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#I’ll find epic art for fandoms I’ve never even heard of
willowwtrees · 7 months
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big fan of tumblr because sometimes I will open my dashboard to see a wall of posts of a specific media and I’m like oh epic the frieren reblogger is at it again
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red-winters · 4 years
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*Batfam fic-recs
*Some are Tim Drake Centric
**Some links are not working in mobile (and ONLY mobile) for some reason? And some titles that were bolded in the original post are ALSO not displaying on mobile correctly. Idk what to do about that, but you can still look up the fic, I guess.
The Bat’s Crest - livierambles
Note: I will always keep recommending this fic. It’s epic, thrilling, and hilarious and sometimes angsty. Also, everyone is confused, including the ones doing the confusing. Maybe especially the ones doing the confusing. Also, some Tim and Damian bonding, which is always nice.
Summary: Tragedy strikes the hero community when Bruce Wayne commits a crime so heinous even the best start asking for blood. However, as the heroes try to recover from the hit and carry out justice for their friends, a random assortment of people start acting oddly, including the current Speedy Tim Drake, a child hostage in Gotham, and a young man from an unremarkable circus amongst others. All of them seem intent on saving Bruce Wayne from the grasp of the Justice League for no apparent reason, going as far as betraying their previous allegiances.
Unknown to the Justice League, these people are equally confused. Clearly they're stuck in another dimension, but how do they get back? How did they even get here? Who else is stuck in this world? And how long will Tim's patience last? Back home, the Bat was a planetary symbol that struck fear in the hearts of criminals. In this new world, it has no meaning, save for the handful of stranded souls.
In the Shadows - Kieron_ODuibhir
(shortened) Summary:
“I’m not like you.”
The cowl still looked like something he was wearing, but Clark knew it was not. It flexed like skin when Batman narrowed his blank white eyes and said, “I can see you know that.” 
Chirp - AmariT
Summary: Every piece of the signal Tim unlocked revealed more locks, and by the time he broke through the last one, he was already mentally rehearsing his many upcoming talk show appearances. 'Yes,' he told the interviewer, 'it was difficult for me, a ten-year-old genius, to break open the worldwide alien conspiracy. That's why it took a whole hour.'
When the crackling audio started, he expected some weird alien language. Maybe squawks and high-pitched squeals mixed with musical woofs. Maybe they wouldn't talk at all, and images would beam directly into his mind. Maybe they'd talk in practiced English with a Midwestern drawl like their other resident alien.
Instead he heard a low, guttural voice growling out of his computer speakers. "Robin," it said. "Are you in position?"
A Better Cage - Mangaluva
Note: I was absolutely DELIGHTED to see a Young Justice Crossover with the Justice Lords (Earth-50) from the animated Justice League series, which is near and dear to my heart. I admit I haven’t really had much time to hunker down and read this, but even skimming, it’s an intriguing piece of work. Also, Justice Lords.
Summary: Wally's grateful to have woken up at all, really. He just doesn't know what to make of the world he's woken up in. At least they want to find a way to his world as much as he does, if not exactly for the same reasons...
Common People - AmariT
Note: The Bat boys are all Bruce’s blood sons, but it still feels very much like a found family. I haven’t really read everything in this series, but I feel the author has an amazing grip on all the characters. Lovely and heartwarming.
Summary: His whole life, Jason’s mom had told him his dad was Bruce Wayne, but he’d never been dumb enough to actually believe it. They lived in a rundown, one-room apartment in the worst part of town, and in every single picture he’d ever seen of that rich bastard he was wearing a suit or sipping champagne worth more than everything they’d ever owned.
But if he wasn’t Bruce Wayne’s kid, then what the hell was he doing sitting outside the man’s office in Wayne Towers?
Red Robin and the Hood - momoejaku
Note: Haven’t read this in a while, but it made an impression. Though it’s a fic set during the Red Robin arc, it very much is about both Tim and Jason. Plus, it fleshes out the Pru and Z a bit more, too.
Summary: Bruce Wayne is dead. Superman brought back his body, and the family mourned him, holding a quiet funeral in secret so that the legacy of Batman could live on. But not everyone has been able to put him to rest.
Reeling from the loss of Bruce, his identity as Robin and his trust in his family, Tim Drake sets out on a personal quest that will take him across the world to prove what he knows in his heart: that Bruce Wayne is alive.
Though intending to make his way alone, Tim reluctantly accepts help from his predecessor, Jason Todd, who knows from personal experience that death is not always as final as it seems.
Together, they are Red Robin and the Hood.
Liminal Spaces - Calamityjim
Note: Skimmed this only since I’ve been busy, BUT it does look well-written, and I’m always a sucker for alternate dimension/dimension travel intervention-type of fix-its. It’s a very specific trope.
Summary:
Bruce's habit of collecting strays is not limited by dimension.
Or
When Young Justice Batman comes across an angsty, seemingly abandoned by his Batman Tim Drake, he decides to step up to the plate and parent the crap out of him.
Little Bird’s Vengeance - KatHarkness-Katara
Note: Crossover with Avengers. Awesome fic with Tim and Jason and some Outsider POV (via the Avengers) of these dimensional stragglers. I think Tim’s team shows up in the later chapters, too. If you’re reading on mobile, it’s still very much worth reading despite FF.net’s horrible format and abundance of advertisements in the mobile version.
Summary: Why is life never simple? Red Robin's ended up worlds away from home once again, and now what's he to do? What do the Avengers want from him; do SHIELD have another agenda; and is there any way back? Pre-New 52. No slash. Rated for inevitable language/violent themes.
A Displaced Red Robin - dragonprincess1988
Note: Worth reading despite FF.net’s horrible format and abundance of advertisements in the mobile version. Well-written fic! EMOTIONS! I love them. Younger Dick Grayson is adorable, Tim is a competent fixer-upper for other people but not so much himself. He’s kind of angsty and making YJ Dick want to keep him (and YJ Bruce, too, if you read between the lines). On the plus side, seems like he’s making good friends with Young Justice Roy. This fic was written before certain episodes of YJ came out, though, and the fic reflects/will continue to reflect that. Still, I give it five stars.
Author’s Summary: Tim gets transported to the cartoon Young Justice world, and he's not sure he knows how to deal with it. Attention: If you want to know about Artemis or people from Tim's world the final note on my profile is for you. Also, a special thank you to angel-gidget over at Tumblr, who made the wonderful cover art for this story.
The Till-then From the Ever Since - Keiron O_Duibhir
Note: Fandom classic. Definitely a must-read for Batfam fans, in my humble opinion.
Summary: It began, or seemed to begin, with Jason.
Usually that would have meant something in the order of fire and explosion and probably at least one gunshot wound, but for once (as Tim said, sourly), it wasn't actually Jason's fault.
The Wayne Family Ghost - pupeez4eva
Note: Please read this. Especially if you’re sad or anxious or just have time. I couldn’t stop laughing. It’s my go-to cheer-up fic. Absolutely hysterical.
Summary: In which Bruce realizes that having a legally dead son, who regularly hangs around the family, might be slightly problematic. 
Bloodline - chibi_nightowl
Note: Complicated family dynamics, this time centering around Tim, Selina, Bruce and, surprisingly, Damian. Jason and Dick make an appearance as supportive big bros, too. It works. Take a read, it isn’t that long.
Summary:
“Mr. Drake, I can’t think of a better way to say this, so I’ll just be blunt. This file is for your first adoption. By the Drakes.”
Tim blinked. “My what?”
“You were adopted as a newborn by Jack and Janet Drake.”
“Excuse me, but what the fuck are you talking about?”
Talon!Tim AU Series by keeptogethernow
Note: Found family, from a different angle. Cool fic and well-written.
Summary of Tso’ape Mumbichi, first in the series: Ten years ago, two people made a deal with the devil--unlimited funds in exchange for their child. And now it's time to pay up. But there's no way to ensure that the child will cooperate.
Shutterbug Series by goldkirk
Note: Exactly what it says on the tin! Found family.
Summary:
Tim Drake is thirteen, runs the famous BatWatch blog that has spiraled hilariously out of control, has absentee parents that suit his purposes just fine, is training himself to run the streets at night, and is doing absolutely peachy, thank you.
Alfred and Jason disagree, and get Dick and Bruce involved in figuring out their weird next door neighbor kid’s life. Everything goes uphill from there.
Thursday’s Child - anthalogia
Note: Well-written and has found family and Tiny!Tim? Automatic win.
Summary:
He’s not the first child with nowhere else to go that Bruce Wayne has taken in. Dick Grayson was the first and the most high-profile – because no one would have thought Bruce Wayne was interested in ever raising a child, let alone the orphaned son of circus performers – but Jason was maybe just as much of a shock to society for being a street kid who came out of seemingly nowhere. Tim Drake is ordinary by comparison – his parents died in a plane accident. He can’t think of anything very special about him except that he met Bruce a few times when his parents hosted parties to keep in touch with Gotham society.
Or, tiny Tim Drake is adopted by the Waynes a little earlier than scheduled.
We’re Not Driving (How did we get here?) - TimTheToaster
Note: Short and sweet, a little angsty, and then very sweet.
Summary:
Tim stared at his phone, as if that would change what was on the screen.
Dick Grayson @FlyingDGrayson
It took some doing, and in some cases a little blackmail, but we've finally got the whole family together for a movie night! #WayneManor #movienight #familytime #schedulingisanightmare
15 minutes ago
Take It Back Now Y’all - TimTheToaster
Note: And Tiny!Jason has made his appearance. Also, Tim, I am begging you to please take care of yourself—ah, Bruce has made his appearance. Interesting. Also, I gotta say this author is good.
Summary:
There was absolutely no way this sunshine was from Gotham in April.
Not possible.
Which meant, Tim was no longer in Gotham, in April.
(In which Tim finds himself in the past, and tries to do the right thing. It's more complicated than he'd like.)
Takes a Little Time, Takes a Lotta Twine (To Get Us Back Together) - TimTheToaster
Note: Emotional Hurt/Comfort, beginning of reconciliation, and brotherhood. A satisfying, cathartic moment during the Red Robin arc to soothe your heart.
Summary:
Tim was in Gotham.
Tim had pretty specifically been avoiding thinking about Dick as much as possible for the last few weeks.
For the last year, really. No need to open that can of carnivorous worms.
Dick had other plans.
Everybody’s Heard (Bird is the Word) - TimTheToaster
Red Robin Era ANGST, but like, deliciously well-written. Also, protective Dad Bruce is always epic. Light bashing of Green Arrow and BC, though. But considering the situation (in this fic), kind of warranted.
Summary:
5 times Batman heard other heroes talking about his wayward brother,
And 1 time they were talking about his son.
A Choice to Make - scorbusfics
Note: fresh and interesting premise! Cool world building, too.
Summary: They have to choose. Dick and Bruce have to choose one person each to save, and one to disappear through the door.
“Send one of us,” Dick says fiercely, not for the first time. His face is dark and angry and desperate, eyes flicking from brother to brother. “Send one of us instead. I won’t choose.”
“Neither will I,” Bruce says.
But Tim knows.
Secret Places - RenaRoo
It’s ANGST, but the author knows how to use it well. Also, Jason’s line at the end killed me. Damn.
Summary: Tim Drake goes missing. The search to find him begins.
