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undertheshivers · 9 months

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So, the Olivia Rodrigo track list video quite literally showed each track title in order. I want to go over them cause I just love that she did that.

The Track Titles:

Here's how the teaser video relates to each one:

All American Bitch (0:00)

In this case, there isn't much that Olivia does but walk into the room. I feel this song might refer to Olivia calling herself the "All American Bitch," perhaps referring to how others have perceived her after Sour. Thus, her presence is the reference.

But I would like to add she does drink a coke, and in the video revealing the title tracks she uses them to curl her hair. Coke might be used here as imagery considering it's such a well known brand in America (and world wide but I digress). So much so there's a term called Cocacolonization, "refers to the globalization of American culture (also referred to as Americanization) pushed through popular American products such as soft drink brand Coca-Cola," [1]

I also found by googling All American Bitch a Girls episode titled "American Bitch." This might be reaching, but the episode deals with a controversial author with sexual assault allegations and the main character who is a writer. I haven't watched the show so I'm taking Vox's word here when they say the episode is about an older man taking advantage of a younger woman who somewhat wanted approval of said man, to only be disappointed that he's exactly what people called him out for being [2].

Bad Idea Right? (0:05)

As opposed to the previous track, this one is pretty straight forward. It's really the only track that was correctly guessed by everone.

After drinking her coke and walking to her vanity, she writes on the mirror "bad idea right." Simple as that.

Vampire (0:11?)

Considering this the albums lead single, I don't think she hints at it in the video. The closest thing being that she closes the blinds, however, that happens after what I think is how she hints at the fourth track.

Lacy (0:08)

This one is hard to tell since it's blurry. But she takes out some object, or what I'm going to say is cloth and or bra, from one of her boxes. She sets it on the side bed table beside the lamp. I'm going to say it's some form of lace considering the title of the track is called Lacy.

Balled of a Homeschool Girl (0:13)

I think this one is fun. In the video, after putting the curtain up, she takes out the yearbook. We get a better image of it near the end when the camera pans into her typewriter. We see the "Class of" and "Book Club" pages. I know before I thought titles of the track might be called such, but evidently that is not the case. It was alluding to the fact that she probably never even got a yearbook. I feel all the pictures in these pages are just her. It's clear in the "Book Club" page, but in the "Class Of" it's kinda hard to tell. But it is clear that some pictures are duplicates, so I wouldn't be surprised if it's just different pictures of Olivia herself.

This is also neat considering it builds upon the Sour Prom. I believe Olivia has said this album is kinda a continuation of her previous album, or at least growing up a bit since it.

In any case, I'm really interested to see what this one's about. I feel like it could be a genuine ballad, but the title makes me think she's being a little sardonic (perhaps both). Frankly, I feel this entire album is more cynical. But that's a different deep dive for another time.

Making the Bed (0:16)

Continuing on to the sixth track, after reading the yearbook, Olivia makes her bed.

(Honestly, I feel like I should have guessed this for how obvious it is.)

Logical (0:19)

This one is another hard to tell one. But after making her bed, Olivia goes to unpack, taking out something that kinda looks like a board game box. It's hard to tell what it's called, but I know some people thought the name at least started with an 'L.' It would seem the name on the box is 'Logical.'

Additionally, if it is supposed to be a board game box, the theme of the song could be using games as symbolism and using/not using logic to win them. Perhaps in (toxic) relationships.

Get Him Back (0:20)

Oh, I kinda really love this one.

Olivia puts letters on her bed, then in her bed side table. You can't tell what's written on them then, but in the video where she releases the title tracks, there's a cut to the letters. Each one has "Olivia R., 258 Get Him Back Drive, Los Angeles, CA" written on them. I just really like how the video builds upon the previous.

I also wonder if it builds upon Drivers License considering the use of an address and perhaps driving to it. But I also don't want to bank on that since these themes don't immediately need to relate to one another.

Love is Embarrassing (0:23)

(True.)

In the video, she starts reading a book with hearts on it. You can't tell what the title of the book is, but the use of hearts kinda signifies the relation. Could also refer to romance books.

Also, in the title track release video, at (0:10) there's a flash to a few books. "Love is Embarrassing" is one of them, which Olivia proceeds to take. Furthering the theory that is the book she is reading.

I'd like to mention here as well the other book titles. I feel these are on theme to what will be touched upon in some of her songs (and perhaps even the vibe and sound of the album: cheeky, a little angry, sarcastic, and reflective).

The Grudge (0:25)

I'd say the second closest title people got to guessing is "The Grudge." Olivia writes on a piece of paper, "Now I have a grudge," which was many of our guesses. I feel this will probably be a lyric within the song, if not the chorus.

Pretty isn't Pretty (0:27)

Another hard one to tell. She unpacks what seems to be a makeup bag and unloads what's inside. This song might reflect beauty standards.

Teenage Dream (0:33)

Now, this one might be off. But Olivia brings out a cake and starts eating some of it. I can't really tell, but some people think there's candles shaped as '19' on them. I feel this song might be about leaving her teenage years, maybe reflecting back on them, the highs and lows of it all. Perhaps getting ready for a new chapter.

And after that, the camera starts to pan on Olivia and her typewriter. There are other things people pointed out, such as the 'Obsessed' shirt, the paper with 'Stranger' written on it, the skateboard and whatever is painted on that, plus the sticker on the guitar case. These probably relate to lyrics to the songs.

