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#Ontario College of Art
if-you-fan-a-fire · 2 years
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"CANADIAN EDUCATION SOUGHT BY CHINESE SISTERS," Toronto Star. September 29, 1942. Page 3. ---- MODERN MISSES FROM BRITISH GUIANA ADD EXOTIC TOUCH TO U. OF T. CAMPUS ---- Three pretty Chinese girls from British Guiana, the Wong sisters, have come to Toronto to study a variety of subjects at the University of Toronto. Patricia, LEFT, is 22 and is taking up household economics and dancing. Nancy, CENTRE, 17, has enrolled, for a university arts course, and Pamela, RIGHT, is attending the Ontario College of Art. The girls belong to a family which settled in the New World five generations ago.
CANADA SO DIFFERENT SAY CHINESE SISTERS ---- Three From British Guiana Are Here to Study at U. of T. ---- Student guests in Toronto are three little Chinese sisters named Wong. They are residents of British Guiana, and the trio doesn't speak a word of Chinese.
It was five generations ago that the Wongs came out of China and went to British Guiana, They speak with a decided English accent. Two of them. Patricia. 22, and Pamela, 20, have been at school in England for some years. Pamela had hopes of Cambridge. then war came.
"This war does strange things to ail of us," said Patricia, who is here to study home economics, but who loves dancing and music and studies them both in her spare time.
"We arrived in Montreal nearly two months ago and there I was sent to a children's camp." laughed blue black haired Pamela, who looks 15 years at the most.
"I'm going to be a journalist," chimed in the baby, Nancy, 17.
Patricia, a composer and singer of her own music, spent some years at the Royal Academy, of Music. "I have travelled aloue since I was 14, so it is nothing new to me. But Canada is so vastly different," she said.
Pamela is a student at the Ontario College of Art. Nancy is also a university student.
DISCIPLE OF THE DANCE Patricia Wong has always wanted to be an artiste. She attended the Royal Academy of Music in England, but the war decided her parents to keep her on this side of the Atlantic. Now, as shown at RIGHT, she studies dancing under the direction of Boris Volkoff.
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clancarruthers · 2 years
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SCOTT CARRUTHERS - CLAN CARRUTHERS CCIS
SCOTT CARRUTHERS – CLAN CARRUTHERS CCIS
SCOTT CARRUTHERS   1961  –  2022 MONTREAL  CANADA Passed away at home on Tuesday June 21 2022 at the age of 61, after living with cancer for four years. Predeceased by his loving parents, Annie and Thomas Carruthers. Beloved husband and creative partner of Tanya Read. Cherished brother of Lee (Charles), Maureen, and Anne; hilarious uncle to Lily, Charlie, and Laurel. Dear son-in-law of Dennis and…
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elixir · 5 months
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Interior of Danmarks Nationalbank, by Arne Jacobsen – 1965
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nguyeningit · 1 year
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Equivalent Exchange
Mother. 9″ x 12″ watercolor. If you’re a Full Metal Alchemist fan, I hope you dig this piece. I just finished a bunch of original art pieces for DCD COLLECTS. If you love original artwork, mystery boxes & manga/anime, give them a follow! Teaching at Los Angeles City College! I’ll be teaching the Draw Comic Book & Cartoon characters class at LACC! $75, 5 week course, every Sunday from…
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midnite--cruiser · 1 year
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submitted my portfolio for colleg. hopefully i get in :]
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ashtonderoy · 5 months
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Last Summer At Bluefish Cove review.
Written by Ashton Deroy Register on Eventbrite Okay so in real life. I am the nosy kind of friend when my contacts actually post their own Content on Social Media. Not a bunch of recycled memes. I saw my friend Candace Meeks was in a play January 11th 2023 at River & Main Theatre Company . Basically it was an affordable play 6 minutes from my house. That is why I went. Above is an embeded…
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tahacollege · 8 months
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nasa · 10 months
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NASA Inspires Your Crafty Creations for World Embroidery Day
It’s amazing what you can do with a little needle and thread! For #WorldEmbroideryDay, we asked what NASA imagery inspired you. You responded with a variety of embroidered creations, highlighting our different areas of study.
