Reala Ace Film Recipe For Fujifilm X-Trans IV - Street Edition
A Japanese film simulation recipe with vibrant tonality, perfectly suited for a variety of scenes for the 4th generation Fujifilm Cameras
IvanYolo
Introducing the latest addition to Fujifilm recipes lineup – Reala Ace film recipe. Originally tailored for the Fujifilm GFX100 II and X100VI, this 20th film simulation meticulously blends faithful color reproduction with a distinctive hard tonality, ensuring its versatility across various subjects and shooting scenarios. Drawing inspiration from the beloved Fujicolor Superia Reala 100, the REALA ACE film simulation has quickly become a favorite among Fujifilm enthusiasts.If you find yourself still using a 4th generation Fujifilm camera, fear not. The Reala Ace film simulation offers a compelling recipe to replicate the sought-after aesthetic. It provides a bridge between the nostalgia of classic film and the convenience of digital photography.
About The Reala Ace Film Recipe
By using the Classic Negative film simulation as a base, Reala Ace is tweaked to imitate the Reala Ace film stock. This lets older Fujifilm cameras enjoy the unique tones of this film recipe. It's worth noting that the original REALA ACE film simulation on the GFX100 II and Fujifilm X100VI was designed to complement the capabilities of larger sensors found in newer Fujifilm models. So, if you're rocking an older Fujifilm camera, exploring this Reala Ace film recipe might be an excellent starting point to capture the essence of this innovative film simulation. Dive into the world of nuanced color and bold tonality with Reala Ace film recipe on your trusted Fujifilm gear.After conducting thorough research and analyzing the Fujicolor Reala Ace 100 film stock sample photos on Lomography, I observed subtle differences resulting from changing light conditions, but the tonality has been fine-tuned to suit a broad range of scenes. Interestingly, I've developed a comparable recipe, the papurudorimu recipe, which produces a tone remarkably similar to the observed results. What stands out to me in this Reala Ace film recipe is the resemblance in certain tones to the actual film stock.Now, turning our attention to the Reala Ace film recipe tailored for the Fujifilm X-Trans IV, there's a deliberate adjustment in the white balance shift, creating a more subdued and nuanced effect. This modification aims to enhance the overall visual experience, offering a unique tonal balance that complements the characteristics of the X-Trans IV sensor.Please note that when using the Reala Ace film recipe, the tonality may appear slightly muted due to the Highlight & Shadow adjusted to -0.5. However, this also means that the recipe is versatile and can perform well under various lighting conditions, making it a great option for any photographer.
Reala Ace Film Recipe: Great For All Scenes
The Reala Ace film recipe is the ultimate solution for all your photography needs if you are looking to shoot SOOC JPEG. Whether you're capturing lively street scenes, stunning portraits, or breathtaking landscapes, this recipe has got you covered. Its ease of use makes shooting a breeze, while its high-quality output ensures that your images stand out from the rest.It is imperative to shoot under ideal lighting conditions. The ideal conditions are most prevalent during the daytime when the sun illuminates the foreground while casting shadows on the background. This enhances and fully exploits the film recipe's unique attributes. If you are unsatisfied with the REALA ACE film simulation on your Fujifilm cameras, you might want to experiment with custom settings. Give it a try and see if it meets your preferences.Debates among the street photography community page on Facebook argue that when it comes to street photography, the usage of filters or presets can compromise the authenticity and rawness of the captured moment. However, I do not adhere to any strict rules or limitations when it comes to my approach to street photography. As long as it's not overly tweaked or adjusted till it looks weird, it's fine. So have fun and enjoy shooting, peeps!
Reala Ace Film Recipe Custom Settings
Film Simulation
Classic Negative
Highlight
0
Shadow
-0.5
Color
-0.5
WB / Color Temperature
Auto Ambience Priority, -1 Red & +2 Blue
Exposure Compensation
-1/3 to +2/3
ISO
Auto up to ISO 6400
Clarity
-1
Sharpness
0
Noise Reduction
0
Grain Effect / Grain Size
Weak / Small
Color Chrome Effect / FX Blue
Strong / Strong
Dynamic Range
400
Reala Ace Sample Photos
During my recent street photography session in Kuala Lumpur, I had the pleasure of testing out the Fujifilm X-T4 with the incredible SIRUI Sniper 23mm f1.2 lens. From the hustle and bustle of the city to the everyday moments of local life, I was able to capture stunning shots that truly showcase the beauty of this vibrant destination.
