On the top of a ridge overlooking a vast open landscape, two vaguely cat-shaped figures sat.
The lighter-colored being gave a nervous chuckle, then asked, "Sorry, what was that?"
The tortoiseshell turned, the last remnants of the snakelike scales surrounding his yellow slitted eyes melting away to be replaced with russet fur. "I said, 'Well, that spoiled like a pile of crow-food.'" He repeated.
The cream-colored cat nodded. "Ah- yes, yes, it did, rather." He said, glancing away again and toward the two outlines in the distance, growing smaller by the minute.
"Bit of an overreaction if you ask me," the tortoiseshell contemplated aloud as the white-and-cream figure shifted his weight awkwardly from one paw to the other. "First offence and everything. I-" the yellow-eyed being stopped for a moment, then continued slowly, "I can't see what's so bad about hunting a mouse anyway."
"Well it must be bad..." the blue-eyed one began, then trailed off upon realizing he wasn't entirely sure of the other being's name.
"Cobra," the tortoishell said with a nod. He'd only recently chosen that name, but wasn't sure it entirely suited him.
"Cobra," the lighter cat continued after the clarification, "otherwise... you wouldn't have tempted them into it." He glanced away.
Cobra grimaced, replying, "Oh, they just said, 'Get up there and make some trouble.'" He wasn't entirely certain that the earth was, in terms of actual space, technically up from the Dark Forest, but it hadn't exactly gone well for him the last time he attempted to correct a higher authority, and he'd suspected it was wiser not to risk it a second time.
"Well, obviously. You're a Dark Forest warrior." The pale figure said with a sideways glance. "It's what you do."
Cobra decided it would be best to ignore that remark and instead stated, "Not very subtle of StarClan though. Your leader, I mean," he clarified. "Letting the creature run about and telling them not to touch it. I mean, if She really didn't want it to end up eaten, why not put it on top of a high mountain? Or on the moon?" He snorted. After that comment prompted no response from the fluffy being, he murmured, "Makes you wonder what StarClan's Leader's really planning."
"Best not to speculate," the other cat chimed in worriedly. "It's all part of Her plan. It's not for us to understand." With a glance in Cobra's direction, he added, "It's ineffable."
The tortoiseshell scrunched his brows. "Her plan's ineffable?" He asked with a frown.
"Exactly," the fluffier creature said with a flick of his ear. "It is beyond understanding and incapable of being put into words." He said, not noticing the way Cobra appeared to be inspecting him until the tortoiseshell made an observation that caused the pale cat to shrink back a bit.
"Didn't you have a flaming stick?"
"Er..." the lighter cat glanced away nervously.
"You did, it was flaming like anything! What happened to it?"
"Uh..." the pale one seemed incapable of forming anything other than one-syllable utterances, something the calico was beginning to find amusing.
"Lost it already, have you?" He asked with a raised brow.
"Gave it away," the light-colored one said in what was barely louder than a whisper.
"You what?" Cobra asked, yellow eyes widened and a hint of a smile playing on the edges of his mouth.
"I gave it away!" The cream one repeated with agitation. "There are vicious animals. It's going to be cold out there, and she's expecting already, and I said, 'Here you go, flaming stick. Don't thank me. And don't let the sun go down on you here.'" After a moment of watching the figures in the distance, he added worriedly, "I do hope I didn't do the wrong thing..."
The calico frowned. "Oh, you're a StarClan cat. I don't think you can do the wrong thing."
The paler cat's shoulders slumped with relief. "Oh- oh, thank you. It's been bothering me," he sighed, eyes suddenly darting to the figures in the distance, one with a flaming stick held in his jaw which he appeared to be threatening a wolf with.
"I've been worrying, too." Cobra said as he stared into the distance as the scene unfolded. "What if I did the right thing, with the whole 'catch the mouse business'? A Dark Forest warrior can get into a lot of trouble for doing the right thing..." he trailed off, glancing at the cream cat and stretching out a pair of dark wings from his body, wings which appeared to be made from pure shadow. As he did so, one of the cats in the distance stabbed the wolf through the throat with the flaming stick. The cream cat winced. "It'd be funny if we both got it wrong, eh?" The calico asked with a small smile. "If I did the good thing and you did the bad one."
