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#Terrell Canning
melad0rimagpie · 10 months
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clown-eating-pig · 2 months
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I love Jess Terrell 😌😌😌 her voice is so pretty and she's an engineer!!! Sucks about The Horrors tho
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nailgunstigmata · 1 year
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rewatching sunny is always just seeing dennis interact with a random side character and going dennis chugged him in chat and everyone agreeing and i think thats beautiful <3
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McNabb didn't "choke" in the Superbowl. And give Andy a break about mismanaging the clock when he did everything else he possibly could to coach the Avengers into nearly defeating Thanos without any deus ex machina bull shit.
Just pure gumption and genius coaching. But nothing beats Brady and Bellichek when Gronk and Brady are in sync. Even as a fucking AARP member with the fucking Tampa Bay Rays he's still formidable and a regular contender for the Superbowl today.
In the 90's The trio was an unstoppable force that just plowed up and down the field and every possession ended in a TD.
The 2004 Eagles kept up with Brady.
And that hall of fame defense fucked him up like the spirit of Reggie White possessed them. They made him cry and throw a tantrum and got dirt on his uniform. And turf in his face mask. Hitting and hurrying Brady almost every down against the very best offensive line money and guaranteed Superbowl rings can buy.
And fucking Brady just got even better.
And yet. And yet with Terrell Owens on a broken leg playing half speed yet doing outrageous plays and a nervous McNabb playing extremely competently using his legs and working well with Westbrook doing his magic and Owens showboating, Andy Reid almost did it. He almost got his offense to keep up with Brady and slow Brady down enough to give Donovan a chance to win.
But McNab let the pressure get to him at the end and stopped having fun. And began to hesitate and second guess instead of just instinctively having fun and playing at his usual superhuman level.
He just got nervous. Probably for the first time in his life. A real chance to beat Brady! And win the Superbowl for Philly at last! With his favorite teammates and coach Andy Reid! (Andy Reid is what Joe Paterno pretended to be.)
Donovan McNabb got nervous because only Tom Brady wouldn't get nervous at the thought of facing Brady let alone hoping to beat him in the Superbowl when he was playing top of his game. So Donovan "choked" and made some shit plays at the end there. But up till then he had danced up and down the field vs the Patriots defense and kept up with Brady blow for blow. McNabb was beautiful that day.
Andy Reid was on his game too and against all odds almost lead the Avengers to victory against Brady.
But Brady and Bellicheck with Gronk on his game is absolutely invincible. Just an unstoppable force where you are hoping for a failed 1st down run and and short second to make for a long third and then some kind of miracle stop or on third and long. The best defense was to try and draw fouls. Because you can't stop the guy. You just have to slow him down and hope for one or pray for two bad throws this 3rd down.
Like, third and thirty five was difficult but doable most possessions.
Eagles actually hit that smug father fucker a whole bunch on his way up and down the field. It didn't stop him. But it was hella fun to watch as my team almost beat Brady in his prime, but nothing could ever beat Brady in his prime. Even on his bad days he was nothing short of perfect and intelligent and creative and instinctual that borders on godlike.
I hate his guts and I just don't know why. He seems hella nice. He's too good looking and dates a model but good for him on all of that. I'm happy to see decent guys win the lottery. But I still don't like him. Such is life. I wish him well in everything but football. Get sacked Brady.
But yeah, no body, no matter how well prepared, trained and superhuman can be perfect for the entire Superbowl. You are going to lose some possessions without having scored.
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The Eagles were a true Super Bowl team. Any other decade they would have won any Super Bowl against any team outside of the 2000's Patriots. They made every offensive line in the NFL look silly and picked off future hall of famers every other down.
The Lombardi Trophy belonged to Brady back then. Pure and simple. It was just who is going to lose spectacularly in the Super Bowl after playing big fish in a small pond till now.
Eagles almost beat Brady in his prime, but nothing can keep up with a demigod.
I submit that the 2004 Eagles were a feat of genius by Andy
He was able to cobble together a really good team around his star QB and other key players who are all hall of famers now. And I don't know how he snatched up Owens. Owens was amazing. He just had a big mouth and was a showboat. He backed up every boast too and made the greatest future hall of famer DBs miss every single time. And everyone loved it. Except the fucking racist NFL.
Andy managed to cobble together this amazing 2004 Eagles team and got them working together even though they didn't like each other at first and help them run together so well that he almost took this army of reject NFL superheroes up against Thanos and won.
He had a Lawful Good Deadpool instead of Captain America leading the charge. And Neutral Good Don't Give A Fuck Decent Guy Deadpool With a sharpie up his sleeve carving up the captains of Thanos. And Mysteriously unknown preternatural undersized Black Panther Westbrook conducting acrobatic feats y'all wouldn't believe today. Even still that man's shit was like watching Black Panther dance around dealing broken ankles and first downs out of third and long every time McNabb got in trouble.
Even the Avengers can't beat 2000s Brady.
Give McNabb and Andy Reid their due respect. They almost did the impossible together. Don't give them such trash about minor little lapses in perfection. You aren't the God of Noah.
You are an Eagles Fan! And you cheered through fucking Buddy Ryan's bullshit. Andy Reid and McNabb almost took down Brady in his prime! You should celebrate that team!
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grapecaseschoices · 11 months
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what jewel are your bones made of?
uquiz here
Tagged by: Stole it
Tagging: Whoever, I just missed fiddling with quizzes but if you do this, please at me! Thanks.
Andy:
AMBER
you hold in your heart fragments of everything that has ever passed through you. the good, the bad, the utterly mundane. ⌾ you catch it all and keep it. ⌾ you have a singular talent for holding on tight ⌾ collector, scavenger, hoarder, keeper ⌾ core: memory
Tristan:
ONYX
reserved (by choice), decisive, self-sure and self-contained, selective, resolved, close-minded, intuitive, deliberate ⍚ opaque - my secrets are not for you ⍚ scrying - i can see more than you know ⍚ sharp - i know where to cut
Richard:
PEARL
you are a bit of an open wound. ⍜ the pain won’t kill you like you think it will, let yourself bear it and you’ll find you can ⍜ you might even find that the world is a lot more than your oyster. ⍜ reticent (unwillingly so), passive, introverted ⍜ resilient, generative, adaptable ⍜ you hold the ability to create and recreate the world around yourself
Aleena:
AMBER
you hold in your heart fragments of everything that has ever passed through you. the good, the bad, the utterly mundane. ⌾ you catch it all and keep it. ⌾ you have a singular talent for holding on tight ⌾ collector, scavenger, hoarder, keeper ⌾ core: memory
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allhailhu4l · 1 year
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https://www.tiktok.com/t/ZTRstxsNQ/
Not Johnny 3 Tears dying in the background 🤣
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feardclight · 2 years
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❝ ahhh. you’re in love. ❞ ( for trent? )
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@prvtocol . our flag means death . accepting 
Daisy had mentioned that she was talking about buying a new car. Not that she needed for her stays in London, it had been years since Trenton himself had been, but he remembered that traffic was itself always hell. No, the impression he got was that of someone that needed some pretty candy to adorn the house that she had recently bought.
Maxima had found the idea interesting though Trenton could tell it was only to please Daisy. Someone that they all knew was likely one of the hardest to please, a close second to Reid.
Standing with his expresso cup of coffee, seeing the rows of suits travel down the corridors of Arasaka through a tall wall of glass, Trenton Terrel cuts a sharp figure but not one unlike those around him. Slight and in a patterned suit, it is just a brief glimpse beneath the white collar that betrays the netrunner suit underneath.
Taken from his lab, he finds himself more and more during the daytime having to deal with people. A lot of talking and squabbling and not a lot of doing the things that he wished to do. Taking a sip of the coffee, he feels it burn his lips but continues anyway until hearing the voice of the Director.
Likely one of the only very English people within this Arasaka branch, in all the ways that one could be called such. The perfect picture of upstanding. They all were until the rest of the great white got hungry. It is the only thing that truly bored him about this glass box of toys, but it wasn't something that Trent was truly unused to.
  “Oh yes, Director Landry." Trenton's head lifts, squarely looking at the English woman through the circular glasses with a smile with nothing but teeth "It is a particular state of being. That of being deeply in love with your life."
He turns now fully to her. Even in her heels, Trentron's slim and dark figure towers over her.
  “Unless you mean mister Fujioka?—" he looks past her, down to the row of ants that walked back and forth from their desks. In the later nights, he often thought of the lamps and lights turning on and off in the desks like circuits themselves. An endless and massive machine. Fujioka had been someone that he had been told to meet and entertain. And he had, for enough time, more than he would have. Interesting cyberware though nothing outside of the norm, nothing interesting enough to keep around.
"No," his smile grows impossibly larger as he takes a step back, drinking his coffee once more before placing the empty cup atop a glass table "most certainly it wouldn't be..." he had certainly led Trenton a more pensive state, but it was not from the want to hear him further.
