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#King Henri II
kill-worthy · 1 year
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The Timelessness of Selfies
Even before there was the camera, people felt the urge to have artists create images in their likeness. The wealthy had artists create portraits in watercolor, oil, and even frescoes. Often these artists would paint more expensive clothes or even change history by adding false imagery at the request of their patron. In the time of antiquity, people had statues and mosaics made to display their likeness. So, this practice is not a new habit of ours.
Oddly, there is one painting that always comes to my mind when thinking of humanity's constant need to create these kinds of displays. The painting I'm talking about was of a man who suffered with hypertrichosis named Pedro Gonzalez (Petrus Gonsalvus).
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The story of Pedro Gonzalez, is a strange one. Pedro Gonzalez was born in 1556 in the Canary islands (a group of islands off the coast of Spain). At birth, he was a source of local curiosity and soon drew the attention of the aristocracy.
During the 16th century, all kinds of people were seen as oddities were traded between powerful or wealthy families. So, Pedro was taken from his home and given as a gift to King Henri II.
King Henri II decided to give Pedro a Latin name (Petrus Gonsalvus) and ordered Pedro to receive an education. The King did this as a sort of entertainment; he wanted to watch the "savage" fail. Fortunately for Pedro, his education was a success.
Pedro became fluent in multiple languages. He mastered the art of the nobleman's etiquette. He even became essential for receiving foreign dignitaries and ambassadors, gaining favoritism from the King.
When King Henri II died his wife, Catherine de Medici, took power as regent. She decided that Pedro should be married in hopes of producing more "wild children" like himself. Catherine became a matchmaker and found a woman (ironically also named Catherine) for him to marry. This new Catherine was a French woman, rumored to be a great beauty.
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Petrus and Catherine met for the first time on their wedding day and though it might not have been love at first sight, Catherine gave him many children (seven in total and four of their children inherited their father's hypertrichosis)
In 1581, he and his family were sent on a never ending tour of the courts. Where many paintings and studies were done on him and his children. This fascination escalated and soon they settled under the ownership of Duke Ranuccio Farnese, who tragically sent away Pedro's affected children as gifts.
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I don't know why I connect this strange story of Petrus and his family to the current selfie culture, but I do. Somehow, I think we have become voyeurs in each others lives. The more bizarre or unique the narrative, the more interested we become.
We all buy into the freak-show or spectacle of life. And I wonder who are the Petrus's of today?
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captainsamta · 9 months
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Something I had done years ago on A4 size paper. I think I skipped a few due to lack of space. Kings and Queens of England (after king Henry IV)
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21stcenturyroyals · 4 months
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21ST CENTURY ROYALS (2000-2099) | 12x23: “Happy new year”
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stephantom · 20 days
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Eleanor: You'd only just found Rosamund. Henry: Not her so damn particularly. I found other women. Eleanor: Countless others. Henry: What's your count?
+ bonus
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illustratus · 11 days
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Henry II of France mortally wounded - The Fatal Tournament between Henry II and Count of Montgomery (Lord of Lorges)
by Frans Hogenberg
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that-randomwriter · 8 months
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Aged like fine wine
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ifreakingloveroyals · 4 months
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Monarchs of most of Europe (as of 14 January 2024)
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baublecoded · 5 months
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FILTH TEACHES FILTH.
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smolvenger · 3 months
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Also, I can't say no to blurbs and especially not to something extraordinarily fluffy like "Touch her and you die", tehehe... Perhaps with Henry V? 🤭
Hiiii bestie! I'm going to make the blurbs shorter and simpler if you don't mind!
His Queen (Henry V x fem! Reader blurb)
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Your boat docked right on the shores of France. So while your husband, the king, was determined to fight there- you had to see him.
Henry had waited with his whole army on the shore of a cliff. Then he dismounted his horse and ran up. It was a reminder of his youth- the young, firey, springy king. He easily bounded through the little beach and the plank right as you stepped up to get off the boat. Before his army and the guards, he embraced you passionately and you back.
"How are you, my sweet wife?"
"Weary from the journey though it was smooth," you confessed.
