It’s kinda funny that Jason is, in every sense of the word, the most normal Robin. Unironically, there wasn’t anything uniquely special about him before he was Robin. He was a street kid. His dad was a goon (which makes sense for Gotham. It’s a goon breeding ground) and his adoptive mom was a girl who fell in love with the bad boy, got disowned by her upper middle class parents and adopted her boyfriend’s infant son. Even his biological mother isn’t anything special! She was just a doctor who ended up becoming corrupt.
Jason Todd was no circus kid who could do an impossible signature trick. He wasn’t being scouted by some evil hidden organization.
He wasn’t the rich boy genius who lived next door.
He’s not the son of a supervillain (as lame as cluemaster is, he still *counts*).
He’s not the secret son of Bruce Wayne.
And he’s not a metahuman, nor did he led a whole organization of teens to fight when Batman couldn’t.
He’s the most regular boy to ever enter become a hero in Gotham. He wanted to do good things for the sake of doing good. He grew up poor with regular parents, where bad things happened to them. The kinds of things that could happen to *any* person living in Gotham.
There is nothing about him, pre-Robin and as Robin, that makes him Not Like Regular Kids.
His dad was a goon (who, depending on the run, was either killed by Two-Face OR. Just sent to prison and killed in prison! Which makes his backstory even PLAINER-) and his mother was a drug addict with cancer. Jason ends up homeless, and almost steals the bat mobile tires. The only thing that makes him stand out from any other tragedy befallen kid in Gotham is the fact he was bold enough to do that, get Batman’s attention, and continue to be bold enough to go against a crime lord (who was apparently his grandmother, the most interesting person in his family, but since she’s almost never brought up, she’s likely no more significant than a one-issue villain in the crime lord power hierarchy). Batman realized that Jason wasn’t going to really stop, and honestly he kinda grew on him, so he decided to adopt Jason, and eventually allow him to become Robin.
There just isn’t anything amazingly special about his backstory. The few moments where something could have been done to make it more interesting (like his biological mother) but ended up taking the most boring option. You can’t do much of anything now to enhance his past without upsetting much more well established canon, and not without making people wonder “well if his grandmother was such a big name in crime, why hasn’t she been brought up before?”
Jason Todd was a wonderful Robin (providing that he actually has a writer who likes him). He has a golden heart, he’s the voice of reason. He’s everything that a Robin needs to be for Batman. But compared to everyone else, he was nothing special. In a way, his lack of Not Like Regular Kids makes him stand out in a much more subtle way.
As if someone asked the question “Do I need to be someone special to be Robin?” And the answer was “You don’t need to be someone special, you just need to be brave, like Jason Todd was.”
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I believe in not only corrupting eggs to transition to men but to light fires under the asses of men who transition but stop taking it seriously for whatever reason. With enough repeated failure and desires left unsatisfied, even these big shot, loud and angry, rowdy tboys start to have that soft boy fetishized weakness rigomoroll shit catch up with them. They start to familiarize and hide behind their own percieved inferiority, these hot young soldiers with all this potential losing steam and left to reminisce while they're still half-baked, a bunch of poor bastards. Steam powered, roided inertia slows to a vapid convention and stops at a stale, repetitive restriction of depleted self esteem. The raw abrasion of transition wears off and the bullshit we deal with as men wears on us, makes us minimize ourselves, keeps us bound to the same old same old, always for the best.
Doesn't have to be the case. In an age of mediocrity and the demonization of queer masculinity, be that man. If you feel unhappy and discontent and you don't know how, take your transition a little more seriously. You don't just do it once, you come out and take the steroids, heehee hoohoo i'm pinocchio and the blue fairy made me a real boy and you're done forever happily ever after. Masculinity is about constantly challenging yourself, and if you're being challenged as a man constantly it can be a sign of a good thing. You will grow in the face of, in spite of, and because of adversity. Shoot things. Hit things. Fucking stand up for yourself and stop letting people walk all over you. Step outside of your comfort zone. Make yourself dangerous. Make others dangerous. Walk the streets with no fear knowing if somebody gives you shit you've broken yourself in so many times you're equipped to deal with it. Don't slow down and remember who the fuck you are.