They both chuckled, but the pale cat's laugh quickly turned and he pinned his ears back, quickly saying, "No! It wouldn't be funny at all!"
"Well..." Cobra murmured, looking away again. Suddenly, he felt a droplet of water hit the fur on his muzzle. As he began to look up, the cream cat sprouted wings made from starlight and stretched one above the darker one's head. They both sat in silence and stared at the figures in the distance growing ever smaller.
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@raytm sent a crow ;
⏰ something with shou’s dad !
𝑷𝒓𝒐𝒇𝒆𝒔𝒔𝒊𝒐𝒏𝒂𝒍𝒊𝒔𝒎 𝒂𝒏𝒅 𝒆𝒕𝒊𝒒𝒖𝒆𝒕𝒕𝒆 𝒘𝒆𝒓𝒆 𝒏𝒆𝒗𝒆𝒓 𝒚𝒐𝒖𝒓 𝒈𝒓𝒂𝒄𝒆 , necktie nearly suffocating your breath, it felt like a leash more than anything else, an invisible rope connecting your neck to the hands of forced obligations and fake roles. Usually, you could avoid gathering without a problem, you simply don't go, choosing to hide away in your room or in Fukuda's apartment. But things are different this time, not as easy, not when the meeting is in your own house, not when the party was alive right beneath your watching eyes. The second floor was somewhat calmer, the guests mostly crowding the first one more and more by the second, your arms rest upon polished marble railing, taking in the scene from above.
Everyone knows you, greetings and introduction were a painful duty, you bore too much a resemblance to the host to not be recognized. You don't know anyone except, of course, the host, the false king, the shithead with the tongue dripping of honeyed lies and promised power. Your father. He stands there surrounded by the adoring crowds, men and women well dressed for the occasion with greedy smiles and gleeful eyes and empty heads. Your father sure has way with words and people, that bastard, with how he managed to make all of those airheads believe that they'd get even a drop of benefit by joining him in his quest to " create a new world. "
What a laughing stock, fucking idiots, give it a few hours and whatever names were heard today would be erased from your father's mind the next day, only kept in tight contracts and signed papers that funneled whatever the hell Claw needed to grow. You can picture some of them getting recruited against their will or something, the ones with the psychic auras annoyingly clogging your senses, weak as they are, they might prove themselves useful. The rest, however, you just know terrible things await them, there was even the possibility of getting murdered, you scowl at their unpleasant gathering, you sure hope the majority get killed.
❝ Shou-kun, ❞ you don't respond, they don't intend on hearing you out anyway. ❝ Suzuki-san expects you down in the next 10 minutes. He says that your presence at the meeting is important. ❞
You want to do something, cause something, something stirs inside of you and it's growing and hurting and dangerous. You wonder what a hall full of terrified shrieking would sound like, you wonder who would be the victim, the guy who shook your hand earlier with bloodlust in his eyes, or the woman who whispered something about using telekinesis to get rid of witnesses of a crime. You wonder if anyone would try to stop you, but you just know that you'd end up with selfish cowards running away for their lives.
You can teach them a lesson, you can be terrifying and unforgiving and righteous. You can hurt them. Every single one of them is guilty of this hell arising, and every single one of them deserves to get hurt.
Your father's gaze meets yours from downstairs, and whatever moved inside of you was instantly slayed by the sharpness of those eyes so similar to yours. You move right away, not wasting a second in staring back.
They deserve a lot of things, you can do a lot of things, but it doesn't change what you are, just a cowardly thing bleeding on the inside.
You stand motionless in front of large doors, your father right besides you, his aura hidden so well that you can't even sense his presence and it aggregates you so much you simply want to curse him right then and there for everything he is putting you through and for everything he has ever done. He walks in before you do, you take off the necktie with so much force it almost hurts, the material burns in your hands thanks to pyrokinesis and disappears into thin air before you enter to greet yet another group of fools.
You, too, are a fool in your own way. You just refuse to accept it, you can't live with such knowledge.
