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solurae · 7 months

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four eyes (more to love underneath the frames) — PT.1

HELLO!!! okok the prologue received some good reception so i will!!! be continuing the series :3c THANK YOU SO MUCH FOR THE NICE COMMENTS AND REBLOGS AND OHHHH MY GOD THE MOTHER OF NERD!MIGUEL @nymphomatique REBLOGGED MY PROLOGUE (i could die happy) ty for the food and the inspiration to start this series!!!

i’m still the process of setting up my tumblr because my ass made this my secondary blog (but idek if that changes anything… i don’t think) OH AND YES THERE IS NOW A TAG FOR THE SERIES! ALSO PLSPLSPLS DON’T BE AFRAID TO SEND THROUGH ASKS FOR DRABBLES OR REQUESTS OR ANYTHING REALLY!!! i’m more than happy to feed us both hehe

tw/cw: mmmm not any i can think of (FIXING ANY GRAMMATICAL ERRORS AFTER POSTING BECAUSE I’M COOL)

PROLOGUE?! < <

“sorry students, the projector is currently out of order so i’d like for all of you to just go through the powerpoint on your own. feel free to come up and ask questions.” the professor sighs as he closes his laptop and settles down onto his desk, the chatter of other students and laptop keyboards create the perfect white noise for your 8AM lecture.

you weren’t really that keen on studying this period anyway so you’ll just get it done later but god he looked so much better up close. why did miguel have to be so fucking dorky and hot and cool all at fucking once? it bothered you that miguel has never spoken to you. ever. but with that in mind, no one would ever think of the effect this nerd had on you, not even the nerd himself.

“oi mate, mandem depending on you to pass this class.” you shake your head after you’re slightly shoved to the side of your desk by none other than your best friend bad influence. hobie, hobie, hobie… you groan as you look his way, legs propped up on the desk as if he’s completely unaware that he’s in an lecture hall. next to him is peter, trying to shove hobie’s legs off the table for fear of accidentally hitting miguel who was seated right infront of you.

peter and hobie were the angel and devil on your shoulder that manifested into your closest friends. it was so hard to make friends (partially because you weren’t interested in anyone aside from miguel) and that everyone in your class were already in tight knit friend groups, and it was clear they all wanted to keep it that way with the silent treatment and one-sided conversations. but that didn’t matter. what did matter was that neither of them were taking this class seriously.

hobie - for god knows what reason - just took the class for fun. well, hobie took it out of spite. he said and you quote, “it is my take on deconstructing the stereotypes and preconceptions of particular social groups alongside us punks that dictate that we lack the desire and strive for academic feats”. and you know what? for someone who likes to laze around and count the panels of wood used on the ceiling for half the lecture, his high grades put his narrow-minded folks to shame. oh and peter? although he couldn’t afford to skip his classes, he did anyway. mary jane, MJ - the mother to his children, as he calls her - is in the humanities elective they both share. and peter might as well skip that class instead of looking at MJ as if she invented humanities. you don’t know how watching you and hobie bicker was a better investment of peter’s time but no one was complaining. someone had to remind the both of you of operation miguel mutation, or in other words, get his gaze out of his books and onto your face.

“so much for wanting to prove the world wrong when you’re relying on someone else to do it for you”, you scoffed at hobie, pretending to brush dust off your shoulders. he chuckled, “i just wanted to know how it feels to be those good for nothing, narcissistic capitalists, is all”. you shoved him so hard it rattled your seats and you didn’t even realise you accidentally kicked miguel’s seat until his cold hard gaze towards you even made hobie look like an art piece in the middle of rendering.

“can i help you?”, fuuuuuuck off. he sounds so fucking hot. insanely hot.

his large pitch black frames could never obstruct how chiseled miguel was, he had angular features such as his nose, his jawline and even his cupid’s bow. but these features were softened with warm red eyes and wisps of his hair coming down to frame his forehead. o’hara’s face overall was slightly scrunched, his hand gripped onto the fold away desk while he faced you, his casual attire in sweats could barely hide his build. his mouth was slightly open, the very tip of his fangs making themselves known. he was definitely a specimen, a gorgeous specimen for lack of better word. you didn’t even realise you were staring at miguel until he raised his eyebrow and glanced over at hobie, then over to peter who was just happily content watching your unplanned, unconventional first meeting.

“oh. um, no?”, you were still confused why miguel (the man you’ve been trying to get the attention of ever since the first inkling of a feeling), suddenly turned around and spoke to you—

“excuse me, may i ask that you don’t disrupt your peers during class? i’m watching you too, brown.” if your teacher scolding you like a wack ass boy in year 9 wasn’t enough to make you embarrassed, your quick descent into realising that you quite literally pushed yourself - pushed miguel, rather - to make the first move. in the worst fucking way possible. you ducked your head a bit in an attempt to avoid the gazes of your classmates only to find your shoe jammed between the gap next to miguel’s seat, missing his elbow by a mere few centimetres.

you’ve got to be fucking kidding me.

so much for devising a plan to properly introduce yourself by actually trying in class by answering the lecturers questions, to the point miguel can’t help but wonder that there is in fact competition. aware of his competitive nature, miguel would try to get ahead of you or widen that gap but then realise he was all wrong from the moment you’d tap his shoulder for a question you pretend to not understand, to look as if you’re struggling so much miguel can ignore his own studies for a little while to help you. men are stupid after all. miguel doesn’t apply here but being an outcast adjacent of the entire university has its benefits, in a way where it benefits your elaborate plan from stroking miguel’s ego by helping you, to ever so slightly become more and more interested in you. once you slowly ease into getting out of pretending to be an academic victim and miguel finds the joy in being academically challenged by the one girl who braved the odds and approach the mysterious mutant, he’d ask to you to meet at the cafeteria or the library. it didn’t matter. you would then, finally then, be in miguel’s line of sight.

