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The Novelist’s Film (Hong Sang-soo, 2022)
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cinemablogs · 1 year
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The Spy Gone North
Director: Yoon Jong-bin | South Korea, 2018 Starring: Hwang Jung-min, Lee Sung-min, & Gi Ju-bong
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gregor-samsung · 1 year
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소설가의 영화 [The Novelist's Film] (Hong Sang-soo, 2022)
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neovallense · 2 years
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Introduction (Inteurodeoksyeon, 2021)
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badgaymovies · 2 years
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Introduction (2021)
Introduction by #HongSangSoo, "not the filmmaker at his most arresting but it still manages to show off his perceptive and generous understanding of human interaction", Now reviewed on MyOldAddiciton.com
HONG SANG-SOO Bil’s rating (out of 5): BBB.5 South Korea, 2021. Jeonwonsa Film. Screenplay by Hong Sang-Soo. Cinematography by Hong Sang-Soo. Produced by Hong Sang-Soo. Music by Hong Sang-Soo. Film Editing by Hong Sang-Soo. The prolific career of Hong Sang-Soo includes numerous films that have a gentle and unassuming touch; easily categorized among his more obscure efforts, this one might not be…
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gwenchana-gwenchana · 2 years
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A list of things I will never be over in no particular order: back with a vengeance
part: 1 2 3 4 5 6 7
1. I know I've mentioned Ji Sung in almost every list I've made but I can't help it. This man has been doing dramas for a long time. Secret Love was so fucked up. There are still scenes in it that I still randomly think about. If you haven’t watched it yet you definitely should.
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2. The totally platonic with absolutely no romantical tension whatsoever bromance in You're All Surrounded that was our second leads. It took me so long to get on board with Jung Ho but his two besties were loyal af and lowkey in love with each other.
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3. The first couple of episodes of My Secret Romance were fun but then I didn’t keep watching- I don't remember why. But all I can think about when I think about that drama is his wonderful offended/exasperated face which he used a lot in the first couple of episodes. I just love the way his eyebrows scrunch. But can I find that particular gif?? No. So this one instead:
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4. The theme song for Kill Me Heal Me is iconic and I love it. One word or note plays and it's stuck in my head for days.
5. And not to keep talking about School 2013 but I'm going to keep talking about School 2013. I loved the bromance turned to enemies turned to secretly pining for each other turned to maybe friends turned to literal husbands that was Kim Woo-bin and Lee Jong-suk. Like they -SPOILERS- decided to open a noodle shop together and live happily ever after. -SPOILERS- That is literal husband behavior. Someone fight me on this! I would love to make a PowerPoint.
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And cause I can add more gifs I choose to add more of these two:
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6. But ALSO pertaining to School 2013: I love the complete 180 they both do with the baby delinquents. These two tall boys who both got held back and have lived complete lives (like they are both emotionally 60-year-old men who don't know how but they are still in high school) long before they both meet again in the tiny angel woman's classroom. Not only do they have to confront each other but they both decide that the baby delinquents need guidance and who better than them. They have lived those lives already and don't want their ducklings to go down the same path. I just love it.
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7. I liked Korean Odyssey a lot. I love Lee Seung Gi and his bff who is in every drama with him. It was cute and fun BUT and this isn't something I love but something I super do not love-- we are back in that trend of every kdrama ending being open-ended/ that pretend-happily-ever-after thing that leaves a bittersweet taste in your mouth after you turn off the show. I blame this drama and these writers for kick-starting this whole trend again. Because these bittersweet open-ended endings lead to the "artistic bleak real world sucks" type of ending where everyone dies all the time. I've already lived through this once and will not survive another round. I might have to stop watching dramas considering recent dramas like Vincenzo and Crash Landing On You and how they did that open-ended bullshit.
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8. Also not to bring School 2013 up again BUT that moment in School 2013 where Go Nam Soon comes home after getting the shit beat out of him and he lies on his bed in his empty lonely house and tells himself that he’s okay over and over. Literally, stab me in the heart and it would hurt less.
