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#Katara deserved better
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Nothing about Ka/taang precludes Katara being Chief of the SWT…
which is why it pisses me off even more that Katara didn’t get to have a role of any political importance whatsoever. It wouldn’t change anything about LOK’s storyline, and it would be fully in line with her character.
There’s a common anti-Zutara argument that Katara wouldn’t want to be Fire Lady, because she would want to rebuild and lead her own culture. I am sympathetic to that. Based on her canon characteristics, she might want to be a United Republic Councilwoman, Chief of the SWT, or just generally the Waterbending Master / Matriarch of the her tribe, which would be easier (though not impossible) if she weren’t married to the sovereign of another nation — I get that.
but the thing is…she didn’t get to do any of that, even though “wife of the Avatar” doesn’t contradict those roles. All the things that would be difficult for her to do if she were married to Zuko, she still didn’t get to do as Aang’s wife. She didn’t get to have a career the way her husband, or her brother, or her friends did.
so it’s extra hypocritical when Ka/taang shippers are like “but being Fire Lady would disempower Katara!” when Ka/taang canonically disempowered her! And KA fans are fine with that: they bend over backwards to justify why Katara doesn’t have a statue, or why she wasn’t there to protect Korra from the Red Lotus, or why she wasn’t at Yakone’s bloodbending trial. Yeah she got to live in the SWT — eventually, I assume, because in the comics she just follows Aang around — but what else did she get to do? Fucking nothing, apparently. Because to some people, the greatest honour for a woman is to be the hero’s wife.
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Change the Narrative
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If people knew the truth, they would call her a selfish monster.
But Katara had sacrificed anything for the world, for an ungrateful husband!
This time she would always choose herself first!
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Here is a little one-shot of my anger about what happened to Katara in canon.
I want to give her the end she deserves, so I hope you enjoy it!
Katara knew it was time for her to die.
She felt it in her old bones.
Alone she lay in her bed at the South Pole and watched how the snow was falling.
At least she would die seeing the beauty of her homeland.
It was a good death.
The old woman blinked tears away and tried to be positive about her nearing death.
She would see Sokka, her father, her mother and Gran-Gran again.
It was good.
She had lived a long happy life.
Something burning and unsettling spread through her chest as she thought this.
Was it a happy life?
How often did she and Aang argue over simple things?
How often did she beg him not to play favourites with Tenzin? Yes, their youngest was an airbender, but what about Bumi and Kya? They were his children too.
But no!
The Air Nomad legacy was more important than their two oldest children and their pain.
Once upon a time when she was a young girl and fantasized about the man and family one day she would have, she never would have guessed how she became the kind of mother, who didn't fight for her children.
Who didn't call out her husband for his wrongdoings?
However, she had so with Aang. Since she had met him, she always had mothered him, shielded him from things which didn't fit his narrative.
He was the Avatar, the only hope to end the war, with a track record of running away.
They couldn't lose him, so she had protected him the best she could.
And she did so to her children.
No wonder Bumi and Kya didn't even visit her and Tenzin didn't have much of a relationship with her.
Where did she go wrong in her life?
When did she become a shadow of herself in the name of love?
Why did she even choose Aang?
Was it because of Aunt Wu's prediction, she would marry a powerful bender or because she had a feeling Aang...deserved her?
He loved her and had ended the war.
Was it so bad to give him a chance?
Sadly after sacrificing her best years for him and being rewarded to die alone without her children, grandchildren and great-grandchildren around her, it may have been the most stupid decision she ever made.
Spirits, was she a bad person to think that?
She loved her family, really she did, but deep down she had to admit...she wouldn't do it a second time.
Katara wouldn't sacrifice herself, her ideals, and her dreams for Aang's dream.
She had her whole life given and given and was now at the end of it rewarded with nothing.
Tears streamed down her cheeks, as she slowly closed her eyes.
Soon she would join her loved ones...
Just...
If she could...
If the spirits were so kind...
If dear Yue heard her...
She wanted a second chance.
She wanted to live a life for herself and herself alone.
Katara had given in this life all and more...was it so bad that she wished for a second chance to get it this time right?
Was she selfish?
Maybe.
Surely.
But anyone had a point in their life where they had to put themselves first.
Her only regret was that she did not realise it sooner.
Katara closed her eyes and felt the last beats of her heart.
Never noting how the moon was shining brightly down at her...
***
She felt pain in her head.
Katara hissed and touched her forehead.
Why did she get a headache?
Where was she?
She blinked to banish the shadows before her eyes.
Slowly she could see.
Ah yes.
She was outside General Iroh's tea shop in Ba Sing Se.
The waterbender had seen Aang walk out and wanted to join him.
It was high time that she gave Aang her answer about them being a couple.
She had been unsure a few days ago, but now with the war over...why shouldn't she give him a chance?
He was standing at the balustrade watching the setting sun, it was the perfect moment.
As the waterbender made her first step towards him, an avalanche of emotions and vision filled her whole being.
