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#YOU ARE SO BRILLIANT
flurty · 1 year
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for color asks you're indigoooo, sunshine (can't remember the weird capitalizations), idk green, and orang (or whatever spelling they had for orange)
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bestie!!! hiiii!!!! how did you choose opposing colors???
anyway thank you so much, this is true yeah i can be somewhat talented but only if my talents were being a fuck up. i am pretty badass tho (although i do have a lack of ass so maybe i'm just bad).
i don't eat ice cream for breakfast tho, that would be too much, even for me.
I haven't smoked weed tho, could you imagine the level of shitpostery i could pull off if i did that to my brain? no thank you, i'm glad with my current levels of 0.02 percent.
and ya. drama. i can see that :)
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wrongspacetime · 6 months
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The Fall of the House of Usher 1.08 | The Raven (2023)
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thatmooncake · 3 days
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xD
Freedom is just out of reach (but not if he wiggles fast enough)!
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beautyinflight · 2 months
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I finished rereading @zoe-oneesama’s Scarlet Lady AU!!
This panel from episode 51 part 20 was too cute not to draw! Thank you so much for sharing your Scarlet Lady comic with us, it has soothed the frustrated miraculer in my heart. <3
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theoldkyokodied · 3 months
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posting all my genderbent sunny (mostly toxic yuri macden) art at once like i'm known to do tehee :) ft Charlie in a little mini comic where mac and den try to give her a make-over for a scheme, based on a conversation i had with my friend kath, who is THE person i'd trust most with writing an actual iasip episode btw.
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kimtaegis · 8 months
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friendly herbivore dinosaur 🦕 for @jung-koook
cr. namuspromised
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faultyvessel · 7 months
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Genuinely please let me know all of your thoughts. I HAVE A CEASELESS HUNGER IT NEED TO BE SATIATED
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kairukitsuneo · 3 months
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Talented Bravern can sings and dances while battling 🥰🥰🥰💖🤭🤭💕💕
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comradekatara · 3 months
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katara’s role as the show’s narrator is so underrated because no one really seems to understand just how deeply katara is impacted by the nature of stories, with regards to their craft, their promulgation, and their cultural significance, so they don’t truly register the sheer metatextual brilliance of having her be the resident storyteller of the narrative itself.
the first thing atla establishes about katara is that she is someone who is fueled by dreams and fantasies, and believes in a return to a world where “all four nations lived together in harmony” (which is obviously an illusory ideal, as there was always geopolitical strife even if it wasn’t as overt as the devastating imperialist project they are now subject to), described to her by kanna’s stories about the old days.
katara is someone who indulges in fantasies of adventure and heroism, projecting these ideals onto both herself and others. she is an idealist in the truest, purest sense of the word, and what is an idealist if not someone who tells themselves stories about a more beautiful world to survive?
it’s no coincidence that the episode where katara successfully scares everyone with a very compellingly narrated campfire story is the same episode that she must contend with her heritage, the ominous lacunae in her stories, the pitfalls of her own naive idealization. it’s also not a coincidence that the story she tells was first told to her by her mother.
katara grew up hearing stories passed down to her from kanna and kya, and those stories gave her hope and brought her the possibility of happiness in a bleak, cruel world where she was ultimately alone. there used to be people like her, said the stories, and they were brave, and they fought til their final breaths to hold onto their culture, their love for their people, their humanity.
well that’s who i’m going to be, says katara. someone who fights, someone who cannot be knocked down (because there is no one else left to take her place), someone who will never cease to have faith in the capacity of others for good, for truth, and for justice.
stories are her heritage, they are her culture, they are how she defines herself and how she understands the world around her. stories are how she copes, how she survives; they are all she has left to cling to. and sometimes they are reductive, and sometimes they are outright false, but that’s okay too. she grows, she adjusts her narratives, she learns to leave room for more grey in her neat tapestries of black and white. stories can define a tragic past, but they can also pave the way for a better future. she keeps telling stories.
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poorly-drawn-mdzs · 6 months
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Bingqiu ponies (Happy Birthday @Piosplayhouse!)
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stealingpotatoes · 5 months
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dinluke making utterly zero sense but catching so much popularity is my favorite thing to exist ever
no no no this is slander it DOES make sense!! u gotta think, dinluke didn't get popular out of nowhere, they got popular after they canonically met. what 2 other things happened in this episode? 1. din's son going with luke to be a jedi and 2. din becoming mand'alor. you know what that leads to? 1. a reason for din and luke to continue to interact and 2. spicy conflict and a shitload of shared struggle. Din and Luke both have to lead/unite/help their disparate, genocided people, are both strongly devoted to their creeds, both fierce warriors willing to do a helluva lot to protect those they love, and like loaaaads more. they might seem pretty different on the surface but at their cores they rlly match up and share a very particular set of experiences and again HAVE REASON TO MEET REPEATEDLY
and that'd be enough on its own but then you have that against their peoples' ancient feud and bam you have some romeo and juliet spiced in there. and w that, even if you ignore the mand'alor stuff you still have their devotions to their religions (+ w that the conflict of intimacy and want and din's helmet/the old code getting in the way), din knowing NOTHING abt famous hero luke and ofc din actively trying to avoid being the main character vs luke being the Most main character ever. its just. im normal abt them
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daisyswift3 · 7 days
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So I think I may have cracked the code. Listening to Clara Bow w this context in mind from the 4th, 9th, and 10th 🎃 messages makes the lyrics cut even deeper and explains the purpose of the anthology.
