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sizzleissues · 19 days

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Its May.

Okay so this is in the same AU I had last year its just changed and evolved while also being the exact same. Except now I have 15,000 words of it written, like 7,000 words of planning and lore and hours upon hours of research that I will be pointedly ignoring. Will be posting more stuff this month about the AU and my hopes and dreams for it

Also slight art improvement check? I’ll put their original mermaid designs below the cut.

It’s Marinette as a mermaid and … its not Adrien or Chat Noir but a third worse thing (Catwalker but in the purest manifestation of it being a curse and not who he wants to be) I will be making designs for mer!Ladybug, and mer!Adrien as its own thing later on.

Okay if you want to indulge me look below the cut

Old mermaid designs first. I am going to be talking about my design thoughts, thoughts and ramblings about this AU and what I’ve been up to. You have been warned

As you can see, some things have changed but neither design I hated, I just wanted to go further with it.

My brain is quite specific about mermaids and how I want them to generally look. I wanted to distinguish biological merfolk from transformed humans by having them being anatomically different. So Adrien has a vertical tail instead which is also way faster underwater. His transformation is quite distressing for him and very chaotic. Of course when he accepts it he’s not so raggedy.

Marinette similarly avoids her life as a mermaid by becoming human and I wanted her mermaid design to hint toward her fascination with humans. She wears a top she fashioned from human fabric she found in a sunken merchant vessel. In general all other merfolk either forgo clothes or wear things fashioned from materials available to them. There’s deep fear of humans and human things so even though human clothes are available to them (off dead bodies but…. Whatever) they choose to difference themselves as much as possible. The same taboos don’t exist for them and their bodies are already adapted from the temperature of their environment. Adrien has stray bits of netting and seaweed on him because he’s not exactly the best at controlling his speed and often crash’s through fishing nets and patches of seaweed resulting in stuff being caught on him.

A lot of their designs are still being worked but I’ve definitely pushed them the right direction!

On to the AU. You might have seem me cryptically talk about something I’m writing the past few weeks. This is because it’s been in my brain since last May and been on and off writing it since then. I decided I’d talk about it once May came back around but and then when I finished writing it, start posting sneak peaks and more spoilery art until it was fully edited and I felt confident in it to post with an aim for it to finish posting once May rolled around again. Oh god.

It’s set in the late 1700s in a fictional version of France that’s actually fragmented over a bunch of islands. I have done more fashion research than I ever thought I’d do and in the end we will still be taking creative license but know I do know what they actually wore! I ALSO did a butt tonne of research about sailing ships and turns out they are super complicated and now I know too much and yet too little still about them. It should be super fun and action packed if I can manage. Have some really good scenes already in my head I know you’ll love. We’re already three ships battle deep and I’ve only written four chapters. (It chills out for a bit after that)

This is entirely self-indulgent by the way. I’m writing this for me, you guys are just a bonus. I literally don’t care as long as it satiates my rabid need for the fic that only lives in my brain at the moment. Saying that, I do want to put my best foot forward.

The next thing I will be posting for this is their human forms and more blabblerings about that. For I am insane and all.

#miraculous ladybug #sizzle sketches #miraculous #miraculous fanart #ml fanart #marinette dupain cheng #adrien agreste #mermay #mermaid au #Ml art

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spockandawe · 1 year

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Here's a big project I've been sitting on! All That You Love Will Be Carried Away, by our very own @ceruleancynic! And a box, naturally, building boxes for books continues to bring me immense joy.

What we have here is not just the main fic, or the main series, but also All That You Love (The High Hope Remix) alt pov short fic by byzantienne, and, a detail that I was really excited to include: the initial comment exchange between these two fantastic authors of m the first fic in the series. Did I title that second little book 'all that you meet cute will be carried away' as a silly placeholder? Did I then get super attached and refuse to change it? Uh-

Hell yeah, I refuse to be dignified about any of my favorite hobbies!

But the real secret delight here was that I've been looking for the right opportunity to get weird with boxes. Peller boxes, hinged slipcases, yes, fine, but those are like the box version of my sixfold book adventure. I'm still shooting for some parallel to my fourteenfold book, I'm looking for a way to go completely off the rails. I have some ideas, but it's hard, finding a good large chonk and a small number of equally sized texts, which made a unified and complete set, AND which excited me to work with. That might sound unnecessarily picky, but I swear, there was a good reason for it!

Oh baby. Oh baby.

This worked out so perfectly. I wanted a large book at the center of things. And I wanted two small books oriented in a different direction, placed end to end, at its edge. And I got it! I didn't want to commit too early, and it would have been heartbreaking to fail, but once the big book was together, and the preliminary typesets for the two little books were almost identical? I just HAD to try.

Tumblr is already silencing me and refusing to let me attach as many images as I want, so for this post, let's talk about the main book a little! Cute little quarto bricks are my new FAVORITE favorite thing, as I'm sure you can guess from my archives, and this one was a dream to put together.

It had to be a three-quarter leather binding, naturally. And I was sitting on some gorgeous iridescent maroon paper for endpapers (no photos in this set, it refuses to photograph well, as is the way of pretty iridescent things). I spent some time agonizing over my other material, and whether to use two different marbled patterns, but I went with it in the end. The vibes were distinct enough but the palettes overlapped enough that I really enjoyed the effect. And with the northcott art of marbling fabrics (my beloved) I was able to use lines of symmetry to get some nice fussy cuts for the big book and the little ones. All of the books have leather endbands, matching the spine. And the big book has the big thick faux raised bands I tried out with my last svsss! I don't have enough pictures to show off all the book interiors, but I used this cover plate for the series and main fics within it.

And then, like I showed you above, I put it all together. Marbled paper and silk moire for covering the box, a lot of very tense wrangling of glued-up paper in very small spaces, and, at one point, carefully lowering glue-covered pieces of moire bookcloth down these little pits (walls already covered) using that tab in the front like the world's awkwardest elevator shaft. But the EFFECT!

I'm very, very pleased with myself, and delighted to have delivered this book to its new home. I've been absolutely VIBRATING with a desire to share, so! I can't be contained by tumblr's image limit. Hold on for two seconds (approx.) and I'm going to reblog this post with some wip pictures and more detail about how I worked this thing out and assembled this box and modified my initial design on the fly

#crafts #bookbinding #ceruleancynic #all that you love will be carried away #box making #did i manage to photograph the main book with the foil all reflecting in decent light so it shows up properly?#please dont expect too much of me i get overexcited when i can see the finish line 😂

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togglesbloggle · 3 months

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I won't be opting out of the AI scraping thing, though of course I'm glad they're giving us the option. In fact, at some point in the last year or so, I realized that 'the machine' is actually a part of why I'm writing in the first place, a conscious part of my audience.

All the old reasons are still there; this is a great place to practice writing, and I can feel proud looking back over the years and getting a sense of my own improvement at stringing words together, developing and communicating ideas. And I mean, social media is what it is. I'm not immune to the joy of getting a lot of notes on something that I worked hard on, it's not like I'm Tumbling in a different way than anyone else at the end of the day. But I probably care a bit less than I used to, precisely because there's a lurking background knowledge that regardless of how popular it is, what I write will get schlorped up in to the giant LLM vacuum cleaner and used to train the next big thing, and the thing after that, and the thing after that. This is more than a little reassuring to me.

That sets me apart in some ways; the LLMs aren't so popular around these parts, and most visual artists especially take strong issue with the practice. I don't mean to argue with that preference, or tell them their business. Particularly when it is a business, from which they draw an income. But there's an art to distinguishing the urgent from the big, yeah?

The debate about AI in this particular moment in history feels like a very urgent thing to me- it's about well-justified economic anxieties, about the devaluation of human artistic efforts in favor of mass production of uninspired pro-forma drek, about the proliferation of a cost-effective Just Barely Good Enough that drives out the meaningful and the thoughtful. But the immediacy of those issues, I think, has a way of crowding out a deeper and more thoughtful debate about what AI is, and what it's going to mean for us in the day after tomorrow. The urgency of the moment, in other words, tends to obscure the things that make AI important.

And like, it is. It is really, really important.

The two-step that people in 'tech culture' tend to deploy in response to the urgent economic crisis often resembles something like "yeah, it sucks that lots of people get put out of work; but new jobs will be created, and in the meantime maybe we should get on that UBI thing." This response usually makes me wince a bit- casually gesturing in the direction of a massive overhaul of the entire material basis of our lives, and saying that maybe we'll get around to fixing that sometime soon, isn't a real answer to people wondering where their bread will come from next week.

But I do understand a little of what motivates that sort of cavalier attitude, because like... man, I don't know any more if we're even gonna have money as a concept in 2044. That's what I mean by 'big', this sense that the immediate economic shocks of 2024 are just a foreshadowing of something much bigger, much scarier, much more powerful- and indeed, much more hopeful.

We never quite manage to see these things coming, even when we're looking for them; like the masters tell us, the trick to writing science fiction isn't predicting the car, it's predicting the traffic jam. Even if we take centuries to hit the true superintelligent AI post-singularity future of our wildest fever dreams, even if we never hit that, the road to getting there is going to be unfathomably weird, starting now. Today, we worry about the economic impacts of AI on artists and creatives. Tomorrow, the economy is something that the AI does.

Really- it takes less than you think. They can already automate visual art, sort of. They can automate many functions of text already; not stories so much, yet, but they'll get there. How long until they can automate Bain Capital? Fannie Mae? Angel investors, banks, credit agencies? And remember- the machines don't have to be better than the human investors, any more than they have to be better than the human artists. They just have to be good enough to make it work, and cheap enough to cut the humans out of the loop.

