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#Revision Path
mauricecherry · 1 year
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Black Panther: Wakanda Forever is one of the most anticipated movies of the year, and that’s not just because it’s a sequel to one of the highest-grossing movies of all time. After the tragic and sudden passing of megastar Chadwick Boseman, Ryan Coogler and the cast and crew of this film came together and put it all on the line to deliver a cinematic tribute truly fit for a king.
In this bonus episode of Revision Path, I sit down again with Reginé Gilbert, Jordan Green, and Paul Webb to dive deep into the symbolism, visuals, and music behind Black Panther: Wakanda Forever. Warning: we spoil the entire movie in this episode, so if you haven’t watched the film yet, you might want to do that before listening.
Yibambe!
For extended show notes, including a full transcript of this interview, visit revisionpath.com.
Revision Path is brought to you by Lunch, a multidisciplinary creative studio in Atlanta, GA.
It is produced by Maurice Cherry and engineered and edited by RJ Basilio. Our intro voiceover is by Music Man Dre, with intro and outro music by Yellow Speaker. Transcripts provided by Brevity & Wit.
SUBSCRIBE, RATE, AND REVIEW! Apple Podcasts | Google Podcasts | SoundCloud | Spotify
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izzy's apology to edward cleansed my pores, watered my crops, folded my laundry and cured my depression.
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c1tyhaunts · 4 months
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One of my favorite muse facts is that Terrah almost forgets that she’s technically an acclaimed doctorate in engineering. The woman is a continuous workaholic and forgets that she has been a participant in multiple patents for space technology. Someone came up to her once and called her “Doctor Sparkz” and she thought the other person was crazy for a moment. Clients specify they want Dr. Sparkz work on their projects, and she declined it because she already has too much to do on her own project.
She also often forgets how mechanically inclined she is. Like, she can fix most machines you give her, but unless you remind her she can, she’s going to default it to someone else. Like, she was able to tear down and fix up her first car when she was a teen effortlessly, but ask her to do that now and she’s going to go “why.”
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My foot stands on level ground; in the great congregation I will bless the LORD.
Psalm 26:12 RSV (1971)
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asteraegis · 2 years
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i designed a dungeon based off my viera's lore this week!
the gear is inspired by inuit coats/furs, as well as the paglth'an and qitana ravel gear sets. my inspiration comes from how i always assumed the ffxiv viera were based on indigenous people, but the starter clothes don't fit, especially for veena. my fictional snowy mountain forest, Frer, is located east of Garlemald so it's quite cold there and the lingerie viera start with 🙄 would not cut it.
Labrys is modeling the gear (since she's big), with head pieces separated so Howlen can model them (originally they were all going to be bones/warpaint for Frer's lore reasons, but my samurai friend wanted a hood).
as far as the enemies go, 'geotek' is the term used for the repurposed magitek scraps the veena here use to make turrets that enhance their spells. Isiq and Makpiq are inuktitut words (not names) i thought fit the bosses. according to the dictionary i sourced, Isiq means "smoke from fire" and Makpiq is "turn back/away." hopefully thats correct and i read the dictionary right (was very cluttered and i am so dyslexic).
anyway, i still have a lot more cultural lore to design for Frer but designing a dungeon to show off their traditional clothes and creations was really fun in general. theres more details on this dungeon like why i did what i did, fight layouts, and clothing concept art i referenced but since this is tumblr im not posting that essay here.
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faeiapalette · 10 months
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Laito LE is so damn relatable 💀
#Like#The facade he created is a conditional reflex that; over time; has become an instinct#So whenever the factor that triggers his trauma hits his eye; he reacted almost instantly (unconsciously)#It’s kinda similar to gag reflex i think?… When there’s smth entering one’s throat they be gagging and trying to push it out (by vomitting)#He do be realizing what’s going on tho 🤔 Just that his mind and his body were not in sync. It’s smth he can’t control over. Which he#usually be controlling that. This gave birth to his downfall (DL is great with internal conflicts ngl)#Storyline… no.#Its genre; visual novel; created a huge advantage for all the psychology and stuff. However…#Would it be right to say the fact that LE’s plot is colossal & they’ll have to balance details about mainstream dilemma#And love life and whatever personal problem the character has (trust issues for example)#Making everything so rushed… at the end?#Andddddd not impactful at all.#Like… such simple solutions. That’s it?#Good plot is instead of making milestones and let the character reaches those marks; you put them in a situation where their choices will#affect their whole future path.#Which is why most Sakamakiya’s ending sucks. If not sucks then boring.#I would say LE has the most logical plot. THE ENDINGS HOWEVER (you finish the sentence)#Revising literature so i be analyzing Lewdto too#At least LE is informative (not good but not bad either)#CL is horrible. I deem Karl even less after that.#OH YEAH. KARL.#This dude is so… listless as an “antagonist”#Or a boss?#Like how he elaborated everything in his plan is so damn cool. Vampire dominos.#But his goals?#They feel… lacking. HE is lacking.#Ngl this dude made Ayato LE - a route that has been rlly fine & on the right track - feels insufficient at the end.#Like Ayato with the explosive energy of a shounen protagonist versus a “villain” who fucks the world up just to serve his science project#Sigh…. Which is exactly why mostly the one who r able to like Karl r ppl who thinks he’s hot.#Even Cordelia is more intriguing as a chara than this man. The most unsuitable person for the antagonist seat: her beloved husband 💖🎊🥇
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ihumaneveryday · 2 years
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“Birds before land”
Don’t contradict yourself. Everything is wonderful. I am happy.  I feel peaceful.  I feel better.  Go into yourself. I cannot lose what is mine.  Associate abundance with all things that matter most to you. I won’t look for it, because I have it already. Take the path of least resistance. Affirm just to affirm.  Do things out of lightheartedness. Revision works! I feel good because I am me.
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zanathan-aisling · 4 months
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guttertanks are actually just kinda bullshit
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How lock-in hurts design
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Berliners: Otherland has added a second date (Jan 28) for my book-talk after the first one sold out - book now!
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If you've ever read about design, you've probably encountered the idea of "paving the desire path." A "desire path" is an erosion path created by people departing from the official walkway and taking their own route. The story goes that smart campus planners don't fight the desire paths laid down by students; they pave them, formalizing the route that their constituents have voted for with their feet.
Desire paths aren't always great (Wikipedia notes that "desire paths sometimes cut through sensitive habitats and exclusion zones, threatening wildlife and park security"), but in the context of design, a desire path is a way that users communicate with designers, creating a feedback loop between those two groups. The designers make a product, the users use it in ways that surprise the designer, and the designer integrates all that into a new revision of the product.
This method is widely heralded as a means of "co-innovating" between users and companies. Designers who practice the method are lauded for their humility, their willingness to learn from their users. Tech history is strewn with examples of successful paved desire-paths.
Take John Deere. While today the company is notorious for its war on its customers (via its opposition to right to repair), Deere was once a leader in co-innovation, dispatching roving field engineers to visit farms and learn how farmers had modified their tractors. The best of these modifications would then be worked into the next round of tractor designs, in a virtuous cycle:
https://securityledger.com/2019/03/opinion-my-grandfathers-john-deere-would-support-our-right-to-repair/
But this pattern is even more pronounced in the digital world, because it's much easier to update a digital service than it is to update all the tractors in the field, especially if that service is cloud-based, meaning you can modify the back-end everyone is instantly updated. The most celebrated example of this co-creation is Twitter, whose users created a host of its core features.
Retweets, for example, were a user creation. Users who saw something they liked on the service would type "RT" and paste the text and the link into a new tweet composition window. Same for quote-tweets: users copied the URL for a tweet and pasted it in below their own commentary. Twitter designers observed this user innovation and formalized it, turning it into part of Twitter's core feature-set.
Companies are obsessed with discovering digital desire paths. They pay fortunes for analytics software to produce maps of how their users interact with their services, run focus groups, even embed sneaky screen-recording software into their web-pages:
https://www.wired.com/story/the-dark-side-of-replay-sessions-that-record-your-every-move-online/
This relentless surveillance of users is pursued in the name of making things better for them: let us spy on you and we'll figure out where your pain-points and friction are coming from, and remove those. We all win!
But this impulse is a world apart from the humility and respect implied by co-innovation. The constant, nonconsensual observation of users has more to do with controlling users than learning from them.
That is, after all, the ethos of modern technology: the more control a company can exert over its users ,the more value it can transfer from those users to its shareholders. That's the key to enshittification, the ubiquitous platform decay that has degraded virtually all the technology we use, making it worse every day:
https://pluralistic.net/2023/02/19/twiddler/
When you are seeking to control users, the desire paths they create are all too frequently a means to wrestling control back from you. Take advertising: every time a service makes its ads more obnoxious and invasive, it creates an incentive for its users to search for "how do I install an ad-blocker":
https://www.eff.org/deeplinks/2019/07/adblocking-how-about-nah
More than half of all web-users have installed ad-blockers. It's the largest consumer boycott in human history:
https://doc.searls.com/2023/11/11/how-is-the-worlds-biggest-boycott-doing/
But zero app users have installed ad-blockers, because reverse-engineering an app requires that you bypass its encryption, triggering liability under Section 1201 of the Digital Millennium Copyright Act. This law provides for a $500,000 fine and a 5-year prison sentence for "circumvention" of access controls:
https://pluralistic.net/2024/01/12/youre-holding-it-wrong/#if-dishwashers-were-iphones
Beyond that, modifying an app creates liability under copyright, trademark, patent, trade secrets, noncompete, nondisclosure and so on. It's what Jay Freeman calls "felony contempt of business model":
https://locusmag.com/2020/09/cory-doctorow-ip/
This is why services are so horny to drive you to install their app rather using their websites: they are trying to get you to do something that, given your druthers, you would prefer not to do. They want to force you to exit through the gift shop, you want to carve a desire path straight to the parking lot. Apps let them mobilize the law to literally criminalize those desire paths.
An app is just a web-page wrapped in enough IP to make it a felony to block ads in it (or do anything else that wrestles value back from a company). Apps are web-pages where everything not forbidden is mandatory.
Seen in this light, an app is a way to wage war on desire paths, to abandon the cooperative model for co-innovation in favor of the adversarial model of user control and extraction.
Corporate apologists like to claim that the proliferation of apps proves that users like them. Neoliberal economists love the idea that business as usual represents a "revealed preference." This is an intellectually unserious tautology: "you do this, so you must like it":
https://boingboing.net/2024/01/22/hp-ceo-says-customers-are-a-bad-investment-unless-they-can-be-made-to-buy-companys-drm-ink-cartridges.html
Calling an action where no alternatives are permissible a "preference" or a "choice" is a cheap trick – especially when considered against the "preferences" that reveal themselves when a real choice is possible. Take commercial surveillance: when Apple gave Ios users a choice about being spied on – a one-click opt of of app-based surveillance – 96% of users choice no spying:
https://arstechnica.com/gadgets/2021/05/96-of-us-users-opt-out-of-app-tracking-in-ios-14-5-analytics-find/
But then Apple started spying on those very same users that had opted out of spying by Facebook and other Apple competitors:
https://pluralistic.net/2022/11/14/luxury-surveillance/#liar-liar
Neoclassical economists aren't just obsessed with revealed preferences – they also love to bandy about the idea of "moral hazard": economic arrangements that tempt people to be dishonest. This is typically applied to the public ("consumers" in the contemptuous parlance of econospeak). But apps are pure moral hazard – for corporations. The ability to prohibit desire paths – and literally imprison rivals who help your users thwart those prohibitions – is too tempting for companies to resist.
The fact that the majority of web users block ads reveals a strong preference for not being spied on ("users just want relevant ads" is such an obvious lie that doesn't merit any serious discussion):
https://www.iccl.ie/news/82-of-the-irish-public-wants-big-techs-toxic-algorithms-switched-off/
Giant companies attained their scale by learning from their users, not by thwarting them. The person using technology always knows something about what they need to do and how they want to do it that the designers can never anticipate. This is especially true of people who are unlike those designers – people who live on the other side of the world, or the other side of the economic divide, or whose bodies don't work the way that the designers' bodies do:
https://pluralistic.net/2022/10/20/benevolent-dictators/#felony-contempt-of-business-model
Apps – and other technologies that are locked down so their users can be locked in – are the height of technological arrogance. They embody a belief that users are to be told, not heard. If a user wants to do something that the designer didn't anticipate, that's the user's fault:
https://www.wired.com/2010/06/iphone-4-holding-it-wrong/
Corporate enthusiasm for prohibiting you from reconfiguring the tools you use to suit your needs is a declaration of the end of history. "Sure," John Deere execs say, "we once learned from farmers by observing how they modified their tractors. But today's farmers are so much stupider and we are so much smarter that we have nothing to learn from them anymore."
