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theshatterednotes · 10 months

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Oleksandr Yurchenko - Count to 100. Symphony #1 (edit 2001)

#Count to 100. Symphony #Count to 100 #Recordings Vol. 1 #Recordings Vol. 1 1991-2001 #Oleksandr Yurchenko #composer #music #bandcamp #Ukraine #Ukrainian #drone #ambient #contemporary #Bandcamp #Shukai

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laughing-moonlight · 5 months

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Rose, facedown in a pillow: I hate Love

Lisa, reading next to him: I thought you wanted to have his children?

Rose: I can be multifaceted!

#rojuro otoribashi #rose otoribashi #lisa yadomaru #love aikawa #loverose #roselove #bleach tybw #tybw #bleach ships #vizards #visoreds #bleach #gotei 13 #shikai #bankai #shukai

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artekai · 2 years

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You have acquired the Blue Hair and Pronouns social link of the Two Roads arcana!

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molytva · 6 months

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Listen/purchase: Episode III by Svitlana Nianio

https://shukai.bandcamp.com/album/transilvania-smile-1994

#bandcamp #Svitlana Nianio #Ukraine #Kyiv #Transilvania Smile #Episode III #Shukai #Світлана Няньо

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themuseumwithoutwalls · 11 months

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MWW Artwork of the Day (6/17/23) Sesson Shukai (Japanese, 1504-1589) Dragon & Tiger (c. 1570-80) Pair of six-fold screens; ink on paper, 157.2 x 339 cm. The Cleveland Museum of Art (J.H. Wade Fund)

These paired creatures represent the elements of water and wind in Chinese cosmology: the dragon’s swirling form conjures rain clouds, and the tiger embodies the wind’s terrible, unpredictable force. Lee found in Sesson’s paintings intimations of a developing Japanese style distinct from Chinese predecessors. Here, parody and pattern are at the forefront. The formidable, awe-inspiring tiger takes on the demeanor of a curious house cat, and a once-snarling dragon’s face morphs into an oddly befuddled human expression. Such exaggerated, humorously rendered faces suggest a gentle domestication of these primal forces. Lee described Sesson’s work as inhabiting a world of aesthetic awareness, in which brushstroke and pattern are primary and where waves are "arranged in graceful and rhythmically repetitive reflex curves, primarily decorative shapes and only secondarily water and foam."

#Sesson Shukai #Dragon & Tiger #japanese artist

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tricksheart · 7 months

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❤ + alm1ghtysea !!

Send ‘❤' + a url & I'll write positivity / what I think abt them.

it can be yours or SOMEONE ELSE !

( accepting )

@trattcria said: ❤ + alm1ghtysea !!

Great mun that writes awesome muses. My favorites are Kaito and Adrien but I also like their other ones too. I like how we share the same hype for fandoms and I am thankful they help keep the Detective Conan and Magic Kaito rp community alive.

I am glad that they ship with me even though both Kaito and Akira don't always see eye to eye on things. I think it keeps it interesting and fun.

Anyways, I like seeing them on my dash and their commentary and headcanons. Here's hoping they find something nice like money, food, etc. I wish them the best.

#long post cw #alm1ghtysea #[ akira kurusu in disguise. sere ]#shukai cw

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booperbeanv3 · 2 years

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a week of pride doodles + day 8 straights

handful of ocs belong to @breadfacednerd

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beneaththetangles · 2 years

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Crunchyroll Expo 2022: Interview with SHIHORI

SHIHORI is a Japanese pop singer/songwriter, best known for her collaborations with Yoko Kanno (Cowboy Bebop, Ghost in The Shell: Stand Alone Complex) and Kohei Tanaka (One Piece). She has written and composed for contemporary artists and anime series including Fairy Tail, Macross Frontier, and The Irregular at Magic High School. I had the pleasure of sitting down and talking with SHIHORI about her work and career at this year’s Crunchyroll Expo.

Note: This was a joint interview conducted with The Grand Geek Gathering Shukai.

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You’re well known for composing hundreds of songs of many different styles. You’ve composed many for Nana Mizuki and of course have collaborated with Yoko Kanno. I was wondering if you’ve had more difficulty with any particular music or anime genre in processing and creating that certain kind of atmosphere for the song or anime.

