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#about Scandinavian Art
nsipaph · 2 years
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synintheraven · 6 months
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Now that the weekend is over I wanted to share these here aaand take this opportunity to thank @sihtricfedaraaahvicius for gifting my bunch of Sihtrics (part 2, lol) to Arnas my beloved and @whitedarkmoonflower for gifting my Finan drawing to Mark BUT also because she was extra nice and gifted a copy of the s4 Sihtric and Sygtryggr drawings I did for her to Arnas and Eysteinn!!! (That last bit was unexpected as I only asked her to give Mark my drawing so naturally I'm over the moon and want to give her a big virtual hug (regardless if she gifted my art in my behalf or hers, I'm still crying) 😭😭🥰) Anyway long story short, you're the nicest guys thank you so much!!!! <3
Additionally, you can find unedited HQ pics of these drawings >here< on my portfolio (recommended to open in Chrome, for whatever reason it doesn't show up from the tumblr app) 💕
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cynthrey · 11 months
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First Page || Prev Page // Next Page
THIS AU IS STILL ALIVE!
Sorry i havent updated since April. Had been doing my thesis from January to like 2 weeks ago and around April it killed my creativity, the whole complexity of this composition didnt really help either (if you listen closely you'll hear my sanity been slowly and painfully killed by this page, specially in the castle)
But anyway, Champions AU is back baby!
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fishyfishyfishtimes · 8 months
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Hi, sorry for it to sound like I was asking you to change your pfp, English is not my first language, so I sometimes end up saying things wrong. I actually thought the image was cool and tried comparing it to something I like, thinking it may be the same thing. And we do have a blue-eyed blonde who famously wears a red coat
(I don't know how to put an image here, but his name is Enjolras)
No problem friend! I know how it is, English isn't my first language either and you were merely likening my profile picture to something that brought you enjoyment! Which, wow. I looked Enjolras up and a lot of fanart of the guy has features that bear extreme resemblance to my little mermaid man.... here's some trends I noticed put into a single comparison, how crazy is this!??
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Now I know where to look if I ever want to pretend like Ahti II has a fandom where he's dramatic and holding guns and/or flags /lh
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sayitwithsarcophilus · 13 hours
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I was raised with "don't turn your nose up at something you haven't even tried" and "there are good things everywhere" as quasi-religious precepts. Which is why you don't catch me talking shit about genres that are probably not my thing but I haven't gotten around to trying this particular plate of green eggs and ham yet so can't say for sure.
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anakahaia · 7 months
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Inktober 2023
Day 20: Frost
It’s too quiet…
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rotzaprachim · 6 days
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some smaller bookstores, presses, and museum shops to browse and know about! Most support smaller presses, diverse authors and authors in translation, or fund museums and arts research)
(disclaimer: the only three I’ve personally used are the Yiddish book center, native books, and izzun books! Reccomend all three. Also roughly *U.S. centric & anglophone if people have others from around the world please feel free to add on
birchbark books - Louise Erdrich’s book shop, many indigenous and First Nations books of a wide variety of genres including children’s books, literature, nonfiction, sustainability and foodways, language revitalization, Great Lakes area focus (https://birchbarkbooks.com/)
American Swedish institute museum store - range of Scandinavian and Scandinavian-American/midwestern literature, including modern literature in translation, historical documents, knitters guides, cookbooks, children’s books https://shop.asimn.org/collections/books-1
Native books - Hawai’i based bookstore with a focus on native Hawaiian literature, scholarly works about Hawai’i, the pacific, and decolonial theory, ‘ōlelo Hawai’i, and children’s books Collections | Native Books (nativebookshawaii.org)
the Yiddish book center - sales arm of the national Yiddish book center, books on Yiddish learning, books translated from Yiddish, as well as broader selection of books on Jewish history, literature, culture, and coooking https://shop.yiddishbookcenter.org/
ayin press - independent press with a small but growing selection of modern judaica https://shop.ayinpress.org/collections/all?_gl=1kkj2oo_gaMTk4NDI3Mzc1Mi4xNzE1Mzk5ODk3_ga_VSERRBBT6X*MTcxNTM5OTg5Ny4xLjEuMTcxNTM5OTk0NC4wLjAuMA..
