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bloomeng · 16 days

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I know MXTX is a good author I want to get that out of the way before I get into this. She’s a fantastic (male) character writer and she has a great grasp on interpersonal connections. Though she’s working in an established niche genre she’s still very creative, I think SV especially is evidence of that. But there’s one thing that I just can never seem to get a pulse on, and that’s how much she means to comment on classism.

Author’s intent is always gonna be tricky especially when I have to rely on translated texts and interviews. There’s probably a lot of nuance that I miss, not to mention literally interviews I’ve never seen etc. It also doesn’t help that I haven’t read most of TGCF yet, so I can’t comment on that series, and with SV this conversation is less applicable, so for the sake of what I know best I’m gonna be using MDZS as my main example.

Classism is undeniably at the heart of MDZS’s themes, however for years anytime I analysis the text I’m usually fairly cautious to note that I don’t know if this was intentional. This isn’t because I think MXTX is stupid or can’t handle deep conversations, it’s simply because I can’t tell if it was her intent. On paper it seems obvious; WWX, JGY and XY’s wealth disparities, how privilege drives the plot, literally everything about the Wens as a whole. So much of the novel’s runtime is spent showing us how corrupt the feudal system can be, going so far as to have a protagonist who dies for the cause and two antagonists who are driven to be awful because of their poor circumstances in life. It feels intentional that WWX was granted a certain amount of privilege based on something he was born with (his parents connections) and how easily people turned on him because to the world he is a villain (also he does bad things that he likely wouldn’t have to if he had no need to defend anyone). JGY acting as a foil for WWX feels intentional and I would absolutely consider them foils regardless of intent. With all this in mind I would be inclined to say that yeah, MDZS is commenting on classism, but then WWX marries into the corrupt system and we the audience are supposed to read this as a good thing.

This has always been my biggest qualm with the book. We spend so much time showing how awful this system is and the two people who do anything to try and save it are punished for it by death. Sure WWX is brought back but as soon as he’s in Mo’s body he’s aimless. JGY is of course the secondary villain of the series, but MXTX goes out of her way to make us understand that even when JGY had power, his birth kept him from actually holding any real control, and what control he did have he mostly used to get bad people out of power and make the community better (he was biased and paranoid and vengeful but MXTX’s characters are nothing if not nuanced). Why set all this up to end up in such a contradictory place?

I get that solving such big issues such as classism isn’t easy and we want a happy ending but does MDZS even have a happy ending? None of the mc’s besides LWJ and (supposedly) WWX and LSH and LJY are in good positions by the end of the story. I remember reading MDZS for the first time and thinking that LWJ would fall for WWX because of his radical ideas and eventually see that the Lans were contributing big time to this awful system that favors wealth over everything. Especially because we have a second plot line about whatever was going on with LXC and JGY. And then it just never happens. Instead the Lan sect are painted as ok just because they’re monks. The system wasn’t the issue actually it was the people in charge but don’t worry they’re gone. Life is great now that the most powerful sects are in the hands of a 15 yr old, a man with unchecked anger issues, a council of elders that think corporal punishment is the solution to everything and a man who committed to a life long bit to get out of all forms of responsibility. What could go wrong?

I’ve always thought it was strange and ooc that WWX just accepts going back to Cloud Recesses. His literal incense burner fantasy was a cottage in the woods away from society. He never really warms up to the rigidity or their bland ass food, and he doesn’t even really respect the Lans culture more than he has to. It’s clear he only lives there for his husband and son’s sake. So why am I to believe this is his fairy tale ending?

The only answer I’ve been able to grasp over the years is that the romance genre of the novel overpowers everything else.

This is what brings me back to my original point. I don’t know if MXTX’s intended to comment on class, because if she did I struggle to understand how the ending of the story fits this intention. Which means by default it wasn’t the intention, at least not the priority. I mean ok duh, obvious conclusion, this is a danmei, it’s the bl genre, of course the romance comes first, but that’s not exactly what I’m getting at. You can absolutely have a romance that comments on other things at the same time and I think MXTX’s writing is smart enough to do this, except it fumbled so hard at the end it left me questioning if she even meant to comment on classism in the first place.

A part of me thinks that all of this commentary was just a coincidence of the genre conventions. Cultivator/ historical fantasy tends to just have classism baked into setting, so maybe that’s all it was. Perhaps she was just borrowing what was already there to make interesting character motivations and it wasn’t done with any intention of commenting on any sort of greater societal issue. Which for the record would be ok. I’m not policing what MXTX should write and romance for the sake of romance is perfectly valid, but as a reader I’m allowed to say this particular instant made me dislike the actual romance she set up. These issues in the book made me actively dislike LWJ. I’m on an island about that though. Getting back to my point, I struggle to call this commentary intentional and thus things like WWX and JGY suddenly feel unintentional as well.

I also find MXTX’s own words to be contradictory at times. For instance, she’s mentioned that after SV she found writing more than one couple to be too taxing. When asked if other characters in MDZS were gay she said explicitly they were not, yet both MDZS and TGCF have unofficial side couples that are an inch away from being canon. She’s also mentioned that XY, Sl, and XXC were old characters of hers and were originally going to be the focus of the book, which leads me to believe that they would’ve been a canon love triangle. So I am skeptical when she said all the characters besides WWX and LWJ are straight. I’m not accusing her of lying or anything like that. Tolkien contradicted himself so many times in his letters and essays, it’s sort of par for the course in my opinion. What it does mean though is that I can’t get a read on her intentions. What I can gather from what she tends to focus on in her extras, interviews, and just the fact that this is the BL genre, I’m inclined to believe that a lot of these parallels are unintentional but then I circle back to just how heavy handed it all is and I’m unsure again.

Anyway this was just the world’s longest way to say that actually we don’t have any idea what her intentions are and this is why when I’m analyzing her work I make a point to not put words in her mouth.

#mdzs #mo dao zu shi #txt #mxtx #mdzs meta #wei wuxian #jin guangyao

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cryptotheism · 1 year

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Tediore actually was the villain of the new Tales from the Borderlands iirc

Yeah and they look boring. The Borderlands series is my favorite type of media to consume because it's so almost good. I love any Strong B+ type shit that could have been cool if you changed like two things. It inspires a man!

Borderlands 1: Nothing writing. Solid base of mechanics for a fun series.

Borderlands 2: Mechanically fun. Some pretty dope environments. Flashes of genuinely good writing contrasted with actively awful writing.

Pirate DLC: Forgettable writing, but had some dope set piece fights. Carried by the strength of it's setting alone. Fun mechanically. Forgettable writing.

Torgue DLC: Grating and annoying.

Hammerlocks Hunt: "I'm sure gearbox will handle the African big game hunt themed DLC well. What could possibly go wrong."

Tiny Tina DLC: Honestly more enjoyable than the base game. A genuinely fun concept that manages to hold back the annoying quips long enough to flesh out Tiny Fucking Tina of all characters??? What's wild is it WORKS. Imo it successfully walks the line of madcap humor and commentary on its own uberviolence, exploring how Tina's LMAO random XD persona is a safety blanket. At her core she is a traumatized child who has lost another father figure. It's Tina using the player as an instrument of uberviolent fantasy justice to process her grief and against all odds it works PERFECTLY with the tone of Borderlands.

