« nothing on me »
bayverse raph x reader / fluff + angst
notes: 1.8k words, first person pov, established relationship, gender neutral reader (no pronouns used,) details of injuries and tending to said injuries.
a knock on the window at 3am? that only means one thing: the turtles are here. smiling, I rub the remnants of sleep from my eyes and hop out of bed to open up the curtain. only one turtle faces me at the window though - raphael.
I open the window and help his wide frame step down from the ledge, but my previous smile fades fast when raph groans in pain as he steps onto the floor.
“raph, what’s wrong? where are the rest of the boys? what happened?” I speak as fast as possible to try and get to his answer, worry eating away at me with each second that passes.
my raph is the mass strength and rough hand amongst the turtles. he can handle a lot of damage since he always manages to deal out more than what is done onto him. seeing him bent over, actually using my arm for support and not simply holding me because he wants to, groaning in genuine pain rather than letting out his usual gruff noises of acknowledgment - that scares me. it terrifies me when I don’t know what has happened.
“I told them to check on dad,” he begins breathlessly, “I needed you. it’s really bad this time.”
my eyes widen and I hurry him to the side of my bed, the mattress creaking under his weight. I grasp his face in my hands to check him over, turning his head every which way, but see nothing apart from a few new scratches on his skin.
“what do you mean ‘really bad,’ raph? you’re scaring me.”
“my—“ he lifts his arm and tries to reach for the back of his shell, failing miserably and almost howling out in pain, “my shell, sweetheart. I haven’t seen it yet but I heard it crack and this pain is too much for it to just be taped up.”
I scuttle around his large form and am immediately hit with the sight of a deep crack in the middle of his shell. he was right to come straight to me with this one. he should always come to me with injuries but is too stubborn most of the time and rides out the pain: ‘it may look bad to you but it’s nothing on me.’
when the boys started to properly use their skills outside of the lair, with the risk of larger injuries increasing, I began to research and teach myself how to handle ones specific to these mutants. thanks to many in depth articles about turtle care, I have safely cleaned and covered up small cracks before. the only difference between the boys and ‘normal’ turtles in regards to care like this is their size - it takes longer and requires more focus to clean cracks, ensuring that they can heal appropriately over time. although tonight’s damage will take double that, and maybe more.
“oh raph, oh my…how? wait, don’t answer that. I’m doing my first aid stuff then we can talk about it, okay?” he nods with a sad smile and all I can do is reach out and cup his cheek, returning the expression he gave me. he moves my hand to his lips for a quick kiss before I start scurrying off to grab what I need.
let’s see - chlorohexidine solution, q-tips, cotton pads, adhesive patches and a towel. is that all I need? I have no idea right now; I’m so scared to touch him that I feel like stalling for as long as I can.
I walk slowly back to where he sits on the edge of my bed, his head resting in one hand as the other rubs at his tired eyes. I lay down all that I grabbed from the bathroom before taking a deep breath and sitting down behind him. the room is silent for a couple of minutes after that, my heart beating loudly in my ears. I can’t break my anxious stare away from the crack in his beautiful carapace.
“hey…” raph speaks ever so softly to get my attention.
“yeah— sorry. I’m sorry,” I feel tears begin to form in my eyes. I hate seeing him hurt like this. “I’m going to fix you up. I promise I’ll fix this. I’ll touch around your shell, away from the crack, and you tell me how it feels. let me know how much the pain has spread.”
he gestures ‘yes’ to me but with a frowned brow, “don’t cry, love. everything is okay. I’m raphael, remember? this is nothing on me!”
but I can see it - I can see the pain written on his face, the way his eyes look misty. I don’t want to push him to talk nor do I want to directly acknowledge the pain I can see; I don’t want to break his protective wall at a time like this. it wouldn’t be fair to do so. I wipe my tears and get straight to work instead.
my small hand reaches out for him, gently patting around the edges of his shell then smoothing over the surface, “that’s not bad at all. it just feels tingly, like the nice kind of tingly you give me.” I giggle at him. it’s a relief that the shell hasn’t shattered or anything and he can feel my hand like always.
