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#I made this when I watched a leaked episode and I planned on posting it when it actually aired but I FORGOT
mycofaerie · 9 months
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guess what I found in my drafts from LAST YEAR
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skamenglishsubs · 1 year
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Subtext and Culture, Young Royals, Season 2, Episode 5
This episode picks up the day after the Valentine's ball.
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Blink and you miss it: Simon hid Wilhelm's sweater under his pillow.
Subtext: A parallel to S1E5 when Wilhelm made the exact same crispbread sandwich as breakfast for Simon.
Subtext: Meanwhile, Alexander has been stewing over what August told him, that Wilhelm was the one to throw him under the bus, so he's not exactly keen on talking to Wilhelm right now.
Blink and you miss it: As soon as Wilhelm gets the text message with the speech, he nervously starts biting his fingernails.
Subtext: Simon is wearing his purple shirt, of course this is how he's feeling.
Subtext: Sara is projecting a bit of her own storyline with August here. She knows he is the wrong person, but she still has feelings for him.
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Subtext: Felice's hair has been a theme this season, she's literally been letting her hair out as a way of protesting her mom's controlling behaviour, and other traditions. She can't defy the housemistress, though, so she ties up her hair.
Blink and you miss it: As soon as Felice gets corrected, Stella ties up her own hair as well. She's also not ready to rebel just yet.
Subtext: There's going to be a parallel here in the next episode, so for now, just note how August sucks up to Jan-Olof, meekly asks to make some changes to the speech, and is shut down.
Subtext: And of course he is a stickler for titles, he doesn't care that August and Wilhelm are informal with each other, the hierarchy must be preserved at all times!
Subtext: Jan-Olof is really on a roll here, perfectly embodying the Evil System and its boring traditions.
Culture: Året med Kungafamiljen is a real show, it's a year-end retrospective containing highlights of what the royal family did during the year, and it is usually aired around Christmas time. However, it's definitely not the most-watched show in Sweden.
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Subtext: Wilhelm is the last person to figure out that the obvious song is obviously about him.
Cinematography: There's some interesting composition in this scene, they're arguing, they're in the same room, they're actually pretty close to each other, but the camerawork highlights the distance between them by making sure they're never both in the shot at the same time.
Subtext: There's maybe a parallel here, Marcus said the opposite to Simon a few episodes ago.
Subtext: And what Simon says is absolutely true, in season 1, the Queen kept it a secret that she knew it was August, to get Wilhelm to deny it was him in the video, and she claimed it was to protect Wilhelm, but in reality she was just protecting the monarchy by burying all unwanted attention.
Subtext: Again, Jan-Olof never contradicts Wilhelm or argues with him. Of course one of the reasons he decided against the new school song was because of Simon, but he can't say that, so he deflects instead.
Subtext: A bit on the nose to have Wilhelm physically being suffocated by the clothes he's going to wear while holding his speech, but whatever.
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Subtext: Bless their hearts for being supportive, but I don't think Rosh and Ayub really understand what they're up against if Simon reports August to the police. Wilhelm wasn't wrong, the court will obviously back August, because he's family.
Subtext: It's pretty funny how Wilhelm sees the entire court as a unit, but of course the Queen has no idea what he's talking about, she doesn't know Jan-Olof made the decision about the song earlier, so to her Wilhelm is having yet another random outburst.
Subtext: Just like Wilhelm told the truth about August and the video, revealing the stakes to Simon, she does the same to Wilhelm and reveals the stakes about the speech and about August being his spare.
Subtext: You all saw my longer explanation post of the plot point, here's the Queen spelling it out again, their plan is to introduce August as a member of the royal family, slowly, to make people get used to him.
Subtext: The way the Queen views her role leaks out a bit here. To her, royal duty is the most important thing, being queen is a job to her that she takes seriously. All the privileges is secondary to her, so she mostly sees what she did to August as burdening him with duty.
Subtext: This is going to be important for later, she tells Wilhelm to think of the repercussions of his choices first, and what he wants second.
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Blink and you miss it: Fredrika proposes to Stella as a joke.
Subtext: The dark side is of course that she's been having a relationship with August in secret.
Subtext: Wilhelm is really warming up to therapy, in this session he pours coffee for both himself and Boris, and he's actively driving the discussion.
Subtext: This is how modern monarchies justify their own existence. It is inherently unfair and undemocratic that they inherit their positions, so one way they justify it to themselves is by convincing themselves that they are fit for the duty, that the can handle the job, and that they are better at the job than most others. Because if they aren't good at the job, why should the country tolerate the royals?
Subtext: Yet another callback to season 1, Erik tried teaching Wilhelm how to do the same, how to keep up a façade, a public persona, and that's what it looked like to Wilhelm because he knew the private Erik, the one the public never got to see.
Subtext: Yet another another callback to season 1. When the Queen tried to convince Wilhelm to deny it was him in the video, she said that no-one asked for this, none of them asked to be born royals.
Subtext: A recurring theme for Wilhelm is that he is never free to make his own choices, he is always bound by duty or traditions or expectations, so it's important that Boris encourages him to start making his own choices.
Subtext: August is practically holding court here, so Wilhelm gets a glimpse of what it would be like if he lets August take over for him. The choice is his, but this is one of the consequences.
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Subtext: We're really on a roll here with all these choice and their consequences, so here Wilhelm lays out Simon's choices - and consequences - around reporting August to the police.
Subtext: In the end, Wilhelm chooses to accept whatever Simon decides, and if August can't be his backup any longer, he has decided to keep being the crown prince, for Erik's sake, and not for his mom's sake.
Subtext: A nice little callback to episode 1 where Simon told Wilhelm to start being honest and talking about how he felt.
Subtext: We don't know it yet, but this is where August tells his mom to sell off some of his assets, so he can buy Rosseau for Sara's sake. He refused to do this to pay for his tuition last season, but apparently this is worth more to him? How sweet, character development! Sara is changing him into a better person! Let's see how long that'll last...
Cinematography: When the show was casting people, Malte originally auditioned for the role of Simon. I thought that was ridiculous, because he's so good at being stuck up and smarmy and evil as August, how could he possibly play Simon? I don't know what they've done with the lighting and styling in this scene, but damn it if he isn't cute as fuck here! How does he do it? I could totally see Malte pull off playing Simon if he looked like this the entire time!
Subtext: I think it's interesting that Wilhelm and Simon have never ever had an interaction like this, they have never discussed their future life as royals, because neither of them really wants that kind of life. But both August and Sara want that, so they're having this discussion, they're imagining themselves as future royals.
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Subtext: This entire book discussion is dripping with obvious subtext, you should all be able to pick this up without my explanations! Let's go through the highlights.
I think Henry is projecting a bit here, maybe he is the one that hasn't talked to his crush? Maybe he sent the poem to Madison? We'll never know!
Sara is definitely projecting, she's saying it's ok for her to be in love with August despite all the bad things he's done, because she thinks she can change him.
Simon is just straight up admitting that he's finally realizing all the pressure Wilhelm is under, and that it's actually not that easy for him to make the choice to live openly.
And Wilhelm straight up admits that he's been somewhat of a selfish jerk, putting himself and his royal troubles above everyone else.
Subtext: Karin Boye really did commit suicide, so let's hope that's not some kind of foreshadowing or symbolism.
Blink and you miss it: August is actually looking at Sara and smiling at her, but Simon misinterprets it as August secretly laughing at him for the sex tape.
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Subtext: It's a bit late for this now, but here's one more detail on how Marcus is "perfect" for Simon, their parents apparently know each other, and both moms are so happy that their sons are dating. That Sara tries to teach her mom how to behave around the Queen is the complete opposite of that.
Cinematography: I've bitched before about how many gay-themed tv shows still use homophobia as a driver for drama, and it's just so nice to watch a show that's the opposite of that. Simon is gay, Marcus is gay, and their moms are just getting together and gushing about how cute their sons look together and how nice it is that they're dating.
Subtext: Sara is panicking here while trying to hide it, because she still hasn't told her brother that she knew it was August from the start. Bit of a dark side, eh?
Subtext: We've seen a lot of reasons for Simon making this decision, and one other reason has been somewhat of a theme in the first half of this season; we've seen Simon getting unfairly punished all the time, while the upper-class kids got away scot free. So enough is enough, it's time for August to get what he deserves.
Subtext: This episode has focused a lot on choice and consequences, but here Wilhelm decides not to burden Simon with the consequences of the choice. He's selflessly accepting it and that he now must keep being the crown prince, even though the pressure of it makes him physically ill.
Blink and you miss it: Wilhelm printed out the speech and nailed to his wall so he could practice it.
Cinematography: Colour theory anyone? Simon has been bottling up his feelings for Wilhelm almost the entire season, he wore a yellow sweater this episode, hiding the purple shirt beneath, but Wilhelm took off Simon's clothes and turned the whole thing inside out so the purple shirt is now very visible, finally. Also, that is one blue room!
Subtext: Yes, they finally remembered to close the curtains. And this time the show also fades to black, we don't get to see them having sex, because we are the nosy public that has been watching all along.
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daylightcommand3 · 6 months
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TMNT (2012) To Me: Official Nickelodeon Message Boards
Back when the show was airing, Nickelodeon.com had a small little section for each show, including TMNT 2012. I plan to go into the website in more detail at a later date, what's important now is one option in a little drop down menu. A tab labeled "Boards".
The tab led to message boards officially run by Nickelodeon. There was one for every show, but I stuck to TMNT. Here, TMNT fans could discuss any and all matters relating to the show. Except for that one post asking about if anybody watches Gravity Falls. This clearly was the only way some kids could talk to other kids online.
The boards looked like this according to the Wayback Machine:
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But I remember them having a background like this for some reason:
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Also, going through the WayBack machine, I was reminded of the weird emojis they had:
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If I recall correctly, I started going onto the message boards around the Parasitica episode. I was a lurker. I didn't have my own account yet. Around season 2-3 I made my own account: fishfan; Fishface was my favorite villain in the show. I still never posted anything.
Regardless, going on the boards was always a magical experience. I was able to hear more about my favorite show. I got a peak into other people's experiences and joys. I got to see the show in new ways. It was beautiful. Let's go over some of these experiences.
Aliens Among Us
A rather simple memory was when a user talked about how they believed the Kraang were real. Or at least aliens. Their TV sometimes glitched and they often heard things outside at night. Looking back I can laugh at how ridiculous it was. It's clear that it was an easily scared little kid making the post. However, at that time I quickly moved onto other posts in order to get my mind off the horrifying implications I was just exposed to.
Pro-Donnie (ish)
The TMNT message boards were my first exposure to ship wars. I was on the frontlines of the Apritello VS Capril ship wars. I was on the side of Donnie as he was my favorite turtle. Also because he clearly put in more effort and time into wooing April. However, the post in discussion is not about my feelings, but the feelings of another user. I don't remember the users name, but their words are ingrained into my head.
"I want Casey to end up with April, so Donnie can be all mine."
I was not a fan of this posts message. As stated before, I was on Donnie's side. Casey seemed like a nice guy, but I couldn't see him in a relationship. What really got to me was the irrationality of ending up with a fictional character.
I didn’t understand self shipping at the time, or even having a crush on a fictional character. So, the concept of dating a fictional character was incomprehensible to me. I swiftly ignored the post.
Leaks
Another post stuck in my mind was a leak of four season 2 episodes. I remember stumbling across a post that detailed the titles and descriptions of the following episodes: The Wrath of Tiger Claw, The Legend of the Kuro Kabuto, Plan 10, and Vengeance is Mine. I was excited, especially for Tiger Claw's return. Yet despite my amazement, I was still unsure if this was the truth.
After what felt like what a year, I finally was able to confirm the leaks. Those episodes were real.
Foretelling
I remember seeing a post stating that:
"stnwfnasie and beoieisp might be Bebop and Rocksteady. The purple mohawk is a dead giveaway."
They said the actual names in the post, but I didn't recognize them at the time. However, the term purple mohawk tipped me off that the master thief in some way or form is connected to Bebop and Rocksteady. Two names which I had no familiarity with. Yet.
Here's how Raph X April can still win...
One post that baffled me was that a user was calling for Raph X April. At that time I really only acknowledge ships pushed by the show. So, this ship just seemed to be complete and utter nonsense. Their evidence was flimsy to me: "The one and only Raphael". He smiled as she said that. She leaned on him in the episode Speed Demon. Utterly ridiculous to a young me.
Crushed
There were a lot of people who had crushes on the turtles. I didn't have a crush on anyone in the show. I was just in it for the cool monsters and robots.
Same Name
There was a lot of role-playing as characters. I remember one in specific about someone pretending to be Shredder reacting to a Nickelodeon website music video about Shredder.
Gender Roles
In going through the WayBack Machine, I've been reminded that there was a lot of girls only and boys only posts, which I often did not respect and went in anyway. I was also reminded that a lot of girls were very adamant that they liked the show, despite it not being targeted at them. Some things never change.
Conclusion
Only now am I able to appreciate how truly special the message boards were. The reason for this whimsy is that there were no adults. I mean, why would an adult go onto a website designed for kids to talk about a show when they could just go on one of their adult social medias. The Nick Message Boards were for kids exclusively. As such there were no adults with no lives spouting their hate and dogshit opinions. All our complaints were trivial and laughably petty. It was a paradise. A safe haven.
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The simpler times.
Now that we've established some context, let's go over season 2.
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Let's Rewind! Toast watches Voltron: Defender of The Universe (1984)
Season 1, Episode 35: Doom Boycotts the Space Olympics Season 1, Episode 36: Lotor's Clone
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Episode 35 Doom Boycotts the Space Olympics I realized the text was hard to read in the long post so here's some color so you can tell which episode is being watched
wild that whoever made the choices for the space Olympics really thought hard and said "yes we're absolutely having it on Arus, where it's currently at war and has a weekly occurrence of giant fucked up robots fighting each other"
Is soccer actually an Olympic sport or is the world cup the biggest even for them?