Izzun books - printers of modern progressive AND masorti/trad-egal leaning siddurim including a gorgeous egalitarian Sephardic siddur with full Hebrew, English translation, and transliteration
tenement center museum -https://shop.tenement.org/product-category/books/page/11/ range of books on a dizzying range of subjects mostly united by New York City, including the history literature cookbooks and cultures of Black, Jewish, Italian, Puerto Rican, First Nations, and Irish communities
restless books - nonprofit, independent small press focused on books on translation, inter and multicultural exchange, and books by immigrant writers from around the world. Particularly excellent range of translated Latin American literature https://restlessbooks.org/
olniansky press - modern Yiddish language press based in Sweden, translators and publishers esp of modern Yiddish children’s literature https://www.etsy.com/shop/OlnianskyBooks
https://yiddishchildrensbooks.com/ - kinder lokshen, Yiddish children’s books (not so many at the moment but a very cute one about a puffin from faroese!)
inhabit books - Inuit-owned publishing company in Nunavut with an “aim to preserve and promote the stories, knowledge, and talent of Inuit and Northern Canada.” Particularly gorgeous range of children’s books, many available in Inuktitut, English, French, or bilingual editions https://inhabitbooks.com/collections/inhabit-media-books-1
rust belt books - for your Midwest and rust belt bookish needs! Leaning towards academic and progressive political tomes but there are some cookbooks devoted to the art of the Midwest cookie table as well https://beltpublishing.com/
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bogkeep · 1 month
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Would you recommend the SSSS comic? I know little of it beside the very beautiful artstyle and premise
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to answer the question of if i would recommend SSSS as a comic: yes, yes i would.
a description for those who don't know: Stand Still Stay Silent is a post-apocalyptic horror + adventure webcomic set in the nordics (norway, sweden, denmark, finland, iceland) that have been isolated from the rest of the world and gone back to their old gods. the the world outside of safe zones is full of trolls and beasts - humans and mammals that got infected by a horrible virus and turned into monsters. the story follows a ragtag crew that ventures into the old world (derelict denmark) on an expedition to collect books.
the comic updated every workday until it concluded in 2022, and consists of two Adventures. the creator had plans for many adventures with these characters in this world, but ended it after two when she wanted to take a new direction with her life.
what i love about it:
- the art is GORGEOUS. it's been a huge source of inspiration for me. open any page and it's a masterpiece, and you will ask yourself "how the FUCK did she update this FIVE DAYS A WEEK"
- the characters are wonderful and endearing. i just, i love them so much. i am so thankful lalli hotakainen exists he is one of my #1 blorbos forever
- the world is so cool. the blend of chunky sci-fi and norse mythology fantasy magic slaps. it goes so hard. i fell so hard for this comic when i got to the big ferry ship with a viking style dragon head prow added to it. it's everything
- it really really gets nordic cultures. it's difficult to explain all the dynamics and nuances but it just gets it. it brings me as a scandinavian a lot of joy to read a story that speaks to my heart this way. the attitudes, the language barriers, the cultural differences... it was so refreshing to me in a media landscape dominated by american stories. when the pandemic hit, i decided to reread the comic because i found such an odd comfort in seeing how it depicted the scandinavian countries reacting to, well, a pandemic.
- there's kittycats
what i don't like about it:
- the most glaring and obvious flaw is that everyone in the comic is white. there's not a single character of color anywhere, not even i background shots or the prologue. there's no mention of the saami people (the indigenous people of northern europe), either. i believe this was done in ignorance more than malicious intent, but the implications are Extremely Bad and it's been bothering me (AND MANY OTHERS) since day 1. that is the number one caveat i will give to anyone wanting to check this comic out. i've been in the discourse trenches and i am not going to excuse this. it's just bad!
- you can tell in the middle of adventure 2 that the creator has kind of lost interest in the work, around the time when she found jesus i guess. like, very few people can keep up work on the same creative project for years and years and years and i think it's fine that she wanted to drop it, but it's a bit sad to see the comic dragged to its end like a limp corpse, and feeling like the creator no longer really cares about the characters.
- minna sundberg has said and done some questionable things, presumably gotten somewhat radicalised over time, and has also converted to hardcore christianity which is what her new works are about. there's nothing about this in SSSS - there is a moment of christianity represented in the story in a sort of mythological sense, just like the other religions, but this was written before minna's conversion. her new works... are a Choice. i have much to say about them, and i have, and im not gonna rehash it now.
SO YEAH hopefully this will help you take an Informed Choice! i got into this comic in 2015 and was deep in the fandom and it's for better or for worse part of my soul foundation now.
i also recommend A Redtail's Dream, minna's "practice comic" before SSSS, based on finnish mythology and the kalevala.