Spying on your users to control them is a poor substitute asking your users their permission to learn from them. Without technological self-determination, preferences can't be revealed. Without the right to seize the means of computation, the desire paths never emerge, leaving designers in the dark about what users really want.
Our policymakers swear loyalty to "innovation" but when corporations ask for the right to decide who can innovate and how, they fall all over themselves to create laws that let companies punish users for the crime of contempt of business-model.
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I'm Kickstarting the audiobook for The Bezzle, the sequel to Red Team Blues, narrated by @wilwheaton! You can pre-order the audiobook and ebook, DRM free, as well as the hardcover, signed or unsigned. There's also bundles with Red Team Blues in ebook, audio or paperback.
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/01/24/everything-not-mandatory/#is-prohibited
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Image: Belem (modified) https://commons.wikimedia.org/wiki/File:Desire_path_%2819811581366%29.jpg
CC BY 2.0 https://creativecommons.org/licenses/by/2.0/deed.en
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Why Writers Don't Finish Writing Their Stories, and How to Fix It
Hello fellow writers and storytellers,
The journey of writing a story is an exhilarating adventure, but it's not without its share of obstacles. Many of us have embarked on a creative endeavor, only to find ourselves mired in the struggle to finish what we started. In this blog post, I'll unravel the common reasons why writers don't finish their stories and explore practical strategies to overcome these hurdles and reignite the flame of creativity.
The Perils of Unfinished Stories
As writers, we often find ourselves in the throes of unfinished tales, grappling with the intricate web of characters, plots, and themes. There are several reasons why the ink dries up and the story remains untold. Let's shine a light on the familiar adversaries that stand between us and the triumphant completion of our narratives:
1. Lack of Planning:
Some of us brazenly dive into our stories without a clear roadmap, resulting in uncertainty about the direction of the plot and the fate of our characters. The lack of a solid plan can lead us astray, leaving our stories wandering in the wilderness of aimlessness.
2. Self-Doubt and Perfectionism:
Ah, the relentless whispers of self-doubt and the siren call of perfectionism! These twin adversaries can cast a shadow over our creative vision, compelling us to endlessly revise and perfect the early chapters, trapping us in a whirlpool of perpetual edits.
3. Time Management:
Balancing the demands of daily life with the ardor of writing can be akin to walking a tightrope. The struggle to find consistent time for our craft often leaves our stories languishing in prolonged periods of inactivity, longing for the touch of our pen.
4. Writer's Block:
The mighty barrier that even the most intrepid writers encounter. Writer's block can be an insurmountable mountain, leaving us stranded in the valleys of creative drought, unable to breathe life into new ideas and narratives.
5. Lack of Motivation:
The flame that once burned brightly can flicker and wane over time, leaving us adrift in the murky waters of disillusionment. The initial excitement for our stories diminishes, making it arduous to stay committed to the crafting process.
6. Fear of Failure or Success:
The twin specters that haunt many writers' dreams. The apprehension of rejection and the unsettling prospect of life-altering success can tether us to the shores of hesitation, preventing us from reaching the shores of completion.
7. Criticism and Feedback Anxiety:
The looming dread of judgment casts a long shadow over our creative endeavors. The mere thought of receiving criticism or feedback, whether from peers or potential readers, can cast a cloud over our storytelling pursuits.
8. Plotting Challenges:
Crafting a cohesive and engaging plot is akin to navigating a labyrinth without a map. Faced with hurdles in connecting story elements, we may find ourselves lost in a maze of plot holes and unresolved threads.
9. Character Development Struggles:
Breathing life into multi-dimensional, relatable characters is a complex art. The intricate process of character development can become a quagmire, ensnaring us in the challenge of creating personas that drive the story forward. (Part one of Character Development Series)
10. Life Events and Distractions:
Unexpected events in our personal lives can cast ripples on our writing routines, interrupting the flow of our creativity and causing a loss of momentum.
Rallying Against the Odds: Strategies for Success
Now that we've confronted the adversaries that threaten to stall our storytelling odysseys, let's arm ourselves with strategies to conquer these barriers and reignite the flames of our creativity.
Embrace the Power of Planning:
A clear roadmap illuminates the path ahead. Arm yourself with outlines, character sketches, and plot maps to pave the way for your story's journey.
Vanquish Self-Doubt with Action:
Silence the voices of doubt with the power of progress. Embrace the imperfect beauty of your early drafts, knowing that every word brings you closer to the finish line.
Mastering the Art of Time:
Carve out sacred writing time in your schedule. Whether it’s ten minutes or two hours, every moment dedicated to your craft is a step forward.
Conquering Writer's Block:
Embrace the freedom of imperfection. Write, even if the words feel like scattered puzzle pieces. The act of writing can unravel the most stubborn knots of writer's block.
Reigniting the Flame of Motivation:
Seek inspiration in the wonders of the world. Reconnect with the heart of your story, rediscovering the passion that set your creative spirit ablaze.
Reshaping Fear into Fuel:
Embrace the uncertainty as an integral part of the creative journey. Embrace the lessons within rejection and prepare for the winds of change that success may bring.
Navigating the Realm of Criticism:
Embrace feedback as a catalyst for growth. Constructive criticism is a powerful ally, shaping your story into a work of art that resonates with readers.
Weaving the Threads of Plot:
Connect the dots with fresh eyes. Step back and survey the tapestry of your plot, seeking innovative solutions to bridge the gaps and untangle the knots.
Breathing Life into Characters:
Engage with your characters as if they were old friends. Dive into their depths, unraveling their quirks, fears, and dreams, and watch as they breathe life into your story.
Navigating Life's Tempests:
Embrace the ebb and flow of life. Every pause in your writing journey is a chance to gather new experiences and perspectives, enriching your storytelling tapestry.
The Ever-Resting Pen: Harnessing the Power Within
Fellow writers, the journey of completing a story is filled with peaks and valleys, each offering us the opportunity to sharpen our resolve and unleash our creative potential. As we stand at the crossroads, staring at the canvas of unfinished tales, let's rally against the odds, armed with the power of purpose, passion, and perseverance.
Let the ink flow once more, breathing life into tales left untold, and watch as your stories triumphantly reach their long-awaited conclusion. You possess the power to conquer the adversaries that stand in your way, and within you lies the essence of untold narratives waiting to unfurl onto the page.
Here's to the journey that lies ahead, the stories waiting to be written, and the unyielding spirit of creativity that thrives within each of us.
Warm regards and unwavering encouragement, Ren T.
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fuckyeahgoodomens · 3 months
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The Good Omens Musical Masterpost🎵❤
How it started :)
Some time before 2013: Vicki Larnach, the australian composer and lyricist, read the Good Omens book, imagined figures dancing on stage with brilliant music and thought, ‘Ah, I’m gonna ask Terry Pratchet and Neil Gaiman if I can turn it into a musical.’ and sent an email to the publishers. The next day she got an email saying, ‘We don’t want a musical but Terry’s coming to Australia, so come and say hello and tell us what you got.’
Rob Wilkins came down to meet Vicki and Jim Hare - Vicki's husband and writer - and took them to meet Terry. They spent an hour and a half with them where Terry asked ‘piercing questions’, had tea with them and they showed Terry a song that Vicki wrote (about the Chattering Nuns). Terry said to Rob, ‘Rob, write and email to Neil, “Dear Neil, this is Terry. I’m sitting in front of two hippies from Sydney and they want to make a musical out of Good Omens and I’m tempted to let them do it.”’ which was the best email they ever heard and then Terry said, ‘Okay, you have me curious.’ - it was because of the Nuns song which sounded like the book. ‘I’m gonna give you six months, come back with a first draft libretto and five songs.’
They then sent it to Terry who sent it to Neil. Terry said, ‘I really like it, you’re moving story, you’re doing all the right things, but where’s showstopper, where’s the toe-tapper, you know I need people to go to intermission just snapping their fingers with the song they just can’t get out of their head, and I haven’t heard that.’ - and they realized that they were so busy serving the story they forgot to do the wow-factor, but found it very encouraging from Terry that he wanted to make it better.
They went through the whole book again to find a centrepiece - and they found it  when Warlock is growing up and Aziraphale and Crowley are with him, and spent months working just on that one thing and called ‘All Living Things’ [the song at the start of this post :)] which is a line from the book.*’ Terry gave that song to a person he knew and asked him to play it to his wife with no context and when the next day the person said that his wife woke up still singing the song Terry said to Vicki and Jim: ‘Well, that’s what I asked you to do.’ 
* [“This here’s Brother Slug,” the gardener would tell him, “and this tiny little critter is Sister Potato Weevil. Remember, Warlock, as you walk your way through the highways and byways of life’s rich and fulsome path, to have love and reverence for all living things.” “Nanny says that wivving fings is fit onwy to be gwound under my heels, Mr. Fwancis,” said little Warlock, stroking Brother Slug, and then wiping his hand conscientiously on his Kermit the Frog overall.]
Vicki and Jim got the permission to being adapting it as a musical in 2013.
Vicki and Jim on it a couple of years ‘fumbling about’, took it as far as they could and decided to bring another person into it: Jay-James Moody
In 2015, Jay James-Moody joined the collaboration initially as a dramaturge and directorial eye, eventually evolving into co-book writer. Vicki, James and Jay have continued to evolve through countless more revisions and a number of private development readings with the support, time and talent of numerous wonderful Australian performers testing the material.
In November 2017, the musical was presented in its then-current form and entirety for the first time before an audience of over 500 eager attendees. The cast included Luke Joslin, Lachlan O’Brien, Nancye Hayes, Barry Quin, Brett O’Neill, Lauren McKenna, Nicholas Craddock, Paul Capsis, Rob Johnson, Amy Lehpamer, Debora Krizak, Blake Erickson, Nat Jobe, Ana Maria Belo, Jordan Hare, Bella Thomas, Anthony Abrakmanov and Samson Hyland.
Following a rapturous response to this reading it continued to be refined and developed.
In 2019, ten days before the show came out they did their last presentation, since then they’ve been to London and shown a videotape of that workshop to Neil and Rob which was ‘a pretty heartstopping experience’ but both Neil and Rob were ‘so lovely and very generous with their time’ and they were showing it to them and in the intermission Neil said ‘I wish Terry could have seen this.’ (see here :))
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Differences between the musical and the book
The ending of the musical is a bit different, they were worried about it but Neil said, ‘I totally understand, the ending of the TV series is different, because I had something that was book-shaped and I needed to make it TV-shaped. And you had something that was book-shaped and you needed to make it stage-shaped.’
It opens with the burning of Agnes Nutter and Aziraphale and Crowley are introduced there. 
Act One ends with them ‘essentially breaking up’ because of a huge argument and they dissolve their friendship, Act Two starts with the first time they meet.
The Future?
What is the future for the musical: in 2021 they said that they need to work on some things and then they hope to do another run, initially in Australia.
There will be a CD of the soundtrack available when the show is produced in it’s full version.
Videos
Vicki, Jim and Jay talking 46min about the musical (this video was shown at the Ineffable Con 3 in 2021 :))
Sizzle Reel 6min
Anathema singing The Perfect Place
Crowley calling Dagon to check on the hellhound
Shadwell and Newt
Aziraphale vanishing Hastur 👀
Links
Webpage
Instagram - a lot of more bts videos and pics :)
How to support?
Subsribe to the instagram page and like and comment that you want the musical on posts :)❤. If you want to be a sponsor or donor, there is contact on their webpage.
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mauricecherry · 11 months
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I first learned about Tasheka Arceneaux-Sutton way back in 2015 when I interviewed Silas Munro. Since then, Tasheka has gone on to become one of the leading voices behind discovering Black people omitted from the graphic design history canon. Even design legend Dr. Cheryl D. Miller has sung her praises, so I knew I had to sit down with Tasheka and learn more about her remarkable journey.
Tasheka spoke to me about her experience as an educator and researcher, including an examination of her teaching philosophy. She also talked about growing up in New Orleans, her shift into design, working for the Navy Reservists, and even starting her own studio, Blacvoice Design. Lastly, she discussed her upcoming book Black Design in America, and shared how the different aspects of her work keep her motivated and inspired.
If there’s any lesson you learn from Tasheka, it should be this one: you have control over your own path as a designer, so work hard and you can make your dreams come true!
For extended show notes, including a full transcript of this interview, visit revisionpath.com.
DONATE TO REVISION PATH
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Click or tap here to make either a one-time or monthly donation to help keep Revision Path running strong.
Thank you for your support!
Revision Path is brought to you by Lunch, a multidisciplinary creative studio in Atlanta, GA.
Executive Producer and Host: Maurice Cherry
Editor and Audio Engineer: RJ Basilio
Intro Voiceover: Music Man Dre
Intro and Outro Music: Yellow Speaker
☎️ Call ‪626-603-0310 and leave us a message with your comments on this episode!