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9. This is School 2013 adjacent but only because Jang Na-ra picks great drama's to be in. Her style in I Remember You— first of all I love her and her pretty face. Second of all, I really liked really everything she wore. I'm a big fan of the grunge-leather-flannels-and-black look. So surprising, I know.
10. And to bring it back to Healer once again-- I have to mention it every post it seems-- but when he's pretending to be Bong So and they go to interview the first jackass... are you with me here? I don't remember the jackass's name. But okay the moment when Cha Young-shin is having a panic attack because of the violence in front of her and Bong-soo can't do his parkour ultimate fighting skills stuff cause he's Bong-soo and not Seo Jung-ho. So he creates a distraction for the guards and helps Cha Young-shin get out of her panic attack by being helpless Bong-soo who doesn't know how to do anything. She gets out of her panic attack with a purpose and a need to protect her underling. And she does. She saves him. And it's perfect. I love them.
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carolynsstudies · 2 years
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Hey!! While studying abroad in Seoul, South Korea, I was enrolled at Sogang University where I did the KAP200 course. This course was for learning Korean for Academic Purposes and was four hours a day, five days a week. Sogang’s language program is heavily speaking focused to allow for quick progression while immersed in the country. While I learned a lot in the classroom, I feel I was able to fully learn how to live abroad through my experiences outside of the classroom. There were a lot a phrases I had to learn to make everyday life in Korea easier. But to begin if you aren’t totally sure how to make sentences yet in Korean, here are a few of the most important words I found while shopping/eating abroad!
1. 안녕하세요! 
   (an-nyeong-ha-se-yo): Hello!
2. 봉투
    (bong-tu): bag
    *Used during transactions. Listen to this word and if needed, respond 네 (ne): yes /아니요 (a-ni-yo): no
3. 영수증 🧾 
    (yeong-su-jeung): receipt 
    *Used during transactions. Listen to this word and if needed, respond 네 (ne): yes /아니요 (a-ni-yo): no
4. 카드 💳 / 현금 💵 
    (ka-deu/ hyeon-geum): card/cash
5. 이거 주세요.
    (ee-geo ju-se-yo): This one please. 
    *Used while pointing to item 
6. 이거 얼마예요?
    (ee-geo eol-ma-ye-yo): How much is this?
    *Used while pointing to item 
7. 저기요 👋!
   (jeo-gi-yo): Excuse me!
   *Used for getting someone’s attention at restaurant to order food (unlike in America, restaurant staff will not be lingering at your table while you wait to order, you have to get their attention). 
8. 화장실 🚻 어디에 있어요?
   (hwa-jang-sil eo-di-e ee-sseo-yo): Where is the bathroom?
9. ______ 주세요.
   (______ ju-se-yo): Please give me ______.
   *Used when ordering food or asking for a specific item while shopping.
10. 티머니 충전해주세요.
     (ti-meo-ni choong-jeon-hae-ju-se-yo): I would like to recharge my T-Money card.
    *T-Money cards are the most used way for paying for public transportation in Korea. You are able to top them off with cash only at most convenience stores and at the kiosk in the entrances of most subway stations.
11. 감사합니다. 
      (kam-sa-hab-ni-da): Thank you!
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korelist · 2 years
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OH MY GHOST // KDRAMA DİZİ YORUMU
UYARI : Yazılar genel olarak spoiler içerebilir. İçermeyedebilir.
İmdb puanı: 8 Benim puanım: 8
Drama: Oh My Ghost
Hangul: 오 나의 귀신님
Director: Yoo Je-Won
Writer: Yang Hee-Seung
Episodes: 16
Date: 2015
Language: Korean
Country: South Korea
Cast: Park Bo-Young, Cho Jung-Seok, Lim Ju-Hwan, Kim Seul-Gi, Shin Hye-Sun, Seo In-Guk
2015 (4th) APAN Star Awards - November 28, 2015
Excellent Actress (mini series) (Park Bo-Young)
tvN10 Awards - October 9, 2016
Two Star Award (Cho Jung-Seok)
Content Main Prize
Abyss ve Strong girl Do Bong Soon dizilerinde severek izlediğim Park Bo-Young oynadığı için diziye başladım. Oyuncuyu ve oyunculuğunu gerçekten başarılı buluyordum ama bu dizide birbirinden tamamen farklı iki karakteri canlandırmasını gördükten sonra, kendisine şapka çıkarıyorum.