SHIHORI: Actually, any type of anime song is very natural for me to process because everything is very pop and I’m very good at pop, and I also have a classical education. So it’s always fun to explore any type of music based on classical or pop.

You moved to the US a few years ago, settling in New York and then recently moved to LA. How has this experience been for you these past few years and how have you felt your career has grown as a result of being in the U.S.?

SHIHORI: It’s actually been a lot harder and rougher than I expected. I didn’t expect it to be so hard to start over from scratch in another country. Everything was very meaningful with so many tough and good experiences that became a new treasure for me. It’s been a really early stage of building my career, but I think it’s been getting better every year and I’m enjoying it.

Ever since your move from Japan to the U.S., from New York and LA, you’ve been exposed to more and more styles of Western music. What were some of the major differences you noticed between the music composition in Japan versus the music composed here in the U.S?

SHIHORI: That’s a very good question. The most important thing in Japanese music is melodies. Most of the people start from melodies or the chorus. In the U.S., I’ve found that rhythm is more important. So like rhyming or flow is not an idea that we have in J-pop, so I didn’t realize that in the beginning and didn’t think it would be too hard to process this at first, but it was really hard. And those differences come from the language structure, and it became so interesting because of this. You need to understand the cultural background of the languages. As I understand more about the English structure, rhyming, and flow, it became more natural and fun to explore, although, I’m still struggling to understand the American music and English structure.

You’ve had a long career writing music, and I was wondering with so many songs that you’ve written, how do you keep up inspiration to write new music? Do you have anything specific you do to get new inspiration?

SHIHORI: Actually, this year I am aiming to have more collaborations with American artist creators. When I was in Japan, I would write some song for an anime and think, “I’m gonna fit in this word.” I was like that all the time. And now, while I don’t know exactly, I decided to enjoy what the universe brings me. So if a person wants a collaboration with me, then let’s try it! I’ll just see what happens. These people are my inspiration.

We had the pleasure of attending your concert last night. While the performance was very splendid, you also shared a very personal story about your dark thoughts, mental health, and disabilities. Is this something you wanted to share with your international fans from the beginning?

SHIHORI: Yes, of course. I didn’t do that in Japan that much but since I came here, I’ve been trying to find what my role could be here, and I found that the strongest message could be these things like, “be yourself” and “love yourself.” I thought it could be more powerful to talk about myself for U.S. fans, so I’m willing to share my story.

What were some of the factors that motivated you to share your story with the U.S. fans?

SHIHORI: My past motivates me the most because I had such a tough experience and memories. I’m trying to save my past self and that process is my music. Any of my fans or listeners, everybody has something like trauma or something relatable to that.

You recently announced your tour to Japan. Is that also something you’re interested in sharing or being more vocal about your past to your Japanese fans as well?

SHIHORI: Actually, I’ve been telling so many stories for my Japanese fans. They are very curious about my adventures in the U.S, so I think I would tell them more about my American stories.

To add to that, you performed “Perfect Imperfection” at the concert last night. I had a chance to listen to it prior to the concert, and there was a lot of meaning to the lyrics and a lot of personal meaning to it. It is a very uplifting song, and it tells the listeners to embrace themselves with flaws and all, which is a great message. Who or what helped you embrace those flaws for you to compose that song?

SHIHORI: That was actually during the lockdown times, so I didn’t meet anybody. That was during the toughest time since I came here. I lost all my confidence while I was struggling to adjust to U.S. culture. “Why can’t I do that?” “Why can’t I understand this?” I lost my confidence thinking of these things. I was actually close to giving up my career because I couldn’t write new songs, and I wasn’t motivated to create new things. “Maybe I can’t be a singer.” But I tried to start from loving myself—not because I did something great, but loving myself even though I can’t do anything and don’t have any confidence. While I was mentally going through this process, this message and melody came into my head like “…I got this song like a gift from God.”

To change topics a little, how are you enjoying your time here in San Jose and at Crunchyroll Expo?

SHIHORI: It’s so wonderful! It’s amazing! I love seeing people and everybody is so nice. The show was very exciting and enthusiastic, and that gave me so much power to become a better singer. I really appreciate that.

