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#Korean filmmakers
artfilmfan · 8 months
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Past Lives (Celine Song, 2023)
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goawaywithjae · 3 months
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Filmmaker Park Inje made the most of his recent trip to the United States to attend the Critics Choice Awards, where his Disney+ K-drama “Moving” was nominated for Best Foreign Language Series.
“After I arrived, I went to the Guitar Center in Hollywood,” the director said in an interview over Zoom. “I was really excited to see all the guitars used by legendary artists, including the guitar that Eddie Van Halen used to use. My wife and I are going to explore L.A. a bit and we are kind of interested in seeing Las Vegas and places like that. And the Grand Canyon. Then we’ll head back home to South Korea.”
Prior to directing the superhero series, Park had helmed season two of the Netflix hit series “Kingdom.” This interview was conducted in Korean and translated into English.
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cinemajunkie70 · 2 years
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The happiest of birthdays to Park Chan-wook! Thank you for making The Vengeance Triolgy!! Especially Oldboy!!
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ilhoonftw · 1 year
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btob lands gigs bc they spent past 10 years being nice to everyone and making connections, not because of blue box is doing anything for them 💀 which fucking SUCKS considering that shite company takes a cut out of the money whatever money they make 💀
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mydemonsyourangels · 2 years
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do not know what is happening with me recently but i am struggling with thai bls at the moment 
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mizura1987 · 1 day
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KPA Sniper
Made in SFM and GIMP
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editingmodulations · 5 months
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Of all the filmmaking elements, editing is probably the most important when it comes to suspense films. Remember, time is crucial in suspense and editing can manipulate time in significant and interesting ways.
When editing suspense films, your number one mission is to slow things down. The manipulation of time and the delay of events is the definition of suspense. Let’s look at a scene from The Birds, courtesy of Alfred Hitchcock — the master of suspense.
In the film, Decision to Leave follows Hae-joon (Park Hae-il), a married, insomniac detective who is tasked with investigating the death of a man who has plunged from a rocky mountain peak while climbing. When he interrogates the man’s much younger Chinese wife, Seo-rae (Tang Wei), he finds himself as attracted to her as he is suspicious of her. As he digs deeper into the investigation, Hae-joon finds himself lost in a web of deception and desire.
Film editing is important to build the suspense using transition, juxtapositions and the appropriate timing.
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exhaled-spirals · 2 months
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« Known globally for highly stylized genre films depicting the gritty underbelly of society with brutal violence and crimes, South Korean cinema was long characterized by what one film critic famously called “dark blue filter thrillers” mostly made by and starring men. If women appeared at all, it was often as one-dimensional clichés, serving as plot devices like a femme fatale, a murder or rape victim, an innocent lover or wife, or a self-sacrificing mother.
To challenge this norm and support women filmmakers, some women started to not only watch female-driven films but also buy more tickets than they could even use for such movies in a campaign called “spirit-sending”— meaning they would be at the theaters in spirit. The campaign turned a surefire box-office disaster to an award-winning hit, saving the career of a rare female director.
“It was truly a miracle,” Lee Ji-Won said of Miss Baek, her 2018 debut film about a female former convict trying to save a little girl from abusive parents. The drama, which portrays the friendship between two abuse survivors, was such a rarity in an industry dominated by what Lee called “films with cops, gangsters, naked women, or rom-coms” that it was snubbed by almost all investors and distributors. One investor promised to fund it only if Lee changed the lead character to a man. Another bet that “the disaster-in-waiting” would perish in cinemas in a week—a warning that almost materialized, as the film’s opening-day sales were so poor that it was projected to sell less than a quarter of the tickets required just to break even.
“Everybody, myself included, was so sure that the movie would crash and burn, and my career was over—until weird things started to happen on social media,” Lee told me.
Impressed by the rare women-led film with complex female characters, made by an even rarer woman director, many women watched it again and again, buying tickets even when they couldn’t attend. Ticket sales rebounded sharply as #SendingSpirit became a viral hashtag that continued for months until the film broke even. Miss Baek eventually won rave reviews and swept major awards, and the same investors who’d once snubbed Lee began to court her, begging to see her scripts.
“The gesture of solidarity by all these women was just overwhelming,” Lee said, wiping away tears. “They, like me, were so thirsty for movies portraying women as complex, multidimensional human beings.” In 2021, she finished shooting her second movie, featuring some of the country’s biggest stars.
The “spirit-sending” campaign lived on to drive the success of other women-led movies, like the film adaptation of Kim Ji-Young, Born 1982, allowing such films to defy the boycott campaigns that often targeted “feminism-stained movies.” While the film was hit by thousands of 0 percent ratings even before its official release (causing a vast gender disparity in its ratings on the top web portal—2.99 among men and 9.45 among women), Kim Ji-Young eventually became a hit watched by millions at home. Female-driven movies have grown in numbers and ticket sales since, led by a new generation of filmmakers like Lee and some male filmmakers as well. »
— Hawon Jung, Flowers of Fire: The Inside Story of South Korea's Feminist Movement
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gillianthecat · 1 year
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I feel like Japanese BLs use place and space and landscape differently. Perhaps it’s as simple as the fact that Japanese architecture and plant life looks different from Thai, Korean or Taiwanese architecture and plant life. Perhaps it’s just that the Japanese industry generally has higher budgets and more experienced/skilled people behind the camera, which creates a certain look. But there’s something about the use of space, either expansive and wide open, or closed-in and intimate that’s… I don’t know what it is, but it feels like it’s something.
This was brought on in part by watching Eternal Yesterday and then watching @iguessitsjustme’s HiraKoyoi video (which almost made me cry this time, now that I’m primed to). And they got thinking about the way there’s a certain… almost desolate emptiness? that’s not the right feeling. perhaps just… openness, realness, slight wildness… to the landscape in this trio of small town high school BL I’ve watched recently, the two above plus Takara-kun to Amagi-kun. Even Kabe Koji somehow felt that way when they returned to their hometown. Is that just what all small towns look like in Japan? (Are they even set in small towns?) Or are these locations deliberate choices.
And even in city settings there’s a certain way that buildings and spaces are shot, inside and out. But I don’t know enough about filmmaking techniques to say what it is.
If anyone else has any thoughts on this I’d love to hear them. I’ve never been to any of these countries and haven’t watched all that much other media from there, outside of BLs, so I have little context, just vague feelings.
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lurkingshan · 8 months
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A Time Called You: A Great Reminder to Go Watch Someday or One Day 
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This past weekend Netflix dropped a new kdrama called A Time Called You in its entirety, and I became particularly interested in watching it as soon as I realized what it was: the Korean remake of Someday or One Day I knew had been in the works for awhile. If you’re not familiar, Someday or One Day (SOOD) is a beloved 2019 Taiwanese drama that is widely considered to be among the best dramas the country has ever produced (there is also a 2022 film version of the story, but that’s less relevant to this post). Now, I love Korean dramas, and I know that countries remaking each other’s best shit is very common in the Asian media landscape, but I couldn’t help but feel protective of the original work and a bit resentful of the choice to adapt something that was so original and unique and specific and put that generic kdrama sheen on it. Taiwan has a small film industry, and this is one of its jewels. We didn’t need Korea’s take on it.
And having watched the adaptation in full now, I am feeling pretty justified in that initial feeling. Let me just say upfront: A Time Called You (ATCY) is a perfectly good drama with a solid cast and competent storytelling. Had I seen it absent the knowledge of what it was adapting, I probably would have liked it a lot. But I have already seen and loved Someday or One Day, so I feel compelled to break down why it is the better version of this tale, both for my fellow SOOD devotees who are wondering how this adaptation stacks up and for folks who have only seen the kdrama in the hopes that you’ll decide to watch the original. As usual, I did the most, so reader be advised that this is long (tagging @troubled-mind as promised and @smittenskitten because I saw you were looking for a comparison of the two dramas). TL; DR: if you liked ATCY, or have seen neither version and are wondering which to watch: go find Someday or One Day, because it’s an overall superior and more satisfying execution of the same story.
The Vibe
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Let’s start here because it’s the most obvious and immediately striking thing as someone who has seen both versions. SOOD has a bit of a rough and unpolished feel, which makes it feel more grounded in reality (important when you are getting into fantasy elements like time travel but you still want the characters to feel like real people). We open our story in 1998 in a record shop with a young girl playing Last Dance by Wu Bai and China Blue, a 1996 mando pop rock ballad, and thus setting the tone—this will be a somewhat raw and bittersweet story about grief and hurt and longing that will invite us to wallow in our feelings. And that melancholic vibe stays throughout the drama, even in the explicitly happy scenes, because you are always aware that the joy you are seeing has already been lost. 
By contrast, ATCY feels… emotionally flat. Don’t get me wrong, it is a very faithful adaptation. The early episodes are practically a shot for shot remake of the original drama. But it’s too polished, too shiny. The filmmaking is bog standard kdrama fare; everything is soft focus and warmly lit and too beautiful and consequently nothing feels real. It feels right in line with the standard aesthetics of recent mainstream Korean dramas, and that choice undermines the emotional weight and grit of this story.
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A great example of this can be seen in the way the two dramas handle the iconic scene where our female lead runs in the rain, looking back over her shoulder to smile in delight at the male lead before continuing on her way. This is a moment of realization for him about his feelings for her—one he will later immortalize in a painting that becomes part of the mystery of the past she is trying to unravel. In Someday or One Day, this scene takes place on a regular street, in the utterly mundane surroundings of their everyday lives as they walk home, and she runs down the middle of the road as puddles gather in the uneven pavement; in A Time Called Love, they are in a picturesque park for this scene, surrounded by green and encased within a grove of giant trees, and she runs right down the middle of a tree lane that looks like it came straight out of a fairytale. One story is very much about a love grounded in a reality we can recognize; the other is pure fantasy romance.
The Music 
I already mentioned the song that anchors the Taiwanese drama above. Last Dance is hugely important to the story, both thematically and as a plot device, and in its ability to set the mood and tone of the drama. 
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The Korean remake similarly uses a real 1996 ballad as its main song and time travel mechanism: With My Tears by Seo Ji Won. And, uh, the vibe is a bit different. 
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Discerning listeners might recognize this as one of the many classic love ballads performed by our favorite doctors by day, rock stars by night over on Hospital Playlist. It’s a perfectly fine song. But it sets quite a different tone for our story, doesn’t it? It also is meant to be a song that a teenage boy is hankering to listen to on cassette, and listen, I wasn’t living in Korea in 1996. I have no idea how culturally accurate that may be. I’m sure there were in fact baby Lee Ik Juns running around trying to get their hands on this cheesy love song. But the edgier sound of Last Dance definitely sounds more in line with something the teenage male lead would listen to and what the music is meant to convey. And frankly, since we hear this song about 30 times in the drama, it matters that Last Dance is just an objectively better song. 
And that’s just the tip of the iceberg, because beyond the classic song each version chose to use as its centerpiece, there is also a stark difference in the quality and tone of each drama’s OSTs. Here is a compilation of the Someday or One Day tracks, including the utterly gorgeous main theme by Shi Shi. The music is hugely important in the Taiwanese drama and is used to set the mood as well as emphasize its themes, and the tracks feel specific to this story.
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And here is a compilation of A Time Called You OSTs.
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If you’re familiar with kdrama OSTs, you will recognize most of the artists on here, as well as some new covers of old songs. And again, the vibes are quite different. Whereas SOOD was very intentional and specific in its music choices, ATCY just sounds like every other kdrama. There is nothing on this tracklist that stands out or evokes the kind of feeling that the SOOD tracks do.