Pre-Sequel: Literally everything interesting in this game happens in like, flavor text. Expanding on the villains of 2 is a cool idea. Seeing Jack become Jack is neat, but honestly didn't do much for me. Forgettable environments. Mid gameplay. Felt like a test run for 3. The Dahl mercenaries were a missed opportunity. I remember a single quest that got a real laugh out of me: the one where it's revealed that the respawn station voice isn't pre-recorded, it's a live lady who has now been captured by bandits, who are making her say cringe shit on the intercom.

Borderlands 3: A master class in environmental and level design. Every character is extremely fun to play. I love the Eden-6 Louisiana Dinosaur Jungle. I love the Maliwan Corporate City. I fucking LOVED Nekrotefayo. "Evil twitch streamers" was a brilliant choice that the writers legendarily fumbled. Main Villain should have been the Maliwan twerp. The Danny Devito Indiana Jones character fits in the world but needed way more time in the oven. Making him the Calypsos dad was a bizarre choice.

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bloodgulchblog · 3 months

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The main thing to know about the Didact is he's patient zero of 343i's we-have-to-have-a-cool-villain disease. This is a misconception that has plagued them since the start. They've tried multiple times to set up a big dramatic cool villain character with an interesting backstory for the Halo universe to have problems hinge around, and abandoned just as many of those attempts. (...Or at least I think they will, because it's kind of a pattern and Halo Infinite was received super poorly so I don't think they'll swerve from swerving.)

The reason this doesn't really work is that Halo has never really been about a single big villain, the kinds of stories it was telling were about war and imperialism and xenophobia, about factions and forces more than individual monsters. The Flood is there, but the Flood is about as personal a villain as the hurricane ripping the roof off your house. It's more of a force of nature.

Halo doesn't need its villains to be detailed guys with tragic backstories because that's not what is needed for the kind of stories it feels set up to tell. ...It's just that military imperialism is way too spooky and divisive a subject to be willingly taken up by the prodigal gamer son of an enormous American tech corporation that has a skittish wallet and no moral spine. They are desperate to do literally anything else, so that is what they've been doing for the last 13ish years. If a big mean villain who is one person with one name and a sick scifi backstory is the bad guy, they don't have to acknowledge the much realer bad guys already in the setting.

#i will try to continue this thought but i'm so sleepy #halo will let writers play with the fact the unsc is rotten to the core in the side material but they will nooooot commit to it in the game #they would rather explode and die

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sadboytournament · 7 months

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ROUND TWO

Propaganda

Hunter: *bad but sad boi *The angry blond kid *uncle issues *but his uncle is actually his brother *literally a clone of someone who lived hundreds of years ago *trauma *main villain's ex-right-hand * heavily manipulated *abandonment issues

Paul Matthews: Extremely autistic man in a terrible, dull corporate job with miserable coworkers. He is constantly uncomfortable by the world around him. He is put through absolute hell. He has to wear a tucked-in shirt during the apocalypse. He tries to kiss the girl of his dreams and she coughs blood in his face and dies in a helicopter crash. His friends turn into zombies. He hates musicals and is stuck as the protagonist as one. A woman starts singing at him and he breaks down screaming and crying in a coffee shop.

#tumblr tournament #the sadboy tourney #the owl house hunter #the owl house #paul matthews #the guy who didn't like musicals

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ani-coolgirl · 7 days

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The Problem with Leviathan

So I finally figured out the problem with season seven's Leviathan story. I always disliked the Leviathan as villains and could never quite put my finger on why. Part of it was the wasted potential--the end of season six promised Lovecraftian horrors (which I always thought was the perfect escalation in a literal post-Biblical Apocalypse) and then... didn't. But unfulfilled promises aside, I never understood why what we did end up with (Soylent Green by way of They Live) bothered me so much. But watching the opening of 07x22 (There Will Be Blood) it finally hit me.

See, in the scene, Dick Roman is doing an interview with a reporter discussing his company's move into corn syrup additives for food. As a viewer, we know this is Bad because we are aware of the Leviathans' plan to turn the entire of the human race into delicious dumb cattle for their consumption. But then it clicked that this has exactly zero impact on the main characters of the show. Let me explain:

The entire narrative of Supernatural up until this point is centered squarely on Sam and Dean. Even the end of the world was actually all about Sam and Dean's relationship. This is a fact, even if you don't bring in Chuck's zany meta-ness in the final season. Sam and Dean are the story. What the Leviathan's are up to, though? Nothing to do with Sam and Dean. It doesn't even have anything to do with their world. The boys live off the grid. They don't care about corporate scheming or government conspiracies. If it weren't specifically for the fact that they eat junk food, nothing the Leviathan's did would have affected them at all at this point. Hell, if the Big Mouths hadn't coincidentally attacked Jody at the beginning of the season, I'm not sure they ever would have found out anything about the Leviathan besides the fact they exist (since they witnessed Cas mpregging them before his "death"). In fact, in the latter half of the season, their investment almost solely hangs on the fact they're pissed Roman killed Bobby. Hell, if Roman hadn't dug up the Leviathan tablet (for reasons that are never explained to us, by the way) the Winchesters would have no way of stopping their plans. Almost everything that happens in this season is because of sheer coincidence.

It's not just that the Leviathan are lame and aren't scary (even though they are in fact lame and not scary), it's the fact that as a monster they don't work in the kind of world that Supernatural had built up in the previous six years. Oh no! And evil species of monsters have infiltrated all strata of society to turn us into hamburgers! How will our heroes deal with this? Uh, they bumble into the answer and solve it by stabbing things, like they always do. The horror in the show, even when it has broad-reaching implications, has always been very personal. Werewolves aren't scary because they eat people, it's because they can be normal people who otherwise live and love just like us. Demons aren't scary because they do shitty things, it's because they show the capacity of all people to become their worst selves. The Leviathan don't reflect the human condition in any way, and their commentary on corporate America doesn't work in a story where the protagonists don't work in regular society. The Leviathan are a warning of the dangers of blindly trusting corporations with our health and safety. But the Winchesters never did that. They're outcasts. They run credit card scams and sleep in abandoned warehouses and no-name hotels. They aren't the intended target, so they don't make good narrative foils.

But Dean eats cheeseburgers, so I guess we gotta stop these bastards before they take over the world!!

#supernatural #spn #supernatural meta #meta #one of my rare meta posts #i hope you enjoy my unedited ranting #seriously tho i just vomit thoughts on the screen #don't take me too seriously

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hishighnesstheprincess · 6 months

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MY HATER POST

literally made a hater post just to talk about stuff in the sonic series that I dont like ❤️ if you don't like this post then fuck you block and/or blow me. this is disorganized as fuck btw and i dont care

sonic frontiers was the best mainline sonic game in over a decade but thats really not saying much

i think tangle is kinda boring and whispangle is kinda boring by proxy. whispers cool tho

surge is the best rival sonic character since blaze and the only thing dragging her down is that sonic in the idw comics kinda sucks as a character

its great that we are getting more female characters in idw and the games but quite a lot of them are kinda boring and we still need more female villains

metal sonic is basically nothing but a jobber in idw rn and its really depressing

idw please treat the babylon rogues better, theyre goofy characters with serious storylines just like basically every other sonic character, stop making them NOTHING but a joke

lanolin is an interesting character, yall just cant handle women who are even SLIGHTLY rude to a fan favorite character

the worst part of idw is that its tied to game canon because they cant shake up the status quo too much or have character arcs for most of the main characters

rouge is ABSOLUTELY a sexualized character and always has been. learn to like a character despite the faults in how they are portrayed or shut up about it

sally was the best canon romantic partner for sonic and you cant change my mind

the second worst part of idw is the titular character himself

i dislike surg/amy because of the age difference andalso the fact that everyone wants to disregard surges character to have her be redeemed

if sega is going to keep teasing son/amy then they should just stop dancing around it and make them canon already, make the shippers happy and get the drawn out agony over with for the rest of us. also age amy up for the love of allthat is holy

also, sega should stop ship teasing ships they have no intention of making canon in general, its shitty and edges into queerbaiting when done with gay ships

the above does not apply to whispangle

idw art is overall much much MUCH better than any other sonic comic and its not even a contest

there are a lot of things i disagree with about the current state and direction of this franchise but we are in a much better place than we were even just two years ago and we should be glad for all this success

the worst parts of archie are the most atrocious things that this franchise has ever put out, in art, storytelling, basic morality, etc.