Had he wished to explore such depths perhaps he could have plucked the same strings that kept his mouth droning. Pensiveness was as much as a sign of deep thought or that of a straying mind. Trent's eyes wrinkle despite the coldness from the lense, the coldness on his cybereyes "The tech in his very adored sports car is far more worthy of my affection than the man himself."
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liquoricebxxxh · 1 year
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Pop Art and stanning of Tammi Terrell!
Public conspiracies of Aaliyah of how she was silenced (and deserved better!
Shirts and no-nonsense defense of Whitney Houston for being murdered (allegedly) by someone she thought she could trust!
Public stanning and no-nonsense defending of Lil’ Kim and slander towards ANYBODY who has ever disrespected her the way they have!
No public shaming and extreme coddling towards Maia Campbell, and investigation into what was done to her (cuz you know there was)!
Constant showering praise and dress up of everything Meagan Goode (also question her sex symbol status at a very young age 🌚)!
Understand that Azealia Banks is an internet (and real life) icon and one of the best celebrities to come out of the 2010s!
“Baby and praise Mary J. Blige because of all she overcame! Ignore her past bitchiness, because she was going THRU it!
Acknowledge Rihanna’s iconic bitchiness of the 2010s and her pretty doll persona during her music days! Laugh at her calling her sometimes boyfriend’s current half-Asian girlfriend and “rice cake” because racism is funny sometimes!
Every mean/problematic thing JT says is gospel and/or hilarious because she’s keepin’ it a buck!
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vivelegalite · 14 days
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dear dead boy detective (especially paynland) enjoyers: have you yet heard of the biggest gift bestowed upon the fandom so far, aka jayden's charles playlist? the one he mentioned in interviews? well, he dropped it on twitter at 19th of may. and man, do i have stuff to say about it.
there's a lot of 80's bangers, for sure, great to get into the mood and character, but some of the choices...
i'm gonna focus on a few of my favourites, songs that made me go insane when i saw them. honorable mentions: - category 1 (so devoted the lines blur): ain't no mountain high enough by marvin gaye and tammi terrell, there is a light that never goes out by the smiths, inkpot gods by the amazing devil - category 2 (family life): family line and summer child by conan gray, seventeen going under by sam fender, matilda by harry styles, father by the front bottoms - category 3 (being queer in the 80s): smalltown boy by bronski beat, boys don't cry by the cure - category 4 (there's no heterosexual explanation for this one): good luck, babe! by chappel roan, yellow by coldplay, fight or flight by conan gray (is this about monty? the cat king? i need answers!), the prophecy by taylor swift, arms tonite by mother mother, sweet by cigarettes after sex, head over heels by tears for fears
this list is by no means complete or comprehensive!
and now, the songs that made me go the craziest: (they're predominantly in charles' pov as it's his playlist)
found heaven by conan gray
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the only reason this song made it into the list and not the honorable mentions instead of smalltown boy is that it makes almost the same point, just so much more explicitly. i don't think i have to say much about it, it's a story of a young person griping with their queerness, being forced to leave home, a common theme of the playlist. "you're in love, you found heaven" when he chose edwin over his own afterlife, heavily implied to be heaven, and built his heaven with him on the mortal plane? ouch! (and we see this same notion repeated in another bop from the playlist, heaven is a place on earth by belinda carlisle).
2. like real people do by hozier
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"i miss kissing" charles rowland, 202X romantic meaning aside, the verses show a sort of a common understanding the boys have around the manner of their deaths and their lives before it. we already know from the show they don't really talk about it, with edwin not knowing about the severity of the abuse charles suffered. it feels like one of them saying "let the past be past, we're together now, yeah?". but also, jayden: can there ever be a platonic explanation for this? ghosts can't touch, can't feel, so they wish they could just kiss like "real" (alive?) people do?
3. flaws by bastille
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not the most romantic song, but i absolutely love how well it fits their dynamic. despite his edwardian brand of repression, edwin truly is the one that's more open about his feelings (recognising of course that in this case, the bar is so low it's in hell. haha, get it). edwin has worn his flaws upon his sleeve, and charles has held them buried - eg. bottling up all of his anger and resentment towards his family and his own death. the song presents a very sweet outlook, in which their flaws are brought up to the surface (for example, charles' outburst against the night nurse in episode 4), but they learn to accept them as they are, an extension of themselves.
4. a pearl by mitski
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you know it's gonna get intense if there's a mitski song in the mix.
the song is about a person who finds love in their partner, someone who treats them way better than they've ever been treated - and yet they cannot bring themselves to reciprocate the affection ("it's not that i don't want you, sorry i can't take your touch") despite reciprocating the feelings themselves because of the trauma. charles is known to bottle things up ("you're growing tired of me and all the things i don't talk about"). the person in the song recognises the love the other person holds for them ("you love me so hard and i still can't sleep"), which reminds me of charles' response to edwin's confession. not a "no", but a "maybe, as time passes".
5. fair by the amazing devil
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this one made me genuinely gasp when i first delved into the lyrics. it's simply so sweet, such a genuine and domestic portrayal of love. at first i thought it was way too open about being a love song (normal text instead of the subtext i'd be used to) for jayden to choose it with edwin in mind, but... there's no one else it can really be about. it's far too domestic, too "established" to refer to crystal. refers to a relationship that's laster for a longer while.
the narrator in the first verse is a person deeply in love with the other person, someone who loves to make his lover laugh and simply drinks in their presence. the "he" in the song i believe is charles, while the "she" refers to edwin. edwin promises to fight off anyone - or any feelings pulling charles down (we can see this in the first episode: "you ever think... what if death did catch us? she'd force us to go to the afterlife and split up" "i will make sure this never happens."). charles feels left behind by the world (seeing as he clings to crystal at first, refering to her as "someone their age who's still alive") and believes edwin to be so much stronger than he's ever been. i'm not going to break down the song verse by verse, but if you read it yourself while subbing out "he" for charles and "she" for edwin you'll see just how sweet (and... strangely very in character?) the song is.
6. work song by hozier
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if the previous song made me gasp when i saw the lyrics, this one made me go "NO WAY" out loud when i saw the title. the first one verse is just pure toothrotting sweetness, but the chorus is what i want to draw attention to:
when my time comes around lay me gently in the cold, dark earth no grave can hold my body down i'll crawl home to her
HELLO? charles, who keeps escaping death and afterlife to be able to stay with edwin? charles, as he literally takes his last breath with edwin right there, choosing to be by his side rather than move on? charles, who keeps choosing him despite night nurse's promises and threats? charles, who literally crawled through hell for him?
verse 2, to me, can be interpreted as referring to when charles died. edwin found him at his worst, and he "woke" up with his presence comforting him. he was shivering due to hypothermia and his injuries. edwin didn't ask him about what happened or pushed him, he simply listened. the lines "i didn't care much how long i lived, but I swear, i thought i dreamed her" are pretty self explanatory.
in verse 3 we still see the same attitude of "damn the afterlife, at least we have each other" as charles portrays througout the series. they're free, and heaven and hell are simply words to him.
7. orpheus by vincent lima
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i literally have no words for this one. it fits too well. if you want commentary for this one, just... i don't know, rewatch the staircase scene.
8. francesca by hozier
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(cracks knuckles) this is the big one. the album francesca is from, unreal unearth, is based on dante alighieri's divine comedy, a fourteenth century poem about a man venturing into hell, purgatory and eventually heaven. the eponymous francesca is one francesca di rimini, a woman who was politically married off to a man older than her, called giovanni malatesta. francesca didn't love him, and eventually fell deep in love with giovanni's younger brother, paolo. the two carried on with the affair for years, before being murdered by giovanni upon his finding out. francesca and paolo are mentioned in canto v of the first book, inferno, as two souls damned in the second circle of hell, lust. their punishment is to be permanently locked in a hurricane, swept away by the winds the moment they manage to get close enough to touch one another.
as opposed to their portrayal in the poem, the song is from the perspective of paolo, explaining that no matter the punishment, he wouldn't change anything about his life because he got to know, and love, francesca.
the first verse brings to mind the scenes in hell, especially on the staircase ("do you think I'd give up? that this might've shook the love from me? or that I was on the brink? how could you think, darlin', i'd scare so easily?" as an echo of charles' "sorry. no version of this where i didn't come get you"). "my life was a storm since i was born, how could i fear any hurricane?" could relate to charles' tumultuous family life, an assurance that nothing he has to deal with while by edwin's side will faze him given the things he's lived through. no, despite everything he's suffered through, charles wouldn't do anything differently - because his (admittedly shitty) life led him to edwin ("i'd tell them, put me back in"). we already know charles would choose him over heaven, willingly sacrificing his own afterlife to stay with a boy he's known for hours, someone kind enough to keep him company as he drew his final breath. all of it - his father's abuse, his schoolmates' bigotry, the pain of his own death, as well as everything he's gone through since - he'd do it all again, for edwin.
