#Michiko Tsukasa
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Lobby card for Stray Cat Rock: Beat ‘71 (野良猫ロック 暴走集団’７1), 1971, directed by Toshiya Fujita (藤田敏八) and starring:
Meiko Kaji (梶芽衣子)
Michiko Tsukasa (司美智子)
Sari Takano (高野沙里)
Yuka Kumari (久万里由香)
#Meiko Kaji#梶芽衣子#Stray Cat Rock#Toshiya Fujita#Stray Cat Rock: Beat '71#Michiko Tsukasa#Sari Takano#Yuka Kumari#野良猫ロック 暴走集団’７1#藤田敏八#司美智子#高野沙里#久万里由香#lobby card
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Michiko Tsukasa - Akio Jissôji
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or like. what godly parent does each character have or if they're a not a demigod or regular human what are they :O
okay i just spent half an hour reorganizing the google doc so HERE WE GO:
CABIN 4: DEMETER
current counselor: kita
yuda kaneo
sawauchi motomu
oohira reon
kita shinsuke
ginjima hitoshi
kuroo tetsurou
himekawa aoi
moniwa kaname
obara yutaka
**takeda is a son of demeter as well, but he’s not technically a camper and stays in the big house.
CABIN 5: ARES
current counselor: ushijima
tanaka ryuunosuke
kyoutani kentarou
ushijima wakatoshi
goshiki tsutomu
yamamoto taketora
kamasaki yasushi
bokuto koutarou
hoshiumi kourai
hakuba gao
CABIN 6: ATHENA
current counselor: kurokawa in the summer, kiyoko the rest of the year
shimizu kiyoko
ennoshita chikara
yamaguchi tadashi
kurokawa hiroki
shirabu kenjirou
riseki heisuke
kozume kenma
teshiro tamahiko
nametsu mai
akaashi keiji
CABIN 7: APOLLO
current counselor: iwaizumi
kinoshita hisashi
udai tenma
hinata shouyou
iwaizumi hajime
watari shinji
shido heisuke
soekawa jin
ojiro aran
inuoka sou
onaga wataru
komori motoya
CABIN 8: ARTEMIS
current lieutenant: misaki
sudou rinko, daughter of hebe
misaki hana, daughter of dionysus
suzumeda kaori, daughter of demeter
CABIN 9: HEPHAESTUS
current counselor: daichi
sawamura daichi
yamagata hayato
oomimi ren
aone takanobu
sasaya takehito
sakunami kousuke
washio tatsuki
hirugami sachirou
kiryuu wakatsu
CABIN 10: APHRODITE
current counselor: iizuna
iizuna tsukasa
futakuchi kenji (has charmspeak because i think he could do great and terrible things with it)
yahaba shigeru
yamaka mika
cabins 11-20 below the cut!
CABIN 11: HERMES
current counselor: michimiya
michimiya yui
nishinoya yuu
narita kazuhito
tashiro hidemi
kindaichi yuutarou
kawanishi taichi
akagi michinari
kosaku yuuto
yaku morisuke
shibayama yuuki
koganegawa kanji
kuribayashi runa
konoha akinori
anahori shuuichi
bessho kazuyoshi
hyakuzawa yuudai
CABIN 12: DIONYSUS
current counselor: daishou
matsukawa issei
suna rintarou
daishou suguru
CABIN 14: IRIS
current counselor: asahi
azumane asahi
yachi hitoka
CABIN 15: HYPNOS
current counselor: kai
kunimi akira
kai nobuyuki
onagawa tarou
fukiage jingo
sarukui yamato
CABIN 16: NEMESIS
current counselor: semi
tsukishima kei
semi eita
sakusa kiyoomi
CABIN 17: NIKE
current counselor: oikawa
oikawa tooru
miya atsumu
miya osamu
amanai kanoka
CABIN 18: HEBE
current counselor: suga
sugawara koushi
haiba lev
shirofuku yukie
ikejiri hayato
CABIN 19: TYCHE
current counselor: tendou
tendou satori
terushima yuuji
CABIN 20: HECATE
current counselor: hanamaki
kageyama tobio
hanamaki takahiro
fukunaga shouhei
komi haruki
usuri michiru
sarukui nagito
OTHERS:
NYMPHS
kuzuri michiko
SATYRS
takinoue yuusuke
shimada makoto
MORTALS
ukai keishin (can see through the mist)
tanaka saeko (can see through the mist)
yamamoto akane
haiba alisa
tsukishima akiteru
#asks#riko.txt#ch: ensemble#obv this isn’t everyone but!!#particularly happy with akaashi konoha oikawa and tendou#longish post#pjo au
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Michiko Tsukasa in “Mujō” (1970) by Akio Jissoji
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Share ten different favorite characters from ten different pieces of media in no particular order Then send this to 10 people (anon or not, your choice) 🎥🎬📺
Steve Harrington (Stranger Things)
Daimon Michiko (Doctor X)
Kurt Kunkle (Spree)
Tom Grant (Make Up)
Prince Paul (Catherine The Great)
Tsukasa Domyouji (Hana Yori Dango)
Ranchoddas Chanchad (3 Idiots)
Newt Scamander (Fantastic Beast)
Kumiko Yamaguchi (Gokusen)
Ralph (Timewasters)
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Urusei Yatsura OVA 10: The Obstacle Course Swim Meet
Written by Michiko Yokote
Storyboard by Yoshitomo Yonetani
Directed by Toru Kitahata
Animation directed by Tsukasa Dokite
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today’s playlist:
Eri Nitta - Romance wa Guuzen no Shiwaza
Sayuri Kokusho - Noble Red no Shunkan
Tsukasa Ito - Shoujo Ningyou
Miyoko Yoshimoto - Kokoro no Tobira
Noriko Ogawa - Natsuiro no Tenshi
Junko Tokumaru - PICA-PICA
Izumi Igarashi - Rain, Insane 〜Watashi wa Nakanai〜
Akemi Ishii - Inspiration no Yoru
Mamiko Takai - Yuunagi Soushi
Yoshie Kashiwabara - Glass no Kagi
Mari Mizutani - Moebius Tengoku
Noriko Sakai - Catchword ga Kiridasenai
Yuuyu - Himitsu no Crawl
Yoko Minamino - Hanataba wo Kowashite
Michiko Shimazaki - Kanashimi Yori mo Soba ni Iru
thanks for listening!