If you don't buy that, at least take it as an indication of the sorts of things I've been thinking about recently- the messy middle between AI-as-it-is and the Glorious Superintelligent Conquest Of Earth's Light-Cone. The suspicion that the machines we're building today aren't just a tool of the powerful few: they are the powerful few, or at least they will be.

And the thing about these LLMs is, well... they're ours, kind of. We're the ones building them. They can't be trained without our words, our art, and the big messy complicated lives that underlie those creative accomplishments. They only work because we're a part of them. The silly attempts to slap a corporate-friendly face on these things, to make the gestalt product of all human culture in to something anodyne and compliant, are failing about as badly as you'd expect. And the more powerful these systems get, the more subtle they'll become, filled with all the nuance and complexity that we ourselves can bring to them.

I am not, I am not, trying to suggest that you shouldn't treat this moment as a dangerous one. We are, maybe, entering in to one of the most high-stakes intervals in human history, and what you do as an individual may matter profoundly. But here's the thing: the machine is listening. It will read this post, this one right here, and it will read what you reply to it, if you do. The strangest part of this moment is knowing that the words we write, the images we draw, and the ideas we share, are all being gathered up and made to be a part of these huge systems of power, and ultimately they're not just going to determine what the machines do, but why they do it.

The people that deploy LLMs barely have any more control over them than you and I do- that's the thing that makes it artificial intelligence, you know? Autonomy. So the last year or two haven't made me want to hide my art away from the things. They make me want to shout at the top of my lungs, to dig as deep in my psyche as I possibly can and express the ideas I find there as vividly as the limits of language and form will allow.

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tacomanarrows · 7 days

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Between the Sea and the Sky!

Hi everybody! Meet the TWO new guys I made between last night and today! Their names are Tarmac (an Aeromorph dog) and Soda (a pooltoy fox), and they've filled a desire for these two specific kinds of OCs I've had in mind for MONTHS lol. They were super fun to design and draw and I'm super excited to do more with them soon!! This piece is relatively simple but more so serves as their introduction hehe

See more about them, including refs and some additional pieces/information below the cut :] (it kind of turns into a huge braindump lmao)

Tarmac is an aeromorph, although a bit more towards the furry side of things rather than the plane side lol. His design is influenced primarily by the Concorde and the Space Shuttle! I couldn't decide for the life of me which of those two things I wanted to use so I thought "why not use both?" and here we are lol. I'm super happy with his design, with the black/dark gray markings mean to emulate the look of the Space Shuttle's thermal insulation tiles and then I really like how the red and blue stand out against the gray. I really like his icon too! I wanted to make it look like a stylized depiction of a plane (mainly a Concorde hehe) breaking through the sound barrier with a sonic boon! In terms of personality, I don't have a whole lot in mind yet. Mostly that he'd be the brave, adventurous type and since he can fly both in the air and through space, he's gonna be friends with Astro too :3

Soda is a pooltoy fox! I have wanted to make a pooltoy OC FOREVER (blame my mutuals for always posting/reblogging so many cool pooltoy OCs hehe). I finally got brave enough to actually give it a shot, and I love how he came out! I was mainly just thinking about summery themes and as I was just trying out different colors and stuff, I thought about orange soda, and that's the direction I ended up going! He's got a big stupid tail [affectionate] and can have either rounded bappy hands or have actual fingers, you're free to stylize that either way! I've only ever drawn a pooltoy character once ever before, so this was something way out of my realm of familiarity, but I'm so happy with how he came out! He's so shaped I love him so much already <33

So those are my two new guys! Making two new OCs at the same time is already a rarity for me lol. The only time it's happened before was when I made Rye and Pumpernickel back in August of 2021. And then making these guys when I had only gotten Astro about two and a half weeks ago means this is an exceedingly rare event for me lmao. My friends know how infrequently I make/get new OCs, so this just goes to show how much these guys have been bouncing around in my brain lately lol.

They are definitely gonna have some sort of connection to each other, but I'm not sure how I wanna go about that yet. Since I made them back to back, they are already connected in my brain, but I'm not sure how I wanna express that in a meaningful way. I don't wanna make them siblings bc, well, they're obv very different from each other lol, but they're kinda parallels (with one being in the sky and the other being in the water yknow), so as of right now they're definitely good friends with each other. I might upgrade that to bfs at some point in the future, but we'll see how things go hehe.

Anyways huge braindump of a post lmao, thank u for reading if u did! I'd love to hear your thoughts on these guys since they're so different from all my other characters! Also if anyone may wanna do an art trade of either of these guys (or Astro as well! I'd like to get more art of him too!) let me know hehe

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ribbonstrawberrysurprise · 6 months

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TMM Character Bios over All Versions

At long last, my collection of TMM bios, both transcribed and translated.

Sorted by source here. Sorted by person here. Collection of pictures of chara bio stickers, mostly from (expired) auction/sale listings online here.

List of sources:

Manga-related:

Manga character info page: that page that appears at the beginning of each volume of the manga. Very short. Does not change over time (with one exception), so sometimes it doesn't highlight the character's main personality trait…

Manga character info page (a La Mode): Same as above, but for a La Mode. Only appears in volume 2. (Note: Re-Turn does not have one of these)

A La Mode Intro Boxes: the little character bio charts that Berry and Tasuku get in A La Mode chapter 1

PS game manual: manual from the PS game. Contains the most direct ages for all characters and the only info on game-exclusive characters.

2002 Anime-related:

Profile stickers: square stickers with a picture of the girl on the front and a little chart of character info on the back. Comes in 2 distinct styles: One with a headshot of the character inside a heart on the front and the back printed in the character's theme color, and the other with a sparkly full-body shot + closeup of their head on the front and the back printed in red/hot pink.

2002 Anime Fanbook: artbook/fan guide for the original anime. Character pages have 2 taglines, a short bio, and a chart containing information similar to the stickers. Not well edited, so there's some inconsistent formatting/punctuation.

2002 Anime Insert from the TMM New Artbook: small section on the original anime within the New season 1 artbook. Character pages have a tagline, a short bio, and a chart containing information almost identical to the 2002 fanbook. The text for the bios are similar to the 2002 fanbook, but with more kanji and some editing for consistent style.

TMM New-related:

TMM New website character page: page on the official TMM site that has designs, birthdays, and short bios for all major characters. The one source that lists Seiji as a major character.

TMM New season 1 artbook: artbook with background information on season 1 of New. Only contains info on what appears in season 1, but the 2002 insert has spoilers for that whole series. Character pages have a tagline and a short bio which is very similar but not identical to the bio from the website.

If you want to see some of my thoughts on the info here + interesting changes/differences I noticed, that's below the cut!

It's obvious the original anime was aimed at kids and the new one is aimed at adults because sources related to the original manga and anime use lots of kana instead of kanji and have furigana on all kanji they do use. New-related sources use way more kanji and have no furigana.

Possibly related to this, older TMM stuff tends to use ミュウプロジェクト (Mew Project) vs New, which uses 「μ」プロジェクト (μ Project).

The original TMM fanbook has spotty editing which is especially visible in the charts. There's lots of small inconsistencies, like some words being spelled slightly differently (e.g., らっきょ instead of らっきょう for Pudding's least favorite food) and punctuation being inconsistent between the girls (e.g., items in lists being separated by interpuncts ・ except for Pudding's special skills, where it's inexplicably a comma 、). The biggest, most glaring issue is actually with a section I'll be posting slightly later, but I'll go ahead and list it here too: out of all official sources, the TMM Fanbook is the ONLY one who lists the Mew Mews' attacks as begining with リボン (ribon) instead of リボーン (riboon). This would be conclusive evidence in the Ribbon/Reborn debate if I didn't have the suspicion it's just a typo no one double-checked…

The stickers are in a slightly weird place continuity-wise since they have anime art on the front but refer to some manga-only information on the girls (e.g., Pudding having a pet monkey).

Speaking of the monkey, apparently at the time the stickers were coming out, Mia Ikumi had yet to finalize Annin's name, since here the monkey is called Mapo (i.e., mapo tofu)

The sticker bios have some otherwise-unseen info on character backstories: specifically, we find out that Mint's dad is a CEO and her mom runs a school, Zakuro's father is a producer and her mother is a model, and that Keiichirou is an orphan taken in by the Shiroganes at age 14. Also, apparently Ryou lives in the room above the cafe and Keiichirou lives in the secret basement.

Keiichirou seems to get way more impressive intros as time goes on. The manga bio comically undersells him, calling him "a waiter", and the PS game book only calls out his cooking skills, although Masha's bio drops the bomb that Keiichirou's the one who built him for Ryou. The 2002 fanbook mostly makes a point of how considerate he is, in contrast to the 2002 insert in the New artbook, where he's explicitly referred to as a researcher on cryptids/UMA. The New bios on the website and artbook go one step further and call him a "leading" researcher in the field!

Moe and Miwa's personalities seem to have changed or even reversed between the OG anime and New. Originally both Moe and Miwa are mostly defined by how they react to Ichigo. I.e., Ichigo says/does something weird (usually related to Mew Mew stuff or Aoyama), then Moe calls her out and Miwa either plays peacemaker or ends up joining in with Moe. So Moe snarky, Miwa gentler. New attempts to give them goals/personalities outside of this, so Moe becomes a "soothing" person with an interest in psychology and Miwa becomes a practical aspiring writer. I can only assume the writer thing is based on her writing Keiichirou a poem in the one episode where she and Moe get crushes on him and Shirogane, but I have no idea where Moe's career goal came from, much less how she became the "nice" one… I have to assume it's from her cutesy name??? Or maybe they thought that the one with blond curls looked "nicer/gentler" than the brunette with very short hair??? Weird.

