Crazy how some of the best animated movies of the year didn't even come from Disney or Dreamworks, y'know, the two companies famous for their animated films.
When a non-horror game has a horror section, I often find it a little more effective or memorable than a full-on horror title's horror, in a way. I think that's because, for characters in fiction, they usually don't know they're about to experience a horror story, so they aren't mentally prepared at all. As the audience, we know that when we boot up Silent Hill, we're gonna see some scary stuff and can mentally prepare accordingly. But when some innocuous children's platformer or RPG or whatever suddenly throws genuine horror elements at me, I'm taken out of my comfort zone much more roughly since I don't expect it at all.
I think that's neat :>
Examples of radiological contaminants include cesium, plutonium and uranium. Radiological contaminants are chemical elements with an unbalanced number of protons and neutrons resulting in unstable atoms that can emit ionizing radiation.Examples of biological or microbial contaminants include bacteria, viruses, protozoa, and parasites. They are also referred to as microbes or microbiological contaminants. Examples of inline elements are the span, link tag etc. While the inline elements only take the required space and do not start at the new line. Biological contaminants are organisms in water. For example, paragraphs, div are the block elements.Examples of chemical contaminants include nitrogen, bleach, salts, pesticides, metals, toxins produced by bacteria, and human or animal drugs. These contaminants may be naturally occurring or man-made. Chemical contaminants are elements or compounds.Examples of physical contaminants are sediment or organic material suspended in the water of lakes, rivers and streams from soil erosion. The difference between an element and a compound is that an element is a substance made of same type of atoms, whereas a compound is made of different elements in definite proportions.Examples of elements include iron, copper, hydrogen and oxygen. White space is an often-used element of minimalist web design, but is now a critical feature of effective modern site frameworks. Physical contaminants primarily impact the physical appearance or other physical properties of water. Elements and compounds are pure chemical substances found in nature.This is the same as Rhythm in the Elements of Music. Color is the visual property of the pigment of an object that is detected by the eye and produced as a result of. If you are studying music using these terms, below is a brief definition of each. Elements of Art Examples and Definitions Color. The following are general categories of drinking water contaminants and examples of each: In this case, the Concepts of Music are, in alphabetical order Duration, Dynamics and Expressive Techniques, Pitch, Structure, Texture and lastly Tone Colour. Hydrogen is the first element and has one proton, so it has an atomic number of 1. This is the number of protons in each atom. Atomic Number An important number in an element is the atomic number. Some could include what the requirement or qualification is, as well as modifiers like time or level of expertise. Examples of elements include iron, oxygen, hydrogen, gold, and helium. When a label is clicked, it expands the section showing the content within. Depending on the job and industry, hiring managers might write different variations of job descriptions. How EPA regulates drinking water contaminants An accordion is a vertically stacked list of items that utilizes show/ hide functionality. Learn about contaminants that are currently regulated
It's crazy how cishet men can be given a tool like AI and the most ""creative"" use a good portion of them can come up with is to generate a poreless white femoidian lich with a dead expressionless face. Kind of impressive
When we think of Mario and Peach's chemistry in the games, any rescue scene is usually what comes to mind. But there's one bit of Mareach interaction I just had to talk about because it's honestly one of my all-time favorite moments with these two.
The introduction sequence of Luigi's Mansion 3.
We see our characters on a bus ride, and the two of them are sitting side by side. Peach appears to be laughing at something Mario said, and they're both having a great time. All goes smoothly until Toad swerves to the right, causing the passengers to lose their balance and bump into each other.
It takes them a second to steady themselves, and the first thing Mario does as he opens his eyes again is glance at Peach with a smile. But it's not his trademark grin. His expression is quite softer than usual, and meeker too.
Even rarer still: he then lets out a timid chuckle. Something I've personally never seen him do in any other game. He's being shy, bless him. Not openly flustered or delighted, but actually shy.
And what does Peach do? She returns his smile with a bright and gleeful "Yahoo!". An all too characteristic exclamation that she has undoubtedly borrowed from him over time.
It's a very small and brief moment. But OMG does it say a lot about their dynamic.
It captures everything that I find so very charming and endearing about their unspoken affection, and it's a very good example of how I imagine those calm and blissful moments between them to be like. The moments we never see as players, but which are surely there as well.
I wish there was one instance where we got to fully see what a pleasant and peaceful day was like for them. But if this is the closest thing we're ever going to get, then I'm okay with that.
Because this scene alone is downright adorable and it makes me very happy. 😊💞
Randomly thinking about grrm’s deconstruction of knighthood in asoiaf and how ironic it is that the Night’s Watch - an organization known to be half full of murderers, rapists, thieves, and all sorts of criminals - is essentially in charge of defending all of humanity when shit hits the fan. Like westeros just scrambled ‘the lowest of the low’ together into a penal colony in the far north and is totally fine depending on them for their survival; though tbf, i guess part of it has to do with expecting these societal ‘others’ to give their not so valuable lives for the good of the realm, who really cares if they live or die because they’re out of sight and out of mind. And it’s kinda funny too when we factor in the kingsguard because it’s a far more respected institution than the NW presently, but it too has its fair share of monsters. Quite a few men of the kingsguard have been morally bankrupt individuals, and we even see how the men of the KG sometimes forget other people they should be responsible for because their one priority is the king (we see what happens when you put the people of the realm first and then are ostracized by it a la Jaime tho there’s more to it). Missing the forest for the tree is something both institutions share, making them quite similar. So it’s interesting how grrm flips the fantasy classic of the black knight vs the white knight. The black knight is often anti-heroic, if not straight up villainous, and is often made to be diametrically opposed to the valiant and ever good white knight. But asoiaf has white and black knights both be shown of great virtue and great vice. The white knights in this story really are no better than the black knights. I’d love to see how these two entities could intersect, i.e., what happens when a white knight eventually changes his cloak for a black one (*cough* Jaime *cough*) and how that falls into grrm’s deconstruction of the romance of chivalry, the extent of personal heroism, and perceived knightly virtue. Welp I don’t even know what point I’m trying to make anymore, I just wanted to talk about the KG and the NW because they’re really cool.
