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immaturityofthomasastruc · 3 years

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IOTA Reviews: Gang of Secrets

Well... I'll give this episode one thing. It's better than what we got from both “Truth” and “Lies”, and it did do one of the things I hoped the writers would tackle this season. That's not saying much, but I'll take what I can get.

Let's get into the fourth (chronologically the third) episode of Miraculous Ladybug's fourth season: Gang of Secrets

We start off right after an Akuma battle, and while Cat Noir is eager for their victory fist bump, Ladybug seems to be on edge, insisting that they go on patrol. Cat Noir thinks of a place that they can relax at without talking... and he chooses to take Ladybug to see a romantic comedy.

We're not even a minute in, people, and it already looks like Ladybug is considering using her authority as Guardian to take away Cat Noir's Miraculous.

Ladybug goes on a brief tangent summarizing what happened with Luka (which conveniently happens to reflect the events of the movie), and naturally isn't happy with the movie. Gee, it's almost like Cat Noir's plan was a bad idea. He seriously tries the whole “pretend to yawn as an excuse to put his arm around Ladybug” trick, so you can't tell me he didn't have romantic intentions here.

Why Kagami couldn't accept Adrien's “true self” is beyond me.

After storming out of the movie theater, Cat Noir tries to emphasize with Ladybug (key word being “tries”) by going on about how “he knows what a broken heart is like”. At least he didn't ask if she was single now. Ladybug decides to go for a swim, but we cut back to Marinette's house, with Ladybug in her aqua form, implying she went to the pool while still transformed. And here's a big problem with the episode. In theory, I like the idea of Marinette stressing over her new responsibilities, as it could lead to some interesting plotlines. The problem is that when we get something like that in this episode, it's played entirely for laughs. At one point, Alya mentions hearing Marinette crying in the bathroom because of the stress she's been going through. And instead of being a dramatic scene, she just runs out in some Groucho Marx glasses for some reason, because according to the writers, we're supposed to laugh at Marinette suffering from a potential mental breakdown.

This just raises several questions about the way we're supposed to treat Marinette's behavior in this episode. Are we supposed to take this seriously? Not completely, because of how a lot of the “jokes” in the first act of the episode revolve around Marinette's anxiety being driven up to eleven. Are we supposed to see all of this as a joke? Not completely, because the end of the episode is when the writers decide to take Marinette's inner demons seriously. It leads to a very conflicting picture the episode is trying to paint with the way Marintte's conflict is portrayed.

We then cut to what seems to be the only thing the writers like to do with this character now, Alya acting like has control over Marinette's love life.

Of course those are the only pictures Alya got of Marinette.

Uh... Alya? Honey? Have you even considered the fact that maybe Marinette didn't tell you about Luka because that's none of your damn business??? What gives you the right to know every single detail about your friend's life? I understand that you're a hardcore Adrienette shipper (and an unintentional metaphor for how obsessed the writers are with the Love Square), but why would Marinette be obligated to tell you about Luka?

I know that I asked Marinette if she told Alya about Luka in my “Truth” review, but that was because she continued to force the belief that Marinette still liked Adrien onto her. Yeah, I'm still confused as to why Marinette didn't tell Alya, but the difference is that I was more confused at her not explaining it, and felt it would have made the conflict in the New York special a lot easier. I don't think Marinette has to tell Alya, I just think it would make some things easier between them with how much Alya wants Adrienette to be canon. Marinette has no obligation to tell Alya anything about who she's dating. What goes on in someone's love life is a private matter, and we'll see that Alya has no regards for privacy.

Alya, along with Juleka, Rose, Mylene, and Alix, devises a plan to give Marinette a friendship bracelet to show their support for her. And as usual, Alix has the simple idea to talk to Marinette about what's going on with her, and of course, she's ignored. Sorry, Alix, but this is an Alya episode, where smart choices don't fly here.

We cut back to Marinette's room where we get a pretty good scene where Marinette confides to Tikki about how she knows she has no chance of having a love life. She points out how she had to end things with Luka because of her secrets, and knows that even if she worked up the courage to talk to Adrien, she couldn't do anything because of the same secrets. She can't tell her parents or friends about her secrets and is forced to lie to everyone all the time. The voice actress gives a good performance, and the animators did a good job rendering the red eyes Marinette gets from crying.

And then we get back to the stupid stuff, where Marinette decides to transform into Ladybug and demands Hawkmoth (even though he's Shadowmoth at this point) show himself. This is really just an excuse for the Girl Squad to barge into Marinette's room, where Rose sees the dollhouse Marinette uses to hide the Miracle Ball. Marinette quickly runs back in and tries to hide the the Miracle Ball from her friends, who confront her about her “problem”.

No, real friends respect boundaries and don't demand to know every single detail about someone's life. They understand that there are secrets they don't have the right to know about. If Alya found out that Alix still needs to sleep with a nightlight and told everyone, would you really be surprised if she got mad at Alya for exposing this secret of hers? Right now, Marinette is clearly uncomfortable about telling her friends about a secret she has, and rather than understand she doesn't want to, they just keep pressing on, and don't care how unhappy she looks.

Unsurprisingly, Marinette tells them all to get out, saying she doesn't want them as friends anymore. Okay, so we're in every salt fic ever written now. Again, we get a good scene where Marinette feels remorseful for what she said (as understandable as it was), while the girls leave with their heads down.

Shadowmoth sends out an Akuma for the friendship bracelet, and because the object had personal meaning to all of them, Alya, Juleka, Rose, Mylene, and Alix all get akumatized into their previous Akuma forms, Lady Wifi, Reflekta (yet again), Princess Fragrance, Horrificator, and Timebreaker respectively. Shadowmoth calls them the “Gang of Secrets”. But they were akumatized because of secrets. Wouldn't a more accurate name be something like “The Honesty Brigate” or “Truth Troop?”

When I reviewed “Felix”, I had talked about how the motivations for the three Punishers weren't didn't reflect their Akuma forms, which were twisted versions of what they were feeling like at the time. While the same thing applies here (as well as “Heroes' Day”, now that I think about it, though I always thought it was like a drawback to Scarletmoth's powers), the titular Gang of Secrets is actually a pretty good lineup.

I think my main problem in “Felix” is that we didn't get to see the three Akumas working together much because the writers were trying to prioritize Felix as the primary threat of the episode and failed miserably. Here, we get to see a lot of interesting combos and strategies I never really thought about. Lady Wifi uses her powers to freeze some civilians while Timebreaker skates by and absorbs their energy for her skates. Reflekta zaps some other civilians while Princess Fragrance sprays them with her perfume to brainwash them into looking for Marinette, even if it’s the only time this episode that we get to hear “At your service, Princess Fragrance~!”. Horrificator intentionally goes around scaring people while growing in size, acting as the muscle (even though she doesn't do anything in this episode). They all work surprisingly well together, acting like Ladybug and Cat Noir's own Sinister Six.

After making a new safe to hide the Miracle Ball, Lady Wifi breaks into Marinette's room again, so Trixx, the Fox Kwami, uses his power to create a mirage to distract her. But like when Plagg used his Cataclysm in “Style Queen”, it has a little drawback.

The funny thing is that this doesn't even crack the top 5 in terms of weirdest things to happen to the Eiffel Tower in this show.

We cut to Adrien's room so the show can remind the audience he exists before he transforms into Cat Noir. The two don't meet up in person, but Ladybug tells Cat Noir to keep Timebreaker busy so she doesn't travel back in time while Ladybug goes after Lady Wifi. Of course, she doesn't have the friendship bracelet, but that wasn't Ladybug's plan in the first place.

Her actual plan is talking to Lady Wifi in an attempt to get Alya to break free of Shadowmoth's control. It's short, but it's a nice scene, with Ladybug explaining to Alya that even though they can't know everything about each other, they're still friends. So against all odds, Alya manages to reject the bond with Shadowmoth.

Oh yeah, it's not like we saw Chloe reject an Akuma in “Miraculer”, right? And Chrismaster giving up his akumatized object for Ladybug to purify? That didn't count either. Alya is clearly the first person to ever do this, and this is why you should immediately accept what happens later on.

Alya tells Ladybug where the Akuma is, and in response, Ladybug gives Alya the Fox Miraculous, which she uses to transform into Rena Rouge... even though she was already benched in “Feast” for endangering herself by uploading a video about the history of the Guardians to the internet, just like how Queen Bee and Ryuko were benched earlier for similar reasons, and the latter only appeared again because Ladybug wanted to get Kagami away from Adrien. Because I guess we're just going to ignore one of the biggest plotpoints of “Miracle Queen” now.

The other Akumas have Cat Noir at their mercy, so Rena Rouge uses her Mirage to create an illusion of Marinette to distract them. Timebreaker goes off to chase the illusion, and while Horrificator, Princess Fragrance, and Reflekta are about to take Ladybug's Miraculous, Rena Rouge and Cat Noir are the ones to break the object. Overall, a really clever climax to the episode.

So after Alya returns her Miraculous to Ladybug, we cut back to Marinette apologizing to her friends, who never apologize for invading her privacy. And while she mentions Luka, Marinette suddenly talks about how hard is to confess her feelings for Adrien, something that was never mentioned in this episode, because the writers are desperately trying to encourage the audience to ship the Love Square again brutally shooting down Lukanette and Adrigami. And after all this, Alya goes back up after everyone else leaves because she can just tell Marinette has another secret. How does she know this?

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Okay, fine, Alya can be supportive of Marinette, and even her worst moments like the New York special were motivated by what she thought would make Marinette happy. A little misguided, and yeah, her teasing can be annoying at times, but she's ultimately there to help push Marinette to be honest with her feelings. “Reporter” is stretching it a little. No matter what the show likes to say, Alya isn't a good reporter. She barely verifies her sources and just posts things online. I'm sorry, but the Ladyblog is basically the superhero equivalent to TMZ. Alya probably doesn't even know who Joseph Pulitzer or Edward R. Murrow are, because rather than reporting the news to the public, she just wants to find things that will get her clicks on her website. Alya's biggest flaw as a character is that she is incredibly impulsive, but like everything else in the show, this flaw is never acknowledged, and is basically rewarded. Why do I say that? Well...

I have a lot of mixed feelings about this scene. On the one hand, it's very well acted, and the interaction genuinely highlights Marinette and Alya's friendship. Before she tells Alya, Marinette is just opening her heart out to her friend, and the grievances are played completely seriously. Even the reaction Alya gives when she finds out is very subdued, simply showing her shocked face before she gives Marinette a hug, with no dialogue. It's a very profound moment, and it's arguably one of the best in the entire series. Even the ending card doesn't show an action scene, but rather, it continues to focus on the hug while the Kwamis watch.

And thankfully, the episode doesn't end with the standard upbeat “Duh dun dun dun dunnnn, DA DA DA DA~!” track that almost every episode, no matter how depressing, usually ends with. It's just a really great moment, and a good way to end the episode... on its own.

When you think about previous episodes, like what I've mentioned with Alya, it's just strange that despite all the times she has shown herself to be bad at keeping secrets (like the aforementioned scene in “Feast”, posting a picture of her and Cat Noir kissing on the Ladyblog without her consent, and invading her privacy in this very episode, demanding to know her secrets), Marinette suddenly decides to give Alya a chance. Even worse, she had just said that she wasn't going to force her to tell her anything, which seemed like a strong character moment for her, but then the writers go back on the lesson and have Marinette do what Alya was trying to do the whole episode and tell her she's Ladybug.

Sure, Ladybug told Alya she was the Guardian and to keep it a secret earlier, but this lesson in keeping secrets should have stuck when she first became Rena Rouge in Season 2. I don't have a problem with Alya being Marinette's confidant (lord knows she needs one at this point), but I just don't think Alya is ready for this. It's the same thing with what happened with Adrien in “Syren”, by saying him immaturely threatening to quit being Cat Noir because of Ladybug's secrets was meant to show how he was ready to meet Master Fu even though it showed how selfish he was and was anything but ready. How is an episode where Alya tries to force Marinette into telling her everything she's keeping a secret meant to show she's ready to learn Ladybug's identity. Maybe if this episode kickstarted a character arc for Alya where she learned about why people keep secrets and that getting the truth isn't the right thing to do, culminating in a later episode where Alya learns Ladybug's identity, I'd be fine with that. As it is, this just had some poor timing and was the result of the writers not really thinking this through.

I guess I'm still interested to see where this goes, and how Marinette and Alya's friendship will change as a result of this. Maybe Alya can help Marinette get away to transform, or worry about her safety after an Akuma fight. Although the worst case scenario is that if Cat Noir finds out about this, he'll use it as an excuse to bitch and moan about how Ladybug is still keeping secrets from him and of course, she'll be blamed for whatever happens as a result of that.

Though I can't help but feel like I'm forgetting to mention something. Wasn't there someone else who wanted to know the truth about Marinette?

OH YEAH, I FORGOT ABOUT HIM JUST LIKE THE WRITERS DID.

This is what really kills the episode for me, just how it goes back on everything established in “Truth”. The whole reason Marinette broke up with Luka in the first place (which motivated the conflict of this episode) was because she realized keeping secrets from him wouldn't lead to a healthy relationship. As much as it pained her, it was a necessary evil Marinette had to do in order to protect her identity.

But now you're telling me that it's okay for Marinette to tell Alya her secret? WHY? How is this any different from what happened with Luka? Like Alya, Luka also wanted to known the truth, but the only difference was the way he confronted Marinette. He calmly asked her about what she was hiding, and even though she couldn't tell him, he respected her boundaries, and they both managed to end things on good terms.

Alya, who has a history of exposing secrets to the public, who barged into Marinette's room and demanded she tell her all of her secrets, is more trustworthy than Luka? This is why I don't buy the writers making Alya Marinette's confidant. I get that they want to give her some more story presence after how she had mostly faded into the background in Season 3, but this just isn't the way to do it.

Barring that, what did I think of the episode?

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Yeah, it's just... it's just okay at best, mediocre at worst. There were a handful of decent moments in the episode, and some creative action scenes. Even stuff like Cat Noir's forced movie date and Alya violating Marinette's privacy isn't anything new, and unlike other episodes, the latter actually seems to apologize for that. The problem, as I already stated, was the ending. I think maybe the ending could have worked if Alya had found out Marinette's identity, but decided to keep it a secret. That way, it would make for an interesting dynamic, with Alya learning to be more responsible while secretly helping come up with ways for Marinette to get away to transform.

But as it stands, the episode is alright, but mostly forgettable if not for the ridiculous ending.

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palmett-hoes · 3 years

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how do you think this fandom deals with "measuring" trauma? i've seen a couple posts detailing aaron's reaction to trauma/nicky's reaction//seth's/etc and it seems like some people have a tier list of trauma responses in regards to the foxes? like what's "acceptable" versus what isn't, and who's trauma was "enough" to make their actions excusable versus others. this doesn't make much sense but i hope you get where i'm coming from?

no no i get you don't worry

i think it’s something i used to see more said explicitly than i see it now. like i definitely remember a point in the fandom when ppl were very openly mad at aaron for the way he acted in the books and especially him not being “grateful” enough for all that andrew had “done for him.” additionally seth used to be used as a minor villain or an abusive ex in fics a lot more than i see now. then of course there was a period of calling out these trends and reminding ppl that these are books about trauma, not books about ethics, and that you really really can’t read them without attempting compassion for every character. they’re not books about who’s right and who’s wrong, they can’t really be read in terms of theory or ideology. they’re about survival and recovery.

i haven’t really seen those sentiments in the past few years tho, at least not as openly as they once were, nor have i seen the old posts recirculating. at the same time, i think that there’s less meta and character analysis being written in general so there’s also less debate in general. i don’t see the whole fandom tho, just who i follow and the stuff from the tags that shows up on my tl. if this stuff is actively still going on idk about it, though i’d like to think we as a collective have moved on from seeing trauma as a zero-sum game

additionally, because of the discourse period over them it seems like aaron and seth in particular are treated with extra care not to invalidate that they came from abusive situations and were shaped by that. i’d say it’s now seen as bad taste to openly denounce what a character has been through as “not enough”

however

measuring trauma isn’t always angry, it isn’t always saying to a character “you didn’t go through enough” or “he went through more so shut up.” measuring trauma can also be dismissive. it can take the form of simply choosing not to include it. of removing character traits or actions or topics that make us uncomfortable or are maybe complicated to approach. by removing them or replacing them or avoiding them and simply writing like they’re not there, you essentially get to the same place as saying “get over it” but instead you write them as having, well, gotten over it

so i do still see people measuring trauma it’s just not as outright anymore. instead it’s paring certain characters down for ease and digestibility, and simply not engaging with their trauma and circumstances

i would say i see this most often with the upperclassmen, dan, matt, and allison especially (and nicky even though he’s not an upperclassmen) (ik i mentioned him but seth content is still pretty few and far between) (renee’s trauma has the “rule of cool” so it still gets in there). i’ve mentioned before how sidelined the upperclassmen are in fan works and some of the unfortunate implications of that, but another dimension is not acknowledging or considering their individual backgrounds. they all come from some pretty fucked up circumstances and more than that they’re all SHAPED by those circumstances

in the books, they are all wary isolationists with attitude issues. they can be mean, they can be nasty, and they can be violent. they come from poverty, abuse, neglect, drug addicition, gang violence, and sex trafficking. they are treated with extreme suspicion by their school, the media, their classmates, and their fellow athletes, and they respond with suspicion right back. their relationships with each other are often on thin ice. they treat neil the way they do - tolerate his puzzle pieces that don’t fit together right without questioning - because they can all recognize themselves in him. and on the flip side, neil is able to relate to them for the same reasons, because they are also wary dogs used to being hit

but then i so often see the upperclassmen used in ways that mostly imply they’re like,, mostly normal, chill, often quite woke. goofy and cool. they all grew up watching disney movies and going to carnivals. they get used as a contrast for neil and andrew to highlight their traumatized behavior and the extremity of their circumstances, and if their trauma gets mentionted at all it’s in passing and it doesn’t inform the way they act. their trauma isn’t sufficient to inform their actions so it just,, doesn’t factor in or get mentioned really and they’re all nice, friendly, happy-go-lucky neurotypicals who are trying to teach poor traumatized neil how to be normal. tell me that isn’t measuring trauma

it’s annoying, in all honesty, especially since it now seems to come in a form that’s hard to call out because it’s no longer content that actually states a bad opinion so much as it is a lack of content or consideration for certain characters, pushing them further and further into the background and giving them increasingly more vague, palatable, and relatable characterizations.