But just to put it out there, there's a poster in the wall near her vanity. There's a theory it might hint at bonus tracks [3]. I'm more inclined to think not, but it certainly would be cool if so and potentially these things are actually other track titles.

Bibliography

[1] Cocacolonization

[2] American Bitch

[3] Bonus Track Theory

#olivia #guts olivia rodrigo #olivia rodrigo #or2 #title track #songs #guts album #guts #spill your guts #yes i added a bibliography #i spent too much time on this #i take no criticism #i really have to pee #any additional add ons and theories are very much welcome

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bilberry-jam · 1 year

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The best ways to listen to TAD music(for me) are:

Standing in the middle of the woods alone (definitely not because you’re lost after wandering aimlessly from the path) surrounded by the heavy smell of damp moss on a potentially rainy day

In a secret moment, dancing wildly with dear friends, throwing your bodies at each other and spinning around in some sort of whimsical pretend battle

Oh and of course, standing on a windy cliffside and watching the roaring sea.

#the amazing devil #fennel has thoughts about tad #their music is so mystical and so human and holds place in some of my favourite memories #additions to this post are very much welcome :)

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calaathmaza · 1 year

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Re: TC/IP-T- What would the two of them be doing in a modern AU? Obvi there are a lot of theatrical or musical possibilities for Pel-Thenhior, but would Celehar be a catholic priest? A private investigator? An undertaker? I'm not sure. Alternatively, I love to think about them as grumpy old men in an established relationship.

*cries in emails* I'm so sorry idk how I missed this

maybe this is a boring take, but...the cemeteries of amalo verse is already kind of modern to me? at least for the purposes of translating their occupations, I think iäna would still be an opera director and thara would still be a witness or at least some kind of clerical detective. if we're talking about an our-world au, i see him in death care (or a PI as you said) or maybe both?? babygirl is certainly a workaholic whatever universe he's in<3

man now i'm just imagining the insanely experimental kind of productions iäna would put on lmao. budget permitting he would not leave out a single element of design available to him

and YES grumpy old men in an established relationship for SURE. with a porch, even. on which to sit together and watch the sun go down while they pet their own kitties. (who were once strays. and then they adopted them. all of them.)

#idk i very much interpret mondern au's of fanstasy novels as still maintaining all the foundational worldbuilding assets just #with the addition of some more modern things like. cell phones i guess. and boba tea.#now i want to draw them with boba...#but even then this is a magic world so their tech would probably look totally different!#and that is a lot to think about haha #apologies for the boring response anyone is welcome to add on #ask #arguenot #thara celehar #iäna pel thenhior #cemeteries of amalo

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angelsdean · 10 months

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people adding unnecessary comments to a clearly lighthearted fun jokey post, maybe um, don't.

#*dean voice* i try my best to be brave #i'm being SO brave abt it. etc etc.#it's not even that deep but just. annoying.#like it's a weird intuitive thing of knowing When additions are ok / welcome and when they're not. and there's no hard rules abt it #and when it's a productive addition or like we're having an actual discussion i don't mind them. and mutuals get free reign on adding stuff #but sometimes ppl will just add the most random things or add stuff that totally misinterprets the original post #or stuff that very much could've just stayed in the tags #and as op i'm like. my post! MINE. make your own.#vic.txt

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emile-hides · 10 months

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Shout out to last year when I stumbled into a Terf and in pure rage made OCs based on Pride Flags until 8 in the morning. I decided to do that again but with less rage and more adoration for the human race and drastically different types of people you’d run into at Pride, and I think it turned out a lot better.

#Emile's Arts #I'll redraw the original group at some point #But for now here's an additional batch #I don't have much thought on these guys once again and I never do with OCs #My only thoughts are Intersex is Gay's little brother #Bear is Trans' dad #And of course AroAce is a fusion of Aro and Ace from the last group #And that's about it #I like Polyamory in this a lot Mew turned out VERY cute #The current poly flag color pallet is very cute so I wanted to make just a cute little guy #and I certainly succeeded #Also mews a Furry. Good for mew #Aight that's all I got. My hand hurts. Ask about these guys or the previous guys if you want to #Constant reminder fuck terfs you are NOT welcome here EVER.

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rascheln · 4 months

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Also, had a super lovely post-Christmas Christmas dinner with my fav cousin, her boyfriend and my aunt where we all met at my aunt's apartment while she was doing paperwork and then the three of us prepped and cooked dinner together. Afterwards we went to a light exhibition at a park.

#all vegetarian meal as well which was honestly super welcome #as much as I was grateful for the wonderful Christmas dinner my dad's partner made I also kinda feel obligated to eat meaty food as a guest #which isn't to say her and my dad don't ever eat vegetarian but it's very much a deliberate choice #my cousin and her boyfriend cook vegetarian the way I do. it's just how the meal is and it's very casual #we also managed to save the gravy (which was more of a bechamel sauce tbh) through the powers of a splash of soy sauce and some cream cheese #my cousin's bf was so frustrated about the consistency and flavor (which were admittedly not very good)#but those additional ingredients really pulled through haha

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drchucktingle · 4 months

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THE TEXAS LIBRARY ASSOCIATION HAVE ISSUED AN APOLOGY AND A RE-INVITATION. HERE IS MY STATEMENT

hello buckaroos. the TEXAS LIBRARY ASSOCIATION have issued a formal statement and apology which you can read at the attached link.

