HC: In bed with Bi-Han (NSFW - Female Reader)
Bi-Han is the type of guy who 🧊fucks🧊 and he does it 🧊hard🧊
The first thing he notices in a woman is her ass, and he's the master of his own body. It's not difficult to get him hard if he likes how you look
If you're one of the lucky ones he brings to the nearest motel (he wouldn't bring just anybody to the Lin Kuei Temple), you'd be treated like his plaything only to fulfill his desires and release his stress
Kissing isn't necessary if you're hooking up with him. He doesn't need the attachment
He'd be on the receiving end of the oral sex, but his ego refused to show you any expressions that he enjoys that mouth of yours
His power-hungry and controlling demeanor ooze out in bed. Bi-Han would demand, and you'd have to submit
If he tells you to lie down, lie the fuck down. He wants you to bend over? Flaunt that ass up, sister. He'd do you doggy style, pull your hair up, wrap his fingers around your neck, and he'd want to hear you writhe on his mercy
The louder you are when he's pounding you, the better because it feeds his ego. You'd be rewarded with his raspy voice, saying things like, "You enjoy this, don't you? Now come, come hard for me."
But if Bi-Han is willing to kiss you, boy, you are in big trouble-- his feelings are in play👀
If he's starting to get attached, he'd get jealous easily when another man comes near you, which drives him to be possessive
It translates to how Bi-Han would treat you in bed. He actually would go down on you, worship your body, and would think of your pleasure too
He loves to look at your face when you come, if he's feeling things for you. So, expect a lot of missionary or spooning positions.
And you'd hear things like, "You're mine only. No one else touches this body but me," more often.
Special thanks to @bigtiddymenlover who inspired some of these. Your NSFW alphabet of this sex god is just *chef's kiss*🤌🏻
In bed with Tomas | In bed with Kenshi | In bed with Syzoth | In bed with Kuai Liang
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Hey you said something about the my hero academia creator being unhinged about sexism, do you mind explaining?
I tried to write like, a thorough explanation of this and it just got longer and longer and longer and I have not touched this series in actual years and yet I've still got all these receipts a;lkjk;lfasd.
So rather than trying to build the whole massive case, here's a pared-down version. It's normal to have sexism in media, and shounen manga especially. Everyone does it. The level and mode and intentionality and so forth all vary, but of course it's there.
What's not normal is to have lots of varied and interesting female characters with discernible inner lives, and on-page discussion of how sexism is systemic and unjust and holds them back in specific ways, and then also deliberately make consistent sexist writing decisions even where they don't arise naturally from the flow of the narrative.
Horikoshi is actively interested in gender and sexism, he's aware of them in a way you rarely see outside of the context of, you know, fighting sexism. He is hung up on the thorny issue of what women are worth and deserve and how power and respect ties into it. He genuinely wants, I think, to have Good Female Characters, and not be (seen as) A Sexist Guy!
But. He doesn't actually want to fight sexism. He displays a lot of woman-oriented anxieties, and one of the many churning paddlewheels in his head seems to be that he knows intellectually that morally sexism is bad, but emotionally he really feels like it ought to probably be at least partly correct.
There are so many things I could cite, and maybe I'll get into some of them later, but the crowning item that highlights how the pattern is 1) at least partly conscious and deliberate and 2) about Horikoshi's own weird hangups rather than simply cynical market play, is Mineta Minoru.
The writer has stated Mineta is his favorite character. Mineta is also designed to be hated--that is, he is a particularly elaborate instantiation of a character archetype normally deployed to soak up audience contempt and (by being gross and shameless and unattractive and 'unthreatening') make it possible to include a range of sexual gratification elements into the narrative that would compromise the main characters' reputations as heroic and deserving, if they were the actors.
Good Guys don't grope girls' tits and run away snickering in triumph, after all. Non-losers don't focus intense effort around successfully stealing someone's panties. Nice Girls don't let themselves be seen half-dressed. And so forth. You need an underwear gremlin for that. So, in anime and manga, longstanding though declining tradition of including such a gremlin, for authorial deniability.
Horikoshi definitely uses him straight for this purpose, looping in Kaminari as needed to make a bit work. And yet he has Feelings about the archetype itself.