The Main Couple
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The name and timeline situation in this show makes this section unnecessarily difficult, so let me just make a little reference sheet here: 
Someday or One Day
Alice Ke plays Yu Xuan (2019) and Yun Ru (1998)
Greg Hsu plays Quan Sheng (2019) and Zi Wei (1998)
A Time Called You
Jeon Yeo Been plays Jun Hee (2023) and Min Yu (1998)
Ahn Hyo Seop plays Yeun Jun (2023) and Si Heon (1998)
All of the actors here are seasoned and very good at their jobs, so I am not casting shade on any of them—they are executing their performances based on writing and directorial choices. But I cannot deny that the Taiwanese version of these characters are more compelling all around. In SOOD, the main characters have a real spark; despite the melancholic undertone of the story, there are moments of genuine joy and when they connect with each other, you feel why this bond is strong enough for them to find each other through time and despite all the trauma they endure. In ATCY, however, the characterizations are muted.
This is most evident in the difference between Quan Sheng/Zi Wei and Yeon Jun/Si Heon. Greg Hsu plays Zi Wei as magnetic, playful, mischievous, utterly lovable, and very intense about his feelings for his lady. He has a real joie de vivre about him that clearly brightens up Yu Xuan’s life considerably, and his devotion to her is not just shown, but deeply felt. Experiencing their memories, you understand immediately why Yu Xuan can’t move on from his death; he was the joyful, relaxed counterpoint to her more ambitious and serious personality. Si Heon, though? He is a nice dude and a generous partner and he is very good looking. But he doesn’t have the playfulness or the intensity that his Taiwanese counterpart does. His personality is just more moderate all around. One great example of this: upon discovering that he has traveled forward into the body of the person that would become Yu Xuan/Jun Hee’s boyfriend, Zi Wei (in Quan Sheng’s body now, are you still with me?) actively decides to find her, love her, and try to solve this time loop quagmire they are in; Si Heon (in Yeon Jun’s body) waits for a moment of fate to give him a sign, and only makes the decision to pursue Jun Hee after running into her by coincidence.
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Similarly, Jun Hee is not quite as spunky and sassy as Yu Xuan and Min Yu is not as dark and awkward as Yun Ru; when Jun Hee travels to the past and takes up residence in Min Yu’s body, the differences between the two characters she is playing are not as evident. In SOOD, I could tell at a glance who is in Yun Ru’s body; in ATCY I need more context to be sure. Where Yun Ru had more of an edge, Min Yu simply reads very shy. It’s not as compelling. One scene that really stands out as an example of this: when Yun Ru is pretending to be Yu Xuan in 1998 and looks in the mirror to practice smiling, it looks downright creepy and sinister; when Min Yu is masquerading as Jun Hee and looks at herself in the mirror, she just looks awed and happy, if a bit awkward. It’s subtle, but it changes the way you feel about the characters. 
The difference in Jun Hee and Yeon Jun’s characterization also affects the couple chemistry, which is just not nearly as strong in ATCY. The characters are more muted and thus the expected sparks are more like smoldering embers. The relationship feels cozy and warm and nurturing, but it doesn’t feel vital. It doesn’t feel like the kind of relationship you would fight through time or break the rules of the universe to return to. I recall gasping or crying or laughing out loud throughout SOOD because I was constantly taken aback by Greg Hsu’s arresting presence and the chemistry he and Alice Ke generated was just emotionally riveting. When Yu Xuan told Zi Wei (as Quan Sheng) that they were officially together, that man literally jumped for joy and shouted out his love for her; Si Heon (as Yeon Jun) reacts to the same moment with a quiet smile and a hug. When Zi Wei saw Yu Xuan in Yun Ru’s body again in the finale, he knew instantly that it was her and the smile overtook his face as he reached for her; Si Heon initially called Min Ju’s name before getting closer and taking several beats to realize it was Jun Hee (ruining this iconic moment is perhaps this remake’s greatest sin against romance, my god). 
Everything between the couple in SOOD was just more, both in happiness and in despair. I liked Jun Hee and Si Heon, and Ahn Hyo Seop and Jeon Yeo Been are very competent actors whose performances I have loved in other dramas, but they didn’t achieve that level of chemistry here, the writing and directing choices worked against them, and I didn’t feel that same desperation for them to figure this out that I did with Yu Xuan and Zi Wei. 
The Story 
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The Korean version is a very faithful adaptation overall (I haven’t mentioned Jun Jie and In Gyuk because his character and story is more consistent across the two shows), but does make some small tweaks to the story, some of which seem to be out of necessity due to a shorter run time (one episode and a couple hours total less than the Taiwanese original) and some just… because? The shorter amount of story time does lead to them having to cut corners on some aspects of the mythology and time travel lore, making it all a bit less clear for folks who don’t already understand what’s going on, and they put in a few nods to typical kdrama tropes like amusement park dates and hand of fate stuff that we really didn’t need—they are already trapped in a time loop together, we get it!
ATCY also messed with the timelines and ages for reasons I don’t really understand and that don’t really track. In SOOD, Zi Wei traveled forward from 2002 to Quan Sheng’s body in 2010, met Yu Xuan, and then died in 2018. In ATCY, Si Heon traveled forward from 2002 only to 2007 and did not die until 2022—but the relationship dynamics are all the same. It made sense for a young couple who had been together about 7 years and who were in their mid-20s to be having the kind of relationship problems they did—fighting about prioritizing careers and time abroad and whether it was time to get married. But a couple who has been together nearly 15 years? Who are in their mid-30s? They would have already been married probably and had a couple kids to boot. The choice to change the timeline like this had me scratching my head and accomplished nothing for the story. 
But neither of those things are the change to the story that is weighing on me most. That occurs in a very small and brief backstory for the real Yeon Jun, where the drama introduces an original character who has no counterpart in SOOD: Tae Ha. 
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In SOOD, the real Quan Sheng is a closeted gay teenager who meets a tragic end: he confesses to his crush, gets brutally rejected, then gets bullied when the crush tells others about his sexuality, and ultimately decides to walk into the sea in an attempt to end his life, a choice that leaves his body in a coma until Zi Wei’s consciousness takes it over. In ATCY, this backstory changes and Rowoon is brought in for a brief but impactful cameo as Tae Ha, Yeon Jun’s cram school friend. We see that the two have mutual feelings for each other but are both struggling to confess. One day as they are driving together, they finally explicitly acknowledge their feelings, holding hands and smiling at one another—and then immediately get hit by a Truck of Doom (easily one of the most tired kdrama tropes), Tae Ha dying on impact and Yeon Jun ending up in a coma with Si Heon’s consciousness eventually taking over his body like in the original story. 
Now on first glance, you might be inclined to give the show some credit for including a new gay character and giving the original Yeon Jun a happier experience with his crush. Explicit gay representation? In a mainstream kdrama? Still very rare and a big deal if done right. But if you think for a moment longer you’ll realize we can’t give the show credit for this, because this is a textbook execution of the Bury Your Gays trope and the narrative punishment that befalls gay characters who act on their attraction. Essentially, what the Korean remake did here was reveal these two characters are gay, killed them both immediately after they decided to pursue a relationship with each other, and then had the het male lead character take over the body of this gay man and use it to enter into a relationship with a woman. Some aspects of this plot were present in the original tale, but this choice to add an additional gay character only to kill him and tie it to their moment of acknowledging their mutual attraction? Made it significantly worse. It was badly done and I will not applaud the drama for representation when they did it in such a cruel way. 
The Ending
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SOOD ends on a hopeful but somewhat ambiguous note, with Yu Xuan in 2020 finding a way to go back and save Yun Ru (and Jun Jie by extension) and then breaking the time loop, sacrificing her relationship with Zi Wei in the process even as it breaks her heart (because the only way for them to meet and fall in love in 2010 was to stay in the loop). She sacrifices their romance, and all their memories together, because it’s the right thing to do—she inadvertently destroyed Yun Ru’s life with her time traveling, and she couldn’t live with that knowing there was a way to fix it. We are left with a broken time loop, original teen Zi Wei meeting child Yu Xuan again in 1998, and the hope that they will find a way to make their fates align again and be together without time travel complications. It’s just the right bittersweet touch to end the story on; their previous relationship was lost and their sacrifice was real, but there is hope for another version of a happy life together, someday.
By contrast, ATCY goes for a more explicit happy ending: Jun Hee makes the same choice to go back and save Min Ju, and to break the time loop and sacrifice her relationship with Si Heon, but in ATCY we then jump forward to 2011 to a happy epilogue to see Si Heon and Jun Hee meet as adults. And look, I love a happy ending! But what I said above about the sacrifice Yu Xuan and Zi Wei made in SOOD really resonating because of its bittersweet ending? That’s absent here, because ATCY decided they needed to put a bow on it and reassure us they would get back together. ATCY was just never willing to let us stay in the grief or commit to the darker and sadder aspects of this story, and as a result, the whole thing loses some of its impact.
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chernobog13 · 2 months
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YONGARY, MONSTER FROM THE DEEP (1967)
Yes, 1967 truly was the year of the kaiju. Not only did every major studio in Japan release a kaiju film that year, but South Korea provided their own entry with this handsome guy.
The original Korean title of this film was The Great Monster Yongary; Yongary, Monster From the Deep is the title of the dubbed American version that appeared on television in 1969.
All prints of the original Korean version of Yongary are considered lost, and the American version is the only one that exists. Thus, when this film is shown in theaters or television in Korea people are watching the American version with Korean subtitles.
While this is not the greatest kaiju movie ever made, even in 1967, it's still a neat flick. It's fun to watch the Korean filmmakers do their best to match the kaju eiga that were produced in Japan.
And despite it's flaws, it's still a lot better than the 1999 reboot, Yonggary, which utilized a lot of pretty bad CGI (Yonggary, who hardly resembled his predecessor, was transparent through most of the film); had a silly, nearly incomprehensible story; and asked the audience to accept that jetpacks were standard issue for all US soldiers (it was NOT set in the future).
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neotaissong · 2 months
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many thanks to @vvaterling for the tag, appreciate it
Last songs I listened to: 'the creator has a masterplan' by pharoah sanders, 'arab voice of freedom (live)' by fairuz, 'kwanzaa' by karma and 'weight of the word' by MIKE
Currently watching: mandabi by ousmane sembène (super stressful watch as unc gets taken by the triple threat of colonialism, corruption and a community of vultures) sankofa by haile gerima (one the best time travel movies of all time, with arguably the most cathartic slave uprising commited to film, another gerima masterpiece that burns all the exploitative, liberal-fascist, cash-grab, trauma porn slave narratives to dust) burning an illusion by menelik shabazz, the empire strikes back 4K80 (all these 'resistance' movies owe haiti, algeria and vietnam, a big phat cheque) love is blind (ngl after mandabi i needed thissss lol, so much mess this season) as above so below by larry clark (has some of the fiercest close ups of all the la rebellion films) little forest: winter/spring (a beautiful, seasonal series of movies, focused on cooking in a small village in Japan and the relationship between a daughter and her mother who has abandoned her, it's like a slow burn cooking show slash japanese art house movie series (it's 4 movies in total) about the poetic changing of seasons...it really makes you think about how limited western filmmaking/storytelling is and in it's own way asks the eternal question: what is cinema?) spirited away by miyazaki (i kinda hate sharp images at the mo, BUT reluctantly getting a 4k cut made from an 8k upscale, had me marvelling at every single frame and brushstroke and now im bopping thru the streets to joe hisaishi's score like a joker, but u know idgaffffffff this movie is an absolute masterpiece and it ain't up for discussion my dears lol) the muslim mindset and islam’s mission with dr sohail hanif and ig stories from: bisan, motaz, hindkhoudary, warsanshiree, saul williams, red_maat, bsonblast, amandaseales, oaklandmademe, thezaynalarbii and yasinbey...
Currently reading: ousmane sembène interviews, the quran, art on my mind by bell hooks, ming smith aperture monograph, domu: the dreams of children by katshuhiro otomo, the sound i saw by roy decarava, instant light (polaroids) by andrei tarkovsky, maafa by harmony holiday, the book of light by lucile clifton and suheir hammad's gaza suite. dipping in and out of all of the above...
Sweet/savory/spicy: all three, but right now, korean spicy chicken is what i dream of...
Relationship status: single...praying she loves god...............................and korean spicy chicken..............