while i find the language used to discuss what was done a little unsatisfying, i would like to start by saying i appreciate anyone taking steps to prove love is real and make things right. the genuine feeling of ‘realizing you have made a mistake and hurt someone else’ is a terrible one, and i have so much empathy for this group as they reckon with their choices causing harm. i appreciate their apology.

i also think more good than bad has come from this situation. i am so thankful this happened to me (someone with a large social media presence) and not a smaller buckaroo author without the means to stand up for themselves. i think the next time someone comes to the TXLA with an accommodation need, they will hopefully be taken more seriously

lets trot down to business about specifics now. the TXLA has re-invited chuck to the original panel and even offered to take a moment at the top of the panel to talk about what happened. this is very kind of them and i will say THANK YOU.

unfortunately i will also have to decline.

the fact that it took this much effort, social media backlash, and discussion to let me simply EXIST PHYSICALLY in a way that is authentic to myself is not a good sign. if this organization immediately questions an authors chosen presentation in this manner, i cannot imagine what my other accommodations would be met with.

sometimes i am at an event and i very quickly need extra space to breathe. sometimes i am at an event and i need special guides to help me along from place to place. these are not ‘big asks’ and every other conference has gladly provided them, but if the TXLA had this kind of initial reaction to my physical appearance, i cannot imagine them readily helping with my other needs without ‘proof’.

this is clearly not a safe place to trot for those who require additional accommodations. regardless of any apology, their ACTIONS have shown that people who appear unusual or unique are not welcome at this event on a subconscious level. i believe the TXLA have some serious inner work to do beyond this apology, and i believe this inner work will involve actions more than words.

but even more importantly i would like to make this very important point: IT DOES NOT MATTER IF MY MASK IS A DISABILITY AID OR NOT. i appreciate the way this discussion has allowed us to trot out some deep talks on autism and proved love in this way, but i think there is a much more important point at hand.

regardless of WHAT someone looks like, it is not the job of an event or conference to pick apart WHY. physical presentation can be a part of someones neurodivergence, or gender, or sexuality, but i can also just exist as a nebulous undefined part of their inner self. it can be a piece they are not ready to openly discuss yet. the guests at TXLA are authors (aka ARTISTS) and the idea that a conference dedicated to an ART is going to deny people with unique and unusual presentations for ANY reason is absurd. since when are we applying a ‘dress code’ to our artists?

without knowing it, i personally believe there is an element of the ‘good queer, bad queer’ phenomenon going on here. there is a push to say ‘LOOK we accept these marginalized groups and cultures’ but behind the scenes that means ‘we accept these marginalized groups and cultures who are quiet and speak in turn and wear the metaphorical suit and tie’. it is easy to show diversity when you only take on the voices that arent too ‘strange’.

to prove my point i ask you this: do you think orville peck would have FOR ONE SECOND been asked to perform at the texas library association event without his mask?

so with that i say ‘very sincerely, thank you, but i will have to decline the re-invitation. maybe next year’

#love is real #txla #chuck tingle #buckaroo lifestyle

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anonymouspuzzler · 9 months

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HAPPY UPDATE DAY!!! 🏠

After all this time, all this hard work, I can finally tell you all more about my work on Welcome Home beyond "Dude Just Trust Me I Work On It I Swear" !!

I've been calling myself the "production manager" because a lot of what I've done has been in that realm - making checklists and spreadsheets, doing research, sending emails, and generally keeping our wonderful team on track to do the incredible things they do, with all the support they need! I'm very lucky and grateful to get to support Clown and all the incredible actors and artists we've brought on!!

that said, over the time I've been part of this project (I looked back and realized February 1st this year is when it all Officially Began, can you believe it), I've gotten to work on some more obvious, visible things you'll find on the site today as well! most prominently, I am very proud to say, I was the curator of the very real Welcome Home exhibition!! Clown was extremely generous and supportive in letting me bring his work into the world this way, and with their help it became bigger and better than I ever could have dreamed! Though this iteration was very small and private due to our venue, I hope the few of you I know who attended enjoyed it very much, and for the rest, know we hope to find ways to host the exhibition in other and more public venues in the future! (Where and when, I don't know, but I'll work hard to make it happen...!)

As part of the exhibition, I was able to create a lot of new props to help build the world of Welcome Home! Most excitingly, I was able to create a real working toy telephone, and help Clown to find our talented group of voice actors to provide the recordings! And of course, I was able to meet dear sweet Wally and Home themselves, who were the sweetest little peanuts and a true pair of professionals! Just delights to work with!!

Though this was my most prominent contribution, somehow, that wasn't all! You will find bits and pieces of my art and writing all over the newest website update (some places more obvious than others...), and I was able to contribute to building many of the new and updated site pages as well! We've all worked so hard on everything you'll find there, so I hope you all enjoy the exciting new additions to the neighborhood!

My final little statement while I have my sweet little soapbox here... every last one of you who has provided support, even just one ko-fi tip, has Directly made this update Possible!! Not only do these tips allow us very literally to pay for supplies, art, voice work and the like, it very directly Supports and Improves the livelihoods of every single person involved!! so if you have the means, and would like to do so, please do consider tipping or subscribing to Clown and/or any of the other artists and actors involved!

And with all that... thank you, neighbors!! And Welcome Home!!

