#S01E14 The Search
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Gif: @clairelizfraser
S01E14 The Search • May 9 2015 Transcript
Outlander Rewatch 2023 Countdown To Season 7
Favourite Word
That flat-footed lummock has no feeling for the tune. — Murtagh
Gif: @outlander-starz
Favourite Line
Bear ye one another's burdens and so fulfill the... — Murtagh
Stop quoting the bible. It doesn't suit you. — Claire
Gif: ontd-sassenach
Favourite Image
I know what you're thinking, but there is no way on earth that so few men can force their way into Wentworth prison. — Dougal
Gifs: @yellowfeather84
Remember… very few fortune-telling healers roam the Highlands with a dancing Fraser clansman in tow. — Murtagh FitzGibbons Fraser
14th of 75 • Sunday, 16 April 2023
#Tait rhymes with hat#Good times#Outlander#Rewatch 2023#Countdown To Season 7#14th of 75#S01E14 The Search#Aired 9 May 2015#Rewatched 16 April 2023
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Cowboy Bebop #14: “Bohemian Rhapsody” | January 23, 1999 | S01E14
Adult Swim premiere: October 15, 2001 - 12:30AM
We are back to an episodic one! But it’s about a freaking CHESS GAME: BOOO. Actually this one isn’t bad, it’s about the search for a mastermind behind some kind of seemingly terroristic act but it turns out it’s an old man with a score to settle. By the end of the episode we learn that he is truly senile and doesn’t even remember the various traps he set in order to enact a long-con revenge over the course of 50 years. He and Ed play computer chess.
DID YOU KNOW: I one time went to a chess club meeting because I thought “maybe there is something to this” and then in the middle of them explaining the rules to chess I tapped out LOL. There was no way in hell I was going to do that nerd shit. I was more into pulling in pussy from yahoo checkers. Let’s face it: I definitely got laid.
MAIL BAG
Assuming you don't get the hard drive contents back by the time you're done with Bebop, what's next? Gonna go with the next anime AS aired or their next comedy acquisition or are you just gonna redo those late 2006 writeups?
I am very hopeful I’ll know what’s up by the time we run through cowboy bebop. The shop finally let me know that they ordered a motherboard and received the wrong one and had to send it back, and the other one they ordered should be there within a few days. I think I’ll do Baby Blues next if I have to keep stalling. I got NO TIME to be doing this shit, but I do like the idea of making my way through all the acquisitions eventually.
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EPISODE
Season 1
DISC 1
S01E01 "The Teeth of the Barracuda" 1960
S01E02 "Bad Man on Campus" 1960
S01E03 "My, What a Pretty Bus" 1960
S01E04 "When Smitty Comes Marching Home" 1960
S01E05 "You Can't Tell the Players Without a Programmer" 1960
S01E06 "A Time to Love, a Time to Cry" 1960
DISC 2
S01E07 "Find Tara Chapman!" 1960
S01E08 "The Price of Terror" 1960
S01E09 "A Quiet Weekend in the Country" 1960
S01E10 "Love" 1960
S01E11 "Twinkle, Twinkle, Little Starlet" 1960
S01E12 "The Guru" 1960
DISC 3
S01E13 "The Sunday Drivers" 1960
S01E14 "Hello Mother, My Name Is Julie" 1960
S01E15 "Flight Five Doesn't Answer" 1960
S01E16 "Shell Game" 1960
S01E17 "Fear Is the Bucking Horse" 1960
S01E18 "A Hint of Darkness, a Hint of Light" 1960
S01E19 "The Uptight Town" 1960
DISC 4
S01E20 "A Reign of Guns" 1960
S01E21 "A Run for the Money" 1960
S01E22 "Child of Sorrow, Child of Light" 1960
S01E23 "Keep the Faith, Baby" 1960
S01E24 "Captain Greer, Call Surgery" 1960
S01E25 "Peace Now – Arly Blau" 1960
S01E26 "A Seat by the Window" 1960
Season 2
DISC 1
S02E01 "The Girl in Chair Nine" 1960
S02E02 "My Name Is Manolette" 1960
S02E03 "An Eye for an Eye" 1960
S02E04 "Ride the Man Down" 1960
S02E05 "To Linc – with Love" 1960
S02E06 "Lisa" 1960
S02E07 "Confrontation!" 1960
DISC 2
S02E08 "Willie Poor Boy" 1960
S02E09 "The Death of Wild Bill Hannachek" 1960
S02E10 "A Place to Run, a Heart to Hide In" 1960
S02E11 "The Healer" 1960
S02E12 "In This Corner – Sol Alpert" 1960
S02E13 "Never Give the Fuzz an Even Break" 1960
S02E14 "The Debt" 1960
DISC 3
S02E15 Sweet Child of Terror 1970
S02E16 "The King of Empty Cups" 1970
S02E17 "A Town Called Sincere" 1970
S02E18 "The Exile" 1970
S02E19 "Survival House" 1970
S02E20 "Mother of Sorrow" 1970
DISC 4
S02E21 "The Deadly Sin" 1970
S02E22 "A Time for Remembering" 1970
S02E23 "Return to Darkness, Return to Light" 1970
S02E24 "Call Back Yesterday" 1970
S02E25 "Should Auld Acquaintance Be Forgot!" 1970
S02E26 "The Loser" 1970
Season 3
DISC 1
S03E01 "The Long Road Home" 1970
S03E02 "See the Eagles Dying" 1970
S03E03 "Who Are the Keepers, Who Are the Inmates?" 1970
S03E04 "‘A’ Is for Annie" 1970
S03E05 "The Song of Willie" 1970
S03E06 "Search and Destroy" 1970
DISC 2
S03E07 "Just Ring the Bell Once" 1970
S03E08 "Welcome to the Human Race, Levi Frazee!" 1970
S03E09 "A Far Away Place So Near" 1970
S03E10 "A Time of Hyacinths" 1970
S03E11 "The Judas Trap" 1970
S03E12 "Fever" 1970
DISC 3
S03E13 "Is There Anyone Left in Santa Paula?" 1970
S03E14 "A Short Course in War" 1970
S03E15 "Kicks Incorporated" 1970
S03E16 "A Bummer for R.J." 1970
S03E17 "The Hot, Hot Car" 1970
S03E18 "Suffer, Little Children" 1970
DISC 4
S03E19 "Is That Justice? No, It's the Law" 1970
S03E20 "A Double for Danger" 1970
S03E21 "Welcome to Our City" 1970
S03E22 "The Comeback" 1970
S03E23 "We Spy" 1970
S03E24 "The Price of Love" 1970
Season 4
DISC 1
S04E01 "The Sentinels" 1970
S04E02 "Cricket" 1970
S04E03 "Home Is the Streets" 1970
S04E04 "Survival" 1970
S04E05 "Color of Laughter, Color of Tears" 1970
S04E06 "The Medicine Men" 1970
DISC 2
S04E07 "The Sands of Anger" 1970
S04E08 "The Poisoned Mind" 1970
S04E09 "Exit the Closer" 1970
S04E10 "Whatever Happened to Linc Hayes?" 1970
S04E11 "And a Little Child Shall Bleed Them" 1970
S04E12 "Real Loser" 1970
DISC 3
S04E13 "Death of a Nobody" 1970
S04E14 "Feet of Clay" 1970
S04E15 "I Am My Brother's Keeper" 1970
S04E16 "Deal with the Devil" 1970
S04E17 "Kill Gently, Sweet Jessie" 1970
S04E18 "Shockwave" 1970
DISC 4
S04E19 "No More Oak Leaves for Ernie Holland" 1970
S04E20 "The Cave" 1970
S04E21 "The Wild Weekend" 1970
S04E22 "The Tangled Web" 1970
S04E23 "Outside Position" 1970
S04E24 "Big George" 1970
Season 5
DISC 1
S05E01 "The Connection: Part 1" 1970
S05E02 "The Connection: Part 2" 1970
S05E03 "The Thunder Makers" 1970
S05E04 "Yesterday's Ashes" 1970
S05E05 "A Gift for Jenny" 1970
S05E06 "Taps, Play It Louder" 1970
DISC 2
S05E07 "Eyes of the Beholder" 1970
S05E08 "Good Times Are Just Memories" 1970
S05E09 "Corbey" 1970
S05E10 "Can You Hear Me Out There?" 1970
S05E11 "Another Final Game" 1970
S05E12 "Crime Club" 1970
DISC 3
S05E13 "The Twain" 1970
S05E14 "Belinda, End of Little Miss Bubble Gum" 1970
"S05E15 ""Kristie"" 1970
C"
S05E16 "Sanctuary" 1970
S05E17 "Run, Lincoln, Run" 1970
S05E18 "Don't Kill My Child" 1970
DISC 4
S05E19 "Death in High Places" 1970
S05E20 "Put Out the Welcome Mat for Death" 1970
S05E21 "Scion of Death" 1970
S05E22 "The Night Holds Terror" 1970
S05E23 "Cry Uncle" 1970
S05E24 "And Once for My Baby" 1970
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Tomb of the Sea
Episode Gifsets for each episode tagged Tomb of the Sea. Follow an older and solo Wu Xie, as he destroys the status quo of the mystic nine and kidnaps a kid on search to find the hidden Gutong City.
All episodes under the cut. (27/36)
s01e01
s01e02
s01e03
s01e04
s01e05
s01e06
s01e07
s01e08
s01e09
s01e10
s01e11
s01e12
s01e13
s01e14
s01e15
s01e16
s01e17
s01e18
s01e19
s01e20
s01e21
s01e22
s01e23
s01e24
s01e25
s01e26
s01e27
s01e28
s01e29
s01e30
s01e31
s01e32
s01e33
s01e34
s01e35
s01e36
s01e37
s01e38
s01e39
s01e40
s01e41
#cDrama#Tomb of the Sea#Leo Wu#Qin Hao#Zhang Min En#Vardy Wang#Ash Zhu#Suspense#Action#Supernatural#Tomb Raiding#Adapted from a Novel#Bromance#China#Drama#GIF_MasterList#GIF
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CHICAGO FIRE – A LITTLE TASTE (S01E14)
Doctor (Dr. Givens): Fold your arms behind your back…
Lifting your hands as high as they’ll go.
And extend your arms forward.
Bend your elbows.
Press up against my hands.
