>:) at long last:
So much to talk about in this scene, first and foremost that the anime actually moved the return-to-court bit around a little; in the manga ten’s initial unveiling of the coded message is paired with the ‘why are you standing’ line (as a chapter ending), but here we get her whole explanation of the code itself before checking in with its mastermind, and then the entire declaration-of-intent as one scene :D and what a scene, omg, the dead silence in the room as ryo fui begins his interrogation and gets his answer, the weight of every little motion… it’s the perfect staging for a sequence that is first and foremost about shou hei kun’s extreme dignity and composure, despite the fact that this as an absurdly dramatic situation that he’s orchestrated himself (sai taku’s comment on his unexpected boldness lol. but, as with most of his other plans, it’s just a matter of the most grandiose route also being the most practical one in this situation — his conversation with shou bun kun outside of court definitely suggests that it would actually have been unsafe for him to defect from ryo fui’s faction earlier — though he also could’ve done it like years earlier, up to and including Literally During The Coalition Invasion, but for all that I think the loyalty ri shi was discussing here really did linger..), especially with ri shi’s tantrum about his betrayal to emphasize it lol
tho I will say… ryo fui is just as much the star of the show here, once again. His response to shou hei kun’s wonderfully understated statement-of-intent is one of his finest scenery-chewing monologues of all time..
Even with so many odds against him and such a wide variety of circumstances bearing down, he’s still definitively a man who hasn’t lost yet :-)
I also want to discuss his goofy metaphor abt the four pillars just being useless trinkets to him, though, specifically just this one line of it —
— because i think this is as close as he ever gets to acknowledging that he really has lost not one but two of them here :) If I’m recalling correctly, mou bu’s withdrawal from the pillars is never litigated or even mentioned, it’s just implicit that he (like sai taku) seamlessly becomes a member of sei’s faction after ryo fui’s fall from grace, but I think ryo fui knows both him and shou hei kun well enough to know that losing shou hei kun’s loyalty naturally means he’s also lost mou bu’s along with it, and that he’s realized that when he says this line :~) which especially funny considering that his plan in large part relied on the timing of the mou bu army’s arrival (just a little too late to save the royal family, which is such a tasty parallel to the hi shin unit’s primary goal of Not Being Too Late This Time) — they won’t make it on time, but shou hei kun will!
Also, the anime staff gave us a little original additional sequence this week —
A little check-in with rou ai, in case you’d forgotten where he was located on the battlefield, or what a miserable time he’s having there :’)
also here’s a ruki cap for the road because i’m continually floored by how endearing han oyako are in the anime lol
Cute!!
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Ok speaking of hunchback. Hi guys
I dont respect disney the company nor do i care to. But there was a "Legacy Collection" edition soundtrack for HoND released in 2021 that had a bunch of remasters of the songs and score, as well as a whole bunch of demos and its very cool BUT. the BEST thing it has is (almost) THE FULL SCORE bc the version available before (particularly the version on spotify) didn't actually have like half of the score. But the remasters have:
More bells in the opening
Quasimodo talking to a bird directly after The Bells of Notre Dame scene music
PHOEBUS INTRODUCTION SCENE HELLLL YES
The FULL version of the track "Paris Burning" (now under the name "Find the Girl"), where before it cut out a bunch of parts of the paris burning scene after Hellfire, now it includes the score for the rest of the windmill arson incident instead of just the moment where its lit on fire, and the rest of the music where frollo almost executes Phoebus which just add a lot to the song and it always bugged me they werent there before
The music for the part where frollo goes "AND NOW ALL PARIS IS BURNING BECAUSE OF YOU!" Which is VERY good music tbh
Quasimodo and frollo confrontation at the climax music (specifically the part right after frollo almost fucking stabs him)
However. Smth that annoys me to no end about the remastered ost is that there is NO music for fucking frollo's death???? Like. Thats an important part of the movie. Is when. The villain dies. And literally goes to hell. Its in the original soundtrack, and this version has all the music from before and after this scene, and there is NOTHING for it here. You included two separate demos for A Guy Like You and added remasters for the entire score and you DIDN'T have ANY version of the "And He shall smite the wicked and plunge them into the fiery pit!" music??? You got BEYONCÉ to voice nala and you DIDN'T GIVE HER A SONG for NO REASON?????
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One of my personal nitpicks for historical fantasy is a lack of servants, staff, subordinates, and... idk... subjects? Like, their absence is not... a total dealbreaker for me, depending on the situations the characters are in and whether or not I can just assume that other people are there in the background... but so many of the protagonists in historical fantasy stuff are higher-ranking (very often royalty), and/or have busy jobs, and/or have enormous houses that would necessitate having at least part-time staff.
Like, girl, you should have a maid! WHERE is your chaperone?! WHO is driving this carriage?! Where are your footmen? Are you trying to imply that a WEALTHY DUCHESS is taking a CAB?! You know that you probably have tenants, right? Where is your steward?! Where is your lawyer? Your accountant?! (Like, yeah, you're not going to have your lawyer living in your house, but you HAVE one, right???)
Or, man, you're supposed to be a military commander and you don't even have a single secretary?! Where is your SQUIRE?! (In the spirit of historical fiction, I am jumping wildly across time periods with every sentence here.) Man, I know you aren't looking after your own boots. Where are your GUARDS?! Who set up this tent for you?! Who is looking after your horse?! Who is making and carrying the incredibly valuable maps people are recklessly stabbing daggers into?!
SOMEONE has to be scrubbing these floors and delivering the mail and cooking the meals and doing laundry, and they're probably all DIFFERENT people! My dentist has at least three different receptionists and we can't even get ONE for our court wizard here? A sorcerer's apprentice to take notes? Someone like Sherlock Holmes could get away with just having a housekeeper and taking taxis, sure, but your character is supposed to be a KING?! Why is he answering his own front door? He's going to get assassinated. His SERVANTS should have SERVANTS.
Like, yes, I understand that a lot of servants in certain places at certain times were supposed to make their labor invisible, but there have always been servants who still had to interact directly with the masters of the house?! Yeah, there are potentially really messy ethics here, class divisions are bullshit, but I don't think that completely ignoring the reality that humans have ALWAYS been doing work for other humans is better than just including some well-paid and well-treated servants and employees? Because a complete absence of them, especially where logically for the worldbuilding there MUST be servants (and probably exploited servants, or worse, for some particular worldbuilds to work), often makes me think that your main characters just don't care enough to notice the "lower class" people or know their names.
Also, even Frodo Baggins had a gardener and Samwise Gamgee might be the best damn character in the story?! Sam saved the world?! Servants are PEOPLE. Servants are often the funniest and most interesting characters, tbh, with the most to say about a society and its workings (yes, Discworld is a very good book series, highly recommend), and also the joke of some romantic scene being carefully orchestrated by a stage crew of servants frantically diving into bushes to stay out of sight never gets old to me. Teamwork makes the dream work!
I don't want to gatekeep historical fiction, especially not historical fantasy, because the worlds don't necessarily have to conform to our own and may have magic and characters are often in very unique circumstances, but... sometimes I pick up a story and it's like... "Author, please tell me that you know there is a difference between a butler and a valet?!"
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