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mujô / this transient life (jp, jissôji 71)
#mujô#this transient life#Akio Jissôji#Michiko Tsukasa#Ryô Tamura#Eiji Okada#Yuzo Inagaki#Masao Nakabori#Kazumi Oneda#atg
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Mujô (AKA This Transient Life) | Akio Jissôji | 1970
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This Transient Life (Akio Jissôji, 1970)
#michiko tsukasa#Ryô Tamura#mujo#akio jissoji#this transient life#japanese cinema#japan#asian cinema#asian#asia
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Press photo for Stray Cat Rock: Beat ‘71 (野良猫ロック 暴走集団’７1), 1971, directed by Toshiya Fujita (藤田敏八) and starring:
Meiko Kaji (梶芽衣子)
Michiko Tsukasa (司美智子)
Sari Takano (高野沙里)
Yuka Kumari (久万里由香)
http://fuckyeahmeikokaji.tumblr.com
#Meiko Kaji#梶芽衣子#Stray Cat Rock#Toshiya Fujita#Stray Cat Rock: Beat '71#Michiko Tsukasa#Sari Takano#Yuka Kumari#野良猫ロック 暴走集団’７1#藤田敏八#司美智子#高野沙里#久万里由香#press photo
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rules for requesting !
1. we do not write nsfw of any kind
2. 1-2 characters for each request
3. we do not write for incest, poly relationships, and relationships with a huge age gap / illegal relationships
we have the right to deny anything i’m uncomfortable with.
fandoms/characters we write for !
assassination classroom - akabane karma, ryunosuke chiba, shiota nagisa, nakumara rio, isogai yuuma, horibe itona, manami okuda, rinka hayami, ryouma terasaka, hiroto maehara, and asano gakushuu
demon slayer - tanjiro kamado, nezuko kamado, inosuke hashibira, zenitsu agatsuma, gyomei himejima, giyu tomioka, sanemi shinazugawa, muichiro tokito, obanai iguro, kyojuro rengoku, tengen uzui, mitsuri kanroji, and shinobu kocho
persona 3 - makoto yuki/minato arisato, yukari takeba, mitsuru kirijo, junpei iori, akihiko sanada, shinjiro aragaki, fuuka yamagishi, aigis, and female persona 3 protagonist
persona 4 - yu narukami, yosuke hanamura, chie satonaka, yukiko amagi, kanji tatsumi, rise kujikawa, and naoto shirogane
persona 5 - akira kurusu, futaba sakura, ryuji sakamoto, haru okumura, goro akechi, yusuke kitagawa, ann takamaki, and makoto nijima
the world ends with you (twewy) - rindo kanade, tosai “fret” furesawa, nagi usui, shoka sakurane, daisukenojo “beat” bito, raimu “rhyme” bito, and tsugumi matsunae
genshin impact - albedo, sucrose, kaeya, rosaria, keqing, mona, childe, ninggaung, barbara, jean, lisa, xiangling, zhongli, yan fei, hu tao, xiao, xin yan, ganyu, amber, beidou, noelle, and venti
identity v - luca balsa, edgar valden, ganji gupta, eli clark, tracy reznik, aesop carl, andrew kriess, william ellis, fiona gilman, emma woods, emily dyer, kurt frank, martha behamfil, naib subedar, helena adams, vera nair, kevin ayuso, margaretha zelle, norton campbell, patricia dorval, mike morton, jose baden, demi bourbon, and melly plinius
hunters - wu chang, antonio, joseph, mary, ann, leo, smiley face, grace, michiko, galatea, and bane
puyo puyo - ringo ando, maguro sasaki, arle nadja, schezo wegey, draco centauros, witch, amitie, sig, raffina, klug, lidelle, tee, ally, rafisol, marle, and squares
mystic messenger - 707 (saeyoung choi), jumin han, zen (hyun ryu), yoosung kim, jaehee kang, and V (jihyun kim)
puella magi madoka magica (note: if we are writing for an x reader for this fandom, we only write for female readers.) - madoka kaname, mami tomoe, homura akemi, sayaka miki, and kyouko sakura
project sekai: colorful stage! ft. hatsune miku - akiyama mizuki, kamishiro rui, momoi airi, asahina mafuyu, shinonome akito, shinonome ena, yoisaki kanade, tenma tsukasa, tenma saki, shiraishi an, otori emu, mochizuki honami, kusanagi nene, kiritani haruka, hoshino ichika, hanasato minori, azusawa kohane, and aoyagi toya