in fact, it often comes off as praise, by ascribing them positive traits like nicky being a good guardian for the twins or allison being super knowledgeable about lgbt stuff or dan being a “queen” or matt being a “himbo” and because this is all good stuff it’s fine, right? it’s better than canon actually, right? except actually what it is is dismissive of their trauma and individual experiences. it’s a series of easily digestible filler words used to make the messy, ugly, complicated characters of canon softer and easier to swallow

also this is by no means restricted to the upperclassmen it’s just the one that slips most through the cracks. i definitely see this happening to andrew, too, but it works in slightly different ways and is a whole other discussion

#txt #the upperclassmen #dan wilds #matt boyd #allison reynolds #fandom #my posts #im talkin #ask #nicky hemmick

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kyoupann · 3 years

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Please do more of the writing head canons. It’s really interesting to see other people’s ideas on the topic, so if you can be bothered, I would highly appreciate more, thanks bye <3

Y’all don’t know how happy I am to talk about these headcanons, they are my babies and I love them so much :’) thanks for asking g <3

Handwriting Headcanons

Same dynamic as before, try to guess whose handwriting it is before reading and tell me how many you got right! <3

You can find the first post here (no need to check it tho)

Quick disclaimer: halfway through making my initial notes, I remembered I had one (1) single lesson of graphology in my applied linguistics class, but that was a year ago and some information might be off. I just thought it was neat to include.

Another quick disclaimer: I don’t know much about Hylian, but I like to think it has a similar stroke system to Japanese, so the pressure and accuracy of your strokes play a major role in your handwriting (among other things, ofc.) so there are some parts where I focus more on that

(First Row, from left to right)

Sky

Our first boy is mother hen! Believe it or not, he has the prettiest handwriting out of all of them! Sky: probably has nice, even elegant handwriting because Sun forced him to practice when they were little. In the end, that paid off because his handwriting is the prettiest one. There’s no pressure, but he is confident in what he writes that his lines aren’t thin. Mistakes? what is that? this boy has impeccable grammar and spelling. No mechanic errors to be found in his letters! I’d like to think that many of Hyrule’s classic/staple poems were originally written by the firt king aka sky child. Like, imagine, after a retiring from being a Person of Power (as the first ruler), Sky finds comfort in the arts: revisits his old woodcarvings and starts writing poetry about the world he still doesn’t fully understand. wowie. tldr: sky writes poetry and you can pry it from my cold dead hands.

This is what one of his letters would look like:

Next one is the one and only, our Hero of Time

2. Time

I’ll die on the “Time didn’t know how to read and write” hill. His handwriting is simple, not pretty but not messy. It has some grammar and spelling mistakes here and there. Can become unreadable if writing in a hurry, he sorts of forgets spaces between words are a thing/letters have different sizes and lowercase letters end up the same size as capital letters. I’m not saying he sometimes forgets to write articles: he just doesn’t want to. Honestly, he just has this dad-neat handwriting. He is a gentle dad and writes like a dad, if he puts too much pressure onto the paper, his handwriting become too sharp/angle-ish and ends up looking ugly. And as much as he would like to not care about it, in the end he does (:

Malon taught him how to write and it was quite the experience. At first he didn’t want to because he was ‘too old’ to learn and it was torture at first, but now look at him devouring his cowboy novels.

A chunk of his handwriting:

*sniff* such a dad quote.

3. my mansss, your 4x1 deal at Target: Four

Look, my boy is patient! He could do some nice and fancy lettering if he wanted to. He was taught that handwriting and spelling said a whole lot about him as a person, you know, like a first impression kinda thing; so he always proof reads more than twice before sending a letter. Super rare grammar mistakes.

The faster he writes, the more slant his writing becomes. Under stress/ when not sure how to write things down, run-on sentences are everywhere and his handwriting is inconsistent in general (I don’t headcanon each part of him having completely different handwriting because handwriting becomes muscle memory over time. It’s just slightly different variations of the same, like idk Vio’s handwriting is neater than Green’s and Red writes hearts instead of any dot/circle and no, I do not take constructive criticism on that, jk i do.) Adding on to each of the colours’ handwriting, I’d think Red and Green write with words slanted to the right( inclined), Vio is a mix of the opposite, so reclined and straight, and my mans blue a true neutral writes straight (kinda like Time’s).

The logic behind this is that inclined writing supposedly means honesty and need for giving (and getting) affection; reclined means, as you can probably imagine, defensiveness and repression of true feelings, but also shows great concentration; straight handwriting means self-control, observation and reflection as well as distrust and indifference. But as complete being (tm), Four just writes as in the image example which is not too straight and not too inclined, and I believe that’s a good middle for him

HOWEVER, if I’m feeling in the mood for crack, I totally accept this boy to have the ugliest, chicken scratches-looking handwriting! :’D It’s just funny to think that someone like him, who has to be precise and careful in his work, can't write neatly to save his life.

One of his letters would look like this:

Also I just LOVE how his hero titles look in this font ksksks

and that’s

(Middle row, from left to right)

4.- Mister Bunny Boy - Legend

His uncle taught him how to write. I’d call his handwriting pretty and neat at a first glance, but he presses too hard on the paper, most of the time staining the back or the following page. Sometimes will retrace some words if he doesn’t like how it looks (which only makes it messier). According to my notes, a thick or strong handwriting represents determination/commitment.

As I also headcanon him to know many languages, mechanical errors are more present than grammar ones; that is, weird capitalisation of words. Punctuation is somewhere in between; uses too many commas when he should just cut the sentence. he mixes punctuation from two languages or more in writing when too distracted (or too focused, because, well, pressure.); when he writes for himself, he has almost no problem following said language’s punctuation rules. Also, this is just polyglot culture, and I’m projecting a bit, but when he forgets a word in the language he’s writing, he just replaces it with its equivalent in another language because we don’t care about fluency, but rather functionality. in this household (more on that in my language hc, ksksks).

An example of his writing:

so powerful

4.- Mr. Wolfman, howl me a song - Twilight

I don’t have much for him because 1) I don’t think he writes a lot and 2) he is a hands-on/visual learner, I’ll die by that. He only learnt how to write because Ulli insisted it was important and he was not about to disrespect his momma; he IS That Guy, but doesn’t really write enough to have neat handwriting.

Many people seem to overlook the fact that his house is filled with books and write him as completely illiterate (which if not explored properly, ends up feeling a bit disrespectful and full of prejudice, but go off I guess; and that’s on my core Headcanons for Twi); however, he sticks to simple sentences. Knowing how to read and understanding a text is different from knowing how to write them. Like, when we would see a semicolon and understand its position in the text, but didn’t understand the nature of it. Is this clear? idk i’m sorry. So yeah, boy reads a lot, writes very little.

As for his Actual Handwriting, as opposed to Legend, his handwriting is thiccc but not because he presses into the paper; he is just that messy, he has no sense of ink-flow-control, he does what he can with what he has. To the untrained eye, his handwriting illegible letters like v, n, u are very similar; when he makes notes for himself he does it in the form of doodles or small ‘icons’. But! He reads a lot, so he rarely makes spelling mistakes (: he is your go-to guy when you don’t know how to write a word.

An example of his writing:

He keeps a journal, sue me.

3. My first born- Warrior

Okay, first off... I accept this is completely biased. I saw the idea and said “That’s True”. If you haven’t, please read Effective Communication; or The Lack of Thereof by htruona, a fic where the boys reflect on the language barriers between them. It’s incredibly funny and probably what made me start making these silly notes. So, if you’ve read that fic, you know where I’m going.

My man, Warrior, can’t fucking write. I mean, he physically can, but it’s very bad. Here’s the reason for it, tho, and it’s not his fault: Technically, he knew how to write alright but he joined the military and whatever note he had to write had to be concise or in the worst case coded. He mixes capital and lowercase letters. If we consider that he joined the military at around 15, his handwriting and grammar had yet to continue developing. Just think about how after summer break, your handwriting was always slightly worse than before because you didn’t write for an entire month. Now think what 2 years can do to that. Hmm, not cool, dude. He makes quick notes, when writing he’s all gotta go fast. he is the lighting mcqueen of writing; good for emergency messages, not ideal for love letters. His punctuation also suffered a lot, he only know full stops and commas and hardly uses them. A sentence for him is either one word or fifty without a single comma, no inbetween.

His hero title and an example of his writing.

(Bottom row, or what I like to call “fuck cursive” row)

7.- Magic man - Hyrule

I’m basic and I do agree with the popular headcanon of he not knowing how to write because well, y’all know his Hyrule. He only knows how to write his name because that’s important, same with numbers. I don’t see why would he write/read except checking the roadsigns. (he can even use this as an excuse for getting lost frequently; he thought it said something different.) But I do think that because his habitual reading consists of roadsigns, his ‘punctuation’ is weird af and places full stops/points/periods at the same level of his words and his commas/question/exclamation marks below them. Yk, creative license. Sadly, I don’t have much about my magic hands man so here’s what his writing would look like if he actually wrote a paragraph:

Man, I love Hyrule.

8.- Man, I don’t understand this boy - Wild

Cursive? ain’t nobody have the time for that. He woke up and had to save the world in his underwear while not knowing how to read nor write. He learnt during his journey and was taught by multiple people from different regions, that explains his inconsistent spelling of things and names for them. So Wild knows language variations for many items and uses them interchangeably (even if they aren’t exactly the same). Another headcanon related to writing/language skills that I’ve been thinking about is that if the shrine was able to cause amnesia, I’m sure there were other areas in the brain affected which leads us to language disorders such as agraphia and aphasia. But that’s a story for another day ksksksk

An example of his writing (after relearning)

9.- The best of sons - Wind

I don’t have much for him and that makes me sad. Look, he’s a kid, doing kid things like stabbing dudes on the head. This boy was taught cursive by his grandma, but could never do it and no one needs it anyway. His handwriting is good enough for his pirate life, Tetra is the one to handle Official stuff, he just gotta sign. Spelling and grammar mistakes abound. He is still relatively young and can correct his handwriting if he desires. But same as Wild, with how many times he’s been thrown out and hit his head, I’m starting to consider some language disorder for him as well.

An example of his writing:

aaand that’s it.

Thanks, y’all for showing interest in this silly thing uwu it was fun to finally talk about this. If you ever want to discuss ideas/headcanons(especially if they are related to language and culture), I’m your person (: I’m always happy to hear new headcanons. Feel free to add anything to this post either in a reply or in a reblog, I’d love to hear from y’all <3<3

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sagemoderocklee · 3 years

Note

Writer ask meme - everything divisible by 3

Sorry this took so long to reply to! I was writing out my responses today, but while watching Rosewell New Mexico with my roommate and that show is SO good. anyways this is really, really long so I will put part of it under a read more however if you are reading TAoL and want a sneak peak at an upcoming chapter, my answer to 36 is the entire first scene for that chapter

3. What is your favorite/least favorite part about writing? Other than the obvious writer's block, I think that my least favorite part is feeling insecure/wanting validation via comments and such. Writing is something I really enjoy doing and take great pride in trying to grow as a writer, but it's impossible to completely shake off that feeling of insecurity and sadness over something that doesn't get comments. There's this common thing in fandom where like you can pour a lot of heart and energy into something, be really skilled, only for it to get overlooked. There's obviously a lot of reasons for that, but some of those reasons are kind of annoying—like god forbid something not have sex in it, ya know?

6. Favorite character you’ve written?

So, that's hard.... If we're talking the canon Naruto characters, it can really vary from story to story. I obviously enjoy writing Gaara and Lee, but I was surprised to find that I really enjoy writing Shikamaru, Kankurou, Temari, Neji, and Tenten as well. I think all of them are really interested, have a lot of potential, and are fun in very different ways. Kankurou is definitely just flat out fun to write, and I think Tenten is very similar in the way she's fun to write. I think this like handful of characters are all faves for very different reasons so it's hard to say who my absolute fave is, but I really enjoy writing all of them. Definitely my fave thing is being able to write all of them interacting together, however.

9. Favorite/least favorite tropes?

Least: Soulmates. I hate that shit with a passion—it's boring, it's artificial, it's easy. There was a post I just saw recently that said “soulmates are stupid. I love you on purpose” and that just sums up so much of my issue with soulmates. If something is predetermined by some fucking cosmic power, do you really ever love that person? Do you really ever know that person? Soulmate AUs will always be something that bore me and also insight anger. It's just not for me, and I wish that fandom spaces would just get over it, in all honesty. Fave: uh. I don’t really know about like trope-wise. I just really like anything with good world building and politics.

12. Which story of yours do you like best? Why? Oh gosh.... um. That's really hard to answer because every story I write has a special place in my heart for different reasons. Alliance is my baby; TAoL is a huge emotional investment and has allowed me to grow even more as a writer; Absolution is something I've always wanted to explore; Flyweight Love is super fun and cute; IEYH is a new experiment in writing for me; GoD was also an experiment... and on and on. It's hard to pick like a favorite story because like they're all my faves in different ways. There are certainly things I like more or prefer, like I'm not that into modern Aus as much so it's easier for me to say that like Find Me isn't a one of my best—it isn't, there's a lot of things I want to fix on it, and while it is a decent fic, it's not like groundbreaking imo. But like for all of the things that need fixing with Alliance, that fic is my baby and really grounded me as a writer in a way no other writing project had before it. So like I could never not love it. Anyways, I'm babbling at this point, but basically I love all my fics so I can't choose.

15. How do you deal with self-doubt when writing? Rereading my writing tends to help and hoarding some of my favorite comments I've been left by readers. I know I'm a good writer, self-doubt and insecurities aside, so re-reading stuff is really a good confidence booster—but when that's not enough, it is really helpful to look back at old comments.

18. Tell us about that one book you’ll never let anyone read

Of mine??? Well, obviously by 'book' we're going with fanfiction because none of my original content is at a point where I'd really even consider it for this question. Um. Honestly, I don't think there's much if anything. Maybe some HP fics but not because I'm not like... proud of the writing or premise. Like I'd say my ideas are really good, it's just a matter of like my own time management and shit.

21. What aspect of your writing are you most proud of?

My world building. I'm also generally proud of the premises I come up with, and the themes I explore with my writing. Like I think I'm a good writer in terms of the like technical writing aspect—pros and such—and also characters, but I think I excel at world building and overall plot.

24. Do you remember the moment you decided to become a writer/author? The first time I ever wrote anything I was seven years old. I was at a party for my mom's boss? I think it was a birthday party? Anyway, I was the only kid there—which was fine because I was used to being the only kid in gatherings—but I was sitting alone by like a window and I just like started writing a poem about the night. That was like the first time that writing really became a part of me. When I was thirteen, when my mom got sick, I started writing poetry more. And when I was fourteen, I started writing fanficiton and that's kinda just... never stopped. I've been writing stories ever since.

27. Every writer’s least favorite question - where does your inspiration come from? Do you do certain things to make yourself more inspired? Is it easy for you to come up with story ideas?

My inspiration comes from everywhere, not to like be cliched. But inspiration really is in everything and everyone. I tend to find inspiration really easily in music, but it's also in just like the day-to-day; it's in other writers; it's in washing dishes; it's in a day trip to the ocean; it's in a quote or a touch or a word. Like genuinely, it's in big things and little things and things that shouldn't even be things. I don't feel like I really struggle with inspiration so much as motivation, really. And that is... a much harder thing to find sometimes (especially when you're mentally ill)

30. Do you like to read books similar to your project while you’re drafting or do you stick to non-fiction/un-similar works?

