already shipping people that maybe shouldn't be shipped is such a personally classic move.

hi heres art so you pay attention to me now go read the tags

okay unironically I love so much that porter is like this world SUCKS its BAD here and it HURTS you why do you care abt it!!! and literally every single bad kid is like ngl we just hate ur ass it does not matter what ur philosophy is

so REVENGE, HUH? or justice, if that makes you feel better. it tastes the same when cooked just right. 'I REALLY WANTED A BROTHER.' such a shame to burn a bridge you so desperately wanted to keep, especially when it wasnt even you who started the fire. especially when you hope that not a single fragment of that bridge ever washes ashore.[MAY IT ROT FAR FROM MY SIGHTS] an unfortunate loss! atleast he has his friends.

Nothing is stronger than the bond between a girl and a piece of media they brushed off 10 years ago that they now realized is the greatest thing ever made

Obsessed with the idea of Extraordinary Things being a back and forth between Jaskier and Radovid, with Jaskier trying to draw him out in the first verse, and Radovid finally answering him in the second.

Cause like, with Radovid, Jaskier meets someone who he can't fully read properly. He knows there's something under the front of a drunken, bumbling prince, but he doesn't know him well enough yet to be certain as to what.

So, he tests the waters a bit. throws out a line to see if Radovid will take it—and he does. A little bit. But it's so interesting to me, because it doesn't just feel like Jaskier is trying to nail down Radovid's truth in this verse; it feels like he's injecting elements of his own mask into it, as well.

"Keep your words on ice, your gaze lights the fire. They say 'keep on playing nice,' but I have no desire. Why waste our words when lips were made for extraordinary things? It's not a want, it's a need, it is paying no heed to what others say to sing."

This is Jaskier's read of Radovid as he knows him so far: a man hiding more complex wants beneath the veneer of a drunken party boy. But it's also Jaskier admitting that he knows this about Radovid because he wears the exact same mask himself.

Much like how Jaskier and Ciri speak through Geralt and Yennefer in order to process their own feelings about them later in the season, Jaskier sings through himself in order to comprehend who Radovid is. Jaskier is using the performative persona he's crafted for himself in an attempt to coax Radovid out of his.

All of it leads into the main intention of this song: "The greatest songs are made up of unspoken words of love. Of them, I've had enough. with you, I am enough." I am tired of having to put up a front. I want to be understood. I think you understand me. Prove me right.

And Radovid sees what Jaskier is doing. He comments on Jaskier's ability to see people for who they are and not who they pretend to be. But there's still more he wants to understand. This still feels like a game, in a way.

It's only after Radovid sees the brutality of Dijkstra and Philippa up close, watches them orchestrate the assassination of the queen and threaten to incriminate him if he doesn't fall in line, that he then grasps the vulnerability in Jaskier's lyrics. Jaskier is also caught between multiple conflicting desires, that of his loyalty to Geralt/Yen/Ciri, and that of his work as the Sandpiper & how said work is backed by his continued commitment to Redanian Intelligence. That internal conflict and the desire to escape it is also highlighted in the song's first verse ("they say keep on playing nice, but i have no desire"). Only after all of this, when true fear begins to take over and the game stops being fun, does Radovid truly begin to truly understand Jaskier.

And so, he seeks him out. And he responds.

“Drop the sweet disguise, your heart’s beating too loud. The fairytales and little lies can’t drown out all the sound.” You were right. I do understand you. I know what you really want, because we're the same. You can’t hide it behind a façade of a song and a story and a persona.

“Take this heart and break this heart for extraordinary things.” I don't know what will become of this, or us. I still don't fully know if we can trust each other. But no one has ever seen me in the way that you have.