Katara gasped quietly, trying to make sense of this.
It was too fast and also too slow...however, she felt it in her bones...whatever she had planned kissing Aang and getting together with him...it would be the worst decision of her life!
No, she didn't want what she had seen.
How could she sell herself, her principals, and her honour for a guy?!
How could she be together with someone who would play favourites with their children?!
No, absolutely not!
Whether this was a vision from the future to save her from this faith Katara didn't know, but what she knew she wouldn't make the same mistakes twice!
So angry she walked up to Aang and tapped his shoulder.
The Avatar turned smiling towards her. He seemed so happy and hopeful and looked at her like she had hung the stars and the moon.
For a second she flatter, which only made the vision come forth again and made her anger tenfold.
Oh no!
Not with her!
"Aang.", she began. "I don't love you and I never will! Stop pestering me about us being a couple! If you don't accept my feelings I will waterwhip you do your next incarnation, do you understand me?!"
To say he was shocked was the understatement of the century. She could formally see the heartbreak in his eyes and how he tried to speak up, maybe to guilt trip her, however, she wasn't having anything of it.
"Nothing you will say and do will ever change my mind! So don't even try. I will go back with Sokka to the South Pole and rebuild my home. That's where I belong!"
Dramatically she turned around and entered the tea shop again.
The others tried their hardest to seem like they hadn't listened in, yet Katara saw through them.
She sends them all an annoyed look.
"What?!"
No one said anything for a few seconds before Toph snickered: "Oh sugar queen, I hoped you had it in you."
This makes Katara smile.
***
The next months of her life Katara rebuilt with her father and Sokka their home. 
The Nothern Watertribe had tried to turn the South into a second North, except Katara was having none of it.
As a war hero, master waterbender and daughter of the chief she used all her power to stop this chances.
She was a force of nature!
No one had a chance against her.
Her family was so proud of her and she was satisfied with herself.
Yes, this was where she belonged.
Helping people and not being the soulless, passionless arm candy of Aang!
Katara was happy.
A voice inside her told her how she deserved it.
***
A year later found Katara as ambassador for her people at the first peace summit.
She was happy seeing Zuko again, they had written to each other, yet seeing each other in person was much better.
He had become her best friend.
And her wall against Aang.
As Avatar he was at the peace summit too. Of course, he tried to talk with her. Tried to sway her, saying he missed her and wanted to be friends again.
She saw right through him. Aang still wanted her.
Thank the spirits for Zuko having her back and distracting Aang.
When they enjoyed together a cup of tea in General Iroh's tea shop she thanked him for his help.
Awkwardly he waved it away.
It was nothing.
He and Mai had broken up and the black-haired girl wasn't happy about it.
Even if she and Aang weren't exes, Zuko knew how frustrating it was to have a person follow you like a shadow and demand to be together again.
In comfort, she petted Zuko's hand and told him he did the right thing to end things with Mai.
If she couldn't accept a no was she a good girlfriend?
A little crooked smile formed on Zuko's lips, and her heart stopped for a second, as he thanked her for her words and friendships.
Then he asked her to join him in the search for his mother.
***
Being with Zuko on a life-changing field trip again was... exciting.
They still worked flawlessly together, like when they had hunted down the murder of her mother, but now they were friends.
It changed a lot of interactions.
They were playful with each other.
Zuko was the only one who ever laughed at her jokes.
They were there for each other.
In the long days when they hunted down one clue after another and Zuko seemed to lose hope, Katara reminded him to never give up.
They shared the workload.
It was amazing not mothering someone and having someone help her around camp.
They were getting closer to each other.
They shared things they never told anyone.
Zuko told her how he got his scar and Katara hugged him, wishing Aang had killed Ozai.
Wishing Ozai was before her and making him pay for hurting her best friend!
Sometimes they just stared at the stars, inventing constellations, their hands inching closer.
Something new was born between them.
Katara didn't know what it was, but she would enjoy it.
It made her feel good.
After weeks on the road, they finally found Ursa.
And also a society of hiding airbenders.
Katara couldn't help but laugh in utter glee.
***
Was it really that surprising that Katara and Zuko fell in love with each other after their journey?
When she kissed Zuko for the first time, it was like coming home. 
Warm, welcome, familair, intim.
It was the best sensation in the world.
Something inside her told her this was how it was supposed to be.
After two years of dating and being the ambassador of the Southern Water Tribe in the Fire Nation, they married.
All their friends and half of the world were invited.
Yes, even Aang.
Aang was so grateful to Katara and Zuko for having found his people and was busy with the air nomads to rebuild their society, and seemed to finally let go of Katara.
Now they really could be friends.
***
Katara of the Southern Water Tribe, master bender, war hero and Fire Lady became a living legend.
Not only the people in the Fire Nation adored her, but she used the power she wielded to make the whole world a better place.
She was the one who came up with the idea of Republic City, a place where all nations could live in harmony.