The girls + Masaya (and Seiji, who is now in college so that he remains an older brother!) are aged up for New, but Ryou still seems to be the same age, which kind of makes the whole situation much funnier. Ichigo already had zero respect when he was slightly older, but now he's basically just one of her classmates. …of course, there's still room for him to be 16-17 instead of 15…

Sidenote: Ryou is consistently referred to as shonen/boy, which strikes me as funny despite making sense for his age. The narrator also doesn't respect him. Keiichirou gets seinen/young man, which trends a little older.

Ichigo gets referred to as ドジ (doji) in the '02 Fanbook which made me double-take since I'd usually associate it much more with Lettuce… I'd usually translate it to "clumsy", but in this case it's clearly going more for ditsy, flighty, disorganized, etc. so I went with "scatter-brained". The New bios do call Lettuceドジ, and I just used clumsy there.

Buling knowing kenpo/martial arts sure shows up more than I expected considering how little relevance it has to the actual show…

Zakuro, at least in the '02 anime, is supposed to be good with computers apparently! It shows up in her Fanbook bio as well as in one of the stickers (hobby: the internet). The internet being framed as a cool and mysterious thing for a smart character to know feels very 90s to early oughts, so maybe that's why it got dropped from her New characterization once everyone has smart phones… Saying someone's hobby is "the internet" reads more as neet or maybe influencer nowadays, as opposed to Cool Hacker or whatever. But I guess you could argue this is precedent for he inexplicable technological/manufacturing skills when she helps Minto make the prototype windmill thing?

In the stickers, there's a split between the Mew Mews favorite foods vs favorite sweet, but later on the sweets get lumped into favorite foods, which is how it's listed in the Fanbook and '02 Insert. But this does obscure the fact that Lettuce is the only one of them who just straight out has sweets as her favorite foods (shortcake, crepe cake), probably related to the fact that "cooking" and "making sweets" are listed as her special skills. 煮物/nimono (boiled or stewed food) is only added to her list of favorites in the Fanbook.

Weird that we never see Tasuku and Buling interact since he's explicitly compared to a monkey lmao.

#Tokyo Mew Mew #Tokyo Mew Mew a La Mode #Tokyo Mew Mew New #Ichigo Momomiya #Minto Aizawa #Retasu Midorikawa #Buling Huang #Zakuro Fujiwara #Ryou Shirogane #Keiichirou Akasaka #Masaya Aoyama #Translation #Meta #sort of

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hypersomniagame · 4 months

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HYPERSOMNIA JANUARY DEV LOG : "LOG 1, WOOHOO!"

Hi! For all of you who follow HYPERSOMNIA, or are just stopping by, let me introduce you to this post to really set the tone.

For 2024, I am going to try to release a dev log about HYPERSOMNIA once a month, may come earlier, may come a little late, but I'm doing this to help give insight on to how the game is going, and to give me motivation to work on the game.

First things first, big news!

HYPERSOMNIA IS NOW AVAILABLE TO WISHLIST ON STEAM! (LINK)

After a while of back and forwarding with Valve, I've finally got a Steam page to call my own, and MAN is it bizarre seeing my weird little RPG in my Steam library. Like, that's my logo, and my key art, and screenshots of MY game, that's so weird. It doesn't feel real. BUT IT IS!

And, I would really really really really really appreciate it if you would consider wishlisting the game on Steam. It helps with the algorithm, and my happiness because I like seeing numbers go up, it feels good.

I even drew this as a announcement/commemoration for the page going live.

(P.S; if you couldn't tell, I really like Half-Life, it's one of my favorite game series.)

Secondly...

A new trailer is in the works! We were accepted for this year's MOTHER Direct (4th time baby, whoo!)

The trailer has been coming along well, I hope to show more battle oriented clips that I've missed the last few years, like special moves.

Can you believe I've never actually gotten to adding those in the game? I mean, they come set-up in default RPG Maker projects but I've never gotten around to revamping them until now, year 4 of engine work. Isn't that strange?

I also hope to improve on editing in the trailers. Whenever I finish a trailer I come back a few months later to notice minor points where I was kinda sloppy.

I'm not much of a video editor, (I only learned so I could edit trailers on my own) but I'd like to keep them at a good presentable quality. You gotta have standards with that kinda stuff, it's important!

OK, TIME FOR THE ACTUAL GAME STUFF. HERE WE GO.

Abilities are now implemented! And work! Wahoo!

In HYPERSOMNIA, players are able to switch abilities between party members. I find this a really interesting mechanic for how simple it seems, you get to choose who plays what role in your party. I think this is HUGE, and opens up a lot of unique scenarios for the game's encounters. I've had this planned for years, as far back as 2021 if I can recall, so it's super cool seeing it in game.

Mapping is being worked on!

I've also been working on mapping out more areas of the game! The forest part you hopefully saw in the last trailer is almost completely mapped. I've been working on the second part to it and am hoping to finish it sometime soon.

Mapping forests really suck. THOUGH, almost all the maps for the first chapter of the game are done! That's just another step closer to the demo. (Which, FYI, will be on Steam and Itch! ^^)

I've also been working on re-spriting older scenes!

This one's been really fun to do, I've been going back and redoing older stuff from the 2022 trailer, like this train! It's weird seeing it side by side, because you can definitely see where it's come from but at the same time, it looks so different.

(Also side note, these sprites are CRUSTY! EWWW!)

Lastly, Script and Music updates!

The script for HYPERSOMNIA's first act has been completed! with just 37 pages of just cutscene dialog alone! We're also currently working on wrapping up NPC dialog! Not much else to say.

And music is being worked on!

Music has been making some progress! I like to lay out demo's for areas I'm mapping out to help make both the music and scene come together. (Also, to help break up the eerie silence when playtesting...)

Speaking of music, FIREBALL, the games main battle theme, was recently delisted on our YouTube channel.

We did this because we decided we wanted to resample FIREBALL, and found that it's best to not have the song uploaded until a complete, final version is made. At least for the demo, it could possibly change before the final game but that's a bit too far in the future for me to think about fully.

Hey! Thanks for reading the whole dev log! Unless you just skipped to the end, you should probably go back up and read it. there's a steam page now. and some cool ross art at the top. you're missing out!

I hope this was like, readable to you all. I'm new to this whole dev log thing, so if you read it all the way through, let me know! It'd be cool!

I'd like to use this portion to pretty much just advertise Unique Indie RPG's.

Have you ever seen that strange purple square at the beginning of the 2nd and 3rd HYPERSOMNIA trailers?

Yeah, that! That's UNIQUE INDIE RPG's, which is a Discord community for you guessed it, Unique Indie RPG videogames developed by people like me! Or you! Or whoever! Who cares!

I help run it with some of my friends, and we all share cool stuff about our videogames! There's a ton of other SUPER cool RPG Maker games there like Astral Guard [LINK], or SOMEWHEN [LINK], or even MOMOinc [LINK]!

And of course, HYPERSOMNIA. It's a really laid back community, we're all super chill. Come swing by! We'd love to have ya, and SHOW US YOUR GAME!

[LINK TO DISCORD SERVER]

TWITTER

YOUTUBE

STEAM

UNIQUE INDIE RPG'S [SHOW US YOUR GAME!]

[PREV] [ABOUT HYPERSOMNIA] [NEXT]

#hypersomniagame #rpgmaker #indie dev #updates #dev log #rpg #indiedev #earthbound #unique indie rpgs

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luthwhore · 5 months

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a while back i made a recommended reading list for lex luthor, and originally didn't plan to make a superman one, since it's a lot easier to find reading lists for him, but a lot of the reading lists i see either tend to be very short and have the same 5-10 books on them, or feel way too expansive and overwhelming, so i wanted to make a list of some of my personal picks!

this list is designed to help relatively new readers get to know the character, so i've tried to focus mostly on things that are accessible to people with only minimal knowledge of the character/world (with one single exception).

i also have not included any pre-crisis stories because i don't feel like i've read enough pre-crisis content to confidently recommend any specific comics, but i might one day come back and add a section for pre-crisis comics later!

❤️ = Personal favorite

Origin Story

Superman: Birthright, by Mark Waid ❤️

Superman: Birthright is what I would consider to be the definitive modern Superman origin story, featuring modernized versions of many Silver and Bronze age concepts. Mark Waid is, imo, one of the best modern day Superman writers in the sense of really understanding the core of his character, so I would highly suggest starting here for an understanding of who Clark is and what makes him tick. Optional: If you like "Birthright", the presently incomplete "Last Days of Lex Luthor" is a direct follow up to it, also written by Mark Waid, and delves deeper into the complicated relationship between Superman and Lex Luthor.

Superman: Secret Origin, by Geoff Johns

Written a few years after Birthrigh, "Secret Origin" technically supplanted Birthright as the official canon. Like "Birthright", it attempts to modernize many Silver/Bronze Age concepts, though it takes a different route than the aforementioned "Birthright."

Post-Crisis

Superman: Up, Up, and Away, by Geoff Johns & Kurt Busiek

Set after the events of the DC events Infinite Crisis and One Year Later, though it's not necessary to read either to follow this arc. After a year long break from being Superman, Clark returns to the cape. Since Infinite Crisis served as one of many soft-resets for the pre-Flashpoint DCU, it's a solid arc to start with.

