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#aang talks
woodlaflababab · 1 month
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Aang, Psychology, and the Concept of “Running Away” (A Breakdown Of Aang's Trauma Responses)
So, one thing that always kind of threw me off about atla was Aang's ignoration and dismissiveness of the things that have happened to him and continue to happen to him. He never seemed to have any kind of trauma response (besides nightmares).
Recently I've realized that the ignoration is Aang's trauma response, and it runs pretty fucking deep. Aang shows a lot of trauma responses but they are not as noticeable because Aang is also ridiculously good at emotional regulation, to a toxic point imo, and probably due to his upbringing by monks.
Aang, as is pretty well covered by the show, has a problem with trying to 'run away’ from his problems. This steadily stops happening as much throughout Book 2 (though he is learning in Book 1), but what's interesting is, while his tendency to physically run away from problems ends, his tendency to emotionally run away increases.
We go from Book 1 in which Aang confides in Katara about the separation from the monks, to Book 2 in which Aang literally actively rejects attempts at comfort in favor of an emotional shut down, to Book 3 where, after the failed invasion, Aang immediately tries just about anything he can to avoid talking about it.
He's not necessarily 'running away’. He still owns up to his duty and is right on the ball when Zuko shows up to teach firebending. It is not the work he shies from, it is specifically talking about the failure. This is Aang's main trauma response. Before I delve deeper into that though, I want to talk about Aang's other trauma responses that get bypassed thanks to his ability to ignore them.
Quoting ‘What is Child Traumatic Stress’, “Traumatic reactions can include a variety of responses, including intense and ongoing emotional upset, depressive symptoms, anxiety, behavioral changes, difficulties with attention, academic difficulties, nightmares, physical symptoms such as difficulty sleeping and eating, and aches and pains, among others.”
Aang shows almost all of these at one point or another, and typically they show themselves when he finds himself incapable of mentally 'running away.’
Intense and Ongoing Emotional Upset: 
I'm mostly eyeing the avatar state episodes. His immediate reaction to traumatic events he is helpless to is explosive anger, but it fails to be ongoing because it is immediately followed by a shut down. 
- Aang on Zuko's boat. In this episode, while fighting with Zuko, Aang shows some pretty intense fear and his first (technically second) experience with the Avatar state is for survival and driven by fear (also, notably, a repeat experience of the same thing that caused the actual first experience). Yet, as soon as Aang is off of Zuko's boat, he's melancholy for a hot second and then turns on a dime and starts talking about the adventures they can go on. Avatar State -> Shut Down/dismissing or ignoring the problem.
- Aang at the Southern Air Temple. He starts off in deep obvious denial, like this kid is so obviously blocking. Then he sees Gyatso's body, goes into a rage and grief induced Avatar state, gets pulled out, can no longer use denial as his mental defense, and so once again turns to shut down. He's expressionless as he comes down, and when he's fully out he's just kind of tired and speaks with a soft almost toneless quality. He's admitting to the trauma and yet there's a numb resignation to it. He's not emotionally connecting with it. We see him after with Momo and Appa smiling and just being like “we gotta stick together :)”. That's not the appropriate response to admitting there's only three survivors of your home. Avatar State -> Shut down/dismissal
- Aang and General Fong. Aang experiences an extremely distressing and helpless situation while he watches Katara, one of two whole people in his life, be buried. He goes into a rage induced Avatar state, again, and then literally 'nope's out of the situation with help from Roku. And when he comes back, he shuts down. He doesn't react emotionally, he once again speaks in that soft, even, almost dead tone, apologizes, and dismisses the event. I mean, the way he addresses General Fong, the person who just caused this whole thing, is extremely chill, almost uncharacteristic. Just a simple, “you're out of your mind” with a tone that could make you think he was having a casual conversation with someone who just suggested eating cereal out of a cup. And then he's good! Momo comes back and he smiles and everything is all good again. Avatar State -> Shut down/dismissal.
- Then we have the desert, one of the few times Aang does not shut down immediately, but then it culminates in the Avatar State and he stays like that for a bit but once he comes down, his faces changes again, to what is almost resignation, like he's given up on being mad, which really, he has as we see later. And then the next episode and he's playing in some water, but as soon as Sokka brings up Appa, we see the face and tone that's now kind of familiar: soft, dead, dismissive. He's once again refusing to emotionally connect and is downplaying it. Avatar State -> shut down/dismissal.