Dizinin konusunda gelirsek, Na Bong-Sun(Park Bo-Young), bir şamanın torunudur. Büyükannesinin bu gücü ona da geçtiği için hayaletleri görmektedir. Ama bu durum onu hayatı boyunca mutsuz etmiş, hep korkarak tek başına büyümüştür. Hiç arkadaşı, büyükannesinden başka akrabası ve kendine güveni yoktur. Tek sevdiği şey yemek yapmak olduğu için bir restoranda yardımcı şef olarak çalışmaktadır. Sürekli kafası önde dolaşmasını, hakaretlere ve ayak işi yaptırılmasına boyun eğmesini daha en başta bol bol gözümüze sokuyorlar. Bu kadar kafasını bile kaldıramazken, restoran sahibi olan şefimize de aşıktır.
Na Bong Sun’un iki kelimeyi bir araya getirerek cevap veremeyişi sürekli kafası önde duruşu gereğinden fazlaydı bence. Bir süre sonra sinir bozucu olmaya başladı. Dizi içerisinde de bir soru sorulduğunda sessizce önüne bakma sahneleri çok fazlaydı. Cevap almadan sahneyi değiştiriyorlardı.
Diğer yandan, ölümünün üzerinden üç yıl geçmek üzere olan bir hayalet kızımız vardı. Shin Soo Ae (Kim Seul-Gi) adındaki bu kız, tamamlanmamış bir işi olduğu için diğer tarafa geçememiştir. Tamamlanmayan işinin ise sevişemeden ölmesi olduğuna inanmaktadır. Bu nedenle güzel kadınların vücutlarına girerek sevişmeye çalışır. Çünkü 3 yıl dolduğunda öbür dünyaya girememiş olursa, kötü ruha dönüşecektir. Ancak bir sorun vardır ki, başka birinin vücudundayken bir erkeğe dokununca erkekler hastanelik olmaktadır. Hikayeye göre dokunduğu adamın “yaşam gücü yüksek” olması gerekmektedir. Burada da ufak bir araya girmem gerekirse, Bong Sun karakteri ne kadar abartılı ezik yazıldıysa, bu mevzuda o kadar saçma yazılmış. Karakterler bir araya getirmek için bir hikaye bulamayıp bahane üretmişler.
Sonuç olarak Shin Soo Ae, yaşamak istemeyen ezik kızımız Na Bong Sun’un bedenine girer, şefimiz Kang Sun-Woo (Cho Jung-Seok) ise aranılan yaşam gücü yüksek erkektir. Bu noktada diziye ve hikayeye giriş yapılmış olur. İkinci kadın entrikaları olmadan ilerleyen hikayeler her ne kadar hoşuma gitse de, karakterlerin çok zorlama bir araya getirilmesi beni rahatsız etti. Dizi Master's Sun’a benzesede konunun işlenişi ve hikaye örgüsü çok daha farklıydı. Ben kendi adıma bu diziyi daha önce izlediğim için bence bu daha güzeldi. Karakter gelişimleri çok zayıf olsa bile, Master’s Sun da çok daha fazla akla yatmayan sahne vardı.
Diziyle ilgili en aklıma yatmayan kısım ise, şefimizle aşk yaşan hayaletken bütün kaymağı yiyen ezik kızın olmasıydı. Şefin ilgini çekip, sevgisini kazanan hep hayaletken dizinin sonunda sanki en başından beri Bong Sun karakterine aşıkmış gibi bir hava yaratıldı. Ve Bong Sun karakteri de Soon Ae karakterine benzemeye başladı. Halbuki içinde hayalet olduğu zamanlarda kesinlikle ne yaşadığını bilmiyordu. Nasıl git gide ona benzeyebildi. Şef ne ara bizim ezik kızımızı tanıdı da aslında ona aşık olduğuna karar verdi. Hiç inandırıcı değildi.