svtfoe (star vs the forces of evil) - tom lucitor, star butterfly, marco diaz, and janna ordonia
this is all for now but we will add more characters in the future ! ( ´ ▽ ` )ﾉ
#persona 5 x reader#assassination classroom#kny x reader#idv x reader#demon slayer x reader#karma akabane x reader#identity v x reader#akira kurusu x reader#goro akechi#akechi x reader#giyuu x reader#albedo x reader#genshin impact x reader#childe x reader#rules#twewy#the world ends with you#persona 3#persona 4#persona 4 x reader#persona 3 x reader#twewy x reader#puyo puyo#character x reader#character x character#mystic messenger#puella magi madoka magica#project sekai#svtfoe x reader
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vimeo
Porter Robinson & Madeon - Shelter (Official Video) (Short Film with A-1 Pictures & Crunchyroll) from Porter Robinson on Vimeo.
Shelter tells the story of Rin, a 17-year-old girl who lives her life inside of a futuristic simulation completely by herself in infinite, beautiful loneliness. Each day, Rin awakens in virtual reality and uses a tablet which controls the simulation to create a new, different, beautiful world for herself. Until one day, everything changes, and Rin comes to learn the true origins behind her life inside a simulation.
Original Story by: Porter Robinson
Music: Porter Robinson and Madeon
Storyboard Animation Director: Toshihumi Akai
Character Design Drawing Director: Megumi Kouno
Cast:
Rin - Sachika Misawa
Original Pictures: Megumi Kouno
Motion Picture Examiner: Tomoko Miyata
Motion Pictures: Tomoko Miyata Mizuki Matsuda
A-1 Pictures
Satomi Tabuchi Mika Sugiyama
Seira Yamagishi Kanna Hirayama
ingresA P.A.WORKS
StudioGokumi GIMLET
LIDENFILMS Osaka LIDENFILMS Kyoto
ASAHI PRODUCTION Anime-R
Snowlightstaff
Color Design: Kazuko Nakashima
Color Setting: Yuko Watanabe
Mai Yamaguchi
Finishing by: Asuka Yokota Mayu Morita
Ayaka Nagai Kyoko Hara
Ayaka Murakami Akane Edagawa
Ayaka Suzuki Mana Hokuto
2D Design Work:
CAPSULE
Yohei Miyahara
Kaori Seki
Special Effect: Aya Kubota (Graphinica)
Art Director: Yusuke Takeda (Bamboo)
Art Board:
Bamboo
Harumi Okamoto
Background:
Bamboo
Takamasa Masuki
Tsukasa Kakizakai
Izumi Hirabayashi
Surok Chong
Ryusei Nishino
Takumi Sasaki
Aya Sato
Michiko Nakamura
CGI Creator: Yuusuke Noma
You Fukuda
Shigeru Horiguchi
Director of Photography: Yuya Sakuma
Shooting: Takeru Ogihara
Ayaka Shimizu
Satsuki Takahashi
Taichi Nishikawa
Sachiko Ito
Editing: Akinori Mishima (Graphinica)
Sound Recording Director: Akiko Fujita
Sound Effects: Takahisa Ishino
Sound Mixer: Naotsugu Uchida
Sound Editor: Chiharu Kawasaki
Sound Production Manager: Yusuke Watanabe
Sound Recording Production: HALF H.P STUDIO
Production Manager: Kenta Ueuchi
Eri Nakayama
Special Thanks: Kumiko Honma
Executive Producer: Porter Robinson
Producer: Vincent Shortino (Crunchyroll)
Takuma Sugi (Crunchyroll)
Masanori Miyake
Akira Shimizu
Takamitsu Inoue
Animation Producer: Yuichi Fukushima
Animation Production: A-1 Pictures
Lyrics :
i could never find the right way to tell you
have you noticed i've been gone?
cause i left behind the home that you made me
but i will carry it along
mm it's a long way forward
so trust in me
i'll give them shelter like you've done for me
and i know i'm not alone
you'll be watching over us
until you're gone
when i'm older i'll be silent beside you
I know that words are not enough
and they won't need to know our names or our faces
but they will carry on for us
shelter out now - smarturl.it/shelterstream
north american back to back tour this fall.