Here’s what we found:
Webb’s Carina Nebula
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Wendy Edwards, a project coordinator with Earth Science Data Systems at NASA, created this embroidered piece inspired by Webb’s Carina Nebula image. Captured in infrared light, this image revealed for the first time previously invisible areas of star birth. Credit: Wendy Edwards, NASA. Pattern credit: Clare Bray, Climbing Goat Designs
Wendy Edwards, a project coordinator with Earth Science Data Systems at NASA, first learned cross stitch in middle school where she had to pick rotating electives and cross stitch/embroidery was one of the options.  “When I look up to the stars and think about how incredibly, incomprehensibly big it is out there in the universe, I’m reminded that the universe isn’t ‘out there’ at all. We’re in it,” she said. Her latest piece focused on Webb’s image release of the Carina Nebula. The image showcased the telescope’s ability to peer through cosmic dust, shedding new light on how stars form.
Ocean Color Imagery: Exploring the North Caspian Sea
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Danielle Currie of Satellite Stitches created a piece inspired by the Caspian Sea, taken by NASA’s ocean color satellites. Credit: Danielle Currie/Satellite Stitches
Danielle Currie is an environmental professional who resides in New Brunswick, Canada. She began embroidering at the beginning of the Covid-19 pandemic as a hobby to take her mind off the stress of the unknown. Danielle’s piece is titled “46.69, 50.43,” named after the coordinates of the area of the northern Caspian Sea captured by LandSat8 in 2019.
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An image of the Caspian Sea captured by Landsat 8 in 2019. Credit: NASA
Two Hubble Images of the Pillars of Creation, 1995 and 2015
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Melissa Cole of Star Stuff Stitching created an embroidery piece based on the Hubble image Pillars of Creation released in 1995. Credit: Melissa Cole, Star Stuff Stitching
Melissa Cole is an award-winning fiber artist from Philadelphia, PA, USA, inspired by the beauty and vastness of the universe. They began creating their own cross stitch patterns at 14, while living with their grandparents in rural Michigan, using colored pencils and graph paper.  The Pillars of Creation (Eagle Nebula, M16), released by the Hubble Telescope in 1995 when Melissa was just 11 years old, captured the imagination of a young person in a rural, religious setting, with limited access to science education.
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Lauren Wright Vartanian of the shop Neurons and Nebulas created this piece inspired by the Hubble Space Telescope’s 2015 25th anniversary re-capture of the Pillars of Creation. Credit:  Lauren Wright Vartanian, Neurons and Nebulas
Lauren Wright Vartanian of Guelph, Ontario Canada considers herself a huge space nerd. She’s a multidisciplinary artist who took up hand sewing after the birth of her daughter. She’s currently working on the illustrations for a science themed alphabet book, made entirely out of textile art. It is being published by Firefly Books and comes out in the fall of 2024. Lauren said she was enamored by the original Pillars image released by Hubble in 1995. When Hubble released a higher resolution capture in 2015, she fell in love even further! This is her tribute to those well-known images.
James Webb Telescope Captures Pillars of Creation
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Darci Lenker of Darci Lenker Art, created a rectangular version of Webb’s Pillars of Creation. Credit:  Darci Lenker of Darci Lenker Art
Darci Lenker of Norman, Oklahoma started embroidery in college more than 20 years ago, but mainly only used it as an embellishment for her other fiber works. In 2015, she started a daily embroidery project where she planned to do one one-inch circle of embroidery every day for a year.  She did a collection of miniature thread painted galaxies and nebulas for Science Museum Oklahoma in 2019. Lenker said she had previously embroidered the Hubble Telescope’s image of Pillars of Creation and was excited to see the new Webb Telescope image of the same thing. Lenker could not wait to stitch the same piece with bolder, more vivid colors.
Milky Way
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Darci Lenker of Darci Lenker Art was inspired by NASA’s imaging of the Milky Way Galaxy. Credit: Darci Lenker
In this piece, Lenker became inspired by the Milky Way Galaxy, which is organized into spiral arms of giant stars that illuminate interstellar gas and dust. The Sun is in a finger called the Orion Spur.