Current obsession: shooting with my new camera, lenses lenses lenses, colour grading on davinci, preparing for shoots at the end of the month, inshallah...roy decarava's photography and his use of shadow, darkness and light, ming smith's photography and her use of blurrrr, darkness and focus, summerdanceforver dance-off videos (i miss paradiso) new balance 9060's and salehe bembury's designs and interviews especially his peace be the journey sneakers, hiking, harmony holiday on twitter (unmatched raps with a razor under tongue!) hiroshi yoshimura - copped the vinyl represses of green and surround, which im super grateful for, totally obsessed with green: ethereal and expansive movements through nature, basking in healing frequencies. local reggae community radio station run by elders in north london, always vibrant, shaggy and aggy. talking, arguing, listening, LEARNING, UNLEARNING, loving and meditating on how to decolonise everything, liberation and how we get free...free palestine congo sudan and stopppp cop city...steamed buns from bun house, writing and shooting (jill scott voice: slowly surely) and last and certainly notttttt least, getting closer to god...
Last search: flights to jamaica... (get me outta babylon fam)
Currently working on: beating burnout and the resulting procrastination to finish my new movie inshallah...preparing for shoots at the end of the month inshallah...
now i tag: @humbleseed @kndmind @ritasdove @ahla-tahiya @komplikacije @wrathdiwata @earthgoddessmusings @elea-mar @mosterriblewoman @thacryingame @besarelcielo @universalstudent @jamiefoxxhairline @therootednomad @0912199 @afeelingindescribable @sbtravie @artemisiasea @macaroot @textualtrancetextural @143-4u @afroladina @chaosteorema @rose1water @coyotelo @godzilla-en-mexico @esdr0 @gullyrootoranamu @guwop07 @bohemialatina @emekkka
im sure i've missed some mutuals, plssssss if i didn't tag you and you feel like you wanna put us on game and spill the beans on whats currently got you moving --------- pls join innnnn!
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shesnake · 8 months
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tbh I don't think it's fair 90% of the time to call originality into question when criticising lgbt stories, especially those centering on further underrepresented lgbt people of colour. like so what if a movie about a south korean trans woman visiting her hometown is similar to a movie about a black butch lesbian filmmaker in america that's similar to a movie about two school boys in japan that's similar to a show about a divorced persian bisexual woman in england that's similar to a show about a non-binary pakistani electrician in canada that's similar to a movie about a gay half-egyptian man living in the same city that's similar to however many movies about white gays who were lucky/privileged enough to be given chances earlier????
just because a lot of these stories follow similar plot beats doesn't mean they aren't worth telling, or watching. their "predictability" is not something that you can always chalk up to tired tropes and lazy writing. there is so much truth in the consistency, and I think it's so important for us to keep diversifying our art and putting as many variations of our shared experiences onto the screen/page. of course, I'd love to see more genre movies about lgbt people doing shit like running scams, escaping time loops, fighting zombies, solving murders at hairdressing contests etc, but I will always love a 'simple' story about another lgbt person somewhere else in the world that makes me feel like I'm not alone.
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sailforvalinor · 2 years
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The idea of liminal space is an extremely important concept in Twilight Princess. If you aren't already aware, a liminal space is a transitional space, such as a place between two extremes, or a place that serves to connect two places--think of stairwells, hallways, waiting rooms, vehicles, parking lots, or airports. These are spaces that, while meant to be used, are not meant to be occupied for long. You don't hang out in a waiting room for the sake of it; you wait in a waiting room in order to transition to the doctor's office. It is because of this that many of us perceive liminal spaces to be eerie or unsettling--we are occupying a space that feels in-limbo, somewhere outside the pace of everyday life.
Writers and filmmakers of horror have been using this to their advantage for hundreds of years, utilizing liminal spaces as settings to build up dread for both the characters and the viewer without ever needing to explain why. Begin looking for liminal spaces in horror and you'll see them everywhere--i.e., the entire concept of the Korean zombie film Train to Busan, which is set almost entirely on a single train. Liminal spaces do not have to be physical spaces, however, but can also be metaphorical spaces--look no further than The Strange Case of Dr. Jekyll and Mr. Hyde, where one man's body is the space occupied by the two extremes of the morally upright Jekyll and the deplorable Hyde (granted, this is a little bit of a simplistic reading of the character--but the concept is still in-play).
Twilight Princess, while not a "horror game," per-se, dips into the tropes that define the genre--including liminal space. Twilight--the place of transition between day and night--is itself a liminal space. Making this concept into an intrusive, almost parasitic force than encroaches itself onto the everyday world is deeply unsettling to us as the player. It is forcing liminality onto places that are not meant to be liminal, creating places of transition that transition to nowhere. Places in the game that have been overtaken by Twilight are empty, strangled into silence that feels like it should be building up to something, but never does. Perhaps it is because of this liminality that all people caught in Twilight are turned into spirits--they are unable to continue with their lives, stuck in the moment when Twilight took over, but unable to ascend to an afterlife. Whenever Link enters this liminal space, he is forced into a form that is not his, in which his normal capabilities are limited. It is only when he leaves the liminal space that he is himself again.
However, despite all this, nearly everyone who has played the game agrees that, despite all of this, there is a certain beauty about Twilight. It is fascinating in its eeriness--just like liminal spaces. Have you ever met anyone who loves airports (of which I am one)? It's that same sort of appeal. There's a strange dichotomy between how unsettling and how fascinating it is to occupy these spaces that escape definition.
And here, inevitably, we come to the tragedy of Midna.
Because, she, of course, is a being of Twilight. As one of the Twili, the princess of the Twili, she is defined by liminality. She comes to Hyrule as an outsider, almost something alien, something that does not belong--she is liminal. And she knows it. While her vendetta against Zant and her desire to eliminate his influence is highly personal, there is no doubt that, by the end of the game, she recognizes that Twilight is a corruptive force to the land of Hyrule. But she also realizes in the end how much she cares about Link--while they began their adventure barely tolerating one another, they ended it with mutual trust, and it's not too much of a stretch to say mutual attraction. However, despite all of this, Midna knows the nature of her existence. The two of them aren't meant to occupy the same space for long. Perhaps this is why, in the end, despite the tragedy of it all, she shattered the mirror behind her.
Because Midna was liminal. Link was not.
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Summer 2023 Ep 2 - The Eighth Sense
AND WE'RE BACK!
It seems like every season we're going to have a single show dominate the conversation and the zeitgeist so much that we have to dedicate an entire episode to it! This season it was the Korean-German team-up about a boy so sprung that he joined a surfing club even though he couldn't swim. Strap in for a long discussion!
Nini and Ben dive deep into The Eighth Sense to discuss the international nature of BL, the way film history plays into our stories, the role of forgiveness in our lives, and the role of community in queer development.
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Timestamps
The timestamps will now correspond to chapters on Spotify for easier navigation.
0:00 - Welcome 1:04 - The Eighth Sense 18:00 - The Relationship Between the Seniors and Juniors 27:45 - The Hedwig Incident 36:32 - Ae Ri 42:50 - Ji Hyun and Jae Won 50:38 - Joon Pyo and Boss Lady 56:28 - Let's Talk About the Kissing (and Episode 6) 1:06:21 - The Party Scene and Forgiveness 1:17:14 - On a Possible Second Season 1:24:10 - Checking in Two Months Later
The Conversation: Now With Transcripts!
We received an accessibility request to include transcripts for the podcast. We are working with @ginnymoonbeam on providing the transcripts and @lurkingshan as an editor and proofreader.
We will endeavor to make the transcripts available when the episodes launch, and it is our goal to make them available for past episodes. When transcripts are available, we will attach them to the episode post (like this one) and put the transcript behind a Read More cut to cut down on scrolling.
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1:04 - The Eighth Sense
Ben
Welcome to The Eighth Sense episode! Nini and I had so much to say about this that we decided to give it its own episode, separate from our overall consternation from whatever is going on in the land of K-BL, because this felt distinct. This was a piece of work from a German and a Korean filmmaking team, and it created unique results. So we're going to speak to you all for the next hour and a half? [laughs] about it, and then we'll come back at the end with some reactions to the show and how we're feeling about it a few months later.
Nini
Let's go.
Nini
We are here today to talk about The Eighth Sense, and only The Eighth Sense. Benjamin. What is The Eighth Sense about?
Ben
See I had her a little bit annoyed before we started talking. She gives my full name because she's still mad at me for being obnoxious. The Eighth Sense —
Nini
[laughs]
Ben
The Eighth Sense is an age gap college romance between a new freshman from the Korean countryside and a very wealthy Korean man, who is the heir of his family, who's recently back from military service and trying to finish school. They kind of meet by happenstance at the freshman's job and instantly have a connection between them which they both find themselves drawn to and pulling on. 
And over the course of the show the freshman, Ji Hyun, ends up joining the surfing club to hang out with Jae Won, the senior, and a romance blossoms between them… but we hit a lot of very familiar western queer storytelling drama beats. It blends fairly well with the Korean storytelling beats, as these two eventually choose each other as they're trying to move forward with their lives. Much drama ensues because of the older boy’s deep mental health issues. It's a really simple plot. It's just incredibly well executed.
Nini
Well, let's talk a little bit about that execution. So this is a… it's a Korean production but it's co-directed by a Korean director, Baek Inu, and a German director, Werner du Plessis. And I think that that interplay between the two filmmaking styles, between some of the hallmarks of Korean filmmaking and then some of the hallmarks of like classic German bildungsroman… They interplay really interestingly I think, in terms of the way that it's executed. A lot of people are saying that The Eighth Sense made them think of Skam? I have not watched Skam so I can't really speak to that, but in terms of certain aspects of the techniques of the filmmaking that I've seen, in terms of lighting and color and all of those things, I could see the comparisons that they're making. 
But I feel like this show… it's something all its own? We've talked on this show about how K-BL was starting to get a little repetitive and feel like it wasn't, you know, using its time well and all those other things. And I think that those are criticisms that you can't level at The Eighth Sense. It does use its time well. I feel like it is well thought through, I feel like it uses its budget well, I feel like it… really engages me, like I'm not going to forget these characters. I'm not going to forget Ji Hyun, Eun Ji, Tae Hyung, Jae Won, Joon Pyo, Yoon Won, [laughs] I'm not going to forget these characters. You know what I mean? These characters have sort of touched something inside of me, particularly Jae Won. 
I feel like it came along at just the right time for me to not write off K-BL. [laughs]
Ben
I mean, is it really K-BL, though?
Nini
Well, that's the question isn't it? Because a lot of people are like, ‘oh this isn't, this isn’t BL.’ I think it's very firmly BL, but I don't know how much it feels like K-BL.
Ben
It is not relying on… the tropes or beats of traditional yaoi, as evolved by Thailand's fiddling with the formula, and what's recently been happening in Korea over the last three years-ish. When you called it like a German coming of age thing, I can feel some of those influences here. In terms of the pacing, and the knowing. 
So one of the things that BL is not very good at doing that I don't always enjoy is… BL doesn't know how to make characters always gay. Like their queerness activates when it's relevant, because they're thinking about it now. It isn't… built really into the way the character is functioning. But when you're writing queer cinema, a queer character is always queer. It is always complicating their life in some way, and that feels present here with Ji Hyun and Jae Won. Particularly when it comes to the ways that two of them engage with each other. 
Ji Hyun gets clocked constantly by everyone, because he's obvious to them. Jae Won and he bump into each other at the restaurant and recognize each other, flirt outside of the restaurant. Ae Ri recognizes these things in him very quickly and she starts covering for him; Eun Ji sees this in him right away, and beefs with him immediately over Jae Won. Yoon Won I think picks up on it right away, which is why she's always calling him cutie. And I think the boss picks up on it too, which is why she's kind of protective of him. 