It's not a want, it's a need. With you, I am enough.

been thinking about this dialogue again.

and like sidenote if i can make a post with a target audience of zero. i feel like fhsy was to d20 what aa3 was to ace attorney but aa3 pulled it off better for reasons i cannot explain

who up seeing their disorder in a fictional character but feel like its not their place to put a name on it

OMG you like moral orel?? who is your favorite character :]c *Blinking and fluttering my eyelashes beautifully*

i watched the whole thing in a few days, ended yesterday. My faves are nurse bendy and joe (together and as a unit), stephanie (individually and then as a unit with the reverend but i dont like him individually), + danielle, of course

ninjago fandom when ppl stop mischaracterising wu as a one note shitty old guy and realise hes a complex character with just as much of his own trauma as everyone else in the show

Die Chefin 12x03

(A german detective/crime show that takes place in Munich. The character, a new member of the team, was undercover with a group of people and got shoved out of a moving car.)

Alfred Burke puts on his best policing face as Parisian detective Inspector Maron, in Overseas Press Club - Exclusive!: The Billion Franc Mystery (1.6, ABPC, 1957)

hhhhhhhhhhhh saboace royalty au. ace was crown prince but can’t use magic which is necessary to become king, so he renounces his title and becomes infamous for his eccentric tendencies to play up the illusion that he’s truly not meant for the throne and that his younger sibling has full rights to the title of heir.

sabo is born to a family serving in the royal court, has been a genius magician since he was a child, and is the perfect example of a young man fully educated to serve at the king’s side. which is why he’s allowed himself to be tied down into a loveless political engagement with the king’s heir, putting the whims of his family before his own and resigning himself to become the future ruler’s consort/spouse to legitimize his role as an advisory right-hand man.

but then the heir grows rebellious and denounces the engagement with sabo in public and ace swoops in to save the day (and sabo’s reputation), demanding his father give sabo to him instead. he steals sabo away and challenges his sibling’s right to the throne, intent on earning back the title not for himself, but so he can make sabo (who is heavily qualified to rule) the king - and since they’ll be wed, no one will be able to undermine sabo’s position as he will technically be part of the monarchy that governs the kingdom.

okay at first i was like, why is ayan threatening to tell people akk's the one bringing the curse back when he already said he wouldnt. ayan also claimed he didnt believe akk anymore about not stealing the notebook bc of what he’s "now" seen akk do - but he’s known akk was behind things since the beginning. and actually the only motive i can come up with is that he was worried about what akk would do if he was left alone that night, because akk kept trying to get away from him, and not letting ayan help him. so ayan threatened to tell people that akk was bringing the curse back if he didnt stop.

and i realized that... something huge about ayan's past is that he witnessed his uncle’s suicide. and IF im interpreting this episode correctly, you have to consider that aspect of trauma alongside the way he acts towards akk, & the reactions he gets from akk.

akk pushes ayan away when ayan says he needs to think of himself first. akk leans into ayan’s hug at first but then pushes him away again and tries to leave. so ayan follows and does what he’s done in the past. he threatens. he gets a rise out of akk, a confrontation akk can't back out of rather than an attempt to escape. and maybe ayan only does that because he’s scared. maybe he’s scared of leaving akk alone, not knowing what akk will do - whether it be continue the curse or something worse. he needs to make sure akk will stop.

so throughout the rest of the episode, as ayan drags akk back to the school to search for his notebook, it’s possible that what he’s really doing is just keeping akk busy. and it works because they settle back into the same teasing/exasperated relationship they had before. it smooths things between them. but the balance doesn’t truly tip into where it needs to be until ayan has his nightmare, and akk hurries to comfort him. after their conversation on the beach, things couldn't go back to the way they were before, but couldnt move forward either. akk isn’t the only one who needed to show weakness in this ep, ayan needed to as well. especially since while they were searching for the notebook he avoided akk’s question abt why it was important again. they both needed to lean on each other this ep. they both need to learn to trust each other. so i can’t wait to see what comes next, and how ayan eventually opens up about the truth of his relationship with dika and what happened to him.

ive been watching this lakorn called blondie in an ancient time and im enjoying it so much