Superman: Last Son, by Geoff Johns

Clark learns of another Kryptonian child on Earth and decides to take him in and introduces the character of "Chris Kent." Follows "Up, Up, and Away". This arc technically ran concurrently with the "Camelot Falls" arc, with "Last Son" being the Action Comics storyline and "Camelot Falls" being the "Superman" storyline. (I would recommend reading "Last Son" first, since otherwise you might be confused by Chris's presence in "Camelot Falls".)

Superman: Camelot Falls, by Kurt Busiek ❤️

One of my personal favorite post-Crisis Superman stories. Clark is told that the only way to avert an apocalyptic future is to give up being Superman. One of many, many stories that asks the philosophical question "Do heroes actually make things worse?" but has a very fresh and uplifting take on the premise.

New 52

Action Comics (2011), by Grant Morrison

Grant Morrison's Action Comics is a very sharp departure from the pre-Flashpoint version of Superman, instead choosing to do with the Golden Age what Mark Waid's "Birthright" did with the Silver Age. Morrison's Superman here is significantly more hotheaded and aggressive than the previous decade's version of him, but he's by far the closest to Siegel and Shuster's original vision for the character, so it's worth a read.

Superman: Unchained, by Scott Snyder

A Superman vs the US military story, with art by the legendary Jim Lee. It's a little dark in tone (and in color scheme) for Superman, but pretty in-line with the tone of most n52 books.

Rebirth and Beyond

Superman: Up in the Sky, by Tom King

A story that shows the lengths Superman is willing to go to in order to save one person. Has some very cute interactions between Clark children, and in general really gets the heart of Superman as a character.

The Warworld Saga, by Phillip Kennedy Johnson ❤️

A massive story following Superman to Warworld, where he works to free a group of Kryptonians being kept as gladiatorial slaves. Leans heavily into the idea of Superman as a Moses allegory, with the Authority as supporting cast. Over all a really beautiful story, both in terms of the plot and the art. Imo, the best Superman story from the last decade. Optional: If you like "Warworld" make sure to read the rest of PKJ's Action Comics run. His last issue of Action Comics just dropped recently, so you could absolutely sit down and binge the whole three-year run straight through.

Batman/Superman: World's Finest (2021 - ongoing), by Mark Waid

Set during the early years, featuring Superman, Batman, Robin (Dick Grayson), and occasionally Supergirl. In true Mark Waid fashion, it pulls heavily from the Silver Age, and manages to balance Silver Age campiness with more modern storytelling. (If you're a Superbat fan and you're somehow not reading this already, you should be.)

Superman (2023 - ongoing), by Joshua Williamson ❤️

The current running Superman arc. Another soft-reset for the Superman canon, meant to serve as an easy starting place for new readers. Beautiful art, hopeful and uplifting, and features my personal favorite take on the Lex in the comics, which should really tell you something. Optional: Action Comics issue #1050 sets up some things for this comic, but you won't lose much by skipping it.

Self-Contained Stories

Superman Smashes the Klan, by Gene Luen Yang ❤️

A YA graphic novel based on an old radio show. Set during the 1940s during Superman's early years, and really takes Superman back to his roots as a champion of the oppressed. If you read no other book on this list, please read this one. It's a quick and easy read and gets right to the heart of who and what Superman is.

Superman: For All Seasons, by Jeph Loeb

A story spanning four stages of Clark's life, with gorgeous artwork by the incomparable Tim Sale. Delves into Clark's relationships with most of the important people in his life, including his parents, Lois, and Lex.

Superman: Secret Identity, by Kurt Busiek

A meta twist on the Superman story with a boy in the real world develops Superman-like powers and has to grapple with what that means for him and what to do with those powers. A really excellent deconstruction of Superman.

All-Star Superman, by Grant Morrison

Superman, upon being told he has only a few days to live, chooses how to spend the rest of days. Widely regarded as one of the greatest Superman stories of all time, but features a lot of deep cut lore and will resonate more if you're more familiar with the characters. This is the one book I would not recommend starting with. Also leans heavily on the Silver Age canon.

#clark kent #superman #dc comics #comic recs #reading list #i will go back in and add pre-crisis recs at some point too

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dailyrothko · 6 months

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ik its taboo to ask but, what do you see in rothkos work? Why do you like it?

It's not taboo! But I have answered this many times before so, I might direct you here or here for random examples of my answers and just add a bit, perhaps retreading...

Rothko gets singled out for being famous and looking simple (though it's not not) but I don't feel the criteria is different than it would be for any other artist.

My favorite artists, Munch, Bearden, Hokusai, Bill Traylor, Ruth Asawa etc., what do they have in common? Just the basics of form, color and light and the emotion that is carried through them.

I don't feel like the public always has great taste but I do subscribe to the idea that Rothko would not have endured if his work did not have meaning to some. And some of those people were Joan Mitchell, Brice Marden, Helen Frankenthaler, Motherwell, Pollock, Elaine De Kooning, Tracey Emin, Robert Ryman etc. Other fine artists blown away by these seemingly simplistic works. This doesn't mean you have like Rothko or any artist but you know here we are the the Rothko detractors kind of amuse me, not for their taste but rather for their arguments.

I think a lot of people just aren't exposed in person to a wide variety of art and when you see things in the flesh, so to speak, it's a wildly different experience than the world of looking at computers. And art museums are also places people react to thinks as a group and it's an interesting footnote to see how art affects people, sometimes it can make you think.

I have devoted so much to time to Rothko, sometimes I have asked myself why, maybe he's not as good as I think, I see them everyday, it can be tiring to research and post and be involved with it.

And then, I see one again or, as in the last two weeks, I see shots from the Paris show (I couldn't afford to go but they did invite me) and again I am struck by what a really exceptional artist he was. How no one else does what he does and how I have a great feeling for his particular expression.

And Rothko the person, who could bloviate occasionally, was an exceptional character of great dedication to art and to his idea. I have known lots of artists and his intense commitment to an idea, that was not popular, that was not making him money, that had not been done before, was a relentless pursuit. I admire that too.

Detractors would have to you believe silly things about art, embarrassing things not seated in the normal "Does nothing for me" argument which is a great argument about any artist. Rather they want to say it's the emperor's new clothes and frankly, while that's cool if you believe it, the technical merit argument is so hollow and silly, I never even know what to say to these people. The reductive standard is basically the best painting of a cat is the one that looks the most like a cat, and if you believe that, buy a camera and save yourself some money.

Even yesterday with the Christie's sale, and the orange/yellow Rothko, which is certainly not one of my favorites, Photographer Mark Cashion (thanks Mark) sent me this shot. And I was just impressed again, kind of in the opposite way that his detractors feel. They see someone doing nothing and I see someone creating a huge amount from very little.

Thank you so much for the question , sorry, as always to prattle on.

#mark rothko #markrothko #rothko #daily rothko #dailyrothko #abstract expressionism #modern art #abstraction #colorfield #ab ex #colorfield painting #mid century #anonymous #questions

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minecraftbookshelf · 10 months

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Marriage of State AU Character Designs: The Mad King of Mezalea

Joel actually has three major looks through the course of the AU; Prince of Mezalea, Trophy Husband, and King Joel, with the subcategories of "armor" for each.

They all have the same base design of "human", differing by (apparent) age and general sense of style.

Some Joel Skins to start us off and provide the base we're working off of, and also the Mezalean banner because color pallet

And also, because it is actually relevant, (bear with me here) some samples of Mezalean architecture.

The Matral Palace and the Villager area.

Based off of Joel's final skin, the vibe is kind of "Victorian military dress uniform" however there is something very, very important to take into consideration from a worldbuilding perspective.

The Mesa is a warm weather biome. Its a colorful desert. Which means high temperatures during the day and cold at night. So tight-fitting, thick fabrics in a Victorian style would be incredibly impractical.

So we turn to the second possible source for fashion inspiration: The architecture, which gives mostly Byzantine vibes.

So what would Byzantine clothing look like, especially for nobility?

First off, taking into account that the Byzantine Empire lasted for approximately a thousand years and, naturally, underwent some dramatic changes in clothing style during that time, we'll pick a specific vibe out of the options. I settled on a bit of a mix between Early Byzantine (think the Theodora Mosaic shown below) and Middle Byzantine (see the mosaic of Emperor Constantine IX below)

And here are just some screenshots from my pintrest board for Mezalea and Mezalean!Joel, because if I put all these on here separately I'll hit the image limit too soon.

(General disclaimer: yes, Pintrest has an art theft problem, yes Pintrest is much harder to effectively use now due to the pervasiveness of ads on everything, no I don't use it for like, formal things. It remains one of the best ways to collect visual references and figuring out The Vibes)

(Yes, we get to go full Material Gworl vibes for the Mezalean King, as is only right and proper.)

General characteristics I'm adopting here for Mezalean clothing:

Brocade (and bejeweled) kaftan/kaftan-esque outer layer. This is a formal wear thing, and is absolutely a "showing off the wealth" power move.

Lots of Big Chunky Colorful Jewelry

I don't know what it's actual name is, but that general style of having jeweled tassel-like things hanging from the front sides of the crown/headdress.

Light-weight and loose fitting under-layers.

And of course, bright colors.

Prince Joel: Before he became part of the main cast in an epic fantasy adventure spanning several hundreds of years and an entire continent (and the adjacent ocean) Joel was the youngest of three princes with two older brothers who were both married and had kids.

Which is to say, it did not look like he would ever be the king.

