russell rabbithole next year) "ravenous," (the best cannibal film that nobody's ever seen) and "nightbreed" (the other clive barker directed, which, listen, it may have flaws but it doesn't I tell you, this is a perfect movie!!!) stood out the most, but was also positively surprised by both "return of the living dead" (which, yes, was schlock, but very enjoyable schlock) and "the ritual" (I was expecting to like the ritual, but not for it to feel incredibly personal somehow -- the underrated of the two horrors I know of about english-speaking tourists with trauma trying to recover in the swedish wilderness, by far my favourite!)

also, finally watched the original "the exorcist" which... argh, you know when people say "this thing is really good" and you go sureeeee whatever, it's ruined by the hype and the way you talk about it makes me think I'm not gonna like it, and then you watch it and it's really good dammit!

also, i was convinced I watched "nope" last year, but it may be this year. I watched it three times this year, and I didn't log it last, so that means I get to go ohhhhh "nope" is just a movie of all time, it deserves the future cult status it's gonna have, I've been yelling about it with @le-red-queen because finally finally someone I know has also watched it why does it feel like my friends are sleeping on this film????

also! "prey"!!!!! ohhhhh the future of horror looks bright! my favourite predator film, including the first one. it made my brain buzz, it was beautiful, it's incredibly blunt statement that the predator is barely a threat compared to rapidly expanding colonialism, the lead's journey is stellar and painful and punch-the-air and... great film

I got to spend a lot of january watching a film festival that centred on movies by indigenous people "from Turtle Island and around the world" (as it says on the website -- definitely and understandably mainly around america and canada). favourite of these was "honey moccasin" a fascinating little comedy movie that maybe predictably hooked me because it also had a queer focus within its portrayal of community

also at a local queer film festival, got to see "wildhood" a movie about a gay multiethnic mi’kmaw teen, who goes on a roadtrip looking for his mother -- think this is probably one that would be difficult to find otherwise, so youknow... check out local film festivals you never know what you'll see!

have gone on several rambles about "great freedom" and "joyland," movies that I watched relatively close together that have basically haunted me all year, acting as comparisons to nearly everything else I've seen -- think they've put ideas about queer stories in my head that are exemplified in a lot of queer writing and avant garde film-making, but often isn't seen on such a big scale, budget and quality-wise (this not to say the small-budget films are less worthy, it was just a bit heady to get to see these two and be blown over by their largeness). also something about a film that takes place in post-wwii germany and a film that takes place in modern-day pakistan feeling like they belong together to me. they're thematic, philosophical, political kin

got to go deeper into todd haynes, with "safe" and "poison" (yes yes we're super late to the todd haynes dive, but sometimes you just want to rewatch velvet goldmine a million times forever, so it takes you awhile to get to his other greatest hits). very excited to watch his latest film, sad i can't see it in theatres

watched quite a few queer documentaries, including "lotus sports club" (about a football club in indonesia run by a trans man, that provides a safe place to lesbians and trans boys), "you don't know dick" (interviews with trans men in the 90s), rose von praunheim's "transexual menace" (a sprawling, seemingly random depiction of trans people in the US -- a million amazing portraits), and "kokomo city" (a documentary about black trans women sex workers, directed by d smith, who is herself a black trans woman, music producer, excellent writer -- the way this movie is edited is so Vivid and you can tell there's so much freedom to really say things than in work that isn't community led. the philosophy, the politics, chatting while in the bath, that familiarity, that openness!)

in more classic musical news, got to see "the court jester" (only mildly a musical), "on the town" and its thematic successor "it's always fair weather," (gene kelly on rollerskates), and fiddler on the roof (finally) -- enjoyed all of them! shockingly low on musicals this year, but I intend to get inspired by @fabiansociety's list for the upcoming one

a few surprises for me were "streets of fire," which I've become mildly obsessed with, for being simply The Coolest Film you never watched as a kid (baby willem dafoe biker gang leader + music written by the guy who wrote for meatloaf and fleetwood mac??) it's just a straightup good time and also did this thing of writing a male role, casting a woman in it, and accidentally giving us a butch lesbian (with a line to make it seem like she had a boyfriend one time, but like... that doesn't take away her butch cred),

and also scorsese's "kundun," which I had no idea what to make of, because it didn't feel like a scorsese film at all. I think I have a bit of a love-hate relationship with scorsese in that I think his movies are frequently gorgeous, but his focus is almost always to the left of the people that interest me (that is, everyone around the white guys with guns who yell a lot). kundun is about the dalai lama and it is. very very anti-violence in its depiction of the invasion of tibet, because the POV is a pacifist who's shielded from seeing the violence, so the three scenes that briefly depict it are all the more shocking. and like... scorsese seems to have been coming at this movie from the perspective of education/plea for the freeing of tibet? which, yay, but... unexpected movie, that is all. also they speak english, although the actors are tibetan, including the grand nephew of the dalai lama portraying the dalai lama (I think this movie shouldn't be in english, but that is very cool). strange film, definitely watched a bootleg dvd copy with a completely wack aspect ratio that I couldn't format on the screen, but sometimes that's how you've gotta see something

a few classics. saw "jeanne dielman" for the first time, then utterly failed to describe it for everyone I talked about it with. I feel like saying "three hour long movie about a woman's repetitive life that is slowly, but surely, about to explode" is... idk, maybe it's going too much into detail. pointing out the static camera, the near-lack of dialogue, the scenes that simply consist of her sitting, and people instinctively go "oh that's a gimmick." but I also think if one can herald something like "orphee" or anything bergman did or "stalker," then this is not so off-putting (I found stalker to be a lot harder to focus on actually, which surprised me considering its subject matter). I know a lot smarter people than me have pointed out that what may truly be disturbing to people is the fact that we're following a life in such detail that isn't considered a valuable/interesting life to follow, especially not for so long. and that is... well that is just our internalised sexism. it's a good movie

this turned out quite long, but wanted to sit with some of these movies for a bit. I'd rec all of them, depending on personal preference and limitations

going out of town so won't be here for the rest of the week but I've queued stuff as always so this is the periodic reminder that I basically queue everything and have not been able to successfully autotag my queue in years, so I'm not just ignoring you if you respond to something right after I post it, I'm just not there!

when will tumblr staff understand that we are on this website because we like it!!! as it is!!! you don't need to keep making weird ass changes to it to try to make it new and exciting!!! tumblr has always been a website that has naturally attracted people BECAUSE it's different, not in spite of it. assimilation to the status quo is fucking stupid. we like our weird website, please stop trying to take it away from us.

it's 2023 and i'm still bitter about how kuroshitsuji, a complex slow burn mystery manga, got absolutely massacred by its shitty semi-episodic shota/fujobait anime adaptation

holi used to our day:/

First posted piece of 2024 featuring Ghazan’s older sister Haya, take 2!!

I don't think congratulations is the right word but thanks I guess

May and Serena 🎀👑

I'll probably not post a lot anymore here in the future... apologies.. you can still find me on Twitter as _qwqvi_ (main) and ivqks159 (art account) tho!

Baby boy brother birthday photos from last year that I just realized I never uploaded!

just went through my drafts and narrowed it down from 500+ to 27. this is after it was well over 1000 a couple weeks ago lol