Um. I like to read fantasy mostly, but I don't look for something similar or different from my projects intentionally. I just.... look for things that I like? But I don't really know how to explain that lol

33. What’s your revision/rewriting process like? Since I'm writing mostly fanfiction and the culture of having a beta reader has dwindled significantly, making it hard to find one, I do a lot of self-editing. I'm usually re-reading a lot as I'm writing. So until a chapter is done, I'm always going back and reading/editing before moving on to the next scene. And then once I'm done writing a chapter I'll usually edit it about two or three times in full in the document, then I put it in draft on Ao3 for another edit before posting.

36. Post a snippet All right a snippet..... Let's go with something from: The Art of Love, Chapter 13 (not the next chapter, but the one after). Since I left everyone hanging for so long with that last scene of Gaara and Lee, this is the entire first scene to ch13: It was all his fault. If he hadn't let himself get so carried away in the dream of Gyokukakushin, in the dream of Gaara, in the dream of safety they didn't have this wouldn't be happening. Their belongings had been stuffed haphazardly into their various bags. Despite how many times he'd checked and double checked, Lee felt sure that he'd overlooked something—some wayward item that had rolled beneath the bed or fallen behind the desk that would give them away. Gaara had watched him silently, his thoughts kept to himself as Lee dashed about their room like a mad man.

“I think that is everything,” Lee managed over the mantra of 'My fault, my fault' cycling through his mind. His voice trembled as he spoke. Every inch of him trembled. Every breath he took rattled in his chest. Every beat of his heart was a stutter against his rib cage. Every ounce of blood pumping through his veins burned with the need to run.

“This is useless,” Gaara said, the first words he'd spoken since the beach.

Lee snapped his head up, meeting Gaara's enigmatic gaze. “But—”

“They don't set sail until the end of the month,” he reminded Lee. “What use is being packed? Besides, it will look suspicious if we leave now.”

Tears burned at the corners of Lee's eyes. “But if they are coming—”

“They're coming,” Gaara murmured. “But even if they arrive before we've departed, we have our disguises. You have to trust that we'll be fine.”

Lee's head spun. How could Gaara be so calm? How could he sit there, quiet and unshakable, when Lee felt as though the world were falling apart around them? How could he be so sure that eleven days from now, they'd set sail, free and undiscovered? How was he not furious with Lee for his complacency?

Gaara was at Lee's side before Lee could shake the spinning in his head, a gentle hand at Lee's elbow and a surety in his eyes.

“I know you won't let anything happen to me,” he told Lee, as soft and insistent as the thumb he'd once pressed against the corner of Lee's mouth.

“No. Never.” Lee's stomach twisted, guilt rising like the tide. He'd let his feelings jeopardize everything.

“Then what do you have to fear?”

A trembling laugh escaped Lee, soft and unsteady. He had everything to fear, yet Gaara's gaze implored him to forget those fears. He managed to speak, his tongue heavy with the lie, “I do not know.”

“Then do not know fear. It will make this harder for us, especially if the Daimyo's soldiers arrive before we've left.”

“If they do—”

“If they do, we will be as unknown to them as any other traveler. And if not, I trust your speed to carry us to safety.”

“We would miss our ship.”

“If it comes to that, so be it. We can find other ways of traveling to Tea Country.”

Lee allowed himself to believe all would be well because he couldn't believe anything else when looking into the depths of Gaara's eyes, but there was no escaping his gnawing guilt or the knowledge that his heart had led them to ruin.

39. Do you spend a lot of time analyzing and studying the work of authors you admire? I wouldn't say a lot of time per say, certainly not as much as I should, but I definitely do like to analyze other works and learn new skills, etc.

42. How many drafts do you usually write before you feel satisfied? I don't really write “drafts” per say. Since I'm just writing fanfiction, I'm usually just writing and then heavily editing. Sometimes editing does mean taking out and entirely rewriting entire scenes. And sometimes in writing fics, I do jump ahead—though very rarely—and write a rough draft of a future scene so I don't lose the idea/beats/etc, and then that will be re-written fully when I do get to it. But on average, I'm just doing a lot of editing.

45. First or third person? Third, definitely. I'll never be able to write first person cause it just doesn't really suit me and, overall, I think that it's a very hard point of view to write from. For me, it takes a special

48. Do you prefer to write skimpy drafts and flesh them out later, or write too much and cut it back? So before I write something, depending on what it is I will write an outline that can vary from a few sentences to like pages.

51. Are you a secretive writer or do you talk with your friends about your books? A bit of both really. I love talking about the things I'm working on, but I also love to keep things a surprise so I can see what people's genuine reactions are to like plot twists or whatever. Of course, my problem is that I have to like—talk about my projects to stay motivated. It's a hard balance. I usually end up talking with my roommate since they also write fanfic for Naruto but not GaaLee. We can bounce ideas off each other, when we're stuck, etc.

54. Favorite first line/opening you’ve written? Ugh this is another hard one... I think im gonna go with the opening from IEYH right now as one of my fave becuase I think I did a decent job of setting the tone of my very first horror project: Too often, ghost stories begin with dark nights or horrible, gruesome death. Real ghosts don't follow the patterns of a novel; there are no beginnings, middles, and ends; no rising action and falling action; no denouement. Ghosts do not achieve resolution; ghost do not experience the climax of their own tale. There are no happy—or even sad—endings. There are no endings at all.

Ghost stories go on and on and on, rambling endlessly towards nothing and no where, only stopping for the finite amount of words one can speak or write in one's lifetime.

That is the true horror of death: ceaseless, unending nothingness.

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ariella884 · 4 years

Text

Voyager Book Club - February Favorite Fics

So I put forth a challenge of sorts to our Voyager Book Club. I asked everyone to pick ONE Voyager fic that they consider to be their favorite. Now, you can imagine, this is pretty freaking hard! There are so many incredible fics out there. I didn’t say it had to be the best written, or the most in character. I gave examples such as: the one you read over and over or your go-to fic, however you want to phrase it. It was pointed out that a favorite fic can change every hour based on your frame of mind and what you are in the mood to read at any one moment. I get it. Even so....I challenged everyone to only pick ONE. And they did it! Or most of them! I got around 20 different favorites picked! So here is the list of our Favorite Voyager Fics, why they were chosen and by whom. Happy Reading!!

Note: Click on the name of the fic for a link to it! Also, this list is in no particular order.

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@curator-on-ao3: ‘Fragile Things’ by @mia-cooper

“Fanfic is about exploring possibilities. That’s what put this fic over the top to be my favorite. In Fragile Things, MiaCooper examines multiple versions of one relationship, pulling different threads to see how things unravel or knit together. It’s thoughtful, it’s meta, it’s realistic as hell, it’s damn good writing — it’s MiaCooper and it’s excellent.”

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@ariella884(yep, that’s me!): ‘2013′ by PCBW (@pcbw)

“I had a hard time choosing my favorite (like most people here), mostly because as i was gathering them all from everyone else I kept seeing ones and going, ‘Oh! I love that one!’. I also didn’t want to have any duplicates so I had to change mine a couple times, that being said, 2013 is easily one of my top three (which of themselves is almost impossible to pick just one. I’m lucky that my other two were chosen already and I didn’t have to!). I love 2013 because it is a modern AU, without being a completely modern AU. No, that doesn’t make sense. But you get our Janeway and Chakotay, Starfleet officers and all, and you get them in the modern world. It’s incredible! We see the challenges they go through of being taken from everything they know and put into a world that is pretty much unknown to them. Add to that the personal differences they have to work out together. Splash in the normal challenges that we all go through when trying to live a life in this day and age (jobs, house, money, love, family, etc). This is just an incredibly beautiful story that I have read many times and will continue to read over and over. It’s also a long fic and those are my favorite because I like to get completely involved in stories!”

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@mia-cooper: ‘Deceiving’ by QuantumSilver

“Because it starts with a canon event that is absolutely devastating and shows just how devastated Janeway and Chakotay are by it (and Tuvok and Ayala as well, though they only make a brief appearance). It shows Janeway at her absolute best - every last inch the captain, going above and beyond for her crew not just physically but emotionally in spite of the absolutely gut-wrenching cost to her - and it really kicks off with one of my absolute favourite tropes: mutual pining to the Nth Fucking Degree.

It has Chakotay being every bit the commander, backing her up even though he's dying inside, and REFUSING to let her shut herself away even though he KNOWS she's going to want to murder him for pushing and pushing and pushing at her.

And then OH MY GOD, he's deliberately getting on her every last nerve just so he can wrench honesty from her because he knows if she doesn't tell him how badly he's hurt her, how she's absolutely bottomed out because of him, she will never open up to him or anyone else again.

AND THEY DRINK WHISKEY OMG GIVE ME KJ AND C UTTERLY MISERABLE AND DRINKING WHISKEY LIKE IT'S WATER AND PINING LIKE FUCK AND NOT SAYING A WORD BUT BLEEDING TO DEATH FROM THE HEART AND I WILL DIE HAPPY FOREVERRRRRRR

I'm sorry for yelling but this fic makes me want to rip off my clothes and run up and down the street screeching how everybody should read it and they are just BRUTAL with each other and they STILL do not understand, refuse to, CANNOT understand, that the other would not just die for them but MURDER WHOLE FUCKING ARMIES FOR THEM and it's tragic and devastating but then oH MY GOoOoOODDDDD

So that is my favourite fic and the one i read approximately every two months or more if i really hate my writing that day and want to torture myself with How It Should Be Done.”

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@bizships: ‘Fealty’ by MsDisdain

“My favorite story. I honestly don’t have to think about it. It’s one I always go back to.

I love the way the crew pledges their loyalty to her and the way subtle way they tell her that it’s okay that she’s happy too in that they effectively give her Chakotay for her birthday, by way of him “fighting” Tuvok(Starfleet) for her hand.”

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@arcadia1995: ‘The Space Between’ by lauawill ( @joyful-voyager)

“The Space Between is a story I return to time and time again when I'm feeling down. I like that it realistically portrays what might have happened between Janeway and Chakotay right after the returned home in Endgame. I like that no one in the J/C/7 triangle ends up being a bad guy. I like the hopeful ending and imaging what might have happened after the fade to black (lots of sex!!!)“

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@wishful-thinker-87 : ‘if you came this way’ by tree

“It’s always a go to for me, even though I don’t usually like AUs. The sex is intense and emotional. The characterization is pot on. And we get Phoebe being an awesome sister and some Chakotay/Molly bonding too. What’s not to love?!”

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BlackVelvet: ‘Bluffing the Crowd’ by @ralkana

“Even after years since i read this, just thinking about this story brings a warm fuzzy feeling to my heart and a huge silly grin to my face. I simply love it.”

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@purpledog47: ‘The Future is Ours’ by Dawn

“My favorite is most definitely Dawn’s ‘The Future is Ours. This is my one fic. It’s super long and it tells us what happened after Endgame and it has a little bit of everything in it: angst, romance, hurt/comfort, Q, babyfic, romance.”

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@amoderngirl: ‘Time and Distance’ by northernexposure

“If I am ever loosing the thread with J/C, I can always read this and I am immediately in love again.”

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@coffeeblack75: ‘Soft Light’ by northernexposure

“There are so many reasons why I love it that I can't even, haha. I'll start with: it was the first piece of fanfic smut I read, so I love it for that reason - my first time haha. More importantly, it is just beautifully, beautifully written - it's plotted beautifully, it flows beautifully and the pacing is spot on. The author has complete control over all of that & over the language, which is just used masterfully. There's so much subtley going on in this story too - the author doesn't spell everything out for us and instead draws us to the details that reveal what is important - the beginnings of these two getting to know each other. Gosh, it's so hard to articulate haha! But lines like this just make me shiver in delight for their beauty and what they reveal: "he was kissing her, with a lot more sweetness than was wise. Ah god, I could go on and on but perhaps I'll finish with my favourite bit, which is when C feels that first stab of lust & realises she might too & tests his theory by blowing softly on the back of her neck. This moment, omg, the moment is just so beautiful, so quiet, so pointed and private and intimate. You really feel that moment as if you are there. Ahhhhh :)

Also….there are two sequels to it that are equally as wonderful ;)

Oh and one more thing I adore about this story is the way that the C thinks he is lusting after KJ but it is quite obvious he loves her - even before they come together - but he hasn��t realized it yet. The way the author does this is just incredible - so deft! Everything for C is about taking care of KJ … it’s just beautiful.”

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@caladeniablue: ‘Lifeline’ by helenagray ( @picking-daisies-in-the-outfield)

“Why do I like that fic? An unfinished WIP at that (Started in 2013; last update in Jan 2019. No indication how many chapters to go.) The perfect serial story and that's part of the attraction for me.

The first chapter sets the scene: raw Janeway, alone, without the backup of her ship, her crew or Chakotay. Bare of essentials and with only her courage and intelligence and sheer determination to help her survive, and even she wonders how long those will last her.

And while we learn about Chakotay and how he seeks her while the crew has to move on, I am drawn to Janeway most of all.

The fic jumps back and forth across locations and in time from that first chapter to catch up with it again some 20 chapters later, but there is no jarring. The reader knows immediately what KJ is experiencing , but the past events that led to that situation are as important, and that's one of the many attractions of this story. No overlong flashbacks, no tedious info dump. It's all layered, making one wait for the next chapter and the next one, while knowing all the time where KJ has ended up.

The writing is gorgeous, which is a bonus. And it is pure J/C, distilled to its purest by separation. Perfect.”

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@keiraniels: ‘Bad Ensign’ (Series) by @curator-on-ao3

“Ok so I chose Curator’s ‘Bad Ensign’ because I come back to it often - - it’s such a freaking brilliant idea that I can 100% imagine being canon, and it inspired so many Voyager Bookclubbers to write Bad Ensign stories”

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@cnrothtrek: ‘War Torn’ by @curator-on-ao3

“Why? I had the pleasure of beta reading this story, and I am so glad that I did. It has a great plot, is well-written and perfectly paced, and is hard to put down. The way it pulls together two pieces of canon backstories for Miles O’Brien and Kathryn Janeway is genius. The characters feel so real and their voices can be clearly heard in the text. And the supporting characters of Captain Benjamin Maxwell, Will “Stompie” Kayden, and Molly Walsh are incredible. The story is intense, absorbing, and emotional. I just can’t say enough good things about it.”

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@theshortywrites: ‘The Dragonfly Oath’ by Koneia

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@emmikamikatze: ‘All the Good Things We Never Did’ by northernexposure

“This story brings me to tears, makes me smile and shiver and fear and worry. It's given me phrases that won't leave me, that keep repeating itself in my head even months (years) after first reading it. There's just the right amount of show trivia to make it a fanfiction, but little enough to make it a unique and original story. ne makes me fall in love with these characters all over again as if I didn't know them beforehand.

This story is special and precious and it speaks to me on so many levels I can hardly comprehend how genius it is. It's a literary masterpiece of fanfic if there ever was one.”

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@missmil: ‘Here I Stand’ by lauawill

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@manalyzer13: ‘Gravitation’ by northernexposure

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@grace-among-the-stars: ‘Filling the Void’ by Spiletta42

“Filling the Void is the one fic I always return to. It has my fave ships, JC, PT and D7. Minor characters play major parts and it is just funny. It makes me laugh every time.

JC’s relationship is really explored from all angles, this is not just your average, ‘the crew get them together fics’, it is so much more. It has sexual tension, smut, humour, sadness and is pure JC BLISS. It always cheers me up and I was so happy when Spiletta42 added it to Ao3 because this meant so many more people would find it.”

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Anonymous: ‘Bent, Not Broken’ by @killermanatee

“This is an incredible hurt/comfort Janeway/Chakotay fic. The story is painfully written from both characters' perspectives, showing how each is suffering in a different way from the traumatic event that has occurred. In the end, their love for each other will help them come together and they will both be able to heal with time, comfort, and support from one another. This is a beautifully told, emotionally heavy story of one couple's love overcoming tragedy. It is my favorite Janeway/Chakotay fic, and I recommend it to anyone who wants to read a heartbreaking yet fulfilling story.”

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@minakotenjou: ‘Mysterious and Curious’ by @h4t08

“It was so hard to choose - there are a lot of incredible fanfics out there. This was one of the first...shall we say spicier J/C fics I read and for some reason I still think of it often. It's great smut for sure, but I think it stuck with me because of how it all gets tied together at the end.”

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@leisylaura: ‘The Bitter End’ by @mia-cooper

“We have post endgame books but not one about the original timeline, I remember reading “The bitter end” and thinking “this is it, this is what happened”. I cried from beginning to end.”

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@killermanatee: ‘The Dying of the Light’ by @cnrothtrek

"This fic is such a gorgeous piece of art. I hadn't seen the TNG episode before reading it and when I did watch it I was very disappointed because this fic is just on such a completely different level. The storytelling is so delicate and intriguing, that combined with the poignant and elegant writing style, so that it was impossible to put my phone down. I can't recommend this fic highly enough."