most of the popular ships in this fandom suck ass

unless sega stops rushing sonic team and actually gives some resources to them we are never going to get better than 7/10 games. corporations are not your friends and you dont have to thank them for giving you a mid product

sega should have been sued into oblivion for the literal seizure inducing state sonic colors ultimate was released in and we should never, ever let them forget it

remain skeptical about every single sonic game until release, we've had "WERE SO BACK" moments before that turned out to befalse

the edm in sonic frontiers cyberspace slaps but isnt as memorable as previous sonic soundtracks

stop ghosting sonics friends (sonic frontiers, sonic prime, sonic dream team) its kinda weird and puts way too much importance on sonic again. this is a good cast, USE THEM

sonic frontiers dlc being hard wasnt a bad thing, the jank, glitches, and lack of fairness were bad things that tarnished the experience

the games have never ever been properly translated from japanese into english and that is just an objective fact. but also dont shit on people for only having interest in the english version, you have to go WAY out of your way to get a good translation and that's on the franchise, not the fans

this franchise's "canon" has been fucked since the original classic games, trying to fix it in the sense that you can somehow make every little detail perfect is a lost cause. just pick and choose what you like

of all the characters that deserve a game to themselves blaze deserves it the most. girlie has a whole other dimension that we could explore can you IMAGINE an open world game in the sol dimension COME ON

if lots of people are criticizing something you like then you should give some consideration to the fact that they may have some points instead of just disregarding it as people being nitpicky and nasty. you dont have to listen to it but if you dont do that then you cant dismiss it out of hand either

the stories of sa1 and sa2 arent even the best stories in this franchise

06 sucks ass and no amount of "potential" means jackshit when it comes to actual quality. if we're just evaluating "potential" then congratulations everything ever made is a quality product have fun with that

its okay to games with goofier and lighthearted stories

team dark are just friends

i prefer amys hammer to the cards

let this franchise have its edge back. but also let sonic be cute. they arent mutually exclusive

keep good physics and momentum in the games for the love of god please its what this franchise was built on

sega of japan may do characterization better but the closest brushes to death that this franchise has ever had (Dreamcast, 06, Forces) were all on them as well

this might be the hottest take of all time but sonic team shares some of the blame in how a lot of sonic games turn out very bad, its not all on sega

stating that some sonic-inspired games (spark the electric jester and freedom planet) or sonic fan games (project 06) have turned out better than actual sonic games is kind of objectively correct but youre a dick if you say it just to make sonic fans feel bad about the games or themselves

if you ONLY consume sonic media you need to branch out more. for your own health please

flynn is neither the worst person to ever walk the surface of this planet or gods gift to the sonic fandom, practice some moderation in your opinions people

i think discourse is good, actually. except for when it harms people. and fictional characters do not count as people

sonic frontiers open world biomes are boring and nowhere close to most open world games, even ones from a decade ago

silver was never sonics rival

it would be nice if we could go back to having smaller games on handheld consoles coming out on a regular basis while mainline sonic games come out once every couple of years on a bigger scale and higher quality than weve been getting. and no locking games behind apple arcade PLEASE

sonic lost world isnt a terrible game or a good one. its just weird and boring

sonic riders was fun and its a travesty that it got downgraded into generic cart racing games

sonic unleashed daytime stages are the best boost stages in this entire franchise because they actually rely on quick decision making and reaction times instead of just smashing your way straight through the entire level with little to no effort

the werehog combat sucks ass and the fact that its super slow and super long and takes up like 75% of the time youre playing the game is why unleashed isnt peak. sorry

stop using green hill stop using green hill stop using green hill stop using green hill stop using green hill stop using green hill stop using green hill stop using green hill stop using green hill STOP IT

a lot of fans of sonic do not understand what they are talking about and that includes me a LOT of the time

sonic himself cant just be whatever the writer wants him to be. the reason characters are characters is because they have certain character traits and you cant just change that without getting a different guy, im sorry

archiehad the worst moments but the sonic movies are the worst adaptation overall

the above will change if movie 3 kills off shadow or tom. then the worst adaptation will be underground

game sonic being a static character is cool, actually

sonic fandom is sexist as fuck and that includes the tumblr side of it

sage getting revived in a post credits scene was lame. give us more time before confirming shes alive

the sonic twitter takeovers are not canon. no, not even if you think a thing they said on it was funny

they should let female characters be naked (dont make this weird) and give the boy characters outfits sometimes

amy having a crush on sonic is totally fine but they took it WAAAAAYYYYYYYY too far at many, many points. i dont care if its funny amy threatening chris in x or intimidating cream in various games (battle, rush) was NEVER a good thing

rouges design does not need to be changed, it needs to be framed and posed in less sexual ways

rouges heroes and prime outfits sucked ngl like just from a color and design standpoint like theyre kinda ass and overcomplicated and an eyesore

if sega is gonna age the characters up they should actually go ahead and post the new ages on some official channel, dont just leave us in this horrible limbo where we have to argue with weirdos online about who youre morally okay to thirst over certain characters and whether a different voice counts as a character becoming an adult

the fact that the main official english sonic account only posts memes and advertises hilariously overpriced """"""""products"""""""" kinda sucks tbh. i have to go to other language accounts to get stuff like concept art and celebrating the anniversary of a game the released a year ago. were well past the era of laughing at sonic just for being sonic, now lets act like it

stop harrassing people involved with this series even if theyre doing an objectively bad job. thats a real person and you should care more about them than you do a fictional character

the above DOES apply to ken penders. hes a piece of shit but still a person

criticism =/= harrassment. this goes both ways

cream IS a hero thank you very much

reference to a thing you like does not equal good character writing. critically, it does not equal bad character writing either

amys not a damsel in distress and hasnt been in over 20 years. if we count characters just getting captured as being damseled then congratulations, sonic himself is a damsel in distress (Forces), apply that shit equally across both genders

ryan drummond was the best english va, but jason got the better scripts. roger is getting better and most of the work hes been given is just. bad. so i dont feel okay judging his work. but he is my least favorite

gameplay>story when it comes to the actual games, every time. if you have a good story to tell its only hampered by being in a shitty game

worst game in the series is sonic colors ultimate. say what you will about 06, forces, rise of lyric, or whatever other game. at least they werent literally physically dangerous to play

all the main female characters in the games are asskickers, they just need to be utilized more. as does every member of the supporting cast

the sonic franchise fucking needs to stop having long gone ancient civilizations. please have new ideas

this is the end of the list. go away

#sonic #prin posts #sonic posting #long post #hating #trigger warning for uh. hating ig

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the-path-to-redemption · 6 months

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Hi I was scrolling through you blog and I saw the post about Rwby and the Racism issue and I was wondering how did Rwby failed in all 3 categories?