shelter tour - sheltertourlive.com
stream shelter
spotify: smarturl.it/shelterspotify
apple music: smarturl.it/shelterapplemusic
deezer: smarturl.it/shelterdeezer
google play: smarturl.it/sheltergoogleplay
soundcloud: smarturl.it/sheltersoundcloud
itunes: smarturl.it/shelterdownload
follow porter robinson
website - porter.fm/home
facebook - porter.fm/facebook
twitter - porter.fm/twitter
instagram - porter.fm/instagram
youtube - porter.fm/youtube
soundcloud - porter.fm/soundcloud
follow madeon
website - madeon.fr
facebook - facebook.com/itsmadeon
twitter - twitter.com/madeon
instagram - instagram.com/madeon
youtube - youtube.com/itsmadeon
soundcloud - soundcloud.com/madeon
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Shokugeki no Soma: The Next Gen (PART 2)
Part 1 // (Disclaimer: Pictures are made with Picrew)
Isami Aldini - Mito Ikumi
Sota Enrico Aldini ♂
The one who rebuilt Don RS into an empire when it was a mess after Ikumi graduated. Since Ikumi has been preparing him for this his whole life, Donburi becomes Sota’s specialty.
Experiments with a lot of Southeast Asian flavors into his donburi such as salted egg, kaffir lime, and bird’s eye chili.
Ironically, unlike his twin sister, doesn’t take spicy food too well-- if too much chili is used, would sweat endlessly, tongue would swell, so he once paid Yukihira Jin to be his taste tester and set his heat to a perfect standard.
The first Don RS member ever to make it into Elite Ten. Boy makes history, and both parents proud.
Is a serious guy most of the time and don’t get most of Isami’s dad jokes, but when he starts teasing his twin sister, Sota can’t help but be amused.
Sora Erica Aldini ♀
Isami’s little princess with makeup and cute designer skirts, but could kick assholes in the shin if they try to put a finger on her like Ikumi.
Is Hayama Kana’s best friend, partner-in-crime, ride-or-die.
Started cooking with Italian food, but as she experimented more, she fell in love with Mexican food which became her specialty.
Unlike her twin brother Sota, Sora can take extreme heat. Always add more chili to her Korean spicy noodle, and could last without a drink in between.
Besides cooking, sports also have always been in her interest. Sora joined a local karate club and always practice after school.
Tsukasa Eishi - Kobayashi Rindou
Tsukasa Oda ♂
Loves spending time with Uncle Kuga and thanks to him, he fell in love with the art of dim sum and found that his fingers are keen to craft beautiful dumplings.
Like Eishi, Oda is a true perfectionist. Has a very high standard and treat his cooking like a work of art, but does take a leap of faith every now and then.
Though he only takes risks during practice so if it doesn't pay off, no soul would ever find out his failure.
His dumplings are too pretty to eat because he can create it into any shapes such as flamingo, unicorn, roses, etc. That's why everyone called him 'The Magic Fingers'.
Actually hates French cooking. Oda thinks it's way too strict and stressful. Is also terrified with beasts Rindou brings home to cook.
But he will always be Mama's boy and will always try to impress Rindou with his food.
Marco Aldini, the art lover, is a fan of his work (also thinks Oda is a stud).
Isshiki Satoshi - Kinokuni Nene
Kinokuni Tsuki ♀
Although taking most of Nene’s features, Tsuki has her father’s big-dick, the life of a party kind of energy… times two.
It surprises everyone in the Polar Star Dorm how the girl parties like an animal until 3 am with lots Aunt Ryoko’s regular supply of rice juice, but could get up to garden at 7 am as if she’s been sleeping like a baby.
Dyes her hair every two weeks. Mostly in similar shades, but she needs a lot of dynamic and changes in her life in order to function.
Like Isshiki, Tsuki only cooks with local, homegrown ingredients. From starch to herbs, she would make no exception. She always says this is why she has a lot of energy.
Her favorite ingredient is potato. Tsuki knows all things potato-- their kinds, how they are grown, and 100+ ways to cook it.
Nene’s cold soba noodles > everything else.
Marui Zenji - Yoshino Yuki
Marui Yuriko ♀
Daddy’s little genius. Interested in the science behind baking at first, which became her specialty in a blink. Yuriko bakes bread, cupcakes, cookies, pretty pastries, pies, you name it all. PSD always has the best-smelling dorm because of her.
Has Zenji’s eyesight, but Yuki thinks glasses are outdated, so she convinced Yuriko to put on contact lenses.
She and Tsuki’s girly sleepover routines include dyeing each other’s hair or drawing cute temporary tattoos on each other.
If somebody asks her what would go great with her baked goods, she would always answer, “Tea… Well, figuratively speaking.”
Being an observer that she is, Yuriko knows almost everybody’s business without having to ask. She knows Jin once made out with Sora, or that secret fling between Alicia and Sota.
Actually the first person to realize that Marco is gay and attracted to Jin. She confronted him, but would never be a jerk to out him to the world.
She never actually spill the tea to anyone beside Zenji (definitely won’t tell Yuki since she’d be telling everyone). Because at some point, she knew she had to let it out of her chest, and her father’s response would most likely be, “Whose son is this Sota guy again?”
