Navigating Teenage Heartbreak: Zharia Amel's "Toxic" Strikes a Chord

Introduction: In the vibrant world of teenage emotions, Zharia Amel brings a refreshing authenticity to her latest music video, "Toxic." This R&B sensation takes us on a journey of heartbreak and self-discovery, addressing the complexities of avoiding toxic relationships in the teenage landscape.

The Soundtrack of Teenage Resilience: "Toxic" explores the poignant narrative of a young girl navigating the pitfalls of a harmful relationship. Zharia's soulful voice harmonizes with the emotions of countless teenagers who have faced similar struggles. The melodic chorus, where she sings "We don't belong together," becomes an anthem for resilience and self-preservation.

Visual Storytelling: The music video beautifully complements the song's narrative. Zharia, accompanied by her friends, takes us through scenes of shopping, hanging out, and partying — all vibrant expressions of youthful exuberance. The video also features a captivating rooftop dance routine against the iconic backdrop of the L.A. Skyline, symbolizing the highs and lows of teenage emotions.

Dancing Through Heartbreak: The rooftop dance sequence becomes a powerful metaphor for Zharia's journey. As she and her friends move through choreography, the skyline behind them represents the vast expanse of emotions one experiences during heartbreak. It's a visual feast that captures the essence of the song — a blend of pain, resilience, and the pursuit of joy.

The Art of Avoidance: In "Toxic," Zharia showcases the art of avoiding toxic relationships. Instead of succumbing to the pain, she immerses herself in moments of joy with friends. The video sends a positive message to teenagers, emphasizing the importance of surrounding oneself with positivity during challenging times.

Zharia Amel: The Voice of Teenage Resilience: At a young age, Zharia Amel emerges as a voice for her generation. Her ability to translate complex emotions into a melodic journey is a testament to her artistry. "Toxic" not only explores the theme of heartbreak but also inspires resilience and the pursuit of happiness.

Conclusion: Zharia Amel's "Toxic" is more than a song; it's a relatable narrative that resonates with teenagers navigating the maze of relationships. Through vibrant visuals and soulful harmonies, Zharia paints a picture of heartbreak, resilience, and the strength that comes from avoiding toxic entanglements. In this anthem of teenage emotions, Zharia invites listeners to dance through the pain and emerge stronger on the other side.

Follow Zharia Amel on Instagram @zhariaamel

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The scene in the Barbie trailer when Barbie is skating around with Ken and asks "Why is everyone staring at me?"

THAT'S EXACTLY WHAT IT FEELS LIKE TO BE AN ADOLESCENT GIRL.

Living in Barbieland (childhood girlhood) but then suddenly you're all grown up in the real world subject to scrutiny and sexualisation (the guy slapping Barbie's ass) and feeling like existing is a crime?

Being forced by adult men into a box (which leads to the not like other girls syndrome) and exploring the 'real world' (being forced to grow up too quickly) while fighting the realisation that maybe the world sucks and being a woman is so difficult while hoping with all your heart that it's not always going to be this way.

Losing touch with the very things that made you happy because they're considered immature and girly? (The group of teens that said they hadn't played with Barbies since they were five.)

Older women telling you that you have to learn the truth about the world and that you can never have your old life back (Kate Mckinnon's Barbie) despite it being the only thing you yearn for, but also older women being a bright spot and support (the old woman on the bench) in the endless slough of life.

And this is just the trailer!!! I'm so excited for this movie I can't breathe, Greta Gerwig the woman that you are 😭

I had an idea for a one-off Rise episode plot and just wanted to quickly sketch up some visuals for it.

The plot goes as follows: Donnie attempts to invent a cloning machine and, due to some kind of science-y mishap, ends up cloning himself...a lot. But there's a catch to this - the clones aren't exact copies of Donnie, they each possess just ONE of the various facets of his personality (i.e. brainy, broody, sarcastic, passionate, dramatic, mischievous, etc.) and a small portion of his mystic powers. Don tries his darnedest to keep the whole situation under wraps while he searches for a way to fix it, but some of the more rambunctious Donnies quickly escape and begin stirring up trouble in the Lair, so it doesn't stay a secret for very long. To make matters worse - the real Donnie starts to slowly disappear (something having to do with his existence being divided among the Donnies or blahblahblah fake science explanation). So, while he and the scientist Donnies continue to look for a way to reverse the cloning effect, his brothers and Co. set to work gathering up all the other Donnies so they can put them back where they belong and keep Donnie Prime™ from vanishing.