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bits-and-babs · 6 months
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✦ 𝐎𝐃𝐃𝐒 𝐎𝐍 ✦
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simon 'ghost' riley x f!reader (delta) | smut, 18+ | 4.1k
summary: you, soap and gaz make a silly bet at ghost's expense for an invaluable prize.
cw: mw3 spoiler free. 141 ridiculousness, humour, attempts to remove the mask resulting in life threatening (not really) injury, mild exhibitionism if you squint, very talkative ghost, 'interrogation' wink wink, unprotected p in v sex, reference to f receiving oral.
ghost mlist | main mlist | taglist
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"Y'know, I'm sure as shit that L.t's got brown hair," Soap pipes up in the middle of the silence that had settled inside the safe house. 
The members of Task Force 141 glance up one by one, querying eyes cast Soap's way as the guesstimated observation hangs in the air. It's louder than chopper blades, thudding against your skull and roaring in your ears as you attempt to recall the information you have on Ghost, what little physical attributes you can attribute to him. Each time, you hit a brick wall. The only image conjured in your minds-eye is the black voids of the mask's eyes and the piercing amber of his irises. 
The wind howls outside, battering the windows with Wyoming snow and creeping in through the cracks in the panes. It makes a yowling sound as it slips through the crevices, carrying your memories of Ghost's appearance with it. He truly was like an apparition, there one moment, then gone altogether. 
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Gaz's brows crease in the middle, little crevices in the skin showing his mind working over the sentence. 
"He doesn't," he eventually retorts, eyebrow cocked while shaking his head, "He's blonde." 
"What makes you say that?" Price scoffs at his colleague's certainty, "You ever seen his face?"
The silence that follows makes the Captain chuckle. A wordless 'that's what I thought'. 
"You willin' to bet on that?" Soap pushes Gaz with a lopsided smirk. There it is, that ridiculous playfulness that the Scotsman continuously let slip over coms. Simon had once reprimanded him for how it would get him killed– you were almost certain if he continued down this path in particular, he'd be in a box by daylight.
"I am," Gaz counters thoughtlessly, a smug lilt to his tone as he leans the crown of his head back against the rotting wooden wall, "He's got blonde eyelashes. He's gonna have blonde hair."
"What're ya gettin' so close tae him for?" Soap grins wide, loading the new ammunition and hitting a bullseye on the first shot, "You been snoggin' him or somethin'?"
"Lads," Price warns. It's only one word, but it says a lot; 'he'll have your head.' All of you know Simon 'Ghost' Riley well enough to know it's not a joke. Seen enough of the mangled bodies he left behind to know it wouldn't be clean, either. More like he'd hack your skull from your neck, picking out the dullest blade that'd struggle to slot between vertebrae.  
"Bets on, then," Soap continues, white teeth gleaming in the low light, "First to confirm gets the honour of shootin' Hassan between the eyes." 
It's like throwing a match at a body doused in diesel. 
                           ✰
The parameters of this wager are as follows... First: the competition is between you, Soap and Gaz. Price was ruled automatically exempt the moment he admitted he had, indeed, seen Ghost's face. It was a revelation that caused quite a storm- and a promise from Gaz of £100 if he'd tell.
The Captain, quite frankly, told him where to stick it. 
Second: None of you could just ask Ghost himself. That was boring; no fun in that. 
Thirdly, there are no other rules. Acquire the information by any means necessary to claim victory. Perhaps this rule should have been revised- because to say that 141's tactics for getting Ghost to reveal his face were a little unorthodox is an understatement of the highest order. 
Despite his hulking frame, Ghost is like a cunning fox, cognizant of even the slightest changes in energy and hypervigilant of those approaching. The midnight void of his grease paint that frames his eyesockets contrasts the whites of his eyes as they dart back and forth between you all. He appears to have noted the devious scheming, practically hearing the cogs turning in your heads the moment he returned from his watch. Something is amiss, and you know Ghost knows it. 
He says nothing. 
Day One; the grumpy, black-clad special ops soldier sits back in his seat as he crosses his arms over his vast chest, cautiously observing the minute movements the three of you made. He'd bristled when Gaz stood from the sofa simply to enter another room, poised and ready to pounce at whatever fuckery the younger soldier would attempt. 
"Hey, L.t.," Soap's drawl cuts through the humorously tense atmosphere in the room, and you brace yourself for his master plan. "When was the last time ye got a haircut?"
Ghost hesitates. Waits a beat. The silence stretches almost uncomfortably until he answers, thick, bassy voice almost booming in the box room. "What're you playin' at, Johnny?"
Soap shrugs his shoulders, exuding complete nonchalance as he settles into the seat across the table from the hulking mass of man. "Just wondered if the mask ever came off. How do you cut your hair?"
Amusement ripples through you in the sound of a chuckle, both men glancing your way. Ghost peers at you, suspicion pooling thick in his pupils. 
"Shave it," Ghost rumbles bluntly, with an air of finality that leaves no room for argument or for Soap to encourage him to try something stupid like curtain bangs or, God forbid, a mohawk. 
You can't help but grin from ear to ear as you watch the Scotsman's shoulders slump in defeat, already waving a white flag upon seeing how unwilling Ghost is to play whatever stupid game you're all partaking in. Even you can't deny the anxiety that prickles across your nerve endings when you see the way Ghost's biceps flex beneath the camo fabric of his uniform, primed for action. 
When Ghost's aqua irises slide to you, your shoulders shrug comically, putting on the performance of your life to appear as though you had no idea what Johnny was up to. You see the way Ghost's blacked-out eyelids squint in suspicion. He doesn't believe you, but doesn't say as much. 
Day Three and the polite, roundabout tactics had been discarded in favour of the nuclear option. Gaz had tried ambushing Ghost in the shower, opening the door without knocking as if pretending he didn't know the Lieutenant was in there. The door slammed so quickly into his head that an egg had been steadily growing on his forehead for the past hour and a half, blood seeping from his almost certainly broken nose. 
"You'll stay out next time, Bravo 2-6, if you know what's good for you," Ghost had growled through the crack in the door before shutting it with a click of the lock. 
Holding his face and slinking away, mortally wounded, Gaz uttered a humiliated 'Yes, lieutenant'. 
Soap, clearly not having learnt from poor Gaz, decided that the next best option was a trip, so to speak. Executing a ludicrously overexaggerated stumble, Johnny reached out to grab Ghost's mask to 'steady himself' and ultimately drag it from his superior's head. 
Ghost had leapt from his seat with a roar, threatening to send Sergeant MacTavish back to Scotland in a box with the Saltire draped across the lid. The standoff only settled upon Captain Price's barked orders to stand down or hang up the uniform. 
By Day Six, Ghost had bruised your opponent's egos enough that neither Soap nor Gaz dared attempt to peek beneath the mask again. They look at you like you're absolutely bonkers when you finally announce it's your turn to try and tame the beast. 
"Yer fuckin' mad, hen," Johnny grumbled, watching you observe Ghost from across the room. He'd settled on a chair in the corner of the room, ensuring no one could sneak up on him. "You can't seriously be plannin' on-"
"I want Hassan," you shrug, a smile playing on your lips. Though, at this rate, you couldn't care less about the terrorist and the honour of dispatching him. No, Ghost had made this ridiculous game far more competitive than needed, and you planned to win.
"Have fun," Gaz scoffed bitterly, still icing the blotchy green and purple bruise that had welted on his forehead as a medal of dis-honour. You hadn't exactly helped the healing process, poking it harshly with the pad of your thumb as you laughed at his mortifying misfortune. 
You wait patiently for Ghost to move, like a stake out on a mission. Lying in plain sight in a ghillie suit, a sniper rifle pointed right between his eyes and your finger on a hairpin trigger. You wait for him to break, for exhaustion to creep in. Thankfully, you don't have to wait long. The Lieutenant rises from his chair, announcing to 141 that he's headed to bed. 
A quiet mumble of 'goodnight' from each member grants him leave, and Ghost walks out of the room without further word. You waste no time in hurrying to your feet. 
"Are you gonna...-" Soap winces when you stand, trailing off when you start after Ghost, not allowing either of your colleagues to talk you out of this suicide mission. 
Though, the moment you turn the corner, you wish you had. Ghost's broad frame practically fills the narrow hallway like someone had plucked Everest from Nepal and shoved its hulking mass into a matchbox. He's ginormous, his usually silent footsteps causing the aged, rotting wood beneath the soles of his boots to creak with the weight he applies when he turns to face you. 
The dark hallway obscures Ghost's skull-face mask, but a glittering reflection of the golden light bleeding from the bulb in the living room area flickers across the wet surface of his eyes as he observes you. You can't allow the weighty pressure of his stare to phase you if you're to push ahead with your plan- so you step forward, swallowing down the nerves that Ghost's attention inevitably dredges up. 
"Lieutenant, sir," you address him smoothly, voice low as you gaze up at him through your lashes. Ghost's eyebrow arches in response, noting your somewhat suggestive behaviour. "Permission to spea-"
"I'm hopin' you'll tell me what you're all up to," his eyes spear your nerve as he interrupts you, "They're not lettin' up, but I'll get it outta you one way or another." 
"What... Did you have in mind?" You chance, heart slamming up against your chest when you realise just how obvious you're being. It's dangerous- you hadn't planned to be so forward. The idea that he'd be able to read your flirting so soon set off mortars in your veins. 
There's a pause. It dizzies you, throwing your previously sturdy confidence off kilter when Ghost tilts his masked head slightly. He's turning it over in his mind, considering the past few days' events. Then, he turns everything on its side. 
"I know what you're doing," he speaks suddenly, the rich baritone of his voice ricocheting off the walls and ringing in your ears like he's just discharged a round of ammo with each syllable. You jerk upright, standing to attention. 
"I don't know what you m-"
"You want the mask off," he interrupts you again, cutting your pathetic excuse short as he steps forward. It's ridiculous, the sheer size of him as he looms over you. "You lot made a bet."
Another beat. Ghost waits for a response, an admission of guilt. It feels like he's cornered you; every answer that springs to mind is incriminating. You know he can see your rueful expression, wide-eyed and panicked by the ease with which he puts you on the ropes. 
"Was this your plan?" He murmurs, reaching to grasp your chin. His palm settles on the hollow of your jaw, fingers fanning out across the bone. "Get me into bed and see if I'll take it off?"
Trembling in his hold, you whimper as Ghost's thumb stretches across to trace the curve of your lip. It follows the delicate arc, lining the shape of your mouth and trailing the dip of your cupid's bow. 
"'M sorry," you mumble weakly, cheeks hot beneath his touch. Again, you fold beneath the intensity of those honeyed irises. It's a miracle your knees don't buckle when he pushes the pad of his thumb just past your lips, so that it brushes the edges of your teeth. 
"That was your plan. Y'can still give it a try, love. But..." he hums, his voice throaty and quiet and settling in the pit of your stomach. It's embarrassing, the ease with which he figures you out, but his words drip over you, easy and warm, and all you can focus on is the slip of his thumb as he presses the pad against the flat of your tongue. 
"The mask stays on." 
Ghost’s insistence makes you giggle sheepishly and your stomach flip in dread, like a child caught with its hand down a bear trap. Despite the lewdness of him pushing his thumb past your lips, you know that he’s being serious, deathly so. You nod clumsily in recognition of his executive order, and Ghost gently taps the skin of your cheek with his free hand, the soft slap of his palm against your flesh standing your hair on end.
“Go.”
The word hangs in the air for a moment, weighing heavily in the claustrophobic space of the small hallway. It takes a moment for your mind, rendered utterly useless by Ghost’s imposing presence, to understand exactly what he’s implying. Only when he removes his thumb from your mouth to shove you forward towards a bedroom door does his intention become clear.
Oh. Oh!
Scrambling to force your feet forward, they practically float across the threshold of the bedroom door. You can feel Ghost looming just behind you, can practically feel the heat radiating from his chest warming the expanse of your back. Fingers clasp over your shoulder, practically swallow the curved flesh, and shove you back against the bedroom wall.
The force of impact winds you, the air expelled from your lungs swallowed down by Ghost’s lips bearing heavily down upon your own. He’d ripped the mask upwards, the hem of the ski-mask balanced across the bridge of his nose. Simon’s tongue licks into your mouth– intrudes upon the space like he’s kicking down a door, like he’s swallowing the breath he’d expelled from you with his heavy hand. 
Once the dazed dizziness dissipates, you moan in relief at finally getting what you wanted. Ghost’s gigantic paw takes hold of your jaw in a firm grip to fit his mouth perfectly against your own, his swirling fingerprints indenting in the soft flesh there in a mottled bruise. The soft pine he coaxes from you bleeds past your open mouth despite your attempt to suppress the frankly pathetic noise. 