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ifindus · 3 months
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I love your söta bror art! but can I request wholesome scandinavian trio?☘️❤️
Thank you! 🥰 I do like making söta bror stuff ✨
How about an early morning after a sleepover?
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kaledya · 24 days
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When were Constantine and Charlie born?
How many languages do both of them understand?
Why did Lucifer forbid Constantin from learning souls magic?
How is Lucifer and Lilith's relationship like (i mean, give me an example of how they interact with each other?
And finally...why didn't they have children sooner? Or what made them want children?
Love your art and your AU, i really am looking forward to it, and I don't care if you are not a good writer, I need a full fanfic for Sinner's Symphony
1.
Constantine was born in 1812
and Charlie was born in 1818.
2. Both Constantine and Charlie know a spell that allows them to understand all human languages, but without this spell they can speak the angelic language, the demonic language. Constantine speaks Latin, Italian, Spanish, Scandinavian and Japanese.
Charlie learned Japanese and Italian because it interested her.
3. They are kind of like Gomez and Mortica, Lucifer was the first person to treat Lilith with respect, and they became very close friends after spending time together in the garden, and then they became friends, and they both made each other very happy, and then they fell in love, and after the fall they became each other's confidant and the most trusted person, because they were the only light they could find in that dark prison. They ruled their kingdom together and ruled together and ruled equally. And for 10,000 years they have had a marriage based on respect and love and they still love each other.
4. Lilith and Lucifer wanted children after establishing their kingdom, not because they wanted a future heir, they were both almost immortal, but because they wanted to start a family, they wanted to create a light in this eternal dark prison, but it was not that easy.
The reason they had children after 9,000 years was because Lilith kept miscarrying.
‘’there is a reason why Constantine and Charlie were born almost nine thousand years later. lilith and lucifer tried many things but lilith's blood was corrupted after she became a sinner lucifer's blood was pure because he was one of the 7 angels even though he fell
(in my AU also angel blood is like acid for demons it burns them directly) so the baby died before it was born. lucifer and lilith searched for centuries to find a solution and finally they came up with a solution (this idea is still a wip so I'm not sure) 
if during lilith's pregnancy maybe both of them would transfer some of their life energy to the baby continuously maybe the baby would be able to hold on to life maybe that way the two bloods would balance and even though. 
this would weaken them a lot during this 9 month period they took this risk and it worked. That's why they shouldn't exist, their blood should kill them but it doesn't. In fact it makes them stronger, in a way they are an anomaly. 
''someone who shouldn't exist, who shouldn't be alive. but look what fate has done, I'm in front of you, upright and standing. and God only knows what I'm capable of.-''
I'm still thinking about how Constantine and Charlie have blood. I want to think about a special blood for them.maybe orange ıdk’’
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I am very happy to hear that you like my drawings! I am also very happy to hear that you want to read my AU fanfic!
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dresshistorynerd · 1 year
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Favorite Historical Architectural Styles
Since I've done my favorite historical fashions, I thought it would be fun to do historical architectural styles too. I want to write more about architecture too, but I've started thinking should I do a separate blog for architecture and architectural history or should I just do it all here? I think it would be better in a way that I wouldn't have to worry if anything I want to write is too far from the actual topic of the blog, but then again, there is a lot of overlap, especially when it comes to Arts and Crafts movement (which I'm currently writing my thesis about and which I definitely will talk a lot about), and also I would have to manage yet another blog.
Anyway, I'll again do this from oldest to newest. I will limit myself to western styles (except when we get to Modernism all styles are very international), even though there's a lot of non-western styles I enjoy, but it's what I know most about.
Perpendicular Gothic
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I love Gothic architecture in general and the several first entries will be my favorite sub-styles of it. I love the the way Gothic Cathedrals try and so often succeed to feel like forests. I love how the structural elements are used to create the aesthetic. I love the organic visual elements. I love that it's such a unique style in Western architecture. And I love the amazing craftsmanship that went into it.
I'm particularly a fan of English Gothic because of it's insanely beautiful and complex ribbed vaults. From English Gothic my favorite though is the Perpendicular style, which was basically the English late Gothic. It's characteristics can be seen in the second pic. It has the stretched arch and the very flowing and organic traceries. I do include here the rest of English Gothic too, since even though the Perpendicular style is my favorite of them, all if it is still one of my Gothic favorites.
German Late Gothic
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As it's becoming clear I love Late Gothic architecture in general the most, and in the geographical axis I also love German Gothic. Early and High Gothic were mainly divided into French and English styles and the French style dominated in the continent, just being altered a little to the local building traditions outside of France, but during late Gothic it diverged much more strongly into different styles.