Oh so doom IS actively boycotting the space olympics, I know It's for evil reasons but i have to agree just based on the fact THAT ITS ON A PLANET IN ACTIVE WAR AND ROUTINELY HAS GIANT MECHA FIGHTS
why are the boys in an army barrack 😭 the castle is right there is it not
Allura this is why you KNOCK walking in on the team showering in only towels is your fault entirely LMAO the boys are ragging on nanny for trying to make it their fault svsiodv woman just sit down and leave the food at this point
"I'm sorry I meant to surprise you!" "You did!" Keith that was adorable omg, I know you guys can't hear it, but his tone was the cutest
I love this show because in every other one it's hunk looking after Pidge, but originally it was Lance instead T-T He's currently very concerned about Pidge eating two kabobs at once, at least he isn't talking with food in his mouth
I'm sorry when did haggar get blueprints to voltrons wiring??
are they about to make a decepticon out of the beefed up bulldozer the team has outside to build the stadium?? Oh my god they are
man the only reason the team finds out about lotors plan is because one of the kids that was tagging along with hunk this entire time needed to take a leak outside 💀
haggar described her weird virus for that bulldozer as like a chip,,, it is not a chip it's a tiny robeast that takes over the entire machine just by standing onto the hardware i know they were making it easier to understand for kids but c'mon that had to be confusing for them, kids are real smart anyway
The boys: kid you were dreaming, nothing attached itself to the bulldozer (bulldozer proceeds to turn on and wreck their barrack) the boys: O-O guys please listen to the children, they're so upfront with everything they see its wild
PIDGE WHY ARE YOU JUMPING STRAIGHT ONTO THE BULLDOZER well at least he found out nobody was driving it UNTIL IT THREW HIM OFF, he's a gymnast (ninja) though so of course he lands on his feet anyway like a goddamn CAT
why do they always make hunk grunt like that? wild somehow they figured out it was lotor, i mean i feel like itd be obvious once they knew nobody was in it but still
OH SO PIDGE DOES ACTUALLY REFER TO HIMSELF AS A GYMNAST, THATS ACTUALLY SUPER COOL still doesnt make it any less insane that pidge LEPT ONTO THE ROOF OF THE BULLDOZER
WHY IS HE SO LONG IN THE DRIVER'S SEAT, IT LOOKS LIKE THE PASTED HIS HEAD OVER LANCES BODY he didnt even stop the thing i think lotor just told it to stop to lull them into a false sense of security
that same kid was yelling about not being listened and immediately punched the control panel with started up the bulldozer again 💀 I think you're old enough to know how to regulate your emotions my dude oh also he and two others are trapped inside now, dire stakes indeed
hunk and pidge got thrown off the bulldozer, how high up were they?? ft older brother lance again because he was making sure pidge was okay in the background
at last a lion comes out to actually do something NOT BEFORE THE BOY GOT BURIED ALIVE THOUGH WHAT THE FUCK THEY SHOULD BE DEAD
I don't think this is the first time lotor has told allura his plans for her, but it's good that he actually tells her so she doesn't get a worse idea
the team is free after allura creates a goddamn tsunami in the stadium ft MORE OLDER BROTHER LANCE BECAUSE HES HOLDING PIDGE NEXT TO HIM IN THE WATER
immediately after being freed the kids just sit there and do nothing UNTIL THEY GET TRAPPED IN IT AGAIN god this show makes so many characters stupid
all-scan?? Are you telling me you fuckers could've done that before, and you just haven't?? I'm gonna say you just recently learned it for my own mental health
the kids are out after Hunk bashed his way inside without a lion i love seeing scenes like these because the pilots are actually skilled outside of being inside the lions!
Ooh so I was right, it was a mini robeast who could interact with machines, and then it just combines with it to make it an actual robeast well they could've just said that earlier >:/
voltron is formed and definitely is spewing propaganda for the olympics but at least hes able to damage the robeast LMAO
holy shit easiest fight ever, they barely even did anything to the guy before pulling out blazing sword and skewering it
time to rebuild the stadium and gym using the lions my question is why they only gave one of those beefed up bulldozers to the team
/episode end
Episode 36 Lotor's Clone
Episode opens with Zarkon yelling at Lotor, this oughta be good lol
"quit sending robots to arus and destroy voltron yourself!" my guy how the FUCK is one dude gonna do that, you kind of need another big guy to help weaken him first
"you mean really lead? Like from up front?" "Where else you idiot!" LMAOO
I know they make the doomites robots so the show can skirt past ratings but do not give robots that much sentience and still say they're not people these fuckers were talking about defecting and living on Arus!
oh so this episode's robeast is just another lotor because he doesn't actually want to do the work HAHAHA
"but beware, whatever you know he will know" foreshadowing?
onto planet arus, the team is doing some lion training
Pidge: it feels like my head is on backwards! Keith: I always knew that! THE KID JUST FELL OUT OF THE SKY KEITH BE NICE LMAO
Pidge: did you know your nose wiggles when you're upset Keith: my fist wiggles too! KEITH PLEASE-
mystery power surge huh, at least we can tell that the castle actually has employees since they're running around trying to fix stuff
oh never mind the drules have an actual robeast that's fucking with the castle, the lotor clone is just so lotor doesn't have to do any of the work expected of him LOL
Keith has a plan but i can't remember the sleds/boats he mentions having used before with the team maybe they're just making it up to show that the pilots actually hang out on their off time fnvsdoi
"some of these parts are older than nanny!" GET HER ASS LANCE
it's good to know that the pilots are all slightly mechanically inclined, definitely a skill they gotta have to actually stay alive on Arus
Not lotor complaining that his clone isn't working hard enough for his hero image 💀 no wonder this man always gets his ass kicked
secrets out, keiths been fighting the clone this whole time and because of lotor having a telepathic argument with it, he knows it's not the real him anymore
Damn he was so offended by the clone calling him Lotor used the robeast to blow his ass up 😭 Keith's right, this was his only chance at winning
did they just fix up that sled thing to not actually use it?? What a waste of time oh never mind lance is using it while the others use the lions
"if you're gonna lie around the beach all day I'll come back later" i don't think any other show can replicate the absolute sass dotu lance brings
I like that hunk is the defacto leader when its him pidge and allura, I know allura has no experience so she wouldn't be but i wouldn't be surprised if they tried to pull something like this with pidge lol
voltron is formed, haven't seen lion head attack in a while so it's nice to see it back man that robeast just stoof there and took the beating, are they just giving up at this point soidns
ooh scene reuse, this is definitely from the bridge episode that i cant remember the name of, everyone is joking about how another clone of them would be good for the universe lol
/episode end
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I got a really interesting reply to one of my posts the other day, and that reminded me that Last Week Tonight s09e10, from last May, is one of my favourite episodes of that show. Certainly my favourite of the last couple of seasons, and one of the best they’ve ever done, I think. I decided to re-watch it today, and write down some stuff about what I think makes it so good.
First of all, obviously the two issues discussed are important. I’m pretty sure that episode was meant to be just about the then-upcoming Philippines’ election, but the draft of the decision to overturn Roe v Wade was leaked that week, so they added a story about that as well. My guess is that they’d been working on the abortion story anyway, presumably knowing this was coming since Amy Coney Barrett got confirmed on the Supreme Court, but had it planned for a future episode and made a last-minute decision to add it to that one in light of the surprise leak.
The abortion story was huge, obviously. It’s one of the biggest historic moments in American politics in my lifetime. Much bigger than, say, the election of Donald Trump. Because this is the overturning of something that’s been this way for decades, and getting it back in place will take a lot more than four years. It’s also a really, really big deal. Abortion rights are tied to pretty much every other aspect of life in a prosperous society – education, employment, socioeconomic mobility, domestic violence, child and family poverty rates, obviously short- and long-term health care, obviously social and economic gender equality, and stability of life in general.
Americans who were very young when this was changed are going to grow up in a world where it’s normal for Roe v Wade to not exist, and that is going to create a fundamental shift in the culture with incredibly far-reaching and long-term consequences. It moves the Overton window, moves what rights people think they’re inherently owed. Even if states where it remains legal, it becomes up for debate instead of inalienable. It’s a reminder what at one time or in place is seen as a fundamental right that needs to be open to everyone, can, in a different time or a different place, be debatable or just not there at all.
Every time there’s a federal election in Canada, the news covers whether certain populations are being disenfranchised, including the prison population. They covers ways that prisoners’ constitutional right to vote, arguably (and it’s a strong argument, in my opinion) the most inalienable right we have in a democracy, is being functionally denied to them because Elections Canada is failing to cater to them. Yes, a prisoner could technically write a letter to request a mail-in ballot, get it, and send it in. But even then there are problems with prisons not treating that mail with the appropriate care, not postmarking it correctly, letting it get lost. And it only works if they prepare many weeks in advance; sometimes the process of getting and sending in a ballot from prison can take longer than the election campaign, which means the vote can’t be counted. Some prisons offer polling stations in there, but even then it often isn’t open for long enough for everyone to use it. Therefore, there are several organizations working to make sure every single prison has a polling station that’s available to every single prisoner.
CBC ran stories about this in the last two Canadian federal elections, and I always found it interesting because I have an uncle who lives in America and was in prison for a couple of years there, and he can’t vote at all. Not just couldn’t vote while he was in prison – he can’t even vote now that he’s been out for quite a few years. And not just that voting isn’t made accessible enough for him, that they put up barriers that makes it harder to vote on a practical level. He’s just not legally allowed to vote.
It’s so different – here, we’re arguing about how it’s not fair that it’s hard for them to access this inherent democratic right, which compromises the entire concept of democracy if it’s taken away. There, apparently some states are debating about whether to give them the right at all. Which is an interesting view for the country of “no taxation without representation” (and to avoid falsely claiming too much high ground, it’s also interesting that in Canada, a lot of the athletes I coach are immigrants, here completely legally but with some status besides citizenship, they and their families work and pay taxes but still can’t vote, and it’s almost like taxation’s ties to representation matter less when a statistical majority of the people affected are not white).
That’s something I thought of when Roe v Wade was overturned. How soon people will be used to this, and the debate in many American states will stop being about how to make abortion accessible on a practical level, it’ll become whether to allow it at all. For almost my whole lifetime, I’ve seen news stories in the States and in Canada (again, Canada can’t claim a lot of high ground on this one) about how it’s a problem that so many people who want to access their fundamental right to health care in this way are blocked due to everything from not enough clinics to high costs to mobs of threatening protesters who block the entrances. But soon, like with prisoners’ enfranchisement, it will just be the status quo in many American states that if the debate ever comes up at all, it’s about whether to allow it, not how to make it accessible.
Anyway, those are some rambling thoughts on why the first story in that Last Week Tonight episode was of monumental importance. The second story, about the election in the Philippines, was also incredibly important, though I’m not going to say so much about it just because I don’t want to be that Western person giving my views on a story about a country I know little about, where most of my knowledge comes from that 20-minute Last Week Tonight segment. I do have a little more than that, CBC covered the story at the time, but not enough for me to actually know what I’m talking about. Having said that, a small amount of knowledge around the world about this is better than none, so I think it’s very good that they did that story.
Both stories illustrate what Last Week Tonight does well, which is tell a story from something closer to the beginning than what we often hear. They back up and give context, not just recent context but historical context as well. Why is this happening and how did we get here? That’s something I find interesting to know about everything, and for small things that I like, digging up all the history is allowed to just be interesting. But for big issues with actual impact, understanding historical context is much more than just an interesting hobby - it’s vital. Forgetting historical context is a massive underlying cause of, not to overstate it (and I don’t think this is overstating it), pretty much every major problem in the entire world. Both the abortion story and the Philippines’ election story were stories about what happens when we ignore historical context, and this episode make an effort to cram a summary of as much history as possible into two twenty-minute segments to try to kick a small dent into the problem.
Okay. So that’s the important stuff in this episode. The important, globally impactful issues that the episode took on. But aside from that, I’ve realized that about 3/4 of a year later, a number of little bits from that one episode have stuck in my mind and my vocabulary, even if they didn’t take off for the rest of the world. I can think of three in particular, which ends up being quite a lot for one 40-minute episode of television.
First off, the beginning. I still remember when I started this episode – I was house sitting at the time, and sitting in the bedroom of that other person’s house with my laptop, not prepared for this. It had been a long week of getting angry about things, including about the American abortion draft leak, and I knew Last Week Tonight would spend some time validating my anger, and that would be a bit difficult in the moment but make it easier overall. However, it doesn’t start that way. It eases into that with some silly jokes about pop culture or whatever, so I sat down expecting that.
He came straight out with: “I’m John Oliver, thank you so much for joining us, look, it’s been a truly terrible week.” Writing that down now, I’m not even sure why it hit me so hard in the moment, but it did. Because he has done lots of shows after some fucking awful weeks, but still starts with some kind of joke. It marked this out as special, showed awareness of the gravity of the situation, right out of the gate. He then told us this week had been so bad they were going to make the unusual move of having two main stories, because they couldn’t leave one out. And then he jumped straight into the first one, without doing the usual opening pop culture jokes.
Then he reminds us of the episode they did, in an early Last Week Tonight season, about the erosion of access to abortion. In that episode, they had a running thing where he kept saying he knew it was depressing, but he had a video of sloths playing that he’d show us at the end, as a reward for us sitting through this harrowing story. The episode did end with some absolutely adorable sloths in a bucket, it was lovely.
In the May 2022 episode, he told us: “If you’re expecting something similar this time, I’ve got some bad news for you: Those sloths are dead now.” The original abortion episode aired in February 2016, and that line is just such a perfect encapsulation of how the world has changed since February 2016. In February 2016, the big threat to abortion was a rule that said it could not be carried out in a facility with hallways that were too narrow. People were fighting tooth and nail to avoid having that rule pass, because it would make it harder for people to access their constitutionally guaranteed right. Those sloths are dead now. On the 2012 American election campaign trail, Mitt Romney was accused of using coded language that could be interpreted as racist if you can decode the dog whistle, and this was seen as a big problem. Those sloths are dead now.
Personally, I think that should become an actual meme. I think “those sloths are dead now” should be understood to mean things have fallen so far that what seemed like a big deal years ago is completely gone and we’re in a different world.
It doesn’t have to be about politics, either. I almost used that in a post I made last week, about what comedy I got into in 2022. I said I listened to Daniel Kitson’s stand-up shows on from every year between 2004 and 2009, in chronological order. Throughout them, he built up this beautiful world that he lived in of fun and magic and community, and of course there was melancholy and frustration and uncertainty, but it had an underlying theme of being so sure that he’d surrounded himself with what he loved. Then, according to the Bandcamp catalogue, he just drops off for four years, and comes back in 2013, like: all those sloths are dead now. In that case, it didn’t mean the whole world had gone to shit. It meant his friends moved away and had kids and apparently this is just what life is like until you die. But when explaining how bleak it felt to go straight from 2004-2009 to 2013 in his shows, I almost said it was like when John Oliver re-visited the abortion issue six years after his original episode on it and just said “all those sloths are dead now.” I didn’t say that in my post, because that post was already way too long and I didn’t want to add an explanation of what this Last Week Tonight reference means. Therefore, I think that should take off as a meme so we can all use it and be understood without having to stop and explain it. If I say “all those sloths are dead now”, that’s what I mean. Glad we’re all on the same page.
Next, still near the beginning, John Oliver quotes something that says abortion is not entrenched in the United States’ history and traditions. I knew what his response would be before he even said it, because I know what the correct response to that is and I know John Oliver gets these things right. The correct response is 1) America does, in fact, have a long history of people getting abortions in one way or another so that statement is incorrect, and 2) that’s not the point, it wouldn’t matter if it were true, we should not base today’s rights on what’s rooted in tradition. John Oliver expressed that point as:
“Even if that were true, which by the way, fuck off, the framers probably left off the specific right to abortion because they couldn’t anticipate it being such a massive concern.”
Unlike with the sloth thing, this was far from the original version of that way of putting things, but it’s something I really like. Because I really hate the oversimplifications that occur in public discourse, so in the arguments that I’m having in my own head with everyone else in the world for every moment of every day (and sometimes out loud or in writing as well, but definitely always internally), I am constantly adding caveats and “okay, three things about that”, and “well in this case it would be this but in that case it would be another thing” and “even if that were true, it would still be like, but if it weren’t true then this, and also a secret third thing, does that cover all the bases?”
This is a very tiring way to go about life, so I really like it when comedians do that thing where they pretend they’re about to go into a complicated explanation of something, and then say “fuck off” instead. It’s not a bit that John Oliver invented, and it’s definitely not a bit that he invented in May 2022 (I’m fairly sure I’ve heard him do it as early as 2007), but it’s one he quite likes and I enjoy it every time. It’s just wonderfully cathartic to hear someone say, “Actually, I’m not going to waste my time engaging with your bad faith argument, I’m going to say fuck you and move on. So fuck you.”
Again, this is unlike “all those sloths are dead now” in that John Oliver did not invent it. Hari Kondabolu has a bit I like, where he says that sometimes people ask him why he doesn’t do an accent when quoting his parents during a stand-up routine, and pauses like he’s about to go into an nuanced explanation of how the way his parents speak is not inherently demeaning but in a culture that demeans Indian accents he doesn’t want to play into that, and then he just says, “And the reason I don’t do the accent is because fuck you, that’s why.”