She revolutionized the art of healing with her bloodbending.
She installed fountains and aqueducts everywhere she could, so people had clean water.
Statues were built and universities, streets even neighbourhoods were named in her honour.
Katara taught new generations of waterbenders like her daughter Kya and people formally fought over to learn from the Fire Lady.
When their oldest daughter Izumi became Fire Lady, Katara and Zuko retired to Ember Island to live out their twilight years in peace.
They often had visits from their friends and families.
Their son Lu Ten, a nonbender, had married a waterbender named Mizuki and had with her five children.
So the proud grandparents helped their son and daughter-in-law raise the rascals.
It was fulfilling.
As Aang then died and was reborn as Korra from the Southern Water Tribe Katara and Zuko moved to the South to teach the new Avatar.
Korra loved Katara and Zuko like grandparents and loved hearing about their adventures.
After Korra goes to Republic City to learn airbending from one of Aang's sons he had with one of the hiding airbenders, the pair returns to Ember Island.
Zuko died a few months before her.
Katara followed him after the birth of their third great-grandchild.
Both died surrounded by their big and bustling family.
As Katara died, her oldest great-granddaughter, who was named after her held her hand, she couldn't help but feel happy.
She had lived a long and wonderful life.
Soon she would be together again with her beloved husband and her family.
And so the greatest and most beloved Fire Lady died in peace with no regrets in her heart, her story being told for thousands of years to come.
***
The Legend of Katara became a tale which young girls loved.
From a simple waterbender to a master, war hero and ruler over a nation, who changed the world only a few ever could.
It showed all girls, that they could do anything they wanted.
They could reach their goals and go even beyond.
This was Katara's legacy.
As it should have been.
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If you liked this one-shot and want more Zutara, a badass OC, personal growth for Aang and the Gaang being amazing check out Yin and Yang! 
Click on my profile and leave a comment.
I hope you liked this little One-Shot!
Let’s now scream together in the comment section how Katara deserved better and if it’s not canon we will give it to her in fanon! :D
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punkeropercyjackson · 16 hours
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Zutara is like the mother of all femcels and fandom dudebros tbh,Z/Ks really out there beefing with a 12 year old boy from a Nickelodeon show they resisted all the radicalization against despite the nonstop presence of it in the writing because they were too busy crushing on Zuko as if he'd ever even look in their general direction after his redemption arc since the point of it was him unlearning propaganda and doing something about it instead of throwing himself a pity party and harrasing the whole entire side of the fandom that even just critizes their ship and all the weird af content they make about a middle school cartoon."I related to Katara and i wanted her to be with Zuko instead of Aang because i found him way more appealing!!!"Get a real problem
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yourhighness6 · 2 days
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Who's Afraid of Little Old Me? Is so Katara in TSR coded I'm not even sorry. Like:
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longing-for-rain · 29 days
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Anyone else notice how Katara says “I have healing abilities” instead of “I am a healer” because she didn’t want to be defined as a healer but as a Master and warrior first?
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mahoutoons · 1 month
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so i'm not in the atla fandom but i sometimes go on this tag called "katara deserved better"
and tell me why 90% of posts in this tag are about which man katara should've ended up with than about her actual character?
like do you guys care about katara or are you just upset your ship didn't become canon?
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stardust948 · 5 months
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I don't think people realize what a power move it is for Katara to become Queen of the nation that nearly succeeded in wiping her people out.
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flowersadida · 3 months
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I know people have already talked about this topic, but I want to too.
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There are a lot of jokes on the Internet about how Katara constantly mentions her mother as if it were the most important event, but...
Isn't that so? I mean, in the life of a little eight-year-old girl, this is truly the most important event in her life and she wants to share it.
Katara took on the role of an adult too early, and she didn't have the opportunity to work through this problem with anyone, because she's already an adult => she cannot afford to rely on someone. But she needs it, and that's what traveling with Aang gives her: the opportunity to find children like her and share with them the burden that she has been carrying all this time. Note that Haru, Jet, and even Zuko are people who not only have experienced loss, but also have some kind of responsibility for others: for their family or even for a group of people. She doesn't tell adults about this because she isn't looking for care, she's looking for understanding of her feelings.
The problem is that it's not enough for her. Her sadness turns to rage because the further the story goes, the less satisfied Katara becomes.
The closer the heroes get to the end of the war, the more angry Katara gets: first at her father, then more specifically at Zuko. And, in the end, she finds the cause of this anger, as well as the opportunity to satisfy the thirst for understanding of her grief - the murderer of her mother. She needed revenge not just because it was fair, but because from the very beginning of the series, Katara was looking for an opportunity to calm those feelings that were rushing out. And her attempts to do this by expressing the problem were not enough. She needed more, and she got it by facing the biggest monster in her life.