Depressive Symptoms/Anxiety:
He shows fits of both, though these aren't as evident because, again, most of the time he's in an emotional block and ignoring the problems. But when he cannot ignore the absence of his lifelong companion, he has a long period of anger followed by a numb depressive state, he literally talks about giving up hope. He is entirely hopeless at this point.
And then when he cannot ignore the Day of Black Sun coming in a few days, his anxiety goes through the fucking roof. 
However, these don't last long and that'll connect to me talking about emotional regulation later.
Behavioral Changes:
Aang changes A Lot over the course of the series. Book 1 Aang is very distinct from Book 3 Aang (though we still see the core traits of him throughout). He becomes more hyper focused on doing his duty, tends to fall to the background when he can, generally takes on a much more somber demeanor.
Difficulties With Attention:
This one's not really huge. He has about the same amount of attention focus in Book 3 as he does Book 1, if not improvement.
Nightmares:
I don't think I have to explain this. Aang goes through multiple fits of nightmares.
Difficulties Sleeping or Eating:
Once again, I look to Nightmares and Daydreams, one of the few times Aang is unable to shut down or block. He cannot sleep for the life of him. I have plans to go back and pay attention to eating habits in Book 3 in order to potentially add onto this joke meta, but I would not be surprised if there were signs of a lowered appetite, even if the writers did not intend it.
Aches and Pains:
He doesn't ever complain about this but also like, would he? Even if he was experiencing them? Kid tried to fight people and fly through a storm while newly recovering from a lightning injury. Aang gives no shits.
Then the article also covers childhood PTSD diagnoses which I'd also like to go over real quick. “the child continues to re-experience the event through nightmares, flashbacks, or other symptoms for more than a month after the original experience; the child has what we call avoidance or numbing symptoms—he or she won’t think about the event, has memory lapses, or maybe feels numb in connection with the events—and the child has feelings of arousal, such as increased irritability, difficulty sleeping, or others.”
Most of these I just covered, but I think it's notable that numbness is also mentioned here, the exact symptoms I've been talking about. Avoidant, won't think about it, numb in connection.
And just to be sure that everyone is on board let me go through some other examples of Aang shutting down:
Katara brings up the 100 years and Aang immediately blocks that shit. It's literally too big for him to conceptualize, so he dismisses it as okay because he has a new friend now and moves on and doesn't think about it.
The Northern Air Temple. I think most people agree that the lesson in that episode was wrong. Aang had every right to be angry. There's nothing okay about taking over and destroying 100 year old artifacts of a nearly extinct culture. We see Aang react to this with a numbness. There's even a moment where he's just frozen and uncomprehending. “This place is unbelievable.” “Yeah. It's great isn't it?” “No, just unbelievable.” He reacts with anger later (notably when he feels like he can do something instead of being helpless), and then when he can no longer do anything, he once again just rejects any negative emotional turmoil in favor of that “it's fine” attitude and accepts what the people have done.
Then the desert, one of the few places we don't see him shut down immediately. Except, literally the next episode is all about Aang's hardest shut down yet.
There are other examples but I think you get the point. He does this A Lot.
Okay cool, so we've covered the denial and trauma responses part, but how does emotional regulation play into this?
I'm glad you asked.
So, when I was first considering Aang and this whole thing, I thought Aang exhibited emotional dysregulation, especially in regards to the Avatar State, but then I actually did some learning on emotional dysregulation and realized, actually, no, he doesn't. Emotional dysregulation is mostly characterized by emotional responses being out of proportion with the event, but I think we can all agree, pm every time he goes into the Avatar State, that emotional response is uh, rather warranted. Now, Aang does, in these moments, show the lack of control that can come with emotional dysregulation, but also like, who wouldn't.
Considering Aang's behavior outside of the Avatar State Outbursts, he's actually very good at emotional regulation. Scary good, in fact. Number One in the reasons I say this is everything I said above. The ability to shut down is often an active choice. Aang does not like who he is when he is upset and, outside the initial outburst, has a pretty firm grip on his emotions. He shows anger at times, but they are in appropriate places with more or less appropriate responses. 