I have seen other POCs express their distain regarding fantasy racism and fantasy oppression because you are taking a real life minority experience and using it for your white race (Hunger Games and Bright are examples). Then we have some that says as long as that race is an allegory or being race coded is fine such as Zootopia. Did Rwby followed or try to followed these examples?

That moment when your blog is just chocked full of posts about this topic that you can't find the specific one-

So, I want to preface that this post is my perspective, and it will not always align with other POCs' opinions on similar matters. We're not a monolith, and I speak from my own experiences.

Long Post Ahead

I don't think I can answer the 3 categories you mentioned because I literally cannot remember which post has that. So I'm very sorry.

So I'll start with the next part. In matters regarding the Hunger Games and its usage of societal discrimination, I personally would not say that it's a bad example, and race plays a more subtle part in the totalitarian world of Panem. THG as a series is a commentary on what will happen when we let the government exploit and divide the people, keeping us under their thumb with a cruel system disguised as a form of social order rather than what it truly is. Hell, even the main villain of the series President Snow (spoiler ahead) in the prequel claimed that the Games are a method of showing order in a world thrust into chaos, that the tributes are part of a larger game of reminding everyone in Panem that they are only parts of a bigger machine in order to keep peace. Which the series clearly stated that what he's saying is propaganda, and the world isn't just full of woes. It is capable of love, kindness, and unity even in an environment where the people kill each other.

Sorry for the long rant, but I would highly recommend you read the series. Panem as a world setting isn't a fantasy perse, more like a hypothetical America or any similar nation where the discrimination based on race, class, and everything not considered "norm" is something inspired by real-life without making it a direct example, it's a series encompassing the struggles of being free and allowed to love without being oppressed, which can be seen by any race. I encourage you to get into a deeper analysis of this wonderful series, it's worth it.

And for Zootopia? I would not consider it allegorical. At all. It obviously takes inspiration from real-life racism, particularly that in the States, but just...

If you equate the predators in Zootopia, who are discriminated against because of their instincts to hunt prey and are faced with constant fear that they will kill their prey peers based on instinct or via drug, on any non-white groups in America, while the prey animals are white people? You... you see the issue, right?

You see the issue of making a fictional race that instinctually behaves very differently from humans via eating others an allegory to real-life races, especially black people, right???

That's why I wanted RWBY and the Faunus to be their own thing because the premise itself is fantastical. Don't Write Real Life Racism with Fantastical Allegories. PLEASE. RWBY shot itself in the fucking foot when they equate the Faunus to Black Civil Rights Issues when they aren't educated enough on the topic to even discuss it. If that was what they wanted, just write black people. There are other ways where you can write a fantasy racism plot without allegorizing it to real-life racism. Just write the fucking latter.

RWBY failed, and it failed badly. Even if you don't have the whole Faunus be about Black Civil Rights, the writers still INTENTIONALLY write a disabled child slave fighting for his rights after being abused by a corporation to be the VILLAIN. Not just any kind of villain, but the kind to abuse his loved ones, kill his own kind, aim for mass murder, and never actually gave a shit about his rights. That alone should tell you enough about whether or not RWBY failed or not.

#answered #anonymous #rwde #rwby critical #anti rooster teeth

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girlfriendsofthegalaxy · 8 months

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tuesday again 10/3/2023

september was not kind but we're back with a real making section babEY and lengthy all other sections

listening

SHIFTED by Jolynn J Chin, a progressive jazz (?) piano piece that changes time signatures on every bar. i am led to understand this is a massive technical achievement but more importantly to me it sounds cool as hell. this is a little funny bc pianist friends occasionally complain that the technically challenging pieces that are fun to play aren't that fun to actually listen to. spotify

youtube

the artist uploaded an explainer video that went well over my head but i have no music theory background. i know that not every video with a lady patiently talking through a problem on a whiteboard is going to be a physics video but spiritually this is a physics video to me

youtube

how'd i find this: spotify discover weekly

reading

lee winter's The Fixer. perfectly fine technical quality of writing but absolutely bizarre plot. there will be spoilers for this book bc i cannot talk about this book without them.

A naive activist is hired by a corporate villain but doesn’t realize it. Cue one awkward farce, a twisty puzzle, and the slowest of slow burns in this opposites-attract, ice queen romance. Nine years ago, aloof, icy Michelle Hastings chose career over love. She’s now living with that choice as she rules a secret corporation catering to the rich and powerful. Enter Eden Lawless. The guileless activist finds it a bit weird being employed by a mystery organization to bring down a corrupt mayor. But, hey, she’s up for a challenge. Much harder is getting her beautiful new boss out of her head. The pull between them is electric.

this was not the fanfic level of mean woman i prefer. this woman is a bit of a tsundere boss with some past regrets. like yeah her Company does awful shit but she herself is a very restrained sort of James Bond villain level of icy polite.

unfortunately the actual plot itself is so fucking bizarre.

one of my two concerns: the author is not Jewish but has written Michelle as such, and employed sensitivity readers. i do not know that it is in the very best of taste to have a Jewish woman as the head of a shadowy, textually evil, para-governmental organization pulling strings behind the scenes for the rich and powerful.

the other thing that really threw me is that the series of events we are concerned with, a mayoral election in small-town uhhhh maryland??? i have returned the book and cannot fact check-- seems to be a very thinly veiled rehashing of the 2016 presidential primaries. but as a mayoral campaign.

there is an obnoxious redheaded used car salesman who is running for national publicity for his used car business and writes nasty jingles about his main opponent, a very unpleasant woman who nevertheless gets things done but WAS a slumlord and DID ruin our activist Eden's life. everyone in the county is in her pocket. things are running quietly and well in town, and her platform is solar. the solar farms would take up literally all the actual farmland in the country and (spoiler) she is defeated bc the townspeople think this would be an eyesore and not actually bring that many jobs to the town. again, i stress this is a small town mayoral campaign. they are a college town but it is an EXTREMELY small lib arts college. she has the correct idea about renewables but downfall is that she personally is reprehensible and is going about renewables WRONG!!!

our main character Eden sinks this renewable energy plan bc, again, in college, legally-not-Hillary-Clinton got her dad fired from the local hospital and ran them out of town bc of Eden's protests against her slumlord activities.

then there is the objectively best candidate, a retired pediatrician in the very early stages of dementia who is sort of a puppet candidate for his wife, the actual political mind who hired the evil CEO Michelle's company through a shell company in order to sink her husband's opponent. VERY weird setup.

this was indirectly recced by a big name romance writer who would would not appreciate being tagged lol. i will not be reading the second half of this duology. too much stuff that made me go WHUH???

watching

The Big O is a 1999 and then 2003 detective noir mecha anime. i have never wondered what batman: the animated series would look like if it went in a different retrofuturist direction and put bruce wayne in mecha, but now i have that answer.

this show looks good as fuckin hell. there are SO many dutch angles and dials and gadgets and switches. there's a cut in the first episode that doesn't translate well to screenshots, to the interior of a luxury apartment building and the water in the pool is sloshing around as mechs fight outside.

ive only seen the first three episodes but im having a marvelous fucking time. very importantly for me, there is a robot who is a child but notorious womanizer Bruce Wayne Roger Smith isn't fuckin weird about it.

