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#Viorica
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If it's still okay, can I ask how the SCS kids would be in general as lovers? How would they be with an s/o? uwu
Delaney
He's controlling in the kind of way where he's obviously trying to compensate for his own internal issues. Delaney was certain that Angelica would be the last person (outside of his family) that he ever cared about. But now you're in his life, he cares so much, and it makes him panicky. That's why, while he acts like a charming gentleman on the surface, Delaney has some very bad habits in the relationship. He's greedy for your love and terrified of losing you, so he gets possessive of you and jealous of everything else you pay attention to. He just wants to have you— in every way.
It hurts, though. Delaney is genuinely scared to be this attached to someone, and it makes him panicky and frustrated to see his own weakness. He's a bit of a distant lover, yet at the same time, he's desperately clingy and always seeking out your approval. In a lot of ways, his partner becomes a replacement for Angelica, with him developing the same frantic need for them to acknowledge him. He's also highly emotionally immature. Clueless, really.
Gwynn
Highly self-sacrificing. Gwynn is the type of lover who always wants you to be happy, even (and especially) at the cost of his own needs. He's very gentle, caring, and attentive, but that comes with the issue of him constantly trying to put himself down in favor of pleasing you. It makes him nervous for you to pay too much attention to him, so he'll try to keep your focus away from himself and his interests and desires as much as possible. Gwynn thinks that being your lover means bending to your will and giving you what you want no matter how it hurts or distresses him.
However, he's also just sweet. You'll feel safe around him no matter what. Gwynn accepts his partner for every part of them. He tends to overlook negative traits and potential red flags, dismissing them as "just part of you", and nothing to worry about. He wants to take care of you and be useful, bending himself to whatever you want so that you'll feel comfortable around him. And while he's somewhat shy about it, he's very affectionate.
Braithe 
Protective. So, so protective. Since he's never had any kind of relationship outside of his brothers, Braithe only knows how to show fondness the same way he does to them. This means that he's still grouchy and short-tempered, but also very obviously trying to keep you safe. He's not good at affection or closeness. Any advances on your part leave him red-faced and defensive, and yet, he's clingy in a way where there's no mistaking that he cares. You'll always find him doing little things to make your life easier— even though he'll deny that he did them on purpose.
Braithe is also bound to idolize you. Just like it is with Delaney, he starts to see you as someone who can do no wrong. Pessimistic worries about whether or not you'll stay with him are a common issue, though he's massively embarrassed by how unrealistic he's being when the anxiety kicks in. He's nervous about what you're going to want from him, if he'll be able to fulfill it, and if he'll ever really be good enough for someone like you to keep around.
Argyris
Ah, the disaster incarnate. Argyris is a tough one to be around, especially when you're trying to have him for a lover. When he's actually attached to you, he goes back and forth between near-worshipful adoration and vicious hatred every time he thinks something is going to go wrong. He tries to charm you with his looks and anything else that could possibly catch your attention, but his self-loathing is so great that you can barely touch him without triggering a nasty meltdown. He wants you all to himself at the same time that he can't believe he deserves to have that.
And of course, all of his issues kick in quickly. Since he's used to forever being in the shadow of the "better" twin, Argyris is convinced that you'll eventually find someone better too. He really, really wants to prove that he can be good enough, but every time you're gentle with him, it feels like he's being turned inside out to put all of his most painful, vulnerable places on display. He's terribly possessive and pushes you away all at once.
Auriel
Especially in the beginning, Auriel is distant. He's the type of person who's too afraid of failure to really try at things, so even in a relationship, he's fearing rejection a lot more than he wants to admit. So he keeps his guard up when interacting with you, always trying to look his best in front of you so you won't realize that he's not the golden child he was always supposed to be. Affection is hard to handle, let alone give, so you're always the one making the first move. Auriel really just doesn't know how to process respecting someone— and he does respect you.
He's also a very jealous one. If you spend any time around Argyris, he'll be furious. That anger is entirely fueled by thinly buried insecurity, though, and it's also precisely what he needs to start showing how much he cares. Even then, he's bad at doing things for you or fulfilling your needs. He loves you, but it's so, so hard to leave his old, selfish habits behind. All of that combined makes him tense and desperate, which isn't exactly a safe combination.
Viorica
He's uncomfortable to be in a relationship with, in a lot of ways. Viorica is legitimately trying his best to be a good partner for you, but his definition of "good partner" tends to line up more with "emotional punching bag", mostly because he doesn't know anything else. He fully expects you to take out any and all bad feelings on him— both because he deserves it and because he's yours. Somehow, he's both needy and attentive, always wanting more from you at the same time that he acts like he'd give his soul away if you asked for it. It's all incredibly hard to deal with.