It's also used nicely in this antidote to the Jordan Peterson fans’ cries of “But any argument against Peterson that doesn’t involve watching many many hours of his lectures so you know all of his talking points and can respond exactly to every single thing he’s ever said is just lacking nuance, you can’t just hear him say something misogynist or transphobic or racist and say that’s wrong, that means you don’t have a deep enough understanding, you’re just throwing surface-level insults at him because you don’t understand his depths!” Spoiler alert: Even if you do watch many many hours of his lectures so you can know exactly what you’re talking about and engage with all his points, they still won’t accept any criticism of him, I had a waste a lot of my own time to learn that and I highly recommend that no one else bother to do so. Listening to a band reply to those cries with “Call this our ad hominem and go the fuck away” is very satisfying, if you happen to have wasted too many hours thinking anyone would be swayed by genuine discussion.
Anyway, the point is that John Oliver saying that in that episode, and in that way, now comes into my mind every time I do that, saying “fuck off” instead of making a point that I cannot be bothered to make. So that’s another really small moment from this one episode that has endured for months with me. But there was one more thing like that, a bit from near the end of this episode that I liked so much I cut out and saved the clip at the time.
Personally, I believe this one should also be a meme. Later on when I was listening to the post-Oliver Bugle episodes, and heard a bit that seemed relevant, I cut that out and put them together. So you can click that link to see how the original video clip sounded, and the sort of thing I mean when I point out the versatility of that phrase as a meme. But I think all we really need to have that meme take off is this gif:
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I think there are many contexts in which this is an appropriate reaction gif. So here you go, internet, that one’s yours to keep.
Finally, it’s somewhat common for people to make jokes about how Netflix will give a stand-up special to anyone who wants to talk shit about minorities for an hour, but I’d like to give some credit to Last Week Tonight for going as far as to mock up an image of what a fictional one of those would look like. It’s a very accurate parody:
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All that in one slightly extended episode - this one was about 40 minutes instead of the usual 30-ish. And that is my thesis on why s09e10, in May 2022, is one of the best Last Week Tonight episodes of all time.
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pebblysand · 6 months
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[CHAPTER 19 RESOURCES]
hi all! i've seen a lot of messages/comments asking about the political/historical events referenced in chapter 19, and the research i'd done about it. as such, i thought i would write this short post to give you more resources if you're interested in digging further. i will however caveat the below by saying that the aftermath of 9/11 (and particularly the iraq war) is my political roman empire; it's a topic that truly fascinates me, and about which i've done a lot of research/thinking throughout the past 20 years, and something i'm always coming back to. so when it comes to the below, this is mostly made of the media i've consumed semi-recently, and that i remember. i couldn't possibly tell you what i was watching/reading ten years ago about this when i was getting obsessed by dick cheney 😭.
- on 9/11 -
it's relatively easy to find out literally anything you want about 9/11 from an american perspective. there's so many resources out there, feel free to pick your own. i myself recently watched 9/11: inside the president's war room on apple tv, which was comically bad pro-bush propaganda, but does give you some insight on bush's bizarre state of mind. having said that, for this chapter, i actually needed to figure out what it would have been like in the uk government, and i felt that this podcast episode from westminster insider was very good at doing that.
- on iraq -
the war in iraq, be it from a uk or a us perspective, is one of the most destructive, outrageous government lies and cover ups in history, and certainly of the 21st century. we really don't talk about it enough. it also not only destroyed the public's trust in government institutions, but killed and injured thousands of civilians (as well as soldiers) only to lead to the rise of isis and the perpetuation of instability in this region of the middle east. i could probably rant about it for literal decades, but here are some resources if you want to be outraged yourselves.
note that most of these are from a UK perspective, which was a deliberate choice on my end as i was writing this chapter from that perspective. i've also watched/listened to stuff from the us (and france, probably), but that was a long time ago and honestly i wouldn't have the references.
film/TV:
(fiction) official secrets with kiera knightly isn't bad. it's a bit dramatised but it goes over the story of a GCHQ analyst who leaked secrets to the press before the invasion.
(documentary) once upon a time in iraq from the bbc is genuinely incredible. it is the story of the war told through the point of view of those involved in it, from american soldiers, to journalists, to iraqi civilians. i thought it was very well made and did a great job at showing the perspective of people you rarely ever hear from.
(documentary) everyone always recommends fahrenheit 9/11 which i think i saw a long time ago and i suppose it was good, although i don't think it taught me anything i didn't already know.
podcasts:
most of the "research" i did for this chapter was actually through podcasts, so here is the stuff i listened to.
the fault line's entire first season bush, blair and iraq is INCREDIBLE. it's both very good at setting out the basic facts about the war and the chronology of the iraq invasion, but also at explaining how we got there, the lies both administrations told the general public, and how global group-think led to intelligence services to believe in intelligence that was ridiculously unreliable. i would say that this was my main source when planning out this chapter, and the research put into this podcast is truly top-class.
british scandal did a series of episodes on the david kelly scandal - a british weapons inspector who committed suicide after giving an interview to the bbc accusing the government of lying to the public about WMDs. this led to a bogus enquiry into the british government and the bbc, and a report that basically concluded the government didn't lie, which was of course not true. in tone, british scandal is a bit more casual and less journalistic than the first podcast (maybe a bit easier to digest if you're not into deep stuff though), and although i was mildly aware of it, i'd actually never done much research into this particular story before, so i still found the episodes quite interesting.
politics weekly UK and politics weekly america from the guardian did two very interesting episodes on the aftermath of the iraq war 20 years on, last march. i thought both were interesting, but the america episode was particularly good at explaining the liberal case for war, and how/why so many left-wing liberals fell into the pro-war side, with very good intentions that later turned out to be catastrophic. i already knew of this, and knew i was going to have harry take that side going in, but i used this podcast a lot to refine his position and what i was trying to get across in the chapter.
shock war from radio 4 is a good overall source with rather short episodes, if you can't be bothered with longer ones.
anyway, i hope this helps! thanks for reading and enjoying this chapter as much as you have, reading your comments, DMs, etc. has truly been incredible.
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theographos · 1 year
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I didn’t see that one coming
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First of all : HUGE WARNING SPOILERS SEASON 5.
I will talk about something leaked from the Miraculous Ladybugb season 5 bible, so if you don't want to see it, this is your last chance to ignore this post. 
(have a nice day if you do btw)
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Do I need to say more ???
And yes, it is actually from the Bible because it contains every character's splash art, some models for the bags and phones, the names of some character aren't real names, they are model names (like Baby August's mother)(lmao her name is LB_EX29_Woman#2A, she is a living WI-FI password), plus the information it contained were the exact same as the ones everyone is talking about. They just seemed to only focus on the scenarii for the episodes, and not the rest of the documents that were given with it (which is understandable lmao, who would’ve thought that watching the family tree that everyone knows would learn us something.)
Woman loving woman.
Amazing, excellent, fantastic and just what I needed to be happy in life.
Having a lesbian couple in a kids show is great. Having an adult lesbian couple is even more so, because it adds some "maturity" and "long lasting love" vibes to it (We often show kids that when an adult falls for another adults, it becomes serious and for life)
But here ! HERE ! She is having a baby, and if they plan on revealing, it will be such a good things for the kids to learn, even if it's in that not-so-greatly-written show. How many times will they have the chance to see a lesbian couple having a kid in a show made for them after all ?
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A little bonus for the end : I literally GASPED when I saw this, and my friends knowing I was reading through the mlb bible, and so they all but begged me to tell them what I saw.
Ten seconds later and we were all screaming "Bustier's rolling with the lgbt"/"Let's goooo she is one of usss!" And hugging each other
Bestest moment that I have been a part of for a very long time
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moonchildridden · 2 years
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Good morning @moonchildridden
It's 5:30 in the morning at the area I am from and instead of sleeping, I decided to send you an ask.
I just watched the latest WOY episode. I liked the episode, it was definitely better for me than the previous ones. I wasn't really surprised because I could kind of feel that Bew was planning something. His expressions at times show his guilt. I like this twist, because i like it when innocent characters take revenge on those who hurt them and they don't just forgive them and swipe everything under the rug like nothing ever happened. I hate it when characters do this.
So it's time to ask for predictions. How many chances do GusBew have of a happy ending?
Me, I am kind of conflicted. But mostly I am in favour to the happy side. Because if both Gus and Bew sit down and talk. (Unlike what happened to NottPun) And be completely transparent and say we both took advantage and hurt each. The start of the relationship was toxic but they have the potential for a happy relationship.
But also I would like it if ended sad. But it would be more like a punishment for the actions of the other, depending on who leaves. And I don't want them to be sad. Especially Bew. I don't want to see him being sad and published with a sad ending just because he decided to take revenge on the people who betrayed him. I want it to be a learning process for him. To judge his own actions and learn from them and do better and mature more.
To be honest, I am surprised that his revenge on Gus wasn't more hurtful. I was constantly anticipating the moment he abandons Gus and throws him under the bus. Also, I wonder was Bew who called the cops or was it an coincidence. Was Bew planning to do more but changed his mind. Is he just staying with Gus to be a ship because with a ship is the only way he can sell, per Toon's words. Can he tell that Gus loves him and has he forgiven him. I want to know which is the exact moment which made Bew forgive Gus, if he forgave him, and say I still want a relationship with this person and still believe in an us. Though I wonder if his revenge on Gus isn't other yet and he is planning something for the next episode. Maybe after getting the award his plan was/is to dump him with a phrase of "I don't need you anymore". This is what I would want to do in his place.
Even though, I am perplexed with a lot of things, I still want the happy ending.
PS. The managers got what they deserved. But I feel sorry and worry for Peak and Kla who are the next couple to air if I am correct.
PSS. Probably the reason we didn't see the internal turmoil of Bew regarding of the leaked sex video is because he was the one who leaked it himself. He prepared himself emotionally for what's to come and was busy caring out his rest of his plan.
Sorry, for the long long ask. I hope I make sense.✌️
Hello! To be honest, I was kinda waiting for you to ask me this and I don't know if I should feel flattered that you decided to do it instead of sleeping lol.
Anyways, episode 9. Not gonna lie, this episode, the whole episode, gave a weird vibe from beginning to finish and I started to have some suspicions that Bew was up for something since his "panic attack" (I put it air quotes because it felt very convenient for him to have one when he was being accused of being the one responsible for the leaked video and how forced it felt. I will expand on this on my analysis post so let me stop here before I go even further) and how he became so "wicked" so suddenly, to the point of being the one to suggest for him and Gus to leave the managers, for him to get the evidences that Toon was "responsible", for him to give Gus the idea of them pretending to be apart to increase expectations around them having a couple work, for him to be the one that apparently found them a new manager. But even if I was feeling something was weird, the revelation struck me like a brick in the middle of my face and it left me in a bad mood for hours.
However, because you are here for my predictions and not my feelings (I need to save some for my post), let's lay them out: being completely honest, like really really honest, I don't want them to be together. And this is not me giving you the same answer I gave when you asked about NottPun, that I don't want them to be together right now, this time I don't want them to be together, period. This can be my betrayed heart talking (yes, I felt that revelation as a betrayal to the support I gave Bew, don't ask me because I don't even understand myself) but they have a lot of things to work around (not as much as NottPun had, because we were dealing with a person with a very heavy trauma that needed to be worked with) and the amount of manipulation that surrounds them (Gus getting Bew drunk to have sex with him - something that I still need a reasoning because I refuse to believe that he only did that because Pla told him to - and Bew leaking the video, putting Gus in a situation where he would get in trouble by using someone that was supposed to be Gus' friend, using a fan to do the dirty work for him) kinda pushes aside any sort of good feelings that may exist between them; yes, I believe that GusBew love each other (even if it pains me to admit that) and yes, I believe that in other circumstances things could've been different without all the plans and lies and manipulations but those things happened and those things have weight in how their relationship can be in the future.
So, for me, I would give 35% of chances of them having a happy ending (knowing Cheewin and what he did with NottPun, I know that the possibilities of happiness are almost 100% and we may never get a proper conversation between them and the episode will just slap us in the face with the news that GusBew are still together or together again) and a 65% chance of an open ending. A very small part of me is still rooting for a happy ending, but for me to really accept it, Cheewin would have to give GusBew what he didn't give NottPun, an on-screen conversation and resolution, the ugliness of their actions being laid out in front of them, being discussed, being level up, being put aside or not, them making a decision and owning up for their decisions. I let it slide with NottPun because I really wanted them together and was more inclined in accepting that fate for them but with GusBew, a happy ending would left a sour taste in my mouth.
Kla and Peak having PlaToon as their managers was the biggest heartbreak thing I saw in this episode, because they definitely do not deserve to be put in the hands of people that view queerness as a tool for fame (because if both of them weren't being already shipped by other people, I guarantee you that none of them would even spare a glance in their direction and would let KlaPeak be) or being manipulated the same way GusBew were but, as that saying goes, old habits die hard. I just their arc (that is the next one and I'm super excited for it) does not have any problems related to PlaToon because I just cannot stand those two anymore. Seriously, I'm tired of them.
"PSS. Probably the reason we didn't see the internal turmoil of Bew regarding of the leaked sex video is because he was the one who leaked it himself. He prepared himself emotionally for what's to come and was busy caring out his rest of his plan." - this is one of the things that I really want to see in the last episode. The moment he decided on the plan, his mental preparation, how he managed to carry out the plan even having to expose something so intimate of himself and until where he was willing to take that plan forward. I really need to see the orchestration, is more than necessary.
Well, I don't know if my answer satisfied you or anything, or if I gave you an answer at all because this things tend to make me rant and I just lose track of what I am supposed to do but, at the end of the day, my feelings are all here. Just don't hold me accountable for the things I said here if you see me "celebrating" them having a happy ending because I may change my mind, depending on how Cheewin decides to end their story arc.
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nelll101 · 1 year
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Shin sekai yori (ep. 15,21,24,25)
This show is really thought provoking and had me pretty shocked at the end. Overall there are a lot of things in this show that doesn't make it perfect or the best, but, it was enjoyable and something I will never forget. I also wanted to mention that the music in the show is amazing.
I've watched the rest of the episodes after 14 in full so again, this post is pretty late but we find out the truth about the monster rats, their motive for their actions, and who they truly are. We find out basically everyone around Saki and Sakuro are dead. Shun is kind of confusing because I think he's dead but living through Saki's mind because he is speaking to her in her head but i'm not sure. Maria and Mamoru got killed by the monster rats and they took their child and raised it like its own, creating an "ogre". We find out their child is not an ogre but a regular human who was grown up made to believe so. Maria’s child shows how easily someones perception of themselves can change because of someone else. It’s seen in the real world. If you have people around you that are telling you something about yourself constantly, eventually you will believe it.
Saki states in episode 23 that our power constantly leaks through the filter of our conscious mind and seeps into the world. This was her repeating what Shun stated to her. I don't fully understand what he meant by that but I might have to watch the show over again to fully understand what Shun was saying when Saki went to see him in that alternate world they were in.