This works for me because he's so clearly different, and I like how he clearly had these big dreams about ‘I'm going to move to the city and I'm going to live my best gay life.’ Then he moved to the city and got scared, because it's such a big place, all these strangers, and it's confusing because he's not used to dealing with urban systems… And so like, he immediately retreated a little bit. He just picked up a job, so he would only have to deal with one person, because it's like a one woman operation and like the freshman temp worker she's relying on? [laughs] And I think that's one of the big things that separates it for me with most of the BL we've experienced, like Ji Hyun always feels gay for me, in the way that Ji Hyun is very… protective of himself but very honest in general. Like Ji Hyun doesn't offer himself up easily to other people, but he's consistently honest and forthright with them. And like, after his big ol’ incident — where he almost dies, and I’m calling it ‘the incident’ [laughs] — he turns really sassy, but he's still being honest, he's just not tempering that. And also he's a little bit pissy, because he has a right to be. 
So like that's the biggest, I think, line between like, BL per se, and what we might call queer cinema, when I'm watching them. Like their queerness is not active only when they're flirting, like other BL characters often feel for me.
Nini
Hmmm. That's something to ponder… It is clear that Ji Hyun does get clocked pretty regularly. You know I always have a soft spot for the ones who can't hide, and… so, I can get like why the boss is protective of him, why Joon Pyo is protective of him — like, even though Joon Pyo doesn't really know? He knows something, but he doesn't really know that Ji Hyun is queer, and it's this really funny scene when he finds out in the end, and he's just really upset that, you know, Ji Hyun didn’t tell him that he had a boyfriend. 
Ji Hyun feels recognizably queer, in some intangible way? Like I think about my gay friends and my gay family, and… that thing that you said about a person who is gay being gay all the time and not just when they're flirting with somebody? [laughs] That really resonated [both laugh] Thaaaat really resonated, and I think is also a little bit of shots fired for some of BL.
Ben
I don't know that I want to fire shots at the other dramas in this regard, because… it's not fair. Because some of these things are intangible, you can't really always do them really well or correctly. It's not like I have obvious guidance, like ‘hey, here are the five tips to make your character seem authentically queer when you're writing your little stories!’ [both laugh] And like, that's not fair. 
What I can do as a amateur critic, is point out that this character reads queer to me: from the little gay rainbow lamp he has, to the way he had big dreams for the city then feels a little bit disappointed about it, to the way he sees a really hot boy and immediately decides to do — to join a dangerous club just to get some dick. Like that's the kind of dumb shit that baby gays do! Like can you swim? No. So you joined the surfing club? Was — was the dick even that good? Yeahhh. All right, well, shit! [both laugh]
Nini
The man said that, before he nearly died, he was the happiest he had ever been in his life. He literally said that. [laughs]
Ben
This poor boy's whole brain got rearranged by some good dick! God damn.
Nini
Our other protagonist is Jae Won. Jae Won is a poor little rich boy, he's a tragic figure with a tragic past.
Ben
He's a sad little meow meow.
Nini
He really is the saddest little meow meow. It’s up in the air whether he's closeted or not. I don't feel like he is? But I also feel like he doesn't advertise. Because it doesn't feel like any of his angst about Ji Hyun is about the idea of him dating a guy. It doesn't feel that way.
Ben
Jae Won feels therapized. He… definitely is aware of his queerness, and seems mostly inconvenienced by it. His father is described as aggressive, and there's all of these pressures on him to be a certain kind of man, and a certain kind of son. Like they get mad about how emotional he is, they get mad that he's out drinking with his friends… so he's definitely been forced to be closeted about it? So I think he is definitely aware of it, and the reason why I think he's aware of it is, Ji Hyun calls him out on it in the last episode, when he's like, ‘You had a lighter in your pocket, the first night you met me.’
Nini
It's not that I feel like he doesn't know himself, like he knows himself, I think that much is clearly obvious in the story, he knows himself. The question is whether the people around him know. I feel like Eun Ji definitely knows, that's why she's so im— one of the reasons she's so immediately hostile to Ji Hyun, because she knows.
Ben
She knows, but I don't think he's told her. He just feels really modern about it, like, yes he's gay, if you ask him directly he'd probably just shrug and be like yeah, sure, whatever, but people aren't going to ask him that. They don't want to cross that line, because they want to use him, and trying to embarrass him about that is just gonna get you iced out of his life. Again, like we know that the surfing dudes hadn't really considered it, because they're like no, Jae Won's not that way. That's also like the men, though. Like every single girl in the story clocked every single gay boy the whole time. The boss, Eun Ji, Ae Ri, Yoon Won, all clocked Jae Won and Ji Hyun. And Jae Won didn't even know about it, because Yoon Won was like ‘you better do right by that boy,’ he's like ‘what are you talking about?’ and she was like ‘girl!’ and he was like ‘all right, shit.’ [laughs]
Nini
Jae Won is not closeted but he's not out either. Let's put it that way.
Ben
I think he was closeted by default, but he had already worked through the, ‘if I really connect with someone, I will step out for them.’ And you can feel that, with the way he tries to casually say to the boss, ‘yeah I have feelings about my boyfriend,’ and the way he's forthright about it with Ji Hyun. Because I feel like he had emotionally prepared for the moment? And once he decided to commit to it, all of that work came out right away.
Nini
Well, even before he says it to the boss or to Ji Hyun, he says it to the guy at the, at the rest stop, when they're heading off to that fateful trip. It's not even a big deal for him to say that. And that's why I was wondering like, well is he closeted or is, has just nobody just ever asked him about it? And I think I'm going to land on your side of things here with, probably nobody ever asked him about it, and he didn't feel the need to announce it.
Ben
Right, and I think that's where — that's, that's mostly how he reads to me.
Nini
Do you think that Tae Hyung knew?
Ben
Yes, because he kisses him all the time. But, he knows it in the way that stupid-ass straight boys know. Where they know, and they want the attention, and they kind of want it, but they would have to be gay and they can't actually do that. Which is why he gets so… bothered about Jae Won caring about other stuff. It's the same thing we see all the time, he gets mad that he's not being paid attention to, or that Jae Won doesn't care about the things he wants him to care about. Or isn't being as miserable as they want him to be.
Nini
You know what I think is actually a subtle hint? In the first few episodes of the show, the way that Tae Hyung keeps pushing Jae Won and Eun Ji together, keeps pushing them towards each other, keeps bringing Eun Ji into the spaces. Now that I'm thinking about it, at the beginning I just never quite figured out why it mattered so much to him? But now, it makes like a strange kind of sense, if he knew or if he at least suspected… why he would keep shoving Eun Ji at him.
Ben
Right, because if she — he chooses Eun Ji, it's at least, like, the woman that he was okay with, I guess. And like it gives him some sort of weird control or investment in whatever they have going on. I feel like at some level Tae Hyung knows. But again like that's part of why this show feels more queer for me than some other stuff, because we're having this really complex conversation about who knows, doesn't know, at what level do they know, what does their knowing imply about the way they perceive Jae Won — like that's the world real queer people exist in. Where it isn't just who knows, it's what do they do with the knowledge.
Nini
I'm really recasting, like, my initial reactions of the whole Tae Hyung, Jae Won thing.
Ben
I mean if you, I don't know if you remember, I hated that motherfucker from the very first time we saw him! [both laugh]
Nini
Ben could not stand his ass from jump.
Ben
Like, the very first episode I was like, ‘oh I hate this boy so much Nini!’ [laughs] and she was like ‘damn bro, they just had like one fight!’ and I'm like, ‘oh no, it was not just one fight.’
18:00 - The Relationships Between the Seniors and Juniors
Nini
Speaking of fights between Jae Won and Tae Hyung, perfect segue. 
Ben
Let's talk about him tagging that ass though.
Nini
We're kinda jumping around here, and one of the reasons that we're jumping around is I feel like, talking about The Eighth Sense, like it doesn't really, it's not really useful to talk about it in some kind of chronology, or in terms of the plot. The plot's there and the plot is good… 
Ben
The plot is… a country boy snags a chaebol. It's very good.
Nini
Yeah, the plot is very simple, I feel like The Eighth Sense, the, the real meat of the discussion is in the relationships — in all the different interactions that these characters have bouncing off of each other, in some of the ways that they interact with society? I feel like that's more of where the meat of talking about the story comes from. There's going to be a lot of jumping around in this discussion I think because of that.
Ben
We’ll talk about Tae Hyung, but more specifically we'll talk about how strong the characterization is for all of these characters. Like the biggest thing that's interesting about this show is, all the seniors are miserable horrible people.
Nini
Terrible. [laughs]
Ben
All of the freshmen are not — but some of them could be. I think that's Bit Na's role in the story. Yoon Won, Eun Ji, and Jae Won are all seniors who probably should have graduated already, but because of the funding model of school and how you need to get a job, they're all stuck and they hate it. They're having the millennial problem of, we were told that if we were really good at school and we went to college and checked all the boxes, we would get decent jobs, marry wives, live in the suburbs, have a van, and have two point three kids. And uh… we didn't! And we've lived through crisis after crisis for… literally 22 years, and it sucks! 
And so like I get why Yoon Won, Eun Ji, Jae Won, and Tae Hyung are so frustrated and so pissed about all of it. And like they can't even be happy about any of it, like Tae Hyung wasn't drafted, but it's not like it worked out for him, it's not like he got to do anything useful with school, and like get ahead and go work somewhere, which is why like he's glomping back on to Jae Won. Because he's his last hope, that maybe somehow Jae Won getting control of his dad's company will get him a useful job, and maybe he won't be such a piece of shit. But he's such a selfish prick that he can't do anything with it. 
Eun Ji is clearly a status chaser, and she really wants to be the wife of a chaebol. And that's why she's trying to lock Jae Won down. 
Yoon Won is the only person that Jae Won ends up having a real connection with, because she's frustrated, but she's trying to do something positive, like ‘hey I'm gonna be stuck in school for a while but I'm [gonna] try and keep the surfing club afloat while I'm here. I hope you can get a chance to relax and I'm really glad that you came back and helped us out because — you’re really good at it, and I'm really glad that you're here.’ Like, she's the only person who's thankful for Jae Won's presence because he offered it. And she asks for literally nothing else beyond him except, ‘so hey you feel like getting a pizza and a beer with me? I really want to go to this place but the guy only speaks English even though he lives in fucking Korea.’
Nini
[laughs] That was bizarre.
Ben
And he's gonna be such a dick about it! That felt like a dig at foreigners moving to Korea.
[both laugh]
Nini
I completely agree that Yoon Won feels like the only person who is interested in Jae Won and not in what Jae Won can do for them, in terms of the seniors. And that's why their… thing works. And Jae Won says it when they're drinking in that foreigner's bar. He's like, ‘you know, when we started school I really didn't like you. But now you're kind of the only person who—’ [laughs] Basically he tells her that she's the only person he doesn't hate, so.
Ben
Right? And he call — she calls him out, like ‘I know you hated me, you piece of shit. But it's fine. We're cool now.’ [laughs] But again like, in terms of like, early episodes… she's the only person in the series [who] respects what he wants. She's like ‘Okay, I'll take the new kid because he clearly can't swim. You take the two girls, because you gay, you ain't gonna do nothing with them girls. Teach them girls how to swim right.’ He's like ‘No. I wanna go with the boy.’ She's like ‘Girl. Are you sure?’ and he's like ‘Nah nah nah, I really wanna go hang out with this boy.’ ‘Allll right.’ [laughs] 
But again, everyone else disrespects him — ignores his stated desires, constantly. Yoon Won is the only person in the show who, when he says he wants something, she lets him have it. And then she's like ‘Hey the cute boy drew a picture of you… wanna see it?’
[both laugh]
Nini
She gives him so much shit in like her own way, I love it. You know I’m all about besties who give you shit, you know that's my favorite, [laughs] that's my favorite trope. Besties givin’ you shit. 
But yeah, so you've got all the seniors who are stuck and miserable because, I mean, other than Jae Won — if they all came in at the same time, other than Jae Won because of his military service — they should have all graduated already. And the fact that they haven't, and they're all there just kind of, you know, sitting there miserable staring at each other, is a big commentary on everything. 