Viorica really doesn't know what you want from him. He can't be very pleasant to be around, but you don't make use of him the way he expects, either. And that makes him nervous. At the same time that he obviously adores every aspect of your being, he constantly comes across as nervous and waiting for something bad to hit. It's hard for him to believe that he could really have a good relationship; there has to be some kind of catch, in the end.
Umber
Being in a relationship with Umber is a lot like a perpetual babysitting job. He's difficult, to say the very least. Since he feels a massive need to overcompensate for everything he, deep down, thinks is wrong about himself, you're constantly dealing with these attempts to be bigger and better and stronger than he really is. Umber desperately wants to impress you. He loves you, and that just makes him all the more frantic. He's constantly trying to show off and look good, all while missing the mark on what you actually want and need from him as a lover and partner.
Being so massively insecure, Umber has a hard time accepting that you really have feelings for him. He's clingy because he's always scared you're going to leave him and treats you like a servant because that's all he knows how to do. No one's ever seen him as anything but a useless runt before, so all of the attention he gets from you leaves him panicked and needy. You have to manage his worst sides— but he's also easy to feel sorry for.
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ask-luciavampire · 7 months
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two much hugs
ask by @ask-the-out-buck-pony
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Have a last 2023 fanart featuring all four beloved MCs of mine from Crème de la Crème (@hpowellsmith) universe <33
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annelise-draws · 11 months
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Silly little pride flag post before June ends!
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aschenblumen · 6 months
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En esta basura pétrea, ¿qué raíces prenderán? ¿qué ramas crecerán? Hijo de hombre, no lo puedes decir ni adivinar, pues solo conoces un montón de imágenes rotas donde el sol golpea, y el árbol muerto no resguarda, el grillo no da alivio, ni en la piedra seca suena agua. Solo hay sombra bajo esta roca roja, (ven a la sombra de esta roca roja), y te mostraré algo distinto de tu sombra en la mañana, siguiéndote a zancadas, o de tu sombra que a la tarde se eleva hasta encontrarte, te mostraré el miedo en un puñado de polvo.
—T.S. Eliot, «1. El entierro de los muertos» en La tierra baldía. Traducción de Viorica Patea.
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hopecomesbacktolife · 4 months
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having a delightful little language associations moment a la Viorica Marian’s The Power Of Language
so as an added dash of whimsy, and because I love cats ohsososo much, and because one of my tumblr mutual + friend uses this tag and I thought it was so adorable and precious, I reblog cat photos/videos/cat related things, with the tag # cat (important)
however, because I am a messy typer and am often saved by the holy yet fallible powers of autocorrect, about half the time I mean to type “cat” (c, a, t) I end up actually typing “ at” (space, a, t)
this in turn makes me think of @dduane ‘s alien species called the ;At from Doctor’s Orders (one of my favorite books of all time, so lovely, 1000/10 ♡) and ponder about pronunciation options for their name, which always kind of brightens my day a bit at the thought because, yes, the ;At are also very important to me 🥰
I wish there was more of a Doctor’s Orders fandom on tumblr, I would totally start reblogging fanworks for that book with # ;At (important) 🖖🏻🫶🏻
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vanitasreports · 6 months
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vioricaaaa
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amlovelies · 8 months
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Picrew drop for some newer ocs I haven't talked about
Tabitha lewis. She/her. Absentia
Avery Clarke. They/them. Heart of the house
Morgan Oswald. E/em. Rent-a-vice.
Viorica Van Dietrich. She/her. Noblesse oblige.
Tatum Rogers. They/them. Keeper of the sun and the moon.
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braindancer · 1 year
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Afterlife afterparty
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beck-nightengale · 10 months
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Probably one of my favorite character dynamics of all time is when Character A is a depressed immortal who wants to die and Character B is a terminally ill mortal who wants to live, and they both learn knew things about themselves through the perspective of the other.
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TW: !!BLOOD!!
“Hello,
it's so good to see you
We met before
but nice to meet you
Yeah, I don't really wanna be here like…”
People I Don’t Like - UPSAHL
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It’s no fun being the “mean” hufflepuff. Bunny knows this better than anyone else.