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@cheile: ‘Marooned’ by Soliquilii9 (aka Running Horse)

“I love how she makes the story unfold in slow steady measures. Also, she filled in the gaps left by the writers in regards to his heritage by using information from her own Cherokee background and it is done naturally (not in an info dump type manner). “

__________

What do you think of our list of Voyager favorites? Do you have a favorite that isn’t on this list? Reply to this post with your favorite!! And if you haven’t read ALL of these fics yet, I strongly suggest you get started!! Have fun and enjoy!!

#voyager #star trek voyager #voyager fic #voyager book club #Voyager Favorite Fics

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quickspinner · 3 years

Note

H, J, T and Z for the fanfic writer ask, please?

H. How would you describe your writing style?

I don’t have a great answer here. It’s just...me? I feel like it’s way easier to describe someone else’s style than one’s own. I’m so sorry Airi I’m drawing a complete blank here. 😆 Introspective, maybe? I tend to focus more on thoughts and emotions than actions for sure. I like to explore my characters’ inner lives and emotional experience, and plot and setting and everything else are just a means to that end.

J. What’s your favorite fanfic trope? Have you written it?

😆I always feel stupid with questions like these because I need like, a list of tropes to choose from lol. As soon as someone asks me a question like this my mind goes completely blank and it’s like I never knew what a trope was. Ummmmm...I really like soulmates and meet cute type AUs, and I have written both. Honestly I used to hate AU fics, but then I realized...I’d only read ones that weren’t very good ones that were not to my personal taste. I used to wonder, what is the point of having two characters who are nothing like their canon selves except in name, in situations that are nothing like canon? Why not just write original fiction at that point?

Obviously, my viewpoint’s changed--I really enjoy the challenge of putting two characters in a different setting, considering what that setting would change about them, and trying to craft a narrative and emotional arc that’s still true to the characters within the parameters I’ve set for myself. Super fun, especially when there’s only limited canon to play with, or canon is unsatisfying. Canon fills out the characters for me, and then I pluck them up like little action figures and put them in my own universes.

As for soulmates, I know they’re kind of a love-it-or-hate it thing, but here’s my view: real life relationships aren’t like that. But sometimes I find comfort and joy in the fantasy of What If Things Were That Simple. Except they’re never actually that simple, it’s just complicated in a different way, and it’s interesting to me to think about how soulmates being a thing would change the world’s attitude towards love and coupledom. I also really love fics that explore a wider meaning for what constitutes a ‘soulmate.’ I could go on forever about how interesting I find the worldbuilding of it and all the interesting directions you could take it. I totally get people who don’t like soulmate AUs, I also think relationships, even between soulmates, are still work, and it doesn’t have to be a copout. I think of it like a neon sign that says “this person is very compatible with you” but you still have to put in the work to build the relationship.

Although treating it as a ‘you love this person immediately no matter what, even if you can’t stand them’ could also go interesting places, come to think of it.

T. Any fanfic tropes you can’t stand?

Not exactly? Almost anything can be fun if done well. I tend to be more leery about enemies to lovers and slow burns, because they’re so easy to do badly (or at least, in a way not to my taste) and bad ones drive me really nuts, and I’m not a fan for Unrelieved Angst, especially if it’s not purposeful.

Z. Is there a story you’ve written that doesn’t seem to get much love?

Honesty Indelible isn’t getting a whole lot of love right now, but I’m hoping that will pick up when it’s finished. I did splash an angst warning all over it, so I understand if angst isn’t something people want right now, or if people don’t want to venture until it’s complete (although we’re at a cheerfulish place right now, so you could probably read through the current chapter and be okay at the end of it). I get that people follow me mostly for fluff and cuteness, and I take a risk when I venture outside my brand, so to speak, but that’s okay. I’m still invested in the story and the people who ARE reading it are awesome and beloved, so it’s all good.

Thanks Airi! 💜

Ask meme

#quickanswers #ask meme

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manekinoodle · 4 years

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The Worst (TM) Pathologic Ship

A preamble is probably necessary here. This is written in good fun and is not meant to offend. Imagine me cackling obnoxiously while you’re reading. It’ll set the right mood.

TLDR: Andrey/Mark conceivably works as a ship.

How was this idea even born?

Y’know when you say something funny and then a friend says something funny and it keeps building up? That’s what happened. If you remember my little comic about Andrey teaching Grace to shoot, the dummy was in Mark Immortell’s likeness. The following conversation happened with regards to that:

>Peter was just trying to save Andrey from getting even more on Mark’s shitlist

>mark “oh please, if you want to use my likeness for target practice, just hit me up”

>Sounds like a date

>i mean you can’t shoot mark right

>OH NO

>Andrey/mark

At this point the gears started turning. My first thoughts were “haha cursed” as they are about a lot of things, and then I decided to hit up Wattpad for some terrible x reader fanfiction to help me write a Mark Immortell x reader fic. I didn’t hit up Wattpad because I’m currently at home with my parents who dictate me a nice early bedtime. I slept on it for a bit.

The next morning, I screamed (internally) because somehow the Mark x reader idea I had slept on became a strong urge to write/draw Mark/Andrey. Ironically, of course. That’s my brand. Heh.

I chewed on the idea until it wasn’t so ironic anymore.

Actual stuff under the cut.

Ok, but why?

Look, this isn’t gonna be full of evidence or whatever since these two don’t interact, but this is a joke post anyway, so why do you care? I’m half-kidding, please keep reading. I used the wiki as a loose reference.

An important note is that I’m mostly taking my points from Pathologic 2 characterisations here, especially with regards to meta.

The Players

Let’s take a look at each character separately first. I’ll bring up important canon personality traits and personal interpretations which will play into the relationship dynamic.

Mark Immortell

The most relevant part of Mark’s character for this is his relationship with control. His relationship with it is straightforward in both the play and the meta. After all, he is one of the few impervious to the plague in the story and as the showrunner in meta. In between games, he wrests control of the metanarrative too, so there’s another point for him. I like how he seems to enjoy exercising his power too! He’s a Utopian through and through; he breaks the limits of the play and exercises control beyond what he should be able to as a showrunner in the game. In short, nothing gets on top of Mark Immortell. Figuratively. I think his back might say otherwise.

Andrey Stamatin

I have a lot more to say about Andrey! We’ll start with what lies on the surface, though we’ll get to the good stuff later. Andrey is the red oni to Peter’s blue; he’s the more outwardly aggressive and impulsive of the twins. In canon, Andrey’s character is about breaking the limits set in front of him. We see him do this quite effectively with the construction of the Polyhedron, but what happens when there’s a limit that can’t be broken placed in front of him? We never see this in either game. While both twins drown themselves in something or other that stops them reaching their full creative potential (at least when we see them), no limits are placed in a way where they’re seen actively having to tackle them.

We can get an idea of how an unbreakable limit might present itself to Andrey by taking a look at his relationship with Peter. There’s a lot that can be said, but I will focus on the aspect of control. Andrey fashions himself as Peter’s caretaker, taking control of the latter in a sense. This isn’t a bad thing, considering Peter can barely look after himself properly. On the other hand, Andrey allows himself to be dragged around by Peter’s creative visions. He’s the driving force that brings those ideas to life, sure, but ultimately his strings are being pulled by someone else. From this I think that Andrey is receptive to being controlled in a relationship. Being presented with an unbreakable limit can conceivably end up with him being pliant.

Let me make a slight detour by giving you a couple of personal thoughts on Andrey. Feel free to disagree on this since it’s all interpretation based on gut feeling. A good first impression to Andrey Stamatin would be having your figurative fangs out. A seemingly pure existence without hidden fangs is something that cannot exist to him (an exception can be made for Eva, since she’s so out there that it’s 100% not an act). I don’t believe he places sole value on honesty, per se (think Grief and how soft he actually is), but it plays a large part in his perception of someone. Basically, put your worst foot forward. Andrey is down for that.

How would this work, exactly?

On one hand, we have the meta-dealing Chris McLean himself, and on the other, Mr Andrey “I break all the rules” Stamatin. Let’s try and tell a short story, and I’ll bring up the points I made above when appropriate.

SCENE 1

Every romance must start with a meet cute. Refer to the comic I mentioned at the beginning. PETER has tackled ANDREY to the ground. GRACE is holding a fake gun. There is a training dummy with the likeness of MARK IMMORTELL.

Enter MARK. He calmly walks past the scene and examines the dummy. Impressed, he turns to ANDREY, who has since stood up.

MARK IMMORTELL: Quite an impressive dummy you’ve made, Andrey.

MARK snickers. The focus is on ANDREY and MARK as PETER and GRACE slowly back away. They expect a fight. Just let them leave, they don’t do anything. PETER and GRACE decide to get some ice-cream off-stage, or maybe paint at home. Anywhere that isn’t here.

MARK IMMORTELL: If you really wanted to use my likeness as target practice, you could have hit me up.

This was his attempt to provoke. I read this as Mark acknowledging his invulnerability, but this could also be read as an amorous proposal. ANDREY takes the bait and tries to intimidate this tiny little theatre man. He makes to kick MARK in the shin, but Mark’s valise finds itself under his chin before he can do so. ANDREY stalls. MARK looks satisfied with his reaction. He won’t be satisfied for long.

MARK IMMORTELL: I hope you don’t mind me taking this. I’ll use it in my next show. Do come to see it, won’t you, Andrey?

He leans in towards the other. ANDREY tries to verbally protest, but he finds he cannot speak.

MARK IMMORTELL: It would be quite a shame if you didn’t.

MARK calls a tragedian to pick the dummy up. As quickly as he entered the stage, he leaves with the tragedian. ANDREY’s gaze follows him, confused. Fade to black.

SCENE 2

The Theatre at night. Enter ANDREY, somewhat nervous. Well, he is nervous but doesn’t act like it. He’s hoping nobody asks him what he’s doing here. BACHELOR and HARUSPEX are chatting in a corner, noticing but not acknowledging Andrey’s presence. CHANGELING is on the second floor, looking down at the scene. ANDREY doesn’t notice her. She snickers into the camera.

Lights are cast on the stage and a pantomime plays out, featuring Andrey’s dummy. ANDREY watches, spellbound. I don’t have an idea of what the pantomime would be, so use your own imagination. After the show ends, only ANDREY is left in the Theatre. The three healers have left in the meantime. They knew what was going to happen. ANDREY, as if possessed, approaches the stage. MARK enters the stage from stage left and they stop in front of each other. MARK looks down at ANDREY almost derisively, but to his surprise, ANDREY just stares back. Beat.

MARK IMMORTELL: I didn’t expect to see you here today, little shark pup.

Pet name? It’s Mark being a meanie! Andrey is eating this up, however, because overt control is something he can accept. Mark just established dominance over him in Scene 1 and he’s okay with not fighting back… If this was longer, I would have had him try to push a bit more, but we don’t got time for that. Back to the actual play.

ANDREY tries to say something, but it comes out as an unintelligible mumble. MARK lifts his chin up with the end of his valise so ANDREY is properly looking at him.

MARK IMMORTELL: Did you say something?

ANDREY expects to be unable to speak again. He hesitantly opens his mouth.

ANDREY: (his voice cracks slightly) You… asked me to come, didn’t you?

MARK is taken aback (not visibly) by this honest admission. He (and probably you) expected Andrey to put up a small fight at least. However, this little puppet does not mind his strings being pulled. Mark decides to try and push a little harder.

MARK teleports ANDREY up on stage. ANDREY stumbles a little, but Mark’s valise still being under his chin steadies him. MARK pulls the valise so Andrey’s face is quite close to his again. I don’t know what to do from here, so fade to black.

The way I imagined the dynamic going is Mark teasing Andrey and trying to provoke him. Andrey does get pissy sometimes, but it’s extremely cute and low stakes, like teasing a pet. Then, at some point Andrey doesn’t get provoked which would throw Mark off guard. It’s a moment where two characters are going at each other and suddenly stop, allowing the weight of the moment to sink in. It’s in almost every romance story, but I can’t exactly put a name to it. Have enough of that, and we’ve got a nice rom-com on our hands.

Of course, this is just a theory. A Game Theory…

#pathologic #andrey stamatin #mark immortell #shitpost #dear lord this is terrible #text post

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kastlenetwork · 5 years

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Forgive me if you're getting this Ask twice-- I couldn't tell if it went through the first time. Thank you for agreeing to help me! I am a grad student working on a literacy learning project in which I need to immerse myself in a form of literacy that I do not have experience in. I am a reader of fanfiction and a huge fan of Kastle, so I decided that I would write my own Kastle fanfic. Would you and the Kastle community share with me what you as readers typically look for in a Kastle fanfic?

The first one did send through, but it’s totally okily dokily! I would also like to preface this by saying I was just sat here and I’d answered with this with an actually not horrific response and then my laptop died out of absolutely nowhere, :) without warning :) [which happens all the time, because my computer is dying in general, but still I’m miserable about the loss lololol anyway] – so, this one isn’t as well thought out.

I’m just gonna say that the main thing that I look for in Kastle fanfiction is close to canon characterization. We’re all different people with different eyes and ears and brains, so when we watch the show, obviously different things might stand out or feel more prominent in who they are, than other things to other people. So, I’m not bothered by different headcannons or anything like that. I mean, it’s fanfiction, that’s the point – I’m reading it to read that writers’ take and have a good time……or a bad time, depending on if the writer is trying to squeeze out hearts lolol. But, there’s a general base line for who the characters are that has to be met for me to really get attached to what I’m reading. I’m this way for any fanfiction for any couple, to be honest. But, it’s super prominent when dealing with Karen and Frank, for whatever reason. If they stray too far away – their characterization, their vibe, their dialogue – I start to slowly check out of what I’m reading. I might just flat out stop. And if they’re in a Different Scenario where one doesn’t want to focus too heavily on the heavy, how that’s adjusted to fit the more lighthearted piece.

I mean, take Frank for example. If I open a fic and he spends the entire thing absolutely miserable with no small bright spots, at all, that’s just as off-putting to me as him being some weird happy sunshine man. Because, Jon’s Frank Castle (and that’s all I can go on on Frank, at all, honestly. I’ve never read a TP or DD comic lol whoops) finds things amusing. I mean, he’s literally lying in a bed having a deal worked out for him to go to prison in Gen. Pop. and he’s making jokes about it. Karen’s screaming out at him that refusing to cooperate with her and his lawyers, so that they can help him, will do nothing but result in him failing to get answers to about his family and have him rotting in a cell. And his immediate response could be more misery and more doom and gloom, but instead he’s turned on impressed and amused by Karen’s outburst. He admires the blunt and fearless goddess before him the honesty and the blowup and he teases her choice of wording. He’s light in a moment where she literally just said the results of his actions might be that he never learns the truth and he’s taking delight in her explosion despite it.

Yes, he’s angry. He’s violent. He’s depressed. But, sometimes he talks about his family and he’s smiling. He’s laughing. Does it more than likely melt back into his ever present grief? Absolutely. But, it doesn’t mean that show of levity isn’t there. And Karen’s character and characterization faces a similar path in the show, just in the flipped direction. The core of her is built around something traumatic and sorrowful, but her general demeanor is positive and determined.

Frank is funny. Karen is funny. Frank is sad. Karen is sad.

They’re feeling a lot of things at various times.

So, the main thing I look for in Kastle fic is the appropriate balance of that. If I feel like it’s too far off the mark, I more than likely won’t finish it.

The second thing I look for ties directly into the main thing, which is simply the dialogue. How they talk to each other. Especially once it’s starts bleeding further into the actual romance aspect of the story and not just the build up. Frank’s not adverse to endearment – he’s obviously someone that cares EXTREMELY DEEPLY for those he loves. (To the detriment to the gangs of New York). And we’ve seen him call Leo “sweetie” and stuff, this sweet little girl that he gets a big soft spot for. But, we’ve also seen him talk about his wife on multiple occasions and give big romantic speeches about his wife, like when he and Karen were on a date sitting in the diner. He calls her “my old lady” and he says he would literally chop his arm off at the table if he could just have another moment with her and feel what he thinks Karen must feel for Matt (*coughs* k sure, Frank) and it’s all really depressing ‘cause he’s destroyed, but he and Karen are on their date wow what a date sitting there and he’s talking about love and it’s just such a good moment.

He’s not gonna call Karen the things he called his wife, obviously, unless they’re general terms of endearment. But, I think it’s a good example of the way he talks. I look for as close to canon characterization on the way they speak. Like, if Frank starts calling Karen his “beloved” it’s suddenly not Frank anymore – it’s some guy who happens to be as hot, but there’s been a mind swap or something. If Karen’s calling Frank “sugar plum” I’m kind of scratching my head, because who’s that blonde lady that’s suddenly speaking, what’s going on?

