wol: it's not my fault that I don't remember! I didn't choose to get sundered! Emet, with no clue how he escaped the sundering: skill issue

little Elpis background ruminating 🔹 (giving myself a reason to try to draw these two)

"In following their path walked and history written, I am made keenly aware of one truth. Though the curtains may fall again and again, so long as others take the stage, ever shall there be more tales to tell."

fight back against despair

Pose 3D, please!

When you and your enemy agree it's only a physical thing but also there are mandatory snuggle sessions after. Oops there's feelings.

[Height Difference Gpose Prompts]

(This pose got requested twice but never fear, I'll be doing it twice! So watch out for that.)

Ancient Transformation

I know how we all love to meme on how it's stated transformation is seen in the Ancient society, but I also tend to think it's one of those cases where the actual meaning of the passage has been, well, meme'd a little too far.

(Like how the devs have had to go out of their way to point out Estinien does bathe, guys, it was aetheric alteration to his armor, and he does regularly wear armor which might lead to funk and helmet hair but he likes to be clean when it's off.)

Let's look at the actual passage in the Elpis quest "Their Greatest Contribution" where they're trying to help the charybdis fly (bolding by me):

Hermes: I shall transform and fly with it, helping it to manipulate wind until it finds its wings. Troubled Observer: What!? Y-You needn't go to such lengths… (Emet-Selch notices the WoL's confusion) Emet-Selch: You don't know? But of course not… Emet-Selch: Transformation is an art in which one manipulates a vast quantity of aether to construct another body around oneself. Emet-Selch: In practice, this allows one to assume any conceivable form, and thereby transcend the limits of one's flesh. Emet-Selch: Yet convenient though it may be, transforming in the presence of others is considered vainglorious in the extreme. As uncouth and unseemly as running about robeless. Shameful. Emet-Selch: Am I to understand you make a habit of this? Hermes: N-Nothing of the sort. It's just that, when transformed, I can wield the wind and fly. Hermes: It may seem excessive, but what is our shame next to the lives of these creatures? Hermes: They deserve a chance, and we owe it to them to do all in our power! Emet-Selch: Be that as it may…

What everyone tends to focus on, of course, is his analogy of "running about robeless" and equating that it's the same as nudity. Which makes for funny memeing.

But look again at the actual description of how transforming is seen:

Yet convenient though it may be, transforming in the presence of others is considered vainglorious in the extreme.

"Vainglorious" is the adjective of "Vainglory" which Merriam-Webster defines as "excessive or ostentatious pride especially in one's achievements; vain display or show; vanity."

the "uncouth and unseemly" part isn't so much the nudity part, but the showing off. Visibly boasting about one's power and strength by displaying one's transformed state.

So why the nudity analogy? Well, for one, is it actually discussing nudity, or walking around in outfits/ways that don't conform to societal standards? Ancient society seemed to be striving for an egalitarian system, which their magics made easy enough, though there's still stratification of some kind (based on peoples' roles). But the robes and masks are an attempt to produce a visual equality among members with variable magical skill (and that would otherwise be seen via those transformations if they indulged in them). It's about the conformity (for better or worse) to community.

The other reason I can think for that analogy is how common Ancient Greek inspired words and names in Amaurot's world are. And what many people also equate to Ancient Greece, aside from the tales of the Olympians, is the myriad artwork, often in various forms of athletic bodies in competition, whether war or sports. While there's plenty of fully clothed/armored imagery, classic nudes are common imagery in popular culture and not even in a sexual way; they're showing off their prowess as athletes and warriors.

(The third possible reason is Emet-Selch has ever been a Dramatic Bitch Like That and tends to the theatrical in his wording, even at his most traditional and conservative.)

Emet-Selch's concern abut Hermes transforming is because it's considered bad manners to just transform on a whim--because it would indicate he's a boastful show off, or reliant on his transformed state, or otherwise cavalier about societal norms--which however one reads the line about transformations, would, from Emet-Selch's view, be a bad look for a potential member of the Convocation!

And the poor charybdis observer is all too aware that a member of the Convocation is standing right there, boss! Even if this is something Hermes does at times in extreme cases to aid their creations in his role as chief, this is not the best time to break out the transformation, even for the sake of a troubled creature.

And of course we do eventually see Hermes in his transformed state, and just how capable he is at manipulating wind magics in it.

In the end, the question of transforming for something as simple as the charybdis's struggles strikes me as yet another indicator, despite his mentor's nomination, that Hermes was not Convocation material despite his role as Elpis's chief; his shaken state post-Ktisis would be seen as a reaction to the "accident", and he likely knew how to mask (in the social emotional sense) and give the right answers despite his own depression and doubts. And with none but Venat remembering what else happened in those days at the facility, he managed to obtain the role anyway, now that he believed his Meteion project to have failed.

some keychain concepts

Point #1: The first thing we learn about Emet-Selch, even before we learn that Solus zos Galvus is Emet-Selch, is that Solus loved theatre.

Point #2: Emet-Selch plays the villain with mannerisms so over-the-top you'd think he's about to burst into a disney villain-style song and dance number at almost any moment.

Point #3: He's self-aware enough to recognize that he is a villain in your story but a hero to his own people, and that whoever wins the battle will write history to declare the loser the villain.

Point #4: The Tempest, the zone where Amaurot is located, is named for the Shakespeare play of the same name, with other landmarks named after characters from the play. The BGM "Full Fathom Five" is also named for an iconic line.

Point #5: Amaurot feels so empty because it is, in essence, a set for a stage play. After the play is preformed it has no purpose.

Back to Point #1: Emet-Selch really loved theatre.

yours is the seat of sacrifice

end of beta server party

You know what'd be a nice lil piece of angst. If Emet does come back eventually, new life and all, and, as per the rules of the aetherial sea, his memory's completely, irreversibly wiped. Wouldn't it be fun for the wol to be the one that remembers.

did somebody order CONVOCATION GLYPHS 🗣️💯

Ktisis Hyperboreia... Yet again.

(On our today's run The Most Honorable Emet-Selch of the Convocation of Fourteen decided that he has much more important things to do than dungeon mechanics... and ignored almost every stack-up marker)

cute ffxiv villain picmixes for your myspace :)

— and immortality's gold blinded him to the mortal curse of loneliness.

One of my favorite parts of Endwalker is Emet-Selch seeing the Ghost WoL, immediately clocking it as Azem Something and going No, Not Today Satan while Hythlodaeus is sitting down beside the Ghost WoL and making pspspspsp noises at them and offering them free hugs and Emet's Aether and giving Emet the biggest wettest puppy dog eyes of Can We Keep Them?

Meanwhile WoL is having some emotional whiplash and an existential crisis.