my favorite thing about comics specifically is how much it checks your ego if you think you know how to draw characters. like i’m pretty sure people who don’t do comics assume the hard part would be how *many* drawings are involved in making a comic, and sure that’s part of it, but i think the real challenge is having to accept you’re not as good at drawing characters as you think you are. being able to depict a convincing character, a dynamic pose, or even an expressive face out of context as opposed to within a narrative is such a different skill set in ways i don’t think a lot of people realize
'I flirted with the idea that instead of being trans that I was just a cross-dresser (a quirk, I thought, that could be quietly folded into an otherwise average life) and that my dysphoria was sexual in nature, and sexual only. And if my feelings were only sexual, then, I wondered, perhaps I wasn’t actually trans.
I had read about a book called The Man Who Would Be Queen, by a Northwestern University professor who believed that transwomen who were attracted to women were really confused fetishists, they wanted to be women to satisfy an autogynephilia. And though I first read about this book in the context of its debunkment and disparagement, I thought about the electricity of slipping on those tights, zipping up those boots, and a stream of guilt followed. Maybe this professor was right, and maybe I was only a fetishist. Not trans, just a misguided boy.
About a year later, on the Internet, I come across a transwoman who added a unique message to the crowd refuting this professor. Oh, I wish I remember who this woman was, and I wish even more that I could do better than paraphrase her, but I remember her saying something like this: “Well, of course I feel sexy putting on women’s clothing and having a woman’s body. If you feel comfortable in your body for the first time, won’t that probably mean it’ll be the first time you feel comfortable, too, with delighting in your body as a sexual thing?”'
people have pointed this out before but I love how the death note jdrama highlights how needlessly cruel L is capable of being..... calling Light (and the other Kira suspects) early in the investigation to falsely accuse him of being Kira just to see how he'd react, taunting Light relentlessly while he was imprisoned and interrogated, and of course the mock execution. all while knowing no one can really stop him. the jdrama really said "btw don't forget this guy's an ASSHOLE"
I would actually kind of like the “becomes a doctor and takes over Leslie’s clinic” story…for Damian.
NOT because I think it would be ~ethical~ or idk whatever-the-fuck.
I just really love the concept of Damian having this “I HAVE A BIG IMPORTANT DESTINY” backstory/lineage/bloodline …
…SON OF THE BAT, and all that jazz…
But when he connects with Gotham and the people in it—because Batman should be connected to the people he’s protecting—Damian realizes that he doesn’t actually WANT “his” destiny.
And it’s not about rejecting Batman or his father or his mother or anything like that, but instead about taking what he’s learned and what they’ve given him and shaping it to fit himself.
Thinking again about how the gender essentialism in WoT is aggravating not because there is gender essentialism in magic because that's the entire premise of the books but because RJ set to explore that particular premise without fully understanding how gender essentialism and patriarchy affects women differently that it does men. That's how you get Berelain's writing, the internal monologues of Nynaeve in tel'aran'rhiod, groups of women in power often written as petty squabbling fools, practically all the powerful female leaders at the start of the series will be depowered and humiliated by the end, the Aiel warriors being women presented as something foreign...
In RJ world, men are naturally stronger than women in the OP: this rule isn't subverted and permeates every aspect of his worldbuilding. There's a reason only the boys are ta'veren, that Mat ends up taking control of the armies over Elayne, that Perrin is naturally better at tel'aran'rhiod than Egwene, that Nynaeve the strongest channeler we've seen in a thousand years becomes a glorified battery for Rand in the end.
In a way, it's a fascinating psychological phenomenon that the entire premise of his fictional world is based on gender essentialism yet he doubled down on several core elements of gender essentialism instead of subverting them.
When I discuss gender essentialism in his work I do it so because he made it "gender essentialism: the fantasy edition", so while his women challenge gender essentialism in some ways, it's entirely legitimate to question why he didn't expand the subversion in other aspects of his world.
it does something incomprehensible to my little writer’s soul whenever alex articulates a phenomenon of the writing process i’ve always picked up on and then goes on to describe it in exactly the same way
Hey, you're being lied to about what fitness constitutes. If you can't work in an hour-long crossfit slog, but you can work in a five-minute walk, then that is still fitness. If you can't use your legs but you can do arm circles every now and again, that is still fitness. If you're moving around at work, that's still fitness. It can be intentional or incidental, but here's the best part: your body doesn't care if you're dedicating specific work-out times. It doesn't care if the "only" fitness it gets is your nine to five on your feet. It doesn't care, fitness is fitness is fitness. Some of us do it differently, but the end result is more or less similar.
If you can do any type of fitness safely, your body isn't going to care if you're doing it like an Olympic athlete or if you're just a casual.