Outlaw cowboy sevika who fell in love with a good woman or a woman she is partner in crimes with?
i'm done writing the big fic, so i can finally start doing requests again!! starting with this GENIUS idea tysm anon <333
men and minors dni
the parlor doors swing open, and a shadowy figure wanders into the tavern. behind the bar, you bite your lip, watching patrons scatter as the cloaked figure struts over to the bar, a jingle decorating every one of their footsteps as their spurs twirl on their boots.
they knock on the bar top to get your attention, like you haven't had your eyes trained on them since they strolled in. you grin.
"how can i help ya?" you ask, already reaching under the counter to pull out a glass and bottle of whiskey. you pour them a big glass and slide it across the bar, not moving your hand when they reach forward to grab it.
when your fingers meet, you gently brush yours against theirs, then slowly, slowly trail your fingers up their arm, before grabbing the rim of their hat and flicking it up.
there she is, you think as sevika's face is finally revealed to you. she's smiling just as wide as you are.
"got any vacancies?" she asks. you chuckle.
"fully booked, sorry miss." you tease. she snorts. "but maybe if you work for it i can arrange a place for you to sleep." you add on. sevika rolls her eyes as you grab two buckets and gesture for her to follow you. she does. she always does.
you wander out of the tavern and into the small side garden you tend to in your free time. shoving a bucket into her arms, you gesture at the well. she meanders over to it and begins pumping the spout until water comes spurting out. you watch in amusement as she gets sprayed and curses.
you walk through your rows of crops, harvesting a few ears of corn, a couple of potatoes, a handful of carrots.
your tavern/inn is located on the main street of a small shanty town in the middle of nowhere. the only people who travel through these parts are up to no good, so when you came to own the place after the previous owner died and left it in your name, you made a few policy changes.
for one thing, you don't ask questions. patrons can come in riddled with shrapnel and bleeding, their faces identical to the 'wanted' sketches that are plastered around town, and you simply turn a blind eye and serve them a hearty bowl of stew, fill 'em up with liquor, patch their wounds, and give them a bed. in exchange for your discretion, you've made plenty of shady friends, who often pay for their time spent in the tavern with stolen and smuggled goods like pretty jewelry, gold bars, or premium cuts of meats or cheeses.
the locals don't give you much trouble, too scared to piss off any of your friends, too happy with the imported rare goods they bring to town with them to complain about the occasional stand off or shootout.
you wander out of the garden, stopping by the small stables and greeting sevika's trusty mare shimmer. the horse whinnies at your appearance, tail swinging happily as you scratch her ears.
"hey, shimmer." you whisper to the horse. "here, baby." you say, hand feeding her a few carrots. "how much trouble'd she get you in this time?" you ask the horse. shimmer doesn't respond, too busy crunching on her treats.
behind you, sevika's hand wraps around your waist. you smile as she presses a kiss against your head.
"missed you." she mumbles against your temple. you laugh and gesture to the tavern.
"c'mon." you say. "i'll canoodle with you once these chores are done."
you and sevika spend the afternoon tending to the tavern. she distributes the water evenly among bedrooms, filling the wash bowls and pitchers patrons can use to hydrate and clean themselves.
you tend to the stew, chopping and stirring in your vegetables, adding a few pinches of dried garlic and onion powder to the bubbling pot of perpetual stew, stirring and tasting and adjusting until you're happy with how it tastes.
it's the slow season. travelers are rare in these parts, but even more so during the scalding hot summer. a few neighbors wander in for a quick drink, and the few patrons you have retire to their rooms once sevika's done refreshing them.
once the sun sets, the tavern is empty, except for you and sevika.
she's staring at you adoringly from across the bar, her chin propped up in her hand as she watches you sweep. you scoff at her expression.
"what kinda trouble'd you get yourself into this time, huh?" you ask. sevika chuckles.
"you didn't see it in the papers?" she asks.
"that train robbery?" you ask. sevika shrugs with a smile. you laugh. "you're gonna get caught up one of these days." you say as you begin wiping down the bar top. sevika rolls her eyes.
"you got no faith in me, darlin', it breaks my heart." she says. you laugh and turn off the oil lamps, before starting up the stairs. sevika follows behind you.
the second floor is where your patrons sleep, but you get the whole attic/third floor to yourself. it's a nice little studio space, two windows on either side, big enough to hold a double mattress and two sets of drawers, a few chests stuffed full with treasures and valuables sevika's brought back to you.
sevika sighs as she enters the space, hanging her hat and poncho up on two nails you'd slammed into the walls for her years ago, shoving off her boots and stripping down to her undergarments. you sit at your desk and watch her strip with scruitny, making sure she doesn't have any new wounds or scars. she washes herself down with a wet rag, sighing as the grime and dirt of her travels slowly washes away. once your sure she's not injured, you allow your gaze to become appreciative, taking in her muscular back and arms as they scrub her body down.
you rise from your seat and approach her, slinging your hands around her waist and tucking your chin over her shoulder. she sighs and leans back against you.