The passages dedicated to the vindication of Mineta, then, and the author's statements about him, let us understand that Horikoshi identifies with the figure of the underwear gremlin. He understands the underwear gremlin as a defining exemplar of male sexuality, at least if you are not hot, and finds the attached contempt and hostility to be a dehumanizing attack on all uh.
Incels, basically.
It's not fair to write Mineta off just because he's unattractive and horny (and commits sexual harassment). Doesn't he have a mind? Doesn't he have dreams? Doesn't he have human potential?
So what's going on with Horikoshi and gender, as far as I can figure out, is that he knows damn well that women are people and are treated unjustly by sexist society, but however.
He also understands the institutions of sexism as something protecting him and people like him from life being nebulously yet definitively Worse, and therefore wants to see them upheld.
So you get this really bizarre handling of gender where obviously women's rights good and women cool, women can be Strong, and the compulsory sexualization imposed by the industry isn't them or the author, and so forth.
But also it's very important that in the world he controls, women never win anything important or Count too much, and that jokes at their expense that disrupt the internal logic of their characters are always fair game, that women asked about sexism on TV will promptly get into catfights amongst themselves, and they are understood always in terms of their sexual and romantic interests and value, and sexual assertiveness and failures to perform femininity well enough are used to code them as dangerous and irrational, and that the sexy costumes are requisite and will never be subverted or rebelled against--at most they might be circumnavigated via leaning into cute appeal.
And that Yaoyorozu Momo, who converts her body fat into physical objects, is being frivolous when she wants to use money to buy things instead (rather than as sensibly moderating her Quirk use) and is never encouraged to eat as much as possible at every opportunity to put on weight and even shown being embarrassed by hunger (even though Quirk overuse gives symptoms that suggest she's been stripping the lipids out of her cell walls or nervous system to keep fighting) and always, no matter how many Things she has made, has huge big round boobies.
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Thinking about teenage Sirius, wickedly smart with top grades, a rich heir to an old pureblood house, tall and handsome and haugty, drawing many admiring and envious looks that he appears to be above acknowledging. Popular, yet sticks to his small and close circle of friends, not really allowing anyone else close.
But even with them he's guarded about his own physical space; the old uncease is hard to shake, and it twists the want into knots. No matter how much he craves this intimicy, he struggles to accept it when it's given, and initiating it himself is even more difficult.
Padfoot makes everything simple, though. And so Sirius starts turning into him whenever he needs to be close - because asking for cuddles is so much easier for the dog than it is for the boy.
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I think one thing that's going to be interesting to see play out in Touchstarved is the theme of willing vs. unwilling. I feel like Ais, Kuras, and Mhin's bad ends are going to be largely unwilling; their monster forms overpower their will and attack you out of spite or random animal instinct, or a "this hurts me just as much as it hurts you" greater-good kind of decision.
Meanwhile Leander and Vere are going to be almost completely willing. You were always just a pawn in their game from the start, a means to an end for them. It's a pity they got so attached, but... oh well. There's always whoever comes next.
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the way cole makes varric conflicted is so delicious i think. most of the characters are uncomfortable around him because they're genuinely terrified of demons and the fade and magic in general but varric is a completely different case. the thing is, he doesn't see cole as a demon at all because he doesn't want to.
he acts like he doesn't care about this stuff. that's a little weird kiddo around here and he wants to befriend him. teach him something even. why not. that's a little guy who's a little too good with knives and can't pick up a single social clue at the same time.
but there it is. the "he could have been a person" line if cole is made more spirit. varric is so upset about it because it's not like he saw cole as, well, a spirit who got a little too human. for varric, he was a human first, a weird kid second. the spirit part didn't even come into consideration because. well. it would make him question things. you know where it goes.
every time he starts bitching about anders he brings up justice. justice drove him mad. justice took over him. justice this, justice that. justice is a scapegoat because the thought that someone varric was friends with was actually willing to blow up the chantry and it wasn't just some evil demon's wish is a very unsettling one. varric's friends may be crazy but they're cool and make no irreversible life decisions of that extent, don't they? blondie turned out this way because he let a demon possess him and make him do terrible things. completely out of the blue.
it's either varric's ex-friend has never been driven crazy by some inherently evil entity and there was a whole other person around him all along and that anger he used to mock was coming from the same place as compassion's urge to become a killer or that little weird but kind kid he started to care about has never been and will never be a real kid. he can't have both. a bitter pill to swallow for someone who has never picked a side in his life
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