Thank you, Lieutenant.
Be right back.
cutscene
[toaster pops]
[liquid pouring]
[door closes]
Leslie Shay: Hey.
Kelly Severide: Hey.
Leslie Shay: Well?
Kelly Severide: Full duty starting next shift!
Leslie Shay: [gasps]
Clarice: [laughs]
Kelly Severide: Bang!
Leslie Shay: Congratulations.
Kelly Severide: Pretty great, huh?
Leslie Shay: Yes, so great.
Clarice: So happy for you.
[kissing sound]
Kelly Severide: Thank you.
Leslie Shay: Uh, hey, just a heads-up.
[water pouring]
Leslie Shay: Eric Whaley’s still there.
Kelly Severide: I got no beef with him.
How’s the little one?
Clarice: [laughs]
cutscene
Leslie Shay: Yeah. I mean, things are working out surprisingly well,
considering Clarice is in the bathroom every ten
minutes. Hm, Severide is just… he’s been totally cool
since she moved in.
Gabby Dawson: That’s nice of him.
Leslie Shay: I mean, going up and down that spiral staircase with a
baby, that’s gonna suck. But we should probably just
leave him up there until he can walk down himself.
Um, I get that you’re not a huge fan of Clarice, but
we’re a couple now, and I’m looking to basically be a
stepmom. So I need your support.
Gabby Dawson: I’m sleeping with Mills.
Leslie Shay: I knew it! You skank. You kept it from me this whole
time?
Gabby Dawson: We agreed to keep it cool at work, so…
Leslie Shay: Does Casey know?
Gabby Dawson: I don’t think so.
Leslie Shay: Are you gonna tell him?
Gabby Dawson: Do you think I should?
Leslie Shay: So you’re over him?
Gabby Dawson: Look, he zigged, I zagged. Wasn’t meant to be.
Leslie Shay: How’s the sex with Mills?
Gabby Dawson: [laughs] I… I really like him, but it’s not just a
physical thing. So let’s just say he’s very…
detail-oriented.
But here’s the problem. He wants me to meet his
mom, and I’m… I’m just not there yet.
What would you do?
Leslie Shay: Detail-oriented, huh?
[start alarm buzzes & blares]
(Over PA): Ambulance 61, Truck 81, Squad 3.
[overlapping chatter]
Matt Casey: Driver fled the scene, but the passenger’s pinned in
there pretty good. Door’s jammed. We gotta cut her
out. Cruz, Otis, get ready to assist Squad with the
pin in.
Gabby Dawson: Are you hurt anywhere?
Victim 1: It’s okay.
Leslie Shay: All right, sweetie, this is gonna go around your neck.
Gabby Dawson: Can you tell us your name?
Victim 1: Ambrosia.
Gabby Dawson: Oh yeah? You working tonight?
Victim 1 (Ambrosia): A little. And you were in my dreams.
[sighs]
Gabby Dawson: Whoa! Hey, hey, hey! Come here, sweetie.
�� Hon, what did you take, sweetie?
Leslie Shay: Dawson, track marks.
Gabby Dawson: Hey, Casey, how long will we get in there?
Matt Casey: Five, maybe ten. Let’s go!
Man 1 (Eric Whaley): Capp, be ready with the spreaders! Hadley,
we need the ram for a dash roll!
Hadley: Got it!
[metal whines]
[indistinct radio chatter]
[saw cutting glass]
[hammering]
Matt Casey: All right.
All right.
Okay, good.
Firefighter: Good.
Leslie Shay: All right, guys, watch her head.
Gabby Dawson: Try to keep her steady.
Leslie Shay: Okay, good. She’s gonna arrest.
Gabby Dawson: We gotta get her to the hospital now.
Leslie Shay: Let’s get her up. Let go of the handle.
Gabby Dawson: There you go.
I’m barely getting a pulse on her.
Matt Casey: Fifth heroin OD this week. What the hell’s going on?
- title -
Man 2 (Rick Savrinn): Yeah, I asked Nancy what was on her bucket
list once she got out.
She didn’t get the reference. You forget how
closed off these prisoners are in terms of
movies and…
[buzzing]
Man 2 (Rick Savrinn): … popular culture and stuff. Little things that
we take for granted.
I’m just gonna give my congratulations, and
then I’ll let you two have your time together.
Matt Casey: Sounds good.
Nancy Casey: [exhales]
Can’t believe this is really happening.
Rick.
Thank you.
Man 2 (Rick Savrinn): I’ll drop by once you get all settled.
Nancy Casey: Okay.
Matt Casey: Ready?
All right, mom.
cutscene
[buzzing]
[gate shutter rolling open]
Hadley: Oh, boy.
Capp: Is that him?
[all cheering and applauding]
Hadley: Hey, buddy.
Capp: Welcome back.
Kelly Severide: Dawson.
Chief Boden: Welcome back. About damn time.
Kelly Severide: Thanks, Chief.
Christopher Herrmann: And the neck’s 100%, right?
Kelly Severide: Yeah, you wanna spar a few rounds after shift and
find out?
Christopher Herrmann: No, I’m good.
Otis Zvonecek: Hey, this is uh, Pouch. The best damn thing to ever
happen to this house.
Mouch: Otis is transferring.
Otis Zvonecek: What? Come on. It’s like I’m being rocketed into
space.
I’m going over to Morningside.
[dog yipping]
Chief Boden: Kelly, your relief Lieutenant, Eric Whaley.
Kelly Severide: It’s been a while.
Man 1 (Eric Whaley): Yeah.
Chief Boden: You two know each other?
Kelly Severide: Yeah, I was, uh… engaged to Eric’s sister.
Mouch: Ah, got it. The original Renee.
Man 1 (Eric Whaley): There was a second one?
Chief Boden: Well, now that you’re back, Whaley will move over to
engine to relieve Jeff Turner for the next few shifts.
Okay, everyone, listen up. Some of you may know
Gabby’s brother, Detective Antonio Dawson. He has
some information from CPD for us.
Antonio Dawson: Thanks, Chief.
Last few weeks, I’ve seen a spike in fatal
overdoses. ME’s office has connected at least a
dozen deaths to a toxic batch of heroin. Now
be aware, it’s laced with fentanyl and in most
cases does not respond to the normal protocol
of naloxone. We are now approaching each
overdose as a potential homicide.
[station alert buzzes & blares]
(Over PA): Truck 81, Squad 3, Engine 51, Ambulance 61. Structure
fire, 115... [continues indistinctly]
Antonio Dawson: Gabby. You’re on the front lines on this thing.
Gabby Dawson: Yeah, I’ll look into it.
Antonio Dawson: See, that’s exactly what I don’t want you to do.
The crew that’s pushing this bad dope, they
don’t mess around.
Gabby Dawson: As opposed to all those amicable drug dealers out
there?
[engine starts]
Antonio Dawson: I’m serious. Be careful. Don’t go Gabby on this.
Gabby Dawson: Hey, you look like hell.
Antonio Dawson: Good morning to you too.
[engine starts]
[sirens blaring]
[horns honking]
[radio chatter]
Chief Boden: Looks like the fire’s in the back, probably where the
kitchen is. Truck, get inside, open up the windows
and the exits. Give me a primary search. Engine,
get an attack line in the front.
Matt Casey: Herrmann, Mills, open up the back. Otis, secure the
utilities. Mouch, Cruz… where’s Cruz?
Joe Cruz: [grunting]
Matt Casey: Cruz, put your mask on!
[glass breaking]
Joe Cruz: There’s somebody in here!
Kelly Severide: All right, we’ll find him.
[glass continues breaking]
Kelly Severide: Fire department! Is there anybody in here?
[explosion]
Man 1 (Eric Whaley): Fire’s in the exhaust system. We gotta get that
aerial up to the roof.
Matt Casey: (into radio) Herrmann, Mills, get that ladder set.
Chief Boden: Just get me a line up there.
(into radio) Severide, give me a progress report.
Kelly Severide: (into radio) Primary search of the kitchen negative!
[ladder raising]
Matt Casey: Let’s cut a vent.
[ceiling collapses]
Squad Firefighter: Hey, he’s over here!
Kelly Severide: Okay, let’s clear a path.
[saw buzzing]
Kelly Severide: Hey! Grab the end.
[grunts]
All right, that’s good!
We got you.
[saw buzzes]
Man 1 (Eric Whaley): Keep feeding me line!
Matt Casey: Good.
(into radio) Vent’s open.
Man 1 (Eric Whaley): Send the water!
[water spraying]
Leslie Shay: Push him all the way up.
[water spraying]
Otis Zvonecek: Board-up crews.
Peter Mills: Why do they always look like gangsters.
Otis Zvonecek: Because they are. Do you have any idea what these
contracts are worth?
Vultures.
Christopher Herrmann: Hey, it’s not as bad as it looks, old timer.
Kitchen ceiling is gonna need some
patching up, but other than that, it’s just a
lot of smoke damage.
Man 3 (Owner): It’s a sign to finally get my ass to Florida.
Wanna buy a bar?
Leslie Shay: [laughs]
Christopher Herrmann: [chuckles]
[ambulance door shuts]
Mouch: So you a fireman or a kamikaze pilot now?
Joe Cruz: Saved the old man, fire’s out. That’s all that matters.
Mouch: It matters if you get yourself killed.
[truck door closes]
[siren blares]
Kelly Severide: Eric.
Look man, when the whole thing went down, you
and I weren’t talking, obviously, and… I never got
a chance to apologise. I really am sorry for what
happened.
We used to be friends once, right?
Man 1 (Eric Whaley): I’m only here a couple more shifts.
cutscene
[squad beeping]
Chief Boden: So how is your neck?
Kelly Severide: 100%.
Chief Boden: You’d tell me if it wasn’t, right?
Kelly Severide: I wouldn’t be here if it wasn’t.
Chief Boden: Yeah, right.
Otis, Casey, my office.
[door closes]
Chief Boden: Otis, your transfer just came through. You report to
Morningside next shift.
Otis Zvonecek: Oh, wow. Um… so it’s official?
Chief Boden: Only if you want it to be.
Look, we know you made this decision based off of
one shift there, but you have had one month to
think about it. We want to give you an opportunity
to…
Otis Zvonecek: I’m ready to go, Chief.
Matt Casey: Otis… we do a lot of ball-breaking in this house.