Ibusaki Shun - Sakaki Ryoko
Ibusaki Baltasar Abel ♂
Since both Ryoko and Shun agreed to raise their son with faith, Abel grew up as a Christian. He won’t call himself a religious person, but at least he goes to church every Sunday and prays mindfully before he eats and sleeps.
Knows how to smoke ingredients as a way to preserve them, but is more obsessed with fermenting food and can make pickles out of everything. Abel also makes his own yeast which Yuriko always uses for her baked goods.
Along with Yuriko and Tsuki, they sell Polar Star Dorm homegrown and homemade products like vegetables, eggs, fresh baguettes, and his signature kimchi online which keeps their dorm nice and well-taken care of. Totsuki members get discounts, obviously.
Tries to keep his crush on Sora Aldini under the radar, but his dorm members think it’s pretty obvious mainly because they found his unsent love letters.
Surprisingly gets along with Kurokiba Athena and bonds over their love for Iron Maiden.
Edited on 03/06/2019: Apparently, @yourmoontothenightsky‘s Yuki and Marui fanchild is also named Marui Michiko, so since I’m late to the party (and frankly had poor researching skill), had to tweak her name and a bit of her look. Thank you for personally messaging me and reminds me so nicely <3
#shokugeki no soma#oc: the next gen#isaiku#maryu#iburyo#isshinene#forgive me if the ships name are wrong lel#sota aldini#sora aldini#tsukasa oda#kinokuni tsuki#ibusaki abel#marui yuriko
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i forgot i got tagged in this meme thing by @miss-heidi!!!
Rules: Name ten favorite characters from ten different things (books, tv, film, etc.) then tag ten people (note: i’m just gonna name anime stuff cause of the blog theme and also i can’t remember 90% of media that i watch so. also whoever sees this can do it if they want)
yu yu hakusho: this is really hard cause it always varies between the main four but it’s a hard tie between kurama and kuwabara. they’re both just SUCH good characters and i love them so much and i feel like i always notice new things about them when i rewatch the series
hunter x hunter: killua is my son, i’ve adopted him, the end,
sailor moon: usagi!! classic fellow cancer & gotta love her being a big hearted disaster bi
magic knight rayearth: umi was so badass and will forever be badass
revolutionary girl utena: anthy remains one of the most complex characters in anime she’s so goddamn good
.hack//SIGN: tsukasa invented being a nb lesbian and thats why no other isekai protagonist can hold a candle to her
cardcaptor sakura: i’ve loved tomoyo even despite her godawful valley girl english VA. loving fashion and being as gay as the day is long, v valid
inuyasha: kikyo is basically the only reason i kept watching this show, she’s got the best backstory and shes hilarious and not even on purpose
fushigi yugi: i used to be really into this anime in high school even though watase’s works always have some level of BAD in them, looking back on it, but i really liked yui. she’s just gay and trying to stop a bad ship from happening and for that i respect her
michiko to hatchin: i can’t end this list without michiko. i goddamn. i love her. make no mistake i would take a bullet for you michiko
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Making poetry with solid objects
この度駒込倉庫にて、グループ展「それは、つまり物を以って詩をつくることである」を開催いたします。
展示作家｜エドワード・アーリントン、さわ���らき、髙田���規子・政子、杉浦亜由子、曽我英子、大木美智子、中島裕子、西永和輝
会期｜2022年1月22日（土） - 2月13日（日）＊土日祝のみオープン
時間｜12:00 - 18:00
協力｜白石正美（アーリントン作品提供）、土井つかさ（デザイン）
「彫刻とは、現実にあるもので、現実世界を表すことである。 それは、つまり物を以って詩をつくることである。」
エドワード・アーリントン (「牛を選別するための方法」1997、p.11)
Komagome SOKO is pleased to announce the group exhibition, “Making poetry with solid objects”.
Artists | Edward Allington, Hiraki Sawa, Akiko and Masako Takada, Ayuko Sugiura, Eiko Soga, Michiko Oki, Hiroko Nakajima, Kazuki Nishinaga
Dates | Sat. 21 January - Sun. 13 February, 2022 *Open on Sat., Sun., and Public holidays.
Hours | 12:00 - 18:00
Cooperation｜Masami Shiraishi (Loan of Allington’s works), Tsukasa Doi (Design)
“Sculpture is looking at real things by making real things. It is making poetry with solid objects.”