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paulisweeabootrash · 3 years
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2020 mini-review pack
Di Gi Charat (1999)
Episodes watched: 7
Platform: VRV (Hidive)
Di Gi Charat (pronounced like “carrot”) is a series of fast-paced 4-ish-minute shorts nominally about Dejiko and Rabi-en-Rose, rivals trying to be Earth’s greatest idol.  Who are, respectively, a catgirl and a bunnygirl.  Oh, and also they’re aliens?  That’s... uh... certainly a premise, I guess.  The actual show consists of self-contained gag-filled episodes with no ongoing story, in almost a sitcom kind of way, throwing the characters into situations without context, but with a stable “baseline” situation (unlike, say, Pop Team Epic, where the characters serve more as stock personalities playing different roles in different sketches).  Dejiko is a snarky schemer.  Rabi-en-Rose is a snarky schemer whose main activity seems to be bothering Dejiko at work.  Puchiko is a small and quiet child and behaves accordingly.  And Gema is... something?  I have no clue, honestly, and neither does the fan wiki.  Other recurring characters fill stock roles such as “manager” and “otaku”.  A lot of the humor centers around poking fun at fandom.  It’s a show by, for, and about otaku from an era before our current internet culture, and since I’m a millennial and not from Japan, that makes it unusually hard to evaluate.
W/A/S: 8/2?/5?
Weeb: Chibis.  Catgirls.  Idols.  Kappas.  Kawaii verbal tics.  Akihabara.  Low-detail background characters who look like blobs or thumbs with faces.  Kanji left on-screen but untranslated.  Particular sorts of highly-exaggerated facial expressions we may have become familiar with through emoji, but which still haven’t made their way into American media generally.  This is ludicrously Japanese.
Ass: This really isn't that kind of show.  Although it is certainly designed for adults, as evidenced by the presence of phrases like “naughty doujinshi”.
Shit: The art is fun.  It has style shifts from comic strip to watercolor painting to mainstream 90s anime, and looks better than some of its contemporaries that were, uh, “real” shows.  The opening takes up about a quarter of the total runtime and gets annoying quickly (but that's because it’s clearly designed for being part of a broadcast block, not binge-watching).  Still, unless I’m missing hidden cleverness on account of not having the background knowledge, there’s not much to it.  It’s just okay.
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First Astronomical Velocity (band, active 2011-present)
Platform: Spotify, surprisingly
Okay, this one is a bit different, and I’m jettisoning the whole format for it.  Remember how I said the music-centered episodes of SoniAni were actually pretty good, even though the modeling-centered episodes were so offputting I never finished the show?  Well it turns out that First Astronomical Velocity, Sonico’s band, has released several IRL albums.  Physical copies may be a little hard to come by, but official uploads of a lot of their music can be found on Youtube and Spotify.  Do your musical interests include at least two of: string arrangements that would be at home in a particularly sappy movie soundtrack, 90s-00s alternative rock, synthesizer beep-boops, and that constricted cutesy Japanese women’s vocal style (you know the one I mean)?  Then this is for you.  They’re a pretty good... uh... alt-pop-rock band, I guess is what I’d call them.
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Interspecies Reviewers (2020)
Episodes watched: the entire 12-episode season
Platform: I plead the 5th.  But it’s getting a video release soon, so it will finally be legitimately available in English!
I started this year with a plot-light fanservicey animal-people show, and now I’m ending the year with... a plot-light fanservicey animal-people show.  But unlike Nekopara, this show had me cracking up, eagerly clicking “next episode”, and not complaining about the premise.  I’m sure a lot of people do have a problem with this show’s premise -- which centers almost entirely on various forms of sex work -- and I understand and respect that they will want to skip this show.
But for the rest of you: Interspecies Reviewers is a wildly-NSFW comedy about a group of fantasy world adventurers who gain fame and fortune reviewing brothels of different species.  I expected excessive nudity and fantasy tropes, but I didn’t expect to also get serious thoughts.  Like showing, in the golem and Magic Metropolis episodes, some of the unsettling problems that are looming IRL as deepfakes and sex robots are in development -- note especially the contrast between consensually and non-consensually basing automata on real people in those episodes.  Or the discussion in the last episode of how much riskier sex would be in a world without magic (i.e., ours).  This is a much smarter and more interesting show than you’d expect, considering that it has so much sexual content that it got dropped by two of the networks airing it and even its US distributor.
W/A/S: 5/10/4
Weeb: Although heavily influenced by the Western fantasy media canon of European mythology and Tolkien and tabletop RPGs, familiarity with the tropes of fantasy anime will help you “get” this too, as will familiarity with the -sigh- character dynamics and censorship practices of hentai.  Especially because it’s a comedy, there are probably also instances where I have completely missed topical references or wordplay that a Japanese person would get, but I can’t think of any specific instances right now of “there was clearly supposed to be a joke but I missed it”.
Ass: Look, this could not possibly have more sexual content without unambiguously becoming porn.  Genitals are (almost) always carefully hidden by viewing angle or conveniently-placed glowing (something lampshaded in one episode as an actual feature of one of the species they review), but otherwise, expect lots of nudity and almost nonstop crude humor.  Do not watch this with children.  Do not watch this with your parents.  Do not watch this with friends you don’t know well enough to know how they’ll react to something like this.
Shit: This show is better-made than it deserves to be.  It’s pretty dumb at points, but it’s fun enough to make up for it.  The art is consistent and pleasant, and the opening and ending themes are extremely fun, but it’s not a serious standout in any of those departments.  Also, I swear the background music is stock music, but I don’t remember what other show(s) I’ve heard it in before.
Stray thought: Crim is a precious and relatable cinnamon roll and I love them.
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OreSuki OVA (2020)
Platform: Crunchyroll
So, I know I didn’t cover the whole season in my initial review, but I still want to mention the hour-ish-long finale of this show, which was released straight to streaming.  Short version of the rest of the season: Joro starts to actually fall for Pansy, but a new challenger, Hose, appears.  He is irritatingly attractive and effortless at maintaining the right persona for the situation, leading Joro to describe him as “the main character”.  Hose is the sociopathic manipulator Joro wishes he could be, and Pansy, who has a bad past with him, clearly wants nothing more than for Joro to stand up to him.  But, since this is OreSuki, it’s not going to be handled simply.  No, instead, strap in for a grand finale of Joro and Hose competing in, and trying to manipulate through rules-lawyering, an absolutely ludicrous competition to win the right to date Pansy.  And, on top of it, we also get to finally see how Sun-chan got to be the way he is and what happened at that pivotal baseball game that set off the whole plot.  What has Joro learned from the experiences of the past season?  You’ll see!  And you’ll facepalm about it!
Really, you must watch this if you watched the regular season.
W/A/S: 6/5(!)/4ish
Weeb: Basically the same as I said before.  Gags referencing other Japanese media, anime and otherwise, and it's better if you’re familiar with the high school romcoms and harem comedies Joro thinks in terms of.
Ass (and slight content note): -sigh- Why does the camera need to be there?  Also, Joro, you just committed a little bit of sexual assault for the sake of this contest.  Stop.
Shit: I want to rate this overall better than I did the regular season because I think it’s an excellent finale overall because, even though it ends in a very “let’s leave everything unresolved” way that’s common in media that rely on absurd relationships to propel the plot, it does so in a way that makes sense in character.  I personally think it would’ve been stronger if it had, well, confirmed its title, and at least some of the other “challengers” had lost interest in Joro, but I guess they probably want a Season 2, since they have so much more source material to work from.  There are... oh god 14 light novels?!  That is too many.
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Your Name. (2016)
Platform: DVD
Two high schoolers -- small-town girl Mitsuha, from Itomori, and big-city boy Taki, from Tokyo -- find themselves in each other’s bodies for a day.  They both think at first it must be a very vivid dream, but when it happens again, and they start finding clues like notes they don’t remember writing and comments by friends and relatives about their out-of-character behavior, they realize the body swap is real.  This begins a relationship of mutual understanding that nobody else can really understand -- or would even believe (except Mitsuha’s grandmother, who is... familiar with this phenomenon) -- and the plot then pivots to a tense adventure where they use their connection, some crucial information Taki has, the skills of Mitsuha’s friends, and the intervention of Itomori’s patron deity, to save the town from an impending disaster.
And that’s all I’ll say about that, because I really do think this is something you should go into blind.  My only remaining comments are that (1) the red string of fate is critically important imagery, and is particularly interesting to me here because, if I took a particular scene correctly, Mitsuha made her own red string of fate from sheer necessity, which is a very different twist on that trope, and (2) I am now curious about the history of the body-swapping phenomenon in-universe.
W/A/S: 4?/2/2
Weeb: As mentioned above, symbolism of the Red String of Fate shows up throughout the movie, as do the occasional distinctly Japanese quirk like a wildly out-of-place vending machine or a café with dogs, and but for the most part it’s a cross-cultural story of understanding and dealing with someone else’s life, and of forming a connection other people don’t -- can’t -- truly understand, and to some extent of divides between urban and rural and modern and traditional that I think could play out in any country with just the local symbolism tweaked.  The significance and content of Shinto beliefs and practices depicted, particularly kuchikamizake, are made pretty explicit, so although foreign to the vast majority of the non-Japanese audience, I feel like this movie also has nearly no barrier to entry for people not familiar with the cultural context, so I don’t want to rate it very high on this scale.
Ass: Look.  It involves teenagers switching bodies.  What do you think they do?  Especially Taki?  But it’s played for laughs, not titillation.
Shit: This movie is beautiful and punched me in the feels and was very satisfying.  The closest I have to a complaint about any aspect of it is that the musical breaks that I guess are supposed to mark acts of the movie almost make it feel like binge-watching a short series instead of watching a single self-contained movie.
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Chapters: 1/1 Fandom: Good Omens (TV) Rating: General Audiences Warnings: No Archive Warnings Apply Relationships: Aziraphale/Crowley (Good Omens) Characters: Crowley (Good Omens), Aziraphale (Good Omens), Ellen Degeneres Additional Tags: Crack, Memes, I have no excuses, shenanigans with the "fuck shit up jacket", because of course it is, never thought I'd tag Ellen in a fic Summary:
What happens when a demon decides to use old memes from 2010 and his "fuck shit up jacket" to cause a ruckus in Soho?
This, apparently.
~~~
I have no excuses this is a crackfic that came about from a conversation in the Ineffable Outliers Discord with myself, @apple-duty​, and @cassandrasummer​ xD
~~~
An undetermined Friday, post Armageddon.  Mayfair, London
Anyone walking down the street in Mayfair that night would hear shouting.  Or at least they would, but the walls of the flat knew better than to let any sound out without permission.  If one were to look through the window, one would see an iPhone slam against a concrete wall1.
Crowley had been trying to get a hold of Aziraphale for well past two days, with no answer.  He’d driven by the shop, but the angel had been out both times.  He, of course, did not want to appear like he cared so scoping out the shop more than necessary was completely out of the question2.
He sat in his ostentatious throne seething; how dare Aziraphale avoid him like this.  Two could play it this game, and he could play very demonically if he wanted to.
Crowley stood and went to the closet in his bedroom and pulled out two very specific items.  A black jacket with reflective orange tape and a large, oddly shaped black case.
Yes, two could play at this game.  And if the angel wanted to ignore him, he’d make that task impossible.