I’ve spent so many nights tracing over the faint patterns of his plastron and committing the texture to memory. it helps calm him after a stressful training day or when he can’t sleep. it secretly calms me too because it’s just us in those moments, the rest of the world fading away and leaving only raph and I. there’s no need to jump away from my hold to save new york when my touch melts away the city completely. nothing can break us out of that warm paradise as long as we are together.
despite the touch test going well, the cleaning of his wounds will definitely be painful since the crack is open and noticeable. I pour some of the solution onto a q-tip and tell raph to start breathing slowly and deeply. I help him set a pace for it before I begin to clean.
he hisses in pain when the piece of cotton comes in contact with the wound and my tears start to flow again, “I know baby, but this part is important,” I sniffle and reach my free hand for his, “use me to balance yourself.”
“I’ll break your little hand,” there is a fracture in his voice as he speaks but he still manages to let out a chuckle with his words.
“breathe and squeeze, raph, don’t worry about me.”
and so he did - each time I dipped the cotton into the crack he inhaled and exhaled quickly whilst grasping my hand in his. I rubbed my thumb over his rough skin in an attempt to ground us both over and over again.
“one last clean and then I’ll patch it up and be done for tonight.” he lets out a loud sigh at that, obviously glad that the stinging will be over soon. I hear him lowly whimper but force a cough after in an attempt to hide the noise. once again I don’t press him on it, I just kiss the back of his hand to let him know it’s alright.
the last step is to cut adhesive patches to fit the crack, making sure to leave small gaps at the ends to allow air to flow through. this process isn’t all that different from putting a bandaid on a human arm, and thank goodness for that. I want to do everything I can to help raph, to ease his pain, so this being a somewhat ‘easy’ task to complete means luck is on my side right now.
with the last piece secure I get up from the bed to face him again, giving him a small smile to let him know it’s done. I slip myself between his legs and reach out to untie his bandana. his eyes close as he presses his head onto my chest to give me access to the tie at the back.
sliding the cloth from his face, I set it on the bed and wipe underneath his eyes; he looks so worn out. my fingers move down to draw along the scars from previous battles and to check over any new cuts, the pad of my thumb eventually landing on the most prominent scar across his upper lip. my raph, my hero, our hero…with the scars to prove it all.
“give it a week and see how the shell starts to heal. if we need to do more then I’m ready for that. I’ve done my research, you’re looking at a certified mutant turtle nurse,” I wink at him as he laughs and nuzzles further into my hold.
he looks up at me with those gorgeous eyes, the light of the moon catching in them. he may be hurt but he’s here with me and healing in my arms, and I’ll hold this man forever to show him how much he means to me. he’s looking at me in the same way - in awe of what’s in front of him - both of us dumbly grinning at each other. although, he does break eye contact when a yawn suddenly comes bursting out.
“do you want to talk about what happened, or do you want to catch some z’s first?”
“hmm…as much as I want to tell you about how much of a badass I am, I really want to crash.”
he moves to lay on his back before I catch his shoulders with high pitched squeak, “shell!” I whisper-yell at him. his lips form an ‘o’ and I shake my head. only raph could forget about his injuries that quickly.
I slip into the bed first and hold out my arms, beckoning him to follow and to lay on his stomach. he does so almost instantly, getting comfy against me and wrapping his arms around my waist.
“thank you for everything. I trust you with my life, you know.”
“and I trust you with mine, big red.”
I’m seemingly stuck staring down at him, just in stupid awe once more. watching how his eyes are effortlessly closed, evident that he is exhausted, with a faint smile playing on his lips as he shifts around to find the best snoozing position. his shell is now what catches the attention of the moon and I feel satisfied with my work on the crack. I’m still worried but the patch looks good and secure from afar so I’ll take it for it now.
I’m so happy that this brave and unstoppable mutant turtle trusts me with his open wounds, with his physical and emotional scars, with his love and being. this life of ours is crazy in so many ways but I wouldn’t ask for anything to change. well, less wounds here and there would be nice but that might be asking for too much.
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Sky Burial and Blasphemy Theory
I believe I may finally have answers for Eileen and Bloody Crow’s implied rivalry.
(I was stumped for a while, but thankfully, I have very smart friends. You know who you are).