❝ My son, ❞ Your father announces to wide windows and golden lights and conceited men surrounding the gleaming meeting table, his hands rest upon your shoulders, too close for your liking. You don't look at anything ahead, taking interest in the sickening white tiles beneath your feet. ❝ An esper. ❞
Only then you decide, if you can give them a taste of what awaits, then you won't miss such a chance. You look up with a level to your head, and a smile helps you to bare your teeth. The force of your aura spreads across the room, pressing on the air and making it hard to inhale, your father wouldn't notice, and if he does, you can't give a shit, it's not like a little fun would ruin everything for him. Even if you foolishly wish from the bottom of your beaten heart that it just would.
---
Proud hands on your shoulders, a threatening smile to your lips.
You set beside the marble railing. The house is empty and dark just as it's large and deserted. The months killed the parties and the gatherings and Claw and everything that had to do with it. You're free of professional leashes and stupid obligations, yet you wonder if something inside of you got killed along everything else.
Proud hands on your shoulders, the same hands around your throat.
You wonder how long you will keep on bleeding for all the things you can do.
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Hi! I hope you’re doing good in life! So it’s spooky season so I have an ask related to that. I don’t know if you play horror video games, watch horror movies/shows, or read horror books, but if you do, I have to ask: What is the most disturbing book, or video game or show/movie that you’ve played/watched/read? In my opinion, there is two types of horror: the ones that scare you, and the ones that traumatize you. If you can think of any book, movie, or game that really kind of fucked you up, I’m curious to know if you feel like answering. I hope you have a good day and a good life.
Hey, I’m doing good and I hope you are too!
the answer ended up being really long lol
Woof, this is honestly a pretty hard question, since I can't really name any horror (or otherwise) media that actually left me kind of fucked up for a bit, at least not to the degree where it affected me for a while. I probably haven't been really fucked up by anything since I was a kid, so I'll try and recall what a few things fucked me up back then...
Off the top of my head I know that two different spongebob episodes got me bad, the first being one with that tunnel of love thing (tho tbh i havent seen it in a while so it might still spook me today) and the one where i'm pretty sure for whatever reason squidward gets locked in some small locker and has some kind of fucked up dream, whatever that was. I remember there was an eagle in that one. the eagle terrified me. (i looked them up, and the first episode is titled 'tunnel of glove' and the second is 'squidward in clarinetland'. with how badly that second one got to me, i'm surprised i ended up learning to play the clarinet at all)
other than that, i think the courage the cowardly dog episode 'the house of discontent' got me pretty bad, too, but i think everyone who saw any amount of that series as a kid has at least one episode that got them fucked up.
there's probably a handful of scooby-doo stuff that got to me when i was a kid, but i could not name any specifics (asides from charlie the robot's original episode, christ) because i think i managed to see just about every bit of available scooby media around that time.
nowadays stuff still does kinda fuck me up, but it's usually only for brief bits of time. the most recent example I can think of is cowboy bebop's 20's episode, pierrot le fou, which is honestly some great horror, especially how it uses the show's typical format and flips it on it's head, but i wouldn't necessarily say it got to me because of it being scary, more because of the way the ending disturbed me for a bit. it was the only episode that had me stop afterwards and really look into it for anything other than clarifying a character's gender, lol.
the endings of both neon genesis evangelion and end of evangelion had me shaken, the latter more so than the former, but not really due to horror aspects, though. i did have to take a walk after finishing end of evangelion. i don't really watch horror movies, i just... read the wikipedia plot descriptions of them.
honestly, i think some of the more popular youtube analogue horror series have gotten to me worse (likely due to the fact that they can get a bit more fucked up than, say, a tv show or movie), specifically the walten files (which i did watch) and the mandela catalogue (which i just watched wendigoon's vids on), and those two and mostly because facial distortion is generally just an incredibly effective form of horror imo. a lot of the time (esp with the childhood examples) the way i was 'fucked up' was that id be in be visualizing the stuff that scared me, and both the mandela catalogue and the walten files had me doing that for a bit.
now that i remember it, i was really scared of fnaf when it first came out. i first learned of it second-hand from seeing some other kids looking into it, and the bits and pieces i put together about it really scared me.