how i found it: this post reblogged by @ouroborosenso ! the line "You're a louse, Roger Smith." got one short sharp bark of laughter out of me, and a bone dry sense of humor is an excellent selling point. it's available on the internet archive (dubbed but no subtitles)

playing

im having a grand old time with g/enshin's new area. my shit did kind of get rocked with the revelation that the prisoners-- okay let's back up. the player character gets sent to prison on false charges so they can investigate something for the chief justice. backing up farther, the watery land of Fontaine runs on magic energy produced during its court trials. this incentivizes them to make the court trials full-on fucking dramatic productions with very little care for like. victims. once convicted (fontaine feels like it has a near 100% conviction rate, very much like japan) prisoners go to an underwater prison that is a more steampunk version of bioshock. these prisoners make the automated clockwork humanoid police force, as well as the automated clockwork police dogs. there is a panopticon.

the economy in the prison (cannot believe this game that wants me to spend money on anime waifus so i can watch their skirts billow teasingly in the wind while i fight big monsters also wants me to think about prison economies) anyway the economy in the prison is scrip-based. you get one free meal a day but everything else runs on scrip. apparently many people choose to stay in prison after their terms are up bc they have achieved some sort of power and stability there. says a lot about the surface world, don't it? wish we SAW literally any of that in the surface world!

i guess being very overt about drawing from a fifteen year old game is like. kosher? so many other games have drawn from bioshock, but genshin draws so heavily and frequently from Breath of the Wild that it was a little jarring to go from the last area with the cute little korok seed knockoffs and a lot of thinking about academic misconduct to somewhere with a flavor of politics i think a lot more about. as you travel throughout the land of genshin impact, you are quite involved in big diplomatic incidents and overthrowing various baddies, installing the correct people, things of this nature. i think this new land of Fontaine is the most overtly political in that literally all of your time here is spent thinking about exactly how this country's administration operates. it's not a real "hey look we've recreated the Torture Nexus" situation yet but i am curious about what sort of themes the next expansion will be chewing on. im also not quite done with the second of two giant quests that take place in the prison so stay tuned.

bonkers fucking game. wish it wasn't gambling based and didn't have to adhere so closely to chinese restrictions. wish literally ANY outlet was regularly covering this insane lore hiding under the gacha and grind systems

making

the goddamn couch covers are finally done. they are 9x12 and 12x16 100% cotton drop cloths from Chicago Art Supply, and im quite happy with their quality (evenness of weave, normal selvededge, normal seams). i used rit all purpose dye in fuchsia (hot bucket method with colorstay, more on that later) and the itajime triangle method of shibori dyeing. this involved folding the fabric accordion-wise, folding it like a flag, then sandwiching it between two triangles of wood or plastic with many many many rubber bands or twine.

it was a right fucking bitch to prewash, dry, and fold these fuckers. mack was deeply unhelpful. if i need to wash them in future i will be visiting a laundromat.

i could not procure enough dye locally for the recommended 1 packet per 1 lb of dry fabric (4 and 8 pounds respectively) so i did a .75 strength dye bath, since i wasn’t trying to dye the entire thing perfectly and evenly. i think you could probably do a half or quarter strength with more time and be fine. the photo on the left is the smaller dropcloth after a half hour in the bucket (unfolded in the washer to reduce. well to just reduce many problems) , and i did not like that high of a contrast bc i did want some color on all the fabric. so i unfolded and dunked the whole thing back in for literally thirty seconds and it promptly sucked up the rest of the available dye molecules, making it lower contrast than i wanted. so it goes.

i didn’t like how even and neat the triangle motif was on this go round (when deciding on colors and patterns for this project i was thinking about coral and pink cow print but did not want a literal pink cow print couch), so for the next one i did a much worse job folding and was way more aggressive with the rubber bands. i also folded it in half lengthwise to make the accordion folds easier for myself, something i did not do for the smaller one.

and here she is through my balcony screen door after an hour in the dye bucket and a wash with half the recommended amount of fixative to get it to bleed a Little for better coverage of the fabric but keep it lower contrast. i am not completely thrilled with how this came out bc i feel it reads a little sorority girl tshirt. im not sure if making the motif/triangles smaller would have helped any, and even though i was not folding it in half every time you can only fold something so many times before it becomes extremely cumbersome.

couch before the cushion, the cover loosely on the couch. i am going to safety pin and tuck the shit out of this but do not currently have the bandwidth to actually sew it. we’ll see how this goes! kind of a pain in the ass and physically taxing but not a lot of actual hands on time, and now the dyeing bug is out of my system.

preview of next project: i am going to repaint this somewhat shabby globe bar with northern hemisphere constellations :)

#tuesday again #tuesday again no problem

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shsl-heck · 11 months

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So because I've seen it compared to Worm, I started reading The Boys by Garth Ennis. It's bad! Like really bad! It feels like what would happen if you let an edgy anti-feminist atheist youtuber from 2015 write a comic book. I finished the first volume of the omnibus in large part because it was a train wreck I couldn't look away from, and am debating starting the second since I hate myself. The most interesting parts are actually the little forewords. Through them I learned both that it was supposed to be a comedy, and also a critique of the military industrial complex/police (or at least that people read it as one). This was surprising to me since it is neither funny nor incisive. Anyway, now I want to ramble incoherently about my problems with it because this goddamn comic broke my brain.

Okay, so one of the most common ways it shows you which characters you aren't supposed to like is by having them do comically "gross" sex stuff. Notable examples include cocaine fueled orgies, mentions of shitting during sex, bestiality, masturbating in public to the sight of disabled people, and a little person using sex toys. One that shows up repeatedly in this context is characters being bisexual or gay. Now, I don't wanna get controversial, but I think any claims that your work is a critique of capitalism, police, the military, or whatever are rendered moot when your villains are a group of secret hedonistic sex-freaks. Like we can't pretend that doesn't sound a lot like regressives and their obsession with "degeneracy". Sexual assaults, misogyny, and slurs also appear pretty often, mostly as the punch line for jokes. Victims are rendered down into objects and denied any sense of interiority so we can instead focus on what really matters (gore porn, and middle school 4chan posters' sense of humor). Never once does Ennis deign to explore the actual impact and trauma of these things, or ask why he views these things as material for jokes.

That incuriosity is I think the real problem with The Boys. There is no actual coherent thought about why things are bad. Superheroes hurt people and are wrong because of their personal moral failings as selfish perverts, not because their whole job is to violently enforce the will of the state. It's like if someone agreed that all cops are bastards, but only because all cops just so happened to be "bad apples". The main characters literally work for the fucking CIA, and yes, I know the titular Boys are at best meant to be anti-heroes a la the Punisher. My issue here isn't that they're hypocrites who are frequently also horrible. It's that this premise for is absolute nonsense if you think for half a second. Superheroes do not function without the legitimacy granted to them by the state and it's monopoly on violence, so why would the CIA need these 5 randos with zero oversight working to take out the supers? Is the force Homelander and the others can bring to bear so great that even the apparatus of that state can't deal with them? If so, why does this group of assholes change that? Normally I'd be willing to give the story a lot more of a pass when it comes to questions like this, except I'm being told that this story has things to say about systemic problems involving the government and corporations! So I have to ask, where? Where is the commentary? What does it actually have to say about the state of the world circa 2006-2012? The only answer I can come up with is "not a whole lot". It's a story which dares to ask the tough questions like "what if the world was made of pudding" and then ignore answering those questions so it can instead recite Ellis' favorite slurs in alphabetical order while showing you a woman's tits.