Edward Allington (A Method for Sorting Cows, 1997, p.11)
「ニュー・ブリティッシュ・スカルプチュア」の代表作家として知られるエドワード・アーリントンは、日本とゆかりの深い作家です。1984年に国立近代美術館で開催された「メタファーとシンボル」展への参加や、フジテレビジョンギャラリーでの個展*、また、ライフワークとして実践していた日本近代彫刻の研究**など、イギリスと日本を往来しながら、活動してきました。また、制作の傍ら、批評家としてもさまざまなテキストを書き残すとともに、長年、ロンドン大学スレード校でも教鞭をとりました。制作、執筆、教育を自らの活動の三本柱に据えていたアーリントンは、どの活動も広い意味において、彫刻と向きあう行為であると考えていました。本展では、近年日本で目にする機会が少なかったアーリントンの作品やテキストを、アーリントンが教えた日本人作家であるさわひらき、髙田安規子・政子、杉浦亜由子、曽我英子、大木美智子、中島裕子、西永和輝らの作品とともに紹介していきます。また、本展は、アーリントンと彼の教え子との初めての合同展になります。作品を一堂に会することで、形を変えながらも、時代や国を超えて継承されるものにも光を当てていきます。
アポロン神からプラスチックのパイナップルまでさまざまなモチーフを用い、独特の作風で数々の彫刻やドローイング作品を残したアーリントンは、記憶を主題に、オリジナルとは何かを問いつづけた作家です。オリジナルやそれを支えた神話が失われた今もなお、私たちの日常生活のなかに生き残りつづける古典的な形や、コピーとしてしか存在しない大量生産品にこそ、現代の真理があるのではないかと考えました。アーリントンは、これらのモチーフを変形・援用し、ユーモラスかつ独特の組みあわせで作品として蘇らせます。時間や場所、既成概念（共同幻想）を飛びこえ再構成されたこれらの作品は、私たちに新しい世界の見かたを提示します。
記憶、神話、再生といったテーマや、モノやフォルムへの人類学的アプローチは、アーリトンの教え子の作品のなかにも見ることができます。たとえば、映像・立体・平面作品などで構成されたヴィデオ・インスタレーションを制作するさわひらきは、自身の心象風景や記憶をたよりに、実態のない、しかし確実に存在する感覚領域を表現します。おなじように、名前のない感覚や実態のない祈りなどに着目する杉浦亜由子は、人々の意識にしみついた触覚やかたちを見る者に模索させる彫刻を手がけます。一方、髙田安規子・政子は、トランプや切手など身近なものに手を加えることでスケールを転換し、私たちが拠りどころとする価値や基準を揺るがし、世界の見かたを変えようとします。中島裕子も、身近な既製品やファウンド・オブジェを用いた立体作品を制作しますが、ものを本来の機能やコンテクストから切りはなすことで新しい言語を構築し、言葉だけでは捉えきれない人間の内的世界の表現をこころみます。曽我英子は、アイヌ文化を学ぶ活動をとおして、資本主義、植民地主義や国家主義が生みだしてきた現代の価値観を見なおします。アイヌ着物「チカルカルペ」や鮭靴 「チェプケリ」づくりを習い、自身でそれを再生することで得た知識や、出会う人びととの記憶をたどりながら、日常の些細なプロセスやはかない感覚的な側面が、集団性や文化発展といった大きな現象につながる様子を観察しながら制作します。西永和輝は、「装飾芸術」への新しいアプローチを提案します。地球上もっとも普遍的に行われてきた造形活動ともいえる「装飾芸術」。それは一方で、発達すればするほど機能性や生産性を損ない、不合理化していくという性質も持ちあわせます。こうした相反するあり方に注目し「装飾は植物や癌細胞のように人の都合を顧みず成長する」というアイデアを提示します。最後に、イギリス���住の大木美智子は、Black Lives Matter（ブラック・ライヴズ・マター）運動やコロナ以降、これまで以上に社会のあらゆる局面でポリティカル・コレクトネスが叫ばれる現在、コンテンポラリーアートとは、芸術を鑑賞するとは、美的経験とはいかなることかをめぐり考察します。
* 1988年に開催された「エドワード・アーリントン」展
** 武蔵野美術大学とヘンリー・ムーア･インスティテュートとの国際共同研究
[作家プロフィール]
エドワード・アーリントン：1951年イギリス、ウエストモアランド生まれ。ランカスター美術カレッジ（1968-71）、セントラル美術学校（1971-1974）、ロイヤル・カレッジ・オブ・アート（1983-84）で学んだ。作家として活動する傍ら、2000年から2017年まで、ロンドン大学スレード校の教授兼大学院研究科長を務めた。主な展示に「Object and Sculpture」ICA（1981）、「The Sculpture Show」The Hayward Gallery （1983）、「Drawing Towards Sculture」ICA（1983）、「メタファーとシンボル」国立近代美術館（1984）、「Ideal Standard Forms」Northern Centre for Contemporary Art（1985）、「エドワード・アーリントン」フジテレビジョンギャラリー（1988）など。
さわひらき：石川県生まれ。2003年ロンドン大学スレード校美術学部彫刻科修士課程修了。ロンドン在住。映像・立体・平面作品などを組み合わ せ、それらにより構成された空間/時間インスタレーションを展開し独自の世界観を表現している。自らの記憶と他者の記憶の領域を 行き来する反復運動の中から、特定のモチーフに光を当て、そこにある種の普遍性をはらむ儚さや懐かしさが立ち上がってくる作品 群を展開している。主な展示に「Memoria Paralela」Museo Universidad de Navarra (2019,スペイン パンプローナ)「Latent Image Revealed, KAAT Exhibition 2018」神奈川芸術劇場 (2017,横浜)「Under the Box, Beyond the Bounds」東京オペラシティアートギャラリー / Art Gallery of Greater Victoria (2014,東京/カナダ ビクトリアBC)など。 http://hirakisawa.co.uk/
髙田安規子・政子：1978年東京生まれ。2005年ロンドン大学スレード校美術学部彫刻科修士課程、2007年研究生修了。一卵性双生児でユニットとして活動している。身近なものや日常風景のスケールを操作し、モノの大きさの尺度や時間感覚について人々の認識に問いを投げかける作品を発表している。2005年ロンドン大学スレード校修士課程修了後、主な展示に、「いちはらアート×ミックス2020＋」白鳥保育所（2021）、「日常のあわい」金沢21世紀美術館（2021）、「縮小/拡大する美術 センス・オブ・スケール展」横須賀美術館（2019）、「Through the Looking Glass」Cob Galleryロンドン（2018）、「装飾は流転する」東京都庭園美術館（2017）、「さいたまトリエンナーレ2016」旧部長公舎(2016)、「線を聞く」銀座メゾンエルメス フォーラム（2015）、「春を待ちながら やがて色づく風景をもとめて」十和田市現代美術館（2015）など。https://www.amtakada.com/
杉浦亜由子：1984年東京都うまれ。2007年武蔵野美術大学彫刻学科卒業。2010年ロンドン大学スレード校美術学部彫刻科修士課程修了。ただの物質が人の手によって美術作品として形づくられたときに、物質以上の何かを見出す効果に注目し、宗教建築や自然界にある形や素材から発想を得て、本能的な「信仰心のようなもの」を想起させる作品を発表している。主な展示に、「ロンリーロンリー論より証拠 」(2021)、「アースライト—SFによる抽象の試み」(2020)、 「Matrix Session」 (2019)、「ART VACANCES」（2017）、「Spring Fever」 (2017)、 「Inside the Layers」 g-FAL, 武蔵野美術大学（2014）、「Kaleidoscope」ロンドン（2012）、「The Charter of the Forest」 The Collection, Usher Gallery & Chambers Farm Wood (Wragby), リンカンシャー（2011）、London Art Fair - 「Art Star Super Store」 by WW gallery, ロンドンアートフェア、ロンドン（2011）など。http://www.ayukosugiura.com/