"for all that was said of where we'd end up at the end of it" could be taken as an allusion to the fate the boys would meet at "at the end of it", when they're finally caught by death and separated, or as more of a general "if you sin, you will go to hell when you die" (up to you to decide what the sin itself would be - an interpretation that would work with other songs on the playlist is that one such sin would be same sex attraction). then their hearts ceased, they never knew "peace", nor did they want to find it in death. their deaths were too soon, them being ripped away from life, but even though it would break his heart: charles would ask to do it all again.
the outro, i think, beautifully pulls it all together: heaven is not fit to house a love like theirs.
to wrap it all up:
jayden, what were you cooking in there? what do you know??
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funkopersonal · 14 days
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Here's your daily reminder that...
Jews are only 0.2% of the worlds population but...
Jews make up 14% of the World Total and 38% of the United States of America total winners for the Nobel Prize for Literature (source).
Jews make up 14% of the total winners of the Pulitzer Prize for Fiction 18% of the total winners of the Pulitzer Prize for Poetry; 53% of the total winners of the Pulitzer Prize for Non-Fiction (source).
Jews make up 39% of the total winners of the Antoinette Perry (Tony) Award for Best Play; 54% of the total winners of the Tony Award for Best Book of a Musical (with 62% of all Composers and 66% of all Lyricists of Best Musical-winning productions being Jewish) (source).
Jews make up 40% of the total winners of the Academy Award (Oscar) for Best Original Screenplay; and 34% of the total winners of the Academy Award for Best Adapted Screenplay (source).
Although Jews constitute only 3% of the U.S. population...
80% of the nation’s professional comedians are Jewish (source).
90% of American comic book creators are jewish (source)
38% of the recipients of the United States National Medal of Science are Jewish (Source).
Jews are very successful, with educational levels higher than all other U.S. ethnic groups with the exception of Asian Americans, and income levels the highest of all groups. Six out of ten Jewish adults have college degrees, and 41% of Jewish families report a household income of $75,000 or more” (source)
Jews are a minority across the globe. We've been historically opressed and hated. But these key figures from history are all Jewish and loved, yet many don't even know they're jewish (or they don't know these people in the first place!):
Stan Lee (birth name: Stanley Martin Lieber) - An American comic book writer and editor, Former executive vice president and publisher of marvel Comics, creator of iron-man, spider-man, and more.
Albert Einstein - a Theoretical physicist, Received the 1921 Nobel Prize in Physics, developed the theory of relativity and the "worlds most famous equation"  (E = mc^2), and more.
Ruth Bader Ginsburg - Former Associate Justice of the Supreme Court of the United States, co-authored the initial law school casebook on sex discrimination, co-founded the Women’s Rights Project at the ACLU in 1972, and more.
Jack Kirby (birth name: Jacob Kurtzberg) - an American comic book artist, co-creator of Captain America, one of the most influential comic book artists
Harry Houdini (birth name: Erich Weisz) - a Hungarian-American escape artist, illusionist, and stunt performer, noted for his escape acts.
Emma Lazarus - An American author remembered for her sonnet "The New Colossus," Inspired by The Statue of Liberty and inscribed on its pedestal as of 1903.
Julius Rosenthal, Lillian Wald, Rabbi Emil G. Hirsch, Stephen Wise, and Henry Moskowitz - Jewish activists that helped form the NAACP along with W.E.B. Dubois, Ida B. Wells-Barnett, and Mary Church Terrell.
Mark Zuckerberg - Founder and CEO of Meta, a businessman who co-founded the social media service Facebook, and within four years became the world’s youngest self-made billionaire Harvard alumni.
Joseph Pulitzer - a politician and newspaper publisher, his endowment to the Columbia University established the Pulitzer Prizes in 1917, he founded the Columbia School of Journalism which opened in 1912.
Jacob William Davis - a Latvian tailor who is credited with inventing modern jeans and who worked with Levi Strauss to patent and mass-produce them, died.
Irving Berlin - drafted at age 30 to write morale-boosting songs for military revues (including “God Bless America”). Many Berlin songs remained popular for decades, including “Puttin’ on the Ritz,” “Cheek to Cheek,” “Anything You Can Do (I Can Do Better),” “There’s No Business Like Show Business,” and two celebrating Christian holidays: “White Christmas” and “Easter Parade.”
Rabbi Abraham Joshua Heschel - received his doctorate in Berlin. He was arrested by the Nazis in 1938, moved to the U.S. in 1940, and became an influential figure in the 1960s, marching with the Rev. Martin Luther King Jr. in Selma, Alabama, and speaking out against the Vietnam War.
Elie Wiesel - Romanian-American writer and professor, holocaust survivor, nobel laureate, political activist. Authored 57 books including Night, a work based on his experiences as a Jewish prisoner in the Auschwitz and Buchenwald concentration camps
Bob Dylan - an icon of folk, rock and protest music, won the Nobel Prize in literature for his complex and poetic lyrics.
J. Robert Oppenheimer - ran the Manhattan Project, considered the "father of the atomic Bomb," presented with the Enrico Fermi Award by President Lyndon Johnson.
Betty Friedan - co-founded the National Organization of Women and became its first president, wrote The Feminine Mystique (1963) and helped spark the second wave of feminism.
Gloria Steinem - one of the most prominent feminists of all time, launched Ms. Magazine and co-founded the National Women’s Political Caucus with Bella Abzug, Shirley Chisholm, Betty Friedan and Myrlie Evers-Williams, widow of Medgar Evers.
Sergey Brin - an American businessman best known for co-founding Google with Larry Page, president of Alphabet Inc.
Judith Heumann - a founder of the disability rights movement, led a 26-day sit-in at a federal building in San Francisco. The protest spurred implementation of Section 504 of the Rehabilitation Act, a precursor to the Americans with Disabilities Act.
Larry Kramer - co-founded Gay Men’s Health Crisis in response to the AIDS epidemic but was soon ousted over his confrontational activism. He went on to help launch a more strident group, ACT UP, and wrote a critically acclaimed play, The Normal Heart, about the early AIDS years in New York City.
Steven Spielberg - released his critically acclaimed epic film Schindler’s List, based on the true story of a German industrialist who saved Jews during the Holocaust. The movie won seven Oscars and led Spielberg to launch the Shoah Foundation at the University of Southern California, which filmed interviews with 52,000 survivors of the Holocaust and genocides in Nanjing and Rwanda.
Calvin Klein - made designer jeans and the infamous ad starring Brooke Shields revolutionized the fashion industry, sold his company to Phillips-Van Heusen (now PVH) for $430 million. Klein was the first designer to win three consecutive Coty Awards for womenswear.
Daveed Diggs - an American actor, rapper, and singer-songwriter. he originated the dual roles of Marquis de Lafayette and Thomas Jefferson in the musical Hamilton, for which he won a 2016 Tony Award for Best Actor in a Featured Role in a Musical. Along with the main cast of Hamilton, he was awarded a Grammy Award for Best Musical Theater Album in the same year.
And so much more. (a pretty decent list is available here)
Not only that, but the following are all Jewish inventions...
The Teddy Bear - made by Morris and Rose Michtom in honor of Theodore "Teddy" Roosevelt.
The Ballpoint Pen - *the first commercially sucessfull ballpoint pen was made by Lazlo Biro, a Hungarian-Jew, and his brother.
Mobile Phones - made by Martin Cooper, nicknamed the "father of the cellphone", and was born in Chicago to Ukrainian Jewish immigrants.
The Barbie - made by Ruth Marianna Handler, born to Polish-Jewish immigrants.
Power Rangers - made by Haim Saban, a Jewish-Egyptian
Video Games - made by Ralph Baer, a German-Jew
Peeps - made by Sam Born, a Russian-Jewish immigrants who came to the United States in 1909.
Cards Against Humanity - created by a group of Jewish boys from the same high school
Many Superheroes including Superman, Ironman, spider-man, batman, and more!
and more! (an illustrated list available here.)
Conclusion: If you're Jewish, be proud. You come from a long line of successful people. No matter what happened to them, Jews persevered, and they strived for sucess. Be proud of your culture, your history, these are your people. You're Jewish.
(feel free to reblog and add more, or just comment and i'll add it!)
Last Updated: May 31, 5:30 PM EST
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littlemissayu · 2 months
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Wht Song would play in your Rom-Com?
A/N: Kinda surprising myself by posting twice today but hey I did it!! Lmk if you guys want a pt2 bc I don’t wanna write this just for you guys to not care for it or want smth else.
Pt2
Pairings: Heartsabyul, Savanaclaw, Octavinelle, and Scarabia x reader(romantic)
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Dancing in the Moonlight by Toploader
Now I can see this playing out in a montage of you two getting closer somehow; being forced to work together and slowly warming up to each other(academic/work rivals or js u 2 being complete opposites etc.) or even just going from daily acquaintances, maybe you work at his local bakery or coffee shop, and you guys get closer and closer til one of you get the nerve to ask the other out.
 
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Honeypie by JAWNY
This plays out when you guys are having your moment, yk the one where you just think to yourself, I can totally tell they love each other and not just cause the movie is telling you. You two are either talking about something you both feel passionate about and you just bounce off each other clearly feeling at home with this person. Or maybe you guys are just there together and something about the energy or aura of what you doing or not doing just radiates love.