The Desert stands out so much because Aang loses the control he normally has. This is where we see him lose his grip on himself and he spirals.
He rarely shows grief. During his lessons with the Guru he passes all the chakras with amazing ease because he legitimately is that good at controlling and managing emotions which, like I said at the very beginning, I attribute a lot of that to him being raised by monks. I mean, he's a 12 yr old who is skilled in meditation. I don't think it's a stretch to think the monks taught him other such things.
He doesn't react to small things that would normally piss people off. Examples include The Headband when he gives absolutely zero shits about the bully, and The Southern Raiders where he accepts Katara trying to steal Appa and doesn't react to Zuko mocking him and his culture. 
Aang also, paradoxically, can be pretty good at expressing emotions when he needs to. He's typically very emotionally intelligent, with the exception being pretty much any trauma. He will react to basic things in the moment and is unafraid to show frustration or anger or uncertainty, as long as it's Not connected to a thing he is distinctly Not thinking about.
And one of the most damning examples of his emotional regulation skill, that is actually the scene that started me thinking about all of this, is the scene with Koh the Face Stealer. 
That scene threw me off so much because I felt like it was incredibly out of character for Aang, this incredibly expressive kid, to be able to show no emotional reaction. It didn't make sense and for a long time I dismissed it as just, the writers thought it'd be cool so he did it. But of course, I can't let things lay, so I never really stopped thinking about it until I realized, in context of everything I've talked about before, it actually makes perfect sense.
Aang is emotionally expressive by choice. He has the ability to control his emotions and responses to a ridiculous degree. He knows how to be emotionally intelligent with basic things, where to express emotion and how to do it. 
(Of course, he's not perfect. There are plenty of times he acts out, the Bato episode being the first thing to come to mind, but even there, after just a few hours, he has wrestled with his jealousy and responds appropriately to guilt, he owns up to it. He does try to explain himself but when Sokka makes it clear he's not going to listen, Aang does not continue to press the point. He accepts Sokka's decision, does not lash out, and for once doesn't shut down or exhibit happiness soon after. He is sad and expresses it without shoving his emotions onto others. For a 12 yr old, this is fucking impressive.)
Aang was taught well by the monks, but the one thing they couldn't teach him was response to trauma, and that's where he falters, but that emotional regulation means he's not going to respond in a typical way. Instead, he turns to denial as his coping mechanism of choice and uses those skills he learned to achieve a workable state of being but through unhealthy use.
Where am I going with this? Idk. Nowhere really, I just wanted to talk about Aang and psychology tbqh.
Anyway, I will finish this up by a fun delve into Things He's Probably Going To End Up Suffering From:
Denial can lead to memory blocking, where it's more than just not thinking about it, the brain actively suppresses and alters memory to cope. Adult Aang's recollection of the Ozai year is probably not going to be super accurate. Would not be surprised if someone was like “hey remember that time you were almost executed by a town for your past live’s mistakes?” and Aang just went “No???” and legit has no recollection of any such thing.
Selective numbing will eventually turn into collective numbing. You can selectively numb for a temporary period of time (which is how people fall into the trap) but eventually your brain will start to numb everything, not just the bad things. At the very least teenage Aang absolutely goes through a period of dissociative complete numbness.
Speaking of dissociation, if you're not going to react to trauma the normal way, dissociation happens. It starts as a coping mechanism but like with numbing, it cannot remain controlled and will develop into something. Aang will have a dissociative disorder, I'm telling you. Which one? Idk, but I assure you, it'll be there. I'm leaning toward some basic depersonalization/derealization and/or OSDD type four where trauma and meditation accidentally mix for the worse.
So yeah, there you go, a breakdown of Aang, his trauma responses, his emotional intelligence, and the consequences of those two things put together.
I'm gonna be a nerd here and add shitty citations but this is mostly in case you're also a psych geek and want to read things.
“What Are the Dissociative Disorders”. International Society for the Study of Trauma and Dissociation.
“Developmental trauma: Conceptual framework, associated risks and comorbidities, and evaluation and treatment”. National Library of Medicine.
“What is Child Traumatic Stress”. The National Child Traumatic Stress Network.