The Cosmic Microwave Background
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This image shows an embroidery design based on the cosmic microwave background, created by Jessica Campbell, who runs Astrostitches. Inside a tan wooden frame, a colorful oval is stitched onto a black background in shades of blue, green, yellow, and a little bit of red. Credit: Jessica Campbell/ Astrostitches
Jessica Campbell obtained her PhD in astrophysics from the University of Toronto studying interstellar dust and magnetic fields in the Milky Way Galaxy. Jessica promptly taught herself how to cross-stitch in March 2020 and has since enjoyed turning astronomical observations into realistic cross-stitches. Her piece was inspired by the cosmic microwave background, which displays the oldest light in the universe.
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The full-sky image of the temperature fluctuations (shown as color differences) in the cosmic microwave background, made from nine years of WMAP observations. These are the seeds of galaxies, from a time when the universe was under 400,000 years old. Credit: NASA/WMAP Science Team
GISSTEMP: NASA’s Yearly Temperature Release
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Katy Mersmann, a NASA social media specialist, created this embroidered piece based on NASA’s Goddard Institute for Space Studies (GISS) global annual temperature record. Earth’s average surface temperature in 2020 tied with 2016 as the warmest year on record. Credit: Katy Mersmann, NASA
Katy Mersmann is a social media specialist at NASA’s Goddard Space Flight Center in Greenbelt, Md. She started embroidering when she was in graduate school. Many of her pieces are inspired by her work as a communicator. With climate data in particular, she was inspired by the researchers who are doing the work to understand how the planet is changing. The GISTEMP piece above is based on a data visualization of 2020 global temperature anomalies, still currently tied for the warmest year on record.
In addition to embroidery, NASA continues to inspire art in all forms. Check out other creative takes with Landsat Crafts and the James Webb Space telescope public art gallery.
Make sure to follow us on Tumblr for your regular dose of space!
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mauricecherry · 2 years
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Every designer or artist wants to be able to make a living from their work, and this week’s guest embodies that desire. Generally, Kamar Thomas splits his time between being a design educator at two institutions — Centennial College and VCAD — but outside the classroom, he’s a prolific artist who specializes in vibrant oil paintings filled with deep meaning. He also just finished his first book, The Artist’s Creative Vision, which publishes this winter. Very nice!
Kamar started off talking about his teaching career, which also includes stints in the U.S. and Jamaica, and he talked about getting into art and painting as a kid before attending college at Wesleyan. He also spoke on the themes of the Black figure, masks, and abstraction in his work, his first gallery show this year, and what he ultimately wants to convey in his paintings. For Kamar, you can make art from wherever, and also have a great career!
For extended show notes, including a full transcript of this interview, visit revisionpath.com.
Revision Path is brought to you by Lunch, a multidisciplinary creative studio in Atlanta, GA.
It is produced by Maurice Cherry and engineered and edited by RJ Basilio. Our intro voiceover is by Music Man Dre, with intro and outro music by Yellow Speaker. Transcripts provided by Brevity & Wit.
SUBSCRIBE, RATE, AND REVIEW! Apple Podcasts | Google Podcasts | SoundCloud | Spotify
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uwmspeccoll · 1 year
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Staff Pick of the Week
My staff pick this week is the trade edition of The Tale of the Shining Princess by Japanese-born writer Hisako Matsubara (b.1935) and Japanese-Canadian artist-printmaker Naoko Matsubara (b.1937), published by Kodansha International LTD. Tokyo, Japan in 1966. 
As a artist-printmaker and bookmaker who makes woodcuts, I am greatly inspired by Naoko’s prints. Naoko Matsubara’s work carries on traditions of Japanese printmaking while having its own contemporary flavor. Her woodcuts are ecstatic, they are vibrating with movement. Her use of bold shapes and the white line of the the carving tool makes the most of what woodcut has to offer. In the book form, the active images carry the reader’s eyes through the book space. Her use of negative space activates the page. Additionally, her woodcuts have translated beautifully to commercial printing. 
The Matsubara sisters are daughters of a senior Shinto priest, and were raised in Kyoto. Both studied, lived, and worked in the United States. Hisako received her Master of Arts degree from Pennsylvania State College, moving to Germany where she continued her studies and became a prominent writer, publishing her work in Japanese, English, and German. In the 1980s she moved back to the United States, this time to California where she worked at Stanford University. 