"three weeks is too long." you mumble against your lover. sevika hums.
"i know, darlin'." she says. you take the washcloth from her and begin to scrub her back for her, occasionally kneading and massaging at the knots and tension that riddles her muscles. she melts. "i missed you." she sighs. you kiss the nape of her neck.
"i missed you too. had me worried, you know." you mumble against her. she turns in your arms to wrap her own around your waist, gently swaying the two of you back and forth as she soaks in your features.
"i've been yours for how long?" she teases. you roll your eyes. "five years now?" she asks. you smile and nod. "and you're still worried about me? you know i always come back to you darlin'." she says. you sigh and roll your eyes. "gonna give yourself an ulcer at this rate." she teases. you chuckle.
"wouldn't have to worry if you stuck around." you say.
you and sevika have had this conversation a thousand times now. she's made more than enough in her time as a bandit for the two of you to live comfortably together until the end of time.
still, she always leaves. you don't blame her, before she met you sevika spent her entire life wandering the west, all alone, never staying in one place for longer than a week.
but then, one fateful night all those years ago, she stumbled into your tavern bloodied and battered, staring at you with a sparkle in her eyes as you patched her up. and since then, she's been circling back to you after each and every one of her jobs.
the longer she's had you, the more time she puts between her heists. you'll get her to stay eventually, you just have to be patient. but patience is hard when the love of your life has such a dangerous occupation.
sevika swoops in to kiss the frown off your lips. you sigh against her and wrap your arms around her shoulders as she slowly uncinches your corset and helps you out of your layers.
when you're both naked, you guide her to the bed, plastering yourself to her side as you continue to kiss her. tears well up in your eyes as you get your hand in her hair, and she notices, pulling away with a frown.
"'s wrong darlin'?" she asks. you hide your face against her shoulder.
"what if you die out there, sev? a hundred miles away all alone in the desert... nobody'd find you until you were just bones and dust. and i'd be here waitin' for you to come home for the rest of my life." you say, your voice wobbly. sevika wraps you up in her arms and sighs against you. you reach up to gently trace the scars littering her left cheek.
"fuckin' ruining the surprise." she grumbles against you. you blink.
"what surprise?" you ask. sevika rolls her eyes and darts forward to kiss your forehead.
"the train... it was a cargo train. one of the cars was headed to a bank, padded wall to wall with cash 'n gold. enough for a hundred people." she says. you gulp and blink at her, hesitant to assume lest you get your heart broken.
"so?" you ask. sevika chuckles.
"so, i'm retiring." she says simply. "fuck do i need to keep robbin' and lootin' for if i'm already filthy rich?" she asks. you blink at her, your heart swelling, tears falling down your cheeks as you soak in her words. "plus... i met a girl i'm hopin' to settle down with." she says, smiling shyly at you.
you let out a shaky breath then launch forward, pinning sevika to the bed as she laughs and gathers you in her arms.
"are you serious?" you ask against her. she chuckles and kisses your head.
"deadly." she responds. you melt against her, clinging to her like your life depends on it. "you think you might need a new employee here?" she asks. you snort against her.
"i can figure somethin' out." you say. "gotta work on your people skills, though." you tease her through your tears. sevika laughs and smacks your ass.
"y'know..." she starts. you pick your head up from her shoulder to look at her, and she looks away, nervous. you kiss her lips and she sighs, her anxiety melting away under your touch. "i met a pastor while i was out wanderin'." she says. "said he wouldn't be opposed to marryin' two women if someone were to give his chapel some donation money." she whispers.
you study sevika for a moment as she anxiously nibbles on her lip. "you askin' me to marry you?" you ask. sevika shrugs.
"i mean... i've already given you hundreds of rings." she says. you smile.
"you have." you say. she smiles up at you.
"so?" she asks. "his chapel's a day's ride from here. figured we could go now during the slow season, make it a little vacation?" she asks. you grin and launch down to kiss her, and sevika sighs against your mouth.
"there's nothin' in this world that would make me happier, baby." you whisper against her lips. sevika grins.
"sure you won't mind bein' an outlaw's wife?" she asks. you laugh and smack her shoulder.
"a former outlaw." you correct her. she chuckles. "and no, i won't mind. 'specially when that outlaw's as handsome as you." you say. below you, sevika blushes.
"fuck off." she grunts. you laugh.
"that's no way to talk to your wife." you tease her. sevika grins.
"you're right. 'm sorry, darlin'."
taglist!