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crispyliza · 1 month
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I've got you all figured out fanartists
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Some sketches that I actually got around to finishing :)
(ID’s in alt text)
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blluespirit · 2 months
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okay first three episodes thoughts
good
bending is cool as fuck
sozin’s actor does an amazing job at full crazy but calculated
scenery is STUNNING
monk gyatso made me cry. idk why i just saw him and wanted him to give me a hug so bad
APPA ACTUALLY LOOKS GOOD AND NOT LIKE A LITERAL MONSTER
i wasn’t sure how id feel about them showing the air nomad massacre but i think the importsnt thing is that they showed it was a massacre - and that although they can defend themselves, they don’t have the ability to fight back like an organised army would bc they’re pacifists! they attacked a peaceful group
the abandoned fire nation ship in the southern water tribe looks so fucking cool
ARTIST ZUKO???!!! LETS GOOO
Dallas does an amazing job at getting across Zuko’s intense desperation
I actually ended up loving all the Sokka and Suki interactions sm it was so cute and wholesome
Katara is perfect i will kill and die for her
Azula’s opening scene being her manipulating those people trying kill ozai ultimately leading them to getting burned alive by him and smiling - literally so fucking good. she is the best villain in history of forever
really good move having the mechanist (Sai!) and Teo be in Omashu imo. having them destroy the northern Air Temple so carelessly always pissed me off
THE FREEDOM FIGHTERS ARE LITERALLY PERFECT I AM SCREAMINGGGG
I was wondering how they were going to introduce the Mechanist and Jet in a limited amount of episodes but I like how they combined the two stories
Also Sokka absolutely nerding out in the Mechanist’s home is so important to me
Zuko getting has ass beat by that lady for fighting Aang is literally so funny and reminiscent of the goofy aang vs zuko fights we see in season 1 (to be clear: i adore zuko. this is NOT hate on him)
Zuko losing shit about his notebook and trashing his room and then outing himself as a fire bender in Omashu is so perfect. god i love him so much. it’s very season 1 zuko. it’s giving I DONT NEED ANY CALMING TEA!!!
things i was not a fan of: (some of these are a little pedantic i’ll admit)
Exposition is a little is a little janky but i’ll forgive it i guess bc at least it isn’t egregious as The Movie That Shall Not Be Named
Aang leaving just to get fresh air/clear his head and intending to come back is a silly change to me. all i keep thinking about is the storm where we got those epic Zuko and Aang parallels which now doesn’t really work and also takes away a lot of Aang’s depth. A good change adds to the story, but personally this seems to take it away
WHY would they not make Katara the one to bring him back from the avatar state? just seems like a strange choice to me? not saying this from a shipping point at all but that moment is a big step to their bond/friendship especially since they have only just met
Still don’t understand why they made the head of the village Suki’s mum. like i don’t think it’s a terrible choice but they still could have let them have a mother/daughter bond but still let Suki be the leader without any implications of nepotism. it mostly seeems silly
tl;dr - really enjoying it so far!
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zutarawasrobbed · 2 months
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Roku insinuating that Kyoshi bullies the previous incarnations in the spirit world had no business being that funny.
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navajja · 1 year
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My first attempt at drawing alta characters
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katerina-q · 1 month
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Sorry but I can't take seriously Zuko/Zutara stans complaining about "Zuko the colonizer" posts when many of you are literally calling a 12 year old Aang ( a pacifist monk and a genocide survivor) rapist, incel, abuser, selfish and misogynist.
There is a whole anti aang tag here on tumblr of Zutara shippers saying the most horrible shit about him, all because your ship is not canon (yes that's the real and only reason)
You have no fucking right to talk.
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katydoodles · 8 months
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She knows what she is doing…
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Please, to the 7 ppl who ship this with me, please send me some fanfics.
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lovegrowsart · 3 months
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something something orpheus and eurdiyce and katara doesn't look back at aang in the cave of the two lovers but she does look back at zuko when she leaves him in the crystal catacombs and love is about looking back its about turning around and seeing them even if it's for the last time
anyway
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prodogg · 1 year
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Royal drama queens
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woodlaflababab · 2 months
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It never fails to make me sad to see people call Aang's arc stagnant or claim he didn't change. His arc is unconventional. It's not a well established trope so there's not obvious cues we can draw on that we've seen dozens of times before. (Not that there's anything wrong with well worn tropes. The classics are classics for a reason.) But the unwillingness to examine his story outside of trying to spot familiar patterns just saddens me.