In general, the “monster” metaphor obviously speaks not only about Yon Ra, but also about Katara herself. Or rather about her anger. Judge for yourself: she had to restrain a storm of emotions from the age of eight; she began to reveal her grief only in the first season, that is, at the age of 14. She ignored her pain, pushing it deep inside until it became a raging monster rushing out. And what Katara really needed was to face it. So when she flies to find Yon Ra, she also finally meets the version of herself that she has carefully ignored and hidden for the benefit of others.
It's funny that Zuko is the one who helps her. In general, it was his complete understanding of Katara in this matter that amazed me. He, like no one else, knows what it’s like to face your inner demons and knows how useful it is for knowing yourself. And how dangerous it is when you're alone in it. So he accompanies her to keep her safe. So that she has a person on her side who will be there, no matter what choice she makes. He will support anyone. (I'm crying because of how beautiful it is wasgffv💖)
(A small antikataang insert: this is the reason why their relationship doesn't work. Aang only supports the right decisions, even if they require Katara to sacrifice inner harmony, while Zuko will simply support her for whatever choice she makes. It's funny because Aang has to keep balance and as a monk he knows a lot about that. The show focuses heavily on the theme of yin and yang, that is, the balance of good and evil. In order to achieve internal balance, Katara needed to turn to internal evil, because she tilted this scale towards good. She was imbalanced to begin with, and instead of understanding this, Aang insisted on continuing the preponderance of good. It’s as if he doesn’t understand that the preponderance of good is as bad as the preponderance of evil, and this will only harm Katara. I hope my point is clear)
Finally, Katara finds inner peace when she faced everything that was raging inside her, when she did what she needed and poured out everything she ever wanted. Every word about her mother led us to this moment, as did Katara herself.
And do you know what the point is? Why am I telling all this? It's all a character arc that unfolds linearly over three seasons.
Now think back to the arc of Aang, the main character of the show, in relation to his family. Did he bring them up in seasons two and three in a way that was linear? I mean, the one who constantly grieves over his father's death should have been Aang, because he learned the pain of loss so recently, he didn't have a chance to get used to it. But even in the episode SR, Aang compares the loss of mother not to the loss of his mentor and father, but to the loss of Appa and his people. It’s as if he doesn’t care about the individual connection with Gyatso and it’s nominal.
Katara, on the other hand, has emotions that she smoothly carries throughout the show and resolves in it. She has a huge number of Chekhov's guns, which each fire at its own time. Her feelings about her mother, the development of these emotions and their resolution are the most beautiful thing about this show along with Zuko's arc (even though I have problems with him in book 3).
And making derogatory jokes about it like Katara is whining and annoying is blasphemy. After all, she's the only one of the Gaang who has a single development arc throughout all three seasons, this must be respected
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sapphic-agent · 23 days
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I can't believe how mixed-up the fandom (and the LOK writers) get Katara and Zuko's characters.
I want to make this clear, just because she grew up during the war, doesn't mean Katara was forced to fight. I honestly don't know where people get this from. Her cultural norms very blatantly dictate for her not to. It was something she vehemently struggled against to be able to do. It was always her initiative and choice to fight because that's who Katara is; a warrior.
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Hell, she's even reveled in dominating her opponents and showing off her skills in battle
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But you know who was forced to fight? You know whose skewed concepts of honor dictated him to fight? You know whose society urged him towards participating in war? You know who was the most at-ease and relaxed working peacefully in his uncle's tea shop?
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The entire concept of Zuko's character is that he doesn't easily thrive as a warrior and doesn't enjoy fighting if he can avoid it. One of the key things he learns post-redemption is that fire isn't just a force of destruction, it's also life and passion. And that's what allows him to be a better firebender later.
So it makes no sense that Katara gave up on fighting before Zuko. And don't misunderstand, both of them should have been still relatively active (because Zuko is a warrior too and the point of this post is not to claim he isn't). But between the two of them, Zuko would have been the one to embrace peace and retire
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if zutara would have happened the azulon statue would have been replaced with katara i don’t have proof of this except vibes
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eternally-sunkissed · 2 months
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this scene happened in my head so it's real
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i have always wondered what happened behind the scenes between the show and and the comics. in the show, while s3 definitely relegated her to trophy for the main character to win in the end, she still was competent and her own person. the comics though? the writers actively hated her and it always felt like a very personal 'fuck you' from the writers to the (female) katara fans. there is such a huge difference in how they treated her, it still breaks my heart. she deserved so much better.
I think it’s telling that so many Katara fans take her post-ATLA lobotomy arc very personally. So many young girls loved her, looked up to her, saw her as the epitome of Girl Power TM because when ATLA was airing, that was the pinnacle of pop culture feminism. And that’s great, honestly, because she’s an amazing role model.