---
6:00 AM Saturday morning; the sidewalk outside of A.Z. Fell and Co.  Soho, London
“C’mon, Linda, just pop on back to mine for a bit, yer mum ain’t gonna know!”
“Danny ya absolute toss, I’ll do no such thing!”
The young couple swayed through the near empty streets of Soho, drunk on wine and each other’s company.
“But Linda-“
“Don’t ‘But Linda’ me Danny Williams,” Linda says, pointing a shaky finger in his face with no real bite behind her words, “We ain’t been dating but a fortnight and you ain’t gettin’ me in the bed that easily!”
“But Linda, when I’m with you I can…I can…” Danny grasped for something, anything to say, “I can hear music!”
“Cheek!” she said but looped her arm back in his anyway and leaned against him as they started back down the street.
“Really can, ya know?” Danny said with more than a little bounce in his step, “Really snazzy saxophone music!”
“Danny,” Linda pointed towards a tall ginger man in a utilities uniform, “I think it’s that man in front of old Mr. Fell’s.”
Sure enough, as they got closer, the man was playing on a saxophone.  At six am outside of a bookshop.  This would seem to have no discernable reason, but the great thing about the human brain in the way She made it is that when there is no reason, that’s reason enough.
“Well I dunno why he’s doing it, but for a telephone worker he sure is great at those few bars of whatever that is.”
“Sounds familiar though, don’t it?” Linda said quizzically, “Wonder where I’ve heard it before?”
“Either way, it’s Soho on a weekend, he’s probably just a sloshed as we are.”
“Probably so, now walk me home you old buffoon.”
Danny and Linda strolled off arm in arm and the obvious utility worker kept playing on.
---
8:00 AM Saturday morning; the sidewalk outside of A.Z. Fell and Co.  Soho, London
Bill Waters was a patient man.  An upstanding member of the community.  A lawyer.  He dressed in smart suits and was never seen without his pork pie hat.  He had an image.
They had scoffed when he’d opened his practice in Soho.  They’d laughed.  But now?  Oh, now, he was one of the most respected litigators in London.
He prided himself on his work ethic, his attention to detail, and his meticulous methods.  He prided himself on his patience with his clients, with his family, and with anyone who he met.  The community loved him, his neighbors loved him, his family adored him.
Which is why several people milling around the early morning streets were shocked to see him jumping up and down and yelling at a street performer.
“Sir, I demand in the name of common decency that you stop this at once!” Bill shouted, face turning a rather embarrassing shade one could liken to a tomato plant, “It’s been two bloody hours!3”
If the man from the utilities paid any mind to him, he didn’t let it show.  Just kept playing the same four bars over and over again.
“I will call your superiors!  What are you even supposed to be doing?!”
The man just continued with his smooth beats and rhythmic dancing.  Was it dancing?  Could barely call it that in the first place.  Like something out of a bad 1970’s instructional video.
Bill continued to yell; the man continued to ignore it.
This just wouldn’t do, Bill resolved to phone the utilities company at once.  He threw his hat down in frustration and stormed back across the street to his offices.
---
10:00 AM Saturday morning; the sidewalk outside of A.Z. Fell and Co.  Soho, London
“D’you think he lost some kind of bet?”
“Dunno…sounds familiar though, doesn’t it?”
“Ain’t this that shit from Eurovision like ten years ago?  The saxophone guy?”
Nathan, Alice, and Jude were gathered around the strange man with the saxophone.  They’d already tossed some money in his hat and were waiting for him to get around to taking requests.  They were also by far not the only ones in the crowd.
“It is!” Alice said pulling up YouTube on her phone, “It’s the Epic Sax Guy music!”
“Christ that meme is older than dirt,” Jude said grimacing, “Why you reckon he’s doing this?”
“Maybe Mr. Fell pissed him off,” Nathan said, laughing, “He’s pissed off enough people around here with those weird hours.”
“Dad said he’s been at it since six this morning,” Alice (last name of Waters) said, “That’s four hours ago!  That’s insane!”
“We oughta put it up somewhere, do a live stream or something.  See how long he goes!”
“You know, Nathan, maybe we should,” Jude said, pulling out his cell phone, “Hell, I don’t have anywhere to be.”
The saxophone man played on.
---
11:00 AM Saturday morning; the news offices of the BBC
“Christ, William, it must be a slow day if this is what you’re giving me.” Margaret, producer for the BBC Weekend News said angrily into the phone receiver, “You really expect me to send reporters out to video a street performer in Soho?  As if they aren’t a dime a dozen?”
She listened to the murmuring on the other end of the line, “Five hours?  The whole time?  And he’s dressed like what?  A utilities worker?  What do you mean Twitter?”
Margaret pulled out her phone and opened the app, clicking through to the trending page.  Sure enough, there at number one: #UtilitySaxMan.
“Well, it is a slow day.  Fine, send someone, just try to find me something real to put on the air by tonight, yes?  I can’t just be putting Twitter fluff on the air!”
Margret slammed the phone back on the receiver and shook her head.  What was the news world coming to these days?  She blamed the millennials.
---
11:30 AM London time (3:30 AM California time).  The Montecito home of Ellen DeGeneres
“I’m just saying we need this guy on the show.  You know how much the audience loves an internet celebrity.  Yes, that’s why I called you, because you’re in London.”
To the dismay of her wife who just wanted to sleep, Ellen was on the phone at 3:30 in the morning with one of the show’s associates in England.  Once she got the idea to have someone on her show, there really wasn’t much anyone could do to stop her.
“So, no one knows who this guy is?  He just showed up with a saxophone and started playing? Well that won’t stop us.  Just go down there and talk to him when he stops playing.  I just need him on my show, he’s trending like crazy, the memes are ridiculous!”
“I should probably go, but don’t let me down!  This guy is insane, he should be a star!”
She hung up as Portia throws a pillow at her.
---
1:00 PM Saturday morning; the sidewalk outside of A.Z. Fell and Co.  Soho, London
“Play Single Ladies!” A voice from the gathered crowd shouted.
“Shut up, he’s not taking requests!” Jude shouted back at them.
“What are you, his agent?”
“I might be after this is over, you don’t know that!” Jude hissed from behind his phone, he wasn’t sure how much longer he could keep this up.
The livestream was an immediate hit.  He’s been inundated with new followers and reaction memes4. Even the BBC was here, along with several people in strange getups.  He’d gotten three direct tweets from Ellen DeGeneres already, though he couldn’t answer.  Not while the livestream was going.
This dude was insane.  He never stopped; he was like a damn machine.  Just kept playing and dancing (badly) and playing.  He ignored everyone around him, ignored that his hat was now full past capacity of spare change and 1£ notes.
It was like he was on a mission, though what that mission could be was anyone’s guess.
“Young man, have you any idea who this fellow is?” one of the men, this one wearing a monocle, asked him.
“Nah, can’t say that I do,” said Jude, “I mean, he hangs out at Mr. Fell’s shop a lot, seems to know him.  Dunno why he’s doing this though.”
“Did you hear that?” the man in the suit said to another, this one with a two-tone wig, “He knows the bookshop owner!  That’s our in!”
---
3:00 PM Saturday morning; the sidewalk outside of A.Z. Fell and Co.  Soho, London
“It is clearly a performance showing the prevalence of man over the subjugation of the corporate world!  He celebrates his union job by playing this jubilant music!” said the man in the two-tone wig.
“I beg to differ; it is quite certainly a cry at the unjust conditions faced by workers!” said the man with a monocle.
These two had exactly three things in common:  They were art critics, they were insufferable, and they had been arguing about this for the better part of two hours.
“How can you be so daft?  The rawness and realness and power of this performance can only be described as euphoric!”
“Ah but you fail to take into account the monotony and the repetitive action!  This man is in a prison of his own creation!  A brilliant metaphor for the world under capitalism!”
The two men continued arguing and were approached by a man in a tan coat that was about one hundred and fifty years out of date.
“Pardon me, gentlemen,” the man said, “But could you possibly tell me what all of the commotion is outside of my bookshop?”
“Oh, my goodness, you must be Mr. Fell!  And you haven’t heard?!” shouted the first critic, acting as though he might faint, “The art world is completely a buzz!”
“It would seem, my friend, that the next great performance artist of our times has taken up residence outside your bookshop!  Please, please introduce us to him!”
Mr. Fell looked confused as he tore away from the art critics and through the crowd.  Past the young man with the camera, past the BBC News van, and past some Americans speaking very loudly into their cell phones.
“Crowley, what on Earth are you doing?”
The saxophone music stops abruptly.  All eyes turn and focus on Mr. Fell.
“Oh, hello Angel…” the saxophone man stammers, “Just..uh…”
Before anyone can say anything, Mr. Fell storms forward and grabs the saxophone man by the arm, ushering him into the bookshop, behind a sign that clearly says “CLOSED”.
The crowd disperses, first the news van, then the passerby, then the art critics and the Americans.  Jude stands there for a moment wondering what just happened.
He soon forgets why he was there in the first place, and if Twitter held any clues for him, they’re long gone now.  Later, he'd look in his book-bag and find it full of loose change and 1£ notes.
Just an ordinary Saturday in Soho.
---
3:15 PM Saturday afternoon; inside A.Z. Fell and Co.  Soho, London
“Would you care to explain, dear,” Aziraphale says as he unpacks his leather satchel, “just why you’re playing saxophone on my front stoop?  And the news vans?  And the art critics.  You know how much I hate art critics!”
“You wouldn’t answer your phone,” Crowley says sulking on his favorite couch, “Got mad.”
“And did you conveniently forget dinner last week when I told you I’d be in Munich for a book auction for a few days?” Aziraphale shoots him a pointed look, “or were you just not listening in the first place?”
“Ngk.”
“I see,” the angel says, turning back to his books in a huff, “and how long were you out there?”
Crowley mumbled.
"Didn't quite catch that."
"I said ten hours," Crowley snapped, "Doing very demonic things, ruining everyone's weekend.  Can take the demon out of hell but not hell out of the demon and all that." He crossed his arms over his chest and sulked lower into the couch than should be possible.
Aziraphale smiled to himself as he put away his new books, “Yes of course, my dear.  Is that why you brought out the 'mess stuff up' jacket?Brightening everyone’s day with a bit of music, giving the BBC something to talk about?  Such a demonic level of happiness out in the street today.”
“I-well-well,you-I-“ Crowley stammered, jumping up to stalk behind the angel to prove his point, “I made an old bloke with a pork pie hat have a fit, right in the middle of the street!”
Aziraphale sighed, Crowley was never quite as smooth as he pretended to be, and the angel saw right through him.
“My dear you are quite ridiculous, next time just come with me then you won’t feel the need for this nonsense.”
Crowley shoved his hands back in his pockets, trying to look aloof and failing, “I mean…I guess.  Could use a vacation.  Plenty of demonic wiles to get up to outside the country.  Gotta keep you out of trouble...of course.”
Aziraphale smiled at him, clasping his hands together, “There we go then, problem solved!”
If the angel knew it was an excuse on the demon’s part to spend more time with him, he didn’t say.  Nor did he mind in the slightest.
-----
1 – The iPhone, of course, knew better than to break.  Just who’s apartment do you think we’re dealing with here, hmm?