Maybe it's because I relate to his arc so much, and it's a lesson that I see so many people struggle with yet a lesson I rarely see truely represented.
Aang's arc is about balance. It's not like Zuko's, it's not about having a set of ideals and having to challenge and ultimately discard them for new 'better' ideals. Aang already has some pretty solid ideals, but the problem is, he sits in extremes. Throughout the entire series he is tettertottering between extremes of many different kinds, with these changes becomes less drastic as he goes on and builds his balance.
One of the things he has to balance, that I wish people saw because it is so so important, is the balance between protecting yourself vs protecting others. In the water you hold a child above your head, but in a falling airplane you provide yourself an oxygen mask first.
It's self-care vs matching expectations.
Which is such an insanely relevent contemporary subject and only becomes more so as we go on. Too often you see the hero must learn to be willing to sacrifice everything, whether for the world or for a person, but that's not healthy and is an ideal that can go wrong very quickly.
I just wish people saw this. I wish people saw Aang's climax of his arc as validation that they are allowed to be themselves, that they don't have to be what everyone expects of them, that bring true to yourself and being what people need are not mutually exclusive. I want people to see Aang and understand the value of being an individual made up of your background and personality and not a being formed to fit what's most efficient for society.
I want people to see Aang and know that it's possible to have this balance, that wanting to do things differently does not mean failing. I want people to see Aang and know that they don't have to lose childhood in order to grow and improve.
Some characters start out with incorrect answers, and they learn the correct ones, and we recognize this, but it's just as important to learn that sometimes you do have the right answer, it's just that there's more than one right answer and you can't cling to a single one as the pure singular truth.
Idk. I want people happy. I want Aang happy.
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magnetic-rose · 2 months
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man as i'm rewatching all of a:tla i really want to make a post about what are (imo at least) common misconceptions about the show and characters.
like a very common one that i see parroted way too often is "katara is too mature/motherly and babies aang," with the implication that her romantic love for him makes no sense.
but i'm more than halfway done with s1 and i think the fandom forgets that katara is a 14 year old girl. she's not a young woman, she's a child. and often times she's mischievous and funny and childish. she's usually right there WITH aang participating in his shenanigans. she even creates her own shenanigans. the show spells it out for the audience in episode one where katara and aang are penguin sliding and she says "i haven't done this since i was a kid" and aang replies "but you are a kid." one of the reasons she was so mad at sokka and gran gran for kicking aang out of the village was because "he brought laughter back."
and that's why they work and that's why she falls for him. he brings levity back to her life. he allows her to be a goofy, silly kid. they often support each other's little games. she cheers on him when he's riding the giant koi fish (until she gets distracted). they play in the river. she wears the necklace he makes her. he wears the goofy hat she makes. he goes along with her fortune-telling obsession.
and if anything, sokka is usually the voice of reason between them, trying to reel aang and katara in. and yet sokka gets the fandom reputation as the chaotic fun guy and katara gets the reputation as the "mom" who's telling people off. she's aang's biggest partner in crime and yet fandom treats her like the exasperated mom friend.
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ponytailzuko · 2 months
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aang reading zukos diary like a gossip mag and 10 years later after theyre friends he is still pulling out secret info about zuko no one knew. aang randomly mentions "oh yeah zukos been to this port before he liked the chicken at this one restaurant" and zukos like ? i never told you that. and aangs like um. it was revealed to me in a dream.
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blluespirit · 2 months
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Overall NATLA Thoughts
Okay, now that I've watched the series, I can give my thoughts.
Overall, I thought it was good!!! I had fun watching it! I'd rate it a solid 6.5/10. It's nowhere as good as the original, but it was definitely enjoyable and made some nice changes here and there that I liked. There were also some things I was also Not a fan of too.
I said in another post that it's best to treat this like an AU of the original. There will things that are great and things that are bad. That's the nature of adapting something.
Having said that, I need to get my initial thoughts off my chest... here we go.