And I think the final thing I look for is simply that Karen is given more agency in terms of the relationship they’ve got. Because, in TP1 and TP2, it’s very much Karen who’s standing there with her arms flung open going, “I want you to be in love with me, like I know you are! I see you pushing it away! I am in love with you! You are allowed to love and have a life! Have a life with me!!!!!” And then Frank basically trying to push her back to Matt for literally no reason. I think a part of this is just Frank himself in his constant sabotage mode, because that’s his entire life after his whole family was murdered. He’s on destruction path, even when he’s trying, in moments, to get out of it. But, I ALSO think part of it is just that they didn’t have Karen for the full season, either season, and, even before they knew Marvel Netflix was heading to the grave, the shows refused to appropriately connect and were instead taking the ’’’easier’’’ path. Because, it was made pretty clear that they’d put her in the whole show if they could, but only could get her for so much time, and they wrote for that time.

So, in fic, I look for Karen getting to have her feelings actually be on display, instead of just being there to bounce his feelings off of, because they didn’t have her for enough time in either season to go more deeper on her end, since she wasn’t actually their character. And for her to get to have more agency in what’s going down with all that wanting them to be in love stuff just feels crucial to me, at this point, seeing as Marvel refuses to just make my dreams come true and announce that they gave a shit about these shows and are bringing them into the fold with the same casts.

Other than those two things, which I consider to be fairly standard, and that one thing where it’s just my exhaustion with my girls always having to fix everything – I’m pretty open to anything in terms of actual story. (I’ll even read a pregnancy/baby fic if it’s well written – and I’m…adverse to fanfic about babies). I just want an appropriate balance of their individual traumas to the sass master’s that live inside them and appropriate dialogue to who they are as people.

(I’ve got a whole thing about what I look for in a fanfic in general, but it’s not specific to Karen and Frank – it’s just like….spaces and pacing, which doesn’t have much to do with this.)

\\\\

What do you all look for in Kastle fic?! Help @chaiteacookiesnglitter out and reblog this and put in your two cents about what you’re inherently looking for. :DDD

#kastle #kastleff #kastlenetwork #chaiteacookiesnglitter #ask #txt: chey

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quietlysatan · 5 years

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Can Your Friends Do This? - Watermelonsmellinfellon, AO3 (Though OP said they cross posted on FF.net too)

Link: Here!!

Rating: Mature

Favorite Quote(s): Because I love The Avatar show

"First, there are more than one dimension and more than one universe. Foolish mortals are the only ones to assume they are the only forms of intelligent life in their respective universes. This Earth we are on resides in a different universe altogether and consists of nations of people who possess an affinity with the elements. Some are born as mixes of two and use chakra to create new elemental affinities or abilities. This planet Earth parallels another planet Earth in another dimension of this universe, where there are only four large nations and each represents either fire, water, earth, or air, and with beings able to bend their own element to their advantage."

And these ones because these four are important.

1. "A lot of suicidal people didn't really want to die, they simply wanted the pain to cease so that living once again seemed worthwhile."

2. Hari was very firm on her decision. She'd always been the one rescuing people and never once realized that maybe she should have been rescued.

3. “Despite his wish to be Hokage and to be a hero, I realized that someone needed to rescue him first for that to happen. And so I took the job."

4. "I've lost many people, and while it doesn't coincide with what others will tell you in life, it actually does get better. There aren't enough hours in the day to keep thinking about what you've lost. There are jobs to do, and people to watch over, and even your own health to consider. You won't have the time to recount every mistake you've ever made. And the pain from their distance will eventually dim and become tolerable. The only way it wouldn't get better is if you keep thinking about it all the time. People who are always depressed over the loss of loved ones are usually the very same people who think about them all the time, which ends up keeping them in their depressed states, to begin with. And then there is no progression."

A Fucking mood from Hari/Harry Potta/Potter

“I don't like exercising. I'm not meant for it."

Because Sasuke is an adorable little shit, which is, as always when it comes to him, The Best

Naruto was teaching someone Taijutsu? It was laughable at best, though he didn't actually laugh. That would ruin his image as the strong and silent loner. He couldn't afford for people to think he was nice or anything.

Because this is something important and personal to ME specifically

"This is all sweets. But they are sugar-free sweets. There are foods you can eat that will give you the energy you need without having a negative effect on your body. Bananas are a good snack. Watermelon, lettuce, leafy green veggies, they all have a lot of water in them. They fill you up quickly, can keep you hydrated, and because most are made of water, you aren't consuming fats and oils. Though do not replace every meal with these things unless you take vitamins and supplements on a daily basis. While there is nothing wrong with being vegan, a lot of vegans forget to take their supplements and vitamins. They especially need those because they keep so many important foods from their eating schedule."

Another Mood

To make it worse… she'd gotten her monthly visit from TOM. She named it TOM in memory of a certain arse who caused her a lot of pain and grief. Her Time of the Month, TOM, liked to mock her for at least five days out of every month and this month was terrible.

And last, but not least, the best thing I have read since I woke up

Potta Hari's cousin was not romantically involved with anyone, or so his sources said. Perhaps marrying someone to her would offer a better chance for an alliance between their clans?

A knock startled him from his thoughts, and he had to compose himself quickly. "Yes?"

"A letter has arrived for you, Hiashi-sama," Kosuke said from the other side of the door.

"Come."

The letter was handed over within seconds, and Kosuke was gone immediately.

When he finally got to the message however, he had to smirk in amusement. He should have known that making plans about a Seer wouldn't go as expected.

Dear Hyuga-sama,

No.

Respectfully, Potta Runa.

And this

Was Danzo literally the only bad person in this world who was bad naturally and not because he had some unfortunate upbringing, was bullied or was manipulated into being bad?

Basically tbh

Words & Chapter(s): 287,295 words and 20 chapters, unfinished, but worth it

Summary: Tsume Yuki's, 'Ain't Never Had a Friend Like Me' prompt.

Master of Death Hari is sealed inside a genie bottle and tossed into the Veil. Only the interference of Death stops her from being enslaved. When Naruto comes into possession of the bottle and frees Hari from her prison, she gets attached and decides to help him, changing everything we know.

Score: 13, this is very amusing, and has no qualms with having humor AND seriousness whenever. Not to mention, I could honestly go back to the very beginning and read it all over again and I’d still love every moment of it in all honesty.

Pairing(s): Hatake Kakashi/Female!Harry Potter, as well as Uchiha Sasuke/Uzumaki Naruto, background Anko Mitarashi/Luna Lovegood

Warning(s): For all that this looks like a lot of warnings it’s just because this fic is well over 200K words, and it’s not nearly as bad as all these warnings look. There’s no major character death (Technically. A few from the HP universe passed before our MC even came into our universe. Still, only casual mentions so far)

Always a girlHarry still had to deal with all the abuse of her counterpart. The ministry betrayed her (Shocking. I know.) mentions of (CANON) past childhood abuse described three-quarters of the way through chapter three, then again in chapter four, no worries though it’s not graphic or gratuitous.

Mentions of death, and the things and ways that death may affect someone (This is a naruto universe crossover fic soooo, I don’t know what you were expecting honestly. At least it’s not as subtly/suddenly angsty as FMA fics get.), attempted murder that fails because Hari is the Mistress of Death (... Is Master not gender neutral??? I thought it was... Still, Mistress sounds cooler and more dangerous)

Mentions of porn, off-screen lemon, etc.

There IS a bit of fat-shaming from certain characters, but they eventually learn better, there are also mentions of children, and others, on diets, and also that have unhealthy eating habits and why they’re not good regardless, as well as the effects of being on a diet while also doing various exercises and rigorous training regimens, but not to worry, it slowly but surely improves.

Manipulation and grey morals, (Again shocking, I know.) which is great because my morals would go very dark very quickly if I were Hari (Because this is a crossover, and she is in Japan/The Elemental) and I’d for some dumbass reason decided to return to my original world (THAT DOESN’T HAPPEN THIS A HYPOTHETICAL WHAT-IF), but Hari doesn’t which is always amazing

World/Dimension displacement. Figured I’d add that just in case, personally I love those types of stories but you never know.

Kidnapping followed by attempted murder fails spectacularly. It is quite amusing to see for my inner sadist.

One of Hari’s family members passed away due to cancer, but it’s a small mention and there’s minimal angst because it happened years ago. The others seemed to have died in a war with the goblins which is only occasionally mentioned here and there.

Someone tries to enslave Hari as a genie. It does not work. Death seemed upset that someone thought that would work at all in the “Like, honestly, who the fuck do you even think you are???” kind of pissed

Danzo and ROOT exist. Sadly.

Also “ the lives of the many are more important than the lives of the few “ is something that seems to be a basic background of the morals of this fic. I know some find this detestable, but I would like to point out that, it’s true. It’s really fucked up, but unless that One has some very important and necessary ability, they are less important than the five-hundred and forty-two. Shitty as it seems.

There’s technically a war. If you could call the opposing sides... attempts a war. No major casualties or uber gruesome happenings though.

There are some injuries, of course, their big but not graphically described as far as I’ve seen up to the current chapter limit.

Pros: GREAT FUCKING WRITING!!! Great research and really immersive too!!!

Hari and Naruto because each others precious people, and Harry protects Naruto as best she, a civilian and witch, can.

The Japanese That Doesn’t Need To Be Written Because You’re Writing This In English And It Doesn’t Make Sense And Is Awkward isn’t present which is always a plus.

It’s really unique and different from what is normally written in these situations (Not that there’s anything wrong with what we normally get!!!) from how a female main character reacts (Very Harry Potter-ish) and whatnot to her romance with other characters to her friendship with them, and also I love the way her relationships are with everyone! It’s just, so, refreshing for a female MC to be written like this, like getting that first bite of watermelon in the middle of summer, and jumping in the pool, or a drink of hot chocolate in the middle of a snowy night.

Not to mention! The way Hari interacts with the world around her and manages to change everything even though she wasn’t trying, and the way she still isn’t overpowered regardless for all that she can use her magic at will. UGH!!! IT’S JUST SO GOOD

Aesthetic: It’s like drinking fresh lemonade after a hard days work, like swimming in your best friends pool after you finish your homework, it’s like a warm cup of tea after a stressful day, and cuddling up to a friend or lover, like dancing to your favorite song while you’re all alone in your kitchen. It is like being alone, but not lonely, ad being with a few good friends but not ignored. It is freeing and refreshing and relaxing and exciting and new and old and so much more. It feels happy, for lack of a better word. Very, subtly, happy.

Gif Aesthetic: Oh my god yes, this is Hari

and this is what the romance in this fic reminds me of

and this somehow reminds me of several characters at once

And this one too sometimes, which is nice

and this (Except Boruto doesn’t exist obviously, I think this fic was actually started before Boruto even came into the picture actually) is what the fighting looks like

except for when it looks like this

Hari and Luna fucking everything up while everyone else watches and decides it is safest to just, not interfere with the crazy witches.

Hari, Death, and Luna/Runa planning who to fuck up protect next

Every single Rookie Nine without fail

(Scroll back up and look at how cute the slimy kitty yawns!!! She’s so cute!!!)

#SasuNaru #Sasuke x Naruto #Naruto x Sasuke #Harry Potter #Female Harry Potter #Harry x Kakashi #Satan has great taste in: SasuNaru #Satan has great taste in: Harry Potter #fluff humor and angst fic #bisexual Harry Potter #Harry is an adult btw don't worry #and NaruSasu is young but cute as shit #they're so oblivious #it's fucking adorable

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legendarypotat · 6 years

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Have You Ever Thought About Plance Before The Show Started?

Have you contemplated all the crazy and embarrassing shit Lance must have pulled in the presence of Pidge believing she was a guy?

Fart jokes aside, I headcanon that one of those embarrassing things might have involved Lance’s love interests.

Picture this:

Lance confiding Pidge with his crushes... alongside Hunk of course. Pidge being all cool about it. She even teased Lance about his crushes. Heck, Pidge might have even been his wingman in one occasion. But Lance is a love sick boi, and by the time he revealed his 10th crush to Pidge, she had lost all her chill. Cue Pidge being annoyed by his shenanigans.

And this is something I want to point out. I really think that during the first seasons, Pidge was annoyed by Lance’s flirting.

I had never seen it as jealousy because I just saw the scenes above as just a funny moment. And in all honesty, I find flirting in dangerous situations annoying. I enjoyed Plance the first two seasons. They were my brotp.

Until season 3 came and smacked Plance in my face.

This one is different than the ones from the first 2 seasons. This one reeks of jelly. And I am in no way fond of the jealousy trope but I don’t think Pidge is completely aware of what is going on here. Pidge being Pidge will consider that she has some sort of space virus or something instead of realizing that maybe, just maybe, she could have a crush on Lance.

Eventually, I do think Pidge does come to terms with this fact behind the scenes. Not alone though. Dun dun dun. I think she might had let her lips loose. Hunk totally knows.

The way they reacted to Sam Holt talking about the potential of Punk. They did the exact same face of disapproval. They didn’t even express shock at the comment. That is extremely weird. No one reacts like that. Unless Hunk knows something we don’t...

The way Hunk watched and supports Pidge’s teasing. That is some evil shit right there. They have an Evil Scheme.

It’s funny because Hunk never ever ever lets this secret out. Which is like the complete opposite of what we read in fics. Hunk is taking Pidge’s secret to the grave. This is not an invitation season 8.

But do you want to know who else knows about Plance? Coran does. He definitely does.

On the Voltron show Coran highlights Pidge and Lance while he talks about some realizations (huge stretch but I take it)

Coran’s look when Pidge slips and calls Lance cute.

You can’t fool Coran. He is an all knowing deity.

I don’t know about you guys, but I think Pidge is trying to do the first move here. I don’t think she was considering getting over her crush on Lance. Ever since season 3 the Plance content has been increasing.

I also want to mention that I truly believe that Pidge saw that A//urance blushing moment.

This scene gave me the same vibes as the one in season 3 where I realized Plance had potential. I listen to my gut more often than not.

I am afraid to know what conclusion Pidge came up with after this short moment. She seemed pretty cool about it once they were fighting Sendak and the crazy Altean thing. I don’t know if all this development will pay after all. It might just be a background story about one sided feelings (which is something I have never seen so well written before, kudos to the writers) and A//urance might be canon. At this point I am sure that Pidge has or had a crush on Lance and no one, not even the staff, not even Pidge herself can convince me otherwise.

And I am sorry, I know this post is Pidge centric and doesn’t talk about Lance’s POV. But honestly I have a harder time deciphering Lance because surprisingly, Lance is more subtle when revealing his true feelings. Heck we didn’t know how bad he had it for Allura until he literally said it. Pidge on the other hand is more open. If she is upset... everyone knows and may the gods forgive you if you stand in her way.

In conclusion, it’s still hard for me to tell if Plance is still one side or if it ever was to begin with but it is sure fun to analyze the small things even though they don’t make sense and are based on my gut.

#continuing with the crack theories #plance #pidgance #pance #lidge #flirtyrobot #pidge x lance #I am too tired to tag all the plance ship names #this is just a thought I wanted to share since it has been a while since I have contributed to the tag

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hyuuchiha-a · 5 years

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What are mun’s ships for their muses?

[ Anon ]

[ A good question, nonny! In truth I don’t have that many...? A lot of the charries I write here I consider either VERY difficult to ship, or have one set ship for them. I’m gonna put this under a cut cuz it’ll probably be long, lol ]

Itachi: So this particular Itachi, by default (as with all the muses here, actually) is from a very long RP before Tumblr with two friends. In that RP, he was paired with the main muse from @kusunokihime! And because of the nature of how that story went (which I call A Light Amongst Shadows, the primary verse here), I don’t have him open to ship with anyone else. T’is just how the narrative works!

Sasuke, by default, I ship with Hinata (typically mine, but also with @historias-multorum in our little blending of verses). I...really don’t see him ever shipping with anyone else simply because of how closed-off I write him? I could talk about it for days but in short, he’s just not really a shippy kinda guy.

Hinata is probably my most openly-shippable canon bean! By default I do write her with my Sasuke, but honestly she’s a very loving girlie, so I can see her opening up to other muses! I actually do love Naru///Hina, but not so much the canon version. I’d love to write out a romance with them from scratch! Otherwise, with her, I don’t have much planned / established beyond with my Sasuke, but she’s very compatible imo!

Shisui is...complicated. I’ve shipped him twice in the past, on a different blog I had: with @wanderingmelodies‘ Rin, and @quiet-kunoichi‘s Kimiko. In all honesty Shisui’s a very charming, flirty guy? But he’s actually really flighty when it comes to actual relationships, and he’s not about hookups. He just likes to tease. In actuality he’s very hard to pin down, mostly because of how I write his time between his “death” and his reappearance post fourth war. He’s got some unpacking to do. So while he might flirt with a muse, it wouldn’t be easy to actually ship with him. Otherwise, I don’t have anything set up! And I’m not sure if either of those ships are ongoing with the new blog~

Neji I by default ship with Tenten - I have another muse who is his biological child with her, and another they adopt! Given how prim and proper he is (very...old-school. Kinda conservative?), it’d take some work to get with him in an AU. He’s haughty and proud. Proving themselves to him for another muse would be hard, but...not ENTIRELY impossible?

Hanabi I don’t really ship. I think Kono///Hana is cute, but I’ve never actually written it. I don’t have her paired with anyone in the ALAS fic as of yet! She’s a bit like Shisui: a little precocious, but also conscious of her role as Hyūga heiress.