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What Taylor is essentially saying is that above all else she is proud of her humanity. “Human. Human. Human.” “Flesh and blood.” Unlike some ppl in Hollywood like greedy big suits (cough SB^2 cough Big Machine cough) she’s managed to keep her humanity intact and didn’t let these negative experiences corrupt her or turn her bitter. She was able to find peace and courage in spite of it. And she’s saying I am abt to come out of the closet and while I am hopeful I’m also a little fearful. But isn’t that an amazing thing? Because being fearful, sad, furious, insecure, hopeful—these experiences are unique to humans! “Your heart beats red and hot and furious in your chest.”
“And most importantly, they will know about the human heart.” THIS is the purpose of the anthology. This is why she released 31 (13 backwards) songs for her fans to dissect and decode. Bc she wants them to understand that she’s not a god. She’s a flawed human just like the rest of us.
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I think there’s a very good chance that THIS is what her movie is going to be about. Her journey out of the closet and all the hardship that came along w it and helping other ppl to understand the human heart. And I wouldn’t be surprised if there was a memoir that was released w it—“the professor said to write what you know.” And it makes sense too why the manuscript lyrics match perfectly w the all too well short film. Bc they’re talking abt the exact same thing!! She has a relationship w a much older man, experiences heartbreak, heals, and then writes abt it in a book—the story of us AKA the manuscript.
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And this is why 🎃 kept referencing the story of us. I couldn't make sense of it a few months ago but now in hindsight it all makes perfect sense. Message in a bottle was probably a red tv vault track for this reason too. Bc the message in a bottle is the manuscript. The puzzle pieces really do all fall right into place.
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I'm rereading Hogfather for the first time in probably 15 years and I. Cannot believe I missed all the jokes about Hex the first time around. The "anthill inside" sticker. The ram skulls. The small religious pictures. Christ
Whoever made that post about rereading Discworld novels making you go "damn you Terry" while shaking your first at the sky, you get it
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ozzieinspacetime · 5 months
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Trevor Hills being Pathetic Blorbo #1 and your enjoyment of him being said Pathetic Blorbo #1 just adding on to the games pre-existing meta commentary is,, so good. They made him as miserable as possible and god it really worked.
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grendelsmilf · 1 year
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i still find it so interesting how jackie is (was?) largely defined by her niceness, her friendliness. she's not the strongest, or the smartest, but she can bring people together. so when she is mean to the other girls, you notice it. she's mean to taissa when she feels like her position as leader is undermined; she knows that taissa is just as much of their leader as she is and it scares her. she's mean to shauna when she finds out about jeff; understandable considering what a huge betrayal it is (at least on the surface). but the girl she is by far the meanest to is nat.
and there is no good reason why anyone should be mean to nat. she is kind of treated as a punching bag, and taissa especially resents her because she doesn't like the idea of nat threatening the team's performance with her day-drinking or whatever. but nat is by far the kindest, sweetest, most compassionate, genuine member of the team. even as an adult you can see that she might be jaded and grieving and ruthless, but she's still at her core a good person. young natalie especially though is someone with a very strong moral center and uses those guiding principles of kindness to define who she is.
she's more mature, capable, and sure of herself than the rest of the group, because before ever landing in that forest, she's had a much harder life than the rest of them. we see that van probably doesn't have the best home life, but the rest of them are living comfortably. even if they don't have great relationships with their parents, they still live in middle to upper class households. nat grew up in a trailer park with a father who horribly abused her and her mother (until the day she witnessed him accidentally shoot his own face off). these circumstances made nat more resilient, braver, and more empathetic than the other girls.
and i think jackie recognizes that, whether or not it's a conscious recognition. she knows that nat is everything she herself is not. nat is confident in herself whereas jackie is terribly insecure and relies on external validation to uphold her own identity. where nat comes from poverty, jackie grew up in a huge house. where nat is comfortable having sex with boys, jackie is too repressed to have sex with her longterm boyfriend because she's terrified of having to confront the fact that she won't actually like it. natalie expresses herself through alt/grunge fashion, music, and culture, whereas jackie is as preppy as it is physically possible to be. natalie is jackie's perfect opposite: a poor outcast who is nevertheless comfortable enough in her own (hetero)sexuality to present in a (gender) non-conforming way and not care what others think of her to jackie's rich popular prom queen soccer captain who is debilitatingly insecure and sexually repressed, conforming perfectly to society's expectations of her to the point that she'd rather die than explore the possibility that she might like girls.
jackie has negative interest in travis, but she breaks him and nat up and steals him from her anyway. and the thing is, nat doesn't even care. she forgives jackie. when lottie locks jackie in the closet (ha), nat is the one who comes to her rescue. when travis apologizes to nat for sleeping with jackie, she says it doesn't matter to her. jackie is horrible to nat, but nat is genuinely mature enough that it doesn't even bother her. jackie wears her insecurities on her sleeve, and nat sees right through her. she doesn't put up with jackie's bullshit, but she's also gracious enough to not gang up on jackie with the rest of the girls, even though she's the only one who actually has any right to be mad at her. nat is generally apart from the rest of the team, not only because she's an outcast, but because she's simply above their petty dramas.
jackie doesn't have a good reason to be mean to her. she's the kindest, sweetest girl on the team. but jackie is mean when she feels threatened, and nat's existence threatens her very identity.
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"Fuckin' summertime makes promises..." [x]
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