Fuck it, this was worth it– all of it was worth it. The fear of getting it wrong, the anxiety of being caught, the panic that Simon could turn you away… All of it seeps into the darkness in the corners of the room when your superior drags his tongue across your lower lip. It’s though he’s relishing in the taste of the aftershocks of the arousal he sparks between your legs, the dopamine that rushes through you.
“Was this your plan?” Ghost grunts, grasping ahold of the scruff of your neck. Gasping weakly, you’re almost certain your eyes roll back in your head when he uses his harsh grip to steer you towards the bed. “Get me out of my fuckin’ mind so I don’t notice you takin’ off the mask?”
“That’s–” you huff, rendered breathless by Ghost’s intruding tongue, “That’s not it–”
Your pitiful attempt to excuse yourself is made useless when Ghost practically launches you onto the mattress of his bed, the rusted metal frame screaming under the sudden weight of your body. 
“No?” he queries, the usual boom of authority in his voice replaced by something that sounds far more like goading amusement as he places the hefty weight of his palm against your sternum, holding you down and thwarting any attempt to escape. 
He needn’t worry. The last thing you wanted was to leave. 
“Tell you what,” he muses in that smug tone you always hear over the comms, his free hand quick to grasp at the leather of his belt. The buckle clinks in the quiet as he works his fingers over it, “We’ll run through this mission, yeh? See if you can complete your objective, Delta?”
Your retort, or lack thereof, dies in your throat when Ghost pushes his crotch into your own. If it weren’t for the yelp of bliss that the Lieutenant had to smother with his palm, you’d hear the way he’d practically purred when he dragged his cock against you. 
“C’mon then. Try it,” he urged. 
It’s pointless, his mock-support. You just desperately reach for the waistband of his khaki uniform trousers, cockdrunk from the tease of its shape against you. Even in the low light, you can see Ghost’s scarred lips, the way they stretch into a smirk at your desperation. 
“Abandoning mission, Sergeant?” He asks you, unzipping his trousers. “Price’ll be disappointed to know this is all it takes for Delta to go AWOL.”
“Shut up,” you moan into the cold air of the cabin. You can see your breath. “Shut up and fuck me.”
When Simon removed himself from his trousers, making some glib comment about you being demanding, you marvel at the size of him. Girthy, swollen, the ruddy tip leaks precum down the arch of his cock and traces the pulsing veins. He’s rock hard and throbbing, framed by a thatch of pubic hair. 
Fumbling with your own trousers, you awkwardly try to remove them given Simon’s weighty palm still pins you down by your sternum. He watches, a glint in his eye in the low light that would almost embarrass you if you weren’t so focused on the task at hand. 
“What was the prize?” 
“H-Huh?” you stall, mind fried by Ghost’s unexpected line of enquiry. He picks up where you left off, violently yanking your trousers down your thighs and pushing your panties aside to expose your glistening cunt to his prying eyes. 
“What. Was. The. Prize?”
You hesitate for a moment, feeling Ghost’s fingers press against the inside of your thighs as he probes this unexplored territory of you. His touch skirts the areas you want him most, teasing and goading you for more information. “H-Hassa-ahh!”
You barely manage the first syllable of your answer before Simon rests the arch of his cock against your slick pussy lips. His body jerks slightly at the heat of your swollen cunt, the ease with which he can slide himself through your drenched sex. 
“You got to kill Hassan?” he asked for confirmation, his voice unwavering. You wonder how he manages to stay so steady– you’re coming apart at the seams, trembling as the head of his cock bumps your clit clumsily. 
“Yes,” you breathe, eyes rolling back as he continues his laboured, steady torture. His free hand settles on your hip, arching your pelvis up slightly to meet his own. You grind your hips upward against his cock, and Simon expels a soft scoff from lungs, those piercing eyes settled on your contorting expression. 
“Mhmm,” he hums, rolling his hips again. This time it’s even slower, teasing. “A temptin’ reward–” 
Simon is interrupted by the moan that splits your lips when he drags the length of his cock heavily against your clit. It sparks arousal deep in your abdomen, clings to the inside of your thighs wetly. 
Perhaps the disturbance is one transgression too many tonight, because Simon grasps your hips so hard that you are forced to stop gliding over the length of his cock. You pine in protest, but you choke on the pitiful sound when Ghost suddenly plunges his cock inside of you. It spears you open, breaks you apart, and you find your back arching desperately against the mattress. 
The palm that had rooted itself to your sternum flies up to clasp against your mouth, smothering the shriek of bliss that threatened to expose your extracurricular activities to the rest of your squad. You sob through your teeth beneath his life line, tears welling in your eyes as you feel him stretch your walls open to make room for his intrusion. 
You can’t help yourself. You need something to grasp onto, and opt for his wrist above your face. Digging your nails into the inked flesh there, you watch as the pain sparks something dark and twisted in Simon’s pupils, his azure irises swallowed by the expanding blackness.
He likes it. You can tell. His cock arches up inside of you, pushing deep and rocking against something earth shattering inside of you. Damp with sweat already, the skin of his wrist ripples as he tightens his grip on your face, refusing to withdraw from your pussy walls and instead opting for sharp, shallow thrusts that push you up the mattress with each connection of your hips. 
“Fuck,” he spits, using his tight grasp to pull you back towards him. It’s obliterating you, ripping you apart and pushing all your pieces back together in a mangled, jumbled mess. You whimper as you suffer through his brutal pace, marvelling at how good it feels when he consistently spears your g-spot. 
“When would you have done it?” Simon asks you, a little breathless now as he chases the high that begins to build at the edges of your body, tingling and pulsing. 
“Shut up–” you beg him, the low rasp of his voice launching you towards that pleasure that threatens to consume you. Jerking your hips up to meet his, your body mindlessly reacts to the sound of his timbre. 
“Oh, no,” he chuckles, shaking his half masked face. There’s a silver laden scar that stretches across the base of his chin. It matches the one that splits his upper lip to the base of his nose, the ski mask hovering tantalisingly over the bridge. “When?” 
The seriousness of his tone makes your thighs quiver when paired with the sharp thrust he punctuates his question with. Years of training in maintaining a cover-story while a hostage are blown to bits as though Ghost has launched a mortar at your resolve, because suddenly all your state secrets are spilling out of you quicker than you can shove the incriminating words back into your traitor mouth. 
“I’d– Hagh… I’d do it j-just as you’re cummin–hhah!”
“And spoil my fun?” Ghost hums, that heavy timbre licking up your spine and sparking viscous embers at the base of your spine, “Anyone ever told you that you’re very fuckin’ selfish, Delta?” 
You’d offer a witty comment, but Ghost’s angled his hips just right, and your jaw is falling loose to let out a panicked whimper. 
“There it is, shit. Look at you, Sargeant. Fuckin’, you’re so tight–” 
You’re like a slip knot, tightening around him further with each knock of your g-spot with Simon’s ridiculously large cock-head. Prickling tears of bliss threaten to spill over the edge of your waterline, continuing to sting even when you shut your eyes. You’re shaking, trembling beneath his rocking hips as you mewl his name. 
“S-Simon! Fuck–”
Wild, wet squelches of Simon sinking into your soaked cunt echo in your skull as he ramps up his violent thrusts, the springs of his mattress screaming an unmistakable rhythm to anyone walking by. He doesn’t seem to care now though, his eyes zeroed in on your expression like he’s stalking a victim with his sniper scope. Aiming for complete obliteration. 
“C’mon Can feel you squeezin’ round me,” he murmurs, the steady tone he’d offered earlier shuddering slightly as you squeeze impossibly tight around him, coil threatening to snap, “You’re so close, Delta. C’mon, paint my cock an’ I’ll eat you out with my cum in you–” 
                           ✰
“He’s blonde.” 
Gawping jaws drop to the floor at your very simple observation, Soap’s eyes nearly rolling across the uneven, rotten floorboards after falling out of his skull. You can’t help the smug smile that threatens to tug at the edge of your lips, especially given the sensation of Ghost’s eyes boring holes into the back of your skull. 
The awe only worsens when Price gives a subtle nod of confirmation from the corner of the darkened room, crowning you the winner of this utterly ridiculous joust. 
“How do you know?” Gary is as shaken as Soap by the confidence with which you’d offered your final answer, in disbelief as to how you could have possibly obtained it without being maimed, given the egg on his forehead was still throbbing despite days of icing it with the snow from outside the safehouse.
“His pubes are. I assume the curtains match the drapes,” you shrug dismissively. 
The sheer incredulity that flashes across Johnny’s face is utterly hilarious. The smirk that had been threatening to break finally cracks across your lips at the confirmation of your victory. Ghost’s eyes appear to have lazered through your skull, singing brain matter with the ferocity of his scowl. Frankly, you couldn’t care less– you can see it in your mind's eye; the gorgeous contrast of a blood-red crosshair settling across Hassan’s forehead, the weight of the trigger beneath your finger as you pull it back.
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wakkass · 9 months
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I recently revised the ATLA, and in honor of this I made some sketches. I draw a lot in general, I just can't put it out because of personal limitations, and now I even want to.
I revised my attitude towards Katara. I didn't like her before, but now I'm delighted with her. She is a goddess and the best part of this animated series. She and Zuko were the only ones who aroused my delight and sincere interest. I don't understand why the main character is Aang, when his path is not half as well-developed as hers.
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wttcsms · 26 days
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angels like you can't fly down here with me (i'm everything they say i would be), megumi fushiguro ;
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pairing megumi fushiguro x f!reader word count 11k  synopsis people like him don't get happy endings but megumi fushiguro (foolishly) considers himself to be the exception — after all, he has you. content contains yakuza au, childhood friends to lovers, mutual pining, breeding kink, slight daddy kink, attempted sa, minor violence & depictions of blood author's note if ur on my ao3, you know this is from 2021!!! my writing has changed up since then, but i'm going to be releasing a revised version of this which will be rewritten and feature more scenes, more worldbuilding, more plot, relationship and character development, etc!! i figured releasing this on tumblr would help me gauge how worthwhile revision of this fic will be, so lmk if u like this au & want to see it become even better <3
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Don’t do it.
He repeats the command inside his head again, and then one more time for good measure. (And then another time, just to drive the point across.)
He won’t — can’t; isn’t really allowed to — get into (another!) fight.
(Well, there’s a part of Megumi that knows that despite Gojo’s sing-songy warning of “now, now, Megumi, I don’t need a frequent visitor’s card for the principal’s office”, he doesn’t actually care. All he’s really concerned about — if the mild interest the reckless teenager turned legal guardian shows can even be called that — is whether or not Megumi wins.
And he does.
Every. Single. Time.)
For the most part, Megumi Fushiguro is fairly stoic in general, but to a concerning degree when one accounts for the fact that he’s only ten years old. For the odd three or so years he’s been under Gojo’s wing, Megumi’s mask of disinterest stopped becoming a mask and started becoming a part of him.
(Try as he might, Gojo’s not nearly as funny as he thinks he is. Maybe the connection between them might have been stronger if Gojo was a bit more responsible and if he was actually present, but he’s got his own shit to deal with. Besides, Gojo’s under the impression that what he’s doing isn’t cruel, but rather a means to an end. Megumi’s never going to be able to get stronger if he doesn’t learn how to survive on his own.
After all, being alone and having to fight to survive is the life people like them live.)
The older preteens in the area have a bad habit of picking on the younger students. Because the elementary and middle schools are so close together, the younger students who have the misfortune of walking alone tend to be targets for bullies in need of pocket change or a good laugh. Most of the time, they get both.
As of late, everyone’s favorite target happens to be Megumi Fushiguro, the boy with the messy black hair and indifferent attitude, even when confronted by boys two years his senior and almost a whole entire head taller than him.
Last week, Megumi gave the three older boys dumb enough to harass him for money bloody noses, bruised egos, and a thirst for revenge. That was the first (and supposed to be the last) time he got into a fight (for this school year, at least — something Gojo had told him, while winking). So, even when the trio is back together again, taunting him and trying to get him to take the first swing, Megumi keeps walking forward with his perpetual look of disinterest, those cold blue eyes of his staring straight at the path ahead of him, never paying any mind to the gangly bodies of the middle school boys who keep trying to block him from moving.
Don’t do it.
He tells himself this once more. You don’t want to have to inconvenience Gojo. Then, you’ll be stuck listening to him pretend to lecture you. You don’t like spending too much time with Gojo. He’ll make weird jokes. 
The thought of having to deal with Gojo’s presence is enough to get Megumi to unclench his fists.
“Move.”
It’s the first thing he says to the group since they started following him after school. He tells the boy with the brown hair this. The brunet seems to be their ringleader of sorts, and even as nothing more than a ten year old child, Megumi knows that being twelve/thirteen and harassing little kids for sport is a sign of patheticness that will only grow and fester into something darker unless someone beats some sense into them. Obviously, they didn’t learn their lesson from last week.
“Huh? What the hell did ya just say, ya little brat?” The brown haired boy sneers, looking down at Megumi.