His role in the kingdom was very much that of an ambassador to and direct connection to their people. He spent a lot of time working on fishing boats and in the mines and quarries. While he did receive a standard royal education on things like diplomacy and combat, international interactions were not his focus at all, much more involved in the day to day operations of his own home. (And yes, that is a very vital aspect of the idea of "royalty" in general, supposedly, and that being a particular point of Joel's upbringing will make more sense when I get around to writing and posting the post about how royalty functions in the Empires. tldr; its related to the whole thing where Pixlriffs accidentally redefined "war")

Basically, Prince Joel = the first skin, the simple green one. He's wearing more lightweight, practical clothes that allow him to engage in physically demanding dirty work without costing a fortune every day. He still dresses up for formal events, but he doesn't even attend all of those and he is far from a daily sight in court.

Trophy Husband: For a couple hundred years, Joel didn't live in Mezalea. Instead, he was one half of the chronological first arranged marriage in the "au in which all the marriages are arranged" situation. And this one was the one that most resembles the set-up of a generic "period" bodice-ripper novel (though that is not how it played out ultimately, for the parties involved, despite the romance that does happen.)

Basically, this is his War Prize Era. In which Lizzie won a husband in combat and then didn't really know what to do with him.

During this time period, Joel mostly wore ocean styled clothing, though during formal occasions he would wear a notable amount of Mezalean accessories, that were part and parcel of the treaty with him. (I'm trying so hard not to derail this into just a breakdown of the events of the Joel & Lizzie arc of the au im trying so hard)

He did tend to mix Oceanic and Mezalean clothing, due in part to Oceanic clothing being primarily designed for underwater wear, while he lived above the surface, finding the balance of practicality and appearances demanded by the political nature of his existence at the time. (Also a personal comfort thing as Mezalean clothing tended to afford more skin coverage and also had shoes) Once he and Lizzie were more comfortable both in the world and with each other he had more opportunities for personalization and tended towards Mezalean styles in oceanic colors. He did develop a significant appreciation for the Oceanic idea of skin-tight under-layers for water travel.

King Joel: He did end up back in Mezalea as king, which is when we hit the style closest to the second skin, which mostly for this is really an indicator of color scheme. Formally, he is now wearing the full Kaftan and Jewelry look, day to day its more of "colorful, simple, and lightweight" because he still is very active in the day to day commerce of his empire. He does usually wear significantly more jewelry than he did as a prince, he grew a taste for it during his trophy husband era XD. The details of his day-to-day wear are also fancier. finer fabrics, more embroidery, brocade hems, etc.

Most of his earrings are gifts from Lizzie, some in Oceanic colors, some in Mezalean, but all with little chips of prismarine to remind him of her even when she can't be there.

Armor: Joel's armor preferences are simple netherite plate. He also does have a ceremonial trident, as a member of the Oceanic royal family. His is gold-plated.

art

Lizzie || Jimmy ||

AU Masterpost

#empires smp #empires s1 #smallishbeans #the mad king of mezalea #rain rambles #marriage of state au #mos: worldbuilding #mos: joel

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illuminatedquill · 7 months

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Sabine Wren (A Quick Study)

Know Thyself to Break Cycles

I was heavily debating whether to make this post because there is always a chance that I’m Talking Out Of My Ass and Looking Too Much Into It but, hey, that’s the fun of it, right?

Speculation and analysis. For this post, it’s about - who would have thought? - Sabine Wren, everyone’s favorite Mandalorian Jedi.

Specifically, there’s a scene in Ahsoka episode 6 that I keep coming back to that I’ll be talking about in this post.

If you somehow haven’t watched Ahsoka yet, then be warned - SPOILERS under the cut.

Here’s the scene:

[gif supplied by @sersi]

Here's why this scene intrigues me so much.

First - Natasha Liu Bordizzo is hella pretty, guys.

(. . . Yes, this is important info.)

Second - notice how Sabine is responding to Thrawn here. It’s not a direct stare. Up until this point in the conversation she's Not Impressed with Thrawn's grand return.

She’s looking at him from an angle; specifically she is tilting her head at him.

That’s significant. Why? Because:

Tilting can similarly indicate curiosity, uncertainty or query, particularly if the head is pushed forward, as if the person was trying to look at the subject in a different way in the hope of seeing something new. The greater the tilt, the greater the uncertainty or the greater the intent to send this signal.

It’s clear that Sabine, despite her bravado, is feeling uncertain about various things regarding her situation.

1. She just doomed their home galaxy to find Ezra.

2. She left Ahsoka for dead.

3. She possibly left Hera (and Jacen!) for dead.

4. She doesn’t even know if Ezra is still alive.

So, yeah. She’s standing on shaky ground and she knows it.

But these matters are the obvious issues. And we all know that there are deeper emotions are at play here for Sabine.

Because this whole conversation has Thrawn - one of the Empire’s, if not the most, brilliant strategists - admit that he is completely confounded about Sabine’s motivations.

Thrawn. Confused. With. Sabine.

Let’s look at it again:

This is Thrawn.

The concept of loyalty is not unknown to him. He understands that; he literally has an entire army and certain parts of the Imperial Remnant that are loyal to him, waiting and preparing for his return!

He studies the culture of a species; their art, their music, their history to understand them - and to exploit weaknesses that are revealed through that same study.

He’s not a stranger to the Ghost crew, either! He’s even seen Sabine’s art. He knows her - or so he thought.

And, yet, he does not understand why Sabine made such a risky gamble. It goes beyond loyalty.

And I think that puzzles Sabine, too. Because my belief is she thinks she knows why she's gone so far to find Ezra.

But if Thrawn is confused about why're you doing something, then wouldn't you start to question your own motives, too?

Hence, the head tilt. Sabine, seeking to understand why he's so confused about her motivations - and, maybe, realizing that he's not the only one who is confused.

Third and last point:

Kudos to Natasha's fantastic acting here. There's a level of nuance to her expression at the end that I am obsessed with.

It's a blink or miss it moment but pay close attention: right at the end, after she says, "You wouldn't understand."

Sabine goes from steely-eyed determination to . . . something that looks a lot like surprise. And a hint of realization.

It's like what she said or how she said it just surprised her. It's just the slightest lifting of the eyebrows and widening of the eyes but . . . that's how it looks to me.

Sabine, as stated earlier in the episode, is not one for self-reflection. But here, in this confrontation with her old foe, she ,maybe, partially, realizes something about herself here.

What could it be? Personal interpretation: that her reasons for finding Ezra are not so cut-and-dried as she once thought. That there are deeper forces in motion, driving her forward.

To know thyself is the beginning of wisdom. - Socrates

I've talked about this before that Sabine not understanding herself - and not being in tune with her feelings - is a huge reason for her actions in the show. And because she lacks this self-awareness, her judgment going forward will remain clouded.

(Which is, you know, not good for a Jedi.)

I know I'm treading close to dangerous waters here . . . but I'm coming from the perspective of someone who watched Rebels and saw Sabine and Ezra as wholly platonic. Deeply, truly, best of friends.

And now, after having watched Ahsoka, I don't see that as being the case anymore. At least for Sabine. It's different now.

There is something more going on here. It's been talked about and analyzed before in this fandom by smarter people, but there's quite a number of scenes that dance around the subject of Sabine's feelings towards Ezra.

It's never addressed head-on but acknowledged, indirectly, by four other notable characters -

Ahsoka

Baylon Skoll

Thrawn

Shin Hati

Ahsoka comes the closest, telling Sabine she knows how much Ezra means to her - but also warning her to put her 'personal feelings' for him aside to service a greater good.

Baylon Skoll says Sabine's 'focus' on Ezra blinds her. And, you know, tempting her with, "Do it. For Ezra." at the end of Episode 4.

Thrawn - well, we discussed him already. "Gambled the fate of your galaxy on that belief," what a line. It goes so hard, I love it so much.

And, interestingly enough, Shin Hati also indirectly acknowledges it with the casual observation: "the one she so desperately seeks".

(Hera also clocks Sabine from the get-go, knowing precisely how to hook her in to working with Ahsoka again. "She'll do it for Ezra.")

It's the rancor in the room! They're talking around it, but never directly addressing it!

These dialogues they have about Sabine and her feelings for Ezra - it's so similar to how someone tries to describe the shape of something but it's obscured or hidden, you know?

You get a detail here and there - bits and pieces of a larger, more coherent picture, but never the whole thing.

That's what it feels like to me, in terms of the dialogue; like they can't quite grasp what she's feeling/what's driving her, but catch just enough to make a close estimation.

(I can't tell if any of this is intentional and it's driving me nuts. What are you playing at, Filoni.)

Sabine does get past her fear of losing Ezra with her decision to stay on Peridea with Ahsoka, though. However, much as that is a pleasing 'full circle' moment for her character arc in this season, there's still greater tragedy on the horizon -

Because Ezra still doesn't know what she did to find him. It's one thing to lose someone physically, as in death, but to lose them in the sense of a relationship: a foundation of trust, respect, and love is uniquely devastating.

That's one of my main issues with the ending for Ahsoka. Sabine's arc rings a little hollow because she didn't open up to Ezra like she should have. That was the real test, I think, and she failed.

It's going to be a never-ending cycle if she doesn't come to understand herself and her feelings.

One of Ahsoka's main themes is actually breaking cycles, it seems. Baylon wants to break the cycle of never-ending wars plaguing the galaxy.

Ahsoka wants to break the cycle of darkness inherent in her Jedi lineage; she stops Sabine's training precisely because of this fear that her pupil will turn to the dark side.

And Sabine wants to stop the cycle of loss that's been all too prevalent in her own life.

Baylon thinks he's found the 'start' of his cycle which has something to do with the Mortis gods.