#anonymous puzzler talks #welcome home #partycoffin #long post /

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lewisvinga · 7 months

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birkin mom ! | lando morris x fem! reader

summary: everyone wondered why y/n disappeared from the paddock and stopped posting until lando accidentally revealed something grand

fc; zara janice

warnings; none??

birkin mom pt 2

masterlist !

landonorris posted on their story!

liked by landonorris, oscarpiastri, and 1,002,928 others!

yourusername: surprise ? ( p.s. i was serious when i said i wanted to be a birkin mom ) ( p.p.s. i did yell at lando )

landonorris: i said i’m sorry!

yourusername: baby said u gotta work for it & buy mama a bag

landonorris: she can’t talk yet??

yourusername: ok.

landonorris: WAIT I’M SORRY!

username: y/n said really said “walk him like a dog”

liked by yourusername!

username: oomf was right omg

username: mother (actually)

username: bye not lando apologizing so fast after y/n said ok😭😭

oscarpiastri: congratulations! surprised lando didn’t reveal it sooner he almost exploded!

yourusername: because i made him promise to wait but he broke that promise :)

landonorris: i said i’m sorry💔

username: con😭grat😭ula😭tions😭

liked by yourusername, mclaren, and 1,403,937 others!

landonorris: the prettiest mom to be 🌷

tagged; yourusername

yourusername: oh lando norris, you know how to make a woman cry 🥹🥹

yourusername: curse you pregnancy hormones!!

yourusername: i forgive you💗💗

yourusername: even if i’m still kind of angry w u

landonorris: i love you too💓

username: HER MATERNITY PICS😍

username: she’s glowing, she’s gonna be such a pretty mom😩

username: imagine the y/n l/n as ur mother omg

mclaren: 🧡🧡

liked by landonorris !

carlossainz55: how is lando having a child when he is a child himself??

yourusername: i’m going to have 2 kids soon, can you believe that??

landonorris: i am a grown man? and responsible?? and a soon to be dad???

yourusername: babe, you wanted to name our baby papaya….

landonorris: it’s literally such a cute name idk what ur talking about

liked by oscarpiastri, carlossainz55, and 1,730,028 others!

yourusername & landonorris: welcome to this world, baby norris, mama & dada love you very much 💗

username: i am crying

username: y/n’s smile omg

username: they’re gonna be fantastic parents, i can just tell

danielricciardo: so when can i meet my goddaughter ?

oscarpiastri: who said you were going to be the godfather??

carlossainz55: who said either of you were going to be the godfather?? it’s going to be me

oscarpiastri: ha funny joke !

landonorris: battle to the death!

yourusername: see what i mean when i said i was going to have 2 kids…

username: new grid baby unlocked ✅

mclaren: newest and cutest addition to the papaya army, welcome baby norris!! 🧡🧡

liked by landonorris & yourusername !

username: y/n really manifested being a birkin mom 😭😭😭

username: so excited for mom y/n vlog content!

yourusername posted to their story !

#f1 scenario #formula one imagines #formula one imagine #f1 imagine #formula one smau #formula one social media au #formula one x reader #formula one scenarios #formula 1 x reader #f1 smau #f1 scenarios #lando norris x reader

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nariism · 7 months

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ೃ⁀➷ MY LOVE, MINE ALL MINE ★

a/n: fluff!! neuvillette being a touch starved loser (affectionate) + lots of terms of endearment. happy belated neuvillette day! may all neuvillette wanters be neuvillette havers ≧◡≦

Neuvillette can't stand coming home if not into your arms.

The deafening silence of a sleeping home drives him mad. It used to be welcomed after his terribly loud days. Now only serves to remind him of the millennium he spent alone, of the heartbreak he had to endure with no one to hold him, and of the growing emptiness within his heart long before he knew you.

It's unlike him to come home so late, but duty calls and as the Iudex of Fontaine he must go wherever summoned.

For days he has come home well into the latest hours of the night, sliding off his shoes in the darkness of the hall and allowing the silence to swallow him up whole. Five unbearably long days of missing your smile greeting him at the door, hands all over his face and squeezing his cheeks until he nudges them away in lieu of kissing you hello.

He expects tonight to be the same. It's so late that there was not a single soul wandering the streets of the city, no one awake to witness the very tired, very cranky Chief Justice.

You always find a way to defy his expectations.

The hall is quiet when he cracks open the front door. Crushing loneliness swells in his chest and sinks into the pit of his stomach when he realizes that you must have gone to bed long ago, as anyone sane would do. But then there's a click, followed by a small flame dancing in the dark.

You ignite an array of candles one by one, each additional glow illuminating your beautiful face in warm light. Neuvillette can't stop the hitching of his breath, nor the confusion knitted through his brows.

"What are you doing awake?"

You know he doesn't mean to scold you. Soft laughter fills his ears as you saunter over to him slowly. Realization crashes down on him as you approach, allowing him to see closer what has kept you up.

"Happy birthday, my love."

It's so late that midnight passed hours ago. He hadn't even realized amongst all the chaos of his work that the 17th had come and gone, making way for his birthday.

Only you would remember. It was a talent you had, memorizing every detail about him that sometimes even he lost track of.

("Neuvillette, dear, I picked up some dark roast on the way home today." He didn't even realize he had run out.

"Welcome home, I made ragout!" He wasn't aware he was craving it until you brought it up.

"Do you want this?" It's the last cookie in the bag, saved especially for him because you know it's from his favourite bakery in town.)