Maria in a couple episodes before stated, "They treat us like we’re defective products to be thrown away like we’re not even human/like defective pottery thrown away." It is shown that these children think that the adults think of children as trash which could even be compared to the monster rats as squealer himself stated something like that. The humans treat them like slaves and nothing and in episode 24 it is found out that the monster rats whole plan was to overthrow the humans through acquiring nuclear weapons, and ruling in their place. The only reason they are allowed to exist in the first place is because they are willing to be subservient and swear their loyalty and allegiance to the human race. The rats are fighting to free their entire race from the oppression from humans. The monster rats rebelled because they are not slaves, although it may seem like they have free will they only have free will under conditions of the humans. As squealer explained himself in the cage I started to understand him a bit and feel bad for him. They just couldn’t take the improper power balance that was bestowed on them forcefully and getting treated like nothing but in the end the way he went about things was just not right. But that also leads to the question of what differentiates right and wrong. I believe in this world in the show, the adults tried to make it black and white but as the truth started to come out it became mixed up and there was no true meaning of a right or wrong choice.
In the ending, we find that monster rats are actually humans that were injected with genes of rats (I think) so basically they were killing their own kind and Saki ends up going through this slight mental breakdown of question herself and her own kind of what type of people they really are. She has a conversation with squealers remains and it is a bittersweet moment which she then puts him out of his misery. At the end we really realize how compassionate and a good person Saki is.
In the last scene we see that Saki and Sakuro are together now and pregnant, where she says "from an object to fear, into that of hope". Saki wants her child to grow up in a good and better world than what she's lived. She has lived almost her whole life in fear, and now that fear has turned to hope for her new child.
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drawingale · 1 year
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Aeria Gush Post 4
evUsual warning: This is going to be a long post with some spoilerly content. If y’all just want to read it, here’s the link>>> https://globalcomix.com/c/aeria We’re at Episode 4, “Transparent History”, of my comic Aeria. Welcome to my ted talk where I gush about the inner workings behind my comic and my favorite panels. 💙Episode 4 Part 1 Iris is in the middle of kidnapping Mira. I like when villains slip info to the reader that the main character doesn’t know yet. Iris calls Mira “Sol Maidena Aeria”, a title of some kind that must mean something if Cal’s group and the Aposaarian group think she is of some great importance, but what does that have to do with their plans?
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💙Episode 4 Part 2 While unconscious, Mira has a dream about her past. She recalls a boy with dark blusish-black hair and pointed ears. He reminds her a lot of Cal. Then, there’s this girl with blonde hair covered in markings. Sort of like the younger version of the woman from her first dream. Pretty strange 🤔
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💙Episode 4 Part 2 The scene shifts to the two adults in the dream. On the left is the (retired) Izan (King) of Iyu. Cal’s grandfather. On the right is Izara (Queen) of Ethania, Loirreanna. Mira’s birth-mother. The two have a chat about the future of the two children. An agreement is made between the two adults to continue the play dates. A detail I love about this panel is that Loireanna is wearing Aeria’s necklace, but the gemstone is grey. Some jewelry on Ailithyia serve alternate purposes (some can transform into weapons, armor, ect.), but they are bio-locked to keep everyone from using them. We know that the gemstone glows when Mira is wearing it, but she hasn’t unlocked its full potential. We’ll see more about the necklace in season 2.
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💙Episode 4 Part 3 Mira wakes up in her room. After fighting Iris, Cal used her dorm I.D. to get them inside. Last thing Mira remembers is getting the wind knocked out of her.  
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💙Episode 4 Part 4 Cal begins to question Mira about her past. There has to be something that she can remember about her mother, right? Anything? Mira claims that she doesn’t recall a thing. Cal then tries to tell her about the necklace’s curse; how it turned her human and took away her memories of her past life. Mira thinks his claims are quite the stretch, but when Cal offers to try and undo the curse to prove his point, she agrees if only to get him to leave her alone.
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💙Episode 4 Part 5 Cal uses his magic and does his best to undo the spell. He can’t quite get rid of it, but he does manage to allow Mira to see what she really looks like in the mirror. The blonde-haired woman from her first dream. Turns out, she is Iylven and the necklace is cursed (for now). 
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💙Episode 4 Part 6 During Mira and Cal’s talk, a figure is scene standing outside their door listening in. What’s more, this doesn’t look like Nathan. They’re wearing lipstick, so they must be one of the female students at Sylvia Rose’s. Is the culprit Chrissy? One of Mira’s friends? 
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💙Episode 4 Part 6 Mira begins to question her entire life. Especially the part where her father is a geneticist at a government lab. Was she a science experiment to him all this time? Does he even know? What would he do if he knew? The reader knows something is up- Dr.Harthan was texting Nathan at lunch. They’ve got some kind of plan and it involves watching her.  I also wanted to leak the name of the company in the background; B-Tech. One of Mira’s friends is Nathan Backous; his dad, Tomas Backous, owns and runs the lab.
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  💙Episode 4 Part 7 Cal drops the big news on Mira; She’s a Princess and Iylven of royal blood have powerful magic. From the Aposaarian’s standpoint, holding her hostage or using her in their plans to change the government would give them more political standing on homeworld. From the human’s perspective, they could experiment on Mira to figure out how to recreate magic for their own kind. Or use her as a weapon against other countries. Either way, neither option sounds good, so Mira becomes more interested in what Cal’s group is trying to accomplish. He insists on taking her to New York City to where the starships are docked; there, they can figure out how to get her back to homeworld while protecting Mira from the Aposaarians. Mira agrees to go, although admitting to herself that she isn’t comfortable traveling with people she barely knows.
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💙Episode 4 Part 8 Mira changes out of her school uniform. The clothes are a loan from her friend Erica- Mira realized she still had the outfit after looking through her wardrobe for something else to wear, but all her civilian clothes were at her dad’s house. I liked including this detail to tip people off about who the person outside the door was. Cal decides to have them leave through the window. Mira is against this, but Cal insists that they won’t be climbing down. He offers to carry her. I enjoyed the excuse to draw Cal holding Mira bridal style.
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End of Episode 4. Conflicts are piling up and while we did get some answers, there were a lot more questions left behind. Some questions that will be answered this season, some others that will be answered in later ones. Mira finally knows that she’s not human- although she hasn’t completely accepted it yet. And while she isn’t on great standing with Cal or his friends yet, they’re not her enemies either. There is a potential for the relationship to grow into something more...given time If you want to read ahead, check out my comic: https://globalcomix.com/c/aeria I’ll get around to a part 5 eventually. Thanks for reading and have a lovely day 💙
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lovecanyon · 2 years
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INSTAGRAM BLURB
faceclaim: alexa demie
summary: y/n’s pregnancy gets exposed ft euphoria cast members coming to her defense xx
harry styles x reader
MASTERLIST
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liked by harryfan2 and 668,592 others
harrystylesupdates y/n seen in malibu yesterday pregnant!!
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harryfan4 BITCH WHAT
harryfan6 is this real…..
harryfan3 bruh y/n is lucky bye
barbieferreria you guys posted these for what??
harryfan5 she’s obviously trying to hide from the paparazzi
harryfan7 IS THIS WHY SHE’S DOING ALL THE EUPHORIA INTERVIEWS ONLINE
harryfan2 AND she had to take pictures for the premiere at the beginning of filming!!!!!
jacobelordi imagine if you were a pregnant woman getting followed by men with cameras. you will feel way worse than uncomfortable.
harryfan8 why did i open instagram today
hunterschafer this is so invasive. please delete these.
harryfan10 WAIT THIS IS SO CUTE
harryfan12 LITERALLY HARRY IS GOING TO BECOME A FATHER
harryfan9 it was so obvious she was pregnant…we haven’t seen her in months
zendaya y/n and harry want privacy. take these down.
harryfan14 IM CRYING
harryfan11 you guys see her pulling up her hood, she didn’t want photos taken of her
anguscloud seriously??? delete
harryfan16 she looks so uncomfortable
harryfan15 so basically y’all exploiting a pregnant woman that hasn’t even announced to the world that she’s pregnant…
maudeapatow please take these down
harryfan17 i mean….we all expected it
harryfan20 damn all the euphoria cast members are commenting
sydney_sweeney y/n deserves privacy, delete these
harryfan19 no wonder why she didn’t go on tour
harryfan18 she went but stayed backstage. i worked both harryween nights!!
harryfan21 omg is she really pregnant?
harryfan18 harry made us sign nda’s so i can’t really speak on it.
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yourinstagram anyways euphoria is out tonight xx.
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harryfan22 Y/N IS SO HOT
harryfan24 damn is she pregnant or not??
harryfan23 pretty sure this was before she was pregnant
harryfan26 she be wearing this on her way to class yall
harrystyles beautiful.
yourinstagram love you baby.
harryfan25 she is now a milf
hunterschafer iconic. so iconic.
harryfan28 THE BADDEST GIRL EVER
harryfan30 my reason to live. my reason to breathe.
harryfan29 she is an icon, she is a legend and she is the moment.
maudeapatow ugh on my knees
harryfan32 LMAO SHE’S IGNORING THE FACT THAT HER PREGNANCY GOT LEAKED
harryfan34 girl just wait. she’s planning her revenge.
harryfan31 season two is her season!!!!
harryfan33 harry is probably gonna watch every episode :,)
zendaya material girl
harryfan35 the literal blueprint
harryfan37 wife
jacobelordi maddy. the most glamorous.
harryfan39 is she going to class?
harryfan36 MOMMY? SORRY! MOMMY? SORRY!
harryfan38 our good sis maddy is back
gemmastyles yessss i miss you on my screen
harryfan40 damn gemma too?? sobbing.
sydney_sweeney my ride or die
harryfan42 queen ready to play
anguscloud #teammaddy
harryfan44 it’s quiet ain’t no back talk
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Daily Mail
Harry Styles management sue paparazzi for taking photos of a pregnant Y/N L/N.
Recently photo’s of a certain Euphoria star pregnant made headlines everywhere, especially online. Everyone around the world went insane when they saw the pictures. Styles fans were reposting the picture on every social media platform you could think of.
Y/N L/N trended number one on Twitter for two straight days. Her pregnancy was all people could talk about along with her scenes on Euphoria’s new episode.
In response Harry Styles sued all media companies that used the unauthorized photos of Y/N including the paparazzi that took them themselves.
Evidently he won all of the cases and court orders were immediately ruled. Now several media companies can’t photograph L/N or Styles again.
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taglist: @harrysmatcha @harryspinkpillow @helen-with-an-a @florencepughily @needyghosts @peterparkerbae @deadass1011 @toji-dabi-wife @fallonx @pilgrimharry13 @cherriesrae @alienorknight @valluvsu @quinnjackluke @drphilssoulmate @ivegotparticulartaste @ayeshathestyles @hazgoldenstyles @eiffelmezarry @tsukishimawhore @renatavieira @michellekstyles
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phoenixyfriend · 3 years
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Rey Gives No F*cks About the Grandfather Paradox
Okay so since nobody’s suggested a fic under these terms, I ended up expanding on this post on discord and things snowballed. We kept to the basics of the entire plot revolving around Rey really hating her grandad and leveraging her blood relation to not be unalived about it.
With contributions by @atagotiak​, @dracothulhu​, @thepallaspalace​, and several others. The title comes from @gelpenss​.
The basic thing I absolutely need is this: Rey gets thrown back to the middle of the clone wars, and the subsequent plot leans in really heavily on her being, genetically-via-clone-dad, the daughter of the guy running the entire galaxy.
Nobody knows what to do with her.
The timing is mid-TCW for the past (because I want Ahsoka there) and vaguely between Episodes 8 and 9 because I... never watched E9 and don’t want to worry about the timeline. The only things that matter is that Luke is dead (he can die as he did in canon) and that Rey knows she’s Palp’s granddaughter (not the way she does in canon).
We'll say Luke found out from Anakin's panicked force-ghost and just went "well, fuck, okay, I should tell her this before she ends up in a situation like mine and finds out mid-battle or something."
Luke, prior to time-travel: Okay, so, now that I'm dead I know some things I didn't before. Like who your parents were. In the interest of full disclosure because I was in a very similar situation and I don't want you learning the way I did, I'm just going to come right out and say that your father was a clone was Sheev Palpatine. Rey: ... Luke: Are you okay? Rey: I don't know who that is.
(She grew up on Jakku, the history education was a little subpar.)
Setting The Scene
Imagine Rey showing up during or immediately before the clone wars. There’s this phenomenally powerful feral teenager from a desert backwater who tells you that if you ran a paternity test, it would probably pop up the Chancellor. She may or may not bring up cloning. She accuses said Chancellor of being a Sith Lord.
Your other phenomenally powerful feral teenager from a desert backwater, who may not be a teenager anymore but only barely, is very offended by this because Palpatine’s a Very Nice Old Grandfather Figure, but also he’s a little full of side-eye because if the blood test comes back as proof, then Palpatine had a kid and didn’t even know about them, or lied to Anakin, and that’s! Bad! Family’s important!!!
Palpatine hears about this daughter he apparently? Has? And is very confused because the timing doesn’t match up with ANYTHING he was doing, so the kid isn’t natural, and he says as much. (There is an explanation! It’s not a correct explanation, but he does come up with one.)
Finn and Poe and BB-8 all get dragged along because why not have the gang there? Nobody that’s already born, because [handwave] conservation of souls or something, IDK, point is the only person dragged along that’s even remotely close to already existing is Luke’s Force Ghost, who mostly hangs around begging Rey to be less impulsive. Finn is good because he is a nice polite boy, but for actual useful information they need Poe. The unfortunate situation is that the three do not land together. They land at the same time, in completely different corners of the galaxy. This means that nobody is there to curb Rey being her most impulsive self.
Time travel Rey knows two things. Luke’s dad ends up evil. Palpatine has always been evil.
She can solve one of these problems by killing the other, yes?
Rey: Ready to Rumble
See, the initial idea was this: Rey tried to break into the senate to kill Palpatine, got arrested, and then used the "he's biologically my father" card to get out of jail free. (Force Ghost Luke follows her like “please take five seconds to think this through.”)
But.
But.
It would be very, very, very funny if The Force just dumps her in a flash of light in the senate building and she just attacks Gramps on sight. Just a shouted "YOU!" and no-hesitation attempted murder.
Palpatine has no idea what's going on.
Rey took maybe two seconds to get identity confirmation and then started swinging.
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[Image Description: An individual in a green metal helmet with an eye slit, holding a pistol. In the upper left, upper right, and lower middle are the phrases “I do not know who I am...” “I don’t know why I’m here” and “All I know is that I must kill.” End description.]
Of course, she gets arrested. There are Master Jedi in the Senate. There are Clone Troopers. Palpatine isn’t the weak old man he pretends to be. Of course she’s stopped.
But she isn’t executed in time for Palpatine to stop her from ruining his entire reputation.
Immediately after Rey fails to kill her Shitty Granddad, Luke's ghost shows up and begs her to not talk about the Sith thing because it will completely undermine everything she's trying to do. Pass off the attempted murder as something else!
Rey, panicking: "that fucker left me on a desert planet for 10 years!" "You owe me 19 years of child support you son of a Hutt!"
The Jedi have to do the investigation, because the girl showed up with a laser sword, and the conversation is, uh... interesting. (“Where did you get that lightsaber?” “I got it from a mysterious old pirate lady I never met before. I don't know, I was being shown around by a smuggler and a Wookie.”)
Interviewer: Why did you try to assassinate the Chancellor? Luke: Say it wasn't assassination. Rey: It wasn't assassination. Int: You weren't trying to kill him? Luke: Assassination has to be politically motivated. Rey: This was, um... not political. Assassination is political, right? Int: You mean this was personally motivated? Rey: Yes. Int: I see. What personal motivation? Luke: Jakku! Rey: He's my grandfather. Int: ... Rey: Possibly father. Nobody was very clear on that. Int: ... Luke: Tell them to run a paternity test. Rey: Oh hey, a blood test would tell us which, right? Int: ............ Rey: I spent ten years as an orphaned scrapdealer on Jakku. He's my father. I'm kind of a little angry. Int: ........... Luke: Good job, kid. You bought yourself some time. Int: I'm going to get a medic to see about that parternity test.