It’s not that we don’t appreciate you, but if anybody
ever crossed the line…
Otis Zvonecek: It’s not personal, Lieutenant. Morningside’s a
smaller house. I’ll have a better chance of
getting off elevators sooner, and they’ll let
me drive.
Chief Boden: They’ll be lucky to have you.
Otis Zvonecek: Thanks Chief [clears throat]
Matt Casey: Good luck, Brian.
Otis Zvonecek: [chuckles] Lieutenant.
[door closes]
cutscene
[knocks on ambo door]
Gabby Dawson: Whoa, what are you doing here?
Antonio Dawson: I need to talk real quick.
Gabby Dawson: [sighs]
Antonio Dawson: Wait, wait, wait, wait.
Yeah.
Gabby Dawson: [light chuckle] This ought to be good.
Antonio Dawson: If anyone calls you asking if we went to a movie
last night, the answer is yes.
This heroin thing… is starting to blow up a little
bit, and I’m damn close to making some busts.
Gabby Dawson: Okay.
Antonio Dawson: The thing is, the guys over in Narcotics, they get
real territorial, and they don’t want a guy from
Vice taking collars from them. So I told a little
white lie to my boss ‘cause I wasn’t where I
was supposed to be last night, and I said that
you and I… can you just say yes if anyone
asks?
Gabby Dawson: Why do I feel like I’m not getting the whole story?
Antonio Dawson: Because you’re not getting the whole story.
I’m working a case. Will you cover for me,
please?
Gabby Dawson: Uh…
Antonio Dawson: Of course you will. Thank you.
[kissing sound]
cutscene
Christopher Herrmann: Hey, I just did a little recon on that bar
owner.
Leslie Shay: You’re not actually thinking of buying it?
Christopher Herrmann: Me alone? No. But would I be willing to be
a part of a consortium? Maybe.
Mouch: All right, first of all, that guy was as old as dirt. Second of
all, he did a face plant off a ladder. I doubt he even
recollects making an offer to sell.
Christopher Herrmann: You heard him. He wants to get his ass to
Florida. He’s gonna sell that place. It’s in
an up-and-coming neighbourhood, he
owns the property, and he’s got the
Brass ring… a liquor license.
There’s the worm. It’s right there. Who’s
gonna be the early bird? Why not us?
I’m telling you, if this place hits the open
market, some hipster douche bags are
gonna swoop in and print money.
Mouch: Hmm.
[laughter]
Christopher Herrmann: No vision in this house!
None!
Zero!
[laughter]
Man 1 (Eric Whaley): [sighs] So, um… who was this new Renee?
I’m curious.
Kelly Severide: I apologised. I offered to put it past us. If that’s not
something that you’re up for and you’d rather keep
it frosty till you leave, I can do that too.
Man 1 (Eric Whaley): What are you apologising for? For dumping
her two days before the wedding or for
what happened after?
Kelly Severide: You’re not in full possession of all the facts here,
Eric.
Man 1 (Eric Whaley): Then enlighten me, Kelly.
That’s what I thought.
You were a coward then, and you’re a coward
now.
[chair rolls back]
Kelly Severide: Before this goes any further south, why don’t you
walk away?
Man 1 (Eric Whaley): Or what?
Nancy Casey: Excuse me?
Is Matthew Casey here?
Kelly Severide: Yeah, he’s right this way.
Matt Casey: How’d you get here?
Nancy Casey: I took the bus.
Matt Casey: What’s going on?
Nancy Casey: Just wanted to see where my son works.
Matt Casey: This is where I work.
Nancy Casey: Well, are you embarrassed that I’m here?
Matt Casey: No, I… Of course not.
Nancy Casey: Well, then can I get a tour?
Matt Casey: Yeah. Uh… Um… You saw the truck.
Nancy Casey: This is your truck?
Matt Casey: Yeah.
Nancy Casey: Wow.
Matt Casey: And, uh… Oh, this is Peter, uh, behind you, mom.
This is Peter Mills, our candidate. This is my mom.
Peter Mills: Oh, hey.
Nancy Casey: Hi.
Oh.
Nancy & Peter: [laughs]
Peter Mills: You have got a great son.
Nancy Casey: That’s very kind of you to say.
Peter Mills: Oh. May I?
Nancy Casey: Oh, yes. Please help yourself.
Peter Mills: [chuckles] Thank you.
Matt Casey: Oh, uh, this is, uh, Gabriela Dawson.
Nancy Casey: Oh. You… you were at my hearing?
Gabby Dawson: Yes, that’s right.
Nancy Casey: Oh, thank you so much. That just… that meant the
world to me, and I’m sure it did to Matthew as
well.
Gabby Dawson: Oh, ma’am, it was… it was my pleasure, and uh…
congratulations for… well, you know, uh, getting
out of… you know [exhales]
Nancy Casey: Prison.
Gabby Dawson: Yeah [nervous chuckle] Yep, prison. The big house.
The big house… is… they even call it the big
house anymore? Probably not, I’m guessing.
Nancy Casey: Ohh! She’s adorable! She’s an absolute joy. Forget
Hallie, this is the kind of woman I’ve always
envisioned you being with.
Gabby Dawson: [nervous laugh]
cutscene
[water running]
Peter Mills: [sighs]
You given any more thought to dinner on Sunday?
I g… I just gotta tell my mom if you’re coming.
Gabby Dawson: Yeah, sorry. Sorry. Dispatch has been pounding us
with runs. 47’s out of service, so we’ve just been
slammed. And um, my cousin might actually be
staying with me that week.
Peter Mills: Are you nervous about dinner?
Gabby Dawson: Not at all. You?
Peter Mills: I mean, I’m the one who extended the invitation, so…
Gabby Dawson: Yeah. Right. Of course. No, I just, uh…
Peter Mills: Am I getting in the way of you and Casey?
Gabby Dawson: Absolutely not. He’s just a friend. I’m only seeing
you. I only wanna see you. I just wanna make
sure we’re not moving too quickly or anything.
Peter Mills: [chuckles]
[door slams]
Peter Mills: Text me. Let me know.
Gabby Dawson: [exhales]
cutscene
Leslie Shay: Hey.
Kelly Severide: Hey.
Leslie Shay: Why don’t you tell Whaley what happened?
Kelly Severide: [sighs] What difference would it make?
Leslie Shay: He’d get off your ass, for one.
[locker door slams]
Kelly Severide: Look, if I was gonna say anything, I would have said
something then.
Leslie Shay: Maybe he needs to know.
Kelly Severide: You think I’m in a big hurry to revisit the whole
thing? It’s over. It’s done. He can say what he
wants. I don’t care.
cutscene
Mouch: Lieutenant, I gotta talk to you about Cruz.
Matt Casey: What about him?
Mouch: He’s been acting a little off. You notice that as well?
Matt Casey: I figured it was a private matter.
Mouch: Yeah, and I keep asking him to tell me what it is, but he
won’t open up.
Matt Casey: Then stop asking him about it, Mouch.
[start alert buzzes & blares]
(Over PA): Ambulance 61. Person in distress, Wallingford Motel.
[siren blares]
Leslie Shay: So why are you guys keeping it on the sly?
Gabby Dawson: It started out being what I wanted, but then Boden
called him on the carpet, gave him some vague BS
about putting time in to ‘master your craft.’
And Mills really took it to heart.
Leslie Shay: I don’t know, if I dug someone as much as you dig him,
I wouldn’t be able to hide it, especially working
together 24 hours a day, side by side.
Gabby Dawson: Are you trying to make me feel worse?
Leslie Shay: [chuckles] Dawson, for someone’s who’s such a mad
woman on the job, you are so timid in your personal
life. I mean, take some risks, have some fun.
Gabby Dawson: You know what, thank you. Excellent point, which
you have made before, granted. But I’m at a
place in my life where I could really embrace the
message. I’m texting him right now.
Leslie Shay: Nice.
Gabby Dawson: When’s Clarice due?
Leslie Shay: Ugh, two weeks. Getting butterflies.
Gabby Dawson: Oh, plenty of time.
Leslie Shay: Mmhmm.
Gabby Dawson: Yeah.
Man 4 (Hotel Manager): I heard screaming, but we never have any
trouble around here. Nothing.
Leslie Shay: [exasperated sigh] I hate hotels.
[knocking on door]
Gabby Dawson: Paramedics.
Man 5 (Naked Man): Don’t tell my wife.
[bag unzipping]
Leslie Shay: She took a hot shot.
Gabby Dawson: Hey, honey? Can you hear me?
[dramatic music]
Leslie Shay: Agonal respiration. She’s barely breathing.
Fight for us, girl. Come on. You get your rocks off
watching girls shoot up?
Man 5 (Naked Man): I never force them to do anything. That was
completely their thing.
Leslie Shay: Their?
[sighs] There’s another girl in here.
(into radio) 61 to main. We need another ambulance
and CPD for a DOA.
Man 5 (Naked Man): Oh, God.
Gabby Dawson: Can’t get a line in. Her veins collapsed.
I’m gonna go sublingual. If this is the same bad
dope, we don’t have time for anything else.
Leslie Shay: I can’t get her jaw open.
Gabby Dawson: Come on, come on, come on.
[silently] Come on.
Victim 2: [gasps]
Gabby Dawson: Hey.
Victim 2: What’s happening?
Gabby Dawson: You’re okay.
Leslie Shay: You’re all right.
Gabby Dawson: My name’s Gabby. This is Leslie. We’re gonna get
you to the hospital, all right?
Come on, let’s get her in the chair.
Leslie Shay: Yeah.
Gabby Dawson: Man, this stuff is gonna wipe out half the city.
Leslie Shay: Hey Antonio.
Antonio Dawson: Hey, Victoria. It’s me. What the hell happened?
It wasn’t enough for you to hit this junk on your
own? You had to bring Natalie back into it?
She was clean! I told you to stay away from her!
Gabby Dawson: Antonio.
What’s the problem?
Hey! What the hell’s going on?
Antonio Dawson: There’s this new crew out of New York that’s
been pushing their way into prostitution,
looking for a cut of everyone’s action. Those
who don’t pay, their girls are getting hit with
bad dope. That’s what’s going on. That’s
who I’m trying to bring down. And I’m trying
to get close to these animals, but it’s difficult
when my informants keep getting spiked left
and right!