2 – Least of all because he was scared of a certain angel picking up on a certain demon’s propensity to be what the kids referred to as a stage five clinger.
3 – In Bill Waters’ defense, he’d been late at the office the previous night working on a particularly challenging case.  He’d been so exhausted, when the saxophone started up at around 6 am he’d thought himself hallucinating.
4 – Some choice memes that were shared on twitter:
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kirisunshine-ejirou · 5 years
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Hiya! We've never talked before, but I love ur blog all the bnha posts you rb! :) And SINCE I saw recently that you've gotten into Banana Fish too, brace urself for these asks :D 1 Fandom : Banana Fish 2 Ship : Asheiji 3 Character : Eiji Okumura Hope you're having a lovely day! 💕
Aww, you’re so sweet! I actually watched Banana Fish a few months ago, but I recently re-watched it with my sister (and ripped my heart out again in the process), so that’s why I’ve been posting more about it lately!. Anyway, thank you for sending me the ask! :) Here are my answers:
001 | Fandom: Banana Fish
Favorite character: Honestly, as much as I love Eiji, it’s gotta be Ash. I will never stop grieving for him, and I appreciate the complexity of his character.
Least Favorite character: Yikes, there’s so many assholes in this show. I’m gonna go with Abraham for creating Banana Fish and then being a weak little bitch about it when shit hits the fan, and for hurting Shorter. Eduardo is also SCUM.
5 Favorite ships (canon or non-canon): I’m not sure if I could come up with 5 ships for this show…Asheiji for sure. Also Max + Jessica.
Character I find most attractive: Ash
Character I would marry: Blanca (hahaha, he’s well-read, attractive, mature, and cares for Ash despite the circumstances they’re both in)
Character I would be best friends with: I wanna be friends with Cain!
A random thought: Cain is such an underrated character! At least, I don’t hear much about him within the fandom. Sing is also a precious bby.
An unpopular opinion: Ash’s full name sounds kinda ugly? Like I love the meaning behind it, but Aslan Jade Callenreese is a bit much.
My Canon OTP: Asheiji
My Non-canon OTP: Don’t really have any.
Most Badass Character: It’s pretty much a tie between Ash and Blanca, but I guess I’d have to pick Blanca since he taught Ash.
Most Epic Villain: Dino. I wouldn’t call him “epic,” but his evil is an evil that’s not so in-your-face, but that still permeates the entire series (Please read @softasheijis‘s analysis of this, it’s great! Linked here: https://kirisunshine-ejirou.tumblr.com/post/183846304436/softasheijis-takes-a-long-sip-of-hot-tea-dino)
Pairing I am not a fan of: Hm. I don’t know of many pairings in the fandom, but Ash + anyone other than Eiji just isn’t right, hahaha. Also Blanca + Yut-Lung is gross b/c of the age thing.
Character I feel the writers screwed up (in one way or another): Some characters may be screwed up in the head, but other than that, no one.
Favourite Friendship: Shorter + Ash!
Character I most identify with: Ash. I have never experienced any kind of trauma to that comes anywhere near to what Ash had to endure, but I identify with the difficulty he had with believing he’s someone worthy to be loved. I’ve got low self-esteem and it can really get to me at times :/ I also don’t tend to trust people very easily.
Character I wish I could be: Hmm, well, I don’t think I’d want the tragic life that comes with being any of the characters…but if I had to choose I guess it would be Yut-Lung so I could have his wardrobe, lol.
002 | Ship: Asheiji
When I started shipping them: Honestly - the pole vaulting scene - I knew they were a ship from what I heard about the show before watching it, so my love of their connection was instantaneous. More realistically - that tender moment in Ep. 11 when Eiji promises Ash that he’ll stay by his side, even if the rest of the world turns on him. (God, I’m almost crying just writing this).
My thoughts: This is one of my all-time favorite ships  because the dynamic between the characters and what could have been between them sticks out for me. They deserved better.
What makes me happy about them: Their trust. They would give their lives for each other, and even though this turns out to get them both in a lot of trouble, it comforts me to think that Ash found someone he could rely on after 17 years of hell. Also, the fact that they can both be themselves in the relationship; as Max said, Ash found someone he can finally act his age around, unguarded.
What makes me sad about them: Ash will never get to go to Japan with Eiji :’(
Things done in fanfic that annoys me: Making them suffer any more than they already have.
Things I look for in fanfic: More fluff/hugs/domestic content
My wishlist: I don’t really understand this question? I wish for them to be happy. That is all.
Who I’d be comfortable them ending up with, if not each other: There’s just no other non-platonic pairing for either of them that I can think of.
My happily ever after for them: Ash goes to the library after being stabbed, but calls himself an ambulance, or Max, or anyone who could get him to the hospital, recovers, then meets up with Eiji in Japan where they live a happy, simple life together (as much as possible, ik Ash still has a ton of shit he needs to sort through.)
003 | Character: Eiji
How I feel about this character: His pureness always makes me smile, but he’s also got some spunk! Lol, as in, he teases Ash and isn’t afraid of him (the pumpkin thing, being able to wake Ash up when everyone else is terrified, throwing Ash in the shower, etc.) and he also becomes more able to defend himself as the show progresses; first he goes to Chinatown to find Shorter wearing that ridiculous outfit, then he holds Yut-lung hostage (kinda) and (tries) to shoot Dino. Bless him.
Any/all the people I ship romantically with this character: Ash
My favorite non-romantic relationship for this character: I love his interactions with Bones and Kong!
My unpopular opinion about this character: Not sure if this is “unpopular,” but I’ve heard some stuff about Eiji being more “edgy” (haha, see what I did there) in the manga, so I’d like to see more of that play out in the anime, to give him a little more nuanced character.
One thing I wish would happen / had happened with this character in canon: I wish we could’ve got more background info on him. Like we know that he’s a former pole-vaulter and that he has a little sister, but not much more than that. I think one of the side stories of the manga has this content though!
Favorite friendship for this character: Eiji & Shorter! Shorter was so protective of Eiji during their limited time together, and I would have loved to see more Ash - Eiji - Shorter friendship interactions.
My crossover ship: Hm, can’t think of any at the moment!
Sorry some of my answers aren’t the most straightforward, haha. Also, @silverquillsideas I just wanted to say, your blog theme is gorgeous, and even though I follow you, I don’t think I’ve seen any of your Banana Fish art/fics until now (I just reblogged an asheiji work of yours!), but I’ll be sure to look out for more :) Hope your day has been great; see you around!
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novarasalas · 5 years
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Second Look Review: Lion’s Pride 1 & 2
Part 1
So, this is it. The final battle for Earth. Everything that’s happened this season has been preparing us for this very moment.
I’m sweating, guys.
This is nonstop action. So many things are happening at once. So many bad things are happening to the protagonists at once.
I’ve heard the showrunners say several times now that this series is a call back to all the mecha shows from the past, and that’s it’s made for the fans of those shows. I’ve heard plenty of people talk about how nostalgic it makes them, and how it reminds them of watching the shows they used to love.
I was too young for the original run of Voltron, though, and I never really had access to other shows like Macross.
So, I understood in principle, but that same feeling didn’t hit me until these two episodes.
And now I'm’ going to talk about myself for a bit.
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I can’t even tell you the feeling I was overcome with the first time I watched The Power Rangers. It’s 1993, I’ve been 7 years old for three days, it’s Saturday, and my mind has just been blown. I can’t tell you what it was about the show, but all I knew was that I wanted to be a Power Ranger very, very badly. I can’t, though. But at least I can make believe every Saturday morning.
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Difficulty: I’m a girl. Girls aren’t supposed to like things like that. Martial arts, weapons, fighting? Inappropriate!
So, as my first act of rebellion, I became a wholly dedicated fan to this weirdly , edited-for-american-audiences sentai show.
I still have that guitar riff stuck in my head. It plays for me when I do things that my parents would find...unladylike.
So, from that day on, my love of mecha shows was on. My parents eventually relented, and I treasured the one action figure we could afford. It was the pink ranger, of course.
But I eventually grew out of my Power Rangers phase, and for years that love lay dormant. Sure, there were other shows out there, animated and live action, but I had no way of getting to them.
Then we got cable, which had Cartoon Network. And Cartoon Network had Toonami.
I was 13 years old, staying up past midnight to watch only-lightly-censored anime, and every night my mind was blown.
Gundam Wing was my drug of choice.
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And if my parents hated me watching the Power Rangers, they absolutely despised me watching this.
Despite the protagonists all being 15 years old, Gundam Wing was a mature story. It told of the hells of war, sacrifice, desperation, politics, romance?, and so many other things. It was so very cool.
My parents eventually relented on this, too. I still have the models they bought me.
I was waaaaayyy too into Gundam Wing. I threw myself headlong into the fandom, consuming every fanwork I possibly could. I spent hours going through Geocities web rings trying to find worthwhile fanfiction and fan art (my fave pairing was 1x2, btw.)
Eventually, I came to realize: this show is actually kinda boring. there’s no humor in it. It just...wasn't interesting to me anymore. It was my thing for years, and then suddenly...I was over it.
But it still holds a special place in my heart.
And I told you all of that to tell you this:
The space battles in these episodes remind of of the finale of Gundam Wing.
I felt a good bit of nostalgia, something that doesn't hit me very often. It was nice.
And that nostalgia reminded me of my first rebellion, when I as a girl liked epic space battles and giant combining mechs and nothing was going to take that away from me.
In a way, I still feel like I’m rebelling. And you know what? Being bad still feels so good.
I’m happy to have this show.
- - -
Atlas, known in Greek mythology, held the Earth upon his shoulders. That’s the story these days, anyway. The original myth is that he held up the celestial spheres, in which the stars and planets resided. He’s holding it all up, is what I’m saying.
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It’s very easy to see Shiro in all of this. He’s the leader of Earth’s forces, and is part of the last line of defense against Sendak. That’s a lot of responsibility. And he takes it all upon himself. He doesn’t hesitate to go to Sendak’s ship to disable it.
...could this guy be any more of a hero?
But we can’t forget about the ship Atlas, or it’s crew
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This thing is a beast, and has no right being so powerful. And without the ship, and without the crew to maneuver it into position to block the cannons, the Earth would have been done for. They didn’t do this because Shiro ordered them to.
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Shiro may be the face of the Atlas, but the ship would be nothing without it’s crew.
-
Back to Shiro now.
This fight he has with Sendak is...just insane. It’s so raw and personal, I almost felt like maybe I should avert my eyes.
But I won’t, for reasons.
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Quick question: How are either of them surviving this fall? They’re on the outside of a ship thats falling through the atmosphere, without helmets, and fighting. It’s a sight to behold, for sure, but it’s a bit much.
I’ll let it go, thought, just like I’ll let go the fact that the falling ship hit terminal velocity and didn’t leave a 100 mile wide crater.
I have to ignore that, because Shiro is defeated. And then this happens:
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Keith first killed the two pirates in the third episode, then Macidus in the sixth. Before that, none of the Paladins had been shown to kill anyone. I’m still sad about it, in a way. But...better Sendak, than Shiro.
This all seems very symbolic. Everyone seems to have their own ideas about what exactly it means.
In part, I would say this is another moment of Keith never giving up on Shiro. It’s not even about repaying his debt to him; you could argue that that debt was paid in full with interest a long time ago.