On a lighter note, it's also just not very good. The plot (as mentioned) falls apart under any amount of scrutiny, pacing is bizarre in a bad way, the characters aren't compelling, themes remains stubbornly unexplored, and Ellis is allergic to doing anything interesting or creative with the premise he's decided to base a whole comic around. I genuinely do not know what people enjoy(ed) about this comic.

#It's a thoroughly unpleasant experience on about every level #There was actually one moment I liked #and it was when the frenchman and the female (those are their names) are playing reverse strip poker #where they have to put on more and more layers of heavy clothing #that was a cute bit and made me do a neutral nose exhale #also people who compare it to Worm please show your work #because the math isn't mathing #is it just that they're darker superhero stories?#worm #worm wildbow #worm web serial #the boys #the boys comics #my meds are acting up so apologies for any incoherence #but also reading the boys just does that to your brain I think

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returntothewilderness · 5 months

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SWANA/MENA people defending themselves from ethnic cleansing and settler-occupation violence are called "terrorists. So are their neighboring countries trying to help stop the violence. So are those in the diaspora. So are those who speak out against the violence

The narrative never changes, just the SWANA countries being bombed at any given time

The intensity of post 9/11 Islamophobia and the racism towards the SWANA community was so bad that even *today* Muslims and Arabs are seen as untrustworthy, violent, traitors when speaking out against the western violence in their region. Their own lived experiences viewed with hesitance and suspicion

The SWANA community, especially Palestinians, have lived through constant surveillance, hate crimes, discrimination, censorship, defamation, and profiling. Right now, the west is hoping those last 20+ years spent villainizing the region will majorly pay off as they attack additional Arab countries

In spite of spending 20+ years of going through this scrutiny and violence, Muslims and Arabs are loudly and angrily protesting the ONE HUNDRED DAYS of an ongoing genocide in Palestine with still no ceasefire. They're doing this even if it significantly increases the harm aimed at them

They have to, their homelands, family, loved ones, and culture all depend on it regardless of the consequences

So when the white upper-middle class refuses to do something as simple as boycotting starbucks while vaguely claiming to be against genocide - what does that mean for the rest of our rights? If you don't have an accessibility need, or live in a food desert, there's no reason to not be getting coffee literally anywhere else. It's not an essential item no matter how much you like it

And if you won't give up a specific brand of coffee when *genocide* is at stake, what happens as more rights are stripped away state side? By the same politicians being paid by these massive corporations? The bar is devastatingly and shockingly low

Being seen as inherently "more trustworthy" in society due to their well-mannered approach to discussing genocide and other devastating system oppressions, the white upper-middle class & upper class can have big sway on public opinion here. Their actions and words are assumed rational and trustworthy. That's why we see white anti-zionist Jewish people being given more credibility on Gaza than Palestinians living through it and the diaspora. It's wrong, but this is the world we live in

This is the main reason why the white economically comfortable class are being asked to risk something and take a principled stance against the genocide in Gaza. The risks faced are smaller yet yield much larger gains

It's been infuriating seeing people with platforms and sway refuse to do something as simple as not ordering a starbucks coffee. I don't care if you have no tie to the region, that you didn't make biden use your taxes like this, or that you think it's just a cup of coffee with no impact. Palestinians have clearly stated why BDS works

It's one brand, it's such a small and insignificant thing

And yet, 100 days later we still haven't gotten a ceasefire. tens of thousands are dead. But, yknow, enjoy your genocide-funding coffee.

#free palestine #palestine #text post #save palestine #jews for palestine #bds #boycott israel #boycott starbucks #keep boycotting #fuck starbucks #anti zionism #anti zionist jews

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jewishdragon · 8 months

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reccommend any good book series?>

uh, sure

lets start with the three book series i have had on loop (audiobooks through libby) for the last 4 years:

Temeraire. 9 books. alternate history age of sale, an homage to Aubrey Maturin (the author literally stopped posting fanfic for that series 1 year before she published the first temeraire novel). What is the alternate? Well. dragons exist. and they are people. The premise is a human naval captain finds himself captain in the air force because a dragon imprints on him. Explore how the first napoleonic war goes when dragons are involved both in battle and in politics. I love this series because it scratches a very specific itch for humans and giant monsters bonding and interacting at every level of society. A lot of real historical figures show up (napoleon...). but it never feels forced. Im so bad at selling this series. its really great.

Memoirs of Lady Trent. 5 novels. more dragons ! this time a world similar to ours, but dragons exist! however this time they are animals, not people, and the main character is a fantasy victorian jewish woman who is obsessed with studying dragons and breaks her worlds gender barriers (which are the same as victorian englands were) to achieve her goals. also there's a slow burn romance with a nerdy fantasy muslim man (think indiana jones!!!) and they go on ADVENTURES about ARCHEOLOGY AND NATURALISM (books 3 through 5. i dont want you to think i lied when this man dont show up in books 1 and 2. BUT THERE'S STILL BOTH NATURALISM AND ARCHEOLOGY ADVENTURES IN BOOKS 1 AND 2). I did not see the twist of the series coming either. wild stuff. love it. there's a epilogue 6th book where the characters spend 80% of the time translating ancient tablets and somehow this is incredibly engaging, props to the author. this is a first person POV, the author is writing it as a MEMOIR so you have to imagine this old lady writing this down in her study.

The Murderbot Diaries (5 books, 4 are novellas). Sci-fi, out in space! Mostly taking place in literally capitalist hell region of space called "the corporation rim" which is... ruled by corporations. A lab grown robocop cyborg hacks its programming to become autonomous and wants nothing more than to watch soap operas and be left alone, but of course makes friends along the way as it continues to do its job of protecting humans. the snarky humor is FANTASTIC. its also first person POV and feels like Murderbot cornered you in a seedy space bar on an asteroid and just started ranting about shit "you will not believe the fucking year ive had" and then just rants for hours. Speaking of, 4 hours is the audiobook length for each novella, short enough that you can give the series a try without worrying about length

agatha christie. i mean. the queen of murder mysteries is called that for a reason. her stories are indeed bangers

Howl's Moving Castle. its a 3 book series though the books arent super connected. really fun fantasy adventure comedies.

Ok end of the not kids section. here's the kid section

now bear with me on this. Artemis Fowl. 8 books. I didnt read these until i was an adult, in graduate school. They fucking SLAP. some stuff is a little dated but other than that, its action packed, its so much fun. Go on an adventure where a shitty know-it-all genius criminal master mind becomes a better person and also there's fairy magic and fairy tech (which might as well be a second kind of magic). the main villain? amazing, unhinged, megalomaniac to the max. i love her. the minor villains? also amazing. i cannot overstate how great the villains are in this.

Dealing with Dragons/Enchanted Forest Chronicles. uhhhh this is my special interest. fantasy comedy adventure.

thats all for now i think.