Gabby Dawson: Okay. All right. I get it, okay?
But I’ve never seen you like this before. You’re
starting to worry me a little bit.
Antonio Dawson: [scoffs]
Gabby Dawson: You’re keeping secrets from your boss.
You’re asking me to lie to mine.
Antonio Dawson: It’s different being a cop than a paramedic,
Gabby. There’s a little more to it.
cutscene
Nancy Casey: I would have put on a pot of coffee if I’d known you
were coming.
[cabinets closing]
Lady 1 (Parole Officer/Kendrick): If you knew I was coming, this
wouldn’t be an unannounced
visit.
Nancy Casey: Yeah, those… those are personal letters.
Lady 1 (Parole Officer/Kendrick): As long as you’re on parole,
nothing in here is personal.
Matt Casey: Yes, we understand, Officer.
Thank you.
Lady 1 (Parole Officer/Kendrick): Pretty straightforward, Nancy.
You’re to be in this house
from 9:00pm to 9:00am every
day. You’re not to consume
alcohol or illegal drugs. You
are not to associate with any
known criminals. And we
have an appointment on the
23rd in my office. It’s yours
to screw up.
Nancy Casey: Well, then you have nothing to worry about.
[pen clicking]
[phone rings]
Nancy Casey: Be a second.
Hey. Can I call you right back?
Okay.
Matt Casey: Rick?
Nancy Casey: Uh, no, I… I called that off.
Matt Casey: Why? He… he seemed nice.
Nancy Casey: He was too nice.
Matt Casey: So then who was that on the phone?
Nancy Casey: Uh, a friend.
Matt Casey: Another pen pal?
Nancy Casey: Wow, you make it sound so tawdry, but, yeah.
He was someone kind enough to visit me in
prison.
[door shuts]
cutscene
Kelly Severide: Morningside, huh? All right!
Otis Zvonecek: Yeah. Yeah, I’ve heard all the speeches, so you
know, thanks all the same, but you can save it.
Kelly Severide: What speeches?
Otis Zvonecek: “It’s a dead house.” “You’re throwing your career
away.” “All you’re gonna do is sell t-shirts.”
Kelly Severide: Oh, I don’t have any speeches. I made a hundred
bucks off this.
Otis Zvonecek: What? Wh… what do you mean?
Kelly Severide: Oh. When you first started, there was a little side
action on if you had what it took to make it at 51.
I took the under, so to speak.
Otis Zvonecek: Well, who else bet against me?
Kelly Severide: It’s a confidential pool.
Otis Zvonecek: Hmm.
Kelly Severide: Hey, you made it four years, man. I’ll give you that
much.
Otis Zvonecek: Okay. I get it. It’s like a reverse psychology ploy to
get me fired up and make me stay, right?
[money fluttering]
Otis Zvonecek: Son of a…
cutscene
[ambo door shuts]
Matt Casey: Hey. You got a minute?
Gabby Dawson: [clears throat]
Matt Casey: I, uh… was a little confused by your text last night.
Gabby Dawson: Text?
Matt Casey: Yeah. “You’re right, I think it’s time to meet your mom,
and I’m really looking forward to it.” If I’m not
mistaken, you met her.
Gabby Dawson: Yeah. Yeah, yeah, yeah. No, I sent that before
she got there. That’s so weird ‘cause I…
[clears throat] That was… that was for somebody
else. I’m sorry.
Matt Casey: Ah.
That explains it.
Christopher Herrmann: All right. Hey, can I have everybody in the
briefing room? Moment of your time?
Thanks.
Gabby Dawson: [sighs]
Christopher Herrmann: As you can see from the prospectus, the
offer on the table fluctuates based upon
how many of us get on board with the
actual offer. Now, it also entails that the
owner be carrying the loan himself.
Mouch: 70,000? He’ll never take it.
Christopher Herrmann: Guys, nothing ventured, nothing gained.
If he turns us down, he turns us down.
I’m just looking for the 7k in cash to get
the 10% down.
Who’s in?
Otis Zvonecek: I’m in.
Christopher Herrmann: Otis, buddy. All right, we’ll keep you
apprised while you’re over at
Morningwood.
Otis Zvonecek: Oh, no, no. I’m actually happy to announce to all
you people who bet that I wouldn’t make it
here… that I’ve withdrawn my transfer request.
Christopher Herrmann: Get out of here with that. No one was
betting against you.
Otis Zvonecek: What?
Christopher Herrmann: All right, look. Anyone else?
Look, it’s a neighbourhood bar in
Bucktown. We’re looking to bring in the
new families that have moved in and
have thus far been neglected. You’re
gonna pass up a deal like this?
Mouch?
Mouch: Too volatile.
Christopher Herrmann: All right, Mouch is out. He thinks the bar is
built on a volcano.
[chuckles]
Christopher Herrmann: Anybody else?
I’m just looking for one more to put in
2,300 and we’re whole.
Gabby Dawson: I’m in.
Christopher Herrmann: Dawson.
Gabby Dawson: I’m making an investment. I gotta make money to
pay for med school, so…
Leslie Shay: Are you crazy?
Gabby Dawson: What? Plus it sounds like fun.
Man 1 (Eric Whaley): So then just tell me what happened!
Kelly Severide: We’ve already been through this.
Man 1 (Eric Whaley): You haven’t told me a damn thing!
Kelly Severide: How is this your business?
Man 1 (Eric Whaley): How is this my business?
Kelly Severide: Yes! How is it your business?
Man 1 (Eric Whaley): It wasn’t just Renee’s life you screwed up!
It was our whole family!
Kelly Severide: Look! I moved on with my life, okay?
Maybe you should too.
Man 1 (Eric Whaley): Tell me, how do you move on from seeing
your sister’s car wrapped around a
telephone pole, huh?
Kelly Severide: Come on.
Man 1 (Eric Whaley): Yeah. Yeah, yeah, your boy here, the great
Kelly Severide, after he dumps my sister,
she goes out drinking, ends up in a coma
for three months.
Where was Kelly?
Never heard from him.
Leslie Shay: Your sister hooked up with an ex-boyfriend before the
wedding.
Kelly Severide: Shay.
Leslie Shay: No, he needs to know this. Kelly found out about it,
so he called off the wedding. And he didn’t say
anything because your entire family was in the
hospital after Renee hit that pole. He didn’t wanna
dump more grief on you guys. So he took the hit.
That’s what happened, all right? So lay off.
Chief Boden: Shay. Hospital just called.
Clarice’s water just broke.
Leslie Shay: Thanks.
Chief Boden: Anything else needs to be said beyond what’s already
been screamed or yelled?
Man 1 (Eric Whaley): No, Chief.
Kelly Severide: Nope.
Chief Boden: You gonna make it another three shifts? Do I need to
find you a new home?
Man 1 (Eric Whaley): I like to fulfil my obligations. So, yeah. I’d like
to stay till I’m done.
Chief Boden: You got a problem with that, Kelly?
Kelly Severide: I don’t.
Chief Boden: Eric, I have been on vacation for the past few weeks,
so you probably haven’t got a chance to know how I
operate. I say things once.
Man 1 (Eric Whaley): Copy that.
Chief Boden: Both of you, back to work.
Man 1 (Eric Whaley): Part of my frustration, I guess, is that… I
don’t know where she is half the time.
She doesn’t really talk to the family anymore.
cutscene
Man 3 (Owner/Stephanidies): Deal.
Gabby Dawson: Ah, that’s amazing.
Otis Zvonecek: Yes.
Christopher Herrmann: Thank you so much.
Man 3 (Owner/Stephanidies): You guys saved my life. If you want
the place, it’s yours.
Christopher Herrmann: Wow.
Gabby Dawson: Thank you.
Christopher Herrmann: Okay.
Man 3 (Owner/Stephanidies): Just got two favours.
Christopher Herrmann: Name it.
Man 3 (Owner/Stephanidies): Don’t turn this place into some kind
of hipster joint that caters to all
these new arrivals.
Christopher Herrmann: Are you kidding me? Hell no.
Man 3 (Owner/Stephanidies): Just keep the charm.
Otis Zvonecek: You have our word that we’re gonna bend over
backwards to try to accommodate that.
Gabby Dawson: Oh, you said you had a second favour?
Man 3 (Owner/Stephanidies): Oh, yeah. I promised someone else a
little taste, if you know what I mean.
Strictly off the books, depending on
what he brings to the table. But it’s
your call as to what size that piece
will be.
Gabby Dawson: Uh, we’re not… we’re not really looking for any
more partners.
Man 3 (Owner/Stephanidies): Relax, sweetheart, he’s a silent
partner.
Just take care of him.
Man 6: Sorry I’m late, Mr. Stephanidies.
Man 3 (Owner/ Stephanidies): No problem, Arthur. Come on in.
Arthur’s crew boarded the place up
after the fire.
Free of charge.
You’re gonna get along just great.
cutscene
[sports announcer in background]
[door shuts]
Matt Casey: Uh, what are you doing?
Nancy Casey: I’m going out.
Matt Casey: To do what?
Nancy Casey: Have dinner.
[car horn beeps]
Matt Casey: With this pen pal guy?
Nancy Casey: Yes, indeedy.
Matt Casey: Your parole officer said you…
Nancy Casey: I’ll be back before my curfew. Don’t worry about it.
Matt Casey: I’m worried… about it, mom. You’re not even 24 hours
into being…
Nancy Casey: I’m not going out to sell crack!
I thought you invited me into your home so I could
live my life, but if your intention was to parent me
or… or… or somehow get back at me for what
happened, then you shouldn’t have bothered.
Matt Casey: Whoa, whoa, whoa, hold up!
Nobody talks to me like that, all right? Especially in my
own house.
Nancy Casey: I’m going to have dinner, Matthew.
I’ll be back before my curfew. I hope you have a
wonderful night.
[door closes]
cutscene
[line trilling]
[beeping]
Phone Operator: The number you have reached is no longer in
service.
Kelly Severide: [sniffs]
Leslie Shay: Hey.
It’s a boy.
Kelly Severide: All right!
Leslie Shay: [laughs] Come on.
Oh God, he’s healthy, beautiful, adorable cheeks.
He can’t wait to meet you.
Kelly Severide: Yeah?