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Magic by One Direction
Playing while it finally hits him that he is totally head over heels for you, and he accepts it. He probably had a lurking feeling beforehand but now he is absolutely sure that he, Cater Diamond, is in love with you.
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Come and Get Your Love by Redbone
This song plays out during your first date montage. It’s a supercute new love type of montage as you guys are just trying to impress each while being all lovey-dovey
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Teenage Dirtbag by Wheatus
I think this one is pretty self-explanatory. He's head over heels for you and this song plays during another montage of you two being silly goofy teenagers in love just running around giving everyone toothaches.
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This Love by Maroon 5
This song plays while subtly flirting with(read as obviously pining over) you. You are making him work for it of course and it just makes him more determined to make you his. It will play again at the end of the movie too when you guys are finally together and everyone who’s watching you guys love story(in the movie or not) can finally rest now that you two are together while listening to a fun song.
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Good Old-Fashioned Lover Boy by Queen
I can so picture this playing in a scene where you guys bond over having to do a task(like maybe cleaning a mess you two made) together as a new couple and you guys are just having the best time together being all in love and stuff. The sun is softly shining through a window and you clean, stealing kisses and flirting. It’s just such a cute scene.
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My Girl by the Temptations
You can’t convince me that this song isn’t playing in a scene where you guys are having the first dance at your wedding. OR (another) montage of you guys being back at his home as he shows you the beauty of it and while you fall in love with his home he falls harder for you.
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Ain’t no Mountain High Enough by Marvin Gaye and Tammi Terrell
I don’t know why my brain has decided that the outro for Azul’s heartfelt closing song of his heartwarming, emotional, fluff filled Romcom. My thoughts refuse to see otherwise. Like just imagine when you uys finally kiss for the first time and you just hear the mesmerizing voices of Marvin Gaye and Tammi Terrell are just transitioning you over to the end montage of the life you and Azul live together with part of the credits playing and the end is a heartfelt message about love pertaining to the movie and then the very last credits roll.
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Stand By Me by Ben E. King
Imagine the two of you dancing together confessing your feelings after being separated by your busy lives for years and after a reunion you two finally meet up and slowly what the two of you thought was just a crush forms into a beautiful love that he professes to you as you two dance in the moonlight. The atmosphere is romantic and his voice is mesmerizing; you two are just so in love.
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Lay All Your Love on Me by Abba; Mamma Mia Ver.
Is this because of the scene during this song? Absolutely! Bc now that I got it into my head it’s never going to leave, just think about it. You two are just elling each other that you want the other to give you their everything. Also I this upbeat song just feels somewhat right for Floyd(i could be wrong tho)
OR
Partners in Crime by Set it Off & Ash Castello
Just imagine the opening and closing song being this song because throughout the movie it’s about the two of you basically being Bonnie and Clyde, traveling across all of Twisted Wonderland causing crimes all by being crazy in love. Every hostage you’ve had to hold can always say one thing “They are mad for each other”. The song starts while we see you guys rob a bank and as the song says at the end the two of you are shot when cornered by the police whether you two die or not is dependent on whether the two of you get a sequel but who knows???
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Stupid in Love by MAX and HUH YUNJIN
Are you kidding me?? This would be you guys' theme song. Just imagine this song being about the two of you about to get married but everyone says you guys are rushing it but like WHO CARES?? You two are so in love it makes everyone sick. This plays during the wedding and at the end when whatever your main conflict is gets solved. Just imagine you two finally happy and at the end you two are looking over a beautiful sunset on magic carpet.
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LoveGame by Lady GaGa 
You guys are enemies to lovers and this is the song that plays during your rivalry montage. Let’s say your Kalim’s cousin doesn't trust him in the slightest and he finds you annoying, because if you keep trying to investigate it could affect him and his family so you two are constantly going toe to toe and the tension is so thick, a butcher would struggle to cut it. During the montage of you two being enemies in public but lovers in private because you guys finally sliced the tension but you don’t want to reveal anything yet. 
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A/N: I’m not 100% on all of these but it was fun to do so even if you guys don’t specifically say you want a part 2 i might js make it for fun but do interact and lmk, it motivates me even to get out more content!! All my love!!
Heartsabyul Masterlist
Savanaclaw Masterlist
Octavinelle Masterlist
Scarabia Masterlist
TWST Masterlist
Grand Masterlist
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homunculus-argument · 10 months
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Random worldbuilding from The Unfinished Book:
While there is no unified, clearly defined LGBT community, the people who would by our definition fall under that umbrella are heavily associated with religion. While the general cultural assumption is that everyone is at least a little bit bisexual - the idea that almost everyone hypothetically could encounter a woman so handsome or a man so beautiful that they'd go gay for them is aknowledged well enough to be a common theme in poetry and literature - being queer is more or less considered a way in which various gods "earmark" their own.
This is considered a matter beyond obvious - there are whole creation myths of how the gods who created the world grew annoyed about how all the humans they made were too busy having and raising their own children to properly focus on worshipping their gods or caring for society at large, so the gods saw fit to create people who would rather love their own sex, or not desire marriage or children at all, to ensure there are some whose hands and minds are free to focus more on the gods.
The Empire tolerates any and every religious practice that doesn't threaten the state, break other laws or cause public disturbance, so while there are some major gods whose temples are in almost every city, the pantheon of gods whose existence is aknowledged is essentially infinite. The churches, temple organisations and schools of various major gods, goddesses and ambiguous divine entities and their devoted priests and servants aren't simply there, but play a part in society and politics, as bankers, historians, librarians, curators, doctors and educators. Some run orphanages.
One big, major player in the field is the order of the Moon Goddess. They don't literally worship the moon, the moon is simply the symbol of the Goddess, whose realm is the perfect logic and structure of the universe, which cannot be touched or even properly comprehended by the fallible and imperfect human mind. Their philosophy is that there is no such thing as a question without an answer or a thing without purpose, and anything that appears so is simply beyond human grasp. While there are Moon Priestesses who aren't trans women, they are few and far between, and still less rare than trans women who aren't priestesses.
This is considered an example of how clear and logical the Moon Goddess is - the dysphoria of AMAB people is culturally regarded as them feeling a calling, a call that cannot be mistaken for anything else, a puzzle with one logical answer that they must personally find and embrace, which cannot be disputed by any mortal force, and can only be denied and repressed for so long by the Chosen Subject before they accept it. Becoming a Moon Priestess isn't an "I don't know what to do with my life so I might as well do this" choice in life, it was a choice that was made for you before you were born.
In the book, the protagonist encounters a trans man on his journey and they travel together for a while. After discovering the nature of how Terrel is, the protagonist isn't baffled by the idea that trans men exist at all - mainly he is unfathomably relieved that this small and boyish youth who drinks, gambles, fights, fucks and commits murder like a grown man is actually older than himself and not, like, thirteen - but astonished that Terrel isn't religious, and doesn't consider himself "chosen" by any god. He just is, and as far as he's concerned, the gods have nothing to do with it.
Also it suddenly makes a lot more sense that his name translates to "son of a hyena bitch", something that no woman would name her own child. He named himself, and his mother is a huge bitch.
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prettypiscesgal · 1 year
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Just call my name - Din Djarin
Summary: After Mando suffers a head injury, you’re quick to go help, even though he denies he needs it
Warnings: none
Listen while reading:
Ain’t no mountain high enough - Marvin Gaye, Tammi Terrell
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“Mando!” You shout, watching him lay on the ground, groaning in pain, his head was lolling back and forth as if trying to keep himself conscious.
He managed to take down the bounty, but not without taking a few blows. You watched as he collapsed on the floor once he completed the bounty. Now, you were sprinting towards him.
“Mando.” You say, collapsing on your knees beside him and shaking his shoulders. “Come on, time to get up. The kid has been whining for you.” You say, wrapping his arm around your shoulder and helping him up.
He groans as you bring him to his feet before he pushes away from you, “M’fine.” He gruffly replies, straightening himself out.
You scoff at him. He always just wants to seem so tough. You know he took a hard blow to the head, you only hope it’s not too bad. You don’t know how to treat it when you couldn’t take off his helmet. “Mando.. You’re stumbling around. Just let me help.”
“N-no, it’s fine.” He stutters out, stumbling towards the ship. “Just need to take a lil nap..”
He sounds drunk and you’re nervous. Why’d he always have to be so stubborn? “Mando, you’re not fine. And you can’t go to sleep, you could have a concussion.”
“Pfft. Concussion? Nuh-uh” You almost want to laugh at how he tipsy he sounds. He turns around to look at you, motioning to himself, “I’m in perfect condition.”
“Really?” You cross your arms, raising your eyebrows.
“Yes. Watch.” He does a couple spins, as if that is supposed to prove anything. Then, he begins to fall toward, catching himself as you reach out, ready to catch him.
He giggles to himself and now you’re really concerned. Tired of his antics, you grab his hand and drag him towards the ship. He stumbles messily behind you, trying to keep up as you drag him.
Stepping onto the ship, you throw him into a chair and go search through the medicine cabinet. The most you can do is find some pills for him to take. You hear a soft cooing and turn around to find Mando on his stomach, feet kicking in the air and he plays with the kid.