"For such a lady as you, even the seas and winds themselves would still and become gentle for you to cross," he said.
He hugged you again, peppering a kiss onto your cheek as you laughed, feeling the tickle of his facial hair and re-acquainting yourself with his lips.
He gestured to one of the lords. The Lord of York brought forth a beautiful white mare and you gasped.
"A gift for you, my lady," he offered.
You thanked him and he helped you to mount her. She accepted you- gentle was her demeanor and what a good companion she would make here in France.
"Why, the seas were quite misty- I should call her Mist, for she reminds me a little of it," you cooed, petting her mane.
"A noble, strong, yet sweet and beautiful thing, much like my dearest queen and lady," Henry said.
"My, what words roll off your tongue now! They shall call you a poet, not a ruler," you teased.
"Then it means I am an artist, and you are the muse then for such words. And if I must continue my pen, then my muse shouldn't be kept too long from me," he bantered back lightly.
He got up on his own horse- a white stallion quoting yours. You felt like a fairy queen, not a mortal one, as she trotted over the grass.
And you were led to ride and sit on your horse before the army. Dressed in their greys and blacks and scraps of leather, their eyes were big.
"This here, is Her Majesty, the Queen of England," announced Henry.
You smiled, though part of you went stiff. A few looks seemed to be borderline leers. How long have these men been deprived of a woman's presence?
Henry noticed, and his voice turned a darker tone, a fiercer one.
"She is both your ruler and a lady, and you must respect her as you do both. She is also my wife, I must remind you..."
His eyes darkened. The army stiffened, turning pale and attentive like naughty schoolboys caught by their teacher.
"You must guard her and listen to and follow her as you do Harry of England. She is England's Woman and it's most precious jewel. And should any miscreant or bully among you dare lay a finger on that precious jewel, I shall condemn you at once to hang. Remember the fate of Bardolph- one of your own who greedily robbed a poor church of its dearest sacraments- and she here is the greatest sacrament of England. And if none of you want to share worse than his fate, then cool your lust elsewhere...or I shall execute you myself." Henry threatened all of them.
The soldiers bowed their heads and complied. You gave him a smile. Though the only woman there, you were unafraid.
You were ready to join your husband and support him without fear.
A03//My Ko-Fi//My Etsy Shop//Masterlist//Wattpad
Taglist: @asgards-princess-of-mischief @jennyggggrrr @five-miles-over @fictive-sl0th @ladycamillewrites @villainousshakespeare @holdmytesseract @eleniblue @twhxhck @lokisgoodgirl @lovelysizzlingbluebird @raqnarokr @holymultiplefandomsbatman @michelleleewise @wolfsmom1 @cheekyscamp @mochie85 @fandxmslxt69 @skittslackoffilter @mischief2sarawr
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world-of-wales · 1 year
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♚♛ EUROPEAN MONARCHS AND THEIR HEIRS ♛♚
───────────── ⋆⋅☆⋅⋆ ─────────────
♔ UNITED KINGDOM┆ King Charles III → William, The Prince of Wales → Prince George of Wales
♔ SPAIN┆King Felipe VI → Princess Leonor, The Princess of Asturias
♔ BELGIUM┆ King Philippe → Princess Elisabeth, Duchess of Brabant
♔ SWEDEN ┆ King Carl XVI Gustaf of Sweden → Crown Princess Victoria, Duchess of Västergötland → Princess Estelle, Duchess of Östergötland
♔ DENMARK ┆ Queen Margrethe II → Crown Prince Frederik → Prince Christian
♔ NORWAY ┆ King Harald V of Norway → Crown Prince Haakon → Princess Ingrid Alexandra
♔ LUXEMBOURG ┆ Grand Duke Henri → Hereditary Grand Duke Guillaume → Prince Charles
♔ NETHERLANDS┆ King Willem-Alexander → Princess Catharina-Amalia, Princess of Orange
♔ MONACO┆ Prince Albert II → Hereditary Prince Jacques, → Princess Gabriella, Countess of Carladès
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gulnarsultan · 3 months
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Requesting headcanons of whether they’re a boobs or an ass man, or both, and how they like to touch you there
King Henry VIII
King Baldwin
King Louis XVI
KIng Henry V
King Francis II
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Hello. These ideas are my guesses. I hope you like it. I also assumed that by Baldwin you meant iv. I hope I didn't misunderstand.