Note: I will be using screenshots of retranslated Japanese descriptions and dialogue from the LastProtagonist document. This is to ensure a more accurate reading of Bloodborne’s lore. The document can be found here.
—
Sky Burial
(Painting by Ronan Boyle)
Eileen the Crow is, as her name suggests, a crow-hunter, or as the Japanese translation puts it, a “hunter-hunter.”
She and her predecessors dressed as crows to represent the art of sky burial.
~~
What is sky burial?
It’s been discussed many times before in this fandom, but for the sake of context, here is a definition from a Tibetan website:
“Sky burial is simply the disposal of a corpse to be devoured by vultures. In Tibetan Buddhism, sky burial is believed to represent their wishes to go to heaven. It is the most widespread way for commoners to deal with the dead in Tibet.”
~~
This what led us to believe that the first hunter-hunters, those that were said to come from the hinterlands/a remote foreign land, were Tibetan. We do not know if this is the case for Eileen, but either way, she upholds the tradition as a crow, and likely reveres it as a solemn duty.
The choice of crows to represent this practice instead of vultures, though an altered form of symbolism, fits quite naturally as well. Crows and the Carrion Crows in Bloodborne feast on the dead, on blood, and take the bounty with them in their beaks.
Even the common folktale of crows foretelling death and decay as dark heralds is something that could easily be tied to sky burial.
Furthermore, the symbolism deepens when we realize that Carrion Crows have a clear association with blood consumption in-game.
Had they not consistently devoured the tainted blood of the many corpses throughout Yharnam, they likely would not have become mutated. This is a sure sign that these creatures thoroughly eat through carrion, blood and all—much like vultures.
Crows suit the more respectable method of burial, and as such, crow-hunters cloak themselves in black-feathered garb, take down mad hunters, and leave them to be consumed by these birds of carrion.
Another key detail to this tradition is the association that blood may have with the soul. Throughout FromSoftware games, there is a theme that adheres to ancient cultural beliefs about the human/animal life force.
Just as Dark Souls 3 confirmed that Gael sought for the “blood of the dark soul,” or in other words, the “blood of humanity” for his lady’s painting, so does Bloodborne ensure to clarify that human souls are found within their own blood. This very notion is suggested through the explanation for sky burial.
If the soul is in the blood, then a crow consuming the ichorous remains of any body and returning to the skies with this carrion in its beak would mark the “salvation of a soul.”
The human was not damned to the under earth or cremated to ash, but was “lifted to heaven” in the hope of rest, peace, and sanctification.
This is what crow-hunters wish for their befouled and wayward comrades, who sin in their final moments under the influence of blood-drunken impulses. Any warrior lost to such madness would be likely to fear for their post-mortem fate if they were able to think clearly for even a moment.
Crow-hunters understand this, and offer mercy by way of cutting their ruined lives short before giving their souls to the birds of heaven. Perhaps those hunters would find their way to the Dream instead of the Nightmare.
This would have been a sacred ritual, preserved and taught among crow-hunters as something never to be fumbled, twisted, or forgotten. It is their native tradition—something even linked to their religion.
Anything less was considered blasphemy, particularly the savage burial methods of Yharnam.
—
Blasphemy
Now, when observing the visual and contextual aspects of the “Bloody Crow of Cainhurst,” it becomes apparent that there is a darker implication to his character—one that is eerily dualistic.
You are required to have a firm grasp on what it is that crow-hunters do, and what the Vileblood royal guards were in service to Annalise for. Yet once the pieces are put into place, we can see the Bloody Crow for what he truly is, and why his methods violate those perpetuated by the crow-hunters.
He is a heretical warrior with a blasphemous personification and purpose. He is the embodiment of sacrilege in regards to the hallowed art of sky burial and the respectful guardianship of ambivalent souls. Every hint given to us in-game contributes to this image of heresy that the Bloody Crow presents.
What are these hints?
They are left among the descriptions for Vileblood assets, particularly the Guard’s armor set and the Corruption + Blood Rapture runes.
I will share a link to this reblog that my friend and I discussed this particular element of the lore on, but to sum up what it is that Annalise’s guards do, we must first understand blood echoes.