Keith knows how much Shiro has been hurt. From here on out, he’s going to make sure that no one ever hurts Shiro again.
As for people saying that Shiro should have been to one to kill Sendak….
I think that the less he has to fight, to kill, to call back those days in the arena, the more he can heal from the trauma of being The Champion.
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- - -
So that’s dealt with. Sendak’s dead. Earth is safe.
How’s everyone feeling?
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….ugh...stop that...lol.
Ok, whatever. Let’s go home.
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Mmm..yeah. This may as well happen.
Part 2
This fight is really something.
First off, I couldn’t help but think that this mech looks like Livia sas Junius from Final Fantasy XIV.
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Everything about this fight is terrifying and frustrating. They just won, and for the first time this season, too! And now they’re losing again.
We see now again what was proven in season 6: Voltron was once the most powerful thing in the universe. But time does this funny thing of marching on, and things tend to change along the way.
-
Speaking of changing…
Shiro experiences stress-induced-mech building.
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This whole process is amazing. The animation, the music, the timing...everything! Paired with the fact that I had no idea this was going to happen, I was blown away.
And we have no idea how or why this is happening. Could it be the Castleship crystal they installed in the ship? Is it the gem powering his arm? Could it be both? We definitely get some centering shots on those two items as the transformation happens.
Before, we’d been told that the comet ore had be the catalyst for Voltron’s indescribable abilities. But the Atlas is made from Earth materials, save for the new crystal.
Is it Shiro himself?
We don’t know what’s really happening with him. From Haggar’s experiments on him, to being trapped within Voltron’s quintessence, to being pulled away from the Black Lion and placed into a new physical form, a lot of magical hoodoo voodoo has been happening to him.
And let’s not forget: Haggar was most likely using him, in someway, to enter Oriande.
So, why did the Atlas transform? Because Shiro. I don’t know why, or how, but it couldn’t have happened with anyone else.
And with this new creation, he’s going to save his friends. Or...he’ll try to.
Now, for as much as I love the concept of the Atlas, I have a bit of a complaint.
So, I’m watching this thing transform, and everything is light and wonder. And then..I saw it:
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Shiro, probably: Fine! I’ll make my own Voltron! With blackjack! And hookers!
….
Have you ever been watching something and you feel all things at once?
That’s how I felt.
At first, it was like:
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then I was like 
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and then it was back to
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Then I paused the show and did the dishes.
Friends, I hate to say this, but...I don’t like how the Atlas looks. At all.
That transformation sequence had me high on wonder, but when it finished, I crashed back down, hard.
No amount of “ooo she thicc” jokes are gonna save me on this one.
...look at it’s legs!
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And what really gets me is that it threw me off so much, that I kinda checked out for the rest of the episode. That’s why these are the Second Look Reviews; because I was being too ridiculous the first time to appreciate them.
I’ve gotten over it at this point, but I was feeling an all consuming “what the hell did I just witness?” at the time.
--- -
Back to it, though.
Shiro transformed that whole damn ship on his own. He saw his friends in danger and he just...did that.
And it was enough to distract the enemy, but not enough.
Thankfully, Voltron was there to save the day.
And then…
Look, this was stressful. You know they’re going to make it; there’s another season left, for god’s sake! And Voltron, while dramatic and sometimes sad, is a hopeful story.
Our heroes can’t die, not now, not like this.
But they don’t know that.
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The transition to the funeral, with the lions in the background, was a cruel, cruel fakeout. The emotion in Shiro’s voice here really made me think for a second that maybe they’d actual, ya know...done it.
But it’s ok.
Everyones ok.
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And now, there’s the hope.
The entire universe is coming together to help the Paladins rebuild their home. The team has done so much for the universe, and have nearly sacrificed everything doing so (several times at this point).
This is the good ending. It’s happy, it’s uplifting.
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It’s not ending.
---
In summary:
It’s all intense battles and wild nostalgia. These episodes were beautifully put together, from scripting to animation to voice acting.
But just when things were nice and understandable, we get more questions. Questions that I can only hope we get answers to.
Next up: I’ve got a review summary coming up. I’ll talk about my thoughts on this season, the series as a whole, and discuss a few things about next season.
And I took this screenshot
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it doesn't have anything to do with my review, but I noticed that curl on the side of Lance’s face. It’s cute. I wanted to share.
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Ermanda’s Inner Sanctum: Scorpion 4.09 “It’s Raining Men (of War)”
Happy Thanksgiving to my US peeps!  Yet, let us not forget the Natives who view this holiday very differently!  Anyways, this episode was awesome!  We learned about a pivotal moment that shaped Cabe’s life.  Robert Patrick and Eddie Kaye Thomas’ acting was superb!  I have enjoyed Cabe and Toby’s time together in this arc.  I also liked the mission because it talked about NOAA (National Oceanic and Atmospheric Administration), garbage patches in the oceans, and techniques implemented to remove them.  It tied well with Scorpion’s plight to book jobs where their inventions and solutions can be used long-term and fix their financial deficit.  I applaud the art department for the look of the trash mound and the VFX team for the aerial view of it in proximity to the team’s rented boat! 👏🏾👏🏾  I have some interesting topics for this review, so let’s get started!  
Learning More about Florence Tipton
The writers are making a very quaint distinction with Florence Tipton.  She is a chemist, but she is not a genius.  She can relate, but she is not exactly like the members of Team Scorpion.  However, her personality is very similar to Mr. 197, which is why Toby makes that pot & kettle pun in response to Walter’s description of her.  During the mission, we learn what motivates her independent work.  She’s trying to redeem herself from failure and rejection.  She is so eager to prove herself once again that she doesn’t take kindly to distractions of any kind.  It is also why she presents her binding agent to the team when it hasn’t been properly vetted for practical efficiency.  It is commonly said that pride comes before a fall and Florence falls HARD when she projects onto Paige.  But Paige, acting as the skilled communicator she is, finds a way to get through to Florence in the same way she does for her geniuses!  She has exposed an emotional opening that I think will become significant in upcoming episodes!  
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Papa Cabe 
“I’ve realized recently that I’ve been messing a bit with my memories… been rewriting them over the years. I’m not gonna do that anymore. It’s okay ‘cause I got a great girl and I’ve got great friends. No matter what the future holds for me, I want to remember this moment right now exactly as it is. ‘Cause to have you all in my life… I am truly thankful.”
Cabe’s speech is so touching because of the truth it possesses and what it represents!  This process has been hard for Cabe because he feels like he is failing himself and Scorpion in the same way he feels he failed his father.  He completely constructs a new memory in order to cover his shame over his father’s death.  It explains a lot more about why he is who he is.  This is why it’s no surprise he fears old age as we saw in 3.17 Dirty Seeds, Done Dirt Cheap.  His whole life is his way of subconsciously overcompensating for his perceived lack of bravery and a means to honor his father’s legacy as a lawman.  The idea that his humanity while on the job could land him in prison and strip this identity is really hard for him to fathom.  He is convinced that a hardened exterior keeps him objective for the purposes of his job.  The most important thing he needs is support from his loved ones.  The support he receives from his children and Allie give him the strength he needs to endure this legal battle.  I truly appreciate this reality expressed on screen in this manner!  
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Walter’s Legacy: The Influence of Ralph, Happy Quinn, and Baby Quintis
Walter may not have considered fatherhood in the past, but he has always taken great pride in the development of young minds and making his mark for the next generation of geniuses.  We see this when he meets Ralph for the first time in the pilot and recognizes his genius.  This reality becomes more apparent in his interactions with Ralph throughout season 1.  He acts as a father figure and mentor to Ralph, sometimes overstepping his boundaries out of passion over Ralph’s potential (1.21 Cliffhanger).  
Walter: Do you see what you're sacrificing by leaving, by taking Ralph away from us? Paige: I have to think of his safety. W: Earlier today, you invoked the greater good so that I would team up with Cabe. But do you just throw that term around? P: My son nearly died because he wants to be you. W: Is it so awful being me? Being around me? P: I just don't want him to become you! W: What is your solution? Keep him in a cocoon? Have him watch you move to Maine to follow some guy who's already abandoned you? That's idiotic! P: That guy is his father, Walter. You are not. I... I have to go. Good-bye, guys.
He encourages Ralph’s academic pursuits and respects his intelligence, reminding him to never diminish himself for the sake of others (2.22 Hard Knox).  
Walter: I couldn't understand the details in your incredibly complex code. I used to think that I-I had the fourth highest IQ in the world, but now I realized that you have dropped me down to number five. Ralph: That's what got you upset? W: (laughing) No. No, what upset me is that you were willing to slow down for me to-to let me go down the wrong road, when that would've hindered you, because I couldn't grasp your work. Never hobble your intelligence for anyone... because if you do that in this garage, imagine what you'll have to do out there... for humans. The world needs to catch up to you... because if-if it can, just a little, imagine what a... a beautiful place it could be.
However, Ralph is not the only person in this series used as a means to future possibilities.  Happy Quinn's individual growth and her relationship with Toby repeatedly serve as examples of life goals Walter can achieve.  Happy Quinn is his closest friend.  He trusts and admires her and has a lot of respect for her intelligence and abilities (3.05 Plight at the Museum).  Plus, they are alike in many ways.  
Walter: I know Toby believes that I only think about myself, but I will do what is necessary to protect your family. Even if that means that I have to go back home to Ireland. Happy: You are home. We're not losing you, and we're not breaking up Scorpion. We'll do whatever it takes. You talk nonsense like that again, I'll punch you in the neck. W: Toby's a fortunate guy. You know, I know ours isn't a real marriage, but since the day I met you, you've been a faithful friend, you've come through for me when I needed it, you've helped me build Scorpion from nothing. That's loyalty, selflessness, collaboration. If those are the traits that one looks for in a spouse, then you've been a... You've been a great wife. Thank you.
At first, he rejected the notion of romantic love.  He had a no-fraternization rule for his employees because he thought romance would make his employees less efficient and possibly as a means to conceal his own fraudulent green card marriage to Happy.  Now he believes he is capable and worthy of love and seeks to understand it in his own way.  He roots for Melvester, Quintis, Callie, and Ralph x Patty!  He never thought he would have children because he didn’t think he would be a great father.  But Happy’s evolution, Quintis’ parenthood quest, and his own familial bond with Paige and Ralph are slowly convincing him that he can succeed in these pursuits as well.  
W: But you and Toby… I hired you. You would’t know each other if it wasn’t for me. So if you had a child, if would just be something I take a lot of pride in. H: Fine, you’ve touched my heart. Walter is on the list. Just don’t tell Toby.