Şef rolündeki oyuncuyu ilk bu dizide izledim. İtiraf edeyim hiç beğenmedim. Kendini çok kasmış, rol üzerine hiç oturmamış gibiydi. Daha sonra bir iki dizide daha karşılaştıktan sonra fikrim değişti. Artık oyuncudan değil, rolden kaynaklandığını düşünüyorum. Bir de sevenine ufak bir not; 20.bölümde Seo in Guk konuk oyuncu olarak yer alıyor.
OST:
Park Bo Young - Leave
Raven Melus
BAŞKA NELER VAR ?
FOTOĞRAFLAR
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"La Romancière, le Film et le Heureux Hasard" de Hong Sang-soo avec Lee Hye-young, Kim Min-hee, Seo Young-hwa, Kwon Hae-hyo, Cho Yun-hee, Park Mi-so, Ha Seong-guk et Gi Ju-bong, février 2023.
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byneddiedingo · 1 year
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Kim Jin Kyu and Lee Eun-shim in The Housemaid (Kim Ki-young, 1960) Cast: Kim Jin Kyu, Ju Jeung-nyeo, Lee Eun-shim, Eom Aeng-ran, Ko Seon-ae, Ahn Sung-ki, Lee Yoo-ri. Screenplay: Kim Ki-young. Cinematography: Kim Deok-jin. Art direction: Park Seok-in. Film editing: Oh Young-Keun. Music: Han Sang-gi. Extraordinarily creepy. This landmark Korean film about sexual obsession and social class, made during the dark days of military dictatorship, pulls out all the stops: moody expressionistic lighting, oddly grotesque sets, performances sometimes on the edge of hysteria, and a nerve-jangling modern score. And then, at the end, it backs off and distances itself from the story with a moralizing segment addressed to the camera. The Housemaid teeters from naïveté to sophistication, but this makes it all the more fascinating to watch, even though sometimes the action seems to be taking place underwater: Two reels of the film negative were missing and in the restoration they were supplemented by prints that had hand-drawn English subtitles. Removing these overlarge subtitles was a laborious process and it left a kind of rippling effect on the images. Still, it's a remarkable foreshadowing of what Korean cinema would become in the age of directors like Park Chan-wook and Bong Joon-ho, who have skewed visions of the world that feel a lot like they were influenced by Kim Ki-young.
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solplparty · 2 years
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Me, Myself, ​and Jung Kook​ ‘Time Difference​​’ ​Concept Film https://youtu.be/Ng55X9HH22c Me, Myself, ​and Jung Kook​ ‘Time Difference​​’ ​Concept Film #Photo_Folio #JungKook #정국​ #BTS #방탄소년단 Credits: Artist & Creator: Jung Kook Production: Artist Contents Studio (HYBE 360) Photo-Folio Creative: ​Kim Su Rin Contents Director: ​Jang Jeong In Contents Editor: Min Young Eun Film ​Director: Kim Yoon Ji (MUNCHIZ) AD: Kim Ki Beom D.O.P: Lee Jong Min 1st: Lee Jun Hyeong 2nd: Jeon Ju Hwan 3rd: Eom Do Wall 4th: Cho Joon Hee Gaffer: Lee Dong Hee 1st: Lee Seung Hoon 2nd: Park Beom Ki 3rd: Lee Jae Hyeok, Hong Jun Gi CG: Wu Seung Min Music: HAY Art Team: Jeon Min Kyu ​Art ​Assistant: Kim Ye Sol, Park In Beom, Choi Ji Won Contents Creative: Bang Woo Jung Visual Communication: Lim Hye Lin Hair: Park Nae Joo (Bit&Boot) Make-up: Kim Da Reum, Seo Yu Ri, Kim Seon Min Stylist: Kim Young Jin, Kim Ye Song, Kim Bong Kyu Artist Management: ​Lee Ju Sang, Lee Jung Min, Jeong Dae Seong (BIGHIT MUSIC) Connect with BTS: https://ibighit.com/bts http://twitter.com/BTS_bighit http://twitter.com/BTS_twt http://www.facebook.com/bangtan.official https://www.youtube.com/user/BANGTANTV http://instagram.com/BTS.bighitofficial https://channels.vlive.tv/FE619 https://www.tiktok.com/@bts_official_bighit https://weverse.onelink.me/qt3S/94808190 https://www.weibo.com/BTSbighit https://www.weibo.com/BTSmembers http://i.youku.com/btsofficial http://btsblog.ibighit.com BANGTANTV
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filmbook21 · 5 years
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sakurablossomsagain · 2 years
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Reseña del kdrama "Mouse" (2020)
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"Mouse" es un drama sobre psicópatas, una historia de suspenso que se centrará en la pregunta clave: ¿Qué pasaría si pudiéramos resolver los problemas pensando como psicópatas?