Tenkai (my older Sasu///Hina babb) I pseudo-ship with Akane on my other blog, who is a Naru///Saku daughter! I say pseudo cuz...they only get up to 14 in the fic, so...not really the age to fully date, imo lol. I haven’t gotten to write him much, so I’m not fully sure how well he’d open up to other ships? But we could try!

Chikyū (the younger Sasu///Hina babb) is...a strange bean. I don’t ship her with anyone, and...I’m not sure how she’d react to shipping lol (tho again, since they stay minors, it wouldn’t be anything hot and heavy unless written at a point in their timeline where they are adults). But again, I haven’t written her much, so we’d have to just see!

Higure (Neji’s adopted pseudo-clone...see her bio for details cuz it’s a long story lol) I pair with Fugaku II on the main blog. I’ve...never really considered shipping her! But she might give it a try. They’d have to be very patient though, she’s a fragile bean.

Hinode is the Neji///Ten bean, and by default he’s with Reika II on the main blog. But he’s a good kiddo, he’d probably get along with someone else all right! Keyword is kid, tho - just fluff unless aged up!

Manami is my OC I made to be both Mikoto’s older sister, and Shisui’s mother! I write her with another OC, Junichi, meant to be Kagami’s son. But she IS originally slated to marry Fugaku, so...that’s something I sorta ship? Otherwise she’s pretty chill, so honestly I’d say she might consider a ship if she got on with someone okay! I also guilty pleasure ship her with Reika on the main blog, but...that’s a major AU lol

Hanako, Hinata and Hanabi’s mother, I really only ship with Hiashi. But I haven’t had any inklings of other ships? Maybe with Mikoto in a random AU, I dunno!

Hotaru, Neji’s mom...I dunno. She’s very staunch in her beliefs, so she’d probably only ever get with another (male) Hyūga. But hey, things happen!

Mikoto’s primary ship is, of course, with Fugaku. But I dream of a modern AU (or maybe even canon >w>) where she and him end up seeing things differently and divorce...and she ends up with Kushina. At first as friends, but then things...y’know...it’d be cute xD LET NART AND SAUCE BE ACTUAL BROTHERS. Otherwise, I’ve never planned or plotted anything with her!

Fugaku is again with Mikoto, maybe Manami. Otherwise...no idea. He’s a bit of a grump, but just...overly serious (as laid out in his bio). I dunno how he’d get on with other muses. We’d have to see!

Obito I don’t really ship. Maybe in an AU with Rin, tho I kinda prefer Kaka///Rin, tbh. I DO sometimes indulge @abyssaldespair‘s anons about OUR ship on THIS blog, but otherwise...I just don’t see him derailing his plan for a romance. It just doesn’t seem viable to me ¯\_(ツ)_/¯

Madara I also don’t really ship? I only write him in a few AUs, and...they’re not too flashy with him. AtLA he has whatever NPC wife to carry on the main Fire Nation family. Pokémon he’s too busy running Team Rocket. DL, he’s kinda lost it. And OMaM...he’s open to brief flings, but not anything solid. He sort of treats partners like...an entertainment. And things get old. Heck he even treats the one ship I have on the other blog like that. So...actual romance? Prooobably not. MAYBE flings in OMaM, but...I’m not that great at writing random smut? So I doubt I’d actually write anything out.

Anyway...I guess that’s everyone? There’s a lot of...variety in how I perceive each muse and their ability to form relationships. My more “main” muses (those toward the top on the muse page) tend to have very severe mental and emotional trauma. Forming bonds isn’t easy. And I don’t wanna make anyone ooc of how I write them just to ship, y’know? But thank you for asking! I’ve actually meant to make a post about this, so...you get one step ahead of me xD I hope your curiosity’s sated, lil nonny :3 And always feel free to ask anything else you’d like to know! Obviously I love to ramble xD

#i hope that answers your question [ mun replies ]#yes stranger? [ anon ]#long post #ships #¯\_(ツ)_/¯

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bygosscarmine · 6 years

Photo

RETAIL THERAPY

a Yoon So Hee one-shot from the W: Worlds Apart continuity

while we haven’t actually reached this point in the fic, it is largely based on canon--barring that I’ve made a case that So Hee and Chul had a relationship, though it was never written in the manhwa. Enjoy!

In a way, it had been coming for a while. From the time of their break-up there had been a certain necessary reserve between So Hee and Chul. Personally it was easier, but professionally it put a strain on them. She had been so valuable to Chul in the W5 corporation because she would challenge him, and now she didn't, because it would seem personal. Things that should have been said earlier turned into later resentments.

She knew she was right about how they should have approached the Oh Yeon Joo issue--at first. She had allowed herself to stew on it, instead of just addressing Chul openly. Taken matters into her own hands when she should have known how he would feel about it.

Well. It was over now. So Hee allowed herself one glass of delicious pity-wine, at a bar that smelled slightly of money, like her father's suits fresh from the cleaners and the leather seats in custom company cars. She didn't want to get drunk, though--it was still early, so that would end in hours of misery. Instead, she left the bar for her other pleasure in life.

Clothes were important to maintaining a professional image--but that's not really why she bought them. It was the beauty of clothes design. She knew girls who bought tons of bags and shoes because they were status symbols, or even because they were lovely, but she preferred the artistry of clothes on the human form.

She was glad her father had talked her out of going into design--she was really good at negotiating and running the logistics of a firm and it exercised a part of her mind that she enjoyed. She would have only worn her love out by trying to become someone who could create designs, when she wasn't particularly skilled. Instead, she was one of the most discerning buyers in the high-end shops, and while she went in to most of them quarterly, she did not buy on every occasion.

She only wanted clothes that would be a delight for her every time she pulled them out of the closet. It was nice to be able to afford stunningly expensive clothes--her modest taste in bags and shoes helped with that. So did having an apartment her father sublet to her for a pittance. Still, when she was a schoolgirl, poring over the magazines her aunt passed on to her, she'd always considered fashion a dream, not reality.

The clean, unfussy glass door of Atelier White was her first doorway to joy today. The women inside knew her by name (as she knew most of them) and they invited her to sit down, to bring whatever was new since she last visited.

"And how is Director Kang these days?" the manager asked as she rolled over a rack of clothing they had pulled just for her.

"He is well," So Hee said, smiling brightly.

It was astonishing how it always came back to Kang Chul. She was going to have to get used to this, a low gnawing heartache. Similar to the break-up she didn't tell anyone about. This time her sense of self, as a professional, was wounded.

It didn't seem right that she had given Kang Chul such power to destroy everything she had worked for, but she had, willingly.

He was even one of her first fashion projects.

Even as a teen, she had valued her clothes. She was probably the only girl in her school to press her blouses. Though occasionally tempted to try some of the modifications the others did to make their uniforms a little different, she had always valued the simplicity and fit of the uniform.

It helped that she'd always been a little bit taller and lankier than most of the girls. The uniform suited her. Just as it had suited Chul. The trial with him had been convincing him to start wearing suits outside of formal occasions. They had negotiated this, eventually, where she also chose formal-looking denim outfits. Once their company started really making money and having to meet with investors, Chul had quickly seen the value. So Hee hadn't chosen anything for him to wear...well, since they broke up. Perhaps even a little before they started dating, if you didn't include some gifts.

Chul had a slightly less nuanced approach to fashion--but since he looked better wearing a suit just how it came off the hanger than the model had, he could afford to keep to the basics.

She wished she could hate him. Honestly, it would be so much easier--to hate him for breaking up with her when he hadn't. For firing her unfairly. But he didn't.

Chul was self-centered, but she was accustomed to that. His arrogance had a certain unswerving honesty that was charming. Today's fight had been more than that--he had truly put someone else in his life first. While it shouldn't have been a shock to her it was still painful, to know that he had never done so for her, and never would.

It would be nice to hate Oh Yeon Joo, too, but that was below her. The woman had taken being treated as a criminal in stride, even though she had intervened to save Chul's life. So Hee wanted to doubt her claim to being a doctor, but she also had an unflinching self-confidence about it that made So Hee admit it was unlikely she was some kind of con artist.

"Do you see anything you like?" the attendant asked, and So Hee realized she hadn't even really been looking.

"Nothing seems to be striking me today, but that could be my mood," she said. "Feel free to show me the pieces you like again next time."

She left the shop, and strolled down the street.

The windows were like small worlds. So Hee loved to see even the ugliest of clothes in these microcosms. Evaluating the way the window dressers had chosen to stage them, what they were trying to say their shop was about.

She was staring at a pink and cream confection with a vaguely hanbok-like silhouette, and debating on whether to call a taxi to check out the hit-or-miss vintage shop across town, when her phone began to ring.

It was her father. Oh, wonderful.

"Daughter. How are you?"

"As well as I can be, when I was fired by my best friend this afternoon," she said. There was no reason for him to be calling unless he had heard.

"I would offer to strangle him with his own scrotum, but you are still calling him your best friend," her father said in his dry way. "So perhaps that isn't what you have in mind."

"No. The truth is I overstepped."

"Then this is a real failure?"

"Yes." He defined real failure as something that was a mistake on one's own part--with the attending need to learn from it. "I will have to pick myself up from this one."

"I have only one piece of advice. And it goes against my first impulse, which is to ask you to come take over my office because I'm being driven crazy by this Jang woman, so know this is a very selfless act on my part. I think the next thing you do should be something just for yourself. You grew up learning about my business, and you took that to Kang Chul's company to make him a success. Take your time, figure out what you'd like to do next, and then go for it."

"Thanks. I think that sounds good."

Her father hung up, satisfied he'd done his part.

Really, it wasn't that strange that she'd put up with Chul's autocratic ways, and been able to steer him well. Her father had raised her to it.

She put away her phone, and looked back up in the window. She was seeing something different, though, than what had been before her eyes before the call.

In a few hours, she was buying a drink for the purchaser who oversaw the Swanne Shop boutiques, after scheduling a lunch with the Atelier White COO.

"I hope you'll keep my confidence," she said, "but I would like to change the industry I work in, and it is a good time for me to transition. I'm interested to know what you think is the most interesting work in your industry."

"So the famous Kang Chul is ready to let his weapon Yoon So Hee go?" Purchaser Roh said, teasing but also curious.

Funny, how things always came back to Chul.

"He will have to," So Hee said with a sharp smile.

Truthfully, she knew he would help her get a start. He was still a friend, one who had only fired her for breaking his trust when it harmed someone else he intended to protect. She would learn from this--and one thing she could learn was that Chul did not take friendship lightly.

Her father was right. She had given W5 her time and skills because of Chul's passion for it. Now it was time for her to find a passion of her own.

#fanfiction #W Two Worlds #kdramanetwork #W Worlds Apart #Yoon So Hee #W #kdrama

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milliebeeweasel · 6 years

Text

Draco Sinister: Still a Better Time Travel Story than The Cursed Child

A while ago, I read Draco Dormiens, the fanfic famous for propelling Cassie Claire into BNF-dom, and for being a terrifying Frankenstein’s monster of plagiarism. My masochistic streak kicked in again, and I decided to try the sequel, Draco Sinister: a tale of dumb love triangles, Shakespearean Wormtail and ignoring Voldemort for 900 pages.

The fic starts when Draco wakes from a nightmare, and struggles to decide who to tell about it, before settling on writing to Hermione … in exactly the same way as Harry wakes up from a nightmare at the start of Goblet of Fire and writes to Sirius. Yeah. The plagiarism starts that early.

Harry and Draco are spending the summer at an unnamed Magid school (and yes, it remains unnamed for the whole fic), where Fleur Delacour is also a student/Magid. Weird Canon Divergence #1: Fleur here is not described as having veela heritage. She is a veela. Because Cassie Claire only skimmed the Harry Potter books . Also Lupin teaches at this school, because the whole drama about him being unveiled as a werewolf apparently didn’t matter in Cassie’s world.

Anyhoo, Draco got this fancy sword at the end of Draco Dormiens during the epic bitchfight with Lucius. It’s all green and sparkly, and totes belonged to Salazar Slytherin (because if Godric Gryffindor got a sword, Slytherin did too, apparently). But Harry’s hella suspicious of it and convinces Draco to let Lupin take the sword and make sure it’s not, like, cursed as all get out.

Meanwhile, thousands of miles away at the Burrow, Hermione’s chilling with Ron and Ginny when she gets Draco’s letter. She merrily writes back to him and Harry, before receiving another letter from Victor Krum.

Because the love triangle in Draco Dormiens wasn’t infuriating enough. Now we need to toss Krum in the mix.

She agrees to meet Krum in Diagon Alley. Yeah. I’m sure this’ll shake out fine.

Meanwhile, thousands of miles away at Magid school, Draco wakes up in the night again, this time because a demon has broken into his and Harry’s dormitory looking for the sword.

Weird Canon Divergence #2: despite JKR’s efforts to keep the afterlife vague and mysterious, Cassie whacks a Christian Hell into Draco Sinister a la Buffy the Vampire Slayer, complete with fire and brimstone. O … OK?

Harry and Draco banter with the demon for a while, but since Lupin currently has the sword they can’t exactly hand it over (and Draco doesn’t want to because, you know, Draco Malfoy). Eventually the demon decides fuck it, and tells Draco to keep the damn sword because it’s cursed as all get out anyway, and promptly disappears. Lupin works out the sword is a Living Blade, meaning it has a mind of its own and that mind is kitten-murdering evil, and Harry’s like, ‘Mate I told you that sword was cursed as all get out,’ and Draco’s like, ‘Shut up I still want it.’

Meanwhile, thousands of miles away at Diagon Alley, Hermione promptly loses both Ron and Ginny and talks to Victor Krum alone. Because of course. When she comes back, she says screw Harry, she’s madly in love with Krum now and is going to run away with him to Bulgaria.

Well that didn’t take long.

Back at Magid school, Harry receives a letter from Hermione informing him of her newest true love, at which he has a full on meltdown, smashing everything in the vicinity with his Magid powers until Draco yells, ‘Oh hell nah, we did not go through all this love triangle bullshit for Hermione to run off with Krum, something is up,’ and slaps some sense into Harry, a scene which essentially ends in Lupin running in screaming, ‘WHAT THE HELL ARE YOU DOING MOTHERFUCKERS?’

And I wish that was the last My Immortal comparison I’d find in this fic.

They get Fleur Delacour to seduce Lupin out of his office (I threw up in my mouth a little), before breaking in so Draco can nab his cursed sword back. Lupin’s locked it in an unbreakable case, but Draco deliberately pisses Harry off until his Magid rage comes back and smashes the case open. This is the first of several times they use enraged Harry to break shit, a trope I will henceforth refer to as Incredible Hulk Harry.

Harry and Draco team up with Ron and Ginny, and march up to Krum’s hotel room in London. But Krum’s like, ‘Oh, Hermy-ninny? I haffn’t seen her, but then I don’t remember literally any of yesterday except someone yelling “Imperio” at me.’

Luckily for the gang, Draco gave Hermione his epicyclical charm—that ugly ass necklace Lucius had in Draco Dormiens that contained Draco’s life force or whatever. So Draco can use that like a homing beacon to find Hermione. Also Harry has another mini meltdown because he’s so glad Hermione does love him after all

Meanwhile, thousands of miles away Hermione wakes up locked in a tower. Wormtail walks in and she’s like, ‘Aha, I should’ve known this was Voldemort’s doing!’ but Wormtail goes, ‘Nah, I got a bitchin’ new master now, check it out,’ and in walks motherfucking Salazar Slytherin.

Hermione understandably freaks the fuck out, not least because apparently Slytherin thought it’d be fashionable to get the Dark Mark tattooed on BOTH HIS CHEEKS. Yeah. Like Star Butterfly’s lil’ hearts.

He tells Hermione the Dark Mark was actually totes his idea, and Voldemort’s basically just a DeviantArt thief. Then he shows Hermione a tapestry of the Hogwarts founders, who look suspiciously like Hermione (Ravenclaw), Harry (Gryffindor), Ginny (Hufflepuff) and Draco (Slytherin).

The fic continues to spiral wildly into insanity as Slytherin announces Hermione is the Heir of Rowena Ravenclaw, who he was in love with until she ditched him for Gryffindor. But that’s OK because Slytherin has a handy dandy love potion to force Hermione to love him 5ever! Wormtail blindfolds Hermione and makes her chug the potion, and says she will fall in love with the first person she sees once the potion kicks in. Like a baby duck!

Side note: why does everyone, including the villains, want to sleep with Hermione?

So at this point I’m side-eyeing the fic furiously, because I can sense incoming love triangles like cats can sense earthquakes. Cast your bets who she falls in love with. (No, it’s not Wormtail.)

Halfway to Hermione (a great band name), Harry and co. are attached by dementors. Draco falls off his broom and breaks his leg, so while Ron and Ginny look for help, Harry teaches Draco the patronus charm.

Draco’s patronus is a dragon. Because of course it is.