“Aww, you’re so cute aren’t you?” He whispers to the little child, rubbing his ears as it happily coos.
You smile to yourself, pulling Mando up by his cape and plopping him back into the chair. Him and the child both whine at the fact you have broken them apart.
“Okay, I found some medicine I need you to take. It’s our best option. Do you have any other injuries?” You asks, wanting know if there is something you can treat without breaking his creed.
“No, ma’am.” He replies, you can hear the smile in his voice and if makes you flush.
“I’ll leave you alone to take it then. Do not fall asleep.” You point a stern finger at him. He nods once in reply.
You pick up the child on your way out, glancing back one more time before climbing into the cockpit. You hear him mutter what sounded like, “Night, mesh’la.”
-
“Mando?” You call out. No response.
You curse as you climb down from the cockpit. You hope he isn’t asleep, but you know deep down he probably is. You just hope his helmet is still on.
You thank Maker when you find him passed out, helmet still on, but at least the medicine is gone. You smile softly, walking over and shaking him.
“Mando?” You whisper, “C’mon, time to get up.”
He groans, shaking his head in protest before turning to look at you. You give him a soft smile, thankful that he isn’t dead.
“How’re you feeling?” You ask.
“Better.” He grumbles, seeming like his old self again, “Sorry about..”
“Don’t worry about it. It’s quite funny to see the big bad Mandalorian giggling and spinning around.”
He lets out an embarrassed chuckle and you know if you could see his face he would be beet red. “Yeah..”
“I’ll go get you some water.” You say, starting to walk away before a hand grabs onto you.
“Thank you.” He says softly, the softest you’ve ever heard him say anything. Your whole face flushes at the sudden intimacy.
“You’re welcome, Mando.” You mutter back at him sheepishly, eyes trained on his helmet as if you could see his eyes from underneath it.
“Din.” He replies.
“Gesundheit.” You reply, turning to leave again and he chuckles.
“No. Din. That’s my name.” You turn back to him in shock.
“What?” You gasp, running back over to him as he stands up on wobbly knees.
“Mando, why would you tell me that?” You rush out nervously, “Is that breaking your creed-”
“Shh.” He replies, cutting you off as he holds your arms, trying to calm you down. “Don’t worry about it, mesh’la”
“You said that last night.”
“Said what?”
“Mesh’la.” You murmur, looking up at his helmet and seeing your reflection in it, “What does it mean?”
He goes silent, just staring down at you. The only sense you have that he hasn’t knocked out again is his hands, which are now brushing down your arm to hold your hands in his. You look down at the gesture with a blushing face.
“Beautiful.” He finally speaks and it catches you offguard.
“Huh?”
“It means beautiful.” He admits, bringing your hand up to his helmet and holding it against where his cheek would be, sighing as if he could feel the touch.
“Are you sure you’re not shitting me and it actually means dickwad or something?” You whisper and smile brightly when you’re met with a deep chuckle.
“I would never lie about something like that.” He whispers in reply and you feel your face heat up. “You’re a little red. You alright?”
You can hear the teasing in his voice and you roll your eyes at him, “Fuck you, Din.”
“Not what I expected to hear when you first said my name, but it still sounds so good coming from you.” He admits and you’re not sure you could get anymore red.
“You know, you should get a concussion more often. It makes you such a romantic.” You tease him and he laughs, bringing his forehead to rest against yours, the cool metal a harsh contrast against your burning skin.
“As long as you take care of me after.”
“You know I always will. Just call my name, Din.”
“I always will, Y/N.”
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titanelite22 · 4 months
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Look, if you don't like Mean Girls (2024) then that's fine, no one is holding you at gunpoint. However, the constant hate is seriously getting tiring. (TW For Body shaming, Eating Disorders For Point 2 Part A, Point 4 and the TLDR)
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1) The people who were groaning like Minecraft villagers in the cinema every time they would sing confused me. It was stated that it is a musical movie and it is based on the musical. Do y'all not look at what you're going to watch before you watch it? That's not the fault of the creators, that's your fault.
2) Some of y'all need to leave Reneé Rapp ALONE.
2A - The body shaming that she experienced when the trailers were released was seriously disgusting. Let's keep two things in mind when it comes to this topic:
• Reneé has openly said that when playing Regina for the musical, The costume designers would change the sizing of her clothing without her knowing, and she was constantly body shamed. This led to her developing an eating disorder.
• The body standards back in the '00s were unrealistic and toxic. Rachel McAdams, from what I can see, is a naturally skinny person who probably doesn't put on weight as easily as other people. Now, if she was to gain a bit of weight, she would indeed be called "plus sized" back then. A "plus sized" model on America's Next Top Model, for example, was a size 6... Yeah, exactly.
Beyoncé was called fat back when she was in Destiny's Child (She's spoken about it, and there are probably even articles), which is crazy because she was slim. Very slim. And remember Dreamgirls? She lost weight for that film too, using very unhealthy diets and she didn't need to.
2B - Y'all need to stop lying to yourselves and saying that Reneé isn't a good Regina George - You just prefer Rachel McAdams' Regina George. Reneé did amazingly and she has an amazing voice and one of the strongest vocal performances. Reneé has been playing Regina George for years for the musical. Rachel McAdams herself even gave Reneé her blessing, saying that she can "do no wrong" and that she can't wait to see her on screen. She even introduced Reneé on SNL. I feel like some of you are trying to live out your Mean Girl fantasies, and you need to get a slap back to reality.
2C - "Reneé Rapp needs media training". When I first saw this, I thought that she was saying some extremely offensive things. Then, what do I see? Her calling out bad service from a business... People do it all the time, why is it different when she does it? Is it because she's a celebrity? I didn't see a problem with what she said at all. Reneé also has a very random train of thought from what I can see (Terrell even points it out on his show), but it's never anything to cause outrage about. It's just things that make you go "Oh! Ok lol".
3) "Why is Janis a lesbian in the 2024 movie? Isn't the whole joke that she's Lebanese?". Let me start by saying that while the joke was implied, Regina did not that this was the reason. Regina said that Janis started to get "obsessed" with her when she started dating Kyle (And it was probably more like Regina was more focused on her boyfriend and not much on her best friend, hence Janis probably asking Regina to spend time with her and Regina finding it "weird" because she's so self-absorbed...) and so she assumed that Janis is a lesbian. If the whole Lesbian/Lebanese joke was clearer, they would've had Regina state that Janis told her that she's Lebanese (Lesbian).
Secondly, Just because Janis kisses a boy at the end of the film doesn't mean she's not a Lesbian. For starters, there are things in the Musical that are changed from the original movie, and the 2024 movie is based on the musical (and Janis doesn't speak to Kevin at all in the musical. Correct me if I'm wrong). On top of that, there are many who later on realise that the sexuality they believed themselves to be doesn't fit them. For example, Reneé was Bisexual before she realised that she was a Lesbian. She's dated guys, does that suddenly mean she's not a Lesbian? No... Now, stop complaining about Janis being a lesbian in the 2024 film 🥱
4) The complaints about lines being changed/songs being cut e.g. "I never weighed more than 115" to "That filter you use looks just like me". Reneé was bullied and body shamed during the musical, why do you think they changed that line? I've seen quite a few people like "It's not even that offensive" like hello? Let's use our brains!
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I do agree with the complaints about songs being cut (e.g. Meet The Plastics) and I do agree that Tina Fey's speech about girls respecting each other should've been added due to Tina Fey herself saying she wanted to reduce the amount of slut shaming in the musical. I feel like it would've added a lot of impact (I don't think the scene was in the musical. Once again, correct me if I'm wrong).
My Thoughts On The Film:
• It was visually pleasing in my opinion, the dance numbers were really nice, beautiful cinematography and I think the cast was well chosen
• I wish that they had chosen actors that could sing - Avantika did a good job as Karen, but her singing was lacking. Same thing with Angourie Rice. People may not think it's a big deal and fair enough, but I just think that it stands out when you have her in the same film with Reneé and Auli'i.
• The soundtrack was amazing, but I wasn't a fan of some rearrangements. However, I can understand why they may have done it with Stupid In Love.
• A lot of funny jokes, and it was fun to watch
TLDR;
• You're allowed to dislike it. However, the constant comparisons to the 2004 movie and the constant complaints about minor things is starting to get tiring. Like oh no, Janis is a lesbian? YAWN, move on !
• Stop bodyshaming Reneé. Y'all are genuinely nasty individuals for doing this and you'll be the same ones preaching about Mental health and being kind to people... I hope she doesn't listen to any of you assholes.
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nolita-fairytale · 1 year
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call sign: tennessee whiskey | rooster x fem!reader & hangman x phoenix | chapter two
summary: you and phoenix make plans to dinner on saturday, instead of going to the hard deck. (rooster x reader-heavy chapter)
warnings: enemies to lovers, slow burn, eventual smut, swearing, mentions of death, strong possibility of military inaccuracies, second person pov, no use of y/n,
wc: 5.2k
listen to: you're all i need - marvin gaye & tammi terrell | the playlist
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chapter one | masterlist | chapter three
“Will you slow down, Whiskey? Run’s over,” Phoenix says, trying to catch her breath as the two of you walk back up the beach. 