曽我英子：ロンドン大学スレード校彫刻学科卒業後、北海道でフィールドワークを行うようになる。アートの視点から、社会環境から感じる違和感をどう理解し「問う」ことが可能であるかを探求しながら活動を続ける。現在、オックスフォード大学ラスキンスクールオブアートで博士課程に在籍。主な展示に「My Neighbour's Meal / More-Than-Human World」オックスフォード大学TORCH x Fusion Art, オックスフォード(2021), 「ご近所さんの食事」いちはらアートxミックス(2021), Video Forms Digital Arts, パリ ( 2021)「Autumn Salmon」Pitt Rivers Museum, オックスフォード(2021), 「Ainu Hunter, Mon-chan」Bagri Foundation,ロンドン(2020),「いま、宮本常一から学ぶこと～ つくり手たちの視点から～」市原湖畔美術館（2019-20）, 「KUROKO」Index Festival、リーズ（2019）「根曲竹」ウイマム文化芸術プロジェクト～」（2018）など。https://www.eikosoga.com
大木美智子：ロンドン在住、美術史家、作家、翻訳家。文学博士（比較文学・芸術学、University College London, School of European Languages, Culture & Society、2014年）。近・現代芸術・文学において、寓話やフィクションという形式で表象される暴力と権力の様々な様相について研究・執筆を行う。現在、ロンドン芸術大学セントラル・セント・マーチンズ校 パフォーマンス：デザイン&プラクティスコース講師、東京藝術大学 大学院美術研究科 グローバルアートプラクティス専攻卓越助教。2016-2018年、ロンドン大学スレード校、リサーチ・アソシエイト。主な近著論文に以下がある。'Dreams and Thresholds: Violence of Doors That Never Close in Magritte, Kafka and Buñuel', in Dreams and Atrocity: Reflections on Modern and Contemporary Trauma in Literature, Art and Film, eds. Emily-Rose Baker and Diane Otosaka, Manchester University Press, 2022 (forthcoming). 'Hunchback as a Visual Paradigm of Violence in Modern Art: Géricault, Dix, and Salomon’, in The Body in Theory: Essays After Lacan and Foucault, eds. Becky McLaughlin and Eric Daffron, McFarland Press, 2021. https://www.michikooki.com/about
中島裕子：1980年東京生まれ。大学卒業後、会社勤務を経て、2010年に美術留学のため渡欧。2012年スウェーデン王立芸術工芸大学（Konstfack）学士課程（コンテンポラリー・ジュエリー）修了、2016年ロンドン大学スレード校修士課程（彫刻）修了。主な展示に「そのうちマイルストーン」NORA HAIR SALON（2022）、「プロセスの冪乗」SICF22（2021）、「The thing is」Kingsgate Project Space、ロンドン（2021）、「金継ぎ」旧平櫛田中アトリエ（2020）、「KUROKO」Index Festival、リーズ（2019）、「Art Triangle」駐日オランダ大使館（2018）、 「ODDS」 Assembly Point、ロンドン（2017）、「PILLOW, SWALLOW, HOLLOW, YELLOW」The Artwall、アテネ（2017）、「string of subsequence」room.、ロンドン（2016）、「ONE BARE FOOT SQUARE」The Hermitage Museum、アムステルダム（2016）、「monoCHROMA: Black & White Issue」The Crypt Gallery、ロンドン（2016）など。https://hirokonakajima.tokyo
西永和輝：1993年東京生まれ。2016年武蔵野美術大学彫刻学科卒業。2019年ロンドン大学スレード校修士修了。木彫や実験的機械の制作などを中心として制作を行う。人の理性と非合理を解き明かしていく手段として彫刻に注目している。主な展示に「Shortlist Exhibition/ The Ashurst Emerging Artist Prize 2020」Ashurst's London HQ、ロンドン（2020）、「A Third Map」 Rochester Square、ロンドン（2019）、「Shortlist Exhibition/ The John Ruskin Prize 2019: AGENT OF CHANGE」The Holden Gallery、マンチェスター（2019）、「Asteroid'」Workshop 53、ロンドン（2018）など
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Edward Allington, best known for his contribution to the New British Sculpture movement, had strong ties with Japan. In 1984, he participated in the group exhibition “Metaphor and Symbol” at the National Museum of Modern Art in Tokyo, which later led to his solo exhibition at the Fuji Television Gallery*. His fascination towards the country, and its craft and art, eventually developed into his lifelong research into modern Japanese sculpture**, taking him back and forth between Japan and England throughout his career. Allington was also a critic and an educator. He wrote various texts not only of his work, but also of others, and taught for many years at the Slade School of Fine Art. Making, writing, and teaching formed the three main pillars of his practice, as he considered writing and teaching as parts of a broader spectrum of sculptural practice. This exhibition explores these three facets of his practice by showcasing Allington’s works and writings, which in recent years had few opportunities to be presented in Japan, alongside works by Japanese artists whom Allington taught, including Hiraki Sawa, Akiko and Masako Takada, Ayuko Sugiura, Eiko Soga, Michiko Oki, Hiroko Nakajima and Kazuki Nishinaga. This exhibition also marks the first group show between Allington and his Japanese students. By bringing together their works, the exhibition also seeks to shed light on the various links which connect Allington and his students; to the things that remain unchanged, shared across time and beyond borders.