Ron and Ginny happen to find Charlie Weasley, who happens to be in England and not Romania and happens to have a hoard of dragons with him and happens to have plenty of healers to fix Draco’s leg. Of course! He patches them up, shows them his dragons (not a euphemism) and lets them nance on to save Hermione.

Except Ginny.

Ginny’s not allowed to go.

Weird Canon Divergence #3: Ginny’s characterisation. Hindsight is 20/20 when you’ve read Order of the Phoenix, and I know the Draco Trilogy started before that. But still, reading Ginny Weasley, the quidditch champion, queen of bat bogey hexes, tomboy badass as a ‘girl’s girl more interested in boys and make up’ /stroppy teenager from hell is just … wrong. She acts, and is treated, much younger than the other characters, despite the pretty minimal age gap. I had 15 year-old friends when I was 16. The maturity level was not that different.

ANYWAY. Harry, Ron and Draco march up to this old castle in the woods, but it’s all locked up and guarded, so Draco’s like, ‘Well everyone pretty much still thinks I’m a Death Eater anyway, so why don’t I go in and let you in after?’ And Harry says, ‘Good idea,’ and Ron says, ‘Actually I’m also still 90% convinced you’re a Death Eater,’ but Draco goes in regardless.

He runs into a bunch of veelas, who fawn hilariously over him and reveal Weird Canon Divergence #4: veelas in the Draco Trilogy are straight-up bonafide dark creatures, who seduce men and then fucking eat them. Like a praying mantis.

Why not?

The veela tell Draco he’s defo got some veela heritage in him, before waltzing off, presumably to seduce and eat some men who aren’t related to them. Draco decides fuck Harry and Ron, and goes off to rescue Hermione on his own.

Hermione, also currently trying to escape, has a moment of mind-numbing stupidity and takes her blindfold off—and of course, sees Draco Malfoy.

It could’ve been Wormtail, Hermione.

He was in that castle.

WHY WOULD YOU TAKE THE BLINDFOLD OFF?

Hermione’s nearly as devastated as I am to discover the plot triangle Cassie killed at the end of Draco Dormiens has risen from its grave, and begs Draco not to tell Harry about the love potion. Because, you know, honesty isn’t that important in a relationship.

Weird Canon Divergence #4: love potions are illegal in the Draco Trilogy. I actually approve of this, because it’s always kind of boggled my mind how literal mind-control date rape drugs are A-OK in JKR’s world. Good job, Cassie, I guess?

Draco and Hermione leg it out the castle, but Slytherin blocks their way. He’s surprisingly chill, though, considering his whole love potion plan is now utterly fucked—he essentially pats Draco on the head and says, ‘Go get ‘em champ,’ before letting them out the door.

Suspicious as hell, but whatever.

Hermione sees Harry outside and flies into his arms, because apparently the love potion hasn’t cancelled out her love for Harry. Because otherwise the love triangle couldn’t continue! Then they all toddle back to Charlie’s dragon camp, and THEN.

Draco.

In leather pants.

YES IT HAPPENS.

(For those who don’t know, Draco in Leather Pants is a trope coined specifically from this fic, referring to bad boy characters who are really good at heart, but struggling with an inner turmoil because they might be kinda evil. Like Spike from Buffy. Except Spike was well written.)

Anyway, Ginny sees Draco in leather pants, and her ovaries basically leap into her throat and throttle her. She tells Hermione she fancies Draco now, and not ten minutes later she catches Hermione and Draco snogging the shit out of each other. Because love triangles. Painful, painful love triangles.

Ginny’s mad as hell, but for some reason also agrees not to tell Harry about the love potion, and they all jet back to Malfoy Manor, aka Sirius and Narcissa’s house. Because yes, in case you forgot, Sirius/Narcissa is a thing in this fic. And they are engaged. Making Harry and Draco soon to be brothers. Sort of.

Hermione hits the books looking for love potion cures and they send a letter to Snape asking for help, figuring Snape will at least help Draco if not the rest of them. Meanwhile, Draco visits Daddy Dearest in prison, who tells him being good is dumb, Malfoys are always evil, and Draco is destined to murder the shit out of Harry and become either Slytherin or Voldemort’s minion. Then, shortly after Draco leaves, Lucius summons demons in his cell and accidentally blows himself the fuck up.

Good job, Lucius.

All the love potion research comes up nil, and they find the only way to end it is for either Draco or Hermione to die. Then Harry finds out about the love potion after all and has another Incredible Hulk meltdown.

Draco, who by now is living through Draco Malfoy and the Terrible, Horrible, Very Bad, No Good Day, takes the epicyclical charm/ugly ass necklace off Hermione, kisses her, probably insults her, and shoots away on his Firebolt. Not his Nimbus 2001, because apparently Cassie forgot what broom Draco has.

I won’t lie, a good chunk of the middle of this fic is a blur, but it involves:

Sirius and Lupin having 10x the chemistry of Sirius and Narcissa

Slytherin’s Evil McNasty sword trying to make Draco kill Harry, and also refusing to be thrown away like goddamn Three Wolf Moon

Ginny exploring a quarry underneath the Burrow and finding Fred and George’s porn stash

Draco getting a will-strengthening potion off Snape so he can fight the temptation to murder Harry, and discovering Snape’s heart-print pyjamas and beautiful singing voice

Draco making out with Fleur, because why not?

Sirius, Lupin and Snape going to St Mungo’s because a ~mysterious dark wizard~ killed Cornelius Fudge and put Dumbledore in a coma

Neville giving Draco a concussion

Harry and Hermione doing lots of kissing and not much else

An illustration of Snape and Malfoy in which Snape has a fucking evil goatee

Arthur fucking Weasley is announced as the new Minister of Magic

Draco appearing at the Burrow to apologise for being a dickweasel to Ginny, and then making out with her as well

Harry appears outside the Burrow to try and talk sense into Draco, but Draco’s will strengthening potion runs out and he stabs Harry in the chest. Luckily, Harry isn’t really Harry, but a magic projection thing, and the real Harry is chilling in bed back at Malfoy Manor courtesy of some spell I can’t remember well enough to explain.

Regardless, Wormtail chooses this moment to pop up and … Christ on a bike, Wormtail is without doubt the single worst written character in this entire godforsaken fanfic.

See what I mean? It sounds NOTHING LIKE Wormtail. Although I’ve never seen that dialogue before, my suspicion is it’s nicked from something else. When I said I read Draco Dormiens with constant paranoia, this is what I meant. Some dialogue’s out of character, or the style changes for a few paragraphs, and the alarm bells just won’t stop ringing.

Wormtail demands Draco come and work for Slytherin, and Draco refuses, so Wormtail reveals his shiny new arm-sword and they have a scrap, until Wormtail pushes Draco in the river and drowns him.

Wormtail vanishes, and Draco gets to have a fun time in Purgatory nattering with Gryffindor, Ravenclaw and Hufflepuff, and also Harry’s parents, while Ron and Ginny drag Draco out the river. Harry makes Ron perform mouth-to-mouth on Draco because boys kissing is hil-arious!

Meanwhile, thousands of miles away at Malfoy Manor, Hermione knows instantly that Draco’s died because she feels the love potion break. She panics and runs for Sirius, but finds him a wee bit occupied with Lupin, who’s turned into a werewolf because Slytherin is Calling all the dark creatures to come join him. Luckily, Hermione found this funky silver necklace, which turns out to be a lycanthe, which repels werewolves, and also does whatever other plot-helpful Cassie needs for a given chapter.

They lock up Lupin safely, and also manage to lock up the demon that attacked Draco right at the beginning of the fic in the cell right next to him. So you know. He’ll have a friend.

Harry wakes up and tells Hermione to chill, because Draco is alive thanks to Ron’s CPR, and they zip to the Burrow together to celebrate with Jesus!Draco. Then we get Moment I Unironically Enjoyed #1: Ron offering to teach Draco to play chess. D’aww.

We get some flashbacks via Draco and Hermione’s dreams, and learn that Slytherin got all his power from Hell, and also his bitchin’ ass sword, which he was meant to give back but has somehow wangled his way out of it until now (thus the pissed-off demon in the Malfoy Manor basement). Also he created werewolves, veelas, basilisks and a shit tonne of other dark creatures, which he refers to as ‘experiments’ like a mad scientist. Hermione reads a bunch of books about Slytherin and tries to tell Harry and Ron about this magic orb Slytherin has that either unleashes all his powers or kills him or probably both, but they’re like, ‘Yawn, boring,’ because of course they wouldn’t be interested in information about the villain they are supposed to be fighting against in this fic GDI.

Anywhoo, the group all chill out until Salazar Slytherin kicks in the door, like ‘GRANDMA, IT’S ME, ANASTASIA’ and kidnaps Harry and Draco, leaving the others behind because meh.

At this point, I’d like to take a brief break from the plot to address a question I kept asking myself throughout the entire fic:

What the fuck is Voldemort doing all this time?

He’s nowhere. Wormtail makes vague assertions he might be dead, but Slytherin later says he’s alive. Voldemort’s return in canon is the turning point of Harry Potter. It changes everything. Hogwarts isn’t safe anymore. The children have to grow up. Characters die. But in the Draco Sinister, Voldemort’s fobbed off like he’s unimportant or uninteresting. Characters keep crying ‘Slytherin is far worse than Voldemort!’, which might make sense if Cassie had killed off Voldemort in Draco Dormiens, and needed a bigger, badder villain for the sequel. But she didn’t. Voldemort is still out there. Twiddling his thumbs. Knitting jumpers for Nagini ,for all we know.

OK. OK, back to the fic.

So, Narcissa has a natter with the demon in the basement, who reveals that yep, the demons want the sword back from Slytherin, but Slytherin has to return it by his own hand. Otherwise, the demons will have to take a descendant of Slytherin blood has repayment. Handily, it turns out Harry and Draco both have Slytherin heritage, so now Slytherin has a choice. Good for him.

Hermione’s lycanthe activates GPS mode, and takes them into the quarry underneath the Burrow, where Ginny says she had another older brother who drowned. Seems like a weird, shoe-horned in detail now, and that’s because it kind of is. After some puzzles, they discover a time turner that used to belong to Hufflepuff. Since Ginny is the reincarnation of Hufflepuff or whatever, she gets the time turner.

You may be wondering why the boys get swords and the girls get necklaces. And I’m sure Cassie Claire has a good explanation for that.

But I don’t.

So, Harry and Draco wake up locked in a big adamantine cell. Adamantine is basically Cassie’s Magid kryptonite, meaning they’re basically stuffed. They argue for a bit about whether Draco is gay, ending in Draco giving Harry hair care tips because this fic is weird, and then for the lols, Draco decides to teach Harry how to fence.

Now, I’m not an expert on sword fighting. I know a bit. But one thing I know for sure?

You cannot fence with swords made in the Dark Ages.

Fencing foils are lightweight, thin and poky, made for stabbing your enemy so full of holes he bleeds to death. Swords in the Dark Ages were whacking great bludgeons with sharp edges, made for separating limbs from bodies. They were heavy bastards; they were not made for lunging and poking and riposte-ing.

You cannot fence. With a sodding broadsword.

While Harry and Draco are having their ridiculous and physically impossible sword fight, the cell door opens and Fleur Delacour walks in like, ‘I’m here to rescue you, bitches!’ Harry doesn’t trust her because she’s ‘boy crazy’ (a trait of every female character in this fic, so hardly a reason for distrust) but regardless they follow her outside.

She leads them through the famously plagiarised nightmare grass scene, and then underground to a locked door. Draco gets Harry to Incredible Hulk the door open by informing him his dead parents are stuck in Purgatory, after which Fleur betrays them and leaves them to get eaten by a manticore.

Harry and Draco kill the manticore, getting Harry utterly soaked in manticore blood in the process. Like, ‘took a bath in blood’ kind of soaked. Slytherin shows up, and in Moment I Unironically Enjoyed #2, Harry yells, ‘We killed your monster and we’re not sorry!’ and Slytherin says, ‘Well, duh, that’s what I wanted you to do.’

Slytherin sends Harry back to the dungeons but keeps Draco to be his evil minion, then hacks open the manticore and pulls his magic orb out of its stomach (um … you might wanna wash that off, bud). But now he needs all the Hogwarts founders’ Heirs to touch the orb so he can get his power back. Or die? The fic never seemed decided on whether opening the orb was a good thing or a bad thing. Both sides seemed to want it to happen, and also to not happen.

Meanwhile, thousands of miles away, Ron, Hermione and Ginny use the time turner to go to the Dark Ages, during the original war with Slytherin. They meet wee Ben Gryffindor, Godric’s twelve-year-old son, and Rowena Ravenclaw, who is dying. Rowena initially refuses to speak to Ron because he’s not an Heir, at which point I started screeching incomprehensibly, because that’s not how heirs work. If anything, Bill should be Hufflepuff’s heir. Definitely not Ginny, the youngest sibling.

But no, Heir is Cassie Claire’s dumb way of saying “reincarnation”, and eventually Ravenclaw lets Ron in anyway and tells him that, as a seventh son, he’s totes psychic.

If you just counted the Weasley brothers on your fingers, don’t worry, I did the same. I also got to six, got annoyed, and then remembered that extra brother Cassie shoehorned in who drowned. I guess you got me, Cassie. Bravo.

Wee Ben Gryffindor takes the gang to Slytherin’s castle, and lets them in the adamantine cell. Ginny uses the time turner to take them back to the future …

… Where Slytherin is having a whale of a time psychologically torturing Draco. He has his own Mirror of Erised dealie, which shows you ‘who you truly are’. Draco sees his whole ancestral line of unapologetic dickfucks and realises he can never be truly Good™. Slytherin also gives Draco the Dark Mark, because FASHION, then sticks him in a room with Fleur Delacour and tells them to get it on, because apparently he invented veela for the sole purpose of procreation and I just threw up in my mouth again.

Draco and Fleur do not get it on. Draco does what any sensible person would do in this situation: orders cocktails and gets thoroughly shitfaced.

See the thing is, Draco’s whole tortured evil/good dilemma would be a lot more compelling in this fic if he actually had to overcome something besides teenage angst bullshit. The fic separates everything into pure Good and Evil, states that Harry and Hermione are just naturally good, and the Malfoy family are just naturally bad, and that’s it. But that’s not how morality works.

Real people have good traits and bad traits, and in fiction, overcoming those bad traits is how redemption arcs happen. For Draco’s redemption to be rewarding, we need to see him overcome a character flaw. But he doesn’t. He just Decides To Be Good.

SIGH.

So Hermione, Ginny and Ron pop into the future, and find Harry sitting in the adamantine cell alone. And Harry’s like, ‘I guess Draco’s evil now?’ and they’re like, ‘I doubt it, this fic is literally named after him,’ but then the door opens and Hermione, Ron and Ginny all have to huddle under the invisibility cloak.

Draco comes in with Slytherin, gloats evilly for a bit, cuts Harry’s arm probably by accident, and nances off again. Ron and Hermione run out to free Harry, and realise Ginny’s missing because she ran after Draco.

Oh. BOY.

Meanwhile, thousands of miles away, Sirius gets a will-strengthening potion off Snape to cure his lover Lupin’s permanent-werewolf-ness, then they visit Godric’s Hollow to get Harry a magic scabbard that also used to belong to Godric Gryffindor. Happy Christmas, Harry. No more chopping your belt off every time you try to sheathe your sword.

(And yes, swords do basically replace wands in this fic. Magids can do wandless magic anyway. IDK. Cassie Claire just really hates wands, apparently.)

Sirius and Lupin break into Slytherin’s castle with a scene ripped from Buffy, and are swiftly separated as Lupin is shut in with the other werewolves, and Sirius, claiming to be a vampire, is dragged off to meet the new general of Slytherin’s armies.

Meanwhile, thousands of miles away, Draco, still pissed as a parrot, is chilling in his room when Ginny marches in. Then, in Moment I Unironically Enjoyed #3, Ginny proceeds to rip the sweet shit out of Draco Malfoy’s emo ass, because if he wants to be Good™, he can start by being less of a pussy and fixing his shit.

Draco kisses Ginny, and the whole thing is thoroughly ruined when Fleur reminds them she’s still in the room. Ginny assumes Draco is sleeping with Fleur (and pretty much anything on two legs); Draco does nothing to help this assumption; and Ginny magically sobers him up as revenge.

At this point, Draco’s called away to deal with some other shit, so Ginny talks to Fleur and finds out she’s not evil either, she’s just protecting her sister, blah blah blah. Fleur also gabbles more about how SUPER SCARY Slytherin is, like he made a whole army disappear once, and he can control his minion’s minds, and Ginny’s like ‘OK cool bye’ and uses her time turner to GTFO.

The other shit Draco has to deal with turns out to be Sirius, because Draco is apparently now head of Slytherin’s armies. For convoluted reasons, Draco has Sirius locked in the dungeon. For his own protection. Or something.

Then Draco runs off to rescue Harry with Hermione and Ron, but Slytherin catches them. He locks up Draco with Harry in the adamantine cell, and sends Hermione and Ron to the dungeons with Sirius. Lucky for them, Sirius has his magic pencils, which they get to work using to draw a door back to the adamantine cell. (Ron can draw in this fic. Ron the Psychic Artist, still better than Ron the Death Eater.)