Things I thought were good:
Sokka's characterisation - I really enjoyed him! I thought Ian did a good job! He played the funny moments well and retained the underlying seriousness/cautiousness. It wasn't perfect, but I enjoyed the changes a lot and think it was overall a solid performance.
Zuko's characterisation - Like Sokka, I do think I was most satisfied with their performances. A lot of Zuko's moments from the cartoon are sometimes... well, cartoonish and definitely wouldn't translate to live action, but I think Dallas did a nice job at balancing Zuko's desperate anger and that occasional sassiness well.
Zuko and Iroh moments were great. Had me on the floor crying. As it should have.
The bending looks a trillion times better than the movie - I understand it would not have been easy for the actors but, overall, I was very happy about it.
The scenery was stunning. It just looked so beautiful. I loved it so much.
Absolutely ADORE that they made Zuko a good calligrapher and artist. I read a fic about a million years ago where Zuko is a fantastic calligrapher and I thought it was perfect and made so much sense, and now I can say it's canon. This is perfect for me.
S U K I
The Freedom Fighters were ✨ perfect
They were so real for making Oma and Shu lesbians
Koh, Wan Shi Tong and Hei Bai looked fantastic, but I have more to say about all of them below, unfortunately.
I actually like the change they made that Katara is Aang's sole waterbending teacher.
Aang is not perfect, and needed more goofy scenes HOWEVER, I did like how they've had Aang's guilt more prominent in the story. The original didn't do a very good job with that, imo.
Zuko entering is breaking and entering era by breaking into an impenetrable Earth Kingdom prison is just perfect.
In Masks, I like how Aang and Zuko got a longer conversation - that was pretty cute.
I liked how they changed Yue a bit and got her out of the arranged marriage... how Yue saw Sokka in the Spirit World before meeting him in the real world.
Things I didn't like:
Far too much info-dumping/exposition. So much spelling things out. It was not as egregious as the movie, and I get there's a lot of information that needs to be conveyed well and quickly... but sometimes it really took me out of the show.
Why are Mai and Ty Lee here.... I was hoping the live action would give them a bit more depth (and they might as it goes forward!), but why put them in season 1 at all if they're just going to stand around???
Some odd changes - putting this as one point, but there are some bizarre changes that didn't make sense to me, as they did not benefit the story or deepen the characters. I have two main examples: a) making it so Aang didn't run away from home, and b) making it so Zuko actually fights Ozai in the Agni Kai.
Characterisation of Katara was Not Great. I don't think I got many hints of the reckless, compassionate, badass Katara until the end when she fights Pakku and rallies all the women together to fight (which happens off-screen). She was sweet and kind, but she just lacked the fire that OG Katara has.
Azula's characterisation - Azula is desperate to impress Ozai and so her character is just…. brewing with anger, frustration, desperation. I was SO excited to see the Azula we are introduced too… perpetually and irritatingly calm, calculating and ruthless. She's perfect, she's terrifying! She's literally the character of all time. But this Azula had more Zuko vibes? I don't think there's anything wrong with giving Azula more concrete motivation by wanting to impress Ozai and establishing that Ozai is abusive to both his kids, but I do think trying to do that right off the bat is a mistake.
WHY is Wan Shi Tong here. I love Wan Shi Tong, but like I said: Why Is He Here? Why could we not have his iconic, ominous as fuck introduction from The Library, and instead he's introduced in a random season 1 episode giving Aang Information(tm) about the Spirit World.
When Aang gave Koh the statue, and then he just takes it and immediately lets all the villages go, and neither of them even say anything, I actually laughed out loud. Like, I am so sorry, but what in the jesus fuck was that.
Speaking of Koh - I think Koh is better the less we know about him. Roku saying ~all Koh wants is a family like the rest of us~ just pissed me off?? I like my Koh the Face Stealer Terrifying and Unknowable, thank you.
NOTHING EVER REALLY HAPPENS WITH HEI BAI!!?? where's my precious spirit bear?? Like Aang never really does anything with him and the replacement Koh story is boring and it sucks.
Bumi.... sorry I just didn't vibe with him at all.
Things I can't decide on:
Fancy spirit knife to kill the moon spirit annoyed me a bit, but I guess they wanted to Kuruk something to work with and a little bit more interaction with Aang which I get but idk. I really flip/flop on this one.