“Just trying to keep up with you,” you shoot back, slowing down your power-walk pace as you make your way up the beach. “So damn competitive.”
Nat had in fact set a blistering pace for your morning run, and now, you were on a roll, using every muscle fiber in your body to propel you uphill to your first cup of coffee. You can already tell that you’re going to be sore tomorrow. Why did you think it was a good idea to go on a beach run this morning? It was practically a hike just to get back and the two of you had your first meeting back on base at 0800 sharp. 
“And you’re not?” she quips, causing you to laugh. 
“No, you’re right,” you concede to her, making your way up the steps that lead off of the beach. 
There’s a coffee place across the beach entrance and it’s the first place you intend to go before heading back to the barracks to get changed. 
You and Nat order your coffees, taking them to go as you cooldown on your walk back to the barracks. The sun has just risen and it’s nice to have a moment to yourself before things get serious again. It became apparent on day one how high stakes this special mission is and you can tell that it’s already beginning to affect everyone. It’s only been a few days of grueling training and everyone’s already looking forward to having the weekend off. 
“So… I saw you and Rooster talking the other night at the Hard Deck,” Phoenix prods, changing the subject. 
“Not this again,” you groan, taking a sip of your latte in an attempt to breathe life back into your body. “You have anything to do with that?”
“You can’t blame me for being excited! I have been trying to get the two of you in the same room since we met in Bosnia,” she defends herself before continuing her explanation. 
“And somehow every time I do, you’re deployed, or he’s deployed, or you have a trip planned, and the only time he can come visit me is when you’re visiting your dad or blah blah blah. I mean, this is a freakin’ miracle!”
“What’s up, Phoenix? Why are you so intent on setting me up with this guy anyways?” you ask, stealing a glance in Nat’s direction. 
“Because!” she exclaims with an exasperated sigh. “You both are the best people I know and I think you have a lot in common. More than you know.” She chuckles to herself before continuing with:
“Plus I think in all the time I’ve known him, he’s had maybe one or two serious relationships? You know how this job is. I just-, I think he’s really ready to settle down and… I think you’d be good for him.”
Her response makes you chuckle, but you still feel hesitant.
“I don’t know, Nat,” you drag out. “It’s not like we’re here to date, though, perhaps the Navy should’ve thought twice before putting their best and brightest all in the same room together.” 
She laughs because some days it’s like the fuckin’ Olympics when most of these people are in tip top shape, tension and testosterone ramped up to 100, and single. How could it not be like the fuckin’ horny Olympics?
“This mission is… somethin’ else,” you continue. “I mean. No one on active duty’s pulled something off like this – not even Maverick. I’m not sure any of us can afford to get… distracted… right now. If we get selected for this mission-.”
“When we get selected for this mission,” she interjects, quick to correct you. 
“… I don’t know I can do my job if I’m up there just… thinking about him… and his porn ‘stache,” you giggle, completing your sentence. 
“Oh, so you’ve been thinking about it?” she’s quick to quip. 
“I never said that,” you defend yourself playfully. 
“Well, he’s been thinking about you,” she says in a sing-song voice, earning a funny look from you. 
She shrugs, waiting for you to take the bait, as you open your mouth to ask:
“Wh-, what’s that supposed to mean?”
“Nothin’,” she shrugs again, coyly. She’s satisfied with herself, because whether you want to or not, Bradley Bradshaw’s already distracted you. “He just made it a point to ask me if you were single yesterday, is all.”
“Huh,” you hum in response. 
You know she means well and you can’t fault her for her persistence. Over the last few days you’ve been around each other, you can see why she wants to set the two of you up. Rooster’s good looking, he seems kind, and he’s a phenomenal pilot – something that makes him even more attractive to you. In any other circumstance, you’d be all for it, but the parameters of the mission have had you on edge all week. 
“What?” Natasha presses you. 
“Nothing. It’s just funny because that first night at the Hard Deck-, he asked if me and Jake were a thing,” you admit, as the two of you get closer to the barracks. 
She lets out a dry laugh. 
“I don’t blame him!” she exclaims. “Who’d meet you… and then Hangman… and ever think you’d have enough in common to be friends! Not to mention the two of you are weirdly very affectionate – and I’d like to add – publicly.”
She follows it up with another fake vomit, earning a laugh from you. 
“Jake is family. It’s the Texan in us,” you shrug, defending you and Jake’s relationship lightly. 
“So…?” she asks, waiting to hear the end of this story. 
“What?” you ask back, as the two of you approach the barracks. 
“So did you tell him that or not!?” she pries, the curiosity killing her. 
“Yeah of course!” you exclaim with a laugh, before deciding to turn the tables on her. “Don’t worry, Phoenix. I told him Jake’s more your speed anyways.”
“You did what?!” she practically screeches, using her free hand to grab your forearm. Phoenix pulls you to a sudden halt, practically glaring you down in response to what you’ve just said. 
“I’m just kidding, jeez. Relax!” you cry out, holding your hand out. “But don’t think I don't notice the way he looks at you.”
She scoffs, “Bagman looks at anything that moves like that.”
“So you’ve noticed?” you shoot back. 
This is so payback. 
She groans, shoving you playfully. 
Was it that obvious?
Phoenix likes to think she’s quite good at squashing any kind of affectionate feeling she’s ever had for Hangman behind sarcasm and snarky jabs at the arrogant aviator. It never occurred to her that – suddenly feeling very self-conscious about it – that you may have noticed what’s been lying beneath it this whole time. 
Then again, you’ve known him the longest. 
And you know her so well. 
But she’d rather not talk about her and Jake right now, reminding herself that there is no her and Jake. 
Nat shifts her focus back to you. 
She’s not ready to give up just yet because there could be a you and Rooster and she spent most of last night before bed cooking up a plan. 
“Why don’t we go out this weekend? Maybe we skip the Hard Deck on Saturday… go to a nice place for dinner and get dressed up. Blow off some steam?” Phoenix suggests as she smoothly changes the subject. 
“Yeah, that sounds great, actually,” you agree, because it does sound great. “Should we make it a girls’ thing? I can invite Halo.”
“No!” Nat protests, immediately pulling back on the intensity so that you don’t catch on. “Nothing against Halo. But we haven’t really gotten to catch up much, one on one. Next time.”
You shoot her a funny look, mostly because she’s acting really strange right now. 
“Okay, you fuckin’ weirdo,” you tease, agreeing to her weekend plan. 
“Great! I’ll look up a cool spot and send you the details,” she squeals excitedly. 
What you don’t know is that Natasha Trace has no intention of showing up. 
*
You spend most of your Saturday resting. You grab breakfast with Halo, your WSO, before taking a solo walk along the beach. Everyone’s gotten a single for this three week stint at TOPGUN (a courtesy, you suspect) but living in a glorified college dorm room feels surreal.
It’s nice to get some recharge time, especially after such a long week. To say it’s been brutal would be an understatement: there’s the never-ending sets of 200 pushups, the fact that this uranium enrichment assignment seems to be a near-suicide mission, and the tense relationship Rooster seems to have with Maverick that’s impossible to ignore. 
Your phone buzzes as you walk back up the beach, heading back to your bunk for a quick nap. It’s a text from Phoenix – a link to a cute little Italian restaurant along the San Diego Bay. 
You’re quick to reply with a little humor. 
You: How romantic. 
Phoenix: Date night!! Lol. 
Phoenix: Rooster let me borrow the Bronco to run some errands so I’ll meet you there. Wanna take Uber there and I’ll drive us both home?
You: So I can drink more wine than you? Absolutely. 
Phoenix: Not everything is a competition, Whiskey. 
You: LOL. I didn’t mean it like that, but deal. 
Phoenix: 7 pm. Don’t be late 😘
Phoenix: And wear something cute. 
You laugh, because you know she hates it when you’re late. And you’re almost always running a little bit behind. 
You: Can’t wait to spend a night out of uniform.
You: And I’ll try my best. 
Phoenix: Think of it as a ‘who can get there earliest’ competition. 
You: ☠️
You spend the afternoon doing absolutely nothing before getting ready for dinner with Phoenix. You appreciate that she volunteered to drive because you’re ready to blow off some steam. You put on one of your favorite sundresses, something you brought along with you for after the mission. Your plan is to stay in Southern California for a week or so longer before you return to Lemoore. It helps to have a fancy friend with an investment banker husband and an extravagant summer home in Encinitas.
You can’t remember where they’re summering this season instead. A chateau in Provence? The Amalfi coast? Or was it Mallorca she’d mentioned over the phone a few weeks ago when you’d made this arrangement? Regardless, you’re just glad they let you use the place when they’re not there. 
And it seems as if Phoenix’s earlier challenge is working, as your Uber pulls up to the waterside Italian restaurant at exactly 7 pm. 