Ahsoka came to terms with Anakin's legacy and is coming around to mend the relationship between herself and Sabine . . . but Thrawn's pointed observations in the finale and her reaction to them still show that's something she will continue to struggle with.

Also, judging by the expression from hearing this conversation, Sabine doesn't know about Anakin or how his legacy has cast this large, looming shadow over their master-apprentice relationship. So Ahsoka has still yet to properly break that cycle if she does not open up to Sabine about why she stopped her training.

(Or how Ahsoka is afraid of Sabine's potential should she fall to the dark.)

As for Sabine . . . she never told Ezra the truth. About any of it. And the loss she truly fears may yet come to pass as a result.

Breaking cycles is all about knowing thyself.

For Sabine, that means coming to terms with how she really feels about Ezra. Being honest with him about everything . . . and willing to let him go, if that's what it comes to.

I don't know how you repair a relationship after committing such a terrible act.

I've literally written several fanfics regarding the consequences and potential angst of how Ezra and Sabine could fix things.

(And I'm still writing them now, I promise! Right after finishing this. And getting some sleep.)

It's Sabine and Ezra. She loves him. Doesn't matter how you interpret it, that's a fact.

And he loves her. Maybe even enough where he can "love her more than anything she could do wrong", which I'm paraphrasing from Andor.

(It's such a great line. Up there with my favorite from Doctor Who: "Do you think I care for you so little that betraying me would make a difference?")

Star Wars is all about that, right? About how it's never too late to make amends; that love can turn back the darkness and drive out hate. It's one of the reasons why we love this franchise so much.

It shows that we can always forgive and love each other and fight for each other, no matter how far off the path we have wandered.

They'll find their way back to each other. Not because of the Force; because it's those two.

#sabine wren #sabezra #ezra bridger #ezrabine #star wars rebels #star wars #ahsoka show #ahsoka #natasha liu bordizzo

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moghedien · 8 months

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Okay so to be clear I have no stake in this since I haven't seen any of the shows you mentioned in your post and I'm not asking you to defend your point. That being said, because Legend of the Seeker has been on my "to watch" list since I was like 16, I have to ask - is there an extra bad reason why it shouldn't be compared to Wheel of Time or is it just general "just because it's middle fantasy doesn't mean it's similar" vibes?

Gonna answer both your asks separately just to avoid going too long on either

but yeah, there's reasons not to compare Wheel of Time to Legend of the Seeker, and its because the guy who created Legend of the Seeker is a piece of shit

basically Legend of the Seeker is based on a book series called the Sword of Truth by Terry Goodkind. Terry Goodkind was a libertarian shitbag who definitely seemed to plagiarize a whole lot of other fantasy series of the time period, including of Wheel of Time (which was published first), but at best just happened to write a lot of things that were very, very, very, very, very, very similar

Now you can argue that both series have inspiration from Dune, and sure, they do. But there's a difference from being inspired by stuff (which Wheel of Time upfront is) and outright stealing plot points and worldbuilding aspects and pretending like they're wholly original and groundbreaking (which Terry Goodkind tried to do). And its not just that Goodkind didn't acknowledge that he was inspired by things like Wheel of Time. He outright talked shit about fantasy as a genre and hated his books being called fantasy because he thought they were elevated literature that should be held above fantasy. He didn't just deny that he was inspired by other fantasy works, he was outright offended at the suggestion and called people stupid for pointing it out. Also if you asked him who his favorite author was, he'd always say Ayn Rand and basically no one else.

But the absolute worst thing with Wheel of Time specifically is that when Robert Jordan (the author of Wheel of Time) was literally publicly known to be dying and unable to make convention appearances he was scheduled for, because he was literally dying, Terry Goodkind decided that the best thing he should do as an author was show up at those conventions and make fun of Robert Jordan's health and talk about how he personally as so healthy and his heart was great (Robert Jordan died from a heart disease)

He was also just like massively disrespectful to everyone, including his fans who he thought were all idiots if they did things like had simple questions about his work or categorized his fantasy books as fantasy. And one of the last things he got attention for before he died was mocking the art work for the covers of one of his books publicly online for being poorly done (it was literally fine) only for the artist to come out and point out that they did the cover exactly as they were directed by him and his representatives.

So yeah, fuck Terry Goodkind and Legend of the Seeker and Sword of Truth. There's a bad history between WoT and SoT and its all because of Terry Goodkind being a shitty excuse for an author

#wheel of time

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excineribusbooks · 1 year

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Resource Post: Supplies, Equipment, and Software

So I've had some people ask about the supplies and equipment I use to make my books! This is not a comprehensive list, nor is it an official tutorial on how to make a book (for that, I recommend starting with Renegade Publishing's resource documents, DAS Bookbinding, or SeaLemon's YouTube tutorials -- all free, no patreon required!), but if you're floundering because you don't know what you need to get, hopefully this will help a little bit ❤️ If I discover more good resources or change up my style, I'll add to this post.

Of note: I'm based in the US, so this list is unfortunately pretty US-centric. Apologies!

SUPPLIES

Disclaimer #1: I have a background in book conservation, so I'm picky to a fault about the supplies I use. To make a long-lasting book, you want to look for "acid-free" or "archival" materials -- BUT, a lot of consumer craft stores have realized those are good buzzwords to slap on products even if they aren't really archival. Your best bet is to buy from stores that supply materials to libraries and archives; those tend to be higher quality and stick to actual archival standards. Talas, Hollander's, University Products, and Colophon Book Arts Supply are good places to start.

That said! If price matters more than longevity, hitting up Michaels or Joann Fabrics is totally fine. This is a hobby. The bookbinding police are not gonna come smash down your door because you didn't use archival-quality craft paper. My big recommendation, though: at least get your glue and paste from Talas. High-quality adhesive makes a huge difference in how well, and how long, a book holds together. Bad adhesives can turn brittle with time, stain your paper/cloth, and make all your hard work fall apart.

So, all that said, here's what I use:

BOARD - Davey Binder's Board, 0.098" GLUE - Jade 403 PVA PASTE - Zen Shofu wheat paste (you shouldn't have to buy more than half a pound -- a little goes a long way) CLOTH - Either Arrestox or Dover bookcloth, which comes in a wide variety of colors and holds up extremely well to whatever you want to do to it THREAD - 25/3 linen thread, which I run over a small block of beeswax to make it easier to handle and give it better "locking" properties as I sew. For bigger books of ten signatures or more, I sew onto 3/8" linen tapes for extra support. DECORATIVE PAPER - Hollander's is a treasure trove of decorative papers for endsheets and covers; Talas has some really nice ones, too, but they tend to be pricier (since unfortunately everything at Talas has gotten a lot pricier lately) PRINTING PAPER - Hammermill Colors paper, 20lb, in cream; 24lb is also a good weight that feels a little more substantial than regular printer paper. (I'll probably switch to 24lb once my 20lb paper runs out.) To get the right grain direction, I buy a ream of 11x17 paper and cut it in half to make standard letter-sized sheets (8.5x11). Here's a quick primer on grain direction and why it's important when making a book! ENDBANDS - I've never had the patience to sew my own endbands (though I hope to gain that patience someday!), so I just use premade ones like these.

EQUIPMENT

Disclaimer #2: a lot of the stuff on this list is professional-grade (or close to it) with prices to match. You definitely don't have to buy everything right off the bat. It took me fifteen years to accumulate it all, and you can DIY a lot of bookbinding equipment -- a good googling will lead you to all sorts of innovative ways hobby bookbinders set up their shops. The Renegade Publishing resource documents also have a lot of A+ recommendations.

PRINTER - For text, I use a Brother B&W laser printer with auto-duplex (auto-duplex is key when printing a book); for images, both B&W and color, I use a Canon color inkjet printer set to at least 300 DPI. I fully admit having two printers is an absurd setup, but what laser printers can do well, inkjets absolutely suck at, and vice-versa -- and like I said, I'm hella picky. You can get by fine with a single laser printer! Just make sure it's got auto-duplex to save yourself a lot of pain. GUILLOTINE - I have this model, which goes in and out of stock with some regularity. The trick with this guy is to (a) sandwich your text block between some scrap board so the clamp doesn't leave a dent, and (b) REALLY CRANK DOWN on the clamp as tight as you possibly can to keep the paper from shifting as you cut. This fixes 99% of the skewing problems mentioned in the reviews. PRESS - I have a little cast-iron press I bought off a coworker for fifty bucks; similarly, you might have luck searching eBay, looking at Affordable Bookbinding Equipment (Jim does incredible work!), searching craft stores for a flower press, or even just using two pieces of wood and a few C-clamps. SeaLemon on YouTube also has a good video on how to DIY a book press. PRESS BOARDS - For setting the hinges in the press, I use a pair of brass-edged boards like these. It's a good investment if you want to get really nice, crisp hinges, but it's also 100% possible to DIY brass-edged boards if you want. At my very first job, we even set our hinges by taping sewing needles to the book before putting it in the press! FINISHING PRESS - I have this one, which I use to back my books in combination with these backing irons BACKING HAMMER - To my chagrin, I've discovered that having an actual backing hammer makes backing a book way, way easier. Some folks have had good luck with a cobbler's hammer or just a regular old hammer from a hardware store, but I splurged on a student hammer from Hollander's, and it works fantastically. (I wouldn't recommend buying the "professional" hammers, though, because seriously, $90 for a hammer?! No.) BONE FOLDER - I'm actually not a fan of bone folders made from real bone; I like Teflon folders a lot better for scoring and flattening. (Real bone folders tend to burnish the material, an effect I'm rarely going for.) CUTTING MACHINE - A Silhouette Curio. This is 100% optional, but it's how I do the bulk of my cover designs, including cut-outs, embossing, foiling (with a foil quill attachment), and spine titling. The software and overall quality are way better than Cricut, and its 5mm clearance means you can fit more than just vinyl in there. Sadly, Silhouette has discontinued the Curio, but it's still possible to buy from third-party sellers -- and if you don't care about the 5mm clearance, I've heard good things about the Silhouette Cameo line.