(Click for better quality <333)
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venicepearl · 2 years
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Viorica Ursuleac (26 March 1894 – 22 October 1985) was a Romanian operatic soprano. Viorica Ursuleac was born the daughter of a Greek Orthodox archdeacon, in Chernivtsi, which is now in Ukraine. Following training in Vienna, she made her operatic debut in Zagreb (Agram), as Charlotte in Massenet's Werther, in 1922. The soprano then appeared at the Vienna Volksoper (1924–26), Frankfurt Opera (1926–30), Vienna State Opera (1930–35), Berlin State Opera (1935–37), and Bavarian State Opera (1937–44). She married the Austrian conductor Clemens Krauss in Frankfurt during her time there.
She was Richard Strauss's favorite soprano, and he called her die treueste aller Treuen ("the most faithful of all the faithful"). She sang in the world premieres of four of his operas: Arabella (1933), Friedenstag (which was dedicated to Ursuleac and Krauss, 1938), Capriccio (1942), and the public dress-rehearsal of Die Liebe der Danae (1944).
She appeared at the Salzburg Festival (1930–34 and 1942–43) and in one season at Covent Garden (1934) where she sang in the first performances in England of Jaromír Weinberger's Schwanda the Bagpiper and Arabella (her favorite role). She also appeared as Desdemona in Verdi's Otello at the Royal Opera, with Lauritz Melchior in the name part, and Sir Thomas Beecham conducting.
Ursuleac sang at La Scala in Strauss's Die Frau ohne Schatten (as the Empress), and Elektra (as Chrysothemis), Mozart's Così fan tutte, and Wagner's Die Walküre (as Sieglinde). Her only American appearances were at the Teatro Colón in Buenos Aires, as Brangäne in Wagner's Tristan und Isolde, opposite Kirsten Flagstad, in 1948. Also in her repertory were the Countess Almaviva (The Marriage of Figaro), Donna Elvira (Don Giovanni), Leonore (Fidelio), Senta (Der fliegende Holländer, with Hans Hotter), Amelia Grimaldi (Simon Boccanegra), Amelia (Un ballo in maschera), Leonora (La forza del destino), Élisabeth de Valois (Don Carlos), Tosca, Minnie (La fanciulla del West), Suor Angelica (opposite Luise Willer), Turandot (opposite Erna Berger's Liù), Der Rosenkavalier, Ariadne auf Naxos (first as the Composer, then as Ariadne), Die ägyptische Helena, etc.
She was awarded the title of an Austrian Kammersängerin in 1934, a Prussian Kammersängerin in 1935. She gave her farewell in 1953 in Wiesbaden in Der Rosenkavalier. She was appointed professor at the Salzburg Mozarteum in 1964. The soprano recorded for Deutsche Grammophon in 1933, 1936, and 1943, with excerpts from Arabella, Le nozze di Figaro, Tosca, Turandot, Der Rosenkavalier, Il trovatore, and Capriccio, as well as two Lieder of Strauss. She was included in Volume III of EMI's The Record of Singing, in an excerpt from Arabella (1933).
Ursuleac's voice was not of great beauty, at least as recorded, but she was reckoned a great musician and actress. In the words of one colleague, the soprano Hildegard Ranczak, "Although she had a lovely, facile top, I was constantly amazed at the two hours' vocalizing she went through before each performance. Hers was, in my opinion, a marvelously constructed, not really natural voice which she used with uncanny intelligence". Ursuleac died at the age of ninety-one in the village of Ehrwald in Tyrol where she had resided since before the death in 1954 of her husband, Clemens Krauss.
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andrerieutour2024-1 · 2 months
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viopanciu
France
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Messy sketch of the MCs from the CdlC world. Will I polish this? IDK 😑
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bmhasdeu · 3 months
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Cărți noi pentru prietenii bibliotecii!
Dragi copii, vă provocăm să împrumutați cele mai noi titluri primite de către bibliotecă. Descoperiți cele mai noi titluri și bucurați-vă de plăcerea lecturii. Cărțile pot fi împrumutate la filialele Bibliotecii Municipale „B.P. HASDEU”. Disponibilitatea lor poate fi verificată aici: https://opac.hasdeu.md/ Nu lăsa să treacă o zi fără să citești ceva frumos!
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jurnaldebucovina · 6 months
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Dragoş Huţuleac: "Nu i-am vazut fără nădejde. Semn ca nu îngenuncheau degeaba"
Am trecut astazi pe la bunica. Are peste 90 de ani. Citea „Proloagele”. Tot anul a citit cel putin 15 carti. Carti greute, nu chiar pentru oricine. Două am imprumutat si eu de la ea. Brosurile religioase nu le punem la socoteala. Astea le citeste noaptea ca sa-i treaca de urat. Cum sparg altii seminte ca sa treaca timpul, ea consuma brosuri. Cand eram mic, „Proloagele” erau tot timpul puse pe…
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