Let’s not forget that ATLA, despite its all-ages appeal, is a franchise for children. Unlike adult media, children’s media should have morals, and role models, and aspirational narratives. Katara is more than a fictional character: she’s a fictional character carrying the burden of not only representation, but aspiration. We want girls to look up to Katara and relate to her and put themselves in her shoes (and that’s why I never got the “self insert” argument wrt Zutara — if girls relate enough to Katara that they want to be like her, and shipping Zutara is a manifestation of that, how is that a problem?). We want girls to stand up for what’s right, to be brave, to embrace their own power and their agency. Which is what happened in most of the original ATLA, like you said.
and that’s why Katara’s later arc is such a slap in the face, because here’s a fictional character that so many girls looked up to…and now the narrative is going to relegate her to, what, a girl who follows her bf around and never does anything of note? A woman whose biggest contributions to the world happened when she was fourteen? A woman who begins to inexplicably take the backseat, again and again, whether it’s supporting her friends or maintaining world peace or even just making sure some groupies don’t hit on her boyfriend?
To be clear, I don’t give a fuck about the “what about the children!!!!” argument for most media, because most of it is just pearl clutching and purity politics, but children’s media is the one place where actually, you should ask, what message are we sending to the children? And apparently the answer here is “fuck you girls, no matter how accomplished and cool you were, you get married and have children and never do anything of note again. Leading a country? Saving people? Forget about it!”
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im-a-hoping-beetch · 8 months
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Many people seem to get genuinely confused, whenever we, zutara shippers, mention how underdeveloped kataang really is. Usually, they’ll brush it off as us being delusional, bitter and you know the drill. Their main response to that, usually is: “How, could they possibly be underdeveloped, they had 3 seasons!?!”
The thing is they forget that the amount of time isn’t as important as what you do do with it. Cuz, yeah, Aang and Katara did have 3 seasons, but their relationship still managed to feel rushed as hell. Heck, even Bryke, out of all people, admitted to it. Which mostly as to do with a bunch of things that I’ll get into right now.
Let’s start with the fact that, Katara never actually shows any interest in Aang.
Now, many of y’all will probably come for me by citing how the cave of the two lovers or even the Headband have moments of her showing interest in him, but all of them end up falling flat at some point.
The cave of the two lovers:
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The argument here, usually is“if she didn’t have any interest in him, why would she kiss him?” or “why would she blush at the idea of kissing him?”. The former seems to forget this is a life or death situation and that we don’t really know for sure that if there were another way to get out if this, she wouldn’t take it. For the latter, I’d like to say that blushing can have many significations such as, embarrassment. Which, here makes sense when considering what she says and overall demeanour, after suggesting to kiss.
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Like yeah, a fourteen year old girl blushing bcz she’s embarrassed at the idea of having to kiss, her friend, out of all things, cuz you know… awkward. Can you imagine that (pun fully intended)???
The headband:
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This one is going to be a ride, but stick with me. The arguments can range from “What about her jealousy while Aang is dancing with other girls.” to “What about the way she looks at him during the dance.”
Here, is said jealousy being shown:
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And said look being done:
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Now, yeah, I can absolutely see why these two exemples would be used as a way to prove her interest, but let me remind you that this is the same episode where we have this happen.
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Yeah, the same episode where Katara is acting all jealous and giving flirty looks to Aang is also the same one where she pretends to be is… mother. While, I could go on about how it wasn’t the best idea on the directors or whoever was in charge of the episode part if it was their way of giving a glimpse of Katara being into Aang. The issue is, them doing so wasn’t completely farfetched either, because up until now it’s been established that Katara can be very motherly and she acts that way with almost everyone in the gaang. More specifically, the one with who she does so the most is, Aang.
I mean, even the show makes a point of poking fun at their mother-son dynamic on several occasions all throughout the show (ie. the don’t-rub-your-eyes-when-you’re-speaking scene in “The runaway” episode). So realistically, the two exemples shown way above could somewhat work, but only if you decide to completely ignore what episode they take place in, one that hasn’t really helped at stopping the mother-son dynamic allegations kataang has been getting, for years, now.
So, back to the development aspect, I think it has always been stunted from the beginning, because, fundamentally, the ship as always been designed to be Aang-centric. If you’d like more insight on that I’d recommend checking @starlight-bread-blog’s amazing post on the issue. But also, that their lackluster resolution is way much more obvious, cuz both are leads in the show. Katara's existence in the show, isn't solely there to serve as some love inerest for Aang. Shocker, but she's actually a MAIN CHARACTER in the show, meaning that we spend three seasons where we get to learn about her battles, fears and aspirations, none of which seems to involve a relationship with Aang.
Like yeah, the reason why The Ending Kiss™ feels so unsatisfactory is, simply, because, Katara doesn't like Aang (at least not like that). Katara, likes Aang, because the show said so. Now, stick with me, cuz I can already feel some of y'all ready to jump at the screen. Within the show, name a single moment where she ever comes to thinking of Aang in a romantic way. One that doesn't involve any external sources, such as someone suggesting about it or because of the given circumstances she has to. The answer is none. The only time we ever get to see her voice her ACTUAL opinion about it, this is what she says:
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That's not even counting how her overall demeanor, from the body language to her choice of words seems to suggest that she's actually trying to let him down gently. Also, may I remind you that at that point THERE'S ONLY 3 FREAKING EPISODES LEFT BEFORE THE BIG KISS™ and this is where there at in their relationship. Plus, within the 3 episodes that are left WE NEVER GET TO SEE THEM TALK ABOUT IT, EVER!!!