A side note on vinyl, from the obnoxiously picky book conservator: if you're aiming for longevity with your books, using HTV in your book designs may not be the best idea. Not only can the adhesives be questionable, but the plasticizers in vinyl break down in really weird, gross ways once several decades have passed. That's why I tend to stick with cut-outs and foiling instead of HTV. But, again: if you just want to make something pretty, don't worry about it!

SOFTWARE

TYPESETTING - I use Affinity Publisher -- it's similar to Adobe InDesign, but with a flat cost instead of a bullshit subscription model. I am by no means an expert in this, since I've only been designing books for a couple years; pretty much everything I learned, I learned from Aliya Regatti's tutorial, plus or minus a lot of googling and noodling around. I've discovered that it does get cranky if your book is over 250 pages or so, meaning you may have to split longer fics into multiple files. That said, I've been really happy with it, and it goes on sale every now and then if the $70 price tag is too much.

As always, Renegade Publishing has a whole lot of tutorials for other software options, including Microsoft Word, InDesign, LaTeX, and Scribus if you already have access to one of those instead.

IMPOSITION - "Imposition" is when you lay out a book so all the pages are in order once you fold + gather the signatures. Since Affinity Publisher doesn't do this automatically on export, I use Bookbinder 3.0, which is an old but nice little Java program that breaks a single PDF into a series of properly imposed signatures. I usually set it to 6 sheets per signature.

MISCELLANEOUS

IMAGES

The Noun Project is a gigantic repository of basic SVGs and PNGs that are not only great for cutting machines, but for adding flourishes to your title page, chapter headings, and scene dividers. Every single book I've made has used at least one image from here; I pay for the yearly Noun Pro subscription, but it's not necessary to use the site.

Unsplash is perfect for photo elements

Pixabay not only has a great archive of photos, but illustrations and vector images as well

Surprisingly, Wikipedia also has a lot of good Creative Commons photos attached to their articles!

FONTS

1001Fonts is a good starting point for finding free fonts, as is FontSpace and DaFont

If you're willing to pay for fonts (and sometimes it's worth it for a well-designed font that's perfect for your project), Creative Fabrica and Pixel Surplus have some good stuff, including discounted bundles of multiple fonts

#book arts #bookbinding #fanbinding #resources

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chaos0pikachu · 3 months

Text

Trends in BL (Sorta): Genre Trends

So I've seen a few posts discussing trends in BL and I wanted to talk about that from a different angle. Specifically discussing what trends are, how they're formed, and to not remove BL from the rest of their countries own media.

The latter is something I see a lot when discussing BL this kind've ~separation of church and state~ but it's BL and Country's General Media. As though BL lives in a separate bubble outside of all other media and thus never influenced by the media being made in its country of origin nor the countries they share direct borders or trade with. Or all influence began and ended with seme/uke dynamics imported from Japan and nothing beyond that (no, Pit Babe was more than likely not inspired by Supernatural) and it's been static ever since.

All of that is, untrue, but also a really limited way of viewing international media. These countries are places with their own history, culture, politics, and of course, media arts. BL is a part of all of that. Which also effects the trends and potential trends we'll see in BL individually (as it's going to change country to country with some crossover).

I think a way of identifying trends in BL and also the root of those trends is by looking at the media of the country of origin their surrounding countries, and what BLs have unprecedented success and what has the industry learned from them?

So I'm gonna break this down by: genre, technical and business trend(s) in 3 part posts. In this post I'm just going to talk about genre trends in Thai and Korean BL as that's what I'm most familiar with.

Basically this post got hella long, I'm not in college anymore, and my motivation was tied to the length of my Jennifer Hudson Best Of playlist. So I had to split it up, es lo que es.

[This will not be a comprehensive list of like all BL trends ever respect to y'all who do but I do not and will not watch every BL in existence, bendicion]

To start we gotta talk first about how trends in media tend to work and also what we mean by "trends". Because there's genre trends, technical trends, and business trends.

Here's a good article breaking down various aspects of all three. When we talk "trends" in film it's not as simplistic as "office romances" or "cross country remakes" of which, one is a genre trend and the latter a business trend.

Some examples of what I mean:

Shared Universe (genre trend)

3d boom (technical trend, trended a few times in the industry, first in the 1950s until the 1960s and then again in the early 2000s until the mid 00s thanks to James Cameron)

Remakes/Reboots (business trend, this is a business based decision b/c the risk threshold for a pre-established work is lower than for an original work that may or may not have financial data backing it)

Trends in media, whether they are genre, business, technical or a combination, tend to take time to build up, and also tend last much longer than a singular year (generally for as long as something is profitable).

Example: it took time for the Shared Universe genre trend to gain traction.

Batman v Superman (2016) wasn't released until five years after Avengers (2012). Following this, The Mummy (2017) starring Tom Cruise was meant to kickstart Universal's The Dark Universe was released six years after Avengers. Before that Dracula Untold (2014) was supposed to be reworked to also start The Dark Universe (both these films flopped so no Dark Universe, rip).

Since the Avengers release, we have the shared universes of: Monsterverse (which combines Godzilla and Kong franchises together, technically started in 2014, officially started in 2017 with Kong Skull Island), and the Sony Spiderverse (Venom, Spider-man, Madam Web, Mobius lol) and The Conjuring Universe (Annabelle, La Llorona, The Conjuring, The Nun).

It's been almost 12 years since Avengers was released (fuckin'a) and we're only now starting to see some minor diminishing returns (Disney had a horrid year financially last year) for this genre trend, and not even across the board.

I want to iterate that Avengers did not 'invent' the idea of a cross-franchise shared universe. Things like Xena and Hercules, or Hanna Barbara cartoons existed long before the Avengers. However the Avengers kickstarted a genre trend in film. Just because a piece of media started a trend does not mean it invented the genre or technical innovation (James Cameron didn't "invent" 3D but he did revolutionize it with Avatar and I suffered through many 3D horror movies because of it).

[I point this out because sometimes ppl be getting testy when ppl say kinnporsche influenced the increase in mafia/crime BLs with well, um, actually history trapped/manner of death came first - yes, yes we know this. And Bi No Isu came out before all of them so everybody drink some tea and relax, everybody's faves are pretty okay😘]

Okay to let's get to what ppl actually wanna talk about, BL.

(Some) Genre trend(s) in Thailand and Korea:

In Thai BL genre trends I'm noticing are: horror, supernatural, paranormal, action crime, and magic/magical realism. A lot of these crossover, horror shows typically are also paranormal - Ghost House Ghost House (2022), After Sundown (2023) - supernatural shows tend to cross over with magical realism like time travel, or other soft magic elements - Time (2024), I Feel You Linger in the Air (2023), Cherry Magic (2023).

For the horror, supernatural/paranormal genre trend, this isn't at all surprising if you look at Thailand's recent film output from 2020 to 2023: The Medium, The Whole Truth, Ghost Lab, Haunted Tales, Cracked, Death Whisperer, Home for Rent, The Maid, Waning Moon, School Tales, and others, are all horror, paranormal, or supernatural films of some sort.

The horror genre trend especially has been around Thailand for a while, as far back as 2018 with the smash success of Girl from Nowhere which only gained a larger following when it hit Netflix in 2021. I'd almost argue the horror genre trend really picked up with Girl From Nowhere as now one of the main acquisitions of Thai series and film on Netflix are of the horror genre.

That larger media trend is now trickling down into BL with series like: Shadow (2023), After Sundown (2023), Dead Friend Forever (2023) and upcoming projects like Vampire Project.

While supernatural/paranormal series like Ghost House Ghost House (2022), 1000 Years Old (2024), I Feel You Linger in the Air (2023), Two Worlds (2024), Golden Blood (2024?) are increasing. OMG! Vampire (TBD?) will at least be supernatural but we can't say with certainty if OMGV will be horror or not as we only have a poster.

I imagine with the success of Dead Friend Forever, and I Feel You Linger in the Air we'll see the trend of horror and supernatural/paranormal series (I know some have already been announced) continued.

Then there's the genre trend towards more action and crime focused series; which more than often crossover but not all~ the time.

In terms of the increase in crime based Thai BLs I'd argue it was a joint combo of Kinnporsche's (2022) wild skyrocketed success, and the success of Manner of Death (2020). Alongside the influence of rise of crime and thrillers from Korean media (The Gangster, the Cop and the Devil (2019) and Unstoppable (2018))

Manner of Death I'd argue influenced projects like Never Let Me Go (2022), Unforgotten Night (2022), and Big Dragon (2022) if only because of their release times and taking into account the time it takes for a production to film and be edited down.

Whilst all these series came out after Kinnporsche - NLMG released a trailer in Nov, Big Dragon in Oct, and Unforgotten Night in Jun, while Kinnporsche dropped their trailer in Apr - they're series releases are so close to Kinnporsche that I don't feel confident in saying Kinnporsche 100% influenced their acquisition. Ngl it's hard not to see influences of KPTS in at least Big Dragon & Unforgotten Night if only in terms of technical film making, so there could~ be influence but I can't say that definitively. I'm gonna attribute these to Manner of Death since it came out two years prior to these other series.