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Kaeya had always been an efficient and hard-working individual (he had to be to support Diluc in the background as his brother rose thru the ranks after all).
He has so much free time because he completes all his work way ahead of schedule. And if he still has enough time, he adds more to the workload in secret.
And once all of that was done and over with, he makes time for everyone. He has to. He feels as if every moment has to be given to someone else.
No one knows how he does it. No one has to know.
Every mission has a dozen strategies in line, and every battle plan is made with efficiency in mind. His perfect record will not be tarnished. He can't risk it (even if it baffles others that he would willingly activate a ruin guard just to prevent a failed mission. Jean disagrees with his methods, but Kaeya can say that the results say otherwise)
He needs to be quick.
Efficient.
Perfect.
And so he comes and goes like the wind.
Kaeya values time because he knew every second counted. He can't just stand there as if he were frozen. Time could run out in an instant.
Kaeya had only been late once his entire life.
He'd rather he never be late ever again.
It took one day of being of being imperfect for everything to fall apart. On that tragic day...had he gotten there on time... then maybe...
.
.
.
" Come on, let's get moving, traveler. We're not frozen in place after all. " Kaeya teasingly says. He stiffles a giggle at the traveler's exhasperated sigh.
"Yeah yeah, we've heard enough of you calling us a slacker. Can't you be a bit more patient?" Paimon whines at him.
Kaeya snorts, but acquiesces, hiding the shaking of his hands at the thought of being idle.
He imagines hearing a clock ticking.
Kaeya knows that that is his own problem. He tries his hardest to relax as he waits for the traveler to finish whatever they're making on the alchemy table because, seriously, it is supposed to be a relaxing day. There's nothing major going on, and his schedule is once again empty as intended. What's the hurry?
Kaeya taps his foot on the ground as he waits. He wishes he could take his own damn advice when he tells others to relax.
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If you're going to be mad that a canon ship has 1000+ fics when HenRen also has that amount but spread out over several years, then you should be furious that a non-canon m/m ship has 25k+ fics... you know, if this REALLY was about caring about the way that people write for lesbian couples compared to gay couples...
Just like some of y'all all of a sudden care about the female love interests
And just like you all of a sudden care about racism
But... it's not really about all that, now is it?
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it's weird how in the flashback episodes we never really see sam as an angry kid when we hear so much about how he argued with john nonstop and how vocal he was about hating the life throughout the show, he's always portrayed as kinda timid and quiet.
the only time we see him act out like that (that i remember right now anyway) is in after school special and he spends the entire episode pushing it down and swallowing everything he wants to say until he is finally pushed too far
its almost like sam wasn't a horribly angry child (or adult)
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not to dive back into my apparently controversial video game opinions but the "they probably left out nigh all references to botw to not confuse new players" argument for totk really confuses me in turn bc …
if an overgrown non functioning botw shrine confuses you so much you cant keep playing how are you ever getting through any video game?? if you are not familiar with botw its just part of the environment for you, a fallen apart titan or a half collapsed shrine of life with a cave now leading somewhere else shouldnt completely confuse you-
but mainly ... this is (supposedly................) a direct sequel to botw, a literal second part, if you dont play the first one and just get into the second one you cant blame it on anyone but yourself for not understanding some things? like if totk actually built on what botw set up and you get into totk without having played the first one you really have no right to be angry about being confused by some things its like if you start watching a series with the second season instead of the first one, your own darn fault if you dont get it
(also theres plenty of people who summarize video games for you so you could also jsut watch one of those if you really really dont want to play the first one)
if this is really the reason nintendy forcibly bent everything in totk to not dare have a proper connection to botw then ... im sorry but why the heck did you call it a sequel then, if you want to have a standalone game then make a standalone game, and if you want to reuse the map and models so badly then just say its some paralel universe or something, you have literally done that before!!
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