One of the songs you recently helped write was “DNA -Dance ‘n’ Amuse-.”

SHIHORI: Oh yes, Nana’s song!

That was a very different and unique song for Nana’s style, so I’m very curious how you approached that. Did you receive any different directions compared to normal?

SHIHORI: Oh yeah, I totally agree with you. That song is very unique and very attractive and very new to her. I really enjoy it as it’s very exotic. I was offered by them to write the lyrics, so I wasn’t involved in writing the song as the composer made this a Latin-flavored song. Nana Mizuki actually gives me the concept at the time. So she said, “We want like a love song where an older attractive lady seduces the younger boy.” So I was like “Okay, yeah! This sounds very sexy.” So I tried to write the sexiest lyrics in my life, and it really is the sexiest. Actually, Nana’s fans were like “…this is the sexiest song ever thank you SHIHORI for this sexy song! I’m so happy” (laughs)!

Just to conclude the interview, what’s next in SHIHORI’s career and do you have any message to your fans who will be looking forward to your next steps into your mix of western-style and Japanese-style music?

SHIHORI: Yeah, so I’m doing two lines—my original and also placements for things like game songs. Recently, I’ve been getting more game song gigs, which I’m very happy about. That was one of my goals in America. I’m going to do more American commercials and also collaborations, and hopefully expand my [audience]. I wanna see what’s going to happen, but I want to be an original existence as a Japanese singer/songwriter and a J-pop singer/songwriter in the U.S. I also want to be an existence that encourages people or listeners with my unique personality.

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You can find links to all SHIHORI related social media and music at https://linktr.ee/shihorimusic.

#Anime #Music #Interviews #Music Artists #SHIHORI #Crunchyroll Expo #The Grand Geek Gathering Shukai #Articles #Author: Kaze

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itsmarjudgelove · 6 months

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The ninja could use a diverse array of specialized weapons and equipment under appropriate circumstances. The majority of these ninja tools appear in Bansen Shukai, a famed seventeenth-century ninja manual. .

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imasallstars · 9 months

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INTERDIMENSION FESTIVAL: IDOLM@STER★♥LOVE LIVE! UTA GASSEN

Information regarding the first IJIGEN FES 2023 live has been revealed! The live will occur in the TOKYO DOME on the 9th and 10th of December 2023. This first fes will feature three branches of IDOLM@STER performing with four branches of Love Live!

The voice providers participating in this stop are as follows:

DAY 1 ONLY

IDOLM@STER CINDERELLA GIRLS 　Kotomi Aihara (Shiki Ichinose), Hiromi Igarashi (Anzu Futaba), Asami Takano (Frederica Miyamoto), Yuki Nakashima (Yuuki Otokura), Yuko Iida (Kanade Hayami), Honoka Inoue (Nanami Asari), Sumire Uesaka (Anastasia), Aya Suzaki (Minami Nitta), Miyu Tomita (Akira Sunazuka), Ru Thing (Syuko Shiomi), Teru Ikuta (Natalia), Hina Tachibana (Nagi Hisakawa), Nanami Yamashita (Yui Ohtsuki) IDOLM@STER MILLION LIVE 　Haruka Yamazaki (Mirai Kasuga), Azusa Tadokoro (Shizuka Mogami), Machico (Tsubasa Ibuki), Momo Asakura (Serika Hakozaki), Kotori Koiwai (Tomoka Tenkubashi), Atsuki Nakamura (Roco Handa), Emi Hirayama (Reika Kitakami), Yui Watanabe (Nao Yokoyama) IDOLM@STER SHINY COLORS 　Karin Isobe (Kogane Tsukioka), Chisa Suginuma (Mamimi Tanaka), Anna Yamaki (Sakuya Shirase), Shio Watanabe (Yuika Mitsumine), Yuina Mizuki (Kiriko Yukoku), Honoka Kuroki (Amana Osaki), Ryoko Maekawa (Tenka Osaki), Noriko Shibasaki (Chiyuki Kuwayama), Yuu Wakui (Toru Asakura), Rio Tsuchiya (Madoka Higuchi), Saran Tajima (Koito Fukumaru), Miho Okasaki (Hinana Ichikawa), Azusa Shizuki (Nichika Nanakusa), Aya Yamane (Mikoto Aketa)