This obviously was part of Bryke’s horrible attempt at the will-they-won’t-they trope. Which ended up playing right in their face, cuz like I mentioned they themselves had to come to glaring realization that kataang was rushed. Now, it could’ve been it, the creators realizing their obvious mistake and if they could, trying to fix it by giving us what seemed like the natural progression of their relationship, which was for it to end.
Instead, we got comics!Katara and oooh boy…
Basically, they decided that they would throw away Katara’s meticulously built characterization in order to make her existence revolve around, Aang. I kid you not, when I say that she isn’t allowed scenes, lines and actions that do not revolve around her ��sweetie”.
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Remember how I said that, Katara likes Aang because the show runners said so. This is an example of this cranked up to a hundred.
Essentially, when you start thinking about where these two are in terms of growth, kataang is the antithesis to development itself. On one hand it validates the regression of one (ie. the dropped chakra plot line), while simultaneously, having to strip any previously built characterization of the other (ie. comics!katara).
On that note, I’d like to remind people, how important Katara is to the story. Without her, the entirety of the gaang would be dead. Without her, there would be no story. Without her, there would be no Aang.
She deserved to have a voice within her own relationship and not for it to be stolen by two grown men who were still stuck in their childhood fantasy.
She deserved better.
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forevermore05 · 20 days
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I know the EIPs nonconsensual kiss is the most talked about. However, DOBS bothers me just as much. But I never see a lot of people talk about it. And I wondered why. I was talking to someone that I brought this up because it was bothering me and they told me: well, that's because Aang could have potentially died and he wanted to do something about his feelings before anything bad had happened. I begrudgingly gave into the idea, however, that kiss still bothered me. I understand that there could have been a potential where he could have died. However, that is not an excuse for out of the blue kiss someone when there has been no mention of feelings before that. Even if there were mentions of feelings that's not consent (there wasn't). Their dance in that cave is not consent. Anything that gave Aang the idea that it is ok for him to kiss Katara is not consent. His entitlement and affection for her are not consent. Just because you are going to do something life-threatening and you could die does not mean you force yourself on a person and she does not have to like it (by the look of her expression she did not look happy). She does not have to like your dying fantasy or be an object of it without her consent. Imagine, if Katara did not end up with Aang this scene would have been torn apart. But everyone's lucky that she did so it's not problematic (Sarcasm). I just hate how the scene is so normalized. Because when I watched it to write this, it was insane, Katara's dialogue "I've seen/watched you grow up, You're not this little goofy kid anymore" (it's like the writers were implying the mental age difference) drove me insane. I don't care if you say she blushed when these kinds of things happen of course you're going to get embarrassed and flustered. I have an immense amount of hatred for this scene. It was just never discussed enough. The Zutara community is the only safe place to do it.
Head Canon time (to make us feel better after this post): If Zuko ever found out about Aangs non-consensual kisses. I think Zuko would tear Aang apart.
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yourhighness6 · 24 days
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The thing about the whole TSR discourse is that a lot of it is centered around who was right: Zuko or Aang. Although I have seen posts focusing primarily on Katara's feelings, I do think it is necessary to remind anyone who cares to listen every once in a while that it doesn't really matter who was right. It matters who enabled Katara to make her own choices and gave her the space to do so, and I think we all know who that was.
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longing-for-rain · 11 days
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Katara and Mutuality in Relationships
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There are lots of conflicting opinions about which characters Katara felt attraction towards, which characters she didn’t, and how long she felt that attraction. I see in most cases, people point to quick clips of her faintly blushing or kissing another character on the cheek as evidence, but I think these kind of takes miss the nuance of the purpose attraction serves in a story.
Most importantly, I see these characters treated as if they are actually people capable of making their own decisions. It’s important to remember that these are fictional characters. They don’t make their own choices; the writers make their choices for them for the purpose of telling a story. From that standpoint, it’s more valuable to examine how a character’s story and narrative themes tie into their relationships with other characters. Animators can shove in a kiss or a blush wherever they want, but it’s harder to demonstrate through storytelling how and why two characters might feel attraction towards one another, and how a relationship between them would develop both characters and contribute to the overarching themes of the story.
In other words, when discussing which characters Katara is “attracted” to, I’m discussing which relationships and actions within the narrative build on her established story and arc. Romance is always integrated into a story for a reason, and considering that reason is important.