honestly, it's usually straight-up disturbing sequences or imagery that gets to me the most, and i know my limits well enough to generally identify and avoid that stuff, which is probably why i don't have too many recent examples. i've got one or two examples of non-horror movies that fucked me up as a kid, but that's mostly because they were wildly inappropriate for someone of my age (at the time) to be witnessing, so that's a different sort of topic.
i mean, i think i generally have a decent tolerance for fucked up stuff in media, anyways, i mean, i enjoy berserk and haven't really been too upset or disturbed by what happens in it (look theres some nasty shit in there im not saying its not that bad) so there's definitionally some kind of line that media needs to cross to really get to me nowadays, or it just needs to be a specific kind of fucked up. books generally don't do that for me so i don't have any book examples. no games, either, though shadow mario and the haunted house segments in super mario 3d world scared me so much that i had to make my mom do the levels for me, and i'm pretty sure scooby doo: first frights scared me a bit when i first played it on ds.
other than that, though, I just think that, in pokemon x, the story that an npc tells you during your first trip to route 14 and then the strange office building encounter with the animation-less hex maniac creeped me out pretty bad.
yeah, it's kind of hard for me to think of anything (recent) that actually really fucked me up or anything. most stuff just scared me, never really fucked me up or figuratively traumatized me in recent years.
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Based Anon here!! I can't stop thinking about what we talked about Mike's character arc right now and I was also thinking about the juiciness of him having a Vecna vision to unravel his hidden character's arc. So, I have a kinda ambitious request to make: Could you describe the sequence or the elements Mike's (perfect) vecna vision must contain, please?
BASED ANON WITH THE BASED QUESTIONS!!!! this has been in my inbox for such a long time and i am SO sorry. i was originally gonna answer this with a huge breakdown of the overkill trance songs but i could never get the little details to fit quite right and i feel i covered most of the actual implications in the original post anyway and i don’t wanna start putting all my eggs in one basket so! there’s only one moment i’m gonna be talking about here that pulls straight from the overkill songs because i genuinely think it would be a fantastic ending to mike’s trance
let me say first that i’m coming at this from the perspective that mike will be in this trance for the two year time skip, giving us plenty of time to go through a lot of his fears and insecurities. we need the time to really understand everything that’s been withheld from us and that goes beyond just mike’s feelings for will and fear of being outted. so, below the cut, i’m gonna get into dustin, lucas, nancy, his parents, max, el, will, and then my ideal final scene. i don’t necessarily think the trance explorations will appear in that order (besides the ending) but that’s how i feel like talking about it
Mike’s relationships with each of these characters goes farther beyond the aspect I’m assigning them, however I don’t think we’ll have time to dive into every little detail of every relationship. I’m taking the most prominent thing from each dynamic and showing how it leads to their role in Mike’s trance.
ALSO Max isn’t here because I don’t think she’s going to be in his trance as an illusion, and getting into that deserves a whole other post lmao
Dustin; Loneliness
Okay, starting with Dustin. How does Dustin fit into Mike’s trance? This is something I plan on doing a very deep dive with once I finish the post about Mike’s self destruction, but I actually think Mike and Dustin will inevitably end up fighting about Eddie in S5. They could support each other, but narratively, Mike needs to feel like he’s also lost Dustin in order to push him to the final scene.
I have a feeling Mike is gonna be very reluctant to believe Eddie is actually dead despite Dustin’s insistence. Mike has suffered the most loss of actual people in the show right next to Joyce. He thought Will died, he thought El died, he thought Hopper died (yes Hopper is important to Mike’s story and he cares about him and their dynamic is a whole thing). Every single person Mike has cared for, loved, who died, eventually came back. Nobody is ever really dead in Mike’s world. He’s seen other people die, he’s seen them stay dead, but it’s never the people he cares about the most.
Alongside that, Mike is a character with a lot of hope. He’s stubborn and he almost never gives up with ease. If there’s a solution, he’s not gonna stop until he finds it. Even if Dustin saw Eddie die, Mike isn’t gonna stop hoping. They saw Will’s body, they saw El die, and Joyce first hand reported Hopper’s death and they all came back. He’s not gonna believe Eddie died just like that, not anymore.