In the adamantine cell, Slytherin makes Draco run Harry through with his sword, but it’s OK because manticore blood apparently makes you temporarily immortal, and Harry got drenched in it. Cassie actually points out that this is in Fantastic Beasts and Where to Find Them, which is great and all, but good writing would have still involved actually foreshadowing that shit in the fanfic. Then bunch of demons pop up to explain the whole contract with Hell Slytherin’s got going on, and to remind them they really, really need to get Slytherin to give that sword back by his own hand, or Hell will take one of them instead. Just to remind you. No pressure. The demons vanish as Hermione, Sirius and Ron get inside the room.

This is another part of the fic that I don’t 100% remember because there’s a lot of Scooby Doo style running about and getting separated and getting unseparated again, but it includes Sirius running to save his one true love Lupin and finding Fleur as well, Harry and Hermione winding up in an underground cavern with a bunch of merveela (yes, mermaid-veela) and Draco and Ron getting chased by dementors.

In the distant past, Ginny meets grown-up Ben Gryffindor, and convinces him to let her pinch his army and send them to the future. It turns out Slytherin didn’t make the army disappear—Ginny did.

So Cassie Claire understands how time turners work better than the people who wrote Cursed Child. Go figure.

Ginny pops into the future with her army, and in Moment I Unironically Enjoyed #4, rides in on a FUCKING DRAGON to rescue Ron and Draco from the dementors.

Sirius gets Lupin and the other werewolves out safe, who turn out to be … pretty adorable? They all just want to bake cakes and make bunting. Lupin stops them all going haywire by giving them Bertie Botts Every Flavour Beans spiked with his will-strengthening potion, so they basically all wander off and make a drum circle somewhere for the rest of the fic. I don’t know.

Ron’s injured and thus out for the count, but Ginny and Draco charge back in the castle to rescue Harry and Hermione.

Meanwhile, thousands of miles away, Harry and Hermione find Slytherin’s orb and try to open it, because … ???

Well, the orb doesn’t open because they’re still missing the Hufflepuff and Slytherin Heirs, but Slytherin himself appears and promptly captures Harry and Hermione until Draco and Ginny show up, and also try to open the orb.

That’s all four Heirs, so Slytherin now becomes Super Saiyan Slytherin, laughs maniacally, and mind-controls Draco to toss Harry over to the demons. Draco has one last moment of pure emo dipshittery, until Harry, Hermione and Ginny collectively yell at him to get his shit together.

Draco chops off Slytherin’s hand, wraps his fingers around the sword, and tosses that at the demons. This would be a clever twist on the whole ‘give it back with his own hand’, except I read Avocado’s exposé and I know it’s stolen.

Oh well.

The demons take the sword, and for good measure also take Slytherin to Hell. Draco passes the fuck out while the castle collapses like Ganondorf’s dungeon at the end of Ocarina of Time, but they all escape ready to live happily ever after.

At this point, I looked warily at the word count.

Draco Dormiens wasted half a fic on sodding love triangles long after the plot was over. Draco Sinister is way longer, and I was honestly dreading slogging through the miles of shipping at the end of this fic.

But actually, Cassie was merciful. The end of the fic is one chapter, featuring Harry’s birthday, for which Sirius basically throws together a freaking Gatsby Party. I guess he realised he had access to the Malfoy vault all of a sudden. For some reason I cannot fathom, Snape is invited to this party. Unfortunately, it doesn’t end with him getting shot in the swimming pool.

Harry and Hermione smooch. Ron makes out with a veela … which … not a great idea, considering they’re still literal man-eaters, but whatever I guess. Draco and Ginny do some romance, but it’s interrupted.

By Enoby Raven Dark’ness Dementia Way.

I’m not kidding.

Well I kind of am.

But not really.

She’s pale, and black-haired, and wearing a corset, and she introduces herself as Draco’s cousin, Rhysenn Malfoy. And immediately invites him to stick his hand down her top.

She gives Draco Lucius’s signet ring, and also a message from Lucius, which essentially reads, ‘Not dead, ur lame. Thnx 4 killing slytherin tho, voldy sends love and kisses.’

Because apparently Voldemort has finished knitting Nagini’s sodding jumper.

Draco runs into Dumbledore, now recovered from his coma, who tells him not to worry about Voldemort, because that’s Harry’s job. He also says Draco did a good job resisting Slytherin’s mind-control because of love. I suspect Dumbledore whips this explanation out for anything he doesn’t know the answer to. What happened to Amelia Earhart? Love. What’s with the Bermuda Triangle? Love. What’s the answer to life, the universe and everything? IDK, probably love. Or 42.

Dumbledore also says Slytherin lied about that magic mirror—it actually shows your greatest fears, not your true self. So Draco totes has every chance to be Good™ after all.

Draco heads back to the party, and he and Harry agree to be frenemies next year, and … that’s the end of the fic.

When I read Draco Dormiens, I couldn’t understand how Cassie Claire became a BNF. Draco Dormiens was bad. Bad characters, bad plot, bad writing, bad, bad, bad.

The first half of Draco Sinister is bad. Dredging the Harry/Hermione/Draco love triangle back up with a love potion is dumb. Voldemort just pissing off doing nothing for the whole fic is dumb. Every line of dialogue given to Wormtail is dumb. The dozens upon dozens of lines lifted from Blackadder, Red Dwarf and various other sources, regardless of whether they’re in-character or suit the mood or the scene or the setting, are infuriatingly dumb.

But about halfway through the fic, it’s like Cassie got her act together.

I don’t know if this is because halfway through the fic, Cassie was banned from FFN for plagiarism. I don’t know—she still uses quotes all the way through, but possibly doesn’t lean so heavily on them. Maybe it’s because she realised an actual plot was more interesting than constant angst romance. But for whatever reason, it got better.

And I want to read Draco Veritas now. Not just to look at a trainwreck, but because I’m kind of invested. But when I do, I will spork the hell out of it.

#cassie claire #draco sinister #spork #draco trilogy

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sage-nebula · 7 years

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@mywaywardcupcake --- Thank you so much for reblogging one of my fics recently! (This one here---snippets from Tilling a Grave to Keep Things Level.) I’m sorry I missed your initial reblog; my first salty meme that I made for the twentieth anniversary PokéAni movie has been filling my notifications, and tumblr ends up eating some notifications when you receive too many. I’m sorry about that!

That said, I read your tags, and---there is more to that fic, but it’s unfinished. It’s currently resting at 16 pages / 8317 words. I can’t say when it will be completed, but here is another snippet since you were interested:

It was the work he put into this that led him tracking down Jounouchi that Saturday after school—well, that and the fact that Jounouchi had been AWOL the previous day, something Hirutani was not about to let slide. Hirutani found him over by the bike rack, steering his bike away from it, and although Hirutani felt a brief note of confusion for why Jounouchi was choosing to walk alongside his bike rather than ride it, he had his unspoken question answered a second later when he noticed Honda Hiroto by Jounouchi’s side.

Honda. Of course. If Hirutani had to guess, that was the reason why Jounouchi had ditched on the previous day’s activities, too. If that was the case, Hirutani couldn’t claim to be surprised.

As much as he wanted to lay into Jounouchi for ditching him, and as much as he wanted to chew him out for not even bothering to check in today as well, Hirutani swallowed his temper and made his way over. He caught up to them as they made it back to the main path, and circled around so that he was standing in front of Jounouchi’s bike. Honda noticed him immediately and stiffened, but Jounouchi didn’t look up until Hirutani placed his foot against his bike’s tire to impede its progress.

“Oh. Hey,” Jounouchi said, and it took actual effort for Hirutani to not roll his eyes at how casual he looked and sounded.

“You have plans tonight,” he said instead, and while Honda scowled (no doubt thinking all sorts of things he wouldn’t dare to actually say while Hirutani was standing right there, Hirutani was sure), Jounouchi frowned a little, looking confused.

“Uh, not . . . really, no. I don’t really have anything going on. Actually, I was thinking—”

“No, I’m telling you, you have plans,” Hirutani said. Honda exhaled sharply and looked away, while Jounouchi raised his eyebrows.

“Really?” he asked, and he leaned against his bike’s handlebars. “Says who?”

“Me. Who do you think?” Hirutani said. Jounouchi snorted and smirked a little, and it was only because Hirutani knew Jounouchi wouldn’t—couldn’t, really, but at least wouldn’t in this case—say no that kept him from resisting the impulse to knock the smirk off his face. “Listen. Kirishima is throwing a house party tonight since his parents are out of town for the weekend. Not only will everyone from his group be there, but I’m sure there will be plenty of others, too—others that we can secure tonight so we don’t have to do the extra legwork later. We’re going.”

Jounouchi, to his credit, did look interested. “Will there be chicks there?”

This time, Hirutani did roll his eyes. “What the hell do you think? Obviously, but—”

“And it’s gonna be a big thing, right? A ton of people will be crashing it, right?”

“Probably. Do you—”

“Hey, Honda.” Jounouchi looked over at Honda, who looked a bit startled at being so abruptly pulled into the conversation, though probably not as startled as Hirutani felt that Jounouchi actually had the audacity to talk to Honda right in front of him. “Wanna go to a party?”

Hirutani didn’t know where to begin—whether he should point out that Honda clearly wasn’t invited, or that Jounouchi didn’t need to sit there and invite someone when it was obvious the two of them were going to the party for a reason—but before he had a chance to say anything, Honda’s eyes darted to him for a second before he looked back at Jounouchi with an expression that suggested he had swallowed a live insect.

“No thanks,” he said.

Hirutani was grateful that Honda at least knew his place, but the fact that Jounouchi actually looked a little disappointed did nothing to lessen Hirutani’s quickly souring mood.

“Okay. Suit yourself,” Jounouchi said, before he looked back at Hirutani. “Sounds cool to me, man. I’m in.”

“I know,” Hirutani said, and Honda rolled his eyes and looked away with another bitchy huff as Hirutani said, “We’ll meet by the station at nine thirty. You can tell your old man you’re spending the night at my place.”

Jounouchi scoffed. “Like he gives a damn where I am. He’ll probably be passed out by the time I leave, anyway.”

“Even better.”

By this point, the crowds had mostly thinned, with the only stragglers being those who had to cross the schoolyard to make it to their after-school clubs or sports teams. They still had about six hours to go before the party, and there was plenty they could do in that time—plenty that Hirutani wanted to do, anyway—but before he could open his mouth to say anything, Jounouchi beat him to the punch.

“Anyway, I’ll see you later. We’ve got things to do before the party.” He jerked his head toward Honda, who glanced over at Hirutani, but said nothing.

Hirutani clenched his jaw as he looked at Jounouchi. “What things?”

Jounouchi shrugged. “Just stuff, don’t worry about it. I’ll meet you by the station later, okay?”

Though he would be well within his rights to point out that, no, this was not okay considering that Jounouchi had ditched out on him the previous day, Hirutani knew that he would at least have Jounouchi later that night, and what they were set to accomplish at Kirishima’s was more important than whatever petty bullshit Jounouchi had going on with Honda. “Fine. Don’t be late.”

Jounouchi rolled his eyes. “Yeah, yeah. C’mon, Honda, let’s go.”

Hirutani stepped aside so that Jounouchi could steer his bike past him, and he watched the two of them head toward the school gate, Honda suddenly looking a lot more animated (but no less pissy) as he said something to Jounouchi, who shook his head as he replied.

In a few more months, they would be done with middle school. About four months, actually—less than a half a year. Once they graduated, Hirutani and Jounouchi would go to Rintama High, and Honda would go to whatever pissant school he had chosen. Hirutani didn’t know which school it was, and frankly, so long as it wasn’t Rintama (and he felt confident in thinking that it wasn’t), he didn’t care. The important thing was that, in four months time, Jounouchi and Honda would be separated by different schools, and at that point, Honda wouldn’t be a problem for Hirutani to contend with anymore. He would finally have Jounouchi where he wanted him.

Four months. He just had to make it through the next four months.

Aside from that, I saw your note about liking Hirutani’s characterization, and thank you!! In all honesty, I’ve fleshed out Hirutani a lot, and I don’t feel it makes me arrogant to say that I’ve put more care and effort into the king bitch himself (as a friend of mine once called him) than Takahashi ever did. That said, if you liked his characterization there, then I have written quite a few other fics with him, if you’re interested. (And if you’ve already read them and I’m wasting your time, I’m sorry! It’s just that, like I said, Tumblr has been eating my notifications over the past few days, orz.) Those fics are:

A Spark to Ignite --- Jounouchi caught Hirutani’s eye after school one day when they were thirteen. The problem---for Jounouchi, anyway---was that Hirutani never had been very keen on letting things go. [Pre-Canon]

It Will Be Held Against You --- Hirutani intends for Jounouchi to join his gang again, but of course, Jounouchi has always been stubborn. They may have to spend some time in negotiations first. [This one serves as a prequel to chapter 11 of the original manga, but because of that it can also serve as a prequel to . . .]

Whispers in the Dark --- When Yuugi finds Jounouchi with Hirutani and his old gang and pleads with him to come back, Jounouchi forcibly pushes him away. This one decision leads to a downward spiral, but then, Jounouchi will do anything to protect those he loves, no matter what happens to him in the process. [Canon Divergence from Ch. 11 in the manga]

Bound to Leave a Mark --- Hirutani always likes it when he leaves a scar, but sometimes the most significant ones happen by a pure stroke of impulse. [Pre-Canon]

Not a Fan of Puppeteers --- The Millennium Items are stolen from Yuugi after Battle City, and Hirutani ends up with the Millennium Rod. This ends about as well as one would expect.

A Harmless Chat --- On his way home from work one evening, Yuugi is "offered" a ride home by Hirutani, and an invitation to talk. Yuugi accepts, but as anticipated, the talk isn't something he wants to hear. [Post-canon] [Established Wishshipping]

Conversations and Promises --- Yuugi finally tells Jounouchi about the conversation he had with Hirutani, and Jounouchi takes it about as well as you would expect. [Post-canon] [Follow-up to A Harmless Chat]

Hirutani isn’t actually in that last one, but it’s a sequel to a Hirutani fic, so I figured it was worth listing, anyway.

Anyway, I hope to have Tilling a Grave to Keep Things Level finished eventually, and I’m really grateful that you enjoy both my writing and my characterization of Hirutani, because I’ve put a lot of thought and care into him, bastard coated bastard that he is. :) Thank you!!

#mywaywardcupcake #i hope it's okay that i made a post like this #but i wanted to reply somehow

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hashtagartistlife · 7 years

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2016 Fic Recap

Thanks to the beautiful and talented @sequencefairy for the tag!

total number of completed stories:

In total: 38

Bleach: 30 (28 english stories + 2 korean ones)

Miraculous Ladybug: 4 (2 english + 2 korean)

Naruto: 1

Fairy Tail: 1

Noragami: 1

GSNK: 1

total word count:

45841 words in finished fics, but if we include my published in-progress fics, the number jumps to 68286. If we want to add up the words I have scattered around in as-yet unpublished fics..... ngl, probably about double that number :’/ :’/ :’/

fandoms written in:

Answered that one above.

looking back, did you expect to write more fic than you thought you would this year, less, or about what you’d expected?

Jesus god I haven’t written this much fic..... well. ever. I’ve always dabbled in ficwriting, but I thought of myself as primarily an artist-- this year is the year that cemented the fact that, hey! Maybe I want to be a good writer as well. Basically I wrote about 10 times as much fic as I ever expected to write, but it’s all good :’D

what’s your own favorite story of the year?

fdnfjfhujkdfjrs UM probably The Search for Delos; it came to me really vividly and I wrote it all in pretty much one sitting. When I was done, I was genuinely very surprised that I had a piece like this in me. It’s somewhat different from my usual writing style, and it deals with some heavy themes, but this is the closest I’ve ever gotten to achieving my writing style goal of being simple but vivid and achingly profound.

did you take any writing risks this year?

I joined IRBB, which was risky considering my track record of MONTH-LONG WAITS between chapters and my muse being flighty like icarus :’/ case in point: im only 4000 words in and im stuck as hell. Aside from this, I. uh. Wrote nsfw for the first time and discovered joint writing, which is a wonderful, wonderful thing.

do you have any fanfic or profit goals for the new year?

I want to try and finish cyclical this year, but as long as I keep a semi-regular update schedule on that one (once a month, or thereabouts) I’ll consider it a success :’/ I definitely have to finish irbb, and apart from that if i’m being ambitious... I’d like to finish f r a y and where the heart rests.

The other goal is if I manage to finish cyclical (whether this year or in the future), I want to print it with a nice cover and illustrations and have it on my shelf for my own edification :’D

best story of the year?

I’m gonna be honest i don’t understand this question... I’ve already said my favourite story for the year was The Search for Delos, but is this asking, like, objectively my best piece of writing? I’d still say The Search for Delos :’/ Although, I do think Ritardando was some good writing on my part.