Unfortunately, ATLA is very much a product of its time in this way. It’s easy to see what romance adds to the arcs of the male characters—but not so much with the female characters. All three canon relationships (kataang, sukka, and maiko) follow this trend to some degree. The primary purpose of the woman in this narrative is to act as a prize for the man for performing some good deed. Once they’re together, she ceases having her own motivations and becomes an extension of the male character she’s dating. This is pretty blatant with Suki—she barely had a personality in that later seasons; she is there to be Sokka’s girlfriend. Similarly, Katara becomes a completely different character—she’s even animated differently—when the narrative pushes her into romantic scenes with Aang. Her character is flattened.
So what is Katara’s arc, and how do the romantic interactions she has throughout the series contribute to this?
Well, that could be a whole other essay itself, but to put it simply, Katara’s arc is one of a young girl devastated by grief at a young age clinging to hope that she has the power to fight and change the world for the better. Which she does as she gains power and confidence throughout the series—culminating in her defeating Azula in the finale.
But the part I want to focus on here is how Katara connects with other characters. She connects with them over shared experiences of grief and loss.
Take Haru, for instance.
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Haru: After the attack, they rounded up my father and every other earthbender, and took them away. We haven't seen them since.
Katara: So that's why you hide your earthbending.
Haru: Yeah. Problem is…the only way I can feel close to my father now is when I practice my bending. He taught me everything I know.
Katara: See this necklace? My mother gave it to me.
Haru: It’s beautiful.
Katara: I lost my mother in a Fire Nation raid. This necklace is all I have left of her.
Haru: It’s not enough, is it?
Katara: No.
This isn’t just a throwaway moment; it’s an important character moment that leads up to growth and the progression of Katara’s overall story, both in this individual episode and in the whole series.
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Katara finds her power in the connections she’s able to make with other characters. It’s a powerful driving force for her that makes her a strong character even before her bending abilities develop. Imprisoned was such an important episode to establish who Katara is and what her power is, and adds so much to her arc.
But there is one line in particular from the above exchange that also stands out: Haru says “it’s not enough, is it?” and Katara agrees. Even this early in the series, we’re establishing the fact that despite her drive and hopeful outlook, Katara feels deeply hurt, she feels a deep sense of loss that she opens up about to other characters in moments like these. But unlike Haru…Katara can’t go rescue her mother. Her mother is dead, and we see her grapple with that grief throughout the series.
Another character she reaches out to like this is Jet.
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Jet: Longshot over there? His town got burned down by the Fire Nation. And we found The Duke trying to steal our food. I don't think he ever really had a home.
Katara: What about you?
Jet: The Fire Nation killed my parents. I was only eight years old. That day changed me forever.
Katara: Sokka and I lost our mother to the Fire Nation.
Jet: I’m so sorry, Katara.
Another important note about Jet is that there are explicit romantic feelings from Katara in this episode. Again, Katara empathizes with another character through a shared sense of loss. Sadly, in this case, Jet manipulated her feelings and tricked her into helping in his plot to flood the village…but those feelings were undeniably there.
That was the tragedy in this episode, but it also gives the audience so much information about Katara as a character: what motivates her, and what she wants. Katara is established as a character who wants someone who will connect with her and empathize with her over her loss—her greatest sense of trauma. She wants to help others but also receive support in return. The reason why she was smitten with Jet, beyond just initial attraction, is because he gave her a sense of that before Katara realized his true motivations.
A lot of people make the claim that Aang is good for Katara because he also feels a sense of great loss and trauma. And while on paper that’s true…does he really demonstrate that? I just gave two examples of characters Katara connected with this way, and both responded with deep empathy to what she said. Very early on in the show—the third episode—Katara attempts to connect with Aang the same way. How does he respond?
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Katara: Aang, before we get to the temple, I want to talk to you about the airbenders.
Aang: What about 'em?
Katara: Well, I just want you to be prepared for what you might see. The Fire Nation is ruthless. They killed my mother, and they could have done the same to your people.
Aang: Just because no one has seen an airbender, doesn't mean the Fire Nation killed them all. They probably escaped!
Just compare this exchange to Haru and Jet. No effort to empathize, not even a “sorry for your loss” or anything. It’s a stark contrast, and the reason for that is because this narrative entirely centers Aang. Katara’s narrative always seems to be secondary to his when they’re together—which is exactly my point when I say this relationship has a fundamental lack of mutuality. It’s built that way from the beginning of the series. It does not add to Katara’s arc nor establish what about this dynamic would attract her.
And, look, before someone jumps down my throat about this…I’m not saying Aang is a horrible person for this response. I think it’s a sign that he’s immature and has a fundamentally different approach to problems than Katara. Katara is a character who has been forced to take on responsibilities beyond her years due to being a child of a war-torn world. Aang’s approach to problems is avoidance while Katara never had that luxury. It doesn’t mesh well.
This is all in Book 1. I honestly could have gotten on board with Kataang if the series meaningfully addressed these issues…but it didn’t. In fact, they actually got worse in some ways.
Back to Katara’s mother. We’ve established that this is a core part of Katara’s character and like in the scene with Haru, she indicates that this is an unresolved issue that pains her. But then, in Book 3, Katara actually does get a chance to confront this pain.