School has just let out, so there are dozens of kids of all ages walking down the sidewalk. They’re all aware of the situation happening, but everyone chooses to turn a blind eye to it. Partly because this is such a common occurrence that it just starts to become something that blends into the scenery, but also because there are some rumors surrounding the Fushiguro kid that’s enough to make anyone with a heart of gold reluctant to come to his rescue.
The main rumor circulating around the school is that Megumi Fushiguro has ties to the yakuza. Granted, most kids his age have no idea what the yakuza is, and even those who somewhat know only know through exaggerated definitions from their older siblings. Generally, everyone just accepts the fact that the yakuza is bad, and by default, Megumi Fushiguro must be bad too. Older siblings tell their younger siblings to avoid “that boy” at all costs, unless they want to end up with a finger cut off. Megumi’s classmates huddle together and conveniently choose to look everywhere else but at him when on the playground.
For anyone else, this might have been enough to cause some hurt feelings. Everyone thinks the boy must be some type of stupid to be so oblivious to the rumors centered around him, but the truth is this: Megumi is well aware of what people whisper about behind his back; he just doesn’t care enough to prove them wrong.
And they’re not wrong, anyway.
(For some parts of the rumors, at least.)
Because it’s true — Megumi does have ties to the yakuza. His father, who he can’t seem to attach neither a name nor a face to, must have done something bad. Something bad enough to have him cross paths with Satoru Gojo, the young head of the Gojo Clan, one of Tokyo’s most prominent crime families. It’s the same Gojo who decided to adopt both Megumi and his stepsister, Tsumiki, despite having nothing (so far) to gain from it. After all, why would a teenager willingly assign himself the responsibilities of caring for small children — one who resembles the man that tried to kill him and the other being an ill little girl confined to a hospital bed for who knows how long. All Gojo gets from this deal is a headache, bills, and more problems than necessary.
Megumi’s not really sure how the rumors started in the first place. He thinks it’s because kids his age are easily influenced and have a tendency to run wild with their imaginations. With the rising popularity of gangs from the high school students, this interest seems to have trickled all the way down to the elementary levels. Megumi certainly fits the description of their idea of someone from the yakuza: silent, secretive, scary.
(If they were a little bit older, maybe they would have just seen him as an introvert.)
No matter how ridiculous the rumors get, though, it doesn’t change the fact that the root of them is true: he is connected to the yakuza. After all, he’s being primed and prepped to be someone of value in the clan. Once you’re tied with the likes of them, you might as well just resign to the knot fate’s trapped you with. He’s learned quickly that the only thing harder than getting into the yakuza is getting out.
And because his sister’s and his life both depend on him doing as he’s told, getting out is a funny pipe dream at best and the Fushiguro siblings’ cause of death at worst.
“I told you to move. You’re blocking my way.” Megumi’s tone of voice betrays nothing. Annoyance, maybe, but he speaks flatly regardless of how he’s truly feeling. Gojo says it’s kinda creepy. Gojo also says that being a little creepy isn’t bad.
(Gojo should know; he’s a certified creep in Megumi’s eyes.)
“Oh — so the little boy can speak up.” The boy with blond hair laughs. It’s a nasally sound that grates Megumi’s ears.
He’s not an idiot. Megumi is well aware of the fact that no matter how much he feels like it isn’t true, he’s still just a little ten year old boy. He should be playing with the toy cars Gojo bought him, not worrying about the gritty future that lies ahead. But still, the phrase rubs him the wrong way.
Little boy.
He wasn’t so little when he kicked them down to his height before properly bashing their faces, now was he? Even now, he can feel the anger coming up. He clenches his fists, wondering if he’ll get suspended for fighting right next to school property.
“Leave him alone.”
Another voice appears, but not from any of the boys. No — this time, it’s coming from a little girl on the sidewalk across from theirs. Everyone involved turns to stare at the source of such a command and are greeted with the sight of you with a Hello Kitty backpack. You’ve got a frown on your face that doesn’t match the brightness of your pink outfit.
Megumi recognizes you instantly. You’re in the same class as him. You were in the same class as him last year, too. He tilts his head, trying to figure out what exactly it is you’re trying to accomplish here — and why.
He knows his social standing in the school. If he’s at the bottom, you’re right at the top. A beaming pillar of light, everyone flocks to you like moths after a flame. But you’re alone today, not surrounded by the usual crowd of boys and girls who are often vying for your attention. Seeing you alone enables him to see you more clearly, without all the distractions getting in his way.
You’re small. Shorter than him, and way shorter than the middle school boys. You’ve got a bow in your hair and brand new shoes on your feet. If anybody should be socially aware, it has to be you. Those at the top, Megumi knows, like to remind everyone of their placement. You shouldn’t be here. You should be ignoring him like he’s got the plague, just like everyone else.
All three of the boys start to laugh after sizing you up. The laughter only serves to make you even more irritated, but you can’t speak because one of them is already talking through his laughs.
“Don’t tell me. Is this your girlfriend?”
The group erupts into more laughter, and while Megumi’s expression remains the same as it’s been for the past few minutes, yours only shows your growing contempt.
“She’s no one.” Megumi throws you an odd look, one of neither annoyance nor gratitude for trying to help him out. He uses your presence as a distraction, and he manages to take a few more steps before one of the boys is yanking him back by his bookbag.
“Grab her.” One of the boys says, and the third boy, the one with the messy red hair, starts to cross the street.
Megumi watches as you stay right where you are. Are you stupid? Why won’t you run? The boy still has a solid grip on his bookbag, keeping him in place. He wonders if it’ll be a waste of his breath if he tells you to start running — you probably wouldn’t listen to him anyway.
But then Megumi figures out why you don’t look too frightened, because not even a second before the older boy manages to cross the street to your side of the sidewalk, a man in a suit is running towards you, a scowl on his face.
“You said you were going to the restroom, young lady!” The man scolds you while panting for breath. He surveys the scene, looking at you, and then the middle school boy by your side before turning his head and seeing Megumi in between the other two boys. “What’s going on? Is everything alright? Did they do anything to you?”
“No, Mr. Higashi. B-but—“ Your bottom lip starts to tremble, and even though Higashi is certain that the tears about to fall are fake, the situation itself looks serious enough to the point where he doesn’t call you out on it. “Th-these boys are being really mean.” You let out a high pitched wail that makes the boy let go of Megumi’s bookbag. “They just threatened to attack me and my friend out of nowhere.”
“Your father will be informed.” Higashi frowns, eyeing the guilty boys who look confused and a little shocked at this turn of events. “Mr. [Surname] certainly won’t be pleased to hear about this.”
The middle school boys pale when they hear the man name drop your family’s surname.
After all, it’s the same last name that’s engraved on plaques all over the school, thanking your family for the many donations they’ve received.
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You enter into Megumi’s life that way: unexpectedly. He never thanked you for intervening, but it’s not like you did it for the thanks anyway. You did it, you tell him, because you figured he needed some help.
“I had it handled.” He tells you flatly. “Why are you even sitting here? Your friends keep staring at us.”
It’s true. Stories of what happened are already circulating around both schools, and while all your friends spent the whole entire day pestering you for the full story, you chose to keep quiet about the situation. And now, here you are, choosing to sit and eat lunch with Megumi, someone who also knows the true story of what went down but the only one people aren't brave enough to ask.
Your whole entire table of friends keep their heads huddled together as they go back and forth with each other, every one of them sparing glances at Megumi’s table. It makes the rice in his mouth taste stale. He should have just stayed in the classroom to eat, especially if he knew you would be bothering him.
“Gee, is that any way to treat a friend?” You huff, not at all actually annoyed with him.
“We’re not friends.”
“Too late. I told my dad we were.”
There has been one question on his mind ever since that incident. Just who exactly is your father? He’s not stupid; he knows that you must come from a wealthy family. If the buildings and auditorium named after your family isn’t enough proof, the fact that you always have the latest toys, the nicest shoes, the cutest stationery sets — that’s material proof of a spoiled princess.
You continue speaking, and as if you can read his mind, you’re already answering his question. “My daddy’s called a CEO. But the man you saw is Mr. Higashi. He takes care of me when dad’s away at work, and everything I do gets typed up in a report that dad sees every day. He wasn’t happy about what happened, so he says the boys will get in trouble. He told us not to worry, though.” You have a pleased smile on your face, waiting for Megumi to say something in reply.
“Okay.” He says, after a while. He only spoke because it seemed like you were waiting for him to. “It doesn’t mean we’re friends.”
“What’s so wrong about being friends with me?” You tilt your head. Everyone wants to be friends with you. And that’s before they even figure out that you live in a real life mansion with actual servants, and that sometimes you’re allowed to eat dessert for dinner. Even without the wealth, you still draw people in, whether it be with your bright smile or cheery attitude.
“Don’t you already have enough friends?” He can’t figure out what you could possibly want with him. Even though Gojo’s got the backing of the clan and enough funds to run the Tokyo underground with cash to spare, it’s not like Megumi is in a position to take advantage of it. Gojo hands him a thick wad of cash every week with a tip to “spend wisely, hehehehe”, and Megumi takes the tip to heart. A majority of the money sits saved in his bedroom, underneath a floorboard he spent a week trying to figure out how to loosen without anyone catching on. (Which was actually easy whenever he realized that nobody seems to really watch him to begin with.) So, he doesn’t look like he has money, and isn’t that what all rich kids want? To surround themselves with equally rich kids?
“I guess.” Your bubbly mood seems to dampen a bit at the mention of the other kids. They like you, sure. But they like each other a lot more. The gap between you and the other kids isn’t noticeable at first, but the novelty of having an endless supply of company has lost its luster. Meanwhile, the glamor of your life only keeps the hoards of “friends” to grow as the days go by. It’s always “let’s have a sleepover at [Names]’s!” or “[Name], we have to go to your house because you have the best toys!”. You wonder if they like you, or the shiny things that they get when they’re with you. “But, it’s not like youhave any friends.”
“I don’t need any.” The response is quick — instinctual. Gojo, even if not the greatest guardian by any parental standards, still presses Megumi to have a proper (or, as proper as it can be) childhood.
(“You know, I don’t care if you bring any friends over. Just make sure no one ends up accidentally getting shot, okay, Megumi?”
Yeah, because that’s definitely gonna push him towards throwing as many parties as he wants.)
People in his position don’t have many friends. It’s hard to, he assumes, because of all the killings and betrayals and power plays.
(And, he’ll soon learn that it hurts a lot less to lose an enemy than it does a friend.)
“Hmm. Okay.”
But you don’t get up from your seat, and he doesn’t tell you to move.
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The next day, you’re carrying two bento boxes. The lunches are prepared for you by world class chefs and everything is done in a rather cutesy manner to entice you into not wasting your food. The fruit is cut into pretty shapes, the food has picks with animals on them, and everything is colorful and to your own personal tastes.
You take a seat next to him once again. He looks up for a second, sees that it’s you, and returns back to his meal that looks pitiful in comparison. Leftover rice and some cold meat. You think it’s the same thing he had last time.
“For you.” You slide the second bento you had requested towards him before opening up your own.
“What’s this for?”
“For you to eat, silly.”
“...How much?”
“Huh? All of it, I guess? If you don’t like something, tell me, and I’ll request something different tomorrow.” You don’t quite understand what he’s asking you.
“No. How much does it cost? I'll bring you the money tomorrow.”
“Why would it cost you?” Now you’re really confused.
Didn’t anyone ever teach you that everything comes attached with a price? If it’s not money you want, it must be something else. At least, if Megumi’s judgments are right. (And they usually are.)
“Fushiguro, I brought you this because I want you to eat well and grow strong.”
He wonders what rice shaped like Hello Kitty has to do with his strength.
“Also, so the next time people give you or me trouble, you can fight them, okay?”
Oh. So it’s protection you want. He contemplates what he thinks your request is before popping a piece of food into his mouth. A meal made with care — he can taste the thought that’s been put into it. Shoving his old lunch to the side, he quickly starts eating at the one you brought him.
Okay. So maybe he does accept your offer.
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“Meguuuumi.” You whine out his name, messing up the navy sheets of his bed while he sits at his desk, trying to finish his application for university. “I’m bored.”
“Good. Go to your own house then, and leave me alone.”
“You’re so mean to me.” You sigh, turning your head so that half of your face is pressed against his pillow. The scent of his shampoo still sticks to the fabric, and you subconsciously inhale the scent some more. It’s familiar and reminds you of him, your favorite person in the world.
No one believes you when you tell them that Megumi is your best friend. No one wants to believe that it’s true. After all, the two of you look more like a shoujo manga trope than an actual pair of best friends. The cold, inexpressive dark haired male lead with a secretive past he doesn’t want anyone to know about and the bright, bubbly, ball of energy that is constantly clinging to his side. It’s like looking at night and day with you two.