German Gothic also has beautiful complex faulting (though less insane than English) and it also has that same pursuit of massive height French Gothic has. Those combined with that Late Gothic's more streamlined flowing and organic aesthetic, some of the German Late Gothic cathedrals really sell that feeling of standing in a forest.
Finnish "Gothic"
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I have a soft spot for the Finnish Medieval stone churches, which are not nearly as sophisticated or detailed as the other European counterparts, but still made with beautiful craftsmanship and they have some cool own features. It's very far from the European Gothic traditions, as you can see, but that's still the influence, hence Gothic in scare quotes. I love the simple outward appearance with the exposed thick stone walls, the details of the gable that worked as the calling card for the building master and the very steep roof. Like everywhere at the time, the roof in these has wooden structure, which is frankly super cool. It was not a simple engineering problem to make a roof that steep and massive at the time, but the structure works so well there's 600 year old roofs with the original logs still working perfectly well. I also really love the original medieval murals in them, which were painted over during the Reformation (you can't have color in a Lutheran church damn it), but thankfully some of them have been restored from under the paint.
Finnish "Renaissance" Log Churches
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Renaissance also didn't land in Finland similarly as it did rest of the Europe. When Renaissance was going on in Europe, they still were building those "Gothic" churches here. These log churches were based on Scandinavian version of the Renaissance church, but they didn't really look like Renaissance churches, and were kinda it's own thing continuing a lot of the aesthetics from those Gothic churches. This is a highly specific style, but I just think they are so cool and pretty? Like they really made a CUPOLA out of log.
Arts and Crafts Movement
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Arts and Crafts Movement didn't have exactly a style, rather a design philosophy that was more important than specific style. There's of course a lot of stylistic similarities in the works of the different members of the Movement, because they had overlapping sources of inspiration and were influenced by each other, so we can think of it as a style. I could, have and will talk about them for hours, but briefly now: It was a moment in latter half of the 19th century and early 20th century and their goals were reviving craftsmanship skills and professions, socialism, opposing industrialism and abolishing the hierarchy between fine arts and applied arts. They were very much influenced by Medievalism and Gothic art and architecture, though unlike Gothic Revivalist, they took more from the guiding principles than the aesthetics. They basically started Modernism and lay ground to all the Modernist architecture's main principles, like form follows function.
Art Nouveau
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Art Nouveau was directly influenced by the Arts and Crafts Movement and was the first mainstream Modernist style. I especially love the more toned down Finnish Art Nouveau, or Jugend as it's called here, but I do love the style more broadly too. I'm not that into those almost Baroque style versions of it though, with barely any straight lines. I love the round doors, the stylized floral patterns and the use of light.
Organic architecture
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This has to be my favorite modernist/post-modernist (?) style. It's direct successor of Arts and Crafts movement and it's also more of a design principle than a unified style. There is some stylistic similarities, but it is stylistically very diverse philosophy. It was most prominent during the 20th century, but it always stayed in the sidelines, though there are still architects who might be considered practicing organic architecture. Organic architecture is all about living in harmony with nature, taking inspiration from it, designing the building to fit the building spot and the surroundings, extra care taken in to preserve the nature already there, and using local natural materials when possible. My favorite architects are Raili and Reima Pietilä, who were most prominent organic architects in Finland. (I almost moved into apartment designed by them, but it was in pretty bad condition, so it wouldn't have unfortunately been worth the price.)
Brutalism
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I know it's not for everyone and it's not easy to make it work but when it works, it really does. It was born in 1950s during the reconstruction era. Brutalism is not just concrete though. The point is to show the raw materials and the structural elements. Technically a lot of Gothic and Arts and Crafts architecture is then brutalist. Timber frame architecture? Also brutalist. I'm only half joking, of course the style itself is also very bare and, well, brutal, but I love it for the same reasons. I really love bare textures of materials and exposing the materials of the structural elements. And I do actually really like the texture of concrete. Though I will say concrete is destroying our world and we should use it as little as possible. But we should also protect old buildings and keep using them rather than built new ones, so I feel fine admiring the old brutalist buildings. The best brutalist buildings combine materials very intentionally and make works of art with the light.