This is something that I talk about in the “Vanishing of Mike Wheeler” post, where Mike follows Eddie’s voice into the hands of a waiting Henry, and I think this heavily plays into that. Mike desperately needs Eddie to be alive, not just because he’s a good friend, but Eddie was sort of a beacon of hope to Mike in the sense that he proved queer boys could thrive. If Eddie really is dead, what does that mean for Mike? He’s alone again. Even more so after having his romantic hope stomped on at the end of the season, once Will unintentionally revoked that belief of required feelings Mike had.
This is a lot of Eddie, but it all ties back to Dustin and Mike fighting over it. Dustin held Eddie in his arms as the life drained from his eyes, he’s gonna be pissed if Mike tries to make him think it wasn’t real. Dustin knows Eddie is dead. Dustin has always been able to believe Mike more easily than other people, they’ve grown especially close between S3 and S4, but Eddie died in Dustin’s arms. Mike is gonna refute Eddie’s death and it’s not gonna go over well with Dustin.
Losing the one friend he feels like he still has, who he can still be close with, is going to be coming back in Mike’s trance. Mike’s biggest fear has always been about losing the people he loves. Right now, Dustin is the only person Mike hasn’t lost in one way or another. When Mike pushes too far and loses Dustin too, that’ll be the straw that breaks the camel’s back.
Dustin is gonna be significant in Mike’s trance as a sort of staple that he really is alone. Dustin never gave up on him and yet he still ended up losing him. Everybody leaves Mike eventually, because no matter what Mike will never be good enough for the people he loves. He’s not even scraping by as good anymore. Dustin’s gonna hammer that insecurity in, making him truly believe he is completely, utterly alone.
Lucas; Normalcy
Lucas’ role is actually gonna be huge I think. A lot of Mike’s arc specifically regarding his sexuality outside of Will and El falls into Lucas’ hands because Lucas is representative of everything Mike wishes he were. Lucas is very similar to Mike (even if he doesn’t see these traits in himself); they’re both loyal, kind, stubborn, brave, etc. but Lucas is still what Mike strives for and we see that a lot in S3.
Even more so than just sexuality, because that was most of Mike’s attempt at normalcy in S3, we see Mike wanting to be like Lucas in other ways in S4. There’s a massive conflict between the two of them that runs deep, but during the cafeteria scene we see a sports book on the table, specifically one about how to become an athlete. This couldn’t be Lucas’ because he’s not eating with them. It’s pretty clear that none of the original Hellfire members are interested in any kind of sport, which only leaves Dustin and Mike. Why the hell would Dustin be reading about becoming an athlete? There’s no service to his character in that and there’s no previous indication of him wanting to play sports.
The book is Mike’s. Mike expresses his frustration with Lucas for joining the basketball team and choosing the championship game over Hellfire, yet we still see him showing some form of longing for the things Lucas has. By S4, Mike has accepted his sexuality and that he cannot change it (even if he has conflicted feelings about it) and that is heavily intertwined to him returning to being a freak by joining Hellfire, but Mike still thinks about what it would be like to be like Lucas. Mike finds light in Hellfire, a place where he can be unashamed of his passion for DND and where he doesn’t have to repress his sexuality (thank Eddie for that one). Part of him, however, still searches in the dark. There’s a temptation to return to that darkness, the one he hid in during S3, and that temptation comes from seeing Lucas manage to find light in the things that are nothing but darkness for Mike. I think Mike sometimes wonders if he can find light in that darkness, too. I think Mike gets kept up at night wondering if he had just kept pushing, kept trying to be normal, if he would have ended up like Lucas somehow. I think he wonders if there’s an even brighter light that he’ll only find by suffering through the darkness first.
Mike doesn’t understand that Lucas was never really doing all the basketball and popularity stuff because it made him happy, but rather out of necessity. Mike and Lucas’ worlds are both incredibly different, but neither sees that about the other. That’s part of what brings about their conflict. If Mike went the way Lucas did, things wouldn’t have ended well. They didn’t end well for Lucas. Lucas’ arc ends with him learning that he never wanted to be like the people he was surrounding himself with. Mike, however, is completely unaware of all this. Mike and Lucas have barely spoken since their fight, where Lucas was still fully on board with being normal — that being normal was better for all of them than being nerds and freaks. Mike doesn’t know anything about what happened with the basketball team. What happened with Jason. To Mike, Lucas is still the peak example of success through normalcy.