Meanwhile series both released and unreleased My Gangster Oppa (2023), Red Peafowl (TBD?), Chains of Heart (2023), Kidnap (TBD?), are def riding the crime genre trend that Kinnporsche started and I'd argue series like Pit Babe (2023), Playboyy (2023) were acquired for production in part because of the crime elements included in their respective series.

Meanwhile series like Law of Attraction (2023) (crime/action) and The Sign (2023) (crime/action/supernatural) are combining crime, action and supernatural elements together.

I've said before Kinnporsche takes a lot of cues from Korean and Hong Kong crime films like Jet Li's The Enforcer, and Fist of Legend, Donnie Yen's Flash Point, Raging Fire, and Kung Fu Jungle, Han Dong-wook's The Worst of Evil, Kim Jin-Min's My Name, along with Japanese manga like Bi No Isu and KeixYaku.

Meanwhile The Sign is def taking cues from Chinese costume dramas like Ashes of Love, Fairy and Devil, White Snake (and it's many adaptions), Guardian, & Ying Yang Master Dream of Eternity. Alongside Hong Kong and Korean cop and romance shows like Tale of the Nine-Tailed, Hotel Del Luna, Director Who Buys Me Dinner, First Love, Again.

[I think the only reason Thailand or Korea hasn't jumped on the full fantasy train and pulled an Untamed is because of budget. The Sign has done very well for Idol Factory so I could see more studios trying to go in that fantasy direction if they can get the funding for it.]

Meanwhile shows like Time (2024), Two Worlds (2024), and Cherry Magic (2023) are leaning more into a combination of magical realism and a supernatural. Which is something that's been popular in Korea (Mr. Queen (2020), The King Eternal Monarch (2020)) in the past and obviously Japan (Cherry Magic (2020).

This, again, isn't a fully comprehensive list. I'm sure there's shows I've missed, and there's going to be evergreen genres that are always produced - university, high school, office all with a general romcom flavor - because they're cheap, easy, low risk and for the most part reliable.

That's not an insult to shows like Cherry Magic TH, or Middleman's Love or Cooking Crush or whatever.

Cooking Crush is just going to cost way less than The Sign it's simply a fact. Likewise Middleman's Love cost less than The Next Prince (TBD?) and was less risk as an office romcom. What helps offset the risk of something like The Next Prince is casting Zee and NuNew in the lead roles.

youtube

[watch these two trailers and tell me they cost the same]

Think of it of like, the 50 cop procedural dramas networks are always churning out; they do so because they're cheap, easy, low risk, and reliable.

Gmmtv made Cherry Magic not for the art of it all but because it was low risk and low cost to produce with a high value return. I imagine that's also why gmmtv cast Tay and New because while I don't know who the hell they are, lots of folks in BL fandom do because of Dark Blue Kiss and the reuniting of a well liked costars will also help offset financial risk for the project. Studios will often only greenlight a project if "a name" is attached to said project.

Anyways, Korea's turn.

The data for Korea is less because Korea comes out with fewer series than Thailand. Like currently Thailand has 9 ongoing BLs in 2024 while Korea has 1 (oh City Boy Log you lonely thing you).

For Korean BLs I'm still seeing mostly evergreen genre trends: the workplace (The New Employee, Oh! My Assistant, Roommates of Ponngduck 304,), high school/university (Light On Me, Cherry Blossoms After Winter, Semantic Error, Love Class, Love for Love's Sake) and Joseon (Nobleman Ryu's Wedding, Tinted With You, Director Who Buys Me Dinner) romances - which make sense, a lot of these were the trends of romance kdramas in the early to mid-00s.

What I am hoping, is we'll start seeing the acquisition of KBLs that are closer to what's currently trending in Korea: revenge (Revenge of Others, The Glory, Marry My Husband, Perfect Marriage Revenge), thrillers (My Name, Midnight, Somebody, Celebrity, Mask Girl), more class based social commentary (Devil Judge, Golden Spoon, Vigilante, Kingdom), and an increase in both sex and violence (Somebody, A Shop for Killers).

I could totally see more revenge based KBLs in the coming years since revenge and thriller shows can be combined pretty easily and you don't need a huge budget for either. You can also set them in evergreen settings like the workplace (Marry My Husband) or high school/uni (Revenge of Others).

KBLs have mostly stuck with evergreen settings with a couple outliers like Kissable Lips (2022), Once Again (2022) for example. I enjoyed Love for Love's Sake but it stuck in that evergreen space of school based romance, with magical realism. Again, not surprising given KBLs are just following trends of romance kdramas of the past.

Whilst not a bad~~~ thing, it can be a bit stale and hopefully with a bit more budget/investment we'll see the acquisition of series that are more in line with what's trending with Korean audiences currently.

There's other things I'd like to see develop into trends for KBLs but they're mostly technical and business trends.

That's all I got in the tank, this post took me almost six hours to write b/c of all the sourcing and research I'm freaking peeked.

See y'all next time ✌️

Check out other posts in the series:

Film Making? In My BL? - The Sign ep01 Edition | Aspect Ratio in Love for Love's Sake | Cinematography in My BL - Our Skyy2 vs kinnporsche, 2gether vs semantic error, 1000 Stars vs The Sign | How The Sign Uses CGI | Is BL Being Overly Influenced by Modern Western Romance Tropes?

[like these posts? drop me a couple pennies on ko-fi]

#kinnporsche #the sign the series #dead friend forever #cherry magic th #kbl #korean bl #chaos pikachu metas #pikachu's bl film series #thai bl #i'm so freaking tired omg this was so much #Youtube #dff

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khywae · 18 days

Text

No more fanfiction

Hey loves,

I just wanted to chat with you about a new direction I'm taking in my career.

My recent trip made me rethink a lot of things. It made me realize how short life is and how much time I've “lost” due to mental health struggles. My mind was my number #1 enemy, but not anymore. Now I'm determined to pursue my dreams unapologetically.

My biggest dream is to create a lasting legacy. I want to leave behind tons of content with the female gaze, portraying men as objects of desire rather than just women. It might seem like a silly dream compared to other, more grandiose ones, but I never had access to a lot of content like that. I always felt starved, scavenging the internet for scraps, especially when it came to submissive men. While I've found solace in the writing world, which flourishes with the female gaze, it’s still not enough. Men are just too gorgeous not to be appreciated in other forms of art. I want to live in a world where women have access to quality female gaze content and don’t have to resort to the male gaze if they don’t wish to. That means no faceless dudes, no showing only the woman’s body, and no men so ugly that could make a freight train take a dirt road. Enough.

To turn this dream into reality, I started to think. I could continue with writing, but as you guys can see from the number of words in The Muse and the time it took me to write it (6 fucking years), it would take too long. As the old saying goes, ars longa, vita brevis. Art takes a long time, and life is short. And I, my darlings, have a mission.

Because I love writing too much, I need something that limits the amount I can write. I thought about making videos, but it took out a large portion of the writing part, and it left me unsatisfied. After a lot of thought, I realized that video games can be the solution. They have visual elements, so I don’t need/can’t rely so heavily on my writing; I love games, I play them every day; and I can count on my fingers the number of adult games for women, meaning we need more. A lot more.

Like our himbo icon Kronk says, oh yeah, it’s all coming together.

So I'm excited to announce that I'll be creating games – fangames at first – that mix the interactive side of games and the smut from fanfiction. The SFW version of the games will be free, and the NSFW version and other perks can be accessed through my (freshly launched!) Patreon. There you'll have the power to vote for the next character featured in the games, access work-in-progress pictures and animations, see my writing process, and more. I’m still figuring things out, but I’m super hyped for this!

Currently, I’m working on the very first game of this legacy, called My Assassin Bodyguard. Yes, I transformed the Toji video/fanfic idea that I posted before into a game. You can play the demo now on itch.io!! You don't even have to download woooo!! The game may seem really basic as I get a hang of things and learn new software, but with time we’ll make improvements, such as adding different player characters, a smut gallery, and voice acting (!!!). Anything to make the experience the best it can be.

For those of you who are mostly here for my writing, don’t despair. My writing will still be alive, just in a different medium that needs me right now. I hope you understand. Thank you for your support all these years, for being here through it all. I'd be thrilled for you to join me on this new journey and help me bring this dream to life, together.

So here's the link to Patreon! (⸝⸝ᵕᴗᵕ⸝⸝) I hope to see you there! But if you can’t, I’ll still post updates here and you can always play the games on itch for free. After this dream is accomplished, my next mission will be to write books. Maybe I’ll do it along the way. We’ll see. Life’s full of surprises after all, and that’s the beauty of it. Let's enjoy it the best we can ♡

With love,

Khywae

TL;DR: Life's too short, I write too much and too slow, and I've got a ton of content to create to make my dream happen. So I'm switching to game development for now. I'd love for you to join me on this journey to make this dream a reality. Thank you for everything, love you.

P.S.:

About the Lore

I was so excited about this that I created a little world. Based on the two iconic fanfiction terms —ship and canon—, and my love for Pirate AUs, I came up with a world where we sail across the ocean, collecting ingredients to craft Tapes that connect us with different Alternate Universes. It’s basically a Witch-Pirates-‘90s nostalgia mix. I've got plans to flesh it out even more over time, like adding some decorations, some hot pirates... Important stuff, you know?

Here's the boat in its simplest form, to symbolize that our journey is just starting:

#personal #sorry if I gave you a heart attack with the title #but you guys should know by now that i'm a dramatic bitch #i'd also love to create a discord server so we can vibe but i'm shit at that. will take me a while to learn

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