He leans in and blows out his candles, eyes never leaving yours as he blinks at you slowly. You look so beautiful even now, in the dimly moonlit hall. Darkness envelops your bodies again and yet he never tears his gaze away. Not even for a moment.

"Now put the cake down, please."

"Hm?" Your head tilts, clearly confused by his request.

"So I can hold you," he quickly explains, fingers itching at his sides because of how much he aches to hug you.

You gently set the cake down on the entrance table before you get scooped into a warm embrace, pressed snuggly to his chest as he memorizes the outline of your body against his once more.

"I've missed you, my dear," he says, face burrowed into the crook of your neck.

"It's only been a couple days," you laugh, and then remind him: "I see you every day at lunch."

"No, this is different." He pulls away slightly, forehead pressed against yours as he looks into your eyes. There's something in there— vulnerability and love all mixed into a beautiful purple harmony. "I miss coming home into your arms after long days," he admits.

"Oh, love," you breathe, reaching up to cup his face the way he's so used to. "Things will settle down again soon."

His eyes close as he savours your presence, soaking up all the affection you're giving him in his moment of weakness. You've always spoiled him.

"I suppose so," he agrees, a smile finally settling on his lips. Your thumb runs along it, tracing the curve of his happiness. There's a beat of silence before you open your mouth again.

"What did you wish for?" You ask curiously, voice growing quieter as you lean in to kiss him. And the answer he gives comes naturally.

Neuvillette has always wished for things he read about in novels; imaginary promises of treasure and desire and fame, sealed with the wispy smoke of blown out birthday candles. He isn't even sure if he has ever actually wanted any of those. But as he looks at you, with the slow beating of his heart and the brushing of your lips against him, he can't think of a single thing he could want more than this.

"I did not wish for anything," he tells you honestly, giving your waist a squeeze. "I already have everything I could ever want."

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angel-of-the-moons · 2 months

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Aggravating

Dad Bod!Miguel x Spider-Woman!Reader

TW/CW: Smut. Smut in general. NSFW, PIV sex, office sex, teeth, hints at venom useage, a bit of pining(?) feelings! Body hair! Soft tummy Miguel! Dom(ish)!Miguel, a bit of bullying

MINORS DNI I AM NOT RESPONSIBLE FOR CONTENT YOU CONSUME

A/N: Blame @cupcakeinat0r for this. I really needed the distraction and our conversation is helping me a bit getting the creative among other things juices flowing!

Taglist: @tojishugetiddies

🍷🍷🍷🍷🍷🍷🍷🍷🍷🍷

You had been... less than covert about the way you ogled your boss. On one hand, your Spidey mask was useful for hiding your eyes and face away from somebody's view; on the other hand, Miguel just somehow knew you were staring at him.

And... yeah. At first you were crushing on him, a young, single fresh-faced Spidey welcomed into a bigger picture suddenly comes face to face with the body of a Greek god. He swooped in to save you from a variant of Kraven before he could make a possibly fatal swipe.

After that, he admitted that he'd had an eye on you, such a promising candidate who just needed the right amount of guidance.

(The fact he has that gorgeous jawline and cheekbones that could cut glass plus those jaw-dropping eyes of his certainly helped you make your decision too.)

But you had been too much of a wimp to ever fess up, instead settling for pining in silence, throwing the occasional stare his way at his perfectly globed ass. (Seriously, did he purposefully design his suit to accentuate his ass or what?)

But the plain, flat-out ogling didn't begin until he began to gain more weight. Realizing his stress didn't have to be solely on his own shoulders, Miguel began to relax. He began to eat more, sleep more. Or, well, as much as a normal person should be eating and sleeping. You surmised he was likely dehydrated a lot, too...

Because once he picked up a steady diet (of what you didn't know, maybe he was a secret chef in the kitchen in addition to having the multiverse's greatest brain?) he began to look... healthier.

He gained weight, his formerly slim and perfectly cut abs and waistline began to fatten out, gain a delicious softness you wished to just lay your head over, or perhaps snuggle and squeeze.

Peter B made a joke to Miguel about comparing "dad bods" and god, when Miguel indulged him (mostly just to get him to leave him alone) he used his tech to have the top half of his suit vanish in rainbowy spiderweb-like patterns until he was naked from the waist up.

And... fuck. Your legs went weak at the sight of him.

Dark wisps of hair across his chest, spreading down his soft, plush-looking midsection to disappear beneath the waistline of his pants.

Even with that soft belly, Miguel looked built like a shitbrick house. Peter B had pouted, knowing he'd lost his little game before sauntering away, bragging about something along the lines of "well at least I have the prettiest baby mama in the whole multiverse!". Good for him, you had thought.

But very quickly as your eyes greedily raked up his frame, you realized he had been staring right back at you.

You very quickly rattled off some excuse and dropped off your report on your most recent mission, yanked your mask back down your face and scurried out of there.

Though you'd be lying if you didn't immediately shove your hand down your pants once you got home, playing with yourself at the mere thought of being pressed up against Miguel's soft-yet-imposing frame; feeling his dick (oh you just knew he was packing a monster, down there) stuff you full and stretch you out, the coarse dark haira brushing your clit with every slam of his hips.

You went to sleep thinking this was merely some kind of office crush, trying to force down the thoughts you had of your boss.

Little did you know, he often stole his own glances at you.

He needed to find a way to solve your little problems, soon.

