The old man wound up the little toy once again and for the first time, he could hear the gentle tik-tok-tik of its clockwork-heart.
Mazras eyes grew wide as they krimskrams mouse scooted across the workbench. His long elven ears jittered in excitement as his small childrens hands tried to catch the clockwork animal.
His grandfather chuckled at the excitement of his youngest grandchild. The boy felt his rough hands ruffle his white curls. He loved being in his grandfathers workshop. Its was his favourite place in the crystal tower. But he especially loved being here with his grandfather.
They boy finally cough the clock work mouse and enthusiastically wound it up again until he could no more. This time the mouse shot over the edge of the workbench and disappeared with several metallic clanks and clonks in a pile of metal rubbish in a corner. Mazra yelp in schock and run after the toy. But it was gone for good. He wasn't allowed to dig in the sharp metal pieces. His grandfather chuckled again.
"Don't be sad, boy. We'll build another one tomorrow. An even better one."
Mazra looked up. Quickly wiping away the tears that had started to form in his eyes.
"Promise?"
"I promise. But now come, we have to go. The council is already waiting for me."
Mazra nodded quickly and hurried after his grandfather. Being the heir of the crystal city was important.
~*~
Being the heir of the crystal city was first and foremost exhausting, as he learned about a hundred years later.
When the big double doors of the workshop closed behind him, Mazra dared to finally take a deep breath. The council meetings were the worst part of being an Alverto. Especially when you were the last Alverto left in the middle lands. But he intended to change that. He just had to finish this. He just had to make this right again.
When his head hadfinally cleared out all the councils politics his eyes wandered over the huge construction in front of him. Maybe it would finally finish it today?
He went over to one of the piles of spare parts and metal pieces of former projects. Didn't he have some clockwork thingies back here? He just needed some tiny gears. He dugg around until something sharp poked his index finger. He yelped and quickly drew his hand back. A small drop of blood poured from the cut. He quickly stuck his finger into his mouth, as he pulled out the perpetrator. It was a old clockwork toy. A small mouse. It looked strangely familiar. But the weight of the years and all the other heavily metals scraps had bend and dented it so much so its clockwork mechanisms were stuck now. Mazra sighed.
"You'll do, I suppose." he shrugged and started to disassemble the toy until he found the parts he needed.
The toys clockwork heart had long stopped. But it's pieces gave life to machine that would change the world. Mazras ears jittered in excitement as he finally heard the first tik-tok-buzzing of his masterpiece.
the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again
I wish we had more female characters like Eleanor Shellstrop. One of the most unlikable people you've ever met. Read a Buzzfeed article on most rude things you can do on a daily basis and decided to use that as a list of goals. Makes everyone's day worse just by being there. Dropped a margarita mix on the ground and tried to pick it up, only to get hit by a row of shopping carts which pushed her into the road where she was hit by a boner pill delivery truck, killing her instantly. Cannot keep a romantic partner despite being bisexual. Had a terrible childhood but will die before she gets therapy. Best employee at a scam company. Just the worst but also can't help but root for her to improve.
Absolute loser. Girl-failure. Bad at almost everything. Literally perfect female character.
I’m going a little wild over the fact that Percy started feeling the effects of the chimera’s poison two minutes before he collapsed. I thought this part of the episode was weird when I first saw it because the camera focuses on him when it seemingly should be focusing on Annabeth, but then, I realized Percy’s odd behavior while he’s in focus.
He also turns abruptly, and a little late, to Annabeth, as if he just remembered to listen to her, as if he’d been distracted by something.
Then, this boy starts cracking jokes to cheer her up instead of saying, “Hey, something’s wrong; I could literally be dying.” And you can see on his face a few seconds before he collapses that the poison’s starting to really get to him, and still, he doesn’t attempt to get her attention and ask for help.
Then, when they’re at the fountain, he tells her and Grover that he’s feeling better even though he obviously isn’t, because he’s hoping he’s physically strong enough to pretend. (He falls on his ass.)
100% Percy just didn’t want to worry them and thought there was no way to find a cure in time anyway. I’M SCREAMINGG
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
Speaking of Akemi - guess who else is compared to a bird!
The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
So, just curious how many writers and creators will have to be forcibly outed by relentless harassment before we acknowledge that "This queer characters was written by a cishet person and that's why they're bad" is not good criticism.
I know it's a comedy manga, but the ww manga probably has one of my favorite manga interpretations of Link. Mainly because he feels accurate to his games. He's quiet, he can talk, but he mostly just communicates his thoughts through his actions and body language. He's also just a silly little guy.
(voice of a man slowly losing his mind) does it ever strike you that the plot of aftg is moved by little acts of kindness kevin offered to people who never had any semblance of it before. loving riko when no one would, befriending jean in the nest and keeping him alive through debilitating amounts of trauma, telling andrew he was worth it in a dingy high school locker room, teaching neil every night even if he knew he was about to die