Part of Mike still wants to be normal. Mike needed Hellfire, desperately so, but it wasn’t enough. Mike had a space to start being himself, but Hellfire wasn’t a place for Mike. It was a place for freaks, nothing more and nothing less. Eddie didn’t open his arms to Mike on account of Mike being himself, but rather another freak in need of a place to be a bit of a freak. Hellfire successfully gave Mike a place to play DND and start accepting his sexuality (both heavily involved in his arc with Will) but Mike’s internal conflict doesn’t start nor end with who he’s attracted to. Mike has a huge problem in believing he, himself, is good enough. Hellfire gave Mike a place to accept his freakishness, but Mike is more than just a freak. Hellfire isn’t enough. There’s still something missing for Mike, and it’s something Hellfire can’t solve.
Lucas plays into Mike’s trance by being the epitome of everything Mike wishes he were. Lucas has everything Mike feels he lacks, especially in S4. If Mike were normal, if Mike weren’t gay and if he were a better person, maybe he could’ve been like Lucas.
Most likely, I think we’re gonna get some kind of scene where Lucas rejects Mike for his sexuality. He rejects Mike for not being normal, for not being good at sports and for liking boys and for being weak. Mike feels like he’s nothing special at all, and Lucas is only gonna serve to rub it in that Mike is right.
His Parents; Shame Over Emotions
This one is a little self explanatory, to be honest. Karen and Ted have set a lot of expectations for Mike that are more or less impossible to meet. They have set him up with the expectation of perfect emotional independence and control from a young age and they’re often very critical of a lot of his behavior.
Ted has never been there for any of his kids. He’s never even bothered to try. All he adds to Mike’s life is disapproval and critique. Unless Mike is doing something Ted doesn’t like, Ted is totally absent in anything beyond being a money maker. He’s always nitpicking Mike’s emotions. He’s not supposed to care so much about Will in S1, he’s not supposed to react so strongly to everything that happened and act out in S2 (Ted literally implies he should be getting kicked out for this with the whole “if it was my coach, you would be getting kicked off the team” thing), he gets no critique in S3, and he’s judged by Ted in S4 for his passion for DND. The only thing he’s ever seemed to approve of is Mike having a girlfriend. Otherwise, he’s just constantly telling Mike to be less emotional about everything. He’s setting the expectation of emotional control and apathy, just like Ted himself.
Karen, on the other hand, sets a certain expects of emotional independence. The best example of this is when she tells Ted to wait for Mike to come to them after Will’s body is found. Karen does offer support sometimes, through things like open arms and offering to get Mike any movie he wants when he’s supposedly too sad to go to school. The times she chooses to support him, though, set an expectation; he’s only meant to lean on others when he’s at his absolute worst. Even then, Mike is never allowed to open up about what he’s feeling. Karen offers minimal comfort to fulfill her need to be a good parent but it doesn’t let Mike feel as though he can reach out to other people. He’s expected to reach out to others, but when he does we don’t see any real depth to those conversations (except for with Will). Mike is expected to be mature and independent enough to be the one to reach out at twelve years old. He’s expected to be able to handle himself entirely when he’s not hitting rock bottom, and then Karen expects him to reach out when he does despite never really giving him good reason to do so.
Karen and Ted don’t set many surface level expectations with Mike. They aren’t involved enough in his life to really care about whether or not he plays sports or gets good grades. They do, however, expect Mike to be able to fill in the emotional void they’ve left entirely on his own. They expect him to be able to function entirely on his own and have perfect emotional intelligence. Ted encourages him to be apathetic, but Mike is anything but. He’s filled with love and care and anger and grief but he’s expected not to feel any of it at all. Karen doesn’t help by only supporting him when he’s at his lowest of lows.