#book recs

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copaganda-clobberfest · 10 months

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So so so glad White Fang is already included because swear to god the number of racists in the fndm that see absolutely nothing wrong with "Rooster Teeth created a fantasy race of Animal people who all act like Animals and get treated like Animals by their human love interests and they've been an enslaved race until very recently and one of them was literally physically branded as the property of the White Germanic Multibillionaire Princess Protagonist, and humanity still discriminates against them and treats them like animals so they started to engage in disruptive protest like theft and property damage against abusive racist corporations, and so then they DESTROY AN ENTIRE FUCKING NATION AS VICIOUS VIOLENT EVIL TERRORISTS WHO WEAR MONSTER MASKS AND THE MAIN ONE (the one physically branded as the property of one of the protagonists) IS A LITERAL HATE SINK TURNED INTO AN ABUSIVE STALKING MURDEROUS INCEL WHO CARES MORE ABOUT HURTING THE OTHER UWU PROTAGONISTS THAN ABOUT HIS OWN PEOPLE WHO HE MURDERS BECAUSE THAT'S JUST WHAT REBELS AND FREEDOM FIGHTERS DO I GUESS by the way some of the writers and voice actors for the series literally said that they based the Faunus on black people and based the White Fang on the Black Panthers"

I can't post images on Anon and don't want to send this on main, but I have a screenshot of a note that, for several months, was listed in the 'Trivia' section of Adam Taurus's page on the Villains Wiki, which said "Adam's goals reflect that of certain real life groups in America in the 2010's, that claim to want equality when in fact they want control" iirc I don't remember word for word, point is, it was very obviously claiming that pro-racial justice groups are trying to take over through terrorism "just like the White Fang"

And I once received a long barrage of anonymous asks from somebody yelling at me that the White Fang arc wasn't at all racist, it was ACKSHULLY a "brave" and "Well written" story the Heroes at Rooster Teeth were telling, admitting to the "Unpopular Truth" that the Black Panthers and BLM were "violent reverse-racist terrorist groups" and he literally sent me like twenty asks vomiting genuine qanon shit into my inbox all about how evil the Black Panthers and BLM are and how the Noble Brave Heroic Rooster Teeth was "speaking truth the rabid SJW's don't want to hear" and "admitting things the Left doesn't want anyone to know" and they were PROUD OF ROOSTER TEETH FOR DOING IT

Meanwhile I *constantly* see people of color in the fndm get shut down, silenced, invalidated, talked over, smeared, harassed, lied about - all because they criticized the racist writing in rwby and particularly the White Fang. Whole ass white Karens will literally shut people of color down and "explain" to them how the White Fang arc couldn't POSSIBLY be racist because *it's not as if the whole story was made up by non-black writers who have histories of racism one of whom literally posted the N-Word on Twitter in fucking 2016 when the show was literally airing it's third season or anything....* /sarcasm Miles Luna did in fact post the N-Word on Twitter as a 26 year old adult in 2016 when RWBY was in it's third season.

And he did once refer to himself as a "White Guy" who didn't know shit about racism

And he and ALL his Rooster Teeth buddies have twenty years of video evidence of Rooster Teeth's content in which they're ALL fucking racist (the vast majority of RWBY's controlling creative team being comprised of Rooster Teeth management and "talent" and therefore having been prominent on-screen members of the team while they all have a grand old racist time togehter)

So yeah the White Fang arc is mind-staggeringly racist ON PAPER, two hundred times worse to watch it play out in execution, written by an openly racist asshole and produce by his Buddies who run an openly racist studio, and adored everywhere by unabashedly racist fans who literally apply the extreme copaganda found in the show to the real life people groups the writers based the White Fang and Faunus on.

It's sick to say the least

#all facts all facts all facts #and dw Anon I know what ur talking about. hell if I find the image I might just include it as propaganda because #just. how do you fuck up an allegory so badly. i think about the fang I want to carve my eyeballs out with rusty scissors #rwby #copaganda clobberfest #propaganda #not a poll #just. BLEUHH all all all around #it’s so annoying how rwby. a show which has genuinely inspired me in terms of its animation in the early volumes #and even still after the sad passing of monty oum (rest in peace btw)#and yet. this storyline is some of the most racist shit I’ve seen in a modern show and every time I think about it it gets worse!!!!!!

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swamp-spirit · 1 year

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Dipping my toe into the MXTX tag again, and it reminded me that I wanted to share my experiences of having to read around 500 pages of various REALLY BAD cultivation novels (for work). SVSSS especially relies on knowledge of shitty cultivation webnovels.

To be clear, I have a lot of sympathy for (some) of these authors. Chinese webnovel writers are often under brutal time requirements (often around 1-3K a day, 7 days a week, fully edited and posted) for very little pay. They’re also under government requirements and corporate requirements to write something that’s pre-proven to sell. You have to get well established to ‘earn‘ the right to experiment, and that’s a 1/10000 lottery.

That said, there’s a lot of authors who write some amazing shit within those requirements (the people who write historical revenge rebirth stories for women knock it out of the fucking park 99% of the time tbh). So here are some of my horror stories from my months reading bad cultivation novels. (warnings for sexual assault mention)

There are three types of men in bad cultivation novels: 1. Simpering lackies who do everything the lead says and feel lucky to do it 2. Comically evil bullies, physically ugly, always attacking women or simpering lackies. The lead will horrifically murder them casually. 3. Comically evil bullies, but hot and high status. The lead will horrifically murder them OR humiliate them and destroy their meridians (and they will be disabled, worse then death!)

Speaking of disability, and, unfortunately, not confined to this genre, replacing a mentally disabled person is a REALLY common setup. Either the MC is disabled through evil machinations but cured via magic at the start, or the MC replaces a disabled person. Everyone will be shocked, amazed, and pleased that they have been ‘fixed’.

Things are even worse for women. Women are sweet and innocent (romantic interest or little sister figure. Or both), doting caretakers (romantic interest, mother figure, or both), cold ice-queens (to cast their pride aside and become a romantic interest), or evil, sexy seductresses (to be murdered. Or seduced). Of the three novels I read the most of 1. EVERY SINGLE WOMAN was introduced in the exact same way. The lead would accidentally see her naked, she would unjustly attempt to murder him, and then she’d realize the truth and decide marriage was the only solution to maintain her honor. 2. Every single woman who showed up had dudes attempting to sexually assault her, from romantic interest to random village girl. Every. One. This dude could not go five feet without witnessing a sex crime. 3. This one just forgot women existed? And honestly? Thank fuck.

Characters advance via video game logic. For example, in one novel, the character Became Neurotypical, immediately murdered some dudes, stole their cultivation items, sat down, and meditated. There was no internal description on what he did to meditate, his state of mind, his faith, or his growth as a person just LITERAL CHAPTERS of describing his cultivation levels going up. “HE BROKE THROUGH THE 3RD LEVEL NOW HE COULD DO THIS IT WAS AMAZING AND UNHEARD OF“ That’s the entire arc. Character gets items, meditates, numbers go up, goes and wins battles by killing everything in one punch. And not in a cool, genre deconstruction way. It works on a logic where the main character can’t do anything ‘uncool‘. He can never struggle, even for a second. One novel involved every enemy (usually human) being turned to ‘meat-paste‘ with a single punch

You know when you’re watching an anime that needed to fill out runtime, so it keeps cutting between the hero and the villain and then somebody in the crowd going “wait, is he going to use a soul punch“, “that’s impossible, somebody that young could never use a soul punch“ “wait, how could it be“ “damn, I underestimate him“ “It’s a soul punch!“ “A soul punch!“ Have you ever craved that experience in novels? Yeah. Me neither

MYSTERIOUS FUCKING CAVES. One of the main mechanics for a character to advance is being taken in by some spirit or trapped god or soul sealed in a sword, but the primary mechanic is ACCIDENTALLY STUMBLING ON MYSTERIOUS CAVES OF RARE ITEMS. Often found when falling into a ravine and landing on a mysterious ledge. To date, none of these caves had any explaination or plot. The character just found a cool cave, took the scrolls/ate the rare wine/soaked in the magic spring, leveled up, and left. In one of the novels, by the time I got a good chunk in, the main character had stumbled into THREE DIFFERENT MAGIC CAVES. To be fair, the third cave did also contain a skeleton which put him in contact with a sealed soul who took him in so like, that’s something.

