To me, all Taylor swift songs about an age gap are actually about rosquez. Specifically dear John
sorry this doesn’t answer you entirely but i read it back and it got me THINKING. about marc age 20-22 versus marc age now. and again i’m listening to my podcasts having thoughts. as i do. and they’re all talking about how visibly HAPPY marc is this season. like we’ve allll noticed the dancing the twerking the VERY public and endearing goofy clownery. marc voice i am show :3 and all the podcast guys seem to agree it’s the happiest he’s been in a while, but notably NOT since 2019 (when he was at the height of his powers wielding competitive momentum like a fucking broadsword). they say it’s the happiest he’s been since 2014 ! way back ten years ago when the sky was roses ! which. YEAH that was his most dominant season. but. BUTTTTT. i would also wager (yaoi googles on please hold) that kind of happiness preceded the flavor of the sport changing for him pretty dramatically due to his feud with valentino…. post breakup hits different… and now vale’s GONE. marc sees him like five times a year. out of sight out of mind, at least a little. marc maybe doesn’t have to THINK about him every single day that he’s at work two feet away from him in a press conference. so you take that and add that his arm is something resembling a little more functional (still obviously very fucked lmao) and he’s on a good bike and he’s not winning yet but he’s maybe feeling like his old self a bit more. and i imagine that all feels pretty good !!!
Piet Zwart: L'opera tipografica 1923-1933 / Piet Zwart: The Typographical Work 1923-1933, by Bruno Monguzzi and Vittorio Gregotti, «Rassegna», N. 30, Preface by Pierluigi Cerri, Designed by Bruno Monguzzi, Editrice C.I.P.I.A., Bologna, June 1987 [Museum für Gestaltung Zürich. Design Reviewed, Bradford. Display, Graphic Design Collection]
German type and graphic designer Alfred Krugmann produced the type specimen portfolio Schriftvorlagen für die Praxis in 1964, published in Ulm-Donau, Germany by Karl Gröner Verlag. The portfolio was intended as an instruction set, and the title translates as "Font Templates for Practice." It presents 20 plates of serif, san-serif, Gothic, and script typefaces along with 10 more plates demonstrating how these fonts might be used together for advertising presentations. Today we present those last ten plates demonstrating applications of the templates. We will present the type specimen plates in the future.