Leslie Shay: Yeah
Kelly Severide: [laughs]
Leslie Shay: Sorry about that back at the firehouse.
Kelly Severide: No, you’re not.
[baby crying]
Clarice: Hey
Leslie Shay: Hey.
Clarice: [giggles]
Kelly Severide: That’s amazing.
Clarice: Daniel.
Do you want to hold him?
[baby cries]
Daniel Shwartz: [shushes]
[baby sounds]
Clarice: [exhales] I don’t know what your plans are, but, um…
of course I’d love for you to be part of our lives as
much as you can.
Kelly Severide: Wow. Father of the year right there.
Man 7: Clarice Carthage and Leslie Shay?
Leslie Shay: Yes.
Man 7: You’ve been served in the case of Daniel Schwartz versus
Clarice Carthage.
Kelly Severide: What is it?
Leslie Shay: Petition for full custody.
[sniffles]
[phone vibrates]
[kissing sound]
Leslie Shay: It’s okay.
Gabby Dawson: Oh my God. You’re not answering. I hope that’s
good news. Um, I’m in the parking lot. I’m sorry
I’m late. Be there in a sec.
Hey, what are you doing here?
Antonio Dawson: Hey.
Gabby Dawson: Hey, Antonio, what’s wrong?
Antonio Dawson: The girl you brought in, the OD.
Gabby Dawson: Yeah, Victoria.
Antonio Dawson: She bolted. Nobody’s seen her for at least an
hour.
Gabby Dawson: All right, well, what’s… what’s up?
Antonio Dawson: The DOA was my informant for years, and I was
gonna start over with Victoria, and now she’s
gone.
Gabby Dawson: Antonio, you need some rest, okay. You’re barely
making any sense. Let me take you home.
Antonio Dawson: I gotta go.
[tires screech]
[gunshots]
[car peels out]
Gabby Dawson: Oh, God!
Oh, God! Antonio!
Antonio!
[whimpers] Antonio! Oh God.
Oh God. Come on.
Antonio Dawson: [coughs]
Gabby Dawson: Come on! Oh God.
[grunts]
Hold on, you hear me?
Antonio Dawson: [coughs]
Gabby Dawson: Hold on.
Somebody help!
Hold on. I got you.
I got you. You’re gonna be fine.
Help!
Somebody help me!
- end -
Definitions:
Dash roll = Is an emergency plan to free a lower limb entrapment so the casualty can be removed at any time during the main plan. The objective of a dash roll using a ram is to roll the dash toward the front of the vehicle and open space between the driver seat and the steering column.
OD = Overdose
ME = Medical Examiner
Fentanyl = It is an opioid used as a pain medication and together with other medications for anesthesia. It is also used as a recreational drug, often mixed with heroin or cocaine. It has a rapid onset and its effects generally last under two hours. Fentanyl is up to 100 times more potent than morphine and many times of that of heroin.
Naloxone = Is a medication used to block the effects of opioids. It is commonly used to counter decreased breathing in opioid overdose. Naloxone may also be combined with an opioid, to decrease the risk of opioid misuse.
Dope = Slang word for euphoria-producing drug, particularly cannabis, heroin & opium.
Vice = Police division whose focus is stopping public-order crimes like gambling, narcotics, prostitution, and illegal sales of alcohol.
Collars = taking an arrest of someone
Recon = To conduct a preliminary and especially an exploratory survey
Consortium = Is a group made up of two or more individuals, companies, or governments that work together to achieving a common objective. Entities that participate in a consortium pool resources but are otherwise only responsible for the obligation that are set out in the consortium’s agreement.
Hot shot = An assassination technique in which a person intentionally injects a person with enough drugs to kill them. They do so my targeting people who are already drug users or they give the unsuspecting victim a drug such as Carfentanil in place of heroin.
Agonal respiration = Medical term used to describe struggling to breathe or gasping. It is often a symptom of a severe medical emergency, such as a stroke or cardiac arrest. The gasping associated with agonal respiration is not true breathing, but rather a brainstem reflex.
Collapsed veins = Is a blown vein that has caved in, which means that blood can no longer flow freely through that vein. Blood flow will resume once the swelling goes down. In the meantime, that vein can’t be used. If the damage is severe enough, a collapsed vein can be permanent.
Sublingual = From the Latin for “under the tongue”, refers to the pharmacological route of administration by which substances diffuse into the blood through tissues under the tongue which is predominantly a mucous gland that produces a thick mucinous fluid and lubricates the oral cavity which allow for swallowing, initiating digestion, buffering pH, and dental hygiene.
Tawdry = Showing or having low moral standards
Apprised = Informed
#Chicago Fire#Chicago fire department#Chicago PD#chicago fire imagine#chicago pd imagine#One Chicago#chihard#chihards#Leslie Shay#Lauren German#Kelly Severide#taylor kinney#gabby dawson#Gabriela Dawson#Monica Raymund#matt casey#jesse spencer#chief boden#wallace boden#eamonn walker#Christopher Herrmann#david eigenberg#otis zvonecek#brian zvonecek#Yuri Sardarov#mouch#christian stolte#antonio dawson#jon seda#joe cruz
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Klaroline in Legacies so far.
This is for all my comrades who refuse to watch Legacies (for good reasons) and want to know about the Caroline and Klaus mentions in Legacies. This post naturally contains TVD, TO and Legacies spoilers so read at your own risk!
Inspired by @bossyblondebabe‘s post asking about Klaus and Caroline in Legacies.
Caroline:
• It’s mentioned that she is in Europe taking care of Salvatore School-related business, but it is later revealed she's actually looking for a way to stop the twins from having to merge.
• As for direct interactions with other characters, her kids sometimes stay with her in Europe for a while (off-screen) and in one of the latest episodes her daughter Josie calls her for advice because she wants to make the right decision (but you can't hear Caroline's voice during the phone call).
It's later revealed that Caroline said that people deserve to know the truth and make their own choices.
• Caroline is just mentioned as a good mom and her advice in general is also mentioned. For example:
“You know how Mom always says that things work out in the end the way they're supposed to? She's right”.
Other characters just mention how Caroline, although she’s not their biological mom, did a great job raising Lizzie and Josie.
• It’s said that Lizzie takes more after Caroline and Josie takes more after Josette. (In my opinion they are both very different from Caroline, but Lizzie is a bit more similar to Caroline than Josie).
• Alaric has also been on the phone with her multiple times. They mostly just talk about how Caroline is busy following leads on stopping the merge.
• Other than that she has a pretty good relationship with her daughters and her daughters really want her to come home.
• Caroline didn't want to tell the twins about the merge until her and Alaric exhausted all options to stop it from happening, but eventually did tell her kids that the weird device they had was an Ascendant and that Josie and Lizzie made it with Aunt Bonnie when they were five, but she didn't tell them if it had anything to do with the merge.
• Caroline searched for and picked the new headmaster of the Salvatore School (Alaric's replacement) herself but it turns out she didn’t do a great job which I refuse to believe because... she’s Caroline Forbes?!
So basically she's just busy off-screen 24/7.
Klaus:
• He is mostly mentioned as "the big bad wolf" or “Klaus Mikaelson: The Great Evil” (literally printed in a book at the Salvatore School lmao) by anyone other than Hope. It’s mentioned that he was one of the earth’s Original Vampires and that he wasn’t very popular around Mystic Falls.
• Hope usually just mentions him as her dad and randomly makes remarks about him like:
“Turns out even immortal beings can find a way to die eventually.”
“The people I care about have a tendency to die on me.”
“I try not to get close to people anymore.”
“I've spent years torturing myself, asking myself why my father sacrificed himself for me, to get to this point where, I mean, I totally understand it.”
It is implied that she has abandonment issues because of his death.
• In one episode The Necromancer talks to Hope about her dad. He says that Hope wants to know how her dad is or WHERE he is. She denies this but The Necromancer doesn’t believe her. He says she wants to know if he's at peace or if he's suffering, regretting his sacrifice because he did die to save Hope's life after all. Hope keeps saying he’s wrong and won’t admit that she wants to know. She says she’s at peace with her dad and that he did die because of her, but that it was his choice and that she’s come to terms with it. She says The Necromancer is wrong about her and that she doesn’t need to know anything blah blah blah.
Later in the episode however she finally admits she wants to know about her dad. She says her family said that he must have died with love in his heart and that he should’ve found peace but she doesn’t know if that’s actually true. She says she really needs to know that he’s not alone because she can’t live with herself if Klaus is alone because no one should ever have to be.
The Necromancer screws her over later in the episode but before he leaves he does mention her father again. He says that Klaus watches over Hope every day and that he did die with love in his heart and doesn’t regret his choice, but he won’t find peace until Hope does. Later in the episode, Hope writes a letter to her dad:
“I was told today that you would never find peace until I found it in myself. I hope that was a lie told to punish me. God knows I deserved that. But if it's true, I'm gonna do better. Today I saw a glimpse of what true loneliness feels like. Of what lies in store for me if I don't find my own peace. So I'm gonna get to work on that. I'm glad to know you're with me, but I look forward to the day when you're not. I love you.
- Hope. ”
• He can be seen in family photos in Hope's room (Hayley has been removed from photos but she has been mentioned as Hope’s mom). Hope is mentioned to have lost half of her stuff in a fire a few years ago including the only painting she made with her dad. It’s later revealed that Josie was the person who accidentally set Hope’s whole room on fire instead of just one particular thing she was aiming for, which meant Hope lost an important keepsake because of Josie.
• Freya was also in one episode for like two scenes but Klaus wasn’t really mentioned and she basically had no dialogue with Hope except for calling each others names and hugging. Freya did mention to Josie that her kid was called Nik (presumably after Niklaus, because who else?).
So basically he’s just Hope’s dad who was evil (but not in everyone’s eyes), and Hope misses him 24/7.
Klaroline:
There are two #KlarolineConfirmed episodes, both in season one.