Fujifilm X-T4 // SIRUI Sniper 23mm f1.2 - Kuala Lumpur, February 2024
Fujifilm X-T4 // SIRUI Sniper 23mm f1.2 - Kuala Lumpur, February 2024
Fujifilm X-T4 // SIRUI Sniper 23mm f1.2 - Kuala Lumpur, February 2024
Fujifilm X-T4 // SIRUI Sniper 23mm f1.2 - Kuala Lumpur, February 2024
Fujifilm X-T4 // SIRUI Sniper 23mm f1.2 - Kuala Lumpur, February 2024
Fujifilm X-T4 // SIRUI Sniper 23mm f1.2 - Kuala Lumpur, February 2024
Fujifilm X-T4 // SIRUI Sniper 23mm f1.2 - Kuala Lumpur, February 2024
Fujifilm X-T4 // SIRUI Sniper 23mm f1.2 - Kuala Lumpur, February 2024
Fujifilm X-T4 // SIRUI Sniper 23mm f1.2 - Kuala Lumpur, February 2024
Fujifilm X-T4 // SIRUI Sniper 23mm f1.2 - Kuala Lumpur, February 2024
Fujifilm X-T4 // SIRUI Sniper 23mm f1.2 - Kuala Lumpur, February 2024
* This post contains affiliate links and I may receive a commission if you purchase through these links.
Looking for more Fujifilm SOOC Recipes?
Select a Fujifilm recipe
Arkham Dark
Boudoir Chrome
Carbon Obscura
Cine Obscura
Classy Glow
Cine 2046
Cine Matte
Cira 800 Film
Dark Diary
Dark Matter
Downtown Bloom
Ethereal Street
Fujicolor Pro 400H Film ( Street Version)
Fujicolor Pro 400H Film (
Read the full article
0 notes
why i stopped shooting raw
A substance maker for Second — a web-based commercial center for photograph and video gear — has shared why he dumped shooting in Crude and as a rule will shoot with his Fujifilm JPEG documents, making the majority of the various ways of posting process in the camera, all things considered.
why i stopped shooting raw
Every picture taker reexamines an approach to working that suits the eventual outcome and reason for the shoot, whether that implies shooting in Crude to catch more sensor information which is useful in post-handling or selecting prepared to-utilize JPEG documents, which put less squeeze on capacity needs and can function admirably for the people who need to utilize their records right away. There are benefits for the two techniques, as made sense of exhaustively by Chris Lee for Petapixel's, and understanding both can upgrade the shooting experience and work process.
Content maker Joshua Martin did the change to shooting JPEG records with film recreations and recipes after he bought his most memorable Fujifilm camera — the Fujifilm X-H1. The different accessible film reproductions can be chosen in the Fujifilm camera menu and afterward are applied to JPEG records as the photo is taken.
Shot with Fujicolor Superia 100 recipe
Additionally, Fujifilm "recipes" are made in the camera menu by changing specific settings of an all around existing film reenactment, for example, the white equilibrium, dynamic reach, tone bend, variety, sharpness, lucidity, and that's just the beginning. These can assist shooters with repeating computerized profiles of other film stocks or just make an interesting one.
Altered with Kodachrome 64 recipe
Martin lets PetaPixel know that he began to explore different avenues regarding the film reenactments and, amazingly, was content with the outcomes. Shooting with various film reenactments as opposed to working with Crude records assists Martin with saving time on his photography work process, and when he studied the Fujifilm recipes, he changed them to suit his inclinations and saved them as presets to get the looks he needs quicker than previously.
In spite of the fact that film recreations as of now convey a prepared to-utilize JPEG document, Martin winds up tweaking a couple of settings in post-handling, like sharpness and differentiation, fundamentally utilizing Lightroom Versatile.
"I've become more unequivocal while utilizing reenactments and recipes, it's getting right in camera first and making practically zero changes later," Martin says.
Shot with Ilford Ortho In addition to 80 recipe
With Martin's vocation centered around filmmaking and content creation, he involves the recreations and recipes for his scene, road, representation, and item photography. Despite the fact that the applied recreations and recipes depend on existing film stock, Martin accepts that it doesn't mean the last picture needs to seem to be or duplicate film. All things being equal, it essentially gives special tones to his photographs in-camera and conveys a cleaned look. The main situations Martin would consider shooting in Crude would include pictures that expect top to bottom altering in Photoshop, for example, for composites or top of the line representation work.
"It's been a particularly remunerating feeling to set up my camera's varieties such that fits the look I need," he says.
For the people who solely shoot in Crude, Martin urges them to attempt this strategy to accomplish the ideal thoroughly search in the camera. Fujifilm reproductions additionally permit shooters to utilize their time all the more proficiently in post-handling: "I should simply play with openness, the variety justifies itself with real evidence."
A greater amount of Second's instructive and moving recordings can be found on the organization's YouTube page, while Martin's own work can be seen on his Instagram.
0 notes
5 Frames of (Extremely Expired) Kodak Gold 200 - By Don Goodman-Wilson
5 Frames of (Extremely Expired) Kodak Gold 200 – By Don Goodman-Wilson
I got out of film something like 15 years ago. I can’t actually remember when precisely I put my film cameras down. My go-to color film was Fujicolor Superia 100—plentiful and cheap at the time. This film was discontinued in 2009, so that puts an upper limit of the last time I got out with a film camera.
A couple of months ago I had to send my Fujifilm X-Pro 3 to the shop for repairs. I wasn’t…
View On WordPress
0 notes