Using diverse motifs–from the ancient Greek god Apollo to mass-produced plastic pineapples– Allington was an artist who meditated on the meaning of the original. Allington was especially interested in how these ancient motifs and mass-produced products, which only exist as copies, are remembered or dwell in our times. He believed that the truth of our era lies in these classic forms or in the mass-produced objects which have survived even after the originals or the myths surrounding them have been lost. Allington playfully transforms and appropriates these motifs to identify the truth hidden in these motifs. The reconfigured motifs, by their own very nature, transcend time, place, and preconceived notions (communal illusions), offering us a new way of looking at the world.
Subjects such as memory, myth, rebirth, as well as an anthropological approach to objects and forms, can also be traced in the works of Allington’s students. Hiraki Sawa, a video installation artist, combines videos, sculptures, and images to create a sensory landscape–imaginary, yet real, inspired by his own experiences and memories. Similarly, Ayuko Sugiura, who focuses on unnamed sensations and intangible prayers, creates sculptures that invite the viewers to explore the tactile sensations and forms that are ingrained in our consciousness. Akiko and Masako Takada, on the other hand, challenge our existing values and norms by shifting the scale of everyday objects, such as cards and stamps, in an attempt to change the way we see the world. Hiroko Nakajima also creates sculptures using everyday and found objects, but by removing these objects from their original functions and contexts, she constructs a new language to explore an innerscape which words alone cannot capture. Through her site-specific research project with the people of Ainu, Eiko Soga seeks to reevaluate contemporary values that have been shaped by capitalism, colonialism, and nationalism. Her practice begins from learning the Ainu traditions, such as making Ainu kimono (chikarukarupe) and salmon shoes (chepukeri). Soga traces her memories of the people she has met and the knowledge she has gained through the process to observe how minor, ephemeral, and sensory aspects of everyday processes can lead to bigger phenomena such as collectivity and the development of culture. Kazuki Nishinaga proposes a new approach to the ‘decorative arts.’ The decorative arts are one of the most universally practised forms of art, but the more it develops, the more it loses its functionality and productivity, and the more it becomes irrational. By focusing on this contradiction, Nishinaga proposes a hypothesis that ‘decoration is like a plant or a cancer cell, growing irrespective of human needs.’ Finally, Michiko Oki, who lives and works in the UK, explores how the nature of contemporary art and aesthetic experience has been transformed in the current climate where since the Black Lives Matter movement and the pandemic, has increasingly been seeking a post Western-centric and multicultural society.
* Exhibition “Edward Allington” held in 1988.
** A joint international research project with Musashino Art University and Henri Moore Institute.
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