The Animals - The House of the Rising Sun (Stereo) (Full Version) (1964)
Traditional / Arranged by Alan Price
from:
"The House of the Rising Sun" / "Talkin' 'bout You" (Single)
"The Best of The Animals" (LP|US 1966) *
JukeHostUK
(left click = play)
(320kbps)
Personnel:
Eric Burdon: Vocals
Alan Price: Vox Continental Organ
Hilton Valentine: Guitar
Chas Chandler: Bass
John Steel: Drums
Produced by Mickie Most
Recorded:
@ The De Lane Lee Studio
in Kingsway, London UK
on May 18, 1964
Single Released:
on June 19, 1964 (UK)
July, 1964 (US)
Album Released:
in February of 1966
"The Best of The Animals"
*("The Best of The Animals" contains the original full length 4:30 version)
Columbia Records (UK)
MGM Records (US)
"The song was recorded in just one take on May 18, 1964.
It starts with a now-famous electric guitar A minor chord arpeggio by Hilton Valentine.”
- Wikipedia
Video:
The Animals - House of the Rising Sun (Stereo) - YouTube
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i do unironically think the best artists of our generation are posting to get 20 notes and 3 reblogs btw. that fanfic with like 45 kudos is some of the best stuff ever written. those OCs you carry around have some of the richest backstories and worldbuilding someone has ever seen. please do not think that reaching only a few people when you post means your art isn't worth celebrating.
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I just think that 'animals are living intelligent creatures that have feelings and deserve to be respected' and 'when done properly farming is beneficial to both people and animals and there's nothing wrong with raising and killing animals for food, clothing, and other products' are concepts that very much can and should coexist
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4:04 PM EST February 19, 2024:
The Animals - "Inside-Looking Out"
From the Compilation album The Best of The Animals
(January 24, 2000)
Last song scrobbled from iTunes at Last.fm
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Not to brag but my cats are Artists™
[Medium: Claws on rainbow scratchboard]
Remi works with a hesitant, erratic violence, creating a piece as light and fluffy as she is, and signing her work by hole-punching it with her teeth.
Timmy uses bold, strong lines to evoke some kind of powerful event, echoing his powerful presence and loud voice.
Nubbins, truly inspired, creates a high-energy piece that symbolizes the void where his brain should be, surrounded by chaos and mischief.
Kona, a reclusive avante garde artist, refused to work with me around. Only in quiet solitude did she create this haunting, introspective work.
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