“And yet, you’re still always here.”
You’re still by his side, even when the two of you reached middle school and high school together, and he spent a majority of his time starting (and finishing) fights.
(“Get off of him!” You screamed, yanking on the collar of one of the boys who happened to be trying to grab Megumi from behind. You don’t have the same amount of strength as them, but everyone at this point knows who you are and who exactly your father is. No matter what the origin of the fight is won’t matter; all that matters is that the precious daughter of one of Tokyo’s richest CEOs got caught in it, and that’s enough to get everyone involved into some deep shit.
Immediately, the boy scampers off, and the other boy Megumi was punching into the squeaky clean floors of the hallway begins to thrash around wildly, eyes wide at the sudden sight of you. Seeing you coming from behind Megumi is like watching the sun peek through a dozen storm clouds.
Megumi gives him one last punch, not nearly as satisfied as he thought he would be. Honestly, getting into fights with low level delinquents is beneath him. It’s not just his knuckles and clothes that are getting dirty; by feeding into the school’s image that he’s this young, violent yakuza heir, he’s dirtying the prestige Gojo claims is oh so important.
“Megumi.” He straightens up at the sound of your voice, which usually sounds so sweet, especially when it’s directed towards him. Instead, you have an uncharacteristic frown on your face and you sound… mad. “Let’s go.”
You’ve got a hand wrapped around his wrist, and people part when they spot the two of you making a hasty exit. The teachers aren’t bold enough to cause a scene with you, and the students know both you and Megumi are practically untouchable — one being the spoiled brat daughter of a rich and powerful businessman, the other, a ticking time bomb with ties to the yakuza.
You don’t stop walking until the two of you are in a secluded courtyard at the school. No one goes here, mainly because it’s in such an inconvenient location and there’s nothing but trees and weeds over growing it. The two of you found it within your first week of being here, and ever since then, it’s become your designated spot to avoid prying eyes.
“I thought you were over stupid fights. You told me yourself that they weren’t the type of people worth beating up.” You scold him, forcing him to take a seat on the bench that creaks under his weight. You make a noise as you inspect the drying blood on his knuckles.
If an outsider were to look at the scene before them, they would gape at the unbecoming sight of you on your knees, in between his legs, too close for a duo who claims to be “just good friends”. But there’s nothing inherently dirty in your thoughts. Instead, you’re staring thoughtfully at his hands, inspecting the minor damage done to them.
Megumi swallows hard as he looks down on you. He shouldn’t be feeling like this — you’re his best friend, his only friend. The only person who’s by his side. If you could read in his mind, there’s no doubt that you would be recoiling away from him in disgust…)
You’re still by his side, even when he told you the truth about himself after waiting years to see if you were truly his friend or not.
(“The rumors—” He starts to say, but you shush him, rolling over on your side to face him. The two of you are lying on the grass in your massive backyard, trying to spot a shooting star that’s supposed to be passing by at any second now.
“I don’t care about that.” You tell him. Middle school was a bitch to deal with, mainly because as everyone was in the process of growing up and “maturing”, so did the rumors they spread. Now, the two of you are halfway through your first week of high school. A new school, a couple of new classmates, and new rumors surrounding the odd pair.
“If I told you the rumors about me being someone you should avoid were true, would you be mad?” He’s lying on his back, still staring up at the night sky. He’s not turning to face you, almost as if he’s scared to look at you.
“Yes.” You answer without any hesitation. “At the person who’s spreading that around.” You clarify, poking him on his side to lighten the somber mood he’s setting. “You’re the only real friend I’ve had in forever, Megumi. I don’t think what anyone says about you would change that.”
“What if I did something bad?” Like kill a person. What then? What would you think of him if he told you the full truth: that Gojo told him that he can’t shield Megumi from the dirtier aspects of this type of life. That he’s spent hours after school, hours after hanging out with you and pretending to be a normal teenager, learning how to assemble, disassemble, and then reassemble a gun. That his target practice isn’t glass bottles lined up in a row or sheets printed out with human bodies. What happens if he told you that his target practice was low level scum from rival yakuza clans that Gojo couldn’t be bothered to kill himself?
“Mmm. How bad are we talking? Like, lied to me when you said my Christmas outfit looked good but half my ass was practically exposed bad or committing a felony bad?”
“What if I told you… that I really was a yakuza heir.”
The silence is palpable and especially soul crushing to Megumi as he waits for your reply.
“It wouldn’t matter to me, Megumi.” You say. You know that this isn’t just some type of hypothetical question he’s asking for fun. From his odd living situation to the intense nature of him in general to the fact that he knows practically everything about you, but you barely know the full extent of his childhood traumas despite growing up alongside him, you know deep in your heart that there has to be something going on with him. Something dark enough to harbor stories about him.
“Are you sure about that?”
You reach for his hand in the dark, finding it without really needing to look. He’s not one that’s prone to initiating physical contact, but you found out that he doesn’t really mind when you reach for him first.
“You can’t get rid of me, no matter how crazy or fucked up you think your life is.” You squeeze his hand, still staring at him.
You don’t notice the shooting star flying past the night sky, but Megumi is looking right at it. He knows what he’s wishing for.
For your words to be true.)
You’re still by his side, even when he brought you to his sister’s bedside. She’s sick, afflicted with something no one knows, not even the private doctors that Gojo’s spent millions on. She was still conscious, albeit confined to her bed when the two of you first met, but she’s been in a coma ever since the last year of middle school. You were by his side as he broke down about the news. It was the first time you’ve ever seen him cry.
So, no matter how much it may seem like he’s pushing you away, you don’t budge. For someone smaller than him and definitely weaker, you’re awfully resilient. And while people make the occasional joke, telling you to “blink twice if you need help”, you don’t pay any attention to them. If only they knew the truth: that you’ve got Megumi Fushiguro, heir to a massive yakuza clan, wrapped around your dainty finger.
He’s so whipped that he found himself asking Gojo for a rare favor.
(“College?” Gojo rubs the back of his neck, staring at Megumi. “I mean, I guess it’ll be good for you. Meet a wild party girl, take her to your dorm room, tame her—”
“An education is the whole point of attending, you know.” Megumi interrupts him before Gojo can jump into a story highlighting all of his sexual endeavors with college girls back in the day.
“Eh. I guess.” But then a grin lights up the feature of the man who [kind of/by definition] raised him. “But y’know what I know for a fact.” He wiggles his eyebrows, his glasses slipping down his nose as he tilts his head downwards. “You wanna follow [Name].”)
It doesn’t really matter if he’s not good enough to get into the university you’ve already received an early acceptance for. Because Gojo tries to make up for being an absent father figure, he fills in those empty spaces with cold, hard cash. All it takes is one nice donation, and Megumi’s wherever he wants to be.
Where he wants to be, he realizes, is to be by your side. Wherever you go, he’ll gladly follow. Funnily enough, despite the two vastly different backgrounds the both of you come from, you both have similar means of getting what you want.
Your father had already looked over the list of universities you had in mind, and all you could do was excitedly squeal and start rambling the moment the acceptance letters came in the mail. Despite the fact that your father’s physically absent from your life most of the time, he still tries to show he cares in the things he does for you. If paying off over half a dozen major universities in order to make you happy is something he has to do, he’ll do it without batting an eye.
It’s the same thing on Megumi’s end. Granted, Gojo’s means are more along the lines of using money as a lubricant and then death as an inevitable. Money talks, a gunshot to the head silences. Nobody can accuse anyone of taking bribes if said accused person is in a grave six feet under.
Sometimes, Megumi wonders how you’re just so oblivious to the fortunate circumstances in your life. You chalk up a lot of your father’s wishes as just “good luck”. In school, you’re placed on a pedestal, revered as some goddess-like, otherworldly being. People are practically tripping over themselves, running towards you for a crumb of your attention. Anyone sane would gladly wield this power and use it for all its worth. Not you, though. Not you, who’s kind and considerate and completely clean from the corruptness that plagues everyone else.
Megumi knows good and well that he’s not a hero — couldn’t be farther from it, if he’s being honest. He doesn’t feel a moral obligation to go out and rid the world of all evil. (It’d be hypocritical, he thinks, considering the fact that he’s most likely belonging under the evil category himself.) From a young age, he’s already known and come to terms with his fate. He’s going to train and learn from the best, and eventually, he will succeed as head of the clan. That is his purpose. That right there is the reason why he’s still alive today. That is why he can find himself sitting at his desk, submitting an application that’s already guaranteed to be followed up with an acceptance letter, ready to pretend for four more years that he’s normal.
“D’you think college will be fun?” You ask him, making yourself comfortable in his bed.
“No.”
You laugh at that. You like Megumi for a lot of reasons, and his honesty is one of them. Despite the fact that he likes to keep most of the darker details of his life to himself, you know that he would never lie to you. In a world full of people who are constantly lying, it gets tiring trying to figure out who’s real and who’s fake. It doesn’t help that you want to believe in everyone either. If you didn’t have Megumi loyally staying by your side all this time, you doubt you would have made it this far in your life without anyone taking advantage of you and your kindness.
“My dad said I can finally get a boyfriend when I go to college.” You say this fact so casually that Megumi almost — almost — gets fooled into believing that this is not a cause for concern. Almost.
“Oh.” He’s at a loss for words. He knows that it’s inevitable; that one day, you’ll find a guy you like and want to get closer to him. He knows that you’re not always going to be by his side, and he knows that it’s going to happen because he’ll have to push you away eventually. The older he gets, the deeper he’s burying himself into his grave. He doesn’t want you to get caught in the crossfire.
It’s not like boys have never tried approaching you before. People have spent years thinking that you and Megumi were a couple, and then after finding out from you that the two of you are nothing more than “best friends”, boys were still hesitant to talk to you. The glare Megumi would give them from behind your shoulder acted as a strong enough deterrent.
“I know. Now the only problem is finding a guy who’ll actually wanna date me.”
“They all will.” The words leave his mouth faster than he can even think about them. He’s not wrong, though. Every time the two of you are out in public together, he sees people shooting quick glances at you, at your ass, at your bright smile. The looks they give are predatory, dangerous, even. If it’s not your looks, it’s your shining personality that draws them all in. And if that’s not good enough, there’s always the enormous wealth attached to your last name. That’s the key to getting them to stay.
“You can be so sweet sometimes, you know that?” You giggle, glad that he’s still typing away on his laptop. If he were to look at you right now, he would see that you’re reacting way too positively to such a lackluster compliment. It’s not like he listed reasons on why anyone would ever want to date you, so he probably could just be complimenting you to make you happy.
(That’s just the excuse you’re going with. You know your best friend — that means you know that he would never say something he doesn’t truly think or believe.)
There’s a secret you’ve been keeping from him. A secret so big that you think you might’ve been keeping it from yourself, too. Something so big that your body simply can’t contain it any longer.
You like Megumi. 
Of course you do. You keep telling the whole world what great friends the two of you are. You talk to him about your dad all the time (which must mean he’s important, because you rarely get to speak to your dad, so you have to choose your topics of conversation wiseley). You trust him more than you trust yourself. Ever since middle school, you’ve been telling yourself that you liking Megumi isn’t anything to be ashamed or confused about. You like him because he’s your friend, and you’re supposed to like your friends.
And then you came to terms with the fact that you like Megumi beyond the borders of friendship.
It starts with you seeing him the way other girls must see him. You’re not blind, you know. It’s obvious that Megumi is far from ugly. If he wasn’t so intimidating, you’re sure he would have had his fair share of confessions, too. Megumi’s pretty, although calling him a pretty boy wouldn’t do his character justice. He’s got lashes people pay extensions for theirs to look like, and the prettiest dark blue eyes you’ve ever seen, and his hair, which he doesn’t put forth any type of effort in, always looks good whereas the same hairstyle would look messy on anyone else.
It’s not just his looks, though. Even if you look like the type of person who would judge others based on such shallow standards, you didn’t approach Megumi simply because he’s attractive. He’s… interesting. He’s got this reputation for being a delinquent, and maybe all the fights on his school record prove it, but he’s surprisingly respectful. He’s the type of guy who gets up from his seat to let an eldery woman have it. He loves animals. He’s honest and sweet despite his seemingly stoic nature, and he’s so oblivious to just how good he is.
Maybe it’s because he’s so blinded by the light that is you. You, with your cutesy bento boxes that used to be made by your team of personal chefs but are now made with your own manicured hands. You, with that bright smile of yours that he wants to always see because god — he thinks he would be willing to destroy the whole world if something were to ever make you so upset. You’re kind and beautiful and everything people write love songs about. You’re so good, and he’s nothing like you.
