Kentaro-senpai, please take good care of Yusei~

LYDIA MARTIN And I've got a lot to pine about. I've got a lot to live without.

You don’t care about getting hurt. But you know how I’ll feel? I’ll be devastated. And if you die, I will literally go out of my freaking mind. You see, death doesn’t happen to you, Lydia. / Unbelievable…you have no idea what you are, do you? The wailing woman.

people actually went on about how game of thrones made it socially acceptable to be a fantasy nerd, as though the lord of the rings movies hadn't been released less than a decade earlier and left far greater cultural ripples and i am just

got may have made the adults feel better about liking fantasy, but lotr got into the kids' heads when they (we) were just young and impressionable enough to be absolutely transported and emotionally rewritten by don't you leave him, samwise gamgee and my brother, my captain, my king and and rohan will answer

lotr was rewriting entire generations' brain chemistry long before asoiaf and so obviously it's not fair to compare any post-lotr fantasy novel to it, and each book series was trying to do different things within their own spheres and so that also is not a fair comparison, but in terms of the cultural impact of the adaptations that came out within a decade of each other, saying that it was game of thrones that made fantasy mainstream is baffling

game of thrones could only run because the lord of the rings movies laid the path, and i will die on this hill

I'll never understand how some fans are so incredibly willing to just be okay with "it happened in a timeskip" to excuse bad writing lol. Like "oh yeah these two characters who have been enemies for like four seasons of a TV show had their entire reconciliation OFF SCREEN in the time skip between episodes right at the end so it works" or "oh yeah this character who was left basically broken had their entire growth and development where they came to terms with the thing that broke them in the time skip so it works" kind of stuff. Like that's literally the ENTIRE emotional climax of a story that's been building for a while and you're FINE with not getting to actually SEE IT???

Can't relate.

not to be true crime posting on main but i think i'm falling down the wm3 rabbit hole again

Nah cuz why is it always "Wyd" and not "You have bewitched me body and soul, and I love, I love, I love you. And wish from this day forth never to be parted from you."

😫😫😫😫

Oh to be Mrs. Darcy....

Hobie and his guitar appreciation post (part 2)

BOUNS Hobie fiddling with his guitar strap:

Went to see Barbie

based on your asks responses & characterization of yuuta this is what i’ve gathered — yuuta is like that one high school senior who looked at the new coming freshman’s & just adopted them on the spot. there’s no out. now his friends sees the kid & adopted them too. it’s a family now. a very young, close in age family. (i was yuuta in this situation 😔 i was use to be megumi in this situation but i carried the tradition out. as i should. high school & middle school was wild.)

YUUJI THOUGH. we will probably never see him in your sea glass garden au but your asks is killing me. like his one sided beef with yuuta? he’s just like me fr. i too would fight over megumi if it comes down to it.

i just know yuuji thought that yuuta & megumi was a thing at first cause of the whole “his boy thing”. i know he screamed into a pillow about it. i know he went to gojo to ask for permission to court megumi & gojo was flabbergasted at such a medieval act so he had yuuji do the dumbest shit to get his blessing (ha).

i just know nanami is sighing at the idea of his son yuuji being a jealous little brat because of his other son yuuta. i just know yuuta was so confused until he witnessed yuuji & megumi awkward ass flirting. i know he acts like a little shit to get on yuuji (& sukuna) nerves.

you know what. this is my jujutsu kaisen. this is my sorcery fight. gege who? i only know you. PLS TAKE THE PEN FROM GEGE.

Yuuta is absolutely that senior who adopted that new student and made a little family. That is His Kohai now okay megumi is their collectively raised flour sack baby and they will kill for him.

Yuuji came back to life finally met the second years had just leveled up with his cursed energy and gained a new dad got his old friends back he was so so ready to go live his best life and then his new self appointed brother opened his mouth and started rhapsodizing about some impossibly beautiful and perfect man named okkotsu yuuta and yuuji is absolutely whacked in the face a la rubber squeaky hammer that there’s some gorgeous son of a bitch out there already living his best life.

His death sentence was overturned. He’s so powerful that he can save everyone if he wants. He is the legally adopted child of Nanami Kento. The curse attached to him 1) actually liked him and 2) moved the fuck on which some people (Sukuna) could take a few notes on.

Fushiguro Megumi is his boy.

This could not have devastated him more thoroughly. Even his newly acquired self appointed brother thinks okkotsu yuuta is the perfect man, which he manages to express at length in between warnings from the second years that Yuuta’s going to fly back from Africa purely for the sake of kicking his fucking ass for touching His Boy, which yuuji simply cannot handle.

Yuuji lowkey had a new lease on life and thought “hey! Fushiguro tried to kill someone with an elephant for me! Maybe I have a shot and he’ll let me hold his hand!” and then there’s god’s perfect man off in Africa who’s enticing megumi away from movie marathons with his fucking FaceTime calls right when yuujis almost hyped himself up enough to try the yawning arm stretch thing.

He spends at least three weeks trying to figure out if Megumi’s His Boy because they’re in a long distance relationship and it only ends because maki starts finding it more annoying than funny and establishes that it is not in fact a romantic arrangement. She thinks. (Okay it’s still kind of funny.)