So compare them to all the freshmen. Now, the freshmen are… still young and hopeful and they have all this energy and all that stuff, and it’s such a contrast to the seniors who’re all fucking miserable. Even though there's fear there, particularly, like sort of shown up in the person of Ji Hyun, there's still this kind of enthusiasm? And then there's this brightness that comes off of them? And you kind of understand why Yoon Won and Jae Won gravitate, kind of, towards the freshman. And they feel protective of them, and they, they want them to have a good experience? That's one of the things that I really enjoyed about, for example, the surfing trip. They really invest in making sure that the freshmen have a good experience, like they keep the skeevy senior guys away from them…. they tell them they don't have to drink, they tell Tae Hyung, like, stop being a creep.
Ben
Right? They keep telling him to fuck off, they're like, ‘None of these rituals or things you're supposed to do that we did did anything for us. It didn't move us forward, it didn't make us closer to our seniors, it didn't help us succeed at school. We just got bullied by people who are older than us. And you hated it too, so chill the fuck out.’
Nini
Yeah! I like how invested they are, Jae Won and Yoon Won, in making sure that the freshmen have a good time, and that they're taken care of and protected. I really did like that. Like, it's almost like they want to help them preserve their innocence for a little bit longer, which I found was a great commentary to be quite frank… [laughs] I did love that. And then you also see, like you were mentioning in the character Bit Na, you're seeing somebody who could go along that trajectory towards misery, that landed Eun Ji and Tae Hyung where they are now.
Ben
Exactly, it's implied that she's doing all the things, like, you're Expected To Do(™), but there's a little bit of her being like ‘No I'm not gonna drink all that stuff from you’ and like at the end, like, she's furious with Tae Hyung. She's like, ‘No! I know that you've been causing problems for me, because you have a possessive crush on me. Fuck you. Get out of here.’
Nini
Scram! Beat it! [laughs]
Ben
Pulls out her little spray bottle: sks sks sks Move! [both laugh] Go on now, get!
Nini
So, she's sort of the antagonistic force that's pushing back against that stuff, while Ji Hyun and Ae Ri are more like that force that's laughing at that stuff. One is like, dismissive, and the other is… antagonistic. And it's two ways of dealing with the same thing.
Ben
I love how when the two of them start to bond, they just turn into like the meanest little catty duo. They're like ‘Oh well she hasn’t mentioned you at all” and “Oh has she really not? If I had a crush and had a best friend I know that I would be talking to my best friend about the crush, so… it's really embarrassing for you that she really hasn't mentioned you at all to her, right? Oh geez.’
Nini
[laughs] And he says that and then he doesn't tell Joon Pyo about his crush. Terrible.
Ben
And that's why Joon Pyo was pissed.
27:45 - The Hedwig Incident
Nini
Let’s talk about Ji Hyun and Ae Ri being catty for a second. So, we've already seen Ji Hyun and Ae Ri in class making fun of, like people giving their presentations… for this class on, I guess some kind of film studies course or whatever, because they're doing these presentations about films that they've watched or whatever. So we've seen them doing their little mean girl duo act in class already, where they, you know, kind of quietly snicker at whoever is in front of the class at the point in time — which I mean, come on, who hasn't done that with your friend in class? [laughs] 
When Ji Hyun comes back from his accident, the one that they're making fun of — and this is the part that I wasn't quite sure what they were trying to say, because I didn't recognize the character. So at first I didn't know if it was a character we had already met or if it was just a character that we hadn't seen before. And I think not knowing that also made things a little more difficult to parse? Because you get the sense from the way that this character talks to them that this is a character we're supposed to know who it is. That we have seen before or something. But I don't recognize him. Anyway. So this character is doing their presentation on Hedwig and the Angry Inch, which is a… queer classic?
Ben
I have not commented on this particular moment on Tumblr, because I didn't feel like getting flamed? But this is The Conversation! So I will say what needs to be said. So a big part of this film critic class that they're taking is that most of these presentations people are giving are only doing surface level reads of the source material. And this guy's read is not that deep either, but he dresses as Hedwig and thinks like he should be getting a lot of points for that. Whereas, they give a really solid read that understands the themes being explored in the Park Chan-wook film…
Nini
I’m a Cyborg, But That’s Okay?
Ben
They give a really solid presentation, they clearly understood the themes involved, but their presentation didn't have a lot of pizzazz, and they barely passed the class team. But they don't really care, because they took what they needed from the course: they engaged with the source material, they understood it, and they moved on, whereas he's cosplaying as Hedwig, a gay character. Does he appreciate the life of this gay character? 
Which for me felt like this show taking shots at performative queerness happening with BL in particular. A lot of these boys are cosplaying as gay: do they understand gay people? Do they understand the lives we live? Like you're sitting here beefing with me, an actual gay, and my hag over our presentation. But do you have any appreciation for who we are? Why don't you go ahead and scamper your ass down a little gay district off here and figure out what gay people actually live through? Like people didn't like that because they thought it read as transphobic, which it probably did, and I'm not going to begrudge people what they took from it. But for me I read it as you can cosplay as us, but you ain't us.
Nini
Hm. So I have never watched Hedwig, so… I couldn't really get a read on what they were trying to do with this? Because I didn't know if what the guy was saying had any weight of understanding to it.
Ben
It didn't… like even just knowing the film by reputation alone, and knowing older gay men who loved it, his read on it was weak. And it's, that's what, that's what I got, like — I don't want to drag anybody who is like ‘this is transphobic, and gay people should be better’ — it's also a surface level read on what's going on there. You're reacting to the fact that they diss a guy in drag, but not why they dissed a guy in drag — who started beef with them! I come from the school of talk shit get hit. So. [laughs]
Nini
[laughs] My main reaction to it, like I said because I, I don't have the… the context. Right? So my reaction to it was just kind of confused? I think that's what my overwhelming reaction was. I was confused by what was happening, I wasn't sure. I'm seeing all the takes, you know saying this is transmisogyny, this is transphobic, this is this that and the other, but the only thing that didn't read right to me about those takes — again, acknowledging that I didn't have the context — was that I don't know that this guy is part of queerness.
Ben
You know he ain't one of us because he couldn't walk in heels! You don't cosplay as Hedwig and not walk in heels.
Nini
Fair.
Ben
It's fine… The reason why I let everybody have it is, it was a deep cut and it wasn't for everybody. And that's kind of why I love The Eighth Sense because, the people who don't do their homework, who don't do the research on the genre history, who don't watch this stuff, who don't really engage in complex interactions with queerness — they kind of miss these sort of things. And I think that's okay, like, does the interaction read a little transphobic? It does. Do gay men's interactions with drag queens and other trans people often read transphobic? Hell yeah, they do! But I got it. 
Like, is it a great interaction? No, but… you ain't gonna last long in queer spaces if you can't handle a botched interaction.
Nini
I feel like it was probably the only really clunky part of the show, in that it wasn't clear. I feel like everything else that happened in the show was, it was very clear — it was abundantly clear what the show was saying, what the characters were saying and feeling, what they were trying to do. But I feel like this moment, this particular interaction, was the only time I felt like the show got a little… got a little clumsy.
Ben
It's the only indulgent thing that the show really does. It's the German director's favorite film, and he was taking a dig at people who get caught up in the fact that there's… gender performance stuff in Hedwig, and the wearing of the wig and dressing as a woman stuff, but they're missing, maybe the meat of the story. They focus on the wigs and the makeup, but not the person and the story. 
I have this particular beef too, like — I had an interaction with a colleague about what parts of queer cinema that they should maybe check out. And they really just wanted me to validate the things they wanted to watch. And that's kind of how this guy reads to me… like, the gay boy in the room is laughing at his performance. ‘How dare you laugh at my performance, I know I did my fucking research, I know gay people!’ [both laugh] That's — that's how that felt for me. Like, bro, why are you in my face? Like, go drink your juice Shelby, shit!
Nini
When you just said it like that, it made me think about white gays appropriating the language of the ballroom.
Ben
Well yeah, exactly, that's exactly what it feels like! Like… you aren't us, but you're wearing us. And it's fine, like you can get your little grade, you can make your little coins. But like, the rest of us are still here, trying to create queer lives that have meaning and comfort to them. Are you going to be with us there? That’s, like, if we're going to beef with this show for being rude to a guy in drag… what have you done for us lately? Like you might be queer too, and I don't mean to make you feel bad… but also if you're queer and all you do is watch BL, there's way more work to be done sweetie! 
Let go of your beef about the Hedwig scene, go watch Hedwig. Go watch I'm a Cyborg, But That's Okay. Then go watch the fucking sequences where these kids gave weak-ass takes about these really classic films, and then understand why they were getting laughed at by the teacher too. Like sure you dressed as Hedwig, but do you appreciate her? No? Okay, you get a B plus, I guess. Thank you for wearing drag.
It's not the most elegant moment in the thing? But it's one of those moments that it's like: who knows and who doesn't know?
36:32 - Ae Ri
Ben
Let's just talk about some fun gay shit. Let’s talk about Ae Ri! [laughs]
Nini
Ae Ri’s an interesting character. Ae Ri is a Seoul kid, so she's not like a country mouse innocent like Ji Hyun. She's with it, she knows what's going on, she, she understands the haps, you know what I mean? She's savvy. And she becomes Ji Hyun’s…
Ben
She becomes a hag. Let's call her what she is. Let's give her the term of endearment that we used to hand out to the best of the ladies.
Nini
She becomes the hag, yes, she becomes his fairy godmother. The way that she just kind of scoops Ji Hyun up? And is just like, ‘oh you poor little baby, come, let me help you because you very clearly need help’ [laughs] I just think that's delightful. I think that the way that their friendship develops — because at first Ji Hyun is convinced that she has a crush on him. And honestly, I'm not sure that he was wrong.
Ben
Elaborate.
Nini
I think that she clocked him when she had actually like, spent time with him?
Ben
I don't think she was paying attention to him until he drank the — until he drank the liquor for them, and then she's like, ‘Why would he do that, because all he does is look at Jae Won — Ohhh.’ [laughs]
Nini
Yeah, I feel like that's, that's where we go with this, it’s like ‘Aww! He's nice! Let me go scoop him up because he clearly needs help! Because he is not going to make it like this.’
Ben
He did though, like he needed somebody to be like ‘Bro. If you're trying to be closeted, because it seems like you are, let me just be clear: you’re doing a terrible job sweetie. Also? Them fits is busted. We need to buy you some clothes, like immediately. We're going shopping right now.’
Nini
It's like, ‘You’re trying to get Jae Won's attention? This is not how you do it. Okay, we're gonna need to accentuate those eyes darling. Ok?’ [laughs] 
She's the best girl. She ends up being protective of Ji Hyun, and because she's protective of Ji Hyun she also becomes protective of the people that Ji Hyun cares about, and Ji Hyun cares about Jae Won. So she becomes protective of Jae Won [laughs]. And she has claws! And she will use them. We talked about it earlier, but that scene where she just very neatly — she and Ji Hyun very neatly take Tae Hyung apart. The reason that they take him apart is because he goes for Jae Won, and Jae Won just looks really sad about it, and they're like ‘Not to-fuckin-day! We are going to end your entire career.’ 
She's the best girl. She's the best girl. I want her to have everything that she wants. I don't know what she wants, because it's not really clear, but I want her to have whatever she wants. She just seems to be vibin’, and I always love a character who's vibin’.
Ben
The reason why I like Ae Ri is, in a room of seniors being awful to her friend, she stood up and challenged them — and that was scary for her. Like she broke down in tears after that confrontation with the other seniors and Eun Ji. If you read that a certain way you're like, well is she weak or whatever? Like no, it's, it's scary to stand up in front of a bunch of people who are being awful and tell them like no, you guys are mean and this is not right.
Nini
That confrontation among the surf club after Ji Hyun has his accident is so ugly. You really see how self-centered these people are, these seniors. They do not care that this kid nearly died. 