🍷🍷🍷🍷🍷🍷🍷🍷🍷🍷

"This is what you wanted, isn't it, princesa?" Miguel grunted, the sound of his hips slapping against your ass sinfully loud in his dark office.

Your body was perfectly illuminated by the dim orange lights on his monitors; every curve, dip and deliciously squeezable part of your jiggling ass as he fucked you.

The sounds your pussy made as you swallowed him deep were the most lewd you ever could have imagined yourself making, especially the little sounds coming from those pretty lips of yours.

Your suit has been torn right between your legs, freeing your soaked, swollen folds to his lascivious gaze before he had crammed two heavy fingers into your needy cunt.

Your tits squished against his desktop, and a whimper comes from you when he settles over you, the weight of his body pressing tighter down around you.

You could feel the soft flesh of his belly mold around your back, almost like a hug. Almost like how he had your head trapped in a headlock as he bullied his cock into you and stuffed you full of him.

Your brain was so set on your one-track focus of how good it felt to just have him fuck you, to use you, that you barely registered a word he said.

Having his warmth surround you and fill you had effectively rendered you dumb.

You choked slightly when you heard him hiss in your ear, his sharp fangs grazing the soft skin; he squeezed his arm a bit around your neck and that's what knocked you back into reality.

You were here. In his office, bent over and having your guts reorganized by a man you had been pining for for months.

The pent up sexual tension had finally exploded when he confessed his own interest in you, and he met you halfway with a kiss that was all tongue and need; loud and messy.

Like how he was bullying his cock into your tight little hole.

"My dick that good, bebé?" He panted, leaning back away from you to grip your hips in his meaty palms, squeezing your soft flesh as he stared, almost mesmerized at the creamy ring at the base of his cock as it disappeared into your dripping wet pussy.

Already on the floor between you was a small puddle of your slick.

"So good that I fucked you stupid after just a couple thrusts?" He said, his voice gravelly as he tried to keep it even, to betray the fact he wanted to just rut into you like a mad animal.

All you could do in reply was whine, a breathy sound that was almost a squeak as you mourned the loss of his soft body surrounding you.

The sound of him relentlessly fucking you cunt was abruptly halted and he let out a shaky breath, staring down at you. "I swear... did I nick you with my fangs? Shit... Maybe we should stop--"

"N-no!" You moaned out, desperately trying to roll yourself back against him in his grip. "Please, don't! I just--I just need more!"

Miguel grinned as you flattened your hands on the table, desperately trying to fuck yourself onto his cock but getting nowhere.

"Ahhh there's my good girl. Doing so good f'me." He purred, leaning back over you once again, his arms caging around you, encasing you in his wonderfully soft warmth, the hair on his body tickling your skin.

His lips traced the shell of your ear, his hot breath ghosting over your sweaty skin;

"Wanna watch you take my cock all day. Gonna fuck you so hard you won't be able to walk straight for a month--"

You made a long, loud mewl as he snapped his hips in suddenly, bottoming out so hard you felt him smash into your cervix; almost making you pass out from the force of it alone.

"This is what you wanted, sweetheart. Jus' giving it all t'you." He groaned, his eyes rolling back into his skull as he began relentlessly pounding into you once again.

#miguel o'hara #miguel smut #miguel o'hara x reader #miguel o'hara x you #miguel o'hara smut #atsv miguel #miguel o'hara atsv #miguel spiderman #spiderman 2099

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artsekey · 5 months

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Disney's Wish

Look, Disney's Wish has been universally panned across the internet, and for good reason.

It’s just…kind of okay.

When we sit down to watch a Disney film—you know, from the company that dominated the animation industry from 1989 to (arguably) the mid 2010’s and defined the medium of animation for decades—we expect something magnificent. Now, I could sit here and tell you everything that I thought was wrong with Wish, but if you’re reading this review, then I imagine that you’ve already heard the most popular gripes from other users across the web. So, let me focus in:

The biggest problem with Wish—in fact, the only problem with Wish—is Magnifico.

Whoa, that’s crazy! There’re so many things about Wish that could’ve been better! The original concept was stronger! The music was bad--

I hear you, I do. But stay with me here, okay? Take my hand. I studied under artists from the Disney renaissance. I teach an adapted model of Disney’s story pipeline at a University level. I spent a ridiculous amount of time getting degrees in this, and I am about to dissect this character and the narrative to a stupid degree.

First, we need to understand that a good story doesn’t start and end with what we see on the screen. Characters aren’t just fictional people; when used well, characters are tools the author uses (or in this case, the director) to convey their message to the audience. Each character’s struggle should in some way engage with the story’s message, and consequently, the story’s theme. Similarly, when we look at our protagonist and our antagonist, we should see their characters and their journeys reflected in one-another.

So, what went wrong between Asha & Magnifico in terms of narrative structure?

Act I

In Wish, we’re introduced to our hero not long into the runtime—Asha. She’s ambitious, caring, and community-oriented; in fact, Asha is truly introduced to the audience through her love of Rosas (in “Welcome to Rosas”). She’s surrounded by a colorful cast of friends who act as servants in the palace, furthering her connection with the idea of community but also telling us that she’s not of status, and then she makes her way to meet Magnifico for her chance to become his next apprentice.

Quick aside: I'm not going to harp on Asha as a character in the context of Disney's overall canon. Almost every review I've seen covers her as a new addition to Disney's ever-growing repertoire of "Cute Quirky Heroines", and I think to be fair to Asha as an actor in the narrative, it serves her best to be weighed within the context of the story she's part of.