Yuuji resorted to a terrible wikihow on how to get someone to date you and it insisted “get their parents approval” was his in and gojo could NOT have been more of an asshole about it. Nanami had to intervene to get it to stop. He is very tired and very confused. Why are you so upset about okkotsu he’s a lovely young man why is this making you more upset

Of course if yuuji ever found out that megumi became Yuuta’s boy after Yuuta personally restarted his heart he’d instantly understand why everyone acts like Yuuta’s the best thing since sliced bread. He is that amazing.

Yuuta and Megumi are completely oblivious to all of this.

Gege pls call me I just want to help gege pls

btw todd’s reluctance to join the dps because he doesn’t want to read (which is then accommodated for) and is scared to put himself out there (which is also worked through) being read as todd not wanting to go AT ALL, and thus neil making the proper accommodations (“todd anderson, who prefers not to read, will keep the minutes of the meetings”) and encouraging him to step out of the box that stifles him being seen as ‘forceful’ or like he can’t take no for an answer makes me insane with rage

apologies to anyone who stumbles apon my current pacific rim spamming im thinking about this movie for literally no reason again

The moment in Stardust when Tristan walks into the witch’s lair and Yvaine who thought he didn’t care about her at all lights up while still chained to the sacrificial table of death

I love that every time there’s a flashback of some characters as kids they always have the exact same haircut as when they’re older

considering what you have spoken about regarding selina do you also get frustrated with like…i cant quite explain it but sometimes especially in more recent years shes been posed or positioned like some sort of damsel that needs a big strong man to save her and like im not saying she should be portrayed with the “hollywood level feminism” for lack of a better term im just think about how old versions of selina would have hated that. like im just thinking of anytime in the reeves movie where bruce grabs her or forces her mouth shut or even when he didnt allow her to kill falcone and im just thinking she should claw the fuck out of him for that. i just miss a version of selina who wouldnt allow anyone to walk all over her personal autonomy like that

oh absolutely! in fact this is specifically why i can't stand loeb's take on her character lol (and as we both know that was a significant point of reference for the reeves film). it's really jarring to transition from her volume one and two canon to the long halloween / dark victory / when in rome. i think a lot of people tend to latch onto these books because tim sale's art is to die for and it's obv hard not to enjoy a good murder mystery. in that aspect they're still books i can enjoy in isolation. but i find it very difficult to enjoy them as a selina fan specifically because in every single one it's like she's looking for solace and security in a man and i'm not sure why. like what was so bad about her original backstory of having a deadbeat dad (whether you ascribe to the volume one or volume two version of him) and why did she need to go looking for her "real" father in carmine falcone. why did she need to seek out temporary boytoy relief in italy. why did she dream about being saved by bruce. none of it really has a reason other than to create a "lack" in her for the sake of it being there, because she'd never needed a man like that before in her post-crisis narrative. as you mentioned it was quite to the contrary and she was fiercely independent and protective of her own peace, esp from men. when she felt empty or without a connection or lifeline to someone real, it was mostly about people like maggie or holly or arizona. her people

what i think it ultimately comes down to are two things: the first thing is the diminishment of her post-crisis origins. after all, it's convenient to ignore how distrustful selina is of people, and of men with power at their leisure to abuse specifically, when her post-crisis origins are no longer relevant to her personal characterization. although selina's status as a sex worker is more prominent now, it was more or less completely swept under the rug for the bulk of volume two. loeb also refused to engage with it in any capacity. it only really resurfaced with the conclusion to volume two because it drew direct parallels to how we initially found her in volume one, and then brubaker expanded on it once again in his take on the character, which was notably juxtaposed against a pre-existing romance with bruce and brings me to the second thing. i've already waxed about this at length so this may very well be recap but i really don't think selina's lack of control over her personal autonomy can be divorced of the modern portrayal of the romance. when selina looking for security and understanding and comfort in bruce is what drives the romance forward there's not much room to maintain her original values and guarded demeanor, if not her outright defensiveness and hostility. a lot of people look at the extensive trauma selina has experienced and argue that she deserves to be in a relationship with someone who allows her to let those walls down. this isn't incorrect in theory. but it does repeatedly ignore who she is. it's kind of like the point i was making about bruce yesterday. exploring the inherently abusive nature of robin or of bruce's right to his children in light of that fact is interesting to do, but the actual execution has rarely managed to take into account who bruce actually is

for however nice it might be for selina to let her walls down romantically and look for solace in bruce—and i say this mostly for the sake of argument, personally i would argue against its necessity—it's realistically not something she's actually going to do. at least not as willfully as she's been portrayed to. realistically she's going to make it extremely hard, which if anything is precisely the appeal. i love it when selina gives bruce a hard time. i love that it's not supposed to be easy or maybe even a possibility for him to win her over bc there's so much about his own ideological stances that's flawed and in opposition to her own. she doesn't have to be any less unrelenting in her principles and worldview for that romance between them to be compelling bc at the end of the day the entire crux of it is that against all odds bruce cares. for however wrong he thinks she might be in a given moment or in her stance against the government, he knows who she is and how hard she's fought and what she's survived and it makes him sympathetic to her because she's real. she's a wonderful character through which to explore the logical limits of bruce's self-righteousness and categorization of crime, as well as a wonderful mirror to hold up to his face as he starts to ask himself whether what he's doing is really the only means of keeping the city safe. and the novelty of it all is that you don't have to sacrifice her character for any of that to be true. writers have simply deluded themselves into believing that they have to and that's why we are where we are today

nah i just binged through all of veronica mars and i do not accept the ending i’m in denial i refuse to believe that goodbye

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