There’s a first time for everything, you think to yourself, knowing that Nat will be more-than-pleased that maybe your punctuality – often only reserved for work – is beginning to trickle over into your personal life. 
“Reservation for Trace,” you say to the host. 
“Right this way,” the host replies warmly. You follow the young man outside to a waterside table set for two. There’s a small tea candle lit in the middle of the table with a soundtrack to match the soft, beach vibes. 
You’re surprised to find that Nat hasn’t gotten here yet, especially since she made such a big deal about being on time. Your phone buzzes, and you have a text from Nat that reads:
Got caught up in errands. Running a few minutes late but be there soon!! 
You type back a quick:
All good. See you soon! 
You chuckle, shaking your head, because of course, the one time you’re on time she’s running late. Leaving your phone on the table for now, you look over the menu, picking out a bottle of wine for the two of you when the waitress comes by. 
Sure, it’s summertime, but you know Nat can’t stand white wine, so you settle on a bottle of chilled red that seems refreshing enough for a Southern California summer night. 
After the bottle of wine comes to the table, you glance down for the time, and when a few minutes turn into fifteen, you start to worry. 
Where the hell is she?
You grab your phone off the table this time with the intent to call Natasha. It’s then that the host reappears, ushering a tall, brunette man in your direction. You’d recognize him anywhere with his Hawaiian shirt open, layered over a white tee. That combined with his signature mustache and the aviators are practically his own version of a civilian uniform. 
What the hell was Bradley Bradshaw doing here?
He spots you, and you watch as he exchanges a few words of gratitude with the host, before making his way to your table. You stand up out of your chair, really fucking confused as he approaches. 
“Hey,” he says as he approaches, removing his aviators and tucking them into the neckline of his t-shirt. He shoots you a friendly smile, but you can tell that he’s just as confused as you are. 
“Hi,” you greet him. “What’re you doing here?”
“I’m supposed to be meeting Phoenix here for dinner. What’re you doing here?” he asks back, causing your jaw to drop. 
“Oh you’ve got to be kidding me,” you scoff, with a shake of your head. 
That conniving, scheming, little firebird 
“What?” you hear Bradley ask. 
“I-,” you start, letting out another amused laugh before taking a breath. “I was also supposed to meet Nat here for dinner, and it’s just now occurring to me that… she… never planned on showing up in the first place.”
“What do you-?” Bradley begins to ask, before realizing what you mean. “Oh shit.” He laughs too. “She parent trapped us.”
“I think so, yeah,” you nod in agreement, a half-apologetic smile on your face as you look at him. 
You both turn your attention to your phones as both of them go off, signaling a notification. 
It’s Phoenix. 
I love you both, but you’re so damn stubborn. Don’t hate me for what I had to do. 
You and Rooster share a look, exchanging a laugh between the two of you. 
“Wow. I can’t believe-, well, I can. But I can’t believe her!” you remark, still in disbelief that she managed to pull this one over on you. 
“Yeah this is… only a little embarrassing. She’s…” he sighs, looking out across the bay for a moment. 
“Something,” you complete his sentence. “So what do you want to do?”
Bradley focuses his attention back on you as he says, “Looks like you’ve already ordered a bottle of wine.” He pauses briefly to take the sight of you in. “And it’d be a shame to waste such a pretty dress, don’t you think?”
He’s not hiding the fact that he’s very obviously checking you out, and you can’t say that you don’t like it. 
“I was also really looking forward to having pasta tonight,” you add to the ‘reasons why we should stay and have this date’ list. 
“What do you say?” Rooster asks, gesturing towards the table with a hopeful look in his eyes.  
You pause for a moment, just to appreciate how handsome he is before saying: “Why the hell not?”
As you move to sit down, Rooster’s right by your side, pulling your chair out for you like the gentlemen his mother raised him to be. 
“Thank you,” you smile, feeling your heart skip a beat.
You put your phone back into your bag as Rooster returns to his side of the table, sitting down across from you. 
Okay. So this was happening. 
Damn, you think to yourself. 
Nat always finds a way to get what she wants. 
And you’re not sure whether you want to thank her or kill her later. 
But you push your thoughts about Nat’s little scheme away to focus on getting to know Bradley. You’re here now, so why not see if Nat’s been right this whole time about the two of you. 
You strategize with Rooster, choosing a few things that you can share together in order to try as many things that seem appealing to the two of you. You tell him about how you fell in love with Italian cooking when you were stationed for a year in Naples and he confesses that he doesn’t know all that much about wine even though he thinks he should. You tell him that Halo’s a sommelier and that you’ve learned a lot from her about it. He thinks you should all go on a wine tour sometime and you like that he wants to make future plans with you.
“So you’re at Lemoore, right?” he asks, in reference to which Naval Base you’re stationed at. 
“Yeah, and you?” you ask back 
“Oceana. Virginia Beach,” he replies. “But I just got back from a deployment overseas.”
While he tells you as much as he can about his last deployment (and he can’t tell you much) you can’t help noticing the song that plays in the background. You smile to yourself, hearing the comforting and familiar notes followed by:
“You’re all I need to get by…” 
“Oh, I love this song,” you groan in response to the Marvin Gaye duet. 
“Really?” Rooster asks, surprised by your reaction to one of his favorite motown hits. 
“Oh yeah,” you emphasize, your eyes lighting up as the song continues. 
Nat had always said that the two of you had a lot in common and Bradley begins to understand why. 
“I’m surprised you know this song,” he blurts out, immediately regretting the words that have flown out of his mouth. 
“What’s that supposed to mean?” you tease him flirtatiously. 
But it doesn’t throw him. He’s smooth as he plays it off, shrugging with a:
“I thought I was the only one left these days who listened to the classics.”
“Well, you’re not so!” you exclaim with a giggle. Now you’re intrigued. “I’m surprised you know this song.”
Then again, this is the man who had managed to rope an entire bar into singing “Great Balls of Fire” with him the other night. Maybe you shouldn’t be so surprised. 
“What can I say? I’ve got good taste,” he flirts back, eyeing you. 
Shit, Bradley thinks to himself. 
You’ve got great taste in music. 
You’re fucking gorgeous. 
And the silky slip dress you’re wearing has his imagination running wild. He can’t stop thinking about how flimsy the straps of the dress are, and how one of them somehow keeps managing to slip off your shoulder. His eyes follow your hand each time you reach up to pull the strap of your dress back over your shoulder, your fingertips gliding across your bare skin. It’s got him thinking about all kinds of things…
Bradley looks at you like he wants to devour you, and you’re trying your best not to let him do it, right at the table. 
You clear your throat, trying your best to focus on the fact that you were just talking about your favorite motown classics a second ago. 
“I don’t know where you got your great taste in music… but my dad owned a record store when I was growing up – well, he owns a record store now, but it’s a different one. He’s a musician too and he’s always felt really passionate about supporting Texas musicians on the up and up,” you share with him, explaining some of your most personal connections to music. 
“Actually, fun fact: he had both Gary Clark Jr. and Leon Bridges play at the store he had in Houston.”
“Yeah?” Bradley asks, encouraging you to share more. 
He could listen to you talk all day, especially about music. There’s something in the way your eyes light up that makes his heart flutter as he hangs on every single word. 
“Yeah. After my mom died he remarried and he and my step mom opened up a little record store / cafe in Austin after I left for the naval academy,” you continue. 
“I think that was the last thing he ever expected – me joining the military. I don’t think he and my step mom really got it at first, them both being artists and whatnot. I mean, Dad was like… a total hippie in his day. Protested the Vietnam War and everything. But it paid for college and they’ve come around.”
“Wow,” is all he says, marveling at you. “You are so much cooler than Hangman.”
You let out a loud, unexpected laugh in response to what he’s just said.
“What makes you say that?” you ask, in regards to the somewhat random connection.
“I just-, I didn’t know Texans could be cool,” he stammers out, earning another laugh from you. 
“Well. We are. Jake and I are also from very different parts of Texas. He’s a good ol’ Dallas boy,” you shrug. “Which is probably why he’s such a dick.”
Rooster chuckles, gazing out over the bay, before bringing his attention back to you. 
“You two have quite the rivalry,” you bring up, curiously. 
Rooster shrugs, “I guess.”
But he doesn’t want to talk about Hangman right now, and neither do you. 
“I uh, I’m sorry to hear though… about your mom,” he says quietly, catching you off guard. He knows exactly why he wants to hear you talk about that, but he’s not sure if he’s ready to share why yet. 
“Oh!” you gasp, a little caught off guard by his redirection. “That’s-, thanks. We lost her when I was really young. Car accident.”
He nods slowly, in understanding.
“I lost my dad when I was really young too,” he shares, empathetically. “Training exercise gone wrong.”
“He was also a pilot?” you ask, your voice soft. 
“Yeah, aviator in the Navy. It’s actually why I learned to play piano,” he continues. It’s also why he joined the navy too – despite what Maverick had done – but he’s not sure he’s ready to share that part yet. “Used to play all the time with my mom when I was a kid. Some of my earliest memories with him.”
“Oh I’m so sorry, Bradley,” you say, using his proper name. Using his call sign just doesn’t feel right for the intimacy of the moment. 