I've been very on the fence about having Azula (and Ozai) being in the show in season 1 in general. I'm not sure if it benefited either of their characters.
Azula & Ozai's dynamic - Okay, so, I think they're trying to give Azula more depth, right? They're trying to establish what it was like for Azula to live with Ozai and that she's also (like Zuko) trying to desperately prove herself to him, but Ozai using Zuko's... achievements to do that just felt so weird. I get he's doing it to manipulate her, but that just felt so wrong when in canon it's very obvious that Ozai just didn't give a single fuck about Zuko. Ozai pits Azula against Zuko by saying he's a failure, he's a bad bender etc. Azula is born lucky, Zuko is lucky to be born - like, Ozai says that to Zuko's face. I don't know if I am communicating this point very well, but it just didn't seem right to me??
Zuko vs Zhao in the Siege of the North... I genuinely do not know how to feel about it! I didn't love it, I didn't hate it. I don't know how to feel about Zhao telling Zuko that his mission is a sham and that Azula is the prized one... It feels like it's saying the quiet part out loud? In the OG we all know that Ozai sending Zuko on that mission was an excuse to get rid of him, but we can work that out, no one actually says it. And then Iroh just fucking killing him/mortally wounding him instead of the Iconic scene where Zuko reaches out to save him despite everything Zhao has done to him, but Zhao's own pride gets in the way from letting him accept help from Zuko.
Zuko’s crew being the 41st is not necessarily a bad thing at all!!! But I do just want to say that in the original, the attack goes ahead, and presumably, those soldiers die. It’s horrible. Zuko’s sacrifice is in vain, and it was always going to be in vain because the Fire Nation as it stands would not allow Zuko's compassion to win. Ozai would not allow it. While not necessarily a bad choice (all the soldiers bowing to Zuko on the boat was so sweet I loved it!) but I think it does take away some of the horror of Zuko’s story (same as it does with making Zuko fight back in my opinion) because the whole point is that Zuko did the right thing - and he was punished for it, and those soldiers died anyway.
anyway...
Okay!! got that off my chest. I know I just had a big whine here, but I still had a lot of fun watching this show. I think some of the backlash is a bit over the top and unwarranted. It was never going to stand up to the original - and that's okay.
Enjoy it for what it is!
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staliaqueen · 25 days
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Mal's Avatar: The Last Airbender rewatch: Jet 1.10
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comradekatara · 1 day
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a really defining moment of aang and sokka’s relationship is that sokka literally lets himself get beat up for aang’s amusement and entertainment like a day into knowing him. like he is literally letting aang drop him onto the ground from a not insignificant height over and over again just to see aang smile and laugh. he is putting his own safety and physical wellbeing at risk because it makes aang happy. and there’s a lot we could get into here about how sokka fundamentally views himself and his body as a vessel through which to provide services to others instead of a whole human being in his own right, but what matters for the purposes of this post is that it’s very immediately established that sokka will do anything to see aang enjoy himself, to the point that he will quite literally put up with physical abuse without complaint to make aang happy. so when people are like “it’s crazy how sokka is so smart and yet loses all his braincells whenever he’s around aang,” it’s like yeah, teenage boy adhd2adhd communication will do that, but also a large part of it is sokka contorting himself into an image that he thinks aang will appreciate, because he knows just how valuable preserving aang’s childhood joy and laughter is.
and what’s beautiful is that through actively becoming this person for aang’s benefit, he also actually starts to internalize the sentiment. through the process of letting himself be silly and goofy for the sake of making aang happy, he also absorbs some of that sillygoofy happiness and regains some of his own childhood joy and laughter and sense of wonder he truly thought he had lost forever. he’s not just helping aang retain his childhood, but aang is also helping sokka regain his sense of humanity. the sokka of book 3 is someone who enjoys “wacky, time wasting nonsense” and throws beach parties, a far cry from the sokka of book 1 who thought fun and joy were luxuries no one could afford. his selfless love for aang is also self-affirming, helps him to embrace aang’s point of view, to love himself slightly more than he otherwise would have. because to love aang is to necessarily let kindness into your life; it’s to learn how to be free.
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