In his trance, I wouldn’t be shocked if his memories switched to his parents after something incredibly emotional where they’d treat him as though he’s overreacting to it all. It’d really be a great way to showcase how Mike is very rarely allowed to express his emotions as they truly are, and we see him reign himself back several times throughout the show when he realizes he’s putting too much care into something and people are getting frustrated with him for it. It explains why he suddenly seems apathetic when the reality is that he cares so much that he gets shamed for it.
El; Lies
This one doesn’t need a ton of explanation. One of Mike’s core values established in the very first episodes of the show is that friends shouldn’t lie to each other. He holds himself and people around him to that same standard for a long time, and we see people adopt it and hold themselves to it too through the party, but especially El and Will.
His entire relationship with El has forced him to lie. Initially, he hadn’t been lying because he did want to be in a relationship with El as he hoped it would fix him (though we do see him use small lies to get out of hanging out with El without blowing his straight boy act). By the time the ending of S3 comes around, Mike has realized that his feelings for boys, for Will, can’t change no matter how hard he tries to fix himself. El kissed him, but they had been broken up for four months and in that time Mike had grieved the loss of Will (again) and met Eddie. Mike’s accepted his sexuality, but that doesn’t mean he’s ready to be open about it. At that point, he may not even like it (though by the start of S4 he does seem to be letting himself indulge in his attraction to guys beyond Will). He’s not ready to come out, and in his mind there’s no way to easily explain to El why he doesn’t want to be together without losing her entirely. So he goes with it. He starts lying.
Mike’s relationship with El after the S3 ending is a huge culmination of Mike conflicting with himself about lying. Contrary to his actions, he actually doesn’t like lying. He doesn’t want to lie to El, but also it’s impossible to be on this relationship with her without doing so. For so long he’s been lying to one of the people he cares about the most, and by the time he gets tranced El will most likely have broken up with him, revealing that his lies throughout all of this were for nothing and he’ll feel like he lost her anyway.
Mike feels plenty of guilt about lying. Even more so, he still wasn’t good enough even when he lied. Even doing the thing he hates he isn’t good enough. In the end, no matter how hard he tried to be enough for El, be the boy she wanted, he couldn’t do it. Lying caused him to lose El. He’s never good enough.
Nancy; Being Unloved
Nancy Wheeler… I have such a love/hate relationship with her specifically because of this.
Nancy is being given emphasis through her lack of presence in many ways. Over the course of the seasons, Nancy has grown more and more distant from Mike and Mike no longer feels cared about by her the way he used to. This post shows how S4 really hammers that fact in. Her lack of any sort of displayed care towards him throughout all of S4 is incredibly important and also a huge contrast to her behavior in S1.
Do I think Nancy cares about Mike? Of course I do. She does care about him. That doesn’t mean Mike feels as though she does, and that doesn’t mean she’s showing him she cares. Like at all. Every interaction they had in S4 showed Nancy as somehow annoyed or making fun of him. She was frustrated when he wasn’t dressed, seethed at Mike suggesting she join them for DND, and talked about how Mike’s room has looked worse than Hopper’s cabin. Mike doesn’t see her reaction to her vision and she gives him no indication of being worried about him upon his return. We have no reason to believe their relationship is anything different outside of what we’re being shown, and we’ve seen their relationship devolve with each season. This behavior in S4 isn’t even that new! Nancy was only barely more considerate towards him in S3.
Nancy, more than anyone else, is being shown as the absence in Mike’s life. She is missing from those core reconciliation scenes. Nancy’s love is absent in Mike’s life entirely at this point and she’s only shown to express negative feelings towards him (when he’s around).
This really isn’t hard to tie into Mike’s trance.
Everything I’ve been talking about this far contributes to this fear that Mike just… doesn’t deserve to be loved. There’s so many things he feels are wrong with him, so many things he’s destroyed. It’s an easy recipe to believe he doesn’t deserve to be loved. That people can see all the things he hates about himself and hate him for it too. Nancy is the peak example of this in S4. We don’t see any love or care expressed towards Mike that he’s made aware of and he only witnesses her frustration or the way she points out his inability to keep his room clean. Nancy used to dress up for his campaigns but now she seethes at Mike even asking her to join. Nancy used to make sure Mike was ok, even chaperoned his middle school dance, and now she doesn’t acknowledge him after he’s been missing for a week even though she was clearly worried about Jonathan. Sometime between the start of all this and now, it’s not hard to believe that Mike thinks his sister has grown to hate him no matter how far from the truth that is. Nancy doesn’t show care like she used to, and Mike is going to blame himself for that.