I think it is by design that Toby (seasons 1 & 2), Happy (season 2), and Ralph (season 3) are the three people so far who have encountered Walter just before he makes MAJOR moves in his personal life.  He may be egotistical, but he strongly desires to leave a mark on the next generation in the hopes that the hub he created for his team will continue to flourish in his absence.  This is why he is so eager to be an important figure in Baby Quintis’ life.  He brought Toby and Happy together by hiring them, which planted the seed.  He wants a little credit, which is not surprising for a man who focuses on research, not athletics. 😂  If not by name, then maybe he could be a godparent.  Yet, I have a feeling choosing godparents will turn into a competition like the one for Quintis’ Best Man & Maid of Honor!  We all know how that turned out!  #dejavu 😉😂😂😂😂😂  
It’s Official! Toby & Amy Reunite! 😱 
I don’t usually address spoilers in my reviews, but this one is EPIC!  As you’ve likely heard by now, Toby’s ex-fiancee, Amy Berkstead, wife of his nemesis, Quincy, will be introduced on screen in episode 4.13 Apocalypse Nerd, which premieres after winter break (premiere date unknown right now)!  The actress, Shantel VanSanten, is slated to recur this season.  Given the current arcs, her occupation as a geneticist doesn’t seem like a coincidence!  This news is very exciting because we are finally meeting a character who has been mentioned in the series and has a history with a member of the team.  It’s logical to assume that she knows Toby in ways Happy and the others do not.  Although it might not always seems as such, Toby hasn’t talked extensively about his past, except for the few quips here and there about his parents and gambling experiences.  (Here’s looking at you, writers! 👀)  Therefore, this development opens possibility to get more Toby backstory the fandom has craved for a while through Amy.  The Baby Quintis storyline also gets interesting in the wake of this news.  If Happy isn’t pregnant before Amy’s arrival, then the events of this episode in relation to this arc will provide more clues to the eventual direction of Baby Quintis’ introduction to the series (biology or foster; end of S4 or during S5).  Is it possible that Toby, Happy, or both of them reach out to Amy for fertility and conception guidance?  As a geneticist, she can provide a unique perspective on fertility even if that is not her specific scope of practice.  All I know is things just became interesting!!!  So excited!  
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Drabbles…
Toby smells a fish! He knows there’s more to Cabe’s story! Time for experimentation!
I love that Paige and Happy went grocery shopping together and discussed baby things! This is what I want for my ladies at this point in the series! 🙌🏾🙌🏾🙌🏾🙌🏾
Really Walter? Walina? The looks from Happy and Paige… 😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂💀💀💀
I know the fandom has really advocated for a girl named Grace after Happy’s mother given all the promptings surrounding that theory for Baby Quintis. But what significant names would you choose if Baby Quintis is a boy? My first thought is Marcus after the middle name Toby wished he had instead of Meriwether. 👶🍼
Chair of Blades… have I heard this before?! 😉😉😂😂😂
A fish-based protein shake inspired by Walter’s brain food regimen? Sounds like 2.23 Chernobyl Intentions all over again! 😂😂😂😂😂😂😂😂😂😂
Wardrobe mention: What is up with Paige and these blue blouses?! Still wondering if this connects to something significant. It’s a nice color on her! This is why I keep throwing blue hearts on all my Waige mentions. 💙💙💙 Hehehehe!
Ralph was trying to prevent a problem and only created a bigger one! Oh pobrecito! Florence wasn’t having it! Insert Mama Paige!
Walter comes to Paige’s defense on her parenting skills! 😍💙🙌🏾🙌🏾🙌🏾🙌🏾
Florence and Walter are having an ego-filled IQ scuffle! Something about this exchange feels like deja vu. Maybe Toby has something to say… W (to Paige about Florence): She’s arrogant… and condescending. T: Hi pot! I see you’ve met kettle. 😂😂😂😂😂😂😂😂😂😂😂😂💀💀💀 #likeforeal
The formula on the board is nice, but I am shocked at how neat it is on that board. Who wrote it down? It had to be Paige! 😂😂😂
Happy with the launch gun… 😍😍😍😍😍😍😍😍😍
S: I’m having a little bit of trouble dropping the anchor. H: Have you tried a high fiber diet? W: That kind of humor is Toby’s influence. (Happy smiles) S: Guys, seriously, I’m jammed up! H: I’ll let that one lie. 😂😂😂😂😂😂😂😂😂😂😂😂😂😂��😂😂😂💀💀 Happy Quinn, wife of Toby Curtis, everyone! This is the content for which I live!  More Quintis playing with their little brother, Sly! 
H: Since when does Toby force my hand on anything? W: He got you to marry him. H: Touché. 😂😂😂😂😂😂😂😂😂😂😂😂💀💀💀💀
W: I’m just saying that history has had its share of exemplary Walters. F: Milwaukee North Side Strangler, Walter Ellis; Sir Walter Raleigh, founder of the doomed colony of Roanoke; and, of course, Walter Mondale. W: What wrong with Mondale? F: He lost 49 out of 50 states. (looks to Happy) So if you want your kid to grow up to be a loser, that’s your choice. W: Just spread your worms. F: Heh, my buckets are empty. H (smirking): Yeah, me too. 😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂💀💀💀 Anyone else think that “spread your worms” sounds like a funny innuendo? 😉😂😂😂
Sly and the harpoon gun… 😂😂😂😂😂😂😂😂😂😂😂😂
W: I focus my time on research, not athletics. F: (looks Walter up and down) Yes. 😂😂😂😂😂😂 Looks like Florence’s focus on Tae Bo is helping her out today, Walter, while you’re stuck to figure things out on a quickly disintegrating island of trash! 👀😂😂😂
I was thinking about what Toby would’ve said if he was there or listening via comms the whole time Happy climbed across that rope. You know he would say SOMETHING about the possibility of Happy being a goner if she entered that water with the jellyfishes!
S: We have extra plastic balls from when we launched the binding agent. We can fill them with my protein shake. H: Paige, I will talk you through modifying the launcher so it can properly toss Sly’s lunch. F: Really? Could you people be any less mature? P: …we could be infinitely less mature. Happy could’ve easily said it was time to launch Sly’s balls, but she didn’t. S (to Florence): Hmph! Me: Tell her Paige!!! 👊🏾👏🏾👏🏾🙌🏾🙌🏾🙌🏾😂😂😂😂😂😂😂😂😂
It’s so funny how Walter automatically listens to Happy just like Toby does with her. And yet, he doesn’t know how Toby does it. Um, hello pot! Meet kettle! 😂😂😂😂😂😂😂😂😂😂😂😂💀💀
PAIGE LAID THE SMACKDOWN ON FLORENCE!!! FLO TRIED IT, BUT PAIGE SAID, “NOT TODAY, SWEETIE!” Paige is great at her job! She’s working well with Florence.
Anyone else see that smile from Florence when Paige accepted her apology? I think we have found an emotional point of entry! 😉
Florence might have failed with her binding agent, but she came through with the sealant!
Well, well, well, 👀 who decides to save Florence and acknowledges her future scientific contributions are a part of the greater good! We see you, Walter! Someone has developed a sense of respect in the midst of a small moment of redemption. 😱👀😉😂😂😂😂😂😂😂😂
How many zippos has Happy surrendered at this point in the series?! 🔥🔥🔥🔥🔥
W: Oh Happy, if I ignite, will you tell Baby Walina I was a hero? H: That’s never gonna happen. W: What? Me igniting or you naming the baby after me? H: Don’t make me choose. 😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂😂💀💀
Jadyn Wong is so flippin’ gorgeous!!! That shot of her taking off that apron with her hair tossed to the side… 😍😍😍😍 I’ve got a girl crush!
Y’all… neither Toby and Happy really cook for themselves. So what are they gonna do when they have kids?! That will change real quick when the food bills for that kid start racking up! 👀😂😂😂😂😂😂😂😂😂😂😂😂😂
It’s so funny how the team has decided to say “Flo” instead of “Florence” and Florence keeps correcting them each time! 😂😂😂😂😂😂
T: Cabe, you did not fail your father. And you’re not failing us. You’ve taken care of us for a long time. Now it’s time to let us take care of you. 😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭 I sense this will come back again later down the road… 🤔😉
I get really giddy when I see Allie with Cabe! CALLIE!!!!!!! *insert fangirl scream* ❤️❤️❤️❤️❤️
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swimintothesound · 6 years
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Swim Into The Sound’s 2017 Un-Awards
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Welcome to Swim Into The Sound’s first annual Un-Awards! In this direct (and more negative) companion piece to our Diamond Platters, we take a moment to reflect on some of the worst moments in music over the past year. From bad lyrics to tasteless cover art, this is a quick-hit version of the lowest points that 2017 had to offer.
In a year where we keep thinking “well, at least things can’t get any worse” 2017 always managed to surprise us. From politics and celebrities all the way down to movies and music, this was a year of general-purpose deplorable behavior and reprehensible choices. While there were plenty of good moments over the past 365 days, you will find that none of that light reaches these depths. This post is a place of darkness, a hell devoted solely to the most soul-crushing and life-questioning music of the year.
I’d also like to throw out a disclaimer that I don’t particularly like being pessimistic, especially when it comes to art that people have (presumably) worked hard on. Aside from that, negativity stands in direct opposition to the ideals that this website was founded on in the first place. What I’ve found is that it’s hard to talk about the good without also thinking of the bad, especially for a year like 2017. As I mentioned before, the previous post is the exact inverse of this one, and the next article going up will cover our favorite albums of the year, so if you are searching for affirmation, this is not the place to find it. Just think of this as the lone negative meat in a positivity sandwich.
Truth be told, aside from a few visibly-frothy entries, most of these awards are positive spins on negative experiences: moments that surprised me, music I’m embarrassed to enjoy, or weird synchronicities that I noticed throughout the year. I could have gone out of my way to shit on Katy Perry, The Chainsmokers, Imagine Dragons, or any number of middling radio-ready albums that were released this year, but at a certain point that all just feels redundant and hack. I prefer to be original in my distaste. So without any further adieu, I’m proud to present Swim Into The Sound’s list of the most spine-chillingly-regrettable music of 2017.
Biggest Disappointment
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Winner: Queens of the Stone Age - Villains
Being a fan is a mixed blessing. The upside is that you get to enjoy the rollercoaster of hype that is an album rollout and you get the sweet experience of listening to a highly-anticipated album for the first time when it releases. On the flip side, that fandom can easily backfire if your expectations have been built up too high. While I love Queens of the Stone Age, in 2017 I fear that I may be outgrowing them. The group’s 2004 release Songs for the Deaf is literally my favorite album of all time, and there’s no higher praise than that. Each record since then has been good to great until 2013’s ...Like Clockwork which just didn’t sit right with me outside of a select few songs.
This year, the group’s seventh LP represents a new artistic low. Featuring limp “dancy” grooves, irritatingly-clean instruments, and some of the most laughable lyrics I’ve ever heard, the band we see on Villains bears little resemblance the one that I fell in love with years ago. I recognize that wanting a band to stay the same is a shitty thing for a fan to ask, but I just can’t understand, enjoy, or tolerate the direction that the group is headed. I’m a lifelong fan, but that makes these recent records hurt all the more. When you love a band, you devour each release that they put out. Even if the last few records haven’t hit as hard, you stick with them because you want them to be better. The excitement of something new is impossible to stay away from, but now after months of listening, all I want is for Villains to stay away from me.
Runner-up: Portugal. The Man - Woodstock
While I wrote glowingly about Portugal. The Man’s entire discography last month, Woodstock (while not bad) is not an album that I particularly wanted. It’s not the band’s worst, but it’s the most sterile, safe, and poppy album that the group has ever created. Outside of a handful of adrenaline-pumping car-ready songs, Woodstock takes no risks. The album breaks no new ground, asks nothing of its audience, and seems entirely too content to settle. While those qualities are the exact opposite of what I expect from the trailblazing Portlanders, I’ll hold my reservations until I hear what comes next.