Obviously, it comes back positive. Congratulations, Sheev, you’re the father.
Rey comes with a ready-made built-in excuse for hating Palpatine that nobody can question or fault her for!
Rey, pouring Truth into the Force: I didn't even know I was related to the Chancellor until a few months ago, but it's his fault I grew up the way I did, and he should take some responsibility!
The entire thing is mostly kept hush hush but someone leaks it to the press and Palpatine's ratings tank.
"Chancellor, I think we'll need to waive family visitation until she wants you a little less dead." "I would like to find out why she wants me dead, and indeed, where she came from." "...sir, for your own safety--"
Who would win? A master plan years in the making spanning decades of manipulating and work? or One (1) paternity test
"Okay, so, Rey Palpat--" "Ew, no, I don't want his name." "You--okay. Sure, we can understand that. Is there a name you would prefer to put on the paperwork?" Rey, who would have gone by Skywalker in honor of Luke but can't do that when Anakin is right there and all: "Can I think about it?"
Rey: I don't know what I want my last name to be but I know I don't want his, and most of the people I’d want a name from have famous families like you... Luke's ghost, pointing out the Literal Nobody that she cares about a lot: How about Solo? Rey: ...Solo, then.
(A few months later she runs into Poe again and he offers for Finn and Rey to both take his name because honestly they need SOMETHING but at that point she’s already decided on Smuggler Dad.)
Backtrack a bit. We’ve got a bigger cast.
They all arrive separately. Poe, for one, does better than Rey, who is aiming for a murder, but not quite as well as Finn, who is currently being adopted and hidden like a secret cat by a bunch of Alpha Clones on Kamino. He vibes with the names-or-numbers thing. He doesn’t necessarily tell them where and when he’s from, but he’s very sweet and a great liar and they adopt him wholesale anyway.
The Finn situation is just... "Buir Ti, we need you to hide this man, we've decided he's our little brother but if Nala Se finds out she'll make him leave."
Of course, this leads into Shaak Ti teaching Finn how to Jedi.
Maybe consider Finn needing to almost be tricked into learning Jedi things because he willfully forgets it could apply to him. Finn does not like to think of himself as special, which is super valid, but frustrating for Shaak Ti when it comes to, you know, getting him to acquire knowledge. Finn's training at some point is "here, levitate objects with the Force to entertain the tubies." It’s a lot easier to convince him to practice when it involves the babies.
(Everyone on Kamino looked at Finn and went “oh I love him I’m keeping him and teaching him things.”)
(He’s just very lovable.)
Poe, meanwhile, buys the trust of Anakin Skywalker via R2D2 declaring BB-8 the absolute most baby of droids. R2D2 met BB-8 three hours ago but.
"Hey Obi-Wan this is Poe I met him like five days ago but R2D2 says he checks out because his droid is a baby." "That's nice, Anakin, did you know the Chancellor has a daughter who tried to assassinate him in broad daylight yesterday? Because guess who had to stop the Chancellor from getting assassinated by his daughter in broad daylight yesterday."
A summary so far:
Finn, on Kamino: Hey, um, I don't know where this is, but it's not where I was a few minutes ago. Do you think you could get me a comm? What's your name? Poe, on [dice roll] Denon: Oh, hey, you're General Skywalker? Nice to meet you, I'm so sorry about my droid, she's a little excitable and thought your R2 unit looked like a friend of hers-- Rey, on Coruscant: DIE, GRANDFATHER
Finn: [Peacefully vibing on Kamino, unaware of the chaos and bonding with the clones] Poe: [Trying to explain how he knows someone who tried to kill the chancellor and defend Rey] Rey: [Arrested for trying to kill the chancellor]
Just... just...
Anakin: Some guy ended up lost on base yesterday with his droid, how’s your day going? Obi-Wan: I had to stop someone who claims to be the chancellors daughter from murdering the chancellor after she seemingly blinked into existence in the Senate building. Poe: 😐
(Poe: Oh, so that's where Chaos^2 went.)
Poe: In her defense, she is his... well we don't know if she's his daughter or granddaughter, but she's definitely related to him, and she definitely grew up in a shitty situation that was his fault, so...
(Poe is trying very hard to explain this and not get arrested on the military base.)
As you’ve probably guessed, what's especially funny about all of this for me is the fact that Palpatine is fully aware that this girl shouldn't exist, but can't find a single piece of evidence about where she came from. He didn't start any experiments that could result in a female child, and he didn't have sex in that period of time, so where the hell--
Rey spends so much time in jail... BUT they do eventually assign her a Jedi Master. Possibly before she actually proves her evil grandfather is in fact evil. Most votes went to either Plo Koon or Obi-Wan. Plo, because he’s dad-shaped, and Obi...
"Obi-Wan, you already raised one feral desert child with implausible amounts of power, you handle this." Rey in return is very "Sweet, you vaguely remind me of Master Luke," and nobody knows who the hell she's talking about. Obi-Wan is NOT on board with this plan, she'd really be better off with Plo or like........ Mace.
Reunion Tour
What I need out of this is the eventual Finn and Rey reunion scene that is just excited screaming while someone in the background explains to Shaak Ti that yes this is apparently Palpatine's terrifyingly force-sensitive daughter who hates him.
(Finn senses Rey’s approach and just. Gathers the everyone to wait. He’s just :D REY MY FRIEND REY GUYS MY FRIEND REY IS COMING.)
Anakin shows up with Poe--just a guy who signed on to the military, no big deal--and then Poe and Rey are EXCITED and everyone's just like "Cool, how do you know this literal terrorist child?" And Poe has to scramble and "Uhhhhhhhhhhhh she saved my droid from a scrapheap once and BB-8 is basically my child so I owe her one."
Rey knows that Anakin ends up evil so she’s maybe not actively hostile but definitely very “I’m watching you.” That said, she vibes with him on a lot of things that he maybe doesn’t actively notice.
Rey picks up a snake, snaps off the head for venom avoidance, and starts biting off chunks. Obi-Wan's reaction: [undisguised horror] Anakin and Ahsoka: Ooh, where'd you find that? (Obi-Wan: And now I’m up to three feral children.)
What Does Palpatine Even Do?
OBVIOUSLY at a certain point, Palpatine is just phoning up every ally he has to figure out who broke protocol to synthesize a daughter for him.
So of course, Palpatine blame Plagueis.
She'd have been born five or so years before Naboo, just a few years younger than Anakin. It's such an EASY theory to build a conspiracy around. It is ENTIRELY WRONG, but it’s plausible! And anyone who might have been involved to say otherwise is probably dead!
A random bio-kid shows up you can’t possibly have contributed genes to? Maybe it’s the evil bio spark that did it.
Palpatine tries to placate her with the ‘my genes were stolen for an experiment and I didn’t know’ thing. It doesn’t work because her actual main complaint is he’s evil in her future but he tries.
It'd be a struggle to even get access to her, because of the aforementioned “maybe don’t try to talk to the daughter(?) that hates you” thing, but you know who Palpatine does have access to? The Chosen One.
Rey kind of decides on her favorites early on (she gravitates to Dad Energy and Sad Old Men so Plo and Obi-Wan are on her list, and that means decent time around Anakin and Ahsoka). It's really easy to talk Anakin into helping to some degree because "he'd like to connect to a daughter he never knew" and "a child of her power on a planet like that, you'd know her struggle, my dear boy" and so on. Anakin tries to connect! He tries to play up Sheev’s kind political work and how it can’t have really been his fault! It doesn’t work. Rey does not believe a word of it. Mostly she doesn’t even seem to hear him.
Rey's just like "...oh right, you're the melted mask that Kylo Ren was always ranting about," which means absolutely NOTHING to Anakin, but he mentions it to Palps, who loses his goddamn mind trying to figure out what she's talking about, because it also means absolutely nothing to him.
Here’s the thing: Rey’s already decided that Obi-Wan is cool, because Luke said so, and Plo Koon is dad-shaped, and she also gravitates towards earnest kindness in general, like she made friends with Finn real quick, so Ahsoka? Already getting along great.
She doesn’t dislike Anakin, really, he isn’t evil yet, he’s just... meh. She’s a little suspicious and she likes him less than the others but... Anakin.
Rey, to Anakin: You are my least favorite. Anakin, to Palpatine: YOUR DAUGHTER HATES ME???
And he goes from “she’s a lil standoffish” to “she doesn’t like me” to “she hates me” as is normal for Anakin.
It’s just an escalation of this one time Palpatine wants Anakin to not have rifts and trust issues with a person, at least not until later, because he needs information.
Meanwhile, that very moment, Rey is just like "huh, nobody here is listening to me about how make a sixth-hand carburetor work, where's Luke's dad?"
Anakin is venting to Palpatine about how hard it is to talk to Rey, and she's over in the Temple just like "Hey, that guy was useful last time, I should ask him," but also she only ever thinks of him as Luke's Dad.
(At one point, Obi-Wan is having a bit of a break down, and then Anakin starts having a breakdown about that, meanwhile the clones are (badly) trying to hide Finn behind their backs, Rey is watching Ahsoka practice and being like "I want two lightsabers," and Poe is trying to keep R2 from stealing BB-8 and Force Ghost Luke is just face palming in the background.)
(Rey deserved a saber staff, maybe one that can detach and turn into a jar’kai set. Possibly a pike. Mostly I just wish she got more chances to whack things with a big stick.)
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aoitrinity · 3 years
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Why Do I Have to Feel Like a Fucking Conspiracy Theorist -- OR -- How I Find a Semblance of Peace on Sunday Night
I’m also going to start this out with a GIANT DISCLAIMER.
I am about to theorize about what may have happened to the SPN finale. I have absolutely no insider knowledge. I am merely speculating here based on the panels and a bunch of Twitter and Tumblr posts that I have been reading over the last few days. If you are not in a good place to read such things, TURN BACK PLEASE. Go take care of yourself and your mental health. You and your feelings are valid and deserve to be handled gently right now.
Additionally, if you are here to give me shit for being unhappy with the ending, please walk away as well. I am here to reach out and share my feelings with people who might be struggling to make sense of something that upset some of us in very deep-seated ways. I am not here to bother you or critique you or tell you that you’re lesser because you liked the ending. If you felt it was good, then go enjoy it.
Long-ass post beneath the cut, everyone.
Alrighty folks...I debated whether or not to do this because I have been spiraling down the hell that is the SPN finale since Thursday. The travesty of what happened to our show--to this beloved show that seemed to have been so perfectly and precisely written for at least four years that it had basically already paved its own tarmac on which to land its plane and we all thought we knew exactly what we were going to get. And then we didn’t. We had a nigh Cas-less and entirely Eileen-less ending. We had no goodbye between Cas and Jack. We had Dean dying young after finally finding his freedom, only to ascend to heaven with no one but Bobby. We had the weird, weird, weird incest-y death scene. We had the bridge crane shot thing because...sure. You do you, Robert Singer.
It was so terrible, so truly awful, and I couldn’t seem to square any of it with anything we had known going in. I tossed and turned and cried and didn’t eat or sleep all weekend. I spent hours just reloading tumblr and twitter, going to the Misha panel, reading and reading and listening and trying to figure out what the fucking hell is going on because I needed to know exactly where to direct my anger. And after a fuckton of talking with @winchester-reload, I think we have at least a very plausible theory about what happened here--I’m laying it out below as much for my own peace of mind as anything else, because otherwise all of these thoughts are going to continue to spin around in my head for weeks and I won’t be able to do jack shit.
Now to start off, unfortunately I do think Dean was slated to die from the beginning of this season. I don’t know WHY they thought that was the best way to go, and I wish they had listened to Jensen on this one. Part of me wonders if it was an order from on high based on the discussion between Becky and Chuck earlier this season--the writers knew it wasn’t a great choice, but they were trying to signal to us that we should feel free to write our own endings to the story because they’d be better (I can wax poetic on the signs of why many of the writers probably wanted Dean to live, but that’s another post). I’m not defending that choice by any means, just laying it out there that I think they didn’t necessarily all want to kill Dean like they did.
However, what I THINK I can explain now is what happened with Misha and why we got so jerked around with Cas’s story. Consider what we know (I can’t immediately source all of it, but I did my best):
At the end of episode 15x19, Lucifer has been returned to the Empty after being killed AGAIN. He talks with Cas. Maybe harasses him a bit about Dean, idk. But then...Jack shows up. New God Jack. And he picks up Cas and pulls him out of the Empty, leaving Lucifer behind, because seriously. Fuck that guy (also leaving behind his abusive father is character growth for Jack, so yay for that).
-Misha was contracted to film 15 episodes this season. He was only in 14.
-Misha told Michael Sheen he had to go back to film 1.5 episodes after the shutdown in March. (Starts at 6:13)
-Misha was in Vancouver during filming of the finale.
-Mark P said at Darklight Con that the last scene he filmed was with Alex and Misha (and Mark P was only in episode 19).
-Misha implied that he was present for various filming moments, including Dean’s death (start at 35:15), and said that it felt like a “mini-reunion.”
-Various sources have mentioned that Jimmy Novak was supposed to be in the finale.
-After episode 18, Stands tweeted a fan who was angered and hurt by Cas's death that they could talk about the “bury the gays” issue after the finale aired.
-In episode 19 we know there were takes of the parking lot scene where the only thing fans observing could hear was Dean yelling “CAS” at Chuck (fuck I can’t find this one right now, but it’s definitely out there)
-Also in episode 19, we had a very strange, awkward montage at the end of the episode.
-In episode 20, we know there were a FUCKTON of missing scenes
-We also had no opening montage, but three other separate montages.
-Carry on My Wayward Son was played TWICE, back-to-back at the end of the episode.
-Episode 20 was shorter than normal and had surprisingly little dialogue. The pacing was VERY strange.
-The cast and crew has been almost completely silent about the finale since it came out. When they have spoken, it has been with an awkward excuse of “Uh...COVID?”
-Samantha Ferris has specifically noted that, despite the Harvelle’s being back in play and a big heaven reunion having been planned pre-COVID, neither she nor Chad Lindberg received any such invitation to return.
-Cas and Dean POP Funko figures were pictured together in a replica of Harvelle’s in 15x04.
NOW with all of this in mind (and I’m probably missing some stuff too because there is so much--feel free to add on to that list), please bear with me because here is what I think we were SUPPOSED to get POST-COVID (after it was determined that the reunion couldn’t happen because of the virus):
In episode 20, we start with our NORMAL OPENING MONTAGE, like always. It traces everything that happened during the season. We are reminded of Cas. The confession. Rowena. Eileen. Jack. Billie, God, the Empty, all of it. 
Things then follow along in the episode where they did up until Dean dies and wakes up in heaven. After his conversation with Bobby, he drives off to find Cas (who, in the script, was listed as “Jimmy Novak” in order to protect against script leaks--who wouldn’t want to do their best to avoid spoilers about the finale with the wrapping of a fifteen-year show?). He does indeed find Cas. We get Dean’s end of the confession. Hell, maybe we even get a kiss. And then Dean sets up his new heaven home in the recreated Harvelle’s. Maybe Cas even fucking moves in. 
Years pass. We get Sam having his life on Earth (still can’t explain why they cut Eileen and couldn’t even have Sam signing vaguely to the blurry brunette in the background; if anyone wants to take that on, go for it). Eventually, Cas tells Dean that it’s almost Sam’s time. Dean takes Baby and goes to meet Sam at the bridge. The cover of Carry on My Wayward Son plays during this much shorter sequence. End of episode.