As Asha heads upstairs for her interview, we're introduced to the man of the hour: Magnifico. He lives in a tower high above the population of Rosas, immediately showing us how he differs from Asha; he’s disconnected from his community. He lives above them. He has status. While the broader context of the narrative wants us to believe that this also represents a sense of superiority, I would argue that isn’t what Magnifico’s introduction conveys; he's isolated.

Despite this distance, he does connect with Asha in “At All Costs”. For a moment, their goals and values align. In fact, they align so well that Magnifico sees Asha as someone who cares as much about Rosas as he does, and almost offers her the position.

… Until she asks him to grant Saba’s wish.

This is framed by the narrative as a misstep. The resonance between their ideals snaps immediately, and Magnifico says something along the line of “Wow. Most people wait at least a year before asking for something.”

This disappointment isn't played as coming from a place of power or superiority. He was excited by the idea of working with someone who had the same values as he did, who viewed Rosas in the same way he does, and then learns that Asha’s motivations at least partially stem from a place of personal gain.

Well, wait, is that really Asha's goal?

While it's not wholistically her goal, it's very explicitly stated & implied that getting Saba's wish granted is at least a part of it. The audience learns (through Asha's conversation with her friends before the interview) that every apprentice Magnifico has ever had gets not only their wish granted, but the wishes of their family, too! Asha doesn’t deny that this is a perk that she’s interested in, and I don't think this is a bad thing.

So, Is Asha’s commitment to Saba selfless, or selfish? I’m sure the director wanted it to seem selfless, wherein she believes her family member has waited long enough and deserves his wish granted, but we can’t ignore the broader context of Asha essentially trying to… skip the line.

Then, we get our first point of tension. Magnifico reveals his “true colors” in snapping at Asha, telling her that he “decides what people deserve”. This is supposed to be the great motivator, it’s meant to incite anger in the audience—after all, no one gets to decide what you deserve, right? But unfortunately for the integrity of the film and the audience's suspension of disbelief, at least part of Magnifico’s argument is a little too sound to ignore:

Some wishes are too vague and dangerous to grant. Now, there’s visual irony here; he says this after looking at a 100 old man playing the lute. The idea that something so innocuous could be dangerous is absurd, and the audience is meant to agree.

... But we’ve also seen plenty of other wishes that might be chaotic—flying on a rocket to space, anyone? The use of the word vague is important, too—this implies wording matters, and that a wish can be misinterpreted or evolve into something that is dangerous even if the original intent was innocuous. His reasoning for people forgetting their wish (protecting them from the sadness of being unable to attain their dreams) is much weaker, but still justifiable (in the way an antagonist’s flawed views can be justified). The film even introduces a facet of Magnifico’s backstory that implies he has personal experience with the grief of losing a dream (in the destruction of his home), but that thread is never touched on again.

What is the audience supposed to take from this encounter? If we’re looking at the director’s intent, I’d argue that we’ve been introduced to a well-meaning young girl and a king who’s locked away everyone’s greatest aspiration because he believes he deserves to have the power to decide who gets to be happy.

But what are we shown? Our heroine, backed by her friends, strives to be Magnifico’s apprentice because she loves the city but also would really like to see her family's wishes granted. When this request is denied and she loses the opportunity to be his apprentice, she deems Magnifico’s judgement unfair & thus begins her journey to free the dreams of Rosas’ people.

In fairness, Magnifico doesn’t exhibit sound judgement or kindness through this act of the film. He’s shown to be fickle, and once his composure cracks, he can be vindictive and sharp. He's not a good guy, but I'd argue he's not outright evil. He's just got the makings of a good villain, and those spikes of volatility do give us a foundation to work off of as he spirals, but as we’ll discuss in a bit, the foreshadowing established here isn’t used to the ends it implies.

While I was watching this film, I was sure Magnifico was going to be a redeemable villain. He can’t connect with people because he's sure they value what he provides more than they value him (as seen in “At All Costs” and the aftermath), and Asha’s asking for more was going to be framed as a mistake. His flaw was keeping his people too safe and never giving them the chance to sink or swim, and he's too far removed from his citizens to see that he is appreciated. Asha does identify this, and the culmination of her journey is giving people the right to choose their path, but the way Magnifico becomes the “true” villain and his motivations for doing so are strangely divorced from what we’re shown in Act I.

Act II:

His song, “This is the Thanks I Get!?” furthers the idea that Magnifico’s ire—and tipping point—is the fact that he thinks the people he’s built a kingdom for still want more. Over the course of this 3:14 song, we suddenly learn that Magnifico sends other people to help his community and doesn’t personally get involved (we never see this outside of this song), and that he’s incredibly vain/narcissistic (he's definitely a narcissist). I think feeling under-appreciated is actually a very strong motivation for Magnifico as a character-turning-villain, and it works very well. It’s justified based on what we’ve seen on screen so far: he feels under-appreciated (even though he’s decidedly not—the town adores him), he snaps and acts irrationally under stress (as seen with his outburst with Asha), and he’s frustrated that people seem to want more from him (again, as seen with his conversation with Asha in Act I).

But then… he opens the book.

Ah, the book. As an object on screen, we know that it's filled with ancient and evil magic, well-known to be cursed by every relevant character in the film, and kept well-secured under lock and key. But what does it stand for in the context of the narrative's structure? A quick path to power? We're never told that it has any redeeming qualities; Magnifico himself doesn't seem to know what he's looking for when he opens it. It feels... convenient.