“Thank you,” he replies, his voice still quiet. 
Rooster thinks it may be too much: telling you about his dad and his mom in the same night. Besides, wasn’t this supposed to be a date?
He clears his throat, ready to change the subject as he dryly says, “Wow this is uh-, great first date conversation.”
“No I-,” you begin, reaching across the table to place the gentlest hand on his forearm. “I know it’s not the cheeriest topic but… I’m glad you told me.”
You wait a beat. 
“I-... I’m glad that I know that about you. And thanks. For listening to me.”
You share a smile with him as the two of you stare across the table at each other. You don’t move your hand just yet, because the warmth of his forearm underneath the palm of your hand feels too good. There’s an intimacy here that wasn’t there when the night started and you decide that you like it. 
“So your dad’s a musician. What about you?” he asks, changing the subject. 
“I dabbled a little with a whole lot: piano, guitar, and briefly explored playing the clarinet for about six months in high school. I’m good enough to get by, I guess? But… nothin’ like my old man. He still plays gigs in the little performance space at the record store,” you answer, happily. 
“If I recall correctly, you’re quite the piano player yourself,” you say, offering up another chance for him to share something with you. 
“Gives me something to do in the barracks if there’s one on base,” he replies, casually, as if the other night hadn’t been some of the best piano playing you’d heard in a long time. 
“And if there’s not?” you inquire, raising an eyebrow.
“I bring my own!” he declares, unapologetically. 
You laugh. 
You can picture it now: while the rest of his squadron is trying to sleep, he’s three floors below playing Jerry Lee Lewis at two in the morning on his BYO-electric keyboard. 
“Oh wow, your squadron must hate you,” you joke with him.
He chuckles at your sassy remark, “Tell me about it.”
You’ve got a fire inside of you that he really fucking likes. 
By the time your food comes, you’ve talked about everything: from your time at the naval academy and his at UVA, whatever the hell carbonic maceration means about the bottle of wine you ordered and how wine can be so pretentious, best to worst pizza toppings, ranked. You think you could sit here and talk to Rooster for hours. He’s charming – not in the way that Jake or any of the other suave southern playboys you grew up around are – but he’s sweet, genuine, and you really can’t get over the fact that you actually like the mustache on him. 
“Hi guys. No rush, but I just wanted to bring by your check,” the waitress says politely, as she comes by the table. 
The sun has completely set, the evening lit only by the lights from inside, the tiny tea candles on each table, and the gas lamps that line the patio. You really weren’t kidding when you called this place romantic. 
“Do you wanna split-,” you offer. 
“I got this,” Rooster insists, firmly. You watch as he takes care of the bill, handing his card back to the waiter. 
You watch the interaction carefully, looking from him to the waiter inquisitively. He seems more than eager to pick up the bill, so you let him. Maybe it’s the wine, or the fact that you’re really enjoying this night, that emboldens you to ask:
“So this was a date?”
Bradley smiles, a flush of pink running across his tanned cheekbones. 
“I think Phoenix made that clear,” he says. “And you know she’d kick my ass if I let you go dutch with me.”
You giggle, nodding in agreement, before shooting him a suspicious look. 
“Were you… in on this?” you drag out. 
“Would it matter if I was?” he asks back, something soft in his chocolate brown eyes. 
“No,” you shake your head, quick to reassure him. “This… is the best date I’ve been on in a long time.”
“For the record,” Rooster starts, leaning in towards you. “I wasn’t. This… was all Phoenix.”
He waits a beat before adding:
“But I kinda wish I had been.”
“Yeah?”
He smiles before admitting, “This is the best date I’ve been on in a while too.” 
You both decide to head back to the barracks, realizing that Phoenix had thought out every single piece of this. Now it made sense – why she asked you to Uber here when you had a perfectly good car. She really made sure neither of you could deny that this was a date. 
A really good date. 
You watch as Rooster leads you to his car, following you to the passenger side so that he can open the door for you. 
A true gentleman. 
Damn, he was already making this really fucking hard. All you want to do is let him peel off your slip dress and forget all about this special op. 
“Rooster, wait,” you say, turning so that your back is pressed up against the passenger door. 
“What’s up?” he asks, a hint of concern in his voice as he towers over you. 
He’s so close to you right now, and you can smell the remnants of the cologne he was wearing earlier. It wouldn’t be so bad if you just-. 
“I want to be honest with you,” you begin, so that you don’t do the thing that you really want to do. “This mission scares the shit out of me. And it thrills me. And… I really want to go.”
“Okay…” he trails off, only smiling a little because he finds you so damn cute when you get passionate.
“It’s just, normally, after a date like this, I’d definitely kiss you,” you continue boldly, earning a smile from him. “Amongst… other things. And I’d want to keep kissing you and I wouldn’t think twice about getting all kinds of wrapped up in whatever this is.” 
You pause, fighting all of your better instincts to just do it. 
“I just don’t know if-, if I can start something right now… and not get distracted and… I don’t know if either of us can afford to get distracted, especially in the face of something like this mission.”
You’re beginning to over explain yourself but it’s like you can’t help it as the words tumble out of your mouth. 
“I mean, it’s not like this is some regular deployment. Usually we’d have more than three weeks to pull off something this complex and this is something that no one has managed to do before and every day the hard deck drops and some does the time limit-. It’s not like I’m expecting you to wait around for me or anything but-.”
“Whiskey,” he cuts you off, the dumbest grin on his face as he does. 
“I understand,” Bradley says, taking a step towards you. 
“You do?” you ask, sounding much more surprised than you intended to. 
“Yes,” he smiles back at you, reaching up to tuck a strand of your hair behind your ear. Your heart flutters and you’re suddenly questioning why you can’t just kiss him now. 
“You’re right,” he agrees, his voice soft and sweet as he reassures you. “We can’t afford to get distracted. So we’ll wait. Till after the mission.”
“Really?” you ask. 
“Like I said before. This is the best date I’ve been on in a long time too,” he admits, earning another smile from you. 
“Maybe… we can get to know each other as friends over the next two weeks?” you suggest, hopefully. “Explore what else this could be after the mission.”
“I think that’s something I can agree to…” Bradley trails off, pausing before he adds, “... under two conditions.”
“Okay. Let’s hear ‘em,” you encourage with a giggle. 
“When this is all over… I’m taking you out on a second date,” he says, laying his first condition out on the table. 
“And the other one?” you ask curiously, tempted to just wrap your arms around him. 
“And the other one…. While I’d love to get to know you…” he leans in, dangerously close to you now before continuing with his second condition. 
“…Don’t think for a moment, sweetheart, that we’re just friends.”
The way he whispers the last part in your ear sends chills down your spine, and you have to bite back a moan as you feel his body press up against yours. 
You’re not sure how you’re still breathing as you whisper, “I think that’s something I can agree to.”
“Good,” he rasps, his lips ghosting over the shell of your ear. “Let’s get you home.” 
He pulls away from you, allowing you to step aside, so that he can open the passenger door for you. You climb into his Bronco, your heart racing from your conversation with Rooster. And in the spirit of condition number two, a few minutes into the drive, you tangle your fingers with his, and you hold his hand for the rest of the way home. 
Just so he knows that your intentions are anything but friendly too. 
The next two weeks can’t go by fast enough.
*
a/n: i swear i gave myself heart palpitations while writing this. *hyperventilates bc they're so damn cute wtf*
read: chapter three
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heroshifter · 5 months
Text
★ Music you can listen in your DR ★
(from 60's to 90's)
𓈒 ﹒ ☆ 𓂂 ˚ ☆ ꙳ * ࣭ ࣭
→ 60's ←
The Rolling stones (rock)
Pink floyd (rock)
The Mamas and the Papas (folk rock)
Marvin Gaye (R&B/soul)
Tammi Terrell (R&B/soul)
Louis Armstrong (jazz)
Beatles (rock/pop)
The Animals (rock/R&B/British blues)
Ben E. King (R&B)
Frank Sinatra (jazz)
→ 70's ←
The cure (rock)
T.rex (rock/ late 60's but their album were published in 70's so I put them here.)
Mott the Hoople (rock)
Slade (rock)
David Bowie (rock)
Queen (rock)
ABBA (pop)
Boney M. (Pop)
Eagles (rock)
Kiss (hard rock)
→ 80's ←
the Smiths (indie rock)
Radiohead (rock)
Black Tambourine (indie pop)
Sonic youth (alt rock)
Fugazi (punk)
Dead Kennedys (hardcore punk)
Bad brains (punk)
Eurythmics (pop punk)
Madonna (pop)
Guns and roses (rock)
→ 90's ←
Rage against the machine (rock, in fact it's more complex than that but it's rock)
Green day (punk)
Red Aunts (punk)
Nirvana (rock)
Audioslave (rock)
Limp Bizkit (metal)
Linkin park (alt rock/metal)
Slipknot (metal)
Fugees (Hip-hop)
Coolio (rap)
𓈒 ﹒ ☆ 𓂂 ˚ ☆ ꙳ * ࣭ ࣭
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