Bonus - Favorite contemporary architecture: Traditional methods
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As we're living in the post-modern times, there's not really unified and specifiable styles or architectural ideologies anymore. They all kinda flow into each other and architects don't organize themselves into clear groups based on style and design philosophy. So it's hard to put into words the style I like in contemporary architecture. There's been growing interest in studying traditional structures and methods, learn from their sustainability and incorporate them into contemporary architecture. They are techniques that have been developed through trial and error on the span of centuries, so we really don't have to reinvent the wheel here. Traditional methods of a given area have also been developed for that area and it's climate, from the materials available there, so they also push us to use local materials. Typically these traditional structures are very simple, often made from solid material, which makes them easier to built without construction error (a huge problem in modern structures), and easier to fix and maintain, when inevitably there is issues. Also they are beautiful, definitely more so that steel and glass. I love solid brick structures, log structures, timber frames, natural stone, rammed earth and all of them, especially when these beautiful materials are left bare.
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bonesmarinated · 2 months
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ur art? Delicious, love it could scroll through this blog for hours, I love that your tarnished is literally just picked up, by the scruff of his neck, from a random Scandinavian heavy metal band and dropped into the lands between -chefs kiss- and Kristian Odegaard, I swear I can look at him and hear the most intense norwenglish ever, could bump into them both in Bergen centre or at Tons of Rock, love it 💕
>> Kristian Odegaard, I swear I can look at him and hear the most intense norwenglish ever, could bump into them both in Bergen centre or at Tons of Rock << you're right 😏 Kristian was born and raised in Bergen. Now please imagine him complaining about the coffee in Sweden because they normally just burned beans to oblivion. The coffee is destroyed. He started out as a Starfield character (and still do for most of the time) but I always like to see my character being real in some sense so there's that. He used to be a roughneck on a drilling rig offshore in the Norwegian sector for Maersk Drilling Norway. Started out as 18 years old apprentice, made pretty good money but eventually quit at 25 to follow his passion to work in live sound. Ofc, you could catch him at Tons of Rock lol but he would be working.
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^^ here he is, it would be a crime if i said he's a sound guy and never draw this fit
>> your tarnished is literally just picked up, by the scruff of his neck, from a random Scandinavian heavy metal band << yes, it is 🤫😏 the visage I stole, he's real as flesh...😔☝️ I actually have this characters many years before Elden Ring when I got into Bloodborne stuff, he was The Hunter and then going to Dark Soul III he's the Ashen One. I cast him again as The Tarnished and it's the first time I actually draw him properly. Maybe i should draw his Bloodborne version someday 🤔 I wasn't intend to give him a personal name, only keeping player character title but eventually his (nick)names are either Ørjan or Mørk.
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ambermotta · 5 months
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Lokean Holidays
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art by Sceith-A
With holiday season coming up across all cultures, I have decided to do a little something in honor of one of my own dedicated deities — Loki. Following the holiday theme (and looking forward to one of my favorite Loki festivals), today's post is all about Loki-specific holidays.
I will start off by saying that He does not have any known traditional holidays. We have no surviving evidence of any Loki-specific Holidays, and few evidence of Loki even being worshipped in ancient times.
So keep in mind these are all modern holidays that many lokeans (those who follow Loki) have adopted.
It's also important to note that not every lokean follows all, if any of these.
And lastly, I won't mention any of the usual norse pagan holidays, but you can definitely still honor Loki on those alongside other norse deities. It's just that they are not specific to him.
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Loki Fool's Day
April 1st
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This was probably one of the first lokean holidays created, in honor of Loki as a Trickster and deity of Mischief.
It was proposed by Dagulf Loptson in his book "Playing with Fire", but I believe many of Loki's followers already thought of Loki during April Fool's before that.
Ideas:
Have fun
Play games
Make jokes and pull tricks
Reflect on Loki as a trickster deity and the trickster archetype in all its forms
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Lokabrenna
July – August (roughly)
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The star Sirius was known to the norse people as Lokabrenna ("burning done by Loki", "Loki's torch"). The star would be gone for one half of the year, so when it reappeared at its highest point, that would be the date of Lokabrenna. Because of the connection to Loki's name, the day of Lokabrenna became a modern lokean holiday.
The date varies because it's connected to when the star Sirius shows up in the sky, so it depends on location.
In the southern hemisphere, Sirius can be seen throughout the year. In this case, Lokabrenna can be celebrated when it shows during both morning and evening, rising with the Sun.
You can adopt a date between the beginning of July to the end of August for convenience.