Naoko received her Master of Fine Arts from Carnegie Institute of Technology in Pittsburgh, now Carnegie Mellon University. After her studies she traveled across Europe and Asia. She returned to the United States and became the personal assistant to the artist and wood engraver Fritz Eichenberg, an artist who has been featured many times on our blog. Naoko taught at Pratt University in New York and at the University of Rohde Island. She also lived in Cambridge, Massachusetts for a time. Naoko is currently living and working in Canada in Oakville, Ontario, where she continues to work and exhibit nationally. 
The work of both Hisako and Naoko have had great influence inside the United States and around the world. So lets celebrate their accomplishments! 
This book has end sheets of mulberry paper with inclusions of Bamboo leaves, the cover is a red textured paper with a gold stamped design by Naoko. 
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View some of our other AAPI selections for this month.
View our other Staff Picks.
- Teddy, Special Collections Graduate Intern
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cartermagazine · 3 months
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Today We Honor Dr.Josephine English
Dr. Josephine English was an American gynecologist who was the first black woman to open a private practice in New York. She was also known for her work in real estate and health care, in addition to her philanthropy towards the arts.
English was born on December 17, 1920 to Jennie English and Whittie Sr. in Ontario, Virginia. She moved to Englewood, New Jersey in 1939. Her family was one of the first black families in Englewood. She attended Hunter College for her bachelor’s degree until 1949, and earned her Master’s in Psychology at New York University. She initially wanted to become a psychiatrist, but ended up choosing gynecology after discovering her interest at Meharry Medical College where she earned her medical degree in gynecology.
Dr.Josephine English opened her practice at Harlem Hospital. Once in Brooklyn, she opened up a women’s health clinic in Bushwick in 1956, as well as another in Fort Greene two decades later. During her career, English helped deliver 6,000 babies, including the children of Malcolm X, Betty Shabazz, and Lynn Nottage.
English’s interest in health care lead her establish the Adelphi Medical Center and child care programs, such as Up the Ladder Day Care and After School Program. Her passion for theater led her to establish the Paul Robeson Theater from a dilapidated church. She helped actors create performances to educate the populace on health and nutrition.
CARTER™️ Magazine
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heaveninawildflower · 9 months
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Decorative motifs taken from 'Ornament' by Helmuth Theodor Bossert.
Published 1924 by E. Benn.
Dorothy H. Hoover Library, Ontario College of Art & Design.
archive.org
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mybeingthere · 2 months
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Nancy L. Moore is a Canadian artist based in Newtonville, Ontario.
Nancy is a graduate of the Graphic Design Program at George Brown College. Nancy grew up in a household where art and creativity were always encouraged. She gives credit to her late father, Wayne Moore, an artist who loved nature.
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elixir · 5 months
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Abandoned Mansion: Northern Ontario, Canada
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arya7stark · 1 year
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We all appreciate how much Moonlight Chicken is grounded in reality, so I wanted to add another bit that I haven’t seen yet: the school Heart wants to go to is very real, and it makes perfect sense for him to go there. In fact, it’s probably the best option in the world.
He’s looking at the National Technical Institute for the Deaf at RIT (Rochester Institute of Technology) in Rochester, New York (this is nowhere near NYC, for anyone unfamiliar with New York geography--it’s right on Lake Ontario and not too far from Niagara Falls). NTID is one of only two four-year college programs specifically for Deaf students in the US, the other being Gallaudet University, which is a liberal arts school and doesn’t offer an Engineering major. I am by no means an expert, but a fair bit of googling says that internationally there aren’t many options for Deaf students wanting to pursue higher education at an institution that specifically welcomes and is prepared to support them. At a lot of universities, they would be piecing together accommodations that many professors might be unfamiliar with, and that they might have to fight to get the school to provide. NTID is fully integrated and makes up a not insignificant portion of RIT’s student body: about 1 in 20 students are deaf or hard of hearing. There is history there, resources, experience, and a built-in community of support.
Anyway, not only is NTID unique in that regard, RIT also has a well-respected Engineering program. For a Deaf kid who wants to study engineering, it’s a fantastic choice.
We don’t know how good Heart’s English skills are, but he seems to have been a good student. And lucky for him, Thai Sign Language and American Sign Language are closely related, so that linguistic transition might even be easier than the written one.