S01E10
This episode is the most confusing when it comes to the Klaroline mentions because they don’t make sense. In this episode Lizzie ends up in alternate realities by wishing Hope doesn’t exist/was never born (don’t remember) in which it’s mentioned that Klaus gave money to Caroline for the Salvatore School in their own world, but that this didn’t happen in the reality they were currently in which is why the school looks awful.
youtube
However the reasoning Lizzie gives (“Hope's dad wrote my mom a big check to fund the school when it opened, so no Hope, no funding, no fun.”) makes no sense, because Klaus didn’t give Caroline the money just because Hope went there and he met Caroline and was in love with her before Hope existed. I’m also pretty sure Klaus gave her the money before they convinced the Mikaelsons to enroll Hope in their school and by then the school already looked nice. On top of that Caroline is a vampire and the Salvatores were pretty rich too so I just don’t really understand this but i’M nOt A wRiTeR so whatever.
In the same episode Lizzie ends up in another alternate reality/universe where Klaus can be seen on a poster as a wanted man. Later you can see sketches of Caroline and Klaus next to each other in a newspaper article where they are mentioned as husband and wife and enemies of the state. Alaric tells Lizzie Klaus turned off his humanity years ago and started a war and ended up exposing the supernatural world and now they’re being hunted. You can watch those scenes in this video (from 1:24):
youtube
Although it's a nod to the Klaroline fans, not a lot about it makes sense. Why does one line say “Klaus Michelson and Caroline Forbes” and the next “Klaus Mikaelson and his wife Caroline Mikaelson?” Why did Klaus turn off his humanity? Is that even possible after being a vampire for so many years? Why would Caroline go along with it? Why would the smart and powerful Niklaus Mikaelson be that stupid and expose the supernatural world even with his humanity off and not have common sense like no-humanity Caroline? It makes zero sense.
I’ve seen theories about them “losing it” because of them losing family members and friends and not having children but to me that still doesn’t make sense. They’ve lost family members before and Klaus has lost so many acquaintances over the centuries... I could maybe see them being sad in the next century when Caroline has lost all her friends and realises she’ll make new friends and experience this over and over again for the rest of her life but that doesn’t explain why they would both be like that and expose the entire supernatural community. Klaus has lived for centuries, he could’ve easily exposed the supernatural world by now but never went that far even when he killed his own parents, lost his home, when his siblings were murdered, when he desperately wanted to create an entire hybrid army, when he tried to reclaim New Orleans... I just don’t see how this could actually happen.
In TVD S04E04 Klaus and Rebekah tell the story of the hunter Alexander and Klaus said that they (The Originals) were traveling and feeding on people and turning people into vampires as they went. “With bloodshed came exposure”. So Elijah makes a remark that Klaus and Kol haven’t been discreet. Klaus replies to this statement by making a quick joke about welcoming such infamy, but immediately mentions that he isn’t the one Elijah should worry about, but Rebekah. This implies that even though he feeds and turns people and makes jokes about it, he has no intention of exposing himself completely to the general public. He even gets really pissed when Rebekah exposes all of them and they all get daggered by the hunters so this is not something Klaus would ever do.
But yeah... so... What am I supposed to gather from this? That Klaus and Caroline are soulmates in every possible universe? That even when things are totally different and literally nothing else make sense, they still do? I guess I’ll take it.
We could’ve had it aaaaaaaalllllll. ♫
S01E14:
In this episode Lizzie gives Hope the blue TVD S03E14 Mikaelson Ball Klaroline dress to wear to the Miss Mystic Falls Pageant. Then this scene happened:
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Apparently Josie knew the dress was a gift from Klaus to their mom that he picked out himself, but Lizzie didn’t know it was from Klaus specifically but just that it was a gift from a guy who used to crush on their mom. Also: yes, Caroline Elizabeth Forbes kept The Dress™ all these years.
Other random stuff you might want to know:
• In the season 1 finale Hope says she thought she was a cosmic mistake that was never meant to be born, but she now thinks that the only reason she and the stupid hybrid baby plot exists because nature needed to find a loophole to be able to destroy Malivore: a tribrid (because Malivore was created by the blood of a werewolf, a witch and a vampire).
• Some characters from The Originals like Jackson, Davina, Cami, Keelin and Kol can be seen in a few photos in New Orleans in the Freya cameo episode.
• Family members can be seen in family photos in Hope’s room.
• Damon and Elena apparently have kids and one of them is called Stefanie (the audacity lol) but that’s in an alternate universe??? Or in the real one too??? Idk.
• Kai Parker will also return in 2020 but I’m not sure if I’m happy about that. He’ll probably make his episode(s) worth the torture that is Legacies but Julie will probably just kill him again (and probably in a lame way).
• Jeremy and Matt have shown their faces once or twice for a completely useless guest star appearance.
• Matt was the sheriff who was mentioned to be running for mayor, later it was revealed he actually became the mayor of Mystic Falls.
• Something I noticed is that although the twins call Bonnie “Aunt Bonnie”, they call Elena and Damon just Elena and Damon Salvatore. In a recent episode Lizzie was driving the blue Camaro and she told Sebastian her “dad’s friend” (Damon) gave it to her and Josie for their sixteenth birthday.
• There is this new character called Sebastian who is shipped with Lizzie and they are blatantly copying Klaroline scenes and roughly “the concept” (old vampire with European accent, blonde girl, sex in the open, the car ride camera shots, even the dialogue had a copy-paste “I fancy you” in there). Although I expected to like the Lizzie/Sebastian relationship when it was teased because I like the stereotypical bad guy and good girl dynamic it turns out to be not nice at all imo. People are calling it the new Klaroline and although their scenes and lines are a ripoff (which is not something to be proud of, I’d rather see fresh material) their dynamic is completely different. It reminds me more of Damon/Caroline to be honest. “Old handsome but cocky vampire stranger comes into town and flirts with me and I’m way too into it.” There is almost no feeling of push and pull although they like to portray it like it’s there by having them bicker for 1 minute. They met a few episodes ago and she’s already obsessed with him, then hates him, then sleeps with him and he’s just way too annoying for me. Not my taste. He comes off as a completely arrogant prick and I don’t know what Lizzie sees in him tbh. He also doesn’t come off as genuine to me, I feel like there’s 0 feelings and just purely lust and plotting? It seems like the writers thought that giving Caroline’s blonde daughter a love interest (with a cleaner slate) with similar dialogue and scenes to Klaroline would make fans happy but the characters are not that similar to Klaus and Caroline. The dynamic is just completely different. Also Sebastian grabbed her by the throat in and it wasn’t really hot or slightly funny like I’m sorry but Klaroline did it way better.
I also want to make it clear that you can ship whoever you want to ship and I’m not trying to drag S!zzie. I expected to like them together but the more scenes I watched the less I liked them and I’m a bit disappointed. I don’t puke everytime they have a scene together but I’m not into it either. So once again: I don’t hate S!zzie or S!zzie shippers but I’m just not that into it and I think the parallels are kind of shitty and not a good thing for both fandoms. Have a great day and have fun shipping your ship and please don’t attack me bye.
• Relationship dynamics are really weird in this show. Alaric seems to be more of a father to Hope than to Lizzie and Josie and he keeps dragging Hope’s dad.
• This show has a new Elena and if you thought it was Hope (because Julie Plec likes to call her the better Elena) then you’re wrong. It’s actually Landon Kirby. He’s bland and he’s just kind of there, having a love triangle. Although it’s true that Hope also has the I’m-Special-And-Everyone-Is-Magically-In-Love-With-Me-For-No-Reason-Syndrome. I get that Danielle is pretty, I have eyes, but we don’t all fall in love with every pretty person that walks by and she’s portrayed as “the loner” so it doesn’t make sense to me but hey.
• The show is pretty bad, 90% of the episodes have the same plot and there’s a ton of cringy dialogue. There’s only one or two compelling characters and only a few decent actors. Some characters have even less of a storyline than Matt Donovan or April Young from TVD. The monster of the week thing destroys the well-constructed mythology the parent shows have built over the years and it’s really repetitive and predictable.
• The storyline doesn’t seem to be moving towards something like in TVD or TO. Every episode is the same stuff over and over again. I could excuse this if this meant that there was more of a focus on developing characters and relationships but that doesn’t happen either.
• The complete shitstorm of ships in this show is absolutely ridiculous. Before I watched the show I heard about Hos!e, Pos!e, H@ndon, H@fael and whatnot. Especially the first two are mentioned a lot. Then I watched the show and I just don’t get the hype for even a single ship, but I get why there are so many ships. Nothing is a crackship in this show except for the two twins and it’s because the writers push everyone to be with everyone and don’t have a clear direction in mind for the romantic storylines of their characters. If someone is dating someone they also need to have “cute” scenes with someone else, and another one has to have a crush on them, and it needs to be mentioned that that character also had a crush on someone 5 years ago, and then the writers bring in another character or two to have a crush on the same character for no reason... and they have been dragging this out since episode 1! Whereas in TVD characters would usually move on (like Caroline and Elena would move on from their romantic storylines with Matt for example. Caroline gets with Damon, that goes wrong and she moves on to Matt, but then Tyler comes into the picture. Caroline gets with Tyler, eventually Klaroline comes along but by then M@ttoline (?) and D@roline (?) were already ditched a few miles back...). With Legacies you have these vague mentions and possibilities for romantic storylines but none are even really explored on their own or even in a love triangle (if the writers really have to do it that way) by having the characters going through stuff together. Instead they choose to keep every romantic option in the picture as mentions or relationships that don’t go much deeper than “I love you””I love you too” (nobody knows why but ok) which means some characters have like 7 ships that all have a decent fanbase and it’s wild.
• The awkward fact that Danielle Rose Russell (Hope) has more chemistry with Nick Fink (Ryan Clarke) than Aria Shahghasemi (Landon Kirby) makes me question things.
I’m still watching because I’m waiting for some TVD characters to appear and I like to hear old characters being mentioned but tbh I wouldn’t recommend it when there are so many other great shows out there. Just watch the Klaroline mentions online.
I mean there are some decent scenes in there but 90% of the show makes me question my sanity. In the latest episode the writers decided Santa was real and they made him fight a monster by punching him in the face and at one point Santa is flying through the air and hitting a christmas tree while a rock version of “We Wish You a Merry Christmas” is playing in the background and I wish I was joking. And that was the last episode before the hiatus. And they just left me there like that. After seeing that. In the TVD universe. I just imagine Klaus’s ghost hanging around and seeing that and I can’t hold my laughter. Or JoMo watching that stuff at home like....
And people still wonder why he doesn’t want to come back hahaha.