The following reddit post (at r/lokean) details one way you can find out the day of Lokabrenna for your location:
Ideas:
Prapare a ritual for Loki
Celebrate the comming season (summer in northern hemisphere, winter in southern hemisphere)
Meditate on Loki as a fire good and bringer of light, knowledge and creativity
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Loki Sponge Cake Day
September 4th
TW: brief mention of bullying
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This holiday popped up in the community as an anti-bullying holiday. Basically, this happened because someone got mad at a lokean who got some store bought sponge cake as an offering to Loki and shamed them for it.
So this is a holiday to commemorate modern offerings and promote anti-bullying.
Ideas:
Anti-bullying awareness.
Get some store bought cake or other modern stuff to give as offerings and celebrate
Reflect on Loki as a deity of the Outcasts
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Loki's Holiday
December 13th
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This holiday was proposed by Dagulf Loptson in his book "Playing with Fire".
This is because, on Dec 13th in Scandinavia, there is the feast of St. Lucia and the festival of light, which would symbolize the coming of light in the midst of darkness.
In his book Loptson states that he had asked Loki if there was a special day he could celebrate him, and the answer was Dec 13th, which he later learned was the day of St. Lucia.
So yes, this is the author's UPG, but it was widely adopted by the community.
In scandinavian countries the date also used to mark the Winter Solstice. As the longest night of the year, it was believed that all sorts of foul creatures would roam the earth, and the bringing of light could symbolize safety and the hope of warmer days to come.
While Loki and Lucia may not be directly related, they share a relation in the sense that they may come as "light bearers". Thus, many lokeans find it fitting to honor Loki on this day.
Ideas:
Celebrate the coming of light and Loki as a deity that brings fire, warmth and light
Give gingerbread treats, cakes, cookies, sweets, etc, as offerings
Celebrate with other Lokeans!
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Loki and Sigyn — 4th Day of Yule
December 23th
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art by Ksenia Svincova
There is actually very little information on this holiday and how it came to be, and not many lokeans celebrate it.
So you may take this with a grain of salt.
From what I could find this one is actually tied to celebrating the 4th day of Yule and it honors both Loki and Sigyn.
It is a day to celebrate love (especially queer love) and devotion, as Sigyn loved Loki unconditionally, despite everything that he did and that had happened to him.
Supposedly, it also coincides with Saturnalia (Roman holiday, Dec 17th-23th), a day where social order is turned upside down — which is very much a Loki thing to do, as demonstrated in Lokasenna.
That said, I personally don't think the correlation with Saturnalia fits most heathens' practice. But Sigyn and Loki's relationship is highly defined by Her actions after Lokasenna, so I can see how you could make a connection.
Ideas:
Celebrate love, queer love
Pour libations
Do healing work and cleansing rituals
Celebrate Loki and Sigyn's union
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That concludes this post. Even if you do not work with, worship, or follow Loki, I hope you enjoyed the post!
Thank you for reading!
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artharakka · 10 months
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Can I ask you where have you found inspiration for your art? For example I've noticed you have a very specific (and beautiful) way you draw jewelry and clothing. The shapes are very organic yet grounded at the same time, give a bit of a Nausicaä vibes, as well as art noveau meets iron age.
Honestly I could go on and on about the beautiful details of your art but I don't want to seem too fangirlish :D
Ohhh thank you I love those comparisons 🧡 Because I didn't even know those are the vibes I was going for but yeah that's great actually... This is like when one of you made a playlist inspired by my art... (I still have that saved btw! 🧡 And I still cannot believe!!). Here's a little Rhiam drawing with some jewelry she doesn't (yet) have in canon (earrings she does have but she cannot use them yet)
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But what are my inspirations hmmmmmmm many! Idk even what all I have inhaled into my art but I try to list something (this got long so rest under cut):
Nature 🌿 I love both mundane (sparrows, plants growing from asphalt cracks, moss covered street signs... the little details) and grand formations that fill me with awe. There's something about things so vast that take my breath away. Like oceans, mountains, high cliffs, endless tundra, wind so strong you could lean against it, ancient stone that has been scraped visible by massive sheets of ice thousands of years ago. (But I'm guilty of not being that impressed by conventional beauty of average gardens. Aren't people tired of only finding planted blooming flowers beautiful!). Most often I'm drawing inspiration from nature familiar to me, that being Nordic/Scandinavian ones.