But that’s not what we got. Instead, much of what I just wrote about was excised from the episode. The remnants were stitched together after shooting had been wrapped. Filler was added in the form of montages and long, unnecessary extra shots to get the episode to something approaching a reasonable length. 
But why? Why would they spend all that time and money and quarantining on Misha, only to almost completely cut him out of the finale? I struggled with why the fuck the CW would want this mammoth show to go down as the greatest queerbait in TV history when they had the chance to do something truly beautiful and monumental with it? It couldn’t just be sheer homophobia, right? Well, I think that factored into it, my friends, but here is where my head is at right now.
It was about cold, hard cash.
Now I could be wrong, but this is what I’m thinking at the moment: Supernatural is going off of the air. Supernatural, the CW’s cash cow for fifteen years. Sure there is still money to be made on blu-rays and merchandise and cons...but they need people watching their shows. They need that sweet advertising revenue. And you know what show they have about to premiere? A show that could, potentially, bring with it a chunk of that SPN revenue?
Walker.
And if any of you know anything about the original Walker Texas Ranger, you know that the show was predominantly a show about a very heterosexual white man being very excessively heterosexual. And for SOME REASON over the years, many of the execs at the CW still seem to think that this show, Supernatural, is really attractive to a lot of middle-American white men...whom they desperately want to watch this new show with this guy from Supernatural that they already know.
Now here’s where COVID fucked us. I think Destiel was greenlit by TPTB, at least in SOME form, before COVID. But then the pandemic happened, and they panicked. They got the cut of the last two episodes and watched them in their original, probably queer form. And then, the execs at CW looked at the economy. They looked at their cash cow, about to make its journey to the great beyond. And they looked at this new little calf Walker that they were so desperately worried about. And they made a choice.
They decided that it would be too risky to take the step with Destiel. They were worried about frightening off their ever-so-valuable hetero male demographic with the possibility that a traditionally masculine man in his 40s could be in love with another man in an overt way. It was homophobia mixed with greed, spun up by fear for their revenues because of COVID.
So they called in Singer, possibly Dabb, although I wouldn’t be surprised if they went straight to Singer. They told them that Destiel had to go: executive orders. And the only way to make it go in a way that removed any trace of what had been there was to rewrite what happened to Cas and cut him out from the last two episodes entirely. It was too late to reshoot anything. They had to just cut and stitch and fill with bullshit montages. 
They removed the scene at the end of 19, probably because Cas and Lucifer discussed Dean. All that was left of Misha there was his voice on that fake phone call. They may have cut other things too, but I would bet my life that they cut a scene from the end of the episode and replaced it with that very strange montage. Then they moved onto 20. They cut out every scene with Cas. And left in only two platonic mentions of him, neither made by Dean. They tried to imply that Cas might show up in Dean’s heaven at some point, but that was as far as the editors could go in the time they had. They filled in with montages, awkwardly long shots, anything they could do to fill all of those missing scenes.
And they even had to take the opening montage, because literally everything in it pointed to Cas being there at the end of it all. They wouldn’t be able to leave out his scenes, they were too critical to the season. They couldn’t cut his confession without raising eyebrows. So they cut the whole thing and moved “Carry On My Wayward Son” to one of the newly-added driving montages at the end. Which is why we awkwardly had both songs play back-to-back--again, such a strange choice unless they were out of options and couldn’t exactly buy rights to a new track or compose anything else.
And so we were left with the shadow of the finale that we deserved, that Cas and Dean deserved. We were left without resolution or happiness or words. Bobo told us the most important thing about happiness is just “saying it” and our characters were silenced without anyone ever knowing the truth.
I think the writers might have known and been given the new party line that “Misha never filmed, he couldn’t, sorry, it was COVID, no one’s fault!” But I don’t think most of the cast even knew it had happened until they watched the finale on Thursday with us (though they might have been confused why the bit from 15x19 was sliced, they could reasonably have assumed it was a time thing and also BL episodes don’t make sense anyway). Why do I say that?
Well, first of all, Misha started sending out a bunch of excited texts to fans with some old BTS pictures about an hour before the show started airing on EST. He also wanted his children to see the episode, his YOUNG children. Why would he show them such a traumatic episode if their Dad wasn’t in it? What if it was because he wanted them to witness what was going to be a monumental moment in queer television history that their DAD got to be a part of? And then that was all dashed.
Which is why I think the cast and crew went almost completely radio silent the next day. I don’t think they knew. And based on how they have been acting on social media since then, I think many of them are absolutely furious, but they have been silenced because of NDAs, because they want to find work again in a cutthroat industry, because they don’t want to bring down the hellfire of Warner Brothers Entertainment upon themselves. So the most we have gotten is a little acknowledgement from the MERCHANDISING COMPANY trying to validate our pain (god bless Shirts, she is a LIFESAVER) and a response to my salty tweet about keeping good stuff in the closet from Adam Williams (the VFX coordinator) that seemed to acknowledge the validity of my complaint.
Then there was a scramble behind the scenes, I would bet my life. Talking points were fed to the boys who had panels today, to CE, to all the cast and crew:
Toe the party line. Misha never filmed. This was always about COVID. Do not mention Destiel. Do not mention Dean’s feelings for Cas. Do not promote the Castiel Project or anything that validates the idea that this was anything less than a superb ending.
And that is why we have heard so little from the cast on this front, and what we have heard has been muddled and contradictory. That is why the writers are saying nothing. That is why we have been left adrift.
Now before I close this out, I do want to say that I really, genuinely do not think this was on the writers at all. I feel like they tried to give us the best ending that they could, in a writers room that we know is notorious for splitting along party lines about the overall story (BL and Singer, who have always been about the brothers and their man-pain vs. Dabb and the rest who always seemed to want more for them and for Cas). I think they did everything in their power to at least end with Dean and Cas happy together. If they could give us nothing else, they wanted to give us that. And then the network took it from them. From us. From everyone.
For the sake of fucking money. 
And the WORST PART OF IT ALL, for me, is that in the wake of this disaster, the fans have been left to try and figure out what happened. We have had to wade through a mire of conflicting information in the midst of all of our collective anger and grief over this garbage ending of a show many of us have loved and even relied on for YEARS, all the while wondering if we’re just fucking crazy, if we have all fallen collectively into the hole of conspiracy theories. That hurts ESPECIALLY badly because we have taken so many hits over the years from other groups on social media saying we were crazy for seeing things that weren’t there (especially Destiel), for writing meta and analyzing tropes and believing the evidence of our eyes and ears. The network has made us relive that entire nightmare WHILE processing our grief for a show we wanted so badly to celebrate and which instead we now have to mourn.
So again guys, I cannot prove that this is exactly what happened at all; this is simply my idea of what may have happened. But right now, it’s the most sense I can make from this mess, and to be honest, the act of typing it out has helped me enormously in my processing of it all. I feel like I can see more clearly, like I know where to target my outrage and where to direct empathy. I feel like just fucking maybe, I might be able to do my job tomorrow without bursting into tears at random moments. 
I really hope that this post has helped some of you to, in some small way, process this too. We get through this the way that Misha told us at his panel this morning, the way the writers have told us to do all season long...we throw out the story God gave us and we make it better. We write our characters the happy endings they deserve. 
We save them.
One last thing--if you have not already, please consider channeling your rage into a donation to one of the five causes our fandom has put together to pay tribute to our beloved show and to mourn the ending it should have had:
-The Castiel Project
-Dean Winchester is Love
-Sam Winchester Project
-The National Association of the Deaf
-The Jack Kline Project
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relaxxattack · 3 years
Note
Someone's probably asked you this before but how long did it take you to plan out the plot for knifetrick? What did you do to come up with everything and do you have any tips for other writers who are struggling to put together their own fics?
after checking out my history lol,
it seems i did serious brainstorming and research for about a week before i started writing.
what happened first was that i had in my head the funny idea of ran failing to kill jackie and them getting tax-benefit married (to make ran feel guilty and admit his plot)
and once i realized i wanted to make it into an actual story, i had to change some of it and come up with plot and reasoning.
the first thing i did was ask my followers for song requests, lol. i asked specifically for “songs about futuristic settings or being married to/loving your assassination target”
i listened to a lot of that music to get my brain juices flowing. i had to put together a couple of Reasons for why things happened. i also knew i couldn’t just write the fic on the assassination alone, or else ran would have nothing to distract him and be the overarching plot, lol
the music helped me picture scenes and concepts. i then just jotted down a bunch of stuff i thought would be interesting to happen (possible scenes)
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a couple thoughts on this image— for one you can see that i originally wanted to name my fic after a movie. i looked up ones where assassins grow endeared to their targets and fail to kill them. but i realized i didn’t want to name the fic after a movie in case it was controversial or something, so i ended up going for a song instead. ALSO, as you can tell, some of these points got dropped! again, this was just brainstorming for things i wanted to include
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the next thing i did was ask for ranjack classpects, lol. for those unfamilliar with classpecting, it’s sort of like personality types for really sad nerds (/lh). aka, hogwarts houses but more complicated.
@dyketubbo wrote some INCREDIBLE classpects for ran and jackie. it was based off what we knew about their personalities (which wasn’t much) but it also helped us infer a lot MORE about their personalities by figuring out where they could go or how they probably think in their minds.
if you don’t know classpects you can probably do this with personality types. or, just, figure out your characters personality some Normal way. i wouldn’t know.
there was a lot more brainstorming i did (where i came up with ms. laramie, scoots, and clementine) and tried to come up with a basic plot of what would happen and what they would do. during this i did some research on a proper three-act story structure so my plot would hit just right.
during all of this, i watched a bunch of spy and futuristic flicks (not too intensely, just had them on in the background to absorb the vibes).
i then made a plot map once i figured i knew what was gonna happen
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(the last few chapters are on the other side of the paper, so you don’t get to see them haha)
a lot of this stuff got switched around or dropped completely as i was writing. honestly, the details don’t matter too much— the FLOW of the story is what’s important.
i’m very flexible with my scenes— literally what happens in a chapter is completely up in the air until i FINISH the chapter. sometimes they’re entirely different from my original ideas. it’s not too important to me what exactly happens, as long as it makes sense and i like it and it fits in with the rest.
in my mind, the events themselves are not as impressive as the characters in them. as long as i’m still developing the characters the way i need to throughout the story, and they eventually get to the plot points i need them to, i don’t worry too much about the specifics! as long as they’re fun.
i also didnt write chapter-by-chapter— i mapped the plot first, and then drew little dividing lines where i thought it would be good to end the chapter after. chapters are useful to me as pacing tools, but i didnt want the plot to seem too episodic by Planning it as chapters.
after i wrote the plot map, i did research on deserts, cities, and fantasy politics for DAYS. (i also watched videos on how fantasy militaries should work.) i ended up not using most of that information i came up with, but the parts that do leak through into my current writing do wonders to make the world feel real and alive. each character has a personality and a life, they aren’t just there to be background characters for ran and jackie.
then, i re-read a few books by authors who really inspire me. to get their narration voice fresh in my mind and feel really inspired
eventually we got to where we are now— i write the chapters and i post them!
as i’ve mentioned, i’m very flexible with my plot— so while i’ve foreshadowed certain things since the beginning, some parts of the story have only come perfectly together towards the end. and i have @shrugofgod to thank for that!
my wonderful editor is always willing to chat with me about what scenes and bits work and are most satisfying story-wise. of course lyssie also EDITS my chapters after they’re drafted — to make them more polished, and also ask me questions about things that are going on to clarify them.
many thanks to lyssie shrugofgod for making the story so much better :D
because my chapters have a tendency to get away from me and do whatever they want, if there’s certain plot things i need to hit in a chapter, i’ll outline the chapter before i write it.
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also, recently, (after coming up with one too many REALLY COOL scenes and lines in my head while cleaning, but then completely forgetting them later) i’ve implemented a protocol for myself to jot down anything that comes to mind WHEN it happens so i don’t forget.
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these are unprofessional and have spelling errors and all that, because i just wrote them really quickly, often while doing the dishes or laundry, lol.
so in conclusion:
um yeah that’s how i write knifetrick! i’ve never done this much work for any other fic though, so don’t feel like YOU have to. i did so much research for knifetrick because it was very out of my wheelhouse.
at most all i think is necessary for a good story is a plot map, and a hell of a lot of inspiration. (i got mine from music, movies, books, and drawing ran and jackie a lot, haha!)
make sure you’re having fun with your plot. writing won’t always be fun, but you should at least like your PLOT. because if you don’t then you won’t be inspired or enjoy it at all!
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Text
Not The Same (GeorgeNotFound)
summary : you put out a song, but it attracted the wrong type of crowd and caused too many misunderstandings.
trigger warnings : threats (including death and doxing), panic attacks, taking of meds. 
"you're THOSE type of fans, huh?" you read the comments on your newest song release.
and that was the start of your downfall.
-
you and your dad really enjoyed singing. at any opportunity you two got, you would be doing a duet.
whether that would be at at a close relative's wedding or your at home karaoke set up, you two knew how to entertain people.
though singing was your passion, you ended up being too busy with school and trying to graduate with a diploma to even think about singing again.
but you swore to make a career of your singing after high school. you just loved it too much.
but then, you didn't go to college for music, which pretty much shocked your parents and your friends since they knew your only passion in life was singing.
but you took a different direction. you still wanted to sing and you were trying your hardest to find a way to make that your career.
someday, anyway. but you needed to have a plan to fall back into in case anything goes wrong.
you were a realist, after all.
so off to college you went.
you spent long hours studying for tests after tests, sat through hours of lectures, did endless amounts of projects.
in the end, it was all worth the wait and fatigue. you graduated top of your class.
you went off to be an intern, clocked in more hours before you could fully go into the next phase of your life.
and after those long hours, you finally made the decision (with the support of your parents) to take a gap year.
but before anyone panics. your gap year was not all fun in games where you took to rest and lay in bed all day.
you took the gap year to see if the music industry fits you. to see if you even had the chance to succeed.
and if it did, you could finally have your dream job. but even if it didn't you were not going to be upset if you needed to fall back onto your backup plan.
in the duration of the gap year, you took voice lessons, and poetry classes for song writing.
and with whatever you have learnt, you took that into writing songs that you felt really relate to your life experiences.
so you spend at least a couple months writing multiple songs.
after almost 2 years, you finally came out with your first song. and it definitely got recognition. more than you thought you'd get, if you were being completely honest.
and that was what pushed you to sit your ass back on your desk to write more, and go into your makeshift studio and make the words into songs.
your parents were ecstatic to hear that you were finally doing the things you loved. and you knew you'd never get this far if it weren't for your family's support.
and so your music journey began.
it was going well for years. you were finally happy doing the one thing you enjoyed doing.
and you definitely think you were good at it. seeing and hearing the positive feedbacks from your family, friends and listeners. 
you felt good. 
but you lost that feeling when you came out with a new single, called ‘fan of you’. 
you spent a while working hard on that song and you felt relieved when it was finally released. it was like a weight was lifted off your shoulders. 
and you weren’t sure how one thing led to another, if you were being honest. at first, you received good feedback for your new songs. you even gained new listeners and your spotify rank rised. 
but then it didn’t anymore. 
your twitter flooded with mentions and your instagram full of tagged pictures and dms by accounts you’ve never heard of. 
but you noticed a similarity with all of the spam. a guy name george. georgenotfound for short.
you being you, you looked into it. and that was when all of the information hit you. and all you had to look up was your name on twitter, and there it was, the longest thread of tweets you have ever seen in your life. 
you took time to read it all, trying to make sure you didn’t miss anything crucial. 
there must be an understanding. you didn’t know this guy name george. you’ve seen his face on pinterest once a while when you scrolled, yes. but you never looked into him. 
this amazing person took their time to gather every bit of information there was about the scandal, which you were grateful for, or else you’d be scouring the internet for hours. 
to summarise what you read, there was this artist by the name of tia jade who came out with a song a few months prior to yours called ‘just a fan.’ 
it was a good song, some say, and you could agree. it was professionally written and produced. but many fans of george found out that the song was about him. 
not just about him, but about her falling in love with him, when she has never met him. and when his fans started to really listen and analyse the song, it got creepier. 
basically, the song was about a fan falling in love with a celebrity/content creator and that they want to know them beyond their persona online. 
but tia had apologised a little after the song came out, saying that she made that song based on a fan liking a content creator, and not about her falling for george. 
but when you read enough of the issue, it definitely did seem like she was making that song to tell her story about falling for george. but she obviously needed an excuse to cover it up. 
hence the apology. 
and then you read about how they analysed your song, too.
they compared your song to tia’s and found it to have similar stories. stories about how a normal girl is falling in love with the man by the name of george, who had millions of followers on all social medias. 
and if you admitted it to yourself, your song did seem to come out that way. especially if your mentality had been there. clearly your song could have been interpreted in many different ways. 
you scrolled to the very bottom of the thread where there was a video of the man himself, george. he was addressing the issue. 