DAY 2 ONLY

IDOLM@STER CINDERELLA GIRLS 　Ayaka Ohashi (Uzuki Shimamura), Ayaka Fukuhara (Rin Shibuya), Sayuri Hara (Mio Honda), Amina Sato (Arisu Tachibana), Tomoyo Kurosawa (Miria Akagi), Hana Tamegai (Risa Matoba), Makoto Koichi (Haru Yuuki), Asaka Imai (Chie Sasaki), Natsumi Haruse (Kaoru Ryuzaki), Misaki Kuno (Nina Ichihara), Yuri Komori (Koharu Koga), Mina Nakazawa (Yukimi Sajo), Maki Hanatani (Kozue Yusa) IDOLM@STER MILLION LIVE 　Aimi (Julia), Miku Itou (Yuriko Nanao), Ibuki Kido (Kana Yabuki), Arisa Kori (Kaori Sakuramori), Yuri Komagata (Sayoko Takayama), Rie Suegara (Fuka Toyokawa), Saki Minami (Tsumugi Shiraishi), Rikako Yamaguchi (Rio Momose) IDOLM@STER SHINY COLORS 　Hitomi Sekine (Mano Sakuragi), Reina Kondo (Hiori Kazano), Mayu Mineda (Meguru Hachimiya), Hiyori Konno (Kaho Komiya), Haruka Shiraishi (Chiyoko Sonoda), Mariko Nagai (Juri Saijo), Wakana Maruoka (Rinze Morino), Akiho Suzumoto (Natsuha Arisugawa), Yuki Tanaka (Asahi Serizawa), Eri Yukimura (Fuyuko Mayuzumi), Sayaka Kitahara (Mei Izumi), Rina Kawaguchi (Luca Ikaruga), Haruna Mikawa (Hana Suzuki), Rena Ozawa (Haruki Iketa)

DAY 1&2

AQOURS (LOVE LIVE! SUNSHINE!!) 　Anju Inami (Chika Takami), Rikako Aida (Riko Sakurauchi), Nanaka Suwa (Kana Matsuura), Arisa Komiya (Dia Kurosawa), Shukai Saito (You Watanabe), Aika Kobayashi (Yoshiko Tsushima), Kanako Takatsuki (Hanamaru Kunikida), Aina Suzuki (Mari Ohara), Ai Furihata (Ruby Kurosawa) NIJIGASAKU SCHOOL IDOL CLUB 　Aguri Ohnishi (Ayumu Uehara), Mayu Sagara (Kasumi Nakasu), Kaori Maede (Shizuku Osaka), Miyu Kubota (Karin Asaka), Natsumi Murakami (Ai Miyashia), Akari Kito (Kanata Konoe), Coco Hayashi (Setsuna Imura), Maria Sashide (Emma Verde), Chiemi Tanaka (Rina Tennoji), Moeka Koizumi (Shioriko Mifune), Shu Uchida (Mia Taylor), Akina Homoto (Zhong Lanzhu). 　Support Member: Hinaki Yano (Yu Takasaki) Liella! (LOVE LIVE! SUPERSTAR!!) 　Sayuri Date (Kanon Shibuya), Liyuu (Keke Tang), Nako Misaki (Chisato Arashi), Naomi Payton (Sumire Heanna), Nagisa Aoyama (Ren Hazuki), Nozomi Suzuhara (Kinako Sakurakoji), Akana Yabushima (Mei Yoneme), Wakana Okuma (Shiki Wakana), Aya Emori (Natsumi Onitsuka), Yuina (Wien Margarete), Sakura Sakakura (Tomari Onitsuka) HASUNOSORA SCHOOL IDOL CLUB 　Nirei Nozomi (Kaho Hinoshita), Kokona Nonaka (Sayaka Murano), Nina Hanamiya (Kozue Otomune), Kotoka Sasaki (Tsuzuri Yugiri), Kanna Kan (Rurino Osawa), Kona Tsukine (Megumi Fujishima)