I already said nature but birds deserve a special mention! Agh I just love those funky little animals 🦅
Stories! I love making stories, I think they help me grasp and go over my thoughts. I love pouring myself into my characters, it makes them feel both personal but also makes it easier to talk about myself to my fellow storytellers. I'd love to do a long graphic novel or write a book one day, but I also love making ttrpg stories just for and with our little group 🧡 For a long time I felt kinda bad that I wasn't doing "real art" that wasn't just illustrations of my characters. But then I realised doing art for arts sake doesn't really inspire me. I don't want to do art that I'd think would be easily consumable nor do I have any great performance to create with my art. I just love to illustrate stories and tell stories through my art and I think that's great! I still love seeing and experiencing artworks that aren't this illustrative, I just don't have the motivation to do that myself. But I can get really excited of works like Emma Jääskeläinen's granite sculptures!
Other artists! There are two categories I think: 1) those whose work I've seen (usually irl) and whose technique or themes or symbolism facinates me. I usually don't want to create similar art, or replicate their style, or medium even. But there's something about them, a feeling of awe or they feel formidable. Or there's something clever about them that lets me have this sense of epiphany. For example, Jääskeläinen who I already mentioned, Marcel Dzama, Merja Palin, Helena Vaari, Marika Mäkelä, to name a few I've seen lately-ish. And then 2) there are artists whose stories and/or style inspires me and influences my art. One of the biggest inspirations to my softer line art style was and is @albabbgg. @serpentface has some really cool worldbuilding and designs, I think they were also a great influence to how I draw bodies these days. @wiltkingart has also very cool shapes and genders in his paintings. @sanctus-ingenium 's stories and art have been a huge inspiration lately. And to list a few others now that I started: @pangur-and-grim/@greer-art, @beidak-art, @elemei, @emilylorange, @pansylair, @cy-lindric, @psrj, @lokorum
And many others I'm probably forgetting now! I also have a side blog @sancta-cessatrix where I occasionally reblog cool art, check tags #art #inspiration
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spacevixenmusic · 10 months
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Unfairly Maligned Games, Vol. 3
Games I loved that got low scores, review bombed, or have some other weird negative stigma attached to them that I think is unfairly earned.
NOTE: I don't believe in giving games a number score or a letter grade. Maybe I'm just bad at criticism or very easy to please, whatever.
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Indivisible [2019]
Mostly only known as the "from the makers of Skullgirls" game, Indivisible is another prime example of a game that was crowdfunded as one thing but turned into another, and gets a bad rap for its association with the ever-present controversiality of Skullgirls' creators. That said, I still think - as always - that it's crucial to view a game for what it is, not what it isn't. And what it IS is an extremely engaging mish-mash of genres and endearing characters, oozing with style and appeal, that fills a very particular void left behind by some of the most classic RPGs of a bygone era.
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At its core, Indivisible is a 2D Metroidvania/RPG hybrid with an unusual battle system that plays similarly to an old PSX game series called Valkyrie Profile. During combat, each character's gauge will fill up, allowing them to take action(s). Your four party members are each assigned to one of the four face buttons on a controller (e.g. A, B, X, Y), and pressing that button will - in real-time - execute an attack on the enemy. Using it in combination the D-Pad allows for several different types of attack. All party members' attacks can overlap simultaneously, allowing you to string together combos to really rack up the damage, or juggle enemies to prevent counterattacks and break their defenses. The Metroidvania and platforming portion comprises the rest of the game, with a heavy focus on using those same action skills to scale massive environments, solve platforming puzzles, and dodge spikes. Typical Metroidvania stuff.
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Story-wise, in our modern world of RPGs that is dominated almost exclusively by Japanese and Scandinavian narratives, Indivisible is breath of fresh air that focuses heavily on South and East Asian mythology and themes. Heavy inspiration is taken from the cultures of India, Tibet, Mongolia, and the South Pacific. This is reflected not only in the characters and their various ethnicities, but in the game's approach to spirituality, reincarnation, second chances, and being a teenager hellbent on destroying god. Our main protagonist Ajna is a teenager studying martial arts who isn't quite as in touch with her spirituality as her mentor would like her to be. When war strikes the land and burns her home to the ground, she gets pissed and sets out on a quest for retribution, discovering in the process that she actually does possess certain godlike powers of destruction, and also that she can absorb certain people into her head, which is just a cute way of lampshading having a Party System.
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I've seen Reviewers and big Opinion-Havers on the internet criticize the game's writing for having a bull-headed protagonist who boldly rushes into confrontation, unleashing her wanton destruction without first considering the catastrophic consequences for civilians. It's almost like they've forgotten what being a teenager and making poor choices is like. But I say fuck 'em. I say we need MORE stories about uninformed teenagers with immense godlike powers and no sense of nuance making rash decisions and fucking up royally. That alone is crucial to understanding the rest of the game's themes about atonement, reincarnation, and understanding why you believe what you believe in. That's what Indivisible is all about. In many ways, I feel like Ajna shares a common story arc with Korra from the Avatar series, and it's very cool to see how she learns to deal with the damage she's caused and what insight that gives her when facing down the Big Bad.