I think it's also worth noting that he only turns to the book when he's alone; once again, the idea of connection and community rears it's ugly head! Earlier in the film, Amaya-- his wife-- is present and turns him away from taking that path. In her absence, he makes the wrong choice.

This decision could make sense; it contains powerful magic, and if it were framed in such a way that the people of Rosas were losing faith in Magnifico’s magic, as if what he can do might not be enough anymore after what they felt from Star, going for the book that we know contains spells that go above and beyond what he can already do would be logical. Along the lines of, “If they’re not happy with what I do for them, fine. I, ever the “martyr”, will do the unthinkable for you, because you want more.”

It would keeps with the idea that Magnifico believes he's still trying to help people, but his motivation has taken his self-imposed pity party and turned it into resentment and spite.

But, that’s not the case. Instead he talks about reversing that “light”, which has had no real negative or tangible consequences on Rosas. Everyone had a warm feeling for a few seconds. Again, it’s meant to paint him as a vain control freak, but… he hasn’t lost any power. The citizens of Rosas even assume the great showing of magic was Magnifico.

Act III

Then, we get to the consequences of opening the book (and perhaps my biggest qualm with this film). The book is established as being cursed. Magnifico knows it, Asha knows it, and Amaya—who is introduced as loyal-- knows it. The characters understand his behavior is a direct result of the book, and search for a way to save him. This is only the focus of the film for a few seconds, but if you think about it, the fact that his own wife cannot find a way to free him of the curse he’s been put under is unbelievably tragic. Worse still, upon discovering there is no way to reverse the curse, Magnifico—the king who built the city & “protected it” in his own flawed way for what seems to be centuries—is thrown out by his wife. You know, the wife who's stood loyal at his side for years?

It’s played for laughs, but there’s something unsettling about a character who’s clearly and explicitly under the influence of a malevolent entity being left… unsaved. If you follow the idea of Magnifico being disconnected from community being a driving force behind his arc, the end of the film sees him in a worse situation he was in at the start: truly, fully alone.

They bring in so many opportunities for Magnifico to be sympathetic and act as a foil for Asha; he’s jaded, she’s not. He’s overly cautious (even paranoid), she’s a risk-taker. He turns to power/magic at his lowest point, Asha turns to her friends at her lowest point. Because this dichotomy isn’t present, and Magnifico—who should be redeemable—isn’t, the film is so much weaker than it could’ve been. The lack of a strong core dynamic between the protagonist and antagonist echoes through every facet of the film from the music to the characterization to the pacing, and I believe if Magnifico had been more consistent, the film would’ve greatly improved across the board.

I mean, come on! Imagine if at the end of the film, Asha—who, if you remember, did resonate with Magnifico’s values at the start of the film—recognizes that he's twisted his original ideals and urges him to see the value in the people he’s helped, in their ingenuity, in their gratitude, & that what he was able to do before was enough. Going further, asking what his wish is or was—likely something he’s never been asked— and showing empathy! We’d come full circle to the start of the film where Asha asks him to grant her wish.

Pushing that further, if Magnifico’s wish is to see Rosas flourish or to be a good/beloved king, he'd have the the opportunity to see the value in failing and how pursuing the dream is its own complex and valuable journey, and how not even he is perfect.

The curse and the book (which, for the purposes of this adjustment, would need to be established as representing the idea of stepping on others to further your own goals/the fast way to success), then serve as the final antagonist, that same curse taking root in the people of Rosas who’ve had their dreams destroyed, and Asha works with the community to quell it. Asha’s learned her lesson, so has Magnifico, and the true source of evil in the film—the book—is handled independently. Magnifico steps back from his role as King, Amaya still ends up as Queen, and Asha takes her place as the new wish-granter.

This route could even give us the true “Disney villain” everyone’s craving; giving the book sentience and having it lure Magnifico in during “This is the Thanks I Get!?” leaves it as its own chaotic evil entity.

All in all, Magnifico's introduction paved a road to redemption that the rest of the film aggressively refused to deliver on, instead doubling down on weaker motivations that seem to appear out of thin air. Once the audience thinks, hey, that bad guy might have a point, the protagonist has to do a little more heavy lifting to convince us they're wrong.

Look at the big-bad-greats from Disney's library. There isn't a point in the Lion King where we pause and think, "Wait a second, maybe Scar should be the guy who rules the Pridelands." Ursula from the Little Mermaid, though motivated by her banishment from King Triton's Seas, never seems to be the right gal for the throne. Maybe Maleficent doesn't get invited to the princess's birthday party, but we don't watch her curse a baby and think, Yeah, go curse that baby, that's a reasonable response to getting left out.

What do they all have in common? Their motivation is simple, their goal is clear, and they don't care who they hurt in pursuit of what they want.

Magnifico simply doesn't fall into that category. He's motivated by the idea of losing power, which is never a clear or impactful threat. His goal at the start seems to be to protect Rosas, then it turns into protecting his own power, and then-- once he's corrupted-- he wants to capture Star. The problem is, there's no objective to put this power toward. Power for power's sake is useless. Scar craves power because he feels robbed of status. Ursula believes the throne is rightfully hers. Maleficent wanted to make a statement. Magnifico... well, I'm not really sure.

#wish #disney #review #magnifico

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