He’s nothing like you, because he highly doubts that you spend your time fantasizing about him like he does with you. It’s wrong, he thinks. And dirty, and disgusting, and vile. You’d hate him, he’s sure of it, if you knew what he thinks about late at night. That he sits on his bed with his cock pulled out from his shorts, leaking with precum as he strokes himself to the thought of you. Do you not see him as any other guy? Despite your lack of experience, surely you know just how dirty boys’ minds can be? You’ve got to be conscious of the fact that he’s any other guy, right? So, why — why — do you always roll around in his sheets, letting your sweet perfume stick to his sheets. Your tiny tops and skirts are always clinging tight to your body, and you never feel the need to readjust your clothing when it rides up. Do you not see him trying his hardest to look you in the eyes when the two of you are talking, despite the tantalizing sight of your skirt bunching up, exposing the smooth skin of your thighs?
Little does Megumi know (and if you have your way, he’ll never find out), you spend nights in your room, whining and trying to stuff your cunt with the same fingers that painstakingly made him his lunch. He’s your best friend since childhood. He looks at you like you’re an angel, and you don’t want to destroy that image by revealing just how dirty you really are. How every time he gets so close to you, you subconsciously bring your thighs together, trying to rub them together in a poor attempt to relieve some tension. He’d be disgusted with you, you’re sure of it. Maybe even betrayed.
Besides, it would never work out. Megumi doesn’t see you the way you see him. He might look at you with a soft look you’ve never seen him give anyone else, but that’s because you’re his only friend. It’s not like he’s harboring any hidden feelings for you, and just because you’re so convinced that there’s no one better than Megumi around, it doesn’t exactly mean that you won’t feel this way about anyone else.
Megumi’s got a rather monotone cadence with his voice, so you’re not too surprised by his seemingly unethusiatic response to you saying you’re now allowed to date. Still — there’s a slight pang of disappointment when you realize that he doesn’t sound jealous at the prospect of you dating someone else.
You decide right then and there that the healthiest thing to do now is to just bury your feelings for him deep inside your heart, to tightly pack in all those pesky feelings and store them away so you can make room to allow others to fill in his space.
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gumi <3: where are you? gumi <3: i’m feeling tired and i have an assignment due tomorrow. i’m going home. gumi <3: you know i wouldn’t leave without you. cmon [name]. let’s leave now
Megumi frowns at his phone. He can clearly see that all his messages are being delivered, not to mention that he’s already called you twice and has been sent to voicemail twice. He can be patient when he wants to be, but right now, he’s getting a little pissed.
You know that he doesn’t like parties, and you know that he doesn’t hang out with the same people you do. He also knows that you don’t even really like most of the people you surround yourself with, so whyyou suddenly decided to do a 180 and reestablish your throne as the head of the social pyramid, he doesn’t know.
Lately, things between the two of you have been a little… weird. Sometimes he catches you staring at him with a sad smile on your face; one that you immediately replace with your usual one when you realize he’s looking right at you. Despite him asking you if everything’s okay, you vehemently deny that there’s anything wrong, and you’re quick to change the subject.
He thinks he’s losing his best friend, his only friend. And maybe it only hurts because he’s grown used to your presence in his life. Maybe it hurts because you’re his friend. But he knows the truth. It hurts because he’s losing you.
Did he do something wrong? Did he accidentally somehow reveal the extent of his feelings for you? Did you suddenly decide that maybe associating with someone like him isn’t something you’re meant for? Do you…
Do you hate him now?
It doesn’t matter. Maybe it does, but not right now. Right now, he’s more focused on getting the hell out of this stuffy ass living room, filled to the brim with drunken young adults and people he couldn’t care less about. The only person that matters right now is you, and he’s on a mission to find your location.
He’s got this ominous feeling in his gut, like something bad is about to happen. He’s Megumi Fushiguro, for fuck’s sake, so bad things have a habit of following him wherever he goes. But still, he’s made a personal promise to himself that no matter how bad things get, you’ll never get caught in the crossfire. He’s willing to die to keep that vow.
If you don’t reply to him, you most likely have a good reason. He doesn’t want to be clingy, is pretty damn certain he doesn’t even have a right to be, but he’s still worried about you. He’s pushing past the wall of sweaty bodies, trying to catch a glimpse of your hair color, the waft of your perfume, the familiarity of your laugh, but he can’t catch a single crumb of you anywhere.
You’re nowhere in sight, and he’s immediately filled with dread.
He yanks a guy who’s coming from upstairs.
“Ow, man, what the fuc—”
“Is anyone else up there?” Most of the time, the parties are restricted to just the first floor, with the unspoken rule being that only the upstairs should be used for people trying to fuck or to use the bathroom (or, people trying to use the bathroom to fuck). You’re not anywhere downstairs, and if you were simply using the restroom, you would have been back down here by now.
“Shit, I don’t fucking know.” The guy squints at Megumi, as if trying to see if he knows him or not. With the way his expression pales, Megumi comes to the conclusion that the guy might not really know him, but he knows ofhim. Gojo says that with the right reputation, the two concepts are practically synonymous. “But I heard a guy ‘n a girl, I think, walk past the bathroom. I don’t know who, though!”
Megumi lets go of the boy’s shirt, and he’s quick to run off before Megumi can give him any more wrinkles in his shirt — or do something much worse.
He’s thinking. Odds are, it’s probably not even you. With so many people roaming around this house, it’s likely that he just missed your presence. Your phone could have died, so that explains why he can’t reach you.
He finds himself heading up the stairs anyway.
It’s fine. He tells himself. You’re fine. You’re okay. Nobody would dare to touch a single hair on your head unless they want to suffer directly at the hands of Megumi. People around campus call him your guard dog, and it’s not necessarily a nickname he hates.
The atmosphere upstairs is vastly different from the one downstairs. There are no lights turned on, and all the doors to the rooms are closed. He hears a flush coming from one end, and out walks a tipsy girl who’s staggering a bit. There are only so many doors to choose from, and he doesn’t really want to accidentally walk in on two people trying to have sex, but the need to confirm your safety outweighs any possible embarrassment he may suffer from, so he continues on his mission.
The first two rooms are revealed to be empty, leaving just one more. Megumi takes a deep breath before trying to turn the handle.
It’s locked. 
His gut is telling him something isn’t right, but he’s forcing himself to chalk it all up to paranoia. He curses under his breath, wondering why he even let you out of his sights for a single second.
Because he didn’t want to seem clingy. Because he didn’t want you to have any more reasons to keep on pushing him away. 
He decides to call you one more time, and as he’s listening to the dial tone, he hears a faint sound coming from the other side of the locked door.
It’s a phone ringing.
He presses his ear against the door, trying to make out any more sounds he possibly can. Is it still a coincidence when the phone stops ringing right as Megumi is greeted with your voicemail message of “sorry, I can’t come to the phone right now, but you probably should’ve just texted me!”
Without the annoying dial tone distracting him, Megumi can listen a little more clearly to what’s going on. There’s… there’s someone crying.
The voices are muffled, but he can make out bits and pieces of what’s being said.
“—fuck up… crying like a damn bitch… want this.”
He’s heard enough before he’s banging his shoulder against the door.
“OPEN THE FUCKING DOOR!” He’s screaming, hitting it again. There’s a chance, the voice of reason inside of him is saying, that it’s not you that’s crying behind that door. Even if it wasn’t, Megumi still wouldn’t have stood by idly. But instinct is telling him that it is you, and that’s enough cause for him to bang his shoulder against the door once again. He hears a scream, and a male voice cursing.
The force of his body banding against it is enough to have the door really test the strength of its lock. Megumi’s never been the bulkiest person in the world, but he’s still got some defined muscle to him. The door is creaking, almost bending to his will, but he fumbles in the dark for the gun safely tucked away by his side.
It’s a gift from Gojo. To speed up the process when something needs to be done quick is what Gojo said it was for. He’s never used it in such close proximity to you, but desperate times call for desperate measures.
No silencer. He forgot the fucking silencer. With the deep bass rumbling from the speakers, he doubts anyone would be able to hear the gun go off anyway. He aims for the handle, pulling back the safety, and fires once, then twice. With a foot aimed at the door, he kicks at it, pleased to see the way the abused door finally bends to his will.
The open door reveals a scene that makes Megumi see red: you, with tear stained cheeks and your clothes bunched up and strewn across the floor with a guy Megumi vaguely recognizes as someone sharing the same Econ class as the two of you — Mahito.
“You fucking bastard.” Megumi practically lunges forward, tossing his gun to the side. He doesn’t see reason, is numb to common sense at this moment. All he feels is the need to hurt this fucker. To make him bleed, to have him on the brink of death, to see the light of life leave his dark eyes.
Mahito is fast, but even he couldn’t imagine the speed that Megumi would possess when pushed to the edge. This is different from the fights you’ve witnessed during school. This is something entirelydifferent.
The first punch has Mahito wincing in pain. The second, third, and fourth ones are thrown back to back, and there’s no time given to recover, no chance to gain the upper hand. He’s falling down, and Megumi’s on top of him, drawing back his fist only to slam it against him again and againand again.
Megumi knows he’s got something fucked up inside of his head — what other explanation is there to reason with why he finds this bloody violence so satisfying? His knuckles are bloody, and he can’t tell where Mahito’s blood starts and where his own ends. There’s a wild grin on his face, one that you’ve never seen before. You’re not sure if it’s a trick of the shadows, but the feral expression on Megumi’s face transforms him from your loyal best friend to something monstrous.
“‘Gumi, st-stop.” The words stumble out of your mouth as hiccups, but you don’t miss the way Megumi’s raised arm freezes in its higher position before he slowly brings it back down to his side. He’s breathing deeply, and all is silent in the room.
As if the sound of your cries is enough to snap him out of his daze, it’s almost scary how fast his mood shifts. Just a second ago, he was hellbent on beating Mahito to a bloody pulp, and now the darkness drowning those blue eyes of his is practically gone. He makes his way to the bed, each step hurried but still hesitant. Do you even want to be near him right now? 
You answer his question with some more small sobs. “‘Gumi, I—”
“Shh, it’s okay, [Name].” He’s picking up your clothes from the floor, ready to help you get dressed. “Everything’s going to be okay.”
“Megumi.” His name seems to be the only thing you’re capable of saying right now. After he helps you get dressed, he’s thrown off guard when you cling to him, with your arms wrapped around his neck and your wet cheeks pressed against his shoulder.
The moment the two of you are exiting the room, both of you far too wrapped up with the other to pay him any mind, Mahito lets out a laugh before groaning at the pain Megumi inflicted.
The two of you don’t know what you just started, but no worries — Mahito has the means of ending it.
It’s only a matter of time.
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You’re too good to be true.
You won’t listen to him when he tells you this (you never do), but he swears you’re a fucking angel or something otherwordly. There’s no other possible explanation for just how breathtakingly beautiful you are, or how you’re the only thing consuming his every thought. Despite the fact that all the blood on his hands has reached an amount that he’s sure he’ll never truly be able to wash it all off, you don’t shy away from his touch. As a matter of fact, it seems like you’re keening for it.
“‘Gumi.” You mewl out, sticking out your tongue to lap at the precum on Megumi’s thumb.
You’re well aware of just how dangerous your boyfriend (the title makes you giddy every time you refer to him as that) is, but you know him. You know that the hands of a killer are the hands of your lover, and most of the time, you have a hard time believing the awful things he’s had to do with them. Because right now, those hands that are meant to be weapons are handling you with care, touching you so gently, you would have thought you were made of glass and ready to shatter.
“Look at you, all spread out for me. What happened to my precious, shy little girl, huh?” He removes the hand that was cradling your face back to his cock, stroking his length, the saliva from your tongue acting as a minor lubricant. The first time he fucked you was the first time you’ve ever had sex with anyone ever, and it had been the start of an addiction. You love Megumi. You love everything about him, from his character to his tenacity, all the way down to his cock, with its red tip that’s sticky with pre and leaking out more as he stares down at the obscene position you’re in.
Your face feels warm as he stares down at you, his eyes darkened with a mix of love and lust that you don’t think you’ll ever get used to being on the receiving end of.
“Need you, need you so bad, please, ‘Gumi—” You’re staring up at him, giving him your best doe eyes.
“Fuck.” Just the sight of you beneath him, completely bending to his will, whining out for him to pretty please fuck you has him ready to cum right on the fucking spot. He’s pressing the tip in, his breathing faltering just the slightest as the warmth you provide envelopes the most sensitive part of him, nearly causing him to lose all self control right then and there.
You let out a cry as he pushes himself deeper in you, making himself at home in your gummy walls, one hand gripping your hip and the other holding onto the headboard.
“You feel so good for me, baby, shit.” He hisses, waiting for you to adjust, impatient but willing to bear it if it means it’ll feel better for you in the long run. After all, there’s nothing he wouldn’t do, nothing he wouldn’t endure, just to ensure your happiness.