King Henry viii
I think Henry prefers plump asses. Plump and big asses are perfect material for heirs in his mind. Moreover, he loves to spank and squeeze ass. This guy is very flirty and has no shame.
King Baldwin IV
I don't think it makes much difference to Baldwin. It doesn't matter much as long as he is with the woman he loves. He takes things slow in bed and prioritizes foreplay.
King Louis xvi
I think his first choice is breasts and his second choice is asses. However, his shy nature prevents him from taking the first step. He is very eager to live passionate memories with the encouragement of his lover or wife.
King Henry v
I think he prefers both. His first priority is his partner's pleasure. In other words, he thinks of the other person before himself. I think there will not be a moment that is not enjoyed with him.
King Francis II
I think he's not very picky. Moreover, he is not very dominant or very experienced. However, he tries to please his partner as much as he can. A good option for soft and gentle togetherness.
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cl0wnsoda · 5 months
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Henry literally pulled a “ I am in your house”
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thebeautifulbook · 10 days
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BOOK OF HOURS for use in Rome. (France, c.1555) A liturgy in Latin made c. 1555 for King Henry II of France.
The pages of this Book of Hours appropriately resemble Fleurs-de-Lis, a symbol for French royalty. It was made for King Henry II of France contained prayers and other short texts, which were read at set times during the day. Not only does the very shape of the pages testify to the object’s royal patron, so too does the high quality of the decoration. The manuscript measures only 182×80 mm and has 129 leaves.
���Written by hand, medieval manuscripts are very different from printed books, which started to appear after Gutenberg’s mid-fifteenth-century invention of moving type. One difference in particular is important for our understanding of manuscripts. While printed books were produced in batches of a thousand or more, handwritten copies were made one at the time. In fact, medieval books, especially those made commercially, came to be after a detailed conversation between scribe and reader, a talk that covered all aspects of the manuscript’s production. This is the only way the scribe could ensure the expensive product he was about to make was in sync with what the reader wanted. Consequently, while printed books were shaped generically and according to the printer’s perception of what the (anonymous) “market” preferred, the medieval scribe designed a book according to the explicit instructions of its user. ’—Erik Kwakkel on medievalbooks.nl (2014)
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source
source [digital reproduction]
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Woah no way?? People (completely unprompted /s) want to hear my trans Shakespeare headcanons?? You bet I can do that.
I’ve done this once before:
But I have even more thoughts now!!
In no particular order:
Puck (A Midsummer Night’s Dream): Every single pronoun possible. He/she/they/it + all of the neopronouns and xenopronouns that exist currently or will ever exist. Fairy gender is always weird but Puck’s is extra weird.
Oberon (A Midsummer Night’s Dream): Fairy gender. Probably he/they/it?
Titania (A Midsummer Night’s Dream): More fairy gender. She/they/it?
Titania’s fairy attendants (Midsummer): Get a hat and fill it with various pronouns and draw them out at random for the fairies.
Benedick (Much Ado About Nothing): Could go either way, but I really like the idea of transfemme Benedick. Or he/him lesbian Benedick.
Beatrice (Much Ado About Nothing): The she/they to end all she/theys
Viola/Cesario (Twelfth Night): Could be trans in literally any direction. I made a post about this too at some point. My suggestion is all of the directions: they/she/he
Sebastian (Twelfth Night): He/him, transmasc. I also made a post about this at some point.
Feste (Twelfth Night): I saw a great she/her Feste last summer.
Orsino (Twelfth Night): Specifically the himbo variety of he/they
Margaret of Anjou (Henry VI trilogy and Richard III): If I ever play Margaret, I will use she/they pronouns.
Catesby (Richard III): Just played Catesby with she/her pronouns and it worked!