#event rundown

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blnxpc · 7 months

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Zenko-shukai(All-school Assembly)

#詩 #現代詩 #poem #poetry #japanese #文学 #visual poetry #実験詩 #視覚詩 #concrete poetry #Vispo #poésie visuelle #visual poem #typewriter #typewriter poetry #typewriter poem #具体詩

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blondnewhalf · 4 months

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2024年1月

1/5(金)心斎橋火影『2024年明け営業初めFREE GIG』・BLONDnewHALF ・バビロンブレイカーズ・redmammoth ・ジャンキー58％ DJ : 大義 / 黒毛和牛 open/start 19:00 TICKET FREE!!(1D代¥500別)

1/6(土)梅田ムジカジャポニカムジカ『恒例、ムジカで新春ロケンローパーチー2024到来』餅つきスペシャル！・BLONDnewHALF ・ほりゆうじ… ・佐伯真有美(オニ:あふりらんぽ) ・ワンダフルボーイズ・松井洋介バンド・桜川春子・ヨダカノホシ open/start 15:00/16:00 adv/door 3000(2D込み)

1/7(日)京都西院ウーララ『祝！ウーララ移転１２周年記念日』・BLONDnewHALF ・than ・NEO JAPANESE ・自転車SO業舎 open/start 18:00/18:30 adv/door 1900/2400(+1D)

1/8(月・祝)三国ヶ丘ファズ『新春お餅つきDUB』・BLONDnewHALF ・楽しんでいこうや西岡と狂ったチワワズ・The Yayako ・みのようへい open/start ???? TICKET FREE！(1D代¥500別)

1/14(日)神戸ヘラバラウンジ『P-iPLE 7inch 「MISSING IDOLS」release party in KOBE』・BLONDnewHALF ・P-i PLE(東京) ・Jocko ・après-guerre na•poto open/start 18:30/19:00 adv/door 2000/2500(+1D)

1/21(日)心斎橋火影『B.S.T.V』・BLONDnewHALF ・NTGSS ・Amsterdamned ・Koldwaltz ・Sixteencoins ・Shukai open/start 17:30/18:00 adv/door 2000/2400(+1D)

1/26(金)京都二条ナノ『OOOTOOO』・BLONDnewHALF ・SHELTER PLAN DJ:5364 / BIG松村 open/start 19:00 adv/door 2000(+1D)

1/27(土)神戸D×Q 『GOD SPEED YOU!!』・BLONDnewHALF ・RobotMeetRobo ・CHOCHINES ・LODYPOPS open/start 17:30/18:00 adv/door 3000(+1D)

1/28(日)尼崎トラ『Bohemians』・BLONDnewHALF ・ハガクレ(名古屋) ・halo ・The Lula ・歪みの国のチェルシーfeat MITEINARICO open/start 18:00/18:30 adv/door 2000/2500(+1D)

1/31(水)扇町パラダイス・BLONDnewHALF ・GOSHIKI ・自転車SO業舎・comical fighters open/start 18:30/19:00 adv/door 1500(+1D)

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artekai · 1 year

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I should write Kai's confidant and romance route...

#ramble #i have no energy to write or do pretty much anything but... imagine #shukai christmas and valentine's date real... 🥺#shukai #kaito maruki #oc tag

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kabutoraiger · 1 year

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Rob i need a bit of help naming my OC sentai villains. they're basically a old Japanese Clan sealed away and they are like, mega necromancers. Im failing to think of good japanese wordplay names though I do know for sure the leader needs 'Necro' in his name. if you can help me that'd be great. Also your Yokai Sentai sounds baller.

well i'm not rob and jpn wordplay is not really a strong suit of mine but i guess i could try and help brainstorm anyhow...

maybe you could do something with 集会 shukai (coven) and 死体 shitai (corpse)? since they read similarly. and mr necro could just be like. "nekurotei" bc even if the syllables aren't quite right when said aloud it still sounds a lot like kotei (emperor). to me, at least.🤔

#sounds like a fun group regardless of what you call them tho #replies

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jarry · 24 days

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Experimentalmusik aus der Ukraine: Im Untergrund der bröckelnden UdSSR - taz.de

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praxis2038 · 4 months

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#Bandcamp

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