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Outlander S01E14 - The Search
#sassenach#dougal mackenzie#the wedding#black jack#jack randall#love#sexy#so sexy#lallybrock#outlander#outlander season 1#screencaps#screencapable#video#send me requests#ask#sam and caitriona#caitriona balfe#sam heughan#Jamie Fraser#claire beauchamp#claire fraser#frank randall#scotland#romance#drama#period drama#TV series#time travel
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Song For Ten
read it on the AO3 at https://ift.tt/2ZMKPjJ
by TheGeekProblem
The newly regenerated Doctor searches through the TARDIS' wardrobe for his new look, all while thinking about Rose, change, and what comes next
Part of my One-Off Comments Series. Stand alone. No need to read any other part to understand it.
Words: 1232, Chapters: 1/1, Language: English
Series: Part 3 of One-Off Comments
Fandoms: Doctor Who (2005), Doctor Who, Doctor Who & Related Fandoms
Rating: General Audiences
Warnings: No Archive Warnings Apply
Categories: F/M
Characters: The Doctor (Doctor Who), Tenth Doctor, Rose Tyler
Relationships: The Doctor (Doctor Who)/Rose Tyler, Tenth Doctor/Rose Tyler
Additional Tags: Character Study, Introspection, Episode: s01e14 The Christmas Invasion, Christmas, Christmas Fluff, Love in the Time of Corona
read it on the AO3 at https://ift.tt/2ZMKPjJ
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Stargate SG-1 and Stargate Atlantis are both streaming, in their entirety, on Amazon (free with Prime)
Stargate is about Earth’s secret program to explore the universe through an ancient alien device. They face off against numerically and technologically superior forces in a quest for freedom and to obtain technology to defend Earth. Teal’c, a Jaffa who once served their enemy, joins them in the hopes of freeing his people.
In light of the series being available, i have made a curated viewing list in case anyone wants to watch the show, but hopes to avoid rougher episodes, particularly those early in the series.
STARGATE VIEWING LIST
S01E17 Enigma
S01E20 Politics
S01E21 Within The Serpent's Grasp
S02E01 The Serpent's Lair
S02E02 In The Line Of Duty
S02E03 Prisoners
S02E06 Thor's Chariot
S02E09 Secrets
S02E11 The Tok'ra Part I
S02E12 The Tok'ra Part II
S02E14 Touchstone
S02E15 The Fifth Race
S02E18 Serpent's Song
S02E20 Show and Tell
S02E21 1969
S03E03 Fair Game
S03E05 Learning Curve
S03E07 Deadman Switch
S03E08 Demons
S03E11 Past and Present
S03E12 Jolinar's Memories
S03E13 The Devil You Know
S03E14 Foothold
S03E15 Pretense
S03E18 Shades of Grey
S03E20 Maternal Instinct
S03E22 Nemesis
S04E01 Small Victories
S04E02 The Other Side
S04E03 Upgrades
S04E04 Crossroads
S04E05 Divide and Conquer
S04E06 Window of Opportunity
S04E07 Watergate
S04E08 The First Ones
S04E09 Scorched Earth
S04E11 Point of No Return
S04E12 Tangent
S04E13 The Curse
S04E14 The Serpent's Venom
S04E15 Chain Reaction
S04E16 2010
S04E17 Absolute Power
S04E19 Prodigy
S04E22 Exodus
S05E01 Enemies
S05E02 Threshold
S05E03 Ascension
S05E04 The Fifth Man
S05E05 Red Sky
S05E06 Rite of Passage
S05E08 The Tomb
S05E09 Between Two Fires
S05E10 2001
S05E11 Desperate Measures
S05E12 Wormhole X-Treme
S05E13 Proving Ground
S05E14 48 Hours
S05E15 Summit
S05E16 The Last Stand
S05E17 Fail Safe
S05E18 The Warrior
S05E19 Menace
S05E20 The Sentinel
S05E21 Meridian
S05E22 Revelations
S06E01 Redemption Part I
S06E02 Redemption Part II
S06E03 Descent
S06E04 Frozen
S06E05 Nightwalkers
S06E06 Abyss
S06E07 Shadow Play
S06E08 The Other Guys
S06E09 Allegiance
S06E10 Cure
S06E11 Prometheus
S06E12 Unnatural Selection
S06E15 Paradise Lost
S06E16 Metamorphosis
S06E17 Disclosure
S06E18 Forsaken
S06E19 The Changeling
S06E20 Memento
S06E22 Full Circle
S07E01 Fallen
S07E02 Homecoming
S07E03 Fragile Balance
S07E04 Orpheus
S07E08 Space Race
S07E09 Avenger 2.0
S07E10 Birthright
S07E11 Evolution Part I
S07E12 Evolution Part II
S07E13 Grace
S07E14 Fallout
S07E15 Chimera
S07E16 Death Knell
S07E17 Heroes Part I
S07E18 Heroes Part II
S07E19 Resurrection
S07E20 Inauguration
S07E21 Lost City Part I
S07E22 Lost City Part II
S08E01 New Order Part I
S08E02 New Order Part II
S08E03 Lockdown
S08E04 Zero Hour
S08E05 Icon
S08E07 Affinity
S08E08 Covenant
S08E09 Sacrifices
S08E10 Endgame
S08E11 Gemini
S08E12 Prometheus Unbound
S08E13 It's Good To Be King
S08E14 Full Alert
S08E15 Citizen Joe
S08E16 Reckoning Part I
S08E17 Reckoning Part II
S08E18 Threads
[STARGATE ATLANTIS SEASON 1]
S01E01 Rising Part I
S01E02 Rising Part II
S01E03 Hide and Seek
S01E04 Thirty-Eight Minutes
S01E05 Suspicion
S01E06 Childhood's End
S01E07 Poisoning the Well
S01E08 Underground
S01E09 Home
S01E10 The Storm
S01E11 The Eye
S01E12 The Defiant One
S01E13 Hot Zone
S01E14 Sanctuary
S01E15 Before I Sleep
S01E16 The Brotherhood
S01E17 Letters From Pegasus
S01E18 The Gift
S01E19 The Siege Part I
S01E20 The Siege Part II
[STARGATE SG-1 SEASON 9]
S09E01 Avalon: Part I
S09E02 Avalon: Part II
S09E03 Origin
S09E04 The Ties That Bind
S09E05 The Powers That Be
S09E06 Beachhead
S09E07 Ex Deus Machina
S09E08 Babylon
S09E09 Prototype
S09E10 The Fourth Horseman Part I
S09E11 The Fourth Horseman Part II
S09E12 Collateral Damage
S09E13 Ripple Effect
S09E14 Stronghold
S09E15 Ethon
S09E16 Off the Grid
S09E17 The Scourge
S09E18 Arthur's Mantle
S09E19 Crusade
S09E20 Camelot
[STARGATE ATLANTIS SEASON 2]
S02E01 The Siege Part III
S02E02 The Intruder
S02E03 Runner
S02E04 Duet
S02E05 Condemned
S02E06 Trinity
S02E07 Instinct
S02E08 Conversion
S02E09 Aurora
S02E10 The Lost Boys
S02E11 The Hive
S02E12 Epiphany
S02E13 Critical Mass
S02E14 Grace Under Pressure
S02E15 The Tower
S02E16 The Long Goodbye
S02E17 Coup d'Etat
S02E18 Michael
S02E19 Inferno
S02E20 Allies
[STARGATE SG-1 SEASON 10]
S10E01 Flesh and Blood
S10E02 Morpheus
S10E03 The Pegasus Project
S10E04 Insiders
S10E05 Uninvited
S10E06 200
S10E07 Counterstrike
S10E09 Company of Thieves
S10E10 The Quest Part I
S10E11 The Quest Part II
S10E12 Line In The Sand
S10E14 The Shroud
S10E17 Talion
S10E18 Family Ties
S10E19 Dominion
S10E20 Unending
[STARGATE ATLANTIS SEASON 3]
S03E01 No Man's Land
S03E02 Misbegotten
S03E04 Sateda
S03E05 Progeny
S03E06 The Real World
S03E07 Common Ground
S03E08 Mckay and Mrs Miller
S03E10 The Return Part I
S03E11 The Return Part II
S03E12 Echoes
S03E13 Irresponsible
S03E14 Tao of Rodney
S03E15 The Game
S03E16 The Ark
S03E17 Sunday
S03E18 Submersion
S03E19 Vengeance
S03E20 First Strike
S04E01 Adrift
S04E02 Lifeline
S04E03 Reunion
S04E04 Doppelganger
S04E05 Travelers
S04E07 Missing
S04E08 The Seer
S04E09 Miller's Crossing
S04E10 This Mortal Coil
S04E11 Be All My Sins Remember'd
S04E12 Spoils of War
S04E13 Quarantine
S04E14 Harmony
S04E15 Outcast
S04E16 Trio
S04E17 Midway
S04E18 The Kindred Part I
S04E19 The Kindred Part II
S04E20 The Last Man
S05E01 Search and Rescue
S05E02 The Seed
S05E03 Broken Ties
S05E04 The Daedalus Variations
S05E05 Ghost in the Machine
S05E07 Whispers
S05E08 The Queen
S05E10 First Contact
S05E11 The Lost Tribe
S05E14 The Prodigal
S05E15 Remnants
S05E20 Enemy At The Gate
#Stargate#Stargate SG-1#SG-1#Stargate Atlantis#SGA#Atlantis#Amazon Prime#my post#Simon Talks About Stargate
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Song For Ten
read it on the AO3 at https://ift.tt/2ZMKPjJ
by TheGeekProblem
The newly regenerated Doctor searches through the TARDIS' wardrobe for his new look, all while thinking about Rose, change, and what comes next
Part of my One-Off Comments Series. Stand alone. No need to read any other part to understand it.