Like yeah ok, they're upset about their club getting canceled because it's not technically fair. It's not like, you know, this was a club activity that he got hurt at. So yeah, ok, it's not technically fair, but the claws that they have out! And the way that they completely dismiss that at this point Ji Hyun is still in the hospital! It's not like he's back. He's still in the hospital, and they are so catty and vicious.
Ben
I don't even know if he was conscious at that point.
Nini
Yeah! He's — like he's, they're all so vicious about it. It's like they don't care whether he lives or dies? They don't care about anything other than the fact that this is inconveniencing them. And… that, Ae Ri takes that in, she like feels that, she internalizes that, and she realizes: y'all don't give a fuck about us. 
Which, which we’re dealing with like intergenerational relationships, and you're in a situation where you are the low man on the totem pole. You expect a certain amount of care and consideration to be taken with regards to you, because you're, you're the low man on the totem pole, you can't protect yourself necessarily. You need these people to care for and protect you. And… realizing, quite clearly and unambiguously, that these people will not protect her. They will not protect any of them. They don't care. Like I can understand why she breaks down.
Ben
Exactly. Like it's terrifying to realize that the people you're asked to respect do not give a shit about you. They'll demand abasement all the time, but when some shit popped off, did they care about Jae Won? Did they care about Ji Hyun? No, they're like: wow this is awfully inconvenient for us isn't it.
Nini
It was so ugly. I just remember being shocked, like you — I felt that one, you know what I mean? It wasn't just like, the intellectualization of what was happening on screen, I felt that deep somewhere inside of me.
42:50 - Ji Hyun and Jae Won
Ben
My appreciation for The Eighth Sense is more intellectual than it is emotional. I think it's very excellent: I gave it a 9.5 when I rated it? But I'm not… obsessed with the romance of this the way I might have been in another show. I like the way this one unfolds; I really like the way these two talk to each other. I like the way they see each other, I like that they totally misunderstood each other after the near-death crisis moment, and I like that other people pulled their heads out of their asses for them, so that they could be together, and then they followed through on that. 
But because this is just a very ‘boy likes boy’ sort of story, there isn't really a whole lot to say about the romance, but I do think we should take some time to unpack how we see Jae Won and Ji Hyun engaging with each other.
Nini
Yeah, so let's do that. These two are, as you would have said before, drawn to each other from the start, like Jae Won clocks Ji Hyun in the restaurant, Ji Hyun clocks Jae Won… I haven't rewatched the first couple of episodes as yet, but I think I remember that when Jae Won goes outside to smoke, Ji Hyun follows him?
Ben
Ji Hyun is outside, maybe on like a break or whatever? Just decompressing after a stressful moment, and all of Jae Won and his friends are maybe thinking about leaving. And then Jae Won asks for a lighter so he can light a cigarette.
Nini
He asks for the cigarette first, because he doesn't have a cigarette. He asks for a cigarette and he asks for a lighter, which is why I thought I remembered Ji Hyun following him outside, because the lighter that he gives him is the gas match for the restaurant, not like a, a standard bic. It's the big… gas match that he uses so — to light the cigarette for him, and he gives him two cigarettes. One for now and one one for later.
Ben
Jae Won was definitely flirting in a subtle way, and then Ji Hyun responds in a way that's like, I see you, but it both gave them the chance to back off of it and just write it off. Which is where I started to really appreciate the show, because… BL flirting is too overt sometimes.
Nini
It’s a dance that I've seen before, this kind of, I think you are but are you? And there's like these little subtle signals, and all these other things… I mean I don't need to tell: you're gay, you know.
Ben
[laughs] No no Nini! Go on!
Nini
Hilarious. [both laugh] Fine, read me.
Ben
Nah, it's, it's legitimately fun for me to see what other people are picking up on.
Nini
The thing is that it's so easy to dismiss, and it has to be. So these two, they clock each other, they do the dance, you know — ‘are you? I think you are, but are you? I think you are’ kind of dance.
Ben
What's so fun about them dancing is, like it could have been a one off moment. But then Ji Hyun joins the surfing club. And Ji Hyun forces Jae Won to see him. Like ‘No, my name is Ji Hyun, what's yours? You said you wanted to be friends. Were you just bullshitting me, or were you just flirting?’
Nini
Yeah, Ji Hyun is actually pretty…
Ben
He's so brave! I love him!
Nini
He is pretty forward for a baby gay, I will say that.
Ben
He knows who he is. And he sees a boy in pain — who's very pretty — and he's like, ‘I can help him.’ Not ‘I can fix him.’ ‘I can help him’ — Ji Hyun doesn't really demand anything of Jae Won really. He just won't let Jae Won fully push him away, and continues to offer him emotional support. He's incredibly patient, in a way that maybe city folk aren't used to.
Nini
Being city folk myself I can't, like, speak to city versus country in that regard, because I simply don't have the country experience.
Ben
I'm from Louisiana! [laughs]
Nini
The extra shot in that daiquiri gettin to ya, huh?
Ben
It really is. We are two-thirds of the way through this 32 ounces? That's a lot. [laughs]
Nini
There is something to be said for like, the way that Ji Hyun is… he's brave, he's forward, but he does it in this kind of quiet still way. He's pushing, there's definitely no doubt that he's pushing. But he's also not pushy?
Ben
When I was really on Twitter a lot, there’s this writer I used to follow, his name is Anthony Oliveira? He's queer, and he used to say like once or twice a day on his Twitter, he would say: Be brave enough to be kind. And that's where Ji Hyun fits for me. Even when he's being catty with people, it's only with people who came at him sideways. It's… the Hedwig boy coming at him for no reason, it's Eun Ji beefing with him for no reason, it's Joon Pyo picking on him a little bit, and him being like nah, fuck you bro. Other than that, he treats people really well. He gives people back the energy they give him. Like when they drag Tae Hyung, we mentioned this earlier, he was being shitty about Bit Na when she wasn't even there. And it's like bro, she don’t owe you nothin’. 
That's kind of what I love about Ji Hyun, because that's what he gives Jae Won. Jae Won flirted with him a little bit, he flirted back. He won't let Jae Won run away after starting that with him, like ‘Hm! You made a mistake — you should not have started this!’ And like, he's so confident at the end, like he's singing a song, like, ‘I won, ha ha!’
Nini
It's like ‘Jae Won’s miiiiiine, Jae Won’s miiiiiine’ [laughs] I love that so much! 
Ben
And Eun Ji’s like, ‘What’s it like to win?’ and he’s like ‘Hm, I’ll tell you later tonight!’ [laughs] And let's talk about that boy later that night, because he pinned that boy down… he's like oh no, we've been here for four hours of this TV show? It's time to get mine.
Nini
Ahhh, he literally said — what's the line that he said? ‘Don't laugh, you don't know what's coming next.’ 
Ben
Right? I was like, baby boy!
Nini
I loved that, I loved that!
Ben
I was in my — I was like yeeeeees bitch, yeeeeeees!
[both laugh]
Ben
Get! It! In!
Nini
He's like, I — he's like, I may look, I may look innocent but I ain't that innocent, you know, kind of…
Ben
He said I am suited, tooted, and booted!
Nini
He’s like, I have the internet, I know how these things go… [laughs]
Ben
It's a piece of cake to bake a pretty cake.
[both laugh]
Nini
God I hate you. [both laugh] Oh god…
50:38 - Joon Pyo and Boss Lady
Ben
Speaking of getting it in… let's talk about my boy Joon Pyo.
Nini
Hello! Hello. I said it in the clown server and I'm gonna repeat it on this podcast and I don't care how filthy it is okay? You just know — I'm sorry he might be a virgin, but I know that dick game bomb. I know it!
Ben
Look, we've been here a while; anybody who's still listening wants to be here. Let's talk about this for a second. Both Yoon Won and Joon Pyo are fat characters, who are seen enjoying food repeatedly in this show, and I am so glad that the two of them get to have what was clearly a very enjoyable makeout session with each other. And got to vibe for the rest of the night, and are confirmed to dip — off to wherever they're going on their own, so we got time to do our little gay thing we need to next to my rain! bow! lamp! in this room. 
My boy! He's been there for his homie the whole time, because he knows his friend gets lonely, he tries to make sure he does social things with him. Maybe he's a little overbearing, maybe he's a little codependent, but he had his boy’s back, and when his boy was down for the count? He starts working at his job, treating the boss with respect — because the boss seems like she might be picky about who she lets work with her. And she seemed to like Joon Pyo too! He brought that man his school supplies to make sure that he didn't have to lose a semester. And when he found out that his homie was gay, and the reason he almost died was for some dick? He was like, ‘shit was it worth it? Yes? We need to secure that bag, don't we? What we doing next?’
Nini
He was for it!
Ben
He stumbled briefly, he's like ‘Wait, Ae Ri knew before me?’ ‘Yeah, but she's from Seoul, she clocked me, I don't know.’ ‘All right, so she's just smart. Is she cool? Are we friends now, does that mean I get to hang out with cool people?’ My man is always looking at the best way to proceed forward. Ain't nobody doing it like my man Joon Pyo.
Nini
Not just that — when, after all this shit when Ji Hyun and Jae Won finally get back together, Joon Pyo clears out of the room that first night, he's like, ‘clearly y'all got some stuff to be doing and I don't want to be here while y'all do it.’ 
Ben
Right? Jae Won, he's like where'd you, like I felt — I felt it for Ji Hyun, like he wakes up in the morning and Jae Won's gone and like, that boy is not well. We knew that boy almost hurt himself in the show. Ji Hyun’s, ah, understandably worried, he goes out and he's just vibing with with Joon Pyo and he's like ‘well what's going on here?’ He's like ‘well Joon Pyo hung out outside all night for us, so. He brought us coffee, I'm honoring the man's commitment to us.’ And Joon Pyo’s like, ‘you're very pretty and popular, like… would you please take me clubbing?’ He's like ‘hell yeah, let's go clubbing. Let's get you some, son!’
Nini
[laughs] I love that!
Ben
And he's like ‘how do I need to dress, how do I need to be?’ He’s like ‘man you just need to be yourself’ … says the rich boy with all the nice clothes. [laughs]
Nini
You just know that Jae Won gonna make it rain on Joon Pyo at the club. He's going to make sure that he has everything.
Ben
I love Joon Pyo. I liked how there were kind people even in Seoul, like… like these are two freshmen clearly not used to Seoul who want to try specialty drinks for the first time. And I like how that bartender only teased them briefly, and then gave them the kind of popular drinks people their age might want to enjoy. Like that felt so gentle to me in a way, and it really stuck out when I watched it.
Nini
I feel like one of the things that the show gets right, that I really enjoyed, was that the businesses around a university are really accustomed to having students — particularly new students who don't know what the fuck they're doing. The people who work and who own and work in businesses around a university can really be quite nice like that.
Ben
That's how I feel about the boss character. She clearly loves young people, in a genuine way, and like Eun Ji thought she was really doing some stuff, ‘Oh I'm about to post a negative review on you on Yelp.’ And I like how she's like ‘Business improved as a result of your negative review, you insufferable waste of human flesh.’ [laughs] People were like, ‘So this mean catty person got chewed out by, by a business owner for being rude to the support staff? Yeah, we should go to that place.’
I like how the boss doesn't have a name, because it doesn't really matter if she has a name or not, because she's a temporary component of their lives. They're not going to really remember her name in a way that it matters, they're going to remember the things she said to them. They're going to remember how she treated them. They're going to remember like, how she helped them grow, how she pushed them to choose the things in their lives that they wanted. And like that's what matters about her character. Like, that's why they don't give her a name, because it doesn't matter what her name is, because she's so much older than them that we don't have to distinguish her. She is the positive older mentor figure in their lives.
Nini
I just think of her as such a, I mean, [laughs] Because you’re right, she doesn’t get a name, but she is so important to… not just having the story unfold, but she's important to the characters. 