Richard II (Richard II): Tell me Richard isn’t the most they/he or he/they guy alive (or… dead).
Hal (1 Henry IV-Henry V): Saw Hal played with she/they pronouns last summer and it was great. Could also see he/they Hal. Very nonbinary vibe overall. I personally believe that going by Hal rather than Henry for two whole plays is their way of pulling the “going by the first letter of what my name used to be instead of picking a name from scratch” nonbinary trick. He probably pretends to be cis after his dad dies and he becomes king—one more element of Hal’s lifelong identity crisis.
Hotspur/Harry Percy Jr. (Richard II & 1 Henry IV): He/they in denial.
Kate Percy (1 & 2 Henry IV): She/they, not in denial. (Also Katespur should be bi4bi)
Ned Poins (1 & 2 Henry IV): Transmasc Ned Poins?? Maybe he doesn’t actually have a sister and Nell is just his deadname. Ned Poins’ failed scheme to flirt with Hal.
Romeo (Romeo & Juliet): he/they (t4t R&J!!!)
Juliet (Romeo & Juliet): she/they (t4t R&J!!!)
Mercutio (Romeo & Juliet): they/he(/it?). Vibes alone. Look at them. Just look.
Nurse (Romeo & Juliet): she/her, transfemme!
Cassius (Julius Caesar): Would love to see a they/them Cassius
Hamlet (Hamlet): he/they. I’ve made multiple posts about this theory and I still love it.
Ophelia (Hamlet): she/they. As she should.
Laertes (Hamlet): she/him and NOT just because Laertes used she/her pronouns the first time I saw this play.
Rosencrantz (Hamlet): he/they/she. Vibes. Sometimes goes by Ros/Rose. Probably genderfluid.
Malcolm (Macbeth): they/he or they/them. Also vibes.
Lady Macbeth (Macbeth): stolen straight from my last post because this is still my HC: she/they; would insult you for “having pronouns in your bio” and then turn around and punch you in the face for using their pronouns incorrectly.
Angus (Macbeth): she/her, transfemme. (t4t Ross/Angus. I will die on this hill… Dunsinane Hill.)
Ross (Macbeth): he/him, transmasc
Caithness (Macbeth): she/they lesbian
Mark Antony (Julius Caesar and Antony & Cleopatra): I would not bat an eye at he/they Mark Antony
Edmund (King Lear): they/he, nonbinary, sexiest man (/gn) alive.
Edgar (King Lear): he/him. Transmasc Edgar is slowly becoming canon To Me.
Cordelia (King Lear): she/her, transfemme.
Goneril (King Lear): she/they. I would let them kill me.
Coriolanus (Coriolanus): transmasc OR transfemme Coriolanus is!!!! The butterfly/metamorphosis motif! Name changes during canon! Discomfort with scars/body! Lack of autonomy granted by society! This is THE transgender play. (Other than Twelfth Night)
Imogen (Cymbeline): Tell me she doesn’t want to be a she/they so bad.
Florizel (The Winter’s Tale): he/they(/she?). Literally just a vibe. I have a pet rock named Florizel.
Perdita (The Winter’s Tale): she/they. I also have a pet rock named Perdita.
Ariel (The Tempest): Similar to Puck, probably they/she/he? Even my conservative English prof consistently rotates between she/her and he/him for Ariel (possibly not intentionally? I’m not convinced he knows what her canon pronouns are.)
Ferdinand (The Tempest): she/they. PLEASE give me transfemme Ferdinand. PLEASE let Miranda realize she’s a lesbian during canon.
Miranda (The Tempest): she/they. Ariel taught them about the existence of she/they pronouns and she immediately started using them.
So in other words… every Shakespeare character should be trans, actually.
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jamesusilljournal · 6 months
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Detail of the Dolphin’s Armor of Henry, the future King Henry II of France, made by Negroli Francesco in Milan in the 1540s
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pazzesco · 7 months
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Armor of Henry II, King of France - Étienne Delaunef
A set of parade armour designed by Étienne Delaunef for King Henry II of France. Believed to date from c 1553–55.
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