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Of course, what is a good story without characters to flesh it out? The characters in this game are absolutely charming and multifaceted, coming from a wide array of different cultures and personalities, many of which are vastly underrepresented in not only RPGs but video games in general. Personal favorites include, but are not limited to, big booba water mom Thorani (based on a buddhist deity of the same name), Leilani the Hawaiian sharknado (spins around in a cyclone attack using a leiomano, a Hawaiian shark-tooth sword), lesbian pirate mom Baozhai (based on the famous Chinese pirate Ching Shih), and of course, local nihilistic swamp witch Razmi (a loose mishmash of Korean and Persian Zoroastrian shamans). The full cast of characters is enormous (well over 20 playable ones alone), and each one comes with a unique moveset and playstyle that not only keeps gameplay interesting, but matches their personality and the role they play in the story.
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But if there's one thing I truly want to focus on when I gush about this game, it's this. Indivisible has one thing over most other games of its genre, something that modern RPGs in particular suffer heavily from a severe lack of, and that's its strong commitment to multiculturalism. Indivisible made a clear decision to not only feature characters from around the globe, but to blend their cultures together in interesting and exciting ways that don't diminish or water them down. Every character is allowed to shine in their own way without diluting what makes them stand out in the first place, which is why you can have a game that features a gunblade-wielding cowboy, a Namibian songstress, an armless Chinese dancer, a Kamen Rider knock-off, and a Mongolian archer who people keep mistaking for Pearl from Steven Universe. This sort of melting-pot cultural stew used to be common in classic anime and 90s RPGs, but kind of fell out of fashion with the rise of gacha waifu games and Elder Scrolls derivatives. Now more than ever, I feel like Indivisible is exactly the sort of injection the gaming world needs to rekindle those flames of pure imagination that the old classic era brought us.
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All that said, one of the biggest reasons Indivisible will always have a dark mark next to its name is of course due to the fact that its lead designer (the studio head) was involved in a sexual harassment case that resulted in everyone on the team either quitting or being laid off, and the rights to the work and characters getting lost in the shuffle. Additionally, the game was still finished and released as intended, but did not feature any of the guest star characters that were promised during crowdfunding, most of whom were indie darlings of the time (Shovel Knight, Hyper Light Drifter, and Super Time Force to name a few). Naturally, this has left a sour taste in many folks' mouths, so it is somewhat understandable why the game would have a negative stigma attached. There are also a few bizarre and possibly off-putting cameos hidden among the NPCs (a few outdated meme references and Zone-tan, of all people), but these are entirely skippable and serve only as background extras.
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Sour grapes aside though, I wholeheartedly recommend Indivisible for anyone looking for a fresh take on action RPGs. The neat hybridization of Metroidvania and real-time RPG with fighting game mechanics gives it a very unique identity, and if the compelling spirituality of the story doesn't grab you, the charm of the characters absolutely will. It certainly took me for a ride. My only word of caution is to follow the game's own suggestion and get good at Blocking in combat as early as you can!
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godzilla-reads · 1 month
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☀️ East of the Sun and West of the Moon: Old Tales from the North edited by Noel Daniel, illustrated by Kay Nielsen
Rating: ⭐️⭐️⭐️⭐️/5
A collection of Northern European folktales, taken and adapted from the original 1914 publication with art by one of the golden age illustrators- Kay Nielsen. These stories center around trolls, witches, lindworms, and magic.
This is such a lovely book that encompasses the beauty and fun of Norse/Scandinavian folktales. We’ve got classics like “Three Billy Goats Gruff” and some I hadn’t read before like “The Three Princesses of Blueland”. I liked how in the back of the book there was a note on the usage of some terms referring to Christians so, as a reader, I can understand it better.
My top three stories in this book were “East of the Sun and West of the Moon”, a total classic; “The Three Princess of Whiteland”; and “Prince Lindworm”. These stories, paired with Kay Nielsen’s famous art, were such a great combination of nostalgic storytelling. Obviously, some of the stories in this collection have some problematic themes common in many European fairytales, so I took some of it with a grain of salt.
The reason this book wasn’t Five Stars for me was only because about four of the stories became repetitive at the end and weren’t very engaging. I wish they had chosen some with differing themes and plots.
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