I’m willing to bet Heart has known all about NTID for a while, but couldn’t bring it up with his parents. Him wanting to study in the US has nothing to do with Li Ming, that’s just a happy coincidence. That and the fact that Li Ming is forcing his parents to finally listen to him.
So as adorable as it is that these two lovebirds are going off on a grand international adventure together, I’m really glad that it’s grounded in reality, and that they both separately want to be there, for their own reasons. This story is not a fantasy, but reality can be even more beautiful.
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shewhoworshipscarlin · 4 months
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Alvin Childress
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Alvin Childress (September 15, 1907 – April 19, 1986) was an American actor, who is best known for playing the cabdriver Amos Jones in the 1950s television comedy series Amos 'n' Andy.
Alvin Childress was born in Meridian, Mississippi. He was educated at Rust College, from which he received a Bachelor of Arts degree in sociology. When he initially entered college, Childress intended to become a doctor, enrolling in typical pre-med courses. He had no thoughts of becoming involved in acting, but became involved in theater outside of classes. Childress and Rex Ingram in the Federal Theatre Project production of Haiti (1938)
Childress's first wife was the former Alice Herndon, who established herself as a successful writer and actress under the name of Alice Childress (1916–1994); the couple was married from 1934 to 1957 and had a daughter, Jean Rosa. From 1961 to 1973, Childress worked as an unemployment interviewer for the Los Angeles Department of Personnel and in the Civil Service Commission of Los Angeles County.
Childress moved to New York City and became an actor with Harlem's Lafayette Players, a troupe of stock players associated with the Lafayette Theatre. Soon, he was engaged as an actor in the Federal Theater Project, the American Negro Theater, and in all-black race film productions such as Keep Punching (1939). His greatest success on the stage was his performance as Noah in the popular drama, Anna Lucasta, which ran for 957 performances. He also worked at Teachers College of Columbia University. Childress also operated his own radio and record store in New York City. When he learned about casting for the Amos 'n' Andy television series, Childress decided to audition for a role. He was hired a year before the show went on the air.
In 1951, he was cast as the level-headed, hard-working and honest Amos Jones in the popular television series, The Amos 'n' Andy Show, which ran for two years on CBS. Childress originally tried out for the role of The Kingfish, but Charles Correll and Freeman Gosden cast him as Amos. Since he had been hired a year before the show began, Gosden and Correll turned the search for an actor to play "The Kingfish" over to Childress. In a 1979 interview, Childress shared information about some of the candidates. Cab Calloway was considered but found wanting by Gosden because of his straight hair. Childress said there were many famous men, with and without actual acting experience, who wanted to play the role. Eventually, old-time vaudeville comedian Tim Moore was cast as the Kingfish.
Shortly after the television show had ended, plans to turn it into a vaudeville act were announced in 1953, with Childress, Williams and Moore playing the same roles as they had in the television series. It is not known if there were any performances. In 1956, after the television show was no longer in production, Childress and some of his fellow cast members: Tim Moore, Spencer Williams, and Lillian Randolph along with her choir, began a tour of the US as "The TV Stars of Amos 'n' Andy". The tour was halted by CBS as the network considered this an infringement of their rights to the program and its cast of characters. Despite the threats which ended the 1956 tour, Childress, along with Moore, Williams and Johnny Lee were able to perform one night in 1957 in Windsor, Ontario, apparently without legal action. When he tried for work as an actor, Childress found none as he was typecast as Amos Jones. For a short time, Childress found himself parking cars for an upscale Beverly Hills restaurant.
Childress also appeared in roles on the television series Perry Mason, Sanford and Son, Good Times and The Jeffersons and in the films Thunderbolt and Lightfoot (1974) and The Day of the Locust (1975). When Childress appeared as a minister in a 1972 episode of Sanford and Son, he was reunited with two former cast members: Lillian Randolph of Amos 'n' Andy in the role of Aunt Hazel and Lance Taylor, Jr. of Anna Lucasta, with the role of Uncle Edgar.
Childress suffered from diabetes and other ailments. He died at age 78 on April 19, 1986, in Inglewood, California. He was buried at National Memorial Harmony Park in Landover, Maryland.
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