Album I Feel Like I Will Adore In A Few Years
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Winner: Fleet Foxes - Crack-up
Until earlier this year I never particularly liked Fleet Foxes. In preparation for their 2017 release, I found myself endlessly replaying the group’s self-titled LP alongside Helplessness Blues while doing other things. Somewhere along the line “inoffensive background music” turned into brilliant folk epics, and I finally understood what made the band so unique. However, in a Bon Iver-esque pivot, Fleet Foxes’ third LP Crack-up represents an experimental shift in sounds, and unfortunately, it’s a change that doesn’t sit particularly well with me. There are some awe-inspiring moments scattered throughout this record, but as a whole, it’s not a release that stuck with me in the slightest, let alone one that can hold a candle to the band’s earlier work. I recognize that there’s something special going on in Crack-up, but I feel like it will just take some time for me to properly excavate it, just as I did with the group’s first two records.
Runner-up: Sun Kil Moon - Common As Light and Love Are Red Valleys of Blood
Sun Kil Moon is another artist that I’d never listened to until 2017. After hearing this year’s mouthful of an album Common As Light and Love Are Red Valleys of Blood, I came away pleasantly surprised. Featuring solemn, looping instrumentation and long podcast-like narration by Mark Kozelek, I listened to all two hours and ten minutes in complete fascination. I dipped back into his previous work like Benji and loved it just as much, but for whatever reason, I never ventured back into Valleys after that first listen. Maybe it was the album’s lengthy running time or the idea that the narration would prove too distracting for a casual listen, but Valleys always felt too daunting to dive back into. I feel like one day when I’m a middle-aged dad with a couple of kids I’ll finally have the time to revisit this album and it will speak to me on an entirely new level. The songs and stories here feel like something that I will find solace in when I’m older, but I just don’t have the 2+ hours right now.
WTF Moment of the Year
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Winner: Bhad Bhabie
Of all the memes to emerge from 2017, few have been as successful as 14-year-old Danielle Bregoli. She first gained traction in January thanks to a Dr. Phil clip in which Mrs. Bregoli challenged an audience member to “cash her outside.” The teen’s delivery of the phrase caught fire and became a meme/infinitely-renewable social media caption for a hot minute. One of the more perplexing news stories of 2017 (and that’s saying something) was Danielle’s announcement of her music career as “Bhad Bhabi” complete with a deal on Atlantic Records. Preceded by an appearance in a Kodak Black video, this announcement blindsided the music world and spawned a million think pieces. However when Bregoli released her first song in August the unthinkable happened: It wasn’t that bad.
The video for “These Heaux” was the first part of a one-two punch alongside “Hi Bich” that set social media ablaze in September. As everyone collectively remembered the months-old meme from what seemed like a lifetime ago, most people took this as an opportunity to laugh at her once again. Meanwhile, I watched the same videos as everyone, and recognized it as bad music, but found myself embarrassingly enjoying both songs. “Heaux” and “Hi Bich” are both competent and well-produced Rae Sremmurd-esque bangers that, yes, are propped up by production, but still enjoyable. The truth is, they’re musical fast food. It’s not nutritious, healthy, or even filling, but sometimes you just need to bask in the utter trashiness that is Bhad Bhabie.
Runner-up: Lil Pump
Earlier this year I wrote a 3,000-word post in which I attempted to reconcile my newfound love of trap with my extreme dislike of the current crop of SoundCloud rappers. While that write-up was primarily inspired by the reprehensible human being that is xxxtentacion, I now regret lumping Lil Pump into the same category. While his brand of blown-out hyped-up trap is of the same school as xxx, Lil Pump isn’t nearly as bad on a personal or musical level as Onfroy. More surprisingly, I actually found myself liking his breakout single “Gucci Gang” more than I am comfortable admitting. Featuring a worryingly-mindless chorus and the same laundry list of flexes as most trap hits, “Gucci Gang” manages to be an infectious banger that has also propelled Pump to the forefront of both the charts and popular culture.
Most Un-sexy Sex Song
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Winner: Alt-J “Hit Me Like That Snare”
In an interview with Q Magazine, Alt-J’s lead singer Joe Newman described “Hit Me Like That Snare” as an “atypically filthy psychedelic grind.” Wow, guys. Wow. If you want to avoid listening to the song, I don’t blame you. All you need to know about this track is that the band rhymes “slithering” with “scissoring” (yes, that kind), and the lead singer describes the song as “spicy.” Whew.
Runner-up: DJ Khaled “Wild Thoughts”
While I thought “Wild Thoughts” was exceedingly-sensual on first listen, the song now has too many things working against it for me to find any titillation here. From Rihanna’s baby talk to memories of dancing hot dogs, I just can’t listen to this song without picturing Santana’s face, or DJ Khaled screaming. The single achieved a level of cultural-pervasiveness so quickly that it became saturated beyond its original artistic vision. God knows I have no problem with DJ Khaled, but this track now contains too many distractions to remain pure. The music video is still unspeakably steamy, but as a whole, “Wild Thoughts” has lost what little sexy luster it initially had.
Am I The Only One Seeing This Shit?
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Winner: Rappers Counting
I’ll admit that this category was created with the sole purpose of repurposing already-written articles, but that doesn’t make the observations contained within them any less valid. The first of these two hyper-specific happenings of 2017 can be found in this article where I outline three examples of rappers using numbers as lyrics. Not like clever wordplay involving numbers, but counting upwards sequentially one numeral at a time. It’s a weird thing to have happened multiple times in one year and feels like such a lazy cop-out of songwriting, but at the same time, each artist in the list manages to make it work for one reason or another.
Runner-up: 21 Savage’s Food Lyrics
Another weirdly-specific phenomenon of 2017 is something that I noticed while listening to 21 Savage’s debut Issa Album over the summer. Despite his tough gangster exterior and dark, moody beats, 21 also managed to fit an alarming number of food references into his first retail outing. While not particularly jarring, these references provide a weird contrast to the rest of the Mr. Savage’s “murder music” and end up sticking out like (multiple) sore thumbs throughout the record. It happened just consistently enough that I began laughing every time they poked up, and I felt the cosmic need to compile them somewhere, so I did.
Most Insensitive and Heavy-handed Song about Suicide
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Winner: Arcade Fire “Creature Comfort”
On this second single off Arcade Fire’s Everything Now, we hear Win Butler clumsily address the topics of suicide and self-harm. The song’s first verse explains “Some boys hate themselves / Spend their lives resenting their fathers / Some girls hate their bodies / Stand in the mirror and wait for the feedback.” Taken on their own, these lines aren’t particularly offensive, but it’s the second verse where things get truly tactless: “Assisted suicide / She dreams about dying all the time / She told me she came so close / Filled up the bathtub and put on our first record.” I mean, what a pretentious and shitty way to insert yourself into someone else’s misery. It’s such a bizarre form of narcissism and masturbating to your own past, this line truly is one of the grossest sentiments that I’ve heard put to music over the past year.
Runner-up: Brand New “Same Logic / Teeth”
While it’s true that suicide isn’t exactly a groundbreaking topic for an emo band, Brand New somehow manages to stumble over it fantastically one of the few times that they tackle the subject. Surrounded by excellent songs of diverse sounds, styles, and topics, “Same Logic / Teeth” sticks out as Science Fiction’s  most significant blunder. With questionable lyrics, bizarre vocal choices, and overwrought sentiments, it’s easy to see why most bands would prefer not write songs about killing yourself because the only time I have ever wanted to end my life is when I’m hearing Jesse Lacey sing about how fish won’t judge me by my faults.  
WTF Moment of the Year 2: Weird Boogaloo
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Winner: Vulfpeck “Captain Hook”
Venturing back to the “WTF Well” for two more entries, another of 2017’s biggest surprises came at the end of Vulfpeck’s Mr. Finish Line. The band’s third full-length studio album is a stone-cold chiller, but after half an hour of unspeakably funky tracks, “Captain Hook,” the record’s final song threw me (and every other listener) for a massive loop. Teased as a collaboration with Bootsy Collins, most fans expected a brainwave-shifting epic of an album closer, a modern “I’d Rather Be With You” but with even tighter instrumentation. What we got was a goofy comedy track featuring two of Vulfpeck’s members affecting the voices of an infant and an old Jewish man. Bootsy’s contributions are noticeable but minimal, and as a whole, the track is just a fantastically-bizarre experiment. “Captain Hook” is a weird child-like song featuring a trio of the three most disparate voices you could ever imagine, however (now that I know what to expect), I absolutely adore the song. It’s such a weird marriage of voices that, when combined with Vulf’s approach to music, circles back from annoying to endearing. It’s one final cherry of weirdness on top of the funk sundae that is Mr. Finish Line.
Runner-up: Taylor Swift “Look What You Made Me Do”
Preceded by snake imagery and a dark rebranding, “Look What You Made Me Do” marked Taylor Swift’s long-awaited return to the forefront of pop. After 2015’s 1989, numerous turbulent relationships, a public unmasking via Kardashian, and a complicated legal battle, the song represents Swift’s full embrace of the dark side. As the first single released off Reputation, “Look What You Made Me Do” was met with waves of confusion when it dropped this fall. From the Right Said Fred sample to the thinly-veiled jabs at her detractors, nearly everything about this song was poked and prodded through upon it’s August 25th release. There’s a strange schadenfreude to watching the biggest pop star flail to spectacularly, but at the end of the day she’ll still make a million dollars, sold-out rock stadiums, and be more successful than the richest DC supervillain, so as much as I want her to succeed, I guess it’s also okay to laugh. I definitely haven’t “come around” to the song, and I doubt I ever will, but the air of “what the fuck” was palpable the night that this song was released.
Weirdest Flex
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Winner: Lil Pump “Gucci Gang”
After a brief intro and meme-ready chorus on “Gucci Gang,” Lil Pump surveys his surroundings and begins to describe them in the song’s sole verse. “My lean cost more than your rent” he boasts, “Your momma still live in a tent” he continues, “Still slangin' dope in the 'jects / Me and my grandma take meds.” These lines are so outlandish and bizarre that I can’t help but love them. First, we get the worrying comparison between the upkeep of his own opiate addiction to monthly rent, then the (uncalled for) implication that the listener’s mother is homeless, and the final cherry on top: the fact that Pump spends quality time popping pills with his grandmother.
It’s actually one of Pump’s numerous references to the elderly on his scant number of released songs, leading me to think that this is either A) a genuine lyric, or B) a worrying cry for help. At least he’s spending some quality time with his elders before they pass. Even if it’s a drug-fueled haze, I hope that both parties treasure their remaining time together.
Runner-up: Drake “Gyalchester”
On one of More Life’s most hard-hitting tracks, “Gyalchester” finds Drake braggadociously displaying his opulence in rapid lyrical flashes. Halfway through the first verse, the song’s beat cuts out just long enough for Drake to exclaim “I don't take naps / Me and the money are way too attached to go and do that.” While the sentiment of money over everything is hardly new for the rap game, using naps as a framing device to explain how fond of currency you are is such a “Drake way” to go about it. At this point, Drake is far beyond the memes of his earlier career, but lines like this one are how he got that reputation in the first place. All this said, I’m not gonna begrudge anyone their beauty sleep or lack thereof, everyone has their own unique schedule... Plus the song bangs, so cornball lyrics are easier to overlook.