This would have been a powerful moment. Surely the character who is meant to be her partner, her equal, would have been there for her. Surely he would have understood and supported her, fulfilling her narrative and adding to her story.
But Aang didn’t do that. I won’t go into details because there are a million analyses out there on The Southern Raiders, but Aang’s response to Katara was the opposite of understanding. He got angry with her, insinuated that she was a monster for wanting revenge, and tried to dictate her behavior according to his own moral values. And importantly, from a narrative standpoint, he did not go with Katara. One of the most important events in her arc, and Aang didn’t support her—he actually tried stopping her. He didn’t contribute to her growth and development.
Also noteworthy:
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Katara: But I didn’t forgive him. I’ll never forgive him.
Even at the end of the episode, Aang clearly doesn’t understand at all what Katara is feeling. This line demonstrates it perfectly. He thinks she forgave him when that wasn’t the case at all…but of course, he didn’t even accompany her, so he didn’t see what actually took place. His worldview is fundamentally different from hers, and he’s consistently too rigid in his morality and immature to center Katara’s feelings.
Throughout Katara’s whole arc, her most significant character moments, Aang’s character just doesn’t come through the way Katara’s constantly does for him. Their narrative lacks mutuality. When Katara and Aang are together, she becomes an accessory to him. The ending scene is a perfect demonstration of this.
Now, to address the elephant in the room.
Which character does actually add to Katara’s narrative and support her growth as a character?
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Correct! I just talked about how important The Southern Raiders is to Katara’s character and story, how it’s a chance for her to finally address the grief she’s been carrying since Book 1. And who stood by her side throughout this pivotal moment? Right—Zuko did.
You can talk all you want about how he’s a “colonizer” while Aang’s people suffered genocide, but you’re forgetting that “show, don’t tell” is one of the most basic aspects of storytelling. The fact is, despite how it looks on paper, Zuko was the one there for Katara at her critical moments. Zuko empathized with Katara more than Aang ever did—as demonstrated in this episode. Zuko never once brought up his own cultural values. Zuko never once told Katara what to do. Zuko’s position was that Katara should be the one to decide, and that he would support any choice she made. He supported her decision to spare Yon Rha, but he would have also supported her if she decided to kill him. I actually found this episode to be a satisfying reversal to what is typically seen in TV—for once, the female character is centered while her male counterpart takes the backseat and becomes a supporting role to her narrative.
Even before this, Zuko is shown to empathize with Katara.
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Zuko: I’m sorry. That’s something we have in common.
I think what gets me about this scene is the fact that he’s still Katara’s enemy, and she was just yelling about how she hates him and his people. But despite that, Zuko still empathizes with Katara. She is fundamentally human to him, and he expresses that to her in a way that allows them to connect. Zuko stands to gain nothing from this. It’s true that Azula entered the picture and twisted things around—but in this moment, Zuko’s compassion is genuine. His instinct was to respond to her grief with empathy, just like she consistently does for other characters.
And finally, how else does Zuko add to Katara’s arc?
I don’t think there is any more perfect of an example than the finale itself—the culmination of the arcs and development of all characters.
Zuko and Katara fight together. In a heartbeat, Zuko asks Katara to fight by his side against Azula, because he trusts her strength. She’s his equal—both in his mind, and in a narrative sense.
Then, this:
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Both of their roles are so critical in this fight. They both save each other. The scene has such raw emotion to it. These characters were together at the conclusion of their respective arcs for a reason.
This is the perfect conclusion to Katara’s arc. She just played a critical role in ending the war that has caused her trauma her whole life. She just demonstrated her mastery of waterbending (another thing she’s dreamed of throughout the series) by defeating the world’s most powerful firebender during Sozin’s Comet. Even though she had help as all characters do, these are victories that belong to her and demonstrate the growth and power of her character. And to top it all off? She was able to save Zuko’s life. She didn’t have to endure the pain of feeling helpless to do anything while someone else died for her; this time, she had an active role, she changed her fate, and she prevailed. Zuko plays an important role in Katara’s story without dominating it. They perfectly represent mutuality. They add to each other’s stories. Their narratives become stronger when they’re together, without one diminishing or sidelining the other.
So, from that standpoint, that’s why I always see the attraction between Zuko and Katara and why I see it lacking between Aang and Katara. Zuko and Katara’s story doesn’t need some cheap little throwaway moments to shine. It’s integral to both characters’ stories. We are shown not told of the way these characters feel about each other. Given everything we know about Katara, her goals, her values, her past loves…absolutely everything points to Zuko being the true subject of her feelings.
Because let’s be honest. The ending I just described is so much more powerful and so much more Katara than seeing her being relegated back to a doe-eyed love interest for Aang to kiss. It hardly even made sense—Katara played no role at all at the culmination of Aang’s arc. She was relegated back to a love interest, rather than the powerful figure we saw fight alongside Zuko.
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