Words: 1232, Chapters: 1/1, Language: English
Series: Part 3 of One-Off Comments
Fandoms: Doctor Who (2005), Doctor Who, Doctor Who & Related Fandoms
Rating: General Audiences
Warnings: No Archive Warnings Apply
Categories: F/M
Characters: The Doctor (Doctor Who), Tenth Doctor, Rose Tyler
Relationships: The Doctor (Doctor Who)/Rose Tyler, Tenth Doctor/Rose Tyler
Additional Tags: Character Study, Introspection, Episode: s01e14 The Christmas Invasion, Christmas, Christmas Fluff, Love in the Time of Corona
read it on the AO3 at https://ift.tt/2ZMKPjJ
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Text
EPISODE
SEASON 1
DISC 1 "
S01E01 "KEN-TUCK-E"
S01E02 "TEKAWITHA MCLEOD"
S01E03 "MY BROTHER'S KEEPER"
S01E04 "THE FAMILY FLUELLEN"
S01E05 "THE CHOOSING"
DISC 2
S01E06 "LAC DUQUESNE"
S01E07 "THE SOUND OF WINGS"
S01E08 "A SHORT WALK TO SALEM"
S01E09 "THE SISTERS O'HANNRAHAN"
S01E10 "POMPEY"
DISC 3
S01E11 "MOUNTAIN OF THE DEAD"
S01E12 "NOT IN OUR STARS"
S01E13 "THE HOSTAGES"
S01E14 "THE RETURNING"
S01E15 "THE PROPHET"
DISC 4
S01E16 "THE FIRST STONE"
S01E17 "A PLACE OF 1000 SPIRITS"
S01E18 "THE SOUND OF FEAR"
S01E19 "THE PRICE OF FRIENDSHIP"
S01E20 "THE QUIETISTS"
DISC 5
S01E21 "THE DEVIL'S FOUR"
S01E22 "THE REUNION"
S01E23 "THE BEN FRANKLIN ENCOUNTER"
S01E24 "FOUR-LEAF CLOVER"
DISC 6
S01E25 "CAIN'S BIRTHDAY: PART 1"
S01E26 "CAIN'S BIRTHDAY: PART 2"
S01E27 "DAUGHTER OF THE DEVIL"
S01E28 "DOLL OF SORROW"
S01E29 "THE COURTSHIP OF JERICHO JONES"
SEASON 2
DISC 1
S02E01 "EMPIRE OF THE LOST"
S02E02 "THE TORTOISE AND THE HARE"
S02E03 "THE MOUND BUILDERS"
S02E04 "MY NAME IS RAWLS"
S02E05 "THE OLD MAN AND THE CAVE"
DISC 2
S02E06 "THE TREK"
S02E07 "THE AARON BURR STORY"
S02E08 "CRY OF GOLD"
S02E09 "THE PEACE TREE"
S02E10 "THE THANKSGIVING STORY"
DISC 3
S02E11 "A ROPE FOR MINGO"
S02E12 "THE FIRST BEAU"
S02E13 "THE PERILOUS JOURNEY"
S02E14 "THE CHRISTMAS STORY"
S02E15 "THE TAMARACK MASSACRE AFFAIR"
DISC 4
S02E16 "GABRIEL"
S02E17 "SEMINOLE TERRITORY"
S02E18 "THE DESERTER"
S02E19 "CRISIS BY FIRE"
S02E20 "THE GUN"
DISC 5
S02E21 "THE PRISONERS"
S02E22 "THE FIFTH MAN"
S02E23 "THE GUN-BARREL HIGHWAY"
S02E24 "THE SEARCH"
S02E25 "FIFTY RIFLES"
DISC 6
S02E26 "THE TRAP"
S02E27 "THE ACCUSED"
S02E28 "CIBOLA"
S02E29 "THE HIGH CUMBERLAND: PART 1"
S02E30 "THE HIGH CUMBERLAND: PART 2"
SEASON 3
DISC 1
S03E01 "DAN'L BOONE SHOT A B'AR"
S03E02 "THE ALLEGIANCES"
S03E03 "GOLIATH"
S03E04 "GRIZZLY"
S03E05 "FIRST IN WAR, FIRST IN PEACE"
DISC 2
S03E06 "RUN A CROOKED MILE"
S03E07 "THE MATCHMAKER"
S03E08 "ONATHA"
S03E09 "THE LOSER'S RACE"
S03E10 "THE ENCHANTED GUN"
DISC 3
S03E11 "REQUIEM FOR CRAW GREEN"
S03E12 "THE LOST COLONY"
S03E13 "RIVER PASSAGE"
S03E14 "WHEN A KING IS A PAWN"
S03E15 "THE SYMBOL"
DISC 4
S03E16 "THE WILLIAMSBURG CANNON (PART 1)"
S03E17 "THE WILLIAMSBURG CANNON (PART 2)"
S03E18 "THE WOLF MAN"
S03E19 "THE JASPER LEDBEDDER STORY"
S03E20 "WHEN I BECAME A MAN, I PUT AWAY CHILDISH THINGS"
DISC 5
S03E21 "THE LONG WAY HOME"
S03E22 "THE YOUNG ONES"
S03E23 "DELO JONES"
S03E24 "THE NECKLACE"
DISC 6
S03E25 "FORT WEST POINT"
S03E26 "BITTER MISSION"
S03E27 "TAKE THE SOUTHBOUND STAGE"
S03E28 "THE FALLOW LAND"
SEASON 4
DISC 1
S04E01 "THE BALLAD OF SIDEWINDER AND THE CHEROKEE"
S04E02 "THE ORDEAL OF ISRAEL BOONE"
S04E03 "THE RENEGADE"
S04E04 "TANNER"
DISC 2
S04E05 "BEAUMARCHAIS"
S04E06 "THE KING'S SHILLING"
S04E07 "THE INHERITANCE"
S04E08 "THE TRAITOR"
DISC 3
S04E09 "THE VALUE OF A KING"
S04E10 "THE DESPERATE RAID"
S04E11 "THE SPANISH HORSE"
S04E12 "CHIEF MINGO"
DISC 4
S04E13 "THE SECRET CODE"
S04E14 "A MATTER OF BLOOD"
S04E15 "THE SCRIMSHAW IVORY CHART"
S04E16 "THE IMPOSTER"
DISC 5
S04E17 "THE WITNESSES"
S04E18 "THE FLAMING ROCKS"
S04E19 "THEN WHO WILL THEY HANG FROM THE YARDARM IF WILLY GETS AWAY?"
S04E20 "THE SPANISH FORT"
S04E21 "HERO'S WELCOME"
DISC 6
S04E22 "ORLANDO, THE PROPHET"
S04E23 "THE FAR SIDE OF FURY"
S04E24 "NIGHTMARE"
S04E25 "THIRTY PIECES OF SILVER"
S04E26 "FAITH'S WAY"
SEASON 5
DISC 1
S05E01 "BE THANKFUL FOR THE FICKLENESS OF WOMEN"
S05E02 "THE BLACKBIRDER"
S05E03 "THE DANDY"
S05E04 "THE FLEEING NUNS"
DISC 2
S05E05 "THE PLAGUE THAT CAME TO FORD'S RUN"
S05E06 "THE BAIT"
S05E07 "BIG, BLACK AND OUT THERE"
S05E08 "FLAG OF TRUCE"
DISC 3
S05E09 "THE VALLEY OF THE SUN"
S05E10 "THE PATRIOT"
S05E11 "THE RETURN OF SIDEWINDER"
S05E12 "MINNOW FOR A SHARK"
DISC 4
S05E13 "TO SLAY A GIANT"
S05E14 "A TALL TALE OF PRATER BEASELEY"
S05E15 "COPPERHEAD IZZY"
S05E16 "THREE SCORE AND TEN"
S05E17 "JONAH"
DISC 5
S05E18 "BICKFORD'S BRIDGE"
S05E19 "A TOUCH OF CHARITY"
S05E20 "FOR WANT OF A HERO"
S05E21 "LOVE AND EQUITY"
S05E22 "THE ALLIES"
DISC 6
S05E23 "A MAN BEFORE HIS TIME"
S05E24 "FOR A FEW RIFLES"
S05E25 "SWEET MOLLY MALONE"
S05E26 "A PINCH OF SALT"
SEASON 6
DISC 1
S06E01 "A VERY SMALL RIFLE"
S06E02 "THE ROAD TO FREEDOM"
S06E03 "BENVENUTO... WHO?"
S06E04 "THE MAN"
DISC 2
S06E05 "THE PRINTING PRESS"
S06E06 "THE TRAITOR"
S06E07 "THE GRAND ALLIANCE"
S06E08 "TARGET BOONE"
DISC 3
S06E09 "A BEARSKIN FOR JAMIE BLUE"
S06E10 "THE CACHE"
S06E11 "THE TERRIBLE TARBOTS"
S06E12 "HANNAH COMES HOME"
DISC 4
S06E13 "AN ANGEL CRIED"
S06E14 "PERILOUS PASSAGE"
S06E15 "THE SUNSHINE PATRIOTS"
S06E16 "MAMA COOPER"
S06E17 "BEFORE THE TALL MAN"
DISC 5
S06E18 "RUN FOR THE MONEY"
S06E19 "A MATTER OF VENGEANCE"
S06E20 "THE LANDLORDS"
S06E21 "READIN', RITIN', AND REVOLT"
S06E22 "NOBLESSE OBLIGE"
DISC 6
S06E23 "THE HOMECOMING"
S06E24 "BRINGING UP JOSH"
S06E25 "HOW TO BECOME A GODDESS"
S06E26 "ISRAEL AND LOVE"
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Song For Ten
read it on the AO3 at https://ift.tt/2ZMKPjJ
by TheGeekProblem
The newly regenerated Doctor searches through the TARDIS' wardrobe for his new look, all while thinking about Rose, change, and what comes next
Part of my One-Off Comments Series. Stand alone. No need to read any other part to understand it.
Words: 1232, Chapters: 1/1, Language: English
Series: Part 3 of One-Off Comments
Fandoms: Doctor Who (2005), Doctor Who, Doctor Who & Related Fandoms
Rating: General Audiences
Warnings: No Archive Warnings Apply
Categories: F/M
Characters: The Doctor (Doctor Who), Tenth Doctor, Rose Tyler
Relationships: The Doctor (Doctor Who)/Rose Tyler, Tenth Doctor/Rose Tyler
Additional Tags: Character Study, Introspection, Episode: s01e14 The Christmas Invasion, Christmas, Christmas Fluff, Love in the Time of Corona
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S01E14: Nightmare
Sam uses the unhelpful Omega 13 to almost save the day in the Supernatural episode "Nightmare" (1.14). Join us as learn more about Sam's powers, his mother's death, and about buff monks in Thailand!
Show Notes:
Visit www.hwytohellpodcast.com to view the hilarious Google Search that brought up buff monks in Thailand.
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