Will
Now, I find it nearly impossible to assign Will a role in revealing a specific part of Mike that’s been hidden from us. He’s his own category! So much of what has been hidden from us has been about Mike’s feelings for Will specifically.
There’s so many things that could happen with Mike’s feelings for Will, so I wouldn’t be surprised if Will came up as a topic multiple times and we were just given insight into things we weren’t before. Things like missing reactions throughout the show will come in to fill the gaps. We’ll probably get some sort of false confession from Will turned dark, or Will confronting Mike and telling him that he’d never feel the same for someone who’s hurt him so much.
What the trance serves to do is give us perspective on why Mike acts the way he does and give us the missing pieces, but pretty much every season except S3 has had Mike’s plot almost entirely revolves around Will. There is so much missing perspective from Mike’s relationship with Will because we have seen infinitely more of their dynamic without any of Mike’s perspective and because Will plays such a huge role in Mike’s storylines.
Will, on his own, is one of Mike’s greatest strengths and his greatest weaknesses. Everything that I’ve listed so far is something that plays heavily into Mike’s relationship with Will. Those pieces that are being given to us through other characters are filling in Mike’s story, and a ton of Mike’s story is about or includes Will, much more than any other character. When we get Will playing into Mike’s trance, it’ll probably mostly be the things we expect to see. All these missing pieces are gonna be used to fill in Mike’s story with Will in one way or another, so all these fears and insecurities I’ve listed will probably somehow end up getting looped back to Will. Will is vital to every aspect of Mike’s trance. I can’t categorize Will and give an accurate idea of what’ll happen because he’s gonna be everywhere. He’s built into every aspect of Mike’s being, therefore he’s built into the trance’s core.
Final Scene
Okay, so this past does come from the Overkill album and I discuss evidence in that original post, so here’s just a description of what my ideal final scene for Mike’s trance would be.
He’s back at the cliff. He’s spent the last unknown but ungodly long stretch of time completely alone being taunted and more or less psychologically tortured. He’s tried to wait for the music from his friends to save him, but it never came. He’s been left behind and he understands why, seeing as what all these depictions have been confirming for him. So he’s back at the cliff, ready to finally give up. Nobody is coming for him. Nobody is here to tell him to jump or make him stop. This is entirely his own choice, his own want to just let it end.
The toes of his shoes are barely over the very edge of the cliff when music starts echoing from all around him and a portal finally, finally opens. His friends are waiting for him on the other side, holding off Henry. They’re finally here. At this point, though, Mike isn’t even sure if it’s worth going back. He’s at this cliff for a reason. It’s been hammered in over and over why he deserves this. He almost wants this, wants to finally be free from it all.
His friends are screaming his name on the other side and he can’t move. God, he misses his friends. He misses Dustin and Lucas and El and he misses his family and he misses Will. After all of this, though, he doesn’t think he deserves to go back. But they’re calling for him. They want him to come home. They didn’t forget him, they came back.
Mike turns and runs towards the portal, choosing for himself to live. Right now, he’s choosing to live and come back to everyone. They came for him. It’s unbelievable, but they came for him.
This isn’t necessarily a resolution to Mike’s suicidiality more than it’s reinforcing that Mike is very suicidal, that he would jump off that cliff Dustin or no Dustin. He does have a reason to live, and it’s for the people he loves. In that same vein, he’s also willing to die for them. His care for his own life isn’t very strong, and he hasn’t yet discovered his own self worth, which could very well lead to a sacrifice to save one of them.
I think it’d 1. be so captivating and insane to watch and 2. reinforce the state of Mike’s mental health before he returns back to the real world and we’re no longer diving into the deepest depths of his mind when he does things.
anyway, hope all that was good enough!! love you based anon <3
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