56:28 - Let’s Talk About The Kissing (And Episode 6)
Ben
Let's talk about the kissing?
Nini
You go first.
Ben
Oh absolutely not. [Nini laughs] You of the… you of the, ‘all of the kissing is bad and I have notes?’ [laughs] 
No, it's fine, I'm gonna go first cause, I have more fun than you sometimes with these terrible kiss scenes. I will say that overall I enjoyed the execution of intimacy in this because everyone is very earnest, and I never feel like I'm not observing the character. This is shored up by the fact that Im Ji Sub gives absolutely terrible kisses with Eun Ji’s actress, on purpose. Straight actors will win me over so much in queer cinema when, when they're forced to kiss women, they look like they hate it. [laughs]
Nini
From a character standpoint I found it very believable.
Ben
Okay.
Nini
I found it extremely believable from a character standpoint. It wasn't pretty, but it's not supposed to be pretty? Jae Won is definitely more experienced than Ji Hyun, and that shows? It works for me, because I don't feel like Ji Hyun is supposed to be good at it. I feel like he's new to the whole thing, and because of that, the enthusiasm carries more for me than the technique. He's new to it but he's going for it in a particular kind of way. There's some little acting choices that Oh Jun Taek does, like he opens his mouth, like really wide when —
Ben
I loved it! The first time I thought, I was like, go — I was like go in baby boy!
Nini
I loved that, because — that's the kind of thing you do when you're learning to kiss, you overcompensate.
Ben
I love it.
Nini
You overcompensate when you're learning to kiss, it’s one of the things that you do, so I actually really like that detail? He looks like he wants to swallow Jae Won whole, and I really [laughs] really like that —
Ben
I fucking love it, I loved it so much —
Nini
I really love that and that's, that's the kissing at the end, but then the kissing sort of in between as well, is really… good, because those kisses — those kisses like towards the end… like they're together at that point, you know what I mean, it's a whole different thing. But the way that he kisses him before that, there is a little bit of tentativeness to it, some — in some parts? When they're surfing when they're on their trip, and he kisses them in the sea? Like, in terms of pretty? Those are the pretty, those are the prettiest kisses, like you know what I mean? Those, those aesthetically pleasing, all that good stuff, and you feel the sense of euphoria that's coming out of it? They are having this whole moment, there is so much joy in those kisses, which I truly love. 
And that's the other thing, like every — all the kisses have different moods. And you know I like to follow the trajectory of a relationship through the… to the intimacy and how it's being portrayed. So watching all the kisses and the, all the intimacy have different moods to it? Fantastic. I can't complain about it. Is it pretty? In a lot of instances, no. Does it feel real? Absolutely a hundred percent, all the time.
See? See?
Ben
I'm so relieved y'all, because normally I'm like ‘I really enjoyed that!’ and Nini's like ‘Hmmm… it was terrible’ and I'm like, ‘Awww.’ [laughs]
Nini
You know, I'm out here being Beyonce, ‘look at my technique,’ you know kinda thing [laughs] And Ben's like ‘No!’
[both laugh]
Ben
Leave them alone! They're doing their best, shit.
Nini
No… No but I really, I did, I did like it here. It's also maybe something to do with the style, because the style is so vérité? When you get an ugly kiss — quote unquote ugly kiss — in a vérité style, it feels different…
Nini
…than when you get a quote unquote ugly kiss in a style that's very polished.
Ben
I know what you mean. Like a —
Nini
You know?
Ben
Right, right. When it feels very fanciful and like ‘this is the best kiss that's ever happened,’ and you're like ‘oh but it wasn't.’
Nini
Yeah, exactly. [laughs] Precisely.
Ben
All right, so, while we're talking about the intimacy and stuff, I think we should talk about episode 6 reactions. First, I'm going to say that I loved episode 6, and I particularly enjoyed the way they handled the intimacy of episode 6? I think that was very appropriate for… the newness of the actors, the lack of an intimacy coordinator… 
I want to talk about the reaction. I don't know if you were on Tumblr for this, but there was a lot of discussion at the end of episode 6 where people were saying that episode 6 was not real. That it was fake — and I have written on Tumblr on record about how much I hated that take, and I want to unpack it here.
Nini
I did see the reactions on Tumblr, I mostly stayed out of it… I didn't really delve too much into The Eighth Sense discussion? I did do, like a little thing about Eun Ji, but I didn't really delve into The Eighth Sense discussion because I wanted it to play out. I felt like The Eighth Sense is one of those shows that… the episodic discussion wasn't going to give much. I felt like it's one of those shows where I needed to see the full, the full thing, to really… understand. Because it's not — as, as we said earlier in the show, it's not really one of those… episode by episode kind of things where the plot is what's driving it or whatever, it's really about the interactions that these characters are having, the way that they're interacting with their surroundings. 
It's why we've been jumping back and forth in discussion, and like it's how I felt about it while it was airing, so I really kinda, didn't really delve too much into the whole episode 6 discussion. I saw it, but… I wasn't getting into it.
Ben
I guess I'm just gonna deliver a little read while we're here then.
Nini
Okay!
Ben
[laughs] Here we go!
Nini
Here we go.
Ben
I don't want to disrespect anyone before we get into this. Let me be clear. Like, I do believe people were relying on very fair reads of traditional filming techniques, for why they believed that some parts of… episode 6 might have not been real, or that Jae Won would— became an unreliable narrator for it? But I think it's very important to talk about this. 
Just because it's unpleasant to consider does not mean it's not real. This is not meant to be read as disrespect to those of you trying to make sense of what's going on because you were nervous and concerned for Ji Hyun. That is valid. But, please understand, that for me — this is just me! As a queer person in these streets with y'all — whenever you all seemingly get squicked out because one of us isn't being entertaining or sexy? It makes me feel a little bit unwelcome. That's all I'm going to say about that, because you know who was right as of episode 7? Me! It was real!
[both laugh]
Ben
I was insufferable that week, I feel sorry for everybody who had to talk to me.
Nini
[laughs] I didn't think you were insufferable.
Ben
I felt insufferable. I was smug! My crops were watered.
Nini
The field in which you grew your fucks was barren.
[both laugh]
Ben
I don't want anyone to feel embarrassed if you just — felt called out by what I just said. But I would like you to approach these shows with just a little more kindness. The goal of watching TV is not to be right. It's about finding connection — with fictional people, and the real people who are also finding that connection with you. It can bring you closer to other people. It can help you understand other people. It can bring you just a little bit of peace and joy in an otherwise difficult time. There are no points to be awarded, you are not taking a test when you watch these shows. So please… be kinder to yourselves. Be kind to the people making these stories, and be kind to the people who are also watching them alongside you.
Nini
[singing] Message!
Ben
I'm a little drunk but that's all I'm going to say on that!
1:06:21 - The Party Scene and Forgiveness
Nini
Let's talk about that end scene, the party.
Ben
Okay, let's talk about forgiveness for the next thirty minutes. [laughs]
Nini
I think that's a good segue from what you just said: let's talk a little bit about forgiveness.
Ben
I'm gonna let Nini talk, because I just made you guys feel bad for like, probably 10 minutes of this edit. 
Here's the thing: Nini and I… came down on the side of forgiveness for this. But Nini and I are a little bit older than some of the viewers, so… I'll let you talk about the final scene and particularly how there were mixed reactions to Jae Won’s and Ji Hyun’s decision to reconcile, at a party, with Tae Hyung and Eun Ji: the two worst offenders of this particular story. Nini?
Nini
See here's the thing: I didn't read it as a reconciliation? And that's probably why I have a, like a different view of it. So the way that I read that is, when you're stonkingly giddy happy… when you are at a celebratory event, when you are… drinking, let's just be real about it… It is so easy to just be like, ‘You know what? I don't want to fight, I don't want to argue. I just want to let all this go… like, there's so much love in this club, I'm just gonna…’ [laughs] 
Ben
And there is love in this club tonight! Some of you don't even know.
Nini
That's part of it. That's definitely part of it. But also, you have to understand what's happening with Tae Hyung, and with Eun Ji in here as well. 
Tae Hyung is a dick. That doesn't change throughout the show. He was a dick at the start of the show, at the end of the show he's still a dick… nothing about him changes. But you get to understand the value that Jae Won finds in Tae Hyung. Because he… outright asks him, Tae Hyung asks him ‘Why are you still friends with me?’ because Tae Hyung doesn't even understand why Jae Won keeps him around. And what Jae Won says about that, he’s just like… Basically he tells him, ‘I keep you around because you don't mask and I find that really refreshing.’ That's basically what he tells him. 
And that makes so much sense to me. And it also makes me understand why he would just let the shit go, at this point. Because Tae Hyung's not going to change. We see that at the same party. He continues to try to hit on Bit Na. He has to get read to the ground by Bit Na for his bullshit. Tae Hyung is never going to change.
Ben
That's true. He's the most bitchless motherfucker in the whole show.
[both laugh]
Nini
Completely! A hundred percent. He's never going to change, and Jae Won finds that comforting. Also, I have seen men forgive each other for all kinds of shit? So that just read a hundred percent true to me. I have seen dudes fight, box, wrestle, nearly kill each other… and then two days later they're out together hanging out.
Ben
Dude I've seen them after the fight bloody, like crying, hugging each other like I love you bro! [laughs] And I'm like, the hell just happened?
Nini
That rang a hundred percent true to me… I think that if Tae Hyung and Jae Won stay in contact — because there's no guarantee that that's going to happen either, because they're coming to the end of things now. The fact that they're having this party because Yoon Won got a job means that things are starting to move. Where all the seniors were stuck before, things are now starting to move for them. They're coming to the end of this period of their lives anyway, so they've also got like a hefty whiff of nostalgia permeating the whole thing, and also? They don't know if they're gonna see each other really, after this. They don't know if they're going to stay friends. It's easy in that situation to just let the shit go, and I've seen the situation happen so many times before and I'm just kind of like, you know what? That rang true for me, I wasn't worried about that.
Ben
I’m with Nini. As a boy, I have friends like that. Where… you know who this person is: kind of a sad sack, kind of a shit heel, and you get it. But they're weirdly there? And so, you just accept these losses, like yeah he tried to get me kicked out of school but he failed, because he sucks, so… whatever. Was that annoying? Yes. Is he going to apologize for it? No. But he wouldn't be himself if he apologized. And like that's not great, but this is again a reflection of the current state of social… politics.
Nini
It's more of a question of, is this realistic? And to me, yes it is.
Ben
Nini and I are both from cultures that have carnival. And so like, I've seen this happen at Mardi Gras, where blood feuds have ended because, like, we ran into each other at a parade. And like, the right thing was said at the right moment, and people just let go of decades worth of beef. Like it can happen! And like, the question is like, does holding on to this anger at Tae Hyung help Jae Won take care of Ji Hyun? So let it go.
Nini
The way I can best describe it is: whatever, I'm over it. It's not like he's gonna, like make him like godparent to his first born or anything like that, I don't think that's where their relationship is going. I'd be surprised if they're speaking to each other in two years. For now, at a party? Everybody's happy, everybody's drinking. You're gonna go home with your boyfriend later and have a great time, like… [laughs]
Ben
Right? The music is good, the drinks are flowing, there's love in this club tonight.
Nini
The other one that everybody’s upset about is Ji Hyun forgiving Eun Ji. Now I also found that incredibly believable. Not just for party reasons but also for career reasons? Eun Ji is still his senior. The first thing he does, like when he walks up to her, is he apologizes for being snarky with her. In the moment and like the heat of battle so to speak, he might have popped off at the mouth, but he's gonna feel bad about it later. And I can see him, like, apologizing to her about it. And I can genuinely see her, having lost so comprehensively? Licking her wounds, taking a step back, and reassessing her entire life.