@lesbeaniegreenie @fyeahnix @sapphicsgirl @half-of-a-gay @ellabslut @thesevi0lentdelights @sexysapphicshopowner @shimtarofstupidity @love-sugarr @chuucanchuucan @222danielaa @badbye666
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thinking thoughts about swords symbolizing the corruption of the institute and the control it has over the kingdom. the sword motif is absolutely everywhere - banners and art, kids’ games and cereal commercials, the statue of gloreth at the center of the kingdom. the institute building itself boasts even more - there are tons of statues and suits of armor, all holding swords. swords are everywhere you look!
another example is the way ballister and his swords are used as a tool by the director. he’s knighted with the same fake sword that kills the queen, highlighting how the system can only thrive on manipulation and deceit - the director can only have control over the kingdom if she lies to it, which she does primarily through ballister. he also immediately tries to go to his sword when he finds out nimona is a shapeshifter, as he hasn’t yet unlearned the values taught to him by the institute. the director keeps his real sword the whole time and uses it to try to kill who she thinks is ambrosius, planning to frame ballister for that murder too, which becomes a major turning point in his arc as he decides to abandon the sword as he no longer wants to be part of her game.
but even though he’s made the choice to reject the institute, he still struggles to unlearn its values. he’s been brainwashed from a young age, and had plenty of time to internalize false notions about heroes and villains and monsters. while he cares deeply about nimona at this point, he still instinctively goes to draw his (other) sword when he learns she’s the “monster” from the legend of gloreth.
one of the ways the director retains power is through gloreth - since she’s considered the symbol of righteousness and heroism, the ideal to which all knights should strive, she’s invoked at every moment possible. the scroll bearing the legend is used to justify killing nimona, and “the will of gloreth” is used to justify practically everything. ballister’s sword has a G on it, which is visible right before he gets knighted, and ambrosius’s sword looks just like the one the statue holds aloft. (gloreth didn’t actually have a sword like that, at least not when she knew nimona, but nobody knows this - the real story had been warped and twisted to fit the narrative so much over the course of a thousand years.)
ambrosius, being her descendant and the golden boy, finds it even more challenging to realize the institute is corrupt. he’s also been brainwashed and forced into a role, and there has always been an immense amount of pressure on him to follow in her footsteps. so when he meets ballister in the tavern he places ballister’s sword on the table and suggests killing nimona, as this is what the institution wants. ballister, who knows that nimona isn’t the one to blame, angrily walks out and leaves the sword laying there, trying to leave both it and the institute behind again.
ambrosius becomes understandably reluctant to use his sword for anything violent after cutting off ballister’s arm. he doesn’t draw it when leading a squadron of knights to find nimona and ballister, even when everyone else has their weapons trained. he points it at them and doesn’t use it when he and the other knights have them surrounded. at one point he even places it in front of the director in the effort to protect her. (he seems to be very loyal to her for reasons i’ve touched on here, and is still heavily under the influence of the institute at this point in time.) in fact, the only time he ever actually uses his sword going forward is the fight with ballister, but even then he’s not really fighting exactly, just deflecting ballister’s sword. he doesn’t try to get in a single strike, not wanting to hurt ballister again or give him any more reason to hate him.
nimona, having grown up under very different circumstances, knocks over suits of armor that have swords. she destroys the statues that hold them. when she and gloreth play fight as children, gloreth holds a toy sword while nimona holds a stick.
everything is inverted at the climax - when every other knight is running around with weapons, ambrosius doesn’t draw his sword. he stands in the middle of the street and asks aloud, “what are we doing?” as he’s finally able to see how corrupt and how dangerous the institute is.
and nimona is the one who seeks out gloreth’s sword, and ballister is the one who lets his own sword fall, breaking the cycle and rejecting the institute’s values once and for all in order to save her.
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Useless rpg recs. Videogames (rpgs or not) where you can romance an orc
(m = male character, nb = non binary character, f = female character)
Baldur's Gate 2: Enhanced Edition (isometric rpg, protagonist can be male or female): Dorn il Khan (m) (romance has also some scenes in the dlc Siege of Dragonspear)
Bastard Bonds (pixel rpg with turn based combat, protagonist can be male or female): Nazar (m)
Dear Monster (nsfw visual novel, dating sim, male protagonist): Slagathor (m)
Icewind Dale (isometric rpg, protagonist has to be male to romance the orc): Dusky (m, modded npc)
Ikkarus and the Prince of Sin (visual novel with combat, dating sim, male protagonist): Orakh (m)
Orc Covenant: Gay Bara Orc Visual Novel (nsfw visual novel, dating sim, male protagonist): Dagroth (m), Kurdan (m), Karn (m), Yundril (m)
Pathfinder Kingmaker (isometric rpg, protagonist can be male or female): Regongar (m)
Pendula Swing (isometric adventure, rpg, female protagonist): Giglesh'Kern (m)
Salting the Earth (visual novel, dating sim, female protagonist): Dirrong (f), Urnba (f), Eda (f) (and these are more flings than romances: Sakkhan (f), Nim'Gann (f))
Skyrim (action rpg, protagonist can be male or female, romances are just marriages with little content): Ghorza gra-Bagoli (f), Borgakh (f), Gat gro-Shargakh (m), Ghorbash (m)
A Tavern at Night (free visual novel, protagonist can be male, female or non-binary): Azram (m)
Tusks: The orc dating sim (free visual novel, protagonist is male): multiple male characters, to add
(This is an updated version of this previous post)
I played all these games but "Orc Covenant" and "Tusks", so feel free to ask for any info!
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