Hilarity, wholesomeness (and some mild angst) ensues.

(Note: I meant to include April in that second-to-last image, but ran out of room. Just know that she, Splinter, and probably Casey Jr. are all there, as well.)

Lil Yachty 

Teenage Emotions

assorted turtles... this movie makes me want to go back to digital painting stuff

doodling teetles

And here are some close-ups (might put them on their own backgrounds one day, but it's 5 AM and I'm tired so):

87 donnie might have some issues since the last time he showed his van to inter-dimensional brothers they didnt exactly appreciate it

someone once pointed out that most donnies issues are that they need to be told they did a good job, who better to hear it from than yourself?

previous part | all comics in this series (chrono)

on the cruelness of fifteen

@/petrichara // the shape of a girl, joan macleod // @/cowboyvamplikeme // fifteen, taylor swift

hey, it's that rat and his daughter again!

✩ the gemini ✩ [ start ] [ prev ] [ next ]

Imagine little Leo having trouble sleeping so he ends up watching tv and movies with Splinter to pass the time. Splinter often just passes out in his chair, but Leo likes the company anyway.

One day, Leo’s rifling through the movies his dad brought back for them (usually 70s and 80s stuff - Splinter has a bias) and he gasps.

Leo runs over to Splinter and holds up a copy of The Last Unicorn, begging that they watch it that night.

Splinter remembers absolutely nothing about the movie, but hey it’s got a unicorn and it’s animated so it’s gotta be fine, right? So he turns the movie on and passes out near immediately.

He’s woken up roughly an hour and a half later by Leo climbing up onto his chair and sobbing hysterically into his chest.

The movie is now one of Leo’s favorites.

Moon 7: Teenagers don’t know proper communication skills.

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Grief is love’s souvenir. It’s our proof that we once loved. Grief is the receipt we wave in the air that says to the world: Look! Love was once mine. I love well. Here is my proof I paid the price.

— Glennon Doyle Melton, Love Warrior

A thought I had🧡🔥🐱

Old name with a fresh take. Mikey deserves a cat/dog friend in Rise too!!!

Bonus: Donnie is absolutely a bunny kind of guy

Prompt 198

Now Bruce was not expecting to reincarnate upon his death. At least he thinks he died, he’s pretty sure he did. There wasn’t any other reason for him to be a well, literal baby. Around two he thinks, which fits well with the fact that it’s around that time that babies start forming memory recall, if he, well, remembered correctly. 

But while he knew about reincarnation thanks to Shayera and Carter, he’d never exactly given it much thought towards himself. Because seriously, what were the chances of such a thing as him being given another chance? 

So he was quite surprised at his situation, experimentally opening and closing pudgy hands that looked well, just a tiny bit off. He’d never been that pale before, he thinks, even back when he never went outside like, ever. 

He turned his gaze towards the mobile above him with a sort of idle curiosity- a mixture of bats (ha) and other trinkets he wasn’t familiar with. It also caused him to get his first good look at his parent, asleep on a rocking chair right next to the crib. 

Huh. They had the same pale skin he did, albeit in the light it looked like it was slightly tinted blue, and while their hair was white they didn’t exactly look old. They looked surprisingly well rested for raising a toddler too, unless they had a nanny or something similar… He rolled over, managing to very shakily push himself to his feet with the help of the crib. 

Why was standing so hard as a toddler? And why did he have his memories of everything except how he had died anyway? 

His head whipped up from where they were staring at his feet when he heard a snort, finding his parent awake and standing. Somehow silently enough that he hadn’t noticed- or he was that easily distracted by the unfamiliar giddiness bursting in his chest. 

“Morning little bat,” his parent easily picked him up and held him while he inwardly sighed at the nickname. Of course his bat motif would follow him into this life. A low rumbling almost caused him to jump, his body relaxing before he could fully register the sound. The… purring? 

Oh. 

He wasn’t human this time around. 

after his defection and integration into the ragtag team of autobots, blitzwing gets to experience being a stupid irresponsible kid for the first time (with optimus exasperatedly responsible for him) imagine going from war crimes being your biggest worry to. ordinance laws.

he would be a lil shit about it and find it funny. because he finally has the freedom to say fuck authority