Ben
Here's the thing about the way she lost to Ji Hyun. What she realized from Jae Won handing her her entire ass was, Ji Hyun was never her enemy. She lost way before this boy showed up. And so all the beef she had with him in this whole competition for Jae Won? Was nil, because he said, ‘I saw you.’ And so all of the presumption she had about, like, what was at stake, is this a battle for Jae Won’s booty or whatever… Like none of that works out. He had already dismissed her. And he was adamant: he did not want to be with her, the whole time. So she feels like an asshole, because she's been in the wrong the whole time. 
And maybe like a part of her was true about this. Maybe she was just bitter that Jae Won was gone. She's mad about him being gone, but she didn't do right by him and she lied. That's the big thing, like she's been caught lying. There's no coming back from that. Whatever her goals were for Jae Won, she had to eat that bowl of shit, and set it aside. And like there's no value for her in beefing with Ji Hyun anymore, because it just further exacerbates how much of an asshole she is. This boy did literally nothing to her, and they are not equals in a struggle for the heart of a bisexual boy. She lost her chance before this boy showed up. And so it's actually good to see her becoming the senior she's supposed to be, now that she has some experience to maybe pass on and grow from.
Nini
I agree with that read, I really think that she's reassessing and reevaluating her entire life at this point? She's feeling a little vulnerable, she's feeling a little… raw. She’s feeling a little humbled, and so… when you're feeling that way, just what do you do? You sit quietly and you try not to do too much. I don't know if this feels the way that it feels to me because I am an old bitch? But… [laughs] The first and hopefully last time you ever find yourself beefing with a fetus? Like… [laughs]
Ben
BEEFING WITH A FETUS! AAAAH! [laughs]
Nini
You know I'm right. You know I'm right.
Ben
I know what you mean! I mean there’re times, I'm like, oh lord I almost threw hands with a 12 year old today.
[both laugh]
Nini
You literally like, when somebody slaps into you like, what are you doing? Like this is a child! Hopefully it only ever happens to you once. And hopefully you very quickly realize that you are, in fact… you're in an antagonistic situation with a child.
Ben
It's really hard to realize sometimes that you are wrong. And to accept that and try to, like, move on from it properly. Like, I think she does okay. And like, she's still an asshole… just like Tae Hyung’s still an asshole. But I think she does okay.
Nini
To me it feels right, that the end is not… a comeuppance in that sense or a vengeance, but it's more like everybody being like, ‘Look okay, we all been through it. Let's just hug that shit out. Maybe I'll see you again, maybe I won't, but for right now, we’re here, it's a party, let's just have a good time, and not like do all this shit.’
1:17:14 - On a Possible Second Season
Ben
Speaking of ‘maybe we'll see each other again’ how do you feel about returning to these characters?
Nini
As you always say: Dick is not magical, it does not fix you.
Ben
It does not!
Nini
And there's still a lot, particularly on Jae Won’s side, like there's stuff with Ji Hyun too, but especially with Jae Won, there's still a lot there… in terms of his mental health, in terms of his family, in terms of all that stuff. So… there is room there? For something else, that could be interesting, but… I feel like if this was all there was, I would be good with it. 
How do you feel? What, what are your thoughts on a potential sequel?
Ben
So we talked about sequels in the spring season and I was really amped about sequels! I don't… feel the pull for one here yet. I'm not opposed, because… these characters are so strong, like we're gonna remember these characters, we're gonna remember Ji Hyun, Jae Won, Joon Pyo, Yoon Won, Eun Ji, Tae Hyung, the boss… Ae Ri! Don't forget my girl, I'm sorry boo boo. We're going to remember these characters, and their characterizations are fairly strong. So I am confident that the voice of the characters is strong enough to carry them into whatever new situations they want to put these characters through. 
However… I believe that this particular outing had a lot of very specific things they wanted to say, about queerness, about being Korean, about being young in Korea… and I hope that if they really want to continue the story, that they have more things that they think are worth saying, and they do that in a way that's legible. I am just concerned that they aren't prepared for… a domestic story where one of them is still in school? And the other one is trying to survive their homophobic family? And abusive dad. And I'm not entirely certain that I am… eager to explore that? 
I'm not opposed to a sequel, I'm not yearning for one, but I do hope that we get more melodrama out of these guys. I enjoyed this production a lot! Even if we don't get more of The Eighth Sense, I hope that this team continues to make cool stuff. I really loved the way Oh Jun Taek played Ji Hyun this whole time. I loved the way he moved, I loved the way he spoke, I loved his smile. And like, I like how in the final episodes when Jae Won has, almost the Japanese running-to-the-boy moment, I just love the way that… Ji Hyun is just so ecstatic to finally get what he's been hoping for. And he's clingy for the final parts of this show, and he's having a good time! He's literally radiant for the rest of the show! Oh Jun Taek plays the relief and joy of that character so well. 
Like you see, even Jae Won, like you can see his old bones creaking. That's, he's like ‘I can experience joy again?’ as he quickly wakes up for this, and like — I feel like some of the… final bits were a little bit rushed? But I'm not going to complain, because like… I like the therapy bit with Jae Won, like it allows me to be forgiving about a character — who's had a lot of emotional struggles for the whole fucking show — to very quickly adapt to the situation, and like ‘no, we're boyfriends now.’ Like you can see the work of somebody who spent a great deal of time working with a professional about how he's feeling and how to manage them… expressing them properly, now that the hugest block is out of his way. And that lands really well for me in the final moments, like in another show it might have felt like this got resolved too quickly.
Nini
I don't feel like it did get resolved too quickly. If I have to do like, one more ding for the show: I think that the passage of time, particularly in this last two episodes, wasn't really clear?
Ben
It is not.
Nini
There's a sequence where Ji Hyun is in a classroom and he's sitting in different positions in the classroom and wearing different clothes, and we're meant to understand that that is time passing. So there is a bunch of time that passes, in episode 9 in particular, that I don't think it’s very clear to the audience that there is a lot of time passing. We're seeing Jae Won becoming stronger and stronger and happier and happier. But because it all happens in a montage where it's not clear that time is passing, it feels rushed. I don't know how much time there is? But it feels like they go through a season, because you see his clothes change. At one point he's just wearing a t-shirt, and then the next time when they meet each other up, they're back into like maybe something heavier, like more like fall clothes? So I feel like they at least went through the summer.
Ben
Though I did love this show, this is not a show that's going to be, like, part of my personal canon.
Nini
For me, it's like… I can appreciate it as being objectively good. I can feel the emotions that it was going for?... Watching it is kind of… ticking something off a film syllabus.
Ben
That's the exact feeling… that like, I think it is!
Nini
That makes it sound bad in a way, but I don't mean for it to sound bad.
Ben
It goes on the must-watch list, but you're like, ehhh.
Nini
It's all the things: it's good, it's worthy, it's enjoyable, it's emotional… It's all of the things that you want a drama to be. I will recommend it for sure, I think it's important work. I… don't really see myself rewatching it? It touches me but it doesn't give me the visceral feelings.
Ben
This is not calling the show bad!
Nini
Objectively, this is a 10 show for me.
Ben
Don't let our mid commentary at the end of this two and a half hour recording deter you. We loved this show! And like we said in the beginning, we will remember every single one of these characters, because they're so vivid, and they're so expertly crafted. Do we recommend The Eighth Sense? Wholeheartedly yes! Please! You should experience this. Go watch this.
1:24:10 - Checking in Two Months Later
Ben
Okay, Nini… it's been about two months I think since The Eighth Sense ended at this point? How are you feeling about it two months later?
Nini
As I predicted I have not rewatched it. I have not felt the need to rewatch it. When I was doing the edit I was listening to us talk about it and everything just came flooding back. Like I could remember distinctly how I felt watching it, the things that we were talking about, but I still don't feel compelled to rewatch it. 
I feel like it's one of those things where… it has stuck? Somewhere deep inside? And because it stuck I don't need to go back to it and reinterpret it and review it and look at it again, I feel like it was so clear. It was so legible. It spoke for itself really, and so I don't feel the need to go over and over and over it. It's very different from how I normally consume media because if I'm really into something I will go over and over and over and over it. This is… very different for me, a very different experience of taking in media. 
What about you Ben, how do you feel about it a few months down the line?
Ben
I feel a bit weird about it, and I think a big part of it is the way that the team behind it is continuing to release behind the scenes content in a way that I wasn't expecting — like I was hoping it’d feel more akin to… the gravitas with which Boss and them released the I Told Sunset About You documentaries. But it's been a little bit on the silly side? 
There's talk about them doing a second season. And I'm not opposed, but I feel like it's left me in a liminal space with the show, like I feel like I'm sitting on a, like a train station waiting for the next train to come. 
What has stuck with me, and I was thinking about this when I listened to the edit, is: I'm so glad that we had that whole conversation on forgiveness. Because let me tell you, the amount of peace I have had over this show because I'm not sitting here hating on Tae Hyung or Eun Ji all these months later? Because they just don't matter. I really like that the show left us with these two driving down a tunnel together and saying, ‘Whatever is coming next, we'll do this together.’ That's so lovely. 
Like I feel like where I was with the show at the end of it, like it is one of those things that goes… in my cataloging of, this is a really good piece that I am going to remember and recommend to the youths, when they ask me about things that are worth watching from certain places or from certain angles. But I don't necessarily find myself yearning for Jae Won or Ji Hyun the way I have for other people. It was fun though, revisiting our absolutely unhinged love for Joon Pyo when I went back through this. [laughs] I still love that boy so much.
Nini
Joon Pyo the MVP! Everybody needs a friend like him. Everybody.
Ben
He was a really good friend. 
I think what stands out for me really about The Eighth Sense is that the field itself is just so much more crowded now. So much good stuff was airing when this show aired, more good stuff has aired since this show aired. It's not a knock on The Eighth Sense, it's just that… we have such a wide variety of excellent offerings to choose from, that I find that you're going to be able to find shows that hit your specific emotional resonances more consistently. Regardless of how good The Eighth Sense is, it didn't fully resonate with the exact weird queer sensibilities I have, that would make me put it into one of my heart shows.
Nini
You know what it is I think, Ben? I think we're getting older. [Ben laughs] I think this is an intensely youthful show. I watch these coming of age dramas all the time I mean, you spoke about ITSAY and that still like hits me like a ton of bricks. But that's because it feels like my youth? 
Whereas, I feel oddly… both connected and disconnected from The Eighth Sense. It feels like a youth that I'm familiar with? But not one that I have experienced? We talked about the millennial thing when we were talking about the show, and how this feels like that. But it still feels distant from my experience of being a millennial somehow? I think maybe I'm just too old for the show. Like, I can appreciate it for what it is, but I'm too old for it and it doesn't hit the nostalgia buttons that I Told Sunset About You and I Promised You the Moon and shows like that hit. I think this is one for the kids, Ben.
Ben
I don't think that's bad! What I'll say is, I'm really glad that there is room for that now. We've been talking in other spaces about how fandom feels like it's bifurcating too many times now, that it feels thinner than it used to be? Like it feels like there used to be a lot more of us around. But I just feel like a big thing at this point is, we're not all trying to get some sort of energy from the exact same shows anymore. 
Right now I'm yelling on Tumblr about a whole show that Nini is just not watching. And I think that's okay, because Nini and I are still screaming at each other about at least two or three other shows, and so like I'm not feeling despondent because Nini, who's one of my best friends in fandom, isn't watching one of the shows that I'm really enjoying right now. It's okay that The Eighth Sense is the type of coming of age experience that maybe is more suited for the Gen Z types than the millennials.
Nini
So now that we have fully memento mori’d ourselves, I think that's that's a wrap for us. [laughs]
Ben
It's a really good show guys. Don't, don't get us wrong like we're, we're being a little bit wistful at the end of this, but — I really liked this show. Like I still, I stand by everything we said in the original recording. 
I really like the performances here, I really like the gumption of this entire production. I really like the casting choices. I like the way Oh Jun Taek and Im Ji Sub really worked together. And… sincerely, if they want to do more work with these two guys and reprising these characters, I will be there, seated, to see what they do next. 
Nini
All right! And with that, we out! Say bye to the people, Ben.
Ben
Peace!
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