Most Abhorrent Cover Art
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Winner: The Darkness - Pinewood Smile
I honestly don’t want to write too much because I just want to stop looking at this. The facial hair. The teeth. The nose ring. The Photoshopped band members. I’m sorry I had to subject you guys to this, but this abortion of a cover is too bad to not share.
Runner-up: Maroon 5 - Red Pill Blues
*Adam Levine walks into the studio*
“Hey, have you guys heard of Snapchat?”
Most Undeservedly Shit Upon
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Winner: Arcade Fire - Everything Now
For the sake of ending on a somewhat positive note, I’m going to wrap up by talking about two albums that were widely disliked, but I managed to appreciate. First off we have Arcade Fire’s fifth LP Everything Now. While I did just spend a paragraph dunking on the album’s suicide track, I actually thoroughly enjoyed this record. I’ll start this off by saying I have no reverence for this band, I don’t care for their older work, and they’ve always struck me as a painfully average indie group. Perhaps thanks to this lowered expectation, I emerged from my first listen of Everything Now with a smile on my face. It was goofy and cheesy, and about as far from subtle as you can get, but I still enjoyed it for what it was. Since the album is in this “shit upon” category, I guess it goes without saying that I was largely alone in this sentiment.
Maybe people were turned off by the unrelenting social media campaign, or just expected more based on the group’s previous work, but either way, it seemed like indieheads the world over were sick to their stomachs after hearing this record. I personally think the album has a wonderful Abba-esque charm to it. There’s a tremendous melodic through-line with the titular “Everything Now,” there are memorable choruses on “Creature Comfort,” and even a gloriously chunky riff on “Chemistry.”
At the end of the day, I think I enjoy Everything Now for the same reason that I enjoyed M83’s Junk. I went into both albums with low expectations and ended up loving the cheesy throwback vibe that they embraced. I can totally understand why that pivot would turn off long-time fans, but apparently, this sound is right up my alley. It’s not going to be on my end of the year list or anything, all I’m saying is Everything Now is good for what it is. You know what? It’s great for what it is. If fans could take their blinders off, remove their feelings on the album’s lead-up, and take this as a standalone adventure, they would probably enjoy Everything Now for the goofy romp that it is.
Runner-up: Foo Fighters - Concrete and Gold
Even before Concrete and Gold was released, I saw about a half dozen articles about how the Foo Fighters have nowhere else to go and are the embodiment of “New Dad Rock.” While it’s true that the band is unchallenging to listen to and don’t exactly think outside of the box, the criticism is a double-edged sword. Aside from being a thinly-veiled put-down, the dad rock label means that Foo Fighters won’t ever release a “bad” record, but they’re also never going to release another “classic” like Colour and Shape. While I agree the group is in a weird spot career-wise, I resent the idea that they won’t ever release something impactful as Colour and Shape simply because they’re older. Apart from the fact that 2011’s Wasting Light was one of the band’s best, on Concrete and Gold we see a band that’s still incredibly hungry.
Eschewing the conceptual framing devices of their past couple releases, Foo Fighters set out to make a straight-up rock record, and they succeeded. The band still go through their usual motions, oscillating from biting punky tracks to slow moody epics, but as a whole Concrete is a record that’s well-paced, well-produced, and solid from front to back. Just because it’s played on the radio doesn't mean it’s an inherently “okay” album, and just because the band is growing old doesn’t mean they’re settling. Concrete and Gold is concrete proof of that.
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multi-fandomtrashtm · 7 years
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So I binged Boku no Hero Academia (SPOILERS BELOW)
So I binge watched and binge read this entire series up to date in about 4 days straight. And let me tell you; this is some good shit. 
It’s a very refreshing and welcome change of pace to a lot of other big shounen. 
To start off, the protagonist, Izuku, starts off as a average guy who wants to become a hero- typical underdog plot, it’s fine. You know what I really enjoy about him? Everything.
I like that right off the bat, he has to train like hell to even start to be able to use his powers. I like how his powers have logical limits. I like how he gets around his quirk’s double edged sword in the beginning with strategy. This is the only shounen lead I’ve seen use strategy constantly and doesn’t have a craving for fighting in some form. I like his design because he doesn’t just have black dots for eyes. I like that he isn’t crazy ripped. I like that he isn’t afraid to cry. I like that he’s both striving for the top and improving himself in just about every way, not just in power. 
The art in this series is great. Personally, I find it to be my aesthetic. I like how the women don’t have huge knockers, though this series certainly isn’t the first to not have it. 
I like how the quirks and designs are unique for each character (except one, but that’s an acceptable gag). Because of their personalities and appearances, I like all of the 1-A class. 
Except Bakugo. 
Holy shit, he was such a cunt. His irrational anger at pretty much everything and him pulling a Leeroy Jenkins was more than annoying. It really bothers me how he never, ever got payback for him bullying Deku for years. Every time he opened his mouth, I just felt so irritated because he would never chill out for even a second, it seemed like. Eventually, his dickishness did tone down a little and I could acknowledge him being smart. I’ll probably never outright like him, but I can tolerate him a lot better now. Bless Kirishima for giving this boy some much needed friendship. 
For story, I’ll just go by the arc. 
Entrance Exam Arc -  Battle Trial Arc
Kind of slow paced. The first time I watched the series, I didn’t get past this because things were just so slow. 
Anyway, just exposition, character introductions and reasons to hate Bakugo. 
Unforeseen Simulation Joint Arc
Very dramatic. I like the fights in this arc. Tomura genuinely creeped me out after I got past his weird design. And his quirk...ouch. Poor Aizawa. 
Sports Festival Arc
VERY good fights and even more characters. It was during this arc that I finally acknowledged Bakugo’s intelligence and started tolerating him. 
I respected Uraraka’s fight with him. It reminded me a lot of Sakura’s fight when she cut her hair. Both girls were seriously outclassed, but tried their damndest try to win through cleverness and strategy. Both still lost, though. I appreciated Urararaka’s endurance, attitude and strategy. I’m sure that it would’ve worked against someone else. Good try. 
Ok, Deku vs Shinso is the only instance of an asspull win thus far. What happened to make Deku break out of the brainwashing just didn’t make sense. I hoped that the author would explain it down the line with All for One, but nope. 
Todoroki’s subplot was interesting. First and foremost, his dad is a dick when it comes to being a father. Experimenting with your own kids to try and project your dream onto them? Stop. Just stop. If you can’t beat All Might with your own strength, then you’ve lost, it’s over. Also, don’t tell me that Todoroki isn’t almost an anime Zuko. Because he is.
I liked Deku giving him some spur of the moment therapy and it was nice to see Todoroki surpass his trauma, if even for a short bit. The art and animation for their fight was stunning. 
Bakugo vs Todoroki was certainly epic. I’m pretty sure that Todoroki could’ve won if he’d used both sides. But I understand him stopping at the last second. A motivational speech from Deku isn’t going to magically erase a lifetime of trauma, I’m afraid. 
Sidenote: I really like Hatsume. She reminds me of Iruma from Danganronpa V3 but less bitchy. 
Field Training Arc
Gran Torino is neat, but cliche. The badass grandpa mentor? He’s this exact trope. 
Stain and Tomura’s interaction was...okay? I guess? It was an interesting conflict in ideals. It also made me realize how much of a manchild Tomura is. 
Wasn’t expecting Iida to have a revenge arc going on. It gave character depth I just wasn’t expecting. Sad that he got stomped immediately. Didn’t expect Todoroki and Iida’s bond at all, either. It’s nice that he’s reaching out, I suppose. 
Stain’s quirk was oddly specific. Deku being un-paralyzed first because of his blood type made me want to call bullshit. But I just..can’t. We knew Deku’s blood type from his profile. We knew that Stain’s ability works with blood. It’s just crazy specific. Anyway, Stain’s death was disturbing. 
End of Term Test Arc
On some level, I knew that Deku and Bakugo would get paired up. Them being able to compromise on fighting and running was a surprise given how stubborn Bakugo is ;especially with Deku. It was nice that Deku went back for Bakugo when he literally got stomped. It’s amazing how he doesn’t hold a grudge against him. 
Wasn’t expecting Yaoyorozu to have a subplot about her lack of confidence, though I had noticed it earlier. Her and Todoroki’s teamwork was neat. I didn’t see him to be the type to give a motivational speech. 
School Trip Arc
Oh boy. When shit hit the fan in the woods, I could feel how scary that would’ve been. Here you are, in the middle of the night, in the woods, probably alone or with 1 other person, surrounded by a CLOUD OF POISON, all you can hear is explosions/screaming/silence and you know that you’re a sitting duck because you don’t know where anyone else is or how strong he enemies are. 
Deku’s fight against the guy that killed Kouta’s parents was a nice show of strength. Fukami’s raging dark shadow was a nice way to get rid of a villain. Overall, I liked it. Just 2 things: 1) Bakugo saying “Don’t come, Deku” was ominous. Nice. 2) I feel like Dabi may know Todoroki somehow. Not like “heard of”, but know him, even if Todoroki doesn’t know him. 
Hideout Raid Arc
Let me tell you; this arc was beautiful. Bless Kirishima and his friendship with Bakugo. Yes please. And the Pro Heroes charging in on the League of Villains was hype as fuck. Everything about that just made me hype in a way that I hadn’t been in months. 
The play on words with All for One blew my mind. “All for One” as in “all abilities for one person” = Stealing quirks so that belong to one person only. 
All Might vs All of One was...beautiful. His determination, the visuals of him cradling the last of his power just for this fight, everyone finding out his secret, everyone cheering him on anyway...Almost got a little emotional there. 
Deku’s mom was being logical in those last chapters. I’d be wary if my son’s school kept constantly being hunted down by just about everyone and he kept getting injured every time. But through the power of Kouta’s sweet letter and All Might begging (this was also nice), she caves. 
Hero License Exam Arc
Man, everyone in this is just interesting. Not much to say except the Shapeshifter using Uraraka’s appearance was smart, but not smart enough. 
The whole Rescue Maneuvers thing was very necessary. It’s cool if you’re strong, but if you don’t know how to actually save anyone, you’re not even a hero at that point. Case and Point- Bakugo. Sure he could see who should be prioritized, but I don’t think anyone would be comforted by the way he handles things. Also, it’s hilarious that there’s actually a job of being a Professional Victim. 
Internship Arc
Of course Bakugo wants a fight. Of course. A least he’s not doing it out of irrational anger this time. 
The big 3 are kind of hilarious. It’s Kaede, Sasuke and Vault Boy. Jokes aside, Nejire is the definition of Innocently Insensitive and Tamaki is kind of adorable. 
Nighteye is perfect. I love his dead serious attitude and love of humor. His process of hiring Deku was neat. It’s funny how they’re both huge nerds when it comes to All Might. Look at all that merch!
Eri is cute and I can already see the fandom calling her “an innocent, sweet cinnamon roll to be protected.” Overhaul is intimidating and he reminds me of Law from One Piece. With his ability he could literally annihilate you. Damn. 
Kirishima and Fat Gum’s alliance (even though Kirishima got stomped immediately) was sweet. More than that, I just like the fight itself and Rappa’s attitude. And Toga is joining the fray, well, this is going to be messy. 
 AND THAT’S ALL CHAPTER TILL NOW! 
Whew, that was a lot. 
That said, I really do like this series. It’s my new weekly read. 
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