“Mm — ah — please.” There are still tears welling up in your eyes — precious girl, he hasn’t even began to properly fuck you, and you’re already tearing up? The sight of you completely and willingly at his mercy is enough to get him to start rutting his hips against yours, the satisfying sound of skin slapping against skin resounding and bouncing against the walls of his bedroom that is starting to feel more like the both of yours.
“Y’feel so fuckin’ good for me, baby.” He groans, his pace quickening, the thrusts getting sharper and rougher with every roll of his hips. You’re powerless against his strength, and this type of easy submission feels so natural, feels so good, when it’s him that’s taking advantage of it. “You’ve got the sweetest pussy, y’know that?  I could fuck you forever.”
His praise goes through one ear and out the other with you, but your heart swells up to twice its size. Even if you can’t focus on the words all too clearly, you’re still aware that Megumi’s probably praising you. You can come to this conclusion because he’s always praising you. He’s always so sweet, so gentle, so loving — when it comes to you, that is.
“Hng — daddy!” You can’t help but let out a high pitched moan as he hits that sweet spot inside of you that makes you buck your hips up.
There’s no way you don’t know what you’re doing. Clenching around his cock like that, making those cute little noises that he can’t help but want to hear all the time, and then calling him that.
“Daddy, daddy, daddy.” 
Forget igniting something within him; you whining for him, calling him something that’s the root cause of all his childhood traumas… That’s like dousing him with gasoline and tossing a lighter at him. He’s going to burn through all his energy, channel all this dark, feral energy, and use you as the one unfortunate enough to be on the receiving end.
He fucks into you so deeply that if your eyes weren’t shut tight, there’s no doubt that you wouldn’t see the unmistakable shape of his cock outlined against your tummy. The headboard is banging against the wall, and the squelching sounds of him roughly thrusting in and out of your sopping cunt is so lewd and so dirty that if you had any room to harbor a single ounce of shame, you would be downright embarrassed.
“How about you make me a daddy, huh? How about I fuck a baby in you?” He won’t lie and say it’s not something that’s never crossed his mind. The thought of your stomach round with a life the two of you created is enough to get him to continue with this near-brutal pace he’s set forth. “Doesn’t it sound nice, baby? My baby giving me a baby, what—” He grits his teeth as you tighten up. “—a fucking dream.”
“Baby. Wanna have your babies.” You cry out, tears spilling out and wetting your cheeks as your arms find their way to his neck and broad shoulders, trying to pull him in closer. The heat building up from within you feels like you’re about to fucking explode. “‘Gumi, I love you, Iloveyoupleasegimmeababy—'' Your words are practically unintelligible as you slur them out, the words sticking together as you cum all over his cock, all that pleasure that has been building up now physically tangible, if the white ring encasing his cock every time he pulls out is evidence.
“Fuck! You feel so fucking good. Always so fuckin’ tight.” He’s reaching his own end, and you’re just lying there, trying to recover from such an intense orgasm but unable to as your too sensitive walls clench around the constant intrusion of his cock. Spurred by your little love confession and his mind imagining his daydreams coming true — you, as his cute little housewife, taking care of the kids the two of you made together — he finally shoves himself as deep as he physically can, making sure that as he cums, nothing will spill out.
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“‘Gumi.” You whisper, your head resting against his chest, listening to the beat of his heart. “Did you mean it when you said you wanted to start a family?”
He’s silent for a minute.
“I wouldn’t mind starting a family with you.” And he means it. He knows this life isn’t one meant for children — look at how he turned out, for god’s sake — but he thinks that for you, he can do anything. Even make a family work out. As long as it’s what you want, he doesn’t mind how hard it may be.
You snuggle closer to him, burying your face in the warmth of his chest. “Good.” You mumble. “I wanna start a family with you, too.”
Megumi feels… at peace. Like he’s got the whole entire world in the palm of his hands. He wraps his arms around you, and realizes that no — right now, he’s got his world right in his arms.
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Mahito likes to play with his food before he devours them whole.
Humans are just so… vulnerable. Even the coldest people have a heart; it’s only a matter of whether or not they find someone warm enough to defrost it. Megumi Fushiguro, for example, likes to walk around this world, acting indifferent and claiming to follow his own moral conduct, only to give himself the biggest weakness he could possibly harbor: you.
He still remembers that party. He still remembers the way you were dressed like a little slut, completely oblivious (or maybe you were just acting coy) to the wolfish stares all the guys were giving you. He had the same class as you. Seen the way you clung to Gojo’s charity case, as if the ground would swallow Megumi whole if you let go of him. You’re cute, and you scream naive virgin, and that’s precisely why Mahito wanted to take you to that bedroom and have his way with you.
And then, your infamous little guard dog bared his teeth and pummeled him into the hardwood of a stranger’s bedroom floor.
Grudges are cancerous. If you don’t deal with it right away, it develops into something worse. It takes over all your internal organs, ruining you ‘til the only thing you can focus on is getting revenge. And the longer you wait, the more vengeful you get. It doesn’t become a matter of ruined pride or reestablishing honor — it becomes about inflicting the most pain one possibly can. It becomes about suffering — about transferring your pain, your anguish, onto someone else.
Mahito isn’t the type to hold grudges, but for Megumi, he’ll make a special exception. He wants to see just how well trained the boy is; after all, he’s been taken under the wing and supervision of Satoru Gojo, the myth himself. Surely, his student must be nearly as skilled, right?
It’s been a long game of watching and waiting on Mahito’s end. A lot of lurking in the shadows and gathering intel. It’s a lot more boring than he anticipated, but today’s the day where all his hard work finally comes to fruition. Megumi Fushiguro is going to regret ever interfering with him that one fateful night. The burning humiliation he’s felt has long since fizzled out, but since he’s already been set on the path of orchestrating Megumi’s destruction, he figures it only makes sense to see it through. You only can let go of a grudge after you get your proper revenge.
He’s been leaving Megumi all sort of taunting, teasing threats any chance he gets. Mahito’s got nothing but disgraced yakuza members on his side; those who have committed acts vile enough to get them kicked out of what is essentially a group of criminals. He knows how to be twisted — hell, twisted might be the only thing he knows how to be.
Killing girls that resemble you and sending him the photos. Taking videos of you when you’re out in public alone. Leaving voicemails for Megumi, ones that leave him pale faced and unable to breathe as he listens to how Mahito wants to tortue you.
Megumi’s been on edge for the past few months, unable to explain to you why. It’s why you don’t understand why Megumi won’t let you go back to your car, even though you left your phone in there.
“I’ll go. Or, we can go together.”
“You have to wait for our coffee! And besides, I don’t even know where I left my phone. It might not even be in the car, but you’ll just waste your time searching for it if it’s not there.”
“So then why do you have to go look for it?”
“Because it’s my phone? Also, I reeeeeallly don’t wanna have to wait for our coffee, so I figured looking for my phone in the car would kill some time.” You give him that sweet smile of yours that he loves so much before waving him goodbye. “I’ll be back by the time our order is ready, pinky promise!”
At the end of the day, it’s all luck. Mahito realizes this as you happily skip out of the crowded cafe, headed towards your car to search for your phone. He doesn’t know why you’re returning back to your car, doesn’t even really care. All he knows and all he cares about is that you’re headed there alone. And while you’ve been alone plenty of times, he’s never had an opportunity quite like this one. A chance to finally detonate the bomb that’s been lying dormant underneath your car, ready to be activated at the press of a button. He could’ve killed you plenty of times already, but it’s not enough to merely murder you. He wants to make it a spectacle, sure, but he also only cares about one audience member watching: Megumi.
From where he’s hiding, blending in with the rest of the customers from the bakery across the street, he’s got a decent enough view of Megumi, who’s sitting by the glass windows, watching you with furrowed brows as you unlock the car door.
Mahito can’t help the cruel smile that spreads across his face as pushes the remote connected to the bomb.
Nobody expects to hear the loud, resounding boom of something exploding. The surrounding cars parked next to yours have their alarms going off like crazy; it’s nothing but high pitched, blaring noises blending together to create a disruptive harmony. People are screaming, someone is on the line with emergency services, and—
—your precious car is set aflame, reduced to a burning pile of scrap metal no salvage yard will take.
In this moment, Megumi Fushiguro’s world crumbles to ashes.
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mxtxfanatic · 1 month
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Bing-ge and Victim's Entitlement as Portrayed by MXTX
I was thinking about Bing-ge’s journey as an abuse victim into an abuser and how much the creation of Bing-mei is a critique on both the writing trope that creates Bing-ge as well as the societal expectations that drive it.
In the world of PIDW, one of Shen Yuan’s main critiques was about how terribly the young Luo Binghe is treated by the narrative, so much so that he views it as torture porn. From being abandoned as a baby, to being abused as a servant and watching his adoptive mother wither from sickness and die, to finding his way to Cang Qiong Mountain and suffering under a cruel shizun who then pushes him into hell, Shen Yuan finds all this unnecessarily cruel. However, Shang Qinghua knows that the trauma Luo Binghe suffers directly correlates to the enjoyment readers are meant to get out of the second half of the protagonist’s life when he becomes overpowered and primed for vengeance. Shen Yuan knows this, too, as this is the trope he girds himself with as Shen Qingqiu to work up the nerve to push his disciple into the Endless Abyss, to “earn” his happiness. However, is this a true happiness? Does the trauma justify any and all of Luo Binghe’s actions?
On the surface, Bing-ge seems happy! He is able to enact revenge on Shen Jiu—and demolish Cang Qiong Mountain Sect who acted as accomplices to his abuse—and was given narrative access to any and every woman of marriageable age who crossed his path. He is even able to destroy his world by merging the three realms with no consequences to himself. Bing-ge has seemingly reaped the twisted “reward” that having survived unconscionable abuse and abandonment from the time of his birth had sown for him, and PIDW readers were able to enjoy and defend Bing-ge’s later megalomaniacal actions directly because they had read through hundreds of pages of his ill-treatment beforehand. The worse Luo Binghe’s childhood was, the more they were willing to accept of his actions in adulthood. We see a similar thing take place in the SVSSS fandom: the reveal of Shen Jiu’s past as a child slave is used to justify his later abuse of his child disciples—children who had no hand in his trauma but who he has decided to bear the brunt of it, anyways. But Shen Jiu lived a very unfulfilling adulthood due to his unwarranted actions until his untimely death. Is Luo Binghe any different?
Enter Bing-mei: the revised protagonist who abandons revenge in pursuit of experiencing genuine affection from the only person who gave it unconditionally. No, Bing-mei doesn’t get all the girls or all the power. He does not become the emperor of all three realms and he is not an uncontested leader that all conscious beings bow to. In fact, he is very tame and controlled in comparison to his PIDW counterpart despite not having complete control of his sword that amplifies his negative emotions. But when Bing-ge slips into the world of SVSSS and discovers that, despite all of this, Bing-mei has an intact world, platonic relationships, and a shizun who loves him, he’s willing to throw it all away to experience that same life. Bing-ge is revealed to be the unhappy, unfulfilled one, because the one thing he wanted—genuine unconditional love—was the one thing that he cannot earn or forcibly take. No amount of audience hype can change the fact that Bing-ge must leave behind the happy Bingqiu couple to return to his destroyed world in his unsatisfying reality.
This isn’t just a theme in SVSSS, either; it’s present in all of MXTX’s works in how people—both characters and the irl fandom—react to antagonists and asshole characters who have experienced trauma. In mdzs: a female cultivator tries to say that Jin Ling endangering other cultivators should be forgiven “since he’s an orphan.” Jiang Cheng throws his parents’ and sister’s death around to justify being an unrepentant serial killer. Jin Guangyao cries about how much his father hates him compared to the legitimate Jin heirs that he murdered. In tgcf: Qi Rong escapes discipline at every turn because his mother had to escape with him from his abusive father, and Mu Qing’s transgressions against the marginalized are ignored because “he was poor, once.” All of these characters have their actions whitewashed both in their stories and by their fandoms at large because their defenders believe that their trauma excuses any of their subsequent behavior.
Yet, MXTX does not prescribe to this idea. Notice the pattern of how the above characters end their stories. Jiang Cheng tanks his reputation and loses the respect of his only living relative. Jin Guangyao and Qi Rong die. But Jin Ling experiences setback after setback until he adjusts his behavior, and Mu Qing had to earnestly apologize under harrowing circumstances to be forgiven. It is not characters who seek justice for being harmed who are punished in these novels but those who persevere in their entitlement to do whatever they want because they were once harmed, thereby eventually destroy any goodwill others, particularly their loved ones, had towards them. The characters who are able to contain their actions to aim only at those who wronged them or else honestly reflect on their sense of entitlement in order to change for the better become well-liked by their peers. And as for Bing-ge: his inability to change within the narrative of PIDW may have “earned” him all the material things his world could offer and the affections of an unseen audience, besides, but he misses out on true human connection and love. These are the things he can never forcibly take, because in real life, no amount of trauma would entitle him—or anyone—to those things.
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