“i don’t know how this happened twice. i thought once was weird enough, but.” he paused, focusing on building something on his screen. 
“having heard of a song being about me again now makes my skin crawl.” he finished. it was short but enough to make his fans understand where he was coming from. 
you scrolled further to see the replies of the thread. you wanted to know what were people saying about it. 
and you definitely regretted your decision to do that. 
threats everywhere. death threats, threats of beating you up, threats of doxing you. god the negative comments were drowned by the one’s that genuinely thought nothing wrong of your song. 
you called you mom. this was the time you needed her advice. you needed to be told what to do. you didn’t want to accidentally trigger people. 
you and her were on the phone for hours. she listened to you cried to her. she heard the painful sobs that came out of your mouth whenever you reminded yourself of what people were calling you on the internet. 
she heard you cry silently on call when you saw your address and phone number being leaked on twitter. 
but even through all of that, you joked around with your mom. “well, this was a hell of a way to be trending.” 
you did what she told you to do. get a new phone number, stay in a hotel for a couple days while you try to settle the raging crowd of georgenotfound fans down. 
in the span of a couple weeks, you got yourself a new number, a new house and a new car. you weren’t taking any chances. 
you told no one besides your mom of the new changes, just to be safe. 
and no, the threats did not cease. at all. these people did not have a life, constantly up in your dms, telling you to jump off a cliff or them hoping that a robber stabs you and leaves you dying. 
you took your time trying to figure out a way to talk to george. or a way to speak out about this. 
you didn’t want to write a half-assed notes app paragraph apologising when- first of all, you had nothing to apologise for and second, you had too much to say to fit it all in a notes app. 
lucky for you, you didn’t need to start your own channel or make a sit down video on your own. 
your recording label had brought up the idea of a documented series about you and how you became a singer about a year ago, and only started filming and posting the episodes a couple months prior on youtube. 
so you took the series to your advantage. you pitched in the idea to your manager, to which she agreed to immediately, knowing that it was best you talked about it now. 
this was how it played out on the perspective of viewers who watched that episode. 
“bless you.” your producer says after you paused your singing in the mic as you stopped to sneeze. 
you gave him a smile and a thumbs up from inside the booth. 
the camera cuts to another clip. 
the cameraman pans as they captured movers coming in and out of your old house, picking up your heavy furniture and boxes into large trucks to move into the new place.
 it cuts again. this time it shows you scrolling on your phone with a focused face while your manager types something vigorously on her computer. 
the camera tries to focus on your phone, and sees that you were on twitter, reading a lot of tweets under your name. 
you exited the app and slide it away, going into youtube next, reading the comments on your song ‘fan of you’. 
you scrolled far, clicking on some of the comments, trying to read the replies to certain comments you saw. 
the camera cuts into a black screen. which then cuts again into a new scene, where you sat on your new kitchen counter talking to your mother, who sat on the chair in front of you. 
your hair was up in a ponytail. a messy one. you were wearing sweatpants and a hoodie that seemed far too big on you, and your feet covered with fluffy socks.
you were nodding to whatever she was saying to you. it was clear your mind was elsewhere as your eyes were unfocused. 
the scene cuts again. 
you were seen on the couch, your legs were tucked into your arms and your head down, body shaking. it was obvious you were crying. 
you were alone, your mother no where to be seen. 
that was the first time the camera caught you crying. 
the scene cuts as you were going to get up from the couch. 
now, you were in the kitchen again, opening the refrigerator to take a water bottle, then walking to your room upstairs. 
the camera follows behind you slowly into your room. 
it hadn’t been the cleanest. there were a couple shirts on the floor, your bed undone, cups on your side table, your laptop open on your desk. 
you were seen opening a drawer, taking out a small white bottle. you unscrewed the bottle and took out 2 pills, popping them in your mouth, drinking water straight away after that to swallow. 
the scene cuts again. 
this time, you were seated on the couch in the studio, the atmosphere dark and quiet. 
your hair was more kept this time, being help up in a clip. 
you were wearing straight jeans and a slightly oversized sweatshirt. you looked more refreshed this time. but it was obvious you hadn’t slept in a while because of your eyes.
your eyes that usually held a lot of happiness and joy turned dull. 
“it’s been a while since i’ve spoken to a camera.” you offered a small smile. your song ‘just a fan’ was playing in the background of the clip. 
the scene cuts again. 
“when i released that song, i was genuinely proud of the work i had done.” you paused for a while. besides the song playing in the background, it was silent. 
“but i guess the joy didn’t last very long.” the scene cuts there. 
it transitioned to a collage of what people were saying about you. it showed clips of people talking about it on youtube. they even showed george talking about it. 
and it cuts again. 
it showed a different clip this time. a clip of your ex boyfriend and you at the beach on a picnic, that was taken by a close friend of yours. 
this was when you were still in college. 
it showed all the fun memories you two made while you were still together. 
it showed a video of him studying in the library, flipping through his papers and scrolling through his laptop. it was clear he was hard at work, not noticing you filming him. 
but then the scene cuts again. and the music turned somber. 
your ex boyfriend’s grave. 
it was the day you were visiting him. you sat down next to his stone, a blanket under you. 
you were just staring at his stone, not moving. 
and it cuts again. 
“he was one of the most driven person i have ever met.” you told the camera. 
“he knew when to be serious and when to have fun.” you looked down in your hands and played with your rings. 
“all he ever talked about was becoming a surgeon. he worked hard in his intern years and continued being passionate through his residency.” you spoke up. 
“people had only nice things to say about him. the only bad thing they would say about him is that he can be pretty uptight sometimes, especially when he was stressed about something.” you laughed a little. 
“i was a huge fan of him, even when we just saw each other in the hallways. he’s just amazing. i’ve always wanted to be just like him.”
“i wanted to write a song about him but i didn’t the song to be sad.” you said. 
“and that was when the song ‘fan of you’ was created. 
the scene cuts there and goes into another. 
you were in the recording booth again, this time, you were singing into the mic. 
the camera pans to your producer and manager dancing and bobbing their heads to the beat. 
the scene cuts, officially ending it with a black screen with ‘the end’ in a fancy white font. 
you busied yourself with writing new songs as your name got trended again on twitter. 
and george has never felt worse about himself ever in his entire life. 
-
he watched the episode as soon as dream sent it to him. 
“you’re an asshole, george.” dream sends to him, along with the link of the video on youtube. 
as the video ends, he decides to read the comments, wondering what it was like down there. 
it was the worse mistake he had ever made in a while. 
but he knew he deserved it. he did assumed it was about him, just like the last song made with a drawing of his glasses as their cover photo on spotify. 
this time, there was genuinely no reason to think that this song was about him, or anyone with a following whatsoever. he just believed what his chat told him. 
sure, there were some familiarity of the character in your song and him, but the world did have 7.6 billion people living on it. 
“so, here i am apologising.” george says to his camera, live. his tone was very sincere and apologetic. 
“this shouldn’t have gotten this far. they shouldn’t have gotten threats at all, let alone death threats. they shouldn’t have woken up to the world knowing where they live and what their phone number is.” 
“and if you’re watching. i sincerely apologise. i clearly was full of myself.” george finishes. ending the live with a small wave. 
and were you watching? hell yes. 
and that was the day the two of you followed each other on instagram. 
he used your songs as his intros of his live, (with your permission, of course.) you showed in your documentary that you were watching whenever he was live or watching his youtube videos. 
and that was the start to a beautiful relationship. 
you sat on the chair, going live. you waved as people started joining. it went from hundreds, to thousands in seconds. 
as you were talking and clicking on your keyboard and mouse, playing a game, you felt arms around your shoulders. 
you smiled, yet continued playing. 
“why are you live on my account?” he laughs. 
you disconnected the headphones so that he could hear what you were hearing. 
“george, you’re being replaced.” dream said on discord. 
george smiles, giving you a kiss on the top of your head. “that was well deserved.” 
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buttterknifeee · 3 years
Text
Deep Six- Teen Titans x Aquagirl!Reader
Request: May I request an insert in the episode Deep Six where the titans meet Aqualad?
Masterlist
Summary: Robin makes you accompany this guy name Aqualad and Beast Boy. Will you be able to handle them or will their bickering tear you apart. Also you're a katara kinnie (i know ATLA didn't exist then but still) This episode is Season 1 Episode 8!
Pairings: Platonic!Aqualad x reader, Robin x reader if you squint
Word Count: 4314
A/N: this time i decided not to split up the episode and post it as one! I made them meet for the first time here, so the Aqua kids don't bond much yet, but if you want to see more, feel free to request! (click here for guidelines) Also yes I also ended this one with "anyone up for pizza" thats all i know how to do to end a fan ficbskghs
“Ahhhh, don’t you just love the ocean?” you admired the shallow sea, the blue water flowing by you. The others prepared for launch, reading off the status of the T-Sub.
“Main power online.”
“Oxygen tanks at maximum”
“Defensive system active”
Beast boy hums confidently. “And your new secret weapon is ready to rock.”
Cyborg rolls his eyes through the headset. “Only time you qualify as a secret weapon is after eating a tofu bean burrito.” You stifled a giggle as Beast Boy yells in protest.
“Uh, 'scuse me, bud. Can you breathe underwater? Uh-uh. Can you be any fish in the sea?”
You shrugged your shoulders and smirked. “Cyborg can’t but I can. And I can breathe underwater without being a fish so I guess I’m just as much of a secret weapon as you, BB.”
You found out that you could breathe underwater a few days after you and the others formed the Teen Titans. You were surfing for the first time since that day when you fell off your board. You had accidentally inhaled underwater, and to your relief, you found that you were able to breathe in the ocean water with no problem. You offered to swim outside the sub on your own, but the team didn’t want you to get hurt, so you were stuck in the small confines of your own pod of the T-sub.
Robin ignores you three’s bickering. “We have to find out what this Trident guy is planning,” he says. “If it takes forty barrels of toxic waste, I doubt it's environmentally friendly.”
The engines warm up, the vessel humming to life. “Titan Launch!” Robin exclaims and the T-sub shoots through a tunnel and into the Jump CIty Bay. You watch in awe at the ocean life around you. Now that you had a connection to the ocean, your perspective on ocean life had changed. You clutch your seashell necklace as you continue to take in the view of the ocean, ignoring Beast Boy showing off his teeth and Cyborg turning off his mic as a result. Robin’s voice snaps you back into reality.
“Sonar contact. Beast Boy! Aquagirl! Ready to go?”
You gave a quick smile. “On it.” You unbuckle your harness and the dome unlatched, allowing you to swim out. Beast Boy gave a mischievous smirk.
“Dude, I was born ready. Try not to be jealous.” He aimed the second comment at Raven, who looked at him indifferently. Beast Boy quickly swam out of his pod and transformed into a whale.
“He just put on three hundred thousand pounds. I am so jealous.” she notes sarcastically.
You and Beast Boy made silent eye contact before swimming towards the cargo ship, examining its destroyed remains. He turns into a shark to keep investigating, and you follow his lead. You couldn’t help but feel that you were being watched, as you swam around the ship. Suddenly, out of the corner of your eye, you see a green figure; not a bright green like Beast Boy’s but a sicker, murkier green. You point at the green man as he swam away, and you and Beast Boy immediately bolt after it, the T-sub following behind.
Your black scuba shoes propelled you forward, and you aimed blasts of water towards the figure, but it kept dodging your shots. The monster, whom you now assumed was Trident, fired his weapon at you and Beast Boy, and when you dodged, it hit the T-sub. You forced yourself to continue to chase after Trident, hoping that the vessel was also capable of dodging his shots.
You and Beast Boy were nearing close to catching Trident when a voice rang in your head. It wasn’t yours, nor Beast Boy’s; it was clear, belonging to someone no older than you were.
“Your friends are in danger.” you heard. You and Beast Boy both stopped in your tracks, looking at each other in shock. You realized that the T-sub was no longer following you.
“Our friends are in what? Whoa! How did you say that? Dude! How did I say that? Hey!” Beast Boy also says in your mind. You turn to see the T-sub being attacked, and shot off without waiting for Beast Boy.
“Dude, questions are for later! Let’s go!” You order, not even entirely sure how you were able to talk either. You approach the vessel, which was being destroyed by Trident, who you swore you were just chasing.
Suddenly, a figure knocked Trident down. Trident and the mystery person fought each other, moving so quickly that all you could see of the person was a blur of black and blue
You turn your attention to the T-sub, which was slowly sinking into a fissure on the seafloor. Water was filling up fast and a look of panic settled on your teammates faces (except Raven, who seemed to have accepted death). Your eyes glowed blue as you outstretched your arms towards the damaged vessel. Focusing on the water around the titans, you forced the leaks to cease and the descent into the fissure to stop. Your muscles burned as you kept your stance; holding the vessel in place underwater was similar to holding it up on your arms above ground. Beast Boy raced to help as you struggled to keep grip when suddenly, two whales came and carried the sub on their backs.
You let go of the ship and breathe a sigh of relief. Beast Boy sees you almost passing out and comes to your side, now in the form of a squid. Instead of comforting you, he complains about the whales' help.
"They got it? How come they got it?"
A familiar voice rang in your head again. "Because I asked for their help." The voice belonged to the guy who was fighting Trident before. He comes to your other side and supports your other arm, putting it around his neck.
"You talk to fish? Yeah right. And let go of her!"
"You guys need help, and I'm talking to you right?" He glared at Beast Boy, keeping his grip on you.
Beast Boy was about to reply when you held your hand up in front of his squid face. "Beast Boy, I'm a solid five seconds from collapsing. I'm fine with the help."
The guy in blue gave a small smile. "And it's called telepathy. Let's go."
The three of you swam into a cavern. As you entered, the T-sub was floating on the water's surface and although it was extremely damaged, it managed to keep your teammates safe. You nodded to Beast Boy and the other teen and they let you go as you approach the other titans.
Raven asked, "where are we?"
"My place," the mysterious teen answered. "I told the whales to bring you here."
Raven and Starfire both blushed and gave bashful thank yous. You stared at them. Are they… in love with the new guy???, you thought, confused.