As the Japanese states it, they are “the dying wills” of the slain. The “last wishes” of those that have passed on. In this way, we further discern the association with blood and soul in Bloodborne.
Now hunters themselves rely on blood echoes to gain strength, and as we have seen, some of these hunters become addicted to this odd relationship. These are the blood-drunks, or “echo fiends,” and thus are the very hunters stated to be targeted by Annalise’s guards.
To simplify it as acutely as possible, the Vileblood queen’s hunters kill blood-drunks in the same manner as crow-hunters, but with an altered purpose and enterprise. They seek for the writhing “dregs” within the frenzied hunter blood, only to deliver it all to Annalise, who will then consume that unnatural life force.
She does this for the sake of bearing her promised Child of Blood, the heir of Cainhurst and of the Vileblood line.
Now we can put two and two together when studying Bloody Crow.
From his appearance alone, we can deduce that he owes some allegiance to Cainhurst, and to the modus operandi of Annalise’s guards.
He dons their ornate armor, he wields their famed sword, the chikage, and he drops the Blood Rapture rune upon death. This rune is not to be taken lightly. It is a secret resonating with direct servants of the queen.
Blood Rapture itself is a supplement for those guards of Annalise that crave her blood, but cannot yet receive it. They instead find ecstasy in the warmth of blood itself. A brief solution for an unbearable longing.
All of this, in theory, is in direct conflict with the values of a crow-hunter.
The souls of drunken hunters being ripped from their mutilated bodies and brought to a queen for consumption must have been a dark heresy. It violates every principle of sky burial, and twists the nature of a fallen warrior’s salvation.
The Vilebloods could have argued that all of these stolen souls were being used for the better, given to a being that would birth a new and divine form of life, thereby resurrecting the amalgamation of lost lives.
In a sense, it could have the potential to be a form of reincarnation for those warriors.
Yet it does not matter, because a violation of tradition and belief is just that, and if anyone ever blatantly spat in the face of sky burial, it was the Bloody Crow.
And so, in the game itself, we see the culmination of this strife come into full fruition.
—
The Conflict
Eileen, soaked in blood, lies before the Grand Cathedral when we come to the end of her questline. We discover that she has been wounded in the process of hunting down her new “prey.”
Whoever or whatever takes the shape of this “prey” has proven to be too much for Eileen, and though she is older, she is undeniably formidable. This enemy hunter stands apart as an unusual threat.
When we fight him, aiding Eileen, we discover that he shows no signs of normal blood-drunk behavior. He is calm, focused, he stands his ground, refusing to leave the cathedral. He does not rave about and wail in anger, nor does he declare his mad intentions the way an unstable Eileen does in the alternate quest-line.
He has a purpose.
He is the crow that feeds on the blood of hunters, but he does not return to the sky as he was meant to. Instead, he carries his prizes back to Cainhurst and presents them to his queen, blaspheming against Eileen’s covenant and defiling his own honor.
Does he do it purely out of loyalty to Annalise? Does he do it merely to defy Eileen or to torment hunters? Is it vengeance for Cainhurst? For his own life? Is he simply insane in a different way than most blood-drunks?
We could even wonder if he knows that the aspect of sky burial that involves allowing lost hunters to find the Dream is something to be dreaded. Could it hearken to the story of Gideon Ofnir in Elden Ring?
After all, the truth of how gods puppeteer warriors and use them to carry out their schemes can be a devastating thing, sometimes sending the most insightful into a frenzied, desperate state, and Crow does seem to be placed in front of one of the central lanterns. Could this be a possibility?
We may never know for certain, but regardless of his own wishes, he has rebelled against Eileen’s. He is the shame of every crow-hunter before him, so we must put him down after a long and bitter duel.
When we finally overcome this devil, we earn Eileen’s full trust, and her own mantle as a Hunter of Hunters. It becomes our sworn duty to preserve the ancient tradition of sky burial, and to refrain from falling into blasphemy as the Bloody Crow of Cainhurst did.
And that my friends, is my theory on our infamous crow-feud.
—
Thanks to my mutuals (Lore Council gang 🫡) for all the help with this!
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