#xianxia #mxtx #svsss #vents from when I was trapped in cultivation novel hell

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nihoneshi · 2 months

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Welcome to Aqua Rambles on about KFP

I just finished binging Kung Fu Panda 1-3 (not 4 yet) and man outside of a few secondhand embarrassment scenes, because there are a couple of them still for my brain, What I will say is this

god I do miss KFP fandom so so much but I also was REALLY young when I first found myself in that fandom, so like, It's only a matter of time before I found myself brainrotting the movies again and even shorter of time before I re-entered Fandom Space.

So let's get the obvious ones out of the way. God I love Tragedies and the whole prophecy that was laid out hundreds of years ago, I love how cohesive the Trilogy is (I think we all agree that KFP3 was the true end of the Series, since not even the VAs liked KFP4 and it was a glorified corporate cash grab, but don't worry, AUs exist (: )

Tai Lung and General Kai are definitely by far the two MAIN villains I vibe with the most given their situations (Tragedy Affliction & Bond Brother Give-Take disagreement) I do love Shen but my love for him is extremely nuanced on the fact he's a diabolical genocidal sociopath but he's also oddly fucking dramatic, theatrical and comedic of a villain DESPITE the 3 words I JUST called him.

But also the Wolf Boss.. God he's a bastard (affectionate) but EVERY TIME HE "INSULTS" PO HE JUST GOES OFF ON NON-THREATENING TERMS homie please stop being bisexual on the battlefield lmaO /pos.

The Will to write Tai Lung just like 13yo me wanted to has not changed outside of the fact that after a decade more of writing with extremely intricate and nuanced characters with complex tragedies and traumas, I feel like I could finally do justice with this Snow Leopard (especially with Redemption Arcs, because hee-ho I write Saren Arterius, you know. Mass Effect 1's big bad villain that is just as much as a tragedy as Tai Lung but unlike Tai Lung this idiot decided to try to get parasitical genocide machines to spare them and ended up getting indoctrinated against his will)

Now onto Main Cast. Just like kid me, Viper and Mantis were my two go-to idols for KFP1, my love for Crane's realism-centric attitude and Tigress' having second thoughts and a much more intricate wake-up call in KFP2 and on became so much more apparent, like, trust me I haven't watched any of the other animated content but you can tell like, these 6 have gotten so attached to one another (Monkey and Po, especially, literally best buds love that for them)

But the SHEER amount of times I have said this phrase "Viper, Please rephrase yourself" has been in the nearly every thing she has ever said she is so upfront and has misread the room every single damn time. and don't even GET ME Started on KFP2/3 Tigress, the sheer amount of character development she gets is insane

she goes from an asshole to deep down realizing that Po has fallen still due to mental turmoil SEVERAL times and isn't keeping Po down there with Ox and Croc because she doesn't want him getting in the way but BECAUSE She doesn't want him to get hurt like him freezing up both times has gotten him. And then further more watching Po teach everyone their own ways of Kung-Fu all the WHILE TIGRESS IS HOLDING ON TO A BABY PANDA THE WHOLE TIME, EVEN FIGHTING WITH THE KID. AND THEN SHE CARRIES THEM AROUND EVEN AT THE JADE PALACE AT THE END OF THE MOVIE.

And please I can't fucking believe it took Crane several MOVIES TO GET HIS FUCKING NECK FIXED AFTER WHAT TAI LUNG DID TO HIM, HOMIE HAD A CROOKED NECK FOR MONTHS. There were scenes in KFP2 and Early KFP3 where this man's neck was still partially FUCKED. Dude shrugs it off like it's nothing and then proceeds to heal his wing in merely a few damn days max.

The Theatrics, all of the animations, the voice work.. god damn I adore these three movies so so much. But there is one thing I was not expecting and honestly I should've seen it coming.

My eventual brainrot and emotional attachment to side characters and characters with very minimal screen time (I should've seen this with me Writing Volteer from The Legend of Spyro, Nihlus Kryik from Mass Effect 1, and many more)

Dude I LOVE Master Croc, I don't know why SPECIFICALLY him but like. I like how he looks so cocky wanted to kick Shen's shit in, even laughing to himself, how he's so so loyal to Ox after Rhino's (supposed death), like you KNOW these three were inseparable and it LOOKS like Rhino reunites with Master Ox and Master Croc at the end of KFP3 that's what I hope if it was even only for a couple of minutes following what was probably Rhino heading back to the Spirit Realm.

I really love Master Croc, it is not even funny he's such a character, a silly, perhaps.

but now my rambles go to something else, since it takes place in the era that it does.. and like.. my hoard of Dragon OCs and Dragon Characters (literally all the guys on this blog ARE dragons!~ ) Like.. what would be the general consensus of a Dragon popping up in universe? Since back then they're still hailed as deities (Like the Dragon Kings, and all the dragon deities in both Chinese and Japanese mythology)

I am so so curious. But maybe I should add more to my rambles later when I am not so tired but god I have ideas and WILL enact on them.

A tiny edit: I 100% support kaiway due to the context I now have from watching KFP3, homie you have spent all the time in the world holding up Oogway's Chi charm like you want him to see everything like, they def. had something going on pre-banishment

#out of paint: ooc #Kung Fu Panda #KFP #KFP2 #KFP3

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sakura-code · 10 months

Note

Why would Amaterasu clone Yuma( does he know?) or mokoto being a clone is going to be a different story

Okay, I was brainstorming for a while today, and I finally have an idea to your question (thanks for that by the way).

Unlike in the game, Amaterasu doesn’t make homunculus of literally everyone in Kanai Ward. Instead, they decided to go for a select few people, like those with Forte or are “gifted,” since the World Unified Government wants to use the homunculus for military purpose, which means they are being made to be soldiers. So what would impress the Government more than immortal entities with superpowers? And while there is a zombie attack from the defectives, it only spread to the Outskirts of Kanai Ward (aka like the Restricted Area but around the city in a more suburban/country area), and are left there in their zombified states.

Makoto is the first Homunculi to be non-defective, and being the combination of the DNAs Yuma and Number One of the World Detective Organization (a DNA stolen from the Unified Government)(also Yuma is not Number One, it’s the double who is the real Number One this time), he turns into also a useful asset in Amaterasu as he helped to take care of the defective Homunculi and save Kanai Ward from the Unified Government trying to squander the city to hide their mistakes.

Although I am questioning if I should make him the CEO even though technically he was fifteen at the time. On the one hand, I thought I saw tv or movie media on the internet of a teen having led a company at a young age, so it probably wouldn’t be so farfetched. Then again, maybe I could change the story to have the CEO still be alive and one of the main antagonists/villains of the AU. I’ll brew on that.

As for Yuma knowing about Makoto’s secret, no he does not know about the cloning. He only knows the strange masked man, Makoto Kagutsuchi, is helping him to leave Amaterasu Corporation. Because unlike in the game, Makoto is much more an ally who actually wants to help Yuma live a better life and be free to choose what he wants to do without others taking advantage of him. As for why Makoto doesn’t tell Yuma he is his clone, he believed he would never see Yuma anymore as he goes to live his own life while he remains in the nightmare Yuma once lived in.

#master detective archives: rain code #rain code #Misfit AU #yuma kokohead #makoto kagutsuchi

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