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MOUSE IT’S AN ABSOLUTELY MASTERPIECE!!!
Hablo en serio, la historia, la manera de contarla, los personajes, todo absolutamente todo hace que te sumerjas en este mundo de psicópatas del que no puedes salir hasta descubrir la verdad. Me quito el sombrero ante el director, el guionista, el cast, hacia TODOS los que hicieron que Mouse sucediera... y por supuesto, especialmente Lee Seung Gi porque ¡madre mía! ¡QUÉ ACTUACIÓN! Es un proyecto muy ambicioso que a mí como televidente me dejó una marca.
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La sinopsis no dice mucho (razón por la que no estaba muy segura de ver Mouse, aunque como siempre Lee Seung Gi me convenció), por lo que podría decirse que este es otro kdrama que entra al club de “La sinopsis flat y sin gracia no le hace justicia a la maravillosa historia”.
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Verán, la historia gira en torno a un mundo ficticio en el que se descubre la manera de identificar a los psicópatas mucho antes de que nazcan (el gen psicópata); sin embargo, este método tiene una tasa de acierto del 99%, ¿y qué pasa con el 1% restante? Pues se puede confundir a un psicópata con un genio porque de acuerdo a esto comparten el mismo gen. Y la verdad más allá de allí ya no sé cómo puedo continuar sin dar spoiler pero les prometo que si se animan a verlo, no se van a arrepentir; sin embargo, hay un TRIGGER WARNING, y es que algunas escenas son muy MUY fuertes, pues despúes de todo este es un drama policial y de suspenso con psicópatas como personajes, por lo que puede contener contenido sensible que podría afectar la tranquilidad mental de algunos.
DE VERDAD QUIERO DECIR TANTAS COSAS DE ESTE KDRAMA TAN MARAVILLOSO, QUIERO DESAHOGARME PERO NO ENCUENTRO LA FORMA SIN DAR MEGA SPOILERS.
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Como único comentario respecto a la selección del cast es que al principio no me convencía la actriz Park Ju Huyn como female lead y pareja de Lee Seung Gi, principalmente por la notoria diferencia de edad, por el carácter de su personaje para nada compatible con el Jung Ba Reum (LSG) y porque no notaba química entre ellos; sin embargo, con el pasar de los capítulos lograron convencerme de lo contrario. Fue un maravilloso dúo.
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Un aspecto importante de Mouse es que literal cada 3-2 capítulos destruye cada hipótesis que puedas formular en tu cabeza acerca de quién es el culpable, quién es el malo y debo advertir que durante toda la historia y específicamente al final HACEN TRIZAS MI CEREBRO Y MI CORAZÓN.
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Como televidente, los personajes me traicionaron de la manera más cruda y astuta que encontraron… (ya verán por qué). De verdad no puedo creer hayan hecho que me enamore de tal personaje.
Le doy a Mouse 5 estrellas.
★★★★★
OST: 3 estrellas
Actuación: 5 estrellas
Personajes: 5 estrellas
Historia: 5 estrellas (si pudiera, le daría 100 estrellas)
Escenografía: 5 estrellas
Química de la pareja: 4.5 estrellas
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gregor-samsung · 2 years
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북촌 방향 [The Day He Arrives] (Hong Sang-soo - 2011)
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apokalypsiaa · 3 years
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I don’t even know what to quote here
Mouse (tvN, 2021)
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feral-gaze · 3 years
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i had a feeling the writer would torment its main character. it was actually ridiculous that bareum was this INSANELY nice guy, he was TOO nice for his own good that it felt rather... dumb
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