Beats Boy seemed angrier than ever. "He saved you?" He yelled, turning back into his human form. "Hel-lo? I was there too, you know."
Cyborg raised an eyebrow. "Were you? Because if anything I remember Aquagirl keeping us from drowning. What, you stopped Trident from kebabbing us with that souped up shrimp fork?"
"Way to go!" Robin said sarcastically. Beast Boy stuttered a response, but the blue teen interrupted.
"Aquagirl, huh? Well, I'm Aqualad. Sorry I didn't introduce myself earlier, we Atlanteans like to keep a low profile."
You shake his hand, now taking in what Aqualad looked like. He was half a foot taller than you, with slicked back hair and black pupils. He wore a bodysuit with blue scales and black accents. He had nice features, but you couldn't figure out why the other girls were drooling over him, so you kept that thought to yourself.
"You're from Atlantis? That's so cool!" You say.
He nodded. "So is Trident." He opens up a hologram from a table in the cavern. "He's the worst criminal in Atlantis, with an ego to match."
He continues a sideshow filled with pictures of the sickly green monster. "Trident claims he's perfect in every way so he thinks he can do whatever he wants."
"Any ideas what he wants to do with all that toxic waste?" Robin asked.
"Whatever it is, it'll be bad for both our worlds. He's already gained some kind of new power. It's like he can be everywhere at once." Aqualad says.
"Noticed that," Raven says sarcastically.
"As long as we're after the same guy, maybe we can help each other." He looks at the six of you.
Your eyes sparkle. "Of co-" you begin, but Beast Boy pushed you out of the way.
"Whoa, hey, no, we're good. Got the whole Trident thing under control. 'Sides, I'm sure there's a school of minnows somewhere that need your--" He rejects Aqualad's offer, much to you and the other's dismay. Robin pulls him back, and the six of you group huddled.
"We're at the bottom of the ocean," Raven notes.
"Our sub is Swiss cheese." Cyborg adds.
"I almost died back there," You say.
"And we cannot breathe water," Starfire mentions.
Robin is the first to break away from the huddle. "We'll take any help you can give us." He says to Aqualad.
Aqualad nods and has some amphibian guy named Tramm fix the T-sub. He turns back to us. "While he's helping you, I'll track down Trident. " He turns to go into the ocean again, but Beast Boy intersects.
"You mean I'll track down Trident," He says, pushing him a little
Aqualad pushes him back a little harder. "That's ok, I can handle it."
"Thanks, but I think I should do this."
"Seriously, I can take care of it!"
The five of you watched as their quarrel turned into an all out brawl, and suddenly you couldn't take it anymore.
"GUYS," You yell, causing a wall of water to shoot up next to them to grab their attention. They both stared at you wide eyed. "Stop. The. Fighting." You say with a stern expression.
"Why don't you two both go track him down together?" Robin offers, but the two teens cross their arms and scoff.
"I usually work alone." Aqualad says.
"Yeah. Me too."
"You do not! You're part of a team!"
"And you hang out with Tramm the fish boy! What's your point?"
"Hey! Arguing isn't going anywhere. Listen, Aquagirl can go with you. That'll make sure you stay on task." Robin commands, and you perk up at the sound of your name. You quickly pulled him aside.
"What the hell man?? They obviously don't like each other, you should have seen how much they fought on the way here!." You argue, and Robin looks at you through his masked eyes.
"You're the only other person who can survive underwater, they're gonna need you. Besides, you're great at handling conflicts; you'll be fine." He says with a smile. You blush a little at his comment, and sighed.
"Alright Rob, you can count on me” You return to the rest of the group and the three of you jump into the ocean.
As you headed towards the bottom of the ocean, you decided to ask Aqualad a question that's been bothering you.
“Hey Aqualad,” you say telepathically. “Before you said that you were able to communicate with sea animals. How come you’re able to communicate with me?”
“I don’t know actually,” Aqualad admits, still swimming next to you. He points to your necklace. “I’m guessing it's because of your necklace.” He stops to examine it. Beast Boy groans and stops as well. It glowed a little in his hand as he read the ancient text off of it.
“The Shell of Poseidon,” He read out loud. “I recognize this from the library in Atlantis. Only Atlanteans can use its powers, so you must be Atlantean then, right?”
“Woah! I’m not Atlantean, I’ve never even been there,�� you sputter, absolutely shocked at what the teen said.
“Well, you must have some blood in you,” he shrugged. “Hey, maybe we’re cousins or something.”
You grin. “Aquacousin? I like the sound of that!”
Beast Boy interrupts your moment. “Ok, haha, family is fun and all, but while you were floating around finding out parts of your identity or whatever, I’ve actually found something on my sonar so, try to keep up.” He swims off, leaving you two to follow him. You expected to see the sea monster, but instead came upon a group of dolphins.
“No offense B.B. but these don't look like Trident to me.” you smirk.
Aqualad swims up to the dolphins, focusing on his telepathy. The dolphins swim up together and Aqualad turns to you and Beast Boy.
“They told me where to find Trident. Try to keep up.” He mocks Beast Boy, then swims with the dolphins. You look at Beast Boy, who seemed pretty grumpy, and turn to follow Aqualad.
You tailed behind as the two boys raced each other, Beast Boy turning into various aquatic creatures to catch up with the equally competitive teen. Then you see it. In front of them, Trident swam into view. You and Aqualad stop on instinct, but Beast Boy keeps going.
"Beast Boy! Stop!" You both yell, as he barrels straight towards Trident.
"What's the matter?" He taunts. "Am I too fast for y-"
You winced as you watched him crash into the sea monster and fall to the floor.
"Heh… how's it going," Beast Boy says telepathy to the monster towering over him. Trident growled.
"Keep your thoughts to yourself, you inferior fool!" He pointed his well, trident at beast boy and fires; Beast Boy barely dodges it.
Aqualad tackles Trident and they fall off an underwater ridge.
"Oh no you! This time he's mine!" Beast Boy yells, following Aqualad to the ridge.
"Beast Boy wai-" you yell, but was cut off by something grazing the side of your head. You turn, and see Trident swing his weapon at you. You dodged his next swing, wondering how he was able to get to you right after being attacked by Aqualad. You send him flying across the ocean with your water powers, when you hear Beast Boy yelling. You turn to see Beast Boy in squid form latched onto Aqualad's face. You could see Trident swim away from the corner of your eye as you swam to pull Beast Boy off of Aqualad. Aqualad glares at Beast Boy, his face peppered with red dots from Beast Boy's accidental attack.
“I said, ‘incoming’” he defends himself. Aqualad ignores him and points to another figure swimming into a grotto.
“He’s getting away!” Aqualad swims away, Beast Boy following.
“Wait-” you say, confused. Didn't you just send Trident flying in the other direction? How did he move so quickly? You reluctantly followed your friends into the cavern. You joined them as they observed the two tunnels that split off into two different directions.
“What are we gonna do now?” you think out loud.
“Maybe the question is where were you guys?” Aqualad snaps, turning to the two of you. You furrowed your eyebrows in confusion while Beast Boy swims forward to be face to face with Aqualad.
“Where was I? Fighting Trident by myself!” He jabbed a squid tentacle into Aqualads shoulder.
“You barely laid a tentacle on him! At least I managed to break his weapon!”
“Dude, that's just wrong. I so broke that fork thing!”
“BOYS!” you yell. “I also fought Trident and I sent him in the opposite direction, and now he's here. There's something going on…” The two began to think, but then perked their heads up. They then point at opposite tunnels.
“There he goes!” they yell at the same time. You stare at the two of them in even deeper confusion. Beast boy swims up to you, making eye contact.
“I saw him! He's that way! I'm right, he's wrong! End of story!” He crosses his tentacles. Aqualad pushes Beast Boy aside so that you were now staring at his dark pupils.
"I'm telling you, he's this way!"
"GUYS, we can just split up," You say flatly, pinching the bridge of your nose in frustration. "Aqualad I'm sure you can handle yourself, so I'll go with Beast Boy."
"Aw sweet!- Heyyy…" Beast Boy says to your backhanded comment. Aqualad nods and swims off into the tunnel.
You and Beast Boy were alone in the tunnel when you sighed.
"B.B., why do you keep picking fights with Aqualad?" You asked, still looking ahead. Beast Boy turns to you, acting shocked.
"ME??? It's not my fault Mr. Pretty-Boy-Know-It-All keeps showing off!" He whines.
"Dude, he's just trying to help us. Maybe you should-" you were cut off by a loud booming voice.
"Worthless scum! You cannot beat perfection!" Trident bellowed from behind you. You and Beast Boy turned, already in a fighting position.
"How many of you fork things do you have?" He mumbled as you charged forward.
You dodged his energy bolts, Trident in return dodging your attempts to push him farther back. Beast Boy turns into a turtle, pulling his arms and legs inside. Trident threw his weapon and it bounced off of him, flying into you and sending the two of you hurtling through the water.
"I always win!" You hear him say as you regain your stance. Beast Boy turns into a giant crab, grabbing onto Trident's weapon.
"And I thought Aqualad had a big ego!" He yelled telepathically.
"BEAST BOY GET BACK!" You yell. He swiftly let go, and you shot a jet of water towards Trident, sending him flying into a cavern wall. The cavern shakes, and a mass of boulders come crashing down. All you could see was a crushed trident sticking out from under the rocks. You breathed a sigh of relief until you felt a searing pain in your leg. You look and see a burn mark; Trident probably hit you before you buried him in a pile of rocks. Beast Boy looks at you, a worried expression in his eyes (despite being in the form of an ocean animal).
“I’ll be fine,” you grimace. “Let's find a way out first.” You painstakingly swim until you find a cave similar to Aqualads. You drag yourself towards the land as Beast Boy turns back into his human form. Right after you pull yourself up, you see Aqualad jump out of the water. He sees the two of you, and runs to meet up with you. He and Beast Boy begin to talk at the same time.
“ I just saw Trident!... No, you didn't!... Yes, I did! Cut it out!”
“I don’t care what you say! I fought Trident!” Beast Boy yelled, a vein nearly jumping out of his forehead.
"That's impossible!" Aqualad counters, his fists clenched so tight you thought you saw blood.
They both seemed to be prepared to fight each other. You jumped in between them, holding both their heads back as they flail their arms, trying to get a hit at each other.
"You know," You begin, silencing the two boys. "When Robin asked me to join you guys, I didn't want to. You two are heroes that just met each other and you were already fighting! But he told me that I could handle it and he's right! I can handle the both of you; but it seems to me that you guys can't handle each other. So here's what's gonna happen: I'm gonna heal myself because oh right! I got BURNT and you two are gonna talk it out." You let go of the boys, and they watched as you limped over to the edge of the water, plopped yourself down, and started pulling the ocean water to your leg. You listened in a little as you concentrated the water on your leg. It only took a few seconds to heal your burn, it was only surface level and you had gotten better at using your healing powers. They were still talking as you noticed what was in front of you: hundreds of Trident clones and yellow Trident capsules-eggs attached to the ceiling.
"Uh guys…" you say, rejoining them, but they had seen it too.
"One Trident is bad…" Aqualad says.
"... but this is…" Beast Boy adds.
"... an entire …" You say.
"...ARMY!" One of the tridents finishes your thought.
They all charge, and the three of you brace or impact. You raise your arms and a wave of water takes out a small group of the monster clones. You dodge their attacks, shooting jets of water at their heads. You see Beast Boy get flung into a machine, and an egg hatching sequence begins on the screen. You regroup with the other boys in front of the machine.
"Oops," Beast Boy said sheepishly.
"Great," Aqualad groaned as the clones began to close in.
"We need a plan," You mumble.
A group of the clones began to speak.
"My brilliant plan is already a success"
"If one of me was perfect…"
"Why not make more?"
"You can never have too much of a good thing"
"Once my army conquers Atlantis…"
"I will declare war on the surface world! Everyone on the planet will bow down before me"
"And praise my perfection!"
Aqualad whispers to the both of you as the clones cheer. "Any bright ideas?"
Beast Boy whispered back. "Just one. Try to keep up." He turned to the clones. "So if you're all perfect, which one of you is the best?" He asked.
One of the tridents answered. "I am!... Huh?"
As soon as you understood what Beast Boy was doing, you grinned. Aqualad stepped up.
"Come on. You can't all be the best." He says.
"One of you must be better than the others," You add.
One of the tridents step forward. "I am the original!I am the best!"
"You are not the original"
"I am!" Multiple tridents yell at once.
"Nonsense you inferior fools! I am perfect! I am Trident! "
You watch in amusement as the clones turn on each other and the fight turns into a full on brawl. The fight eventually ends, and all the tridents laid on the ground, defeated. Aqualad turns to Beast Boy.
"Great idea," He says. You noticed that there were no hints of sarcasm in his voice. Whatever they said to each other earlier must have made them work better together, you figured.
"Kinda got it from you," Beast Boy says."Now we just have to stop those from hatching." He points to the yellow pod filled ceiling. Right as he said that, the screen on the machine behind you hit 0 on the timer and the word "begin" flashed on the screen.
"Too late!" The three of you yelled at the same time. New Trident clones were breaking through their membrane "eggs". Beast Boy instinctively turns into a hippopotamus and tramples the crowd, creating a path to the ocean. You and Aqualad sprint behind Beast Boy, dodging the clones' outstretched arms. You all dive into the water, the Tridents close behind.
"We can't let them escape! We need to find some way of sealing the exit!" Aqualad yells telepathically.
"Right now, I'm just worried about getting to the exit." Beast Boy replies. You didn't look back, but you could feel the clones closing in. As you got closer to the exit you saw a familiar looking silhouette.
"The T-sub!" You exclaimed as you swam out of the cave. The clones stop in their tracks in confusion.
"Huh?" You hear one of them say.
You moved out of the way as the sub sent beams towards the entrance of the cave. The Blast caused a pile of rubble to fall, blocking the exit. You smile at your team who's cheering (along with Aqualad’s friend Tramm) inside their pods. The three of you turn bad to observe the T-sub’s work.
“Good thing Trident likes himself so much, 'cause I'm thinking he won't see anybody else for a looong time.” Beast Boy says.
You find yourself on the surface again, on the shore of the Titan’s Tower. Raven and Starfire both continue to look at Aqualad with heart eyes as Robin steps forward.
“Consider yourself an honorary titan” he says with a smile, holding out a familiar black and yellow communicator for him to take. “We couldn't have done it without you. Thanks.”
“Right back at you. It's good to know there's people up here I can trust.” Aqualad looks at you and Beast boy. He says goodbye to Raven and Starfire, who blushingly say it back. He then turns to Beast Boy.
“What can I say, dude? You're the best.” Beast Boy says.
“Nah. You're the best.”
“Yeah, you're right. And if you ever want me to prove it, I'm always up for a race.”
“Just try and keep up.” Aqualad laughs, patting his head. He finally turned to you.
“Aquagirl, it's been really nice to meet you. Next time you’re near Atlantis, give me a call and I’ll show you around. There's so much to show you,” he stretched out his hand for a handshake, but you pulled him in for a hug. He was surprised at your gesture, but soon returned it. Raven and Starfire looked at you with pure envy as you pulled back with a smile.
“I’ll take your word for it, Aquacousin” you say, making a reference to your nickname for him earlier. He laughs, then waves goodbye. The six of you wave back as he swims back into the ocean. Robin gently put his hand on your shoulder.
“You did a great job today Aquagirl. I knew I could count on you.”
“You know you can always count on me, dude.” you say with a smile. “Now I’m kinda hungry. Anyone up for pizza?”
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