“if this is your way of trying to get into my pants, i’m not interested.”

papers were stuffed into bags and the squeaking of chairs reverberated the lecture theatre. people were making their way to their next class while peter, hobie and yourself shared looks of disbelief, disgust, along with hobie’s infamous expression that scream the words i fucking told you so.

what the fuck? what the actual fuck was that?

o’hara didn’t miss a beat and swivelled around to start packing his belongings, completely unaware of how his response alone completely changed and destroyed all prior preconceptions about this man - or boy as you would now call him - turns out being smart never stopped anyone from being dickhead.

you felt like you just failed a quiz you didn’t know that was happening, despite being prepared to ace it.

it wasn’t like you to fail, however. especially not to him.

[ 🩷 — TAGS! @angelicful @lilipads @zaunsin @m4dyy @okkotszn @rhythmloid @cosmicbarstardust @thespaceinbetweennothing @cu1tvenus @huniedeux @oharasfilipinawife @ilovemuppets @loonalockley ] feel free to comment if you’d like to be added to the taglist!

#🥽 — four eyes!#miguel o'hara #i love miguel o’hara #miguel o'hara x reader #miguel x you #miguel x y/n #atsv miguel #atsv #atsv x reader #spiderman #spiderman 2099 #across the spiderverse #into the spider verse #GRRRR MIGUEL MIGUEL MIGUEL #miguel fanfic #<nerd!miguel3

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gwenllian-in-the-abbey · 3 months

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Anyone who thinks that Rhaenyra calling Helaena "my sweet sister" means anything positive about their relationship or about Rhaenyra's feelings for Heleana needs to go back and re-read the main series (or read it period, because trust me you will understand F&B a lot better with ASOIAF as context).

In ASOIAF "sweet sister" is that phrase is used disparagingly the vast majority of the time. A quick search reveals it is used 82 times, and the character who uses this phrase by far the most is Tyrion when speaking about Cersei (an example from ASOS Tyrion I):

There are also multiple examples of Jaime using it about Cersei too, especially when he's unhappy with her (a random example from AFFC Jaime V):

Other people also use it referring to Cersei, again sarcastically. "Your sweet sister did X." Which makes sense! Cersei is pretty notorious and people gripe about her to her brothers pretty often.

Beyond various people talking about Cersei, the top offender is Viserys, who uses it quite a bit when addressing Dany, usually with a bite of malice (AGOT Daenerys I):

Interestingly, Viserys later calls out to his "sweet sister" when he is begging for his life. I can't imagine that reminding her of all the times he threatened her with those same words helped his case very much.

There's one instance of Arya using it about Sansa when she is giving an insincere apology (AGOT Sansa III):

Here is Theon using it about Asha (ACOK Theon V):

Lysa also uses it about Cat, and her feelings about her "sweet sister" at this point are pretty negative (ASOS Sansa VII):

You get the picture. At the very best, it's used with a fond sort of sarcasm, at worst it's actively spiteful. You can count on one hand the number of times it is used sincerely in the whole entire series, and really there's only one instance, from Edmure to Cat, that I would read as 100% sincere without even a tiny hint of sarcasm. F&B doesn't have anyone's POV to indicate the tone with which Rhaenyra said those words, and although it's possible this might have been the second time in the whole of ASOIAF that we were meant to treat those words as unquestioningly sincere and loving, I think this is a bit like the discourse around "sharply questioned." Those words, in-world, tend to carry a connotation beyond their surface meaning. It would not be something reassuring to hear terms for surrender given using the phrase "sweet sister," and in fact, given that we have no other indication that Rhaenyra has any sort of relationship with her siblings whatsoever, Helaena would be entirely justified in interpreting her words as spiteful or sarcastic. After all, if you're using a quote from the book to speak to Rhaenyra's intentions, the character you're referring to is book!Rhaenyra, who is not shown to be an overly nice person. Even by the most charitable reading, we can safely assume that those words were included by Gyldayn in his history knowing that in-world readers would read them as insincere. They are not intended to portray Rhaenyra and Helaena's relationship in a positive light.

#sweet sister discourse #helaena targaryen #team green #asoiaf #rhaenyra targaryen #fire and blood

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leidensygdom · 3 months

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AI bros from hell

Hello! Do you have a bit of your time for a story on AI bros and clients from hell? I bring a really fun one!

I met this guy at a con I was tabling at over a year ago, before AI was a thing. He said he enjoyed my art, and inquired me about whether I did book illustrations. I said yes- He was specifically interested in my bigger pieces, the fully rendered and detailed ones. He agreed to send me later a DM to discuss specifics.

For two weeks, he kept DMing me on details about his book, what he wanted, etc. He wanted full illustrations for inside the book as well as a cover, all of them fully colored, painted and rendered. He also wanted illustrations in this style to post on social media to promote the book. I had warned him that something like that would be costly, but he insisted that he needed this to be the best of the best.

Now, I was getting bad vibes from the guy. I shit y'all not, his instagram handle was "The next tolkien". I wasn't however gonna refuse a job opportunity. Now, he finally asked for prices: He had reassured me he was willing to pay fairly for this. Since he's a starting author, I gave him my non-commercial quotes, which are much, much, much lower than the standard for book illustrations. I mean "if you search for how much this costs on google, the lower prices are x5 times more expensive than what I offered".

The guy, upon receiving that, just ghosted me. Immediately unfollowed, didn't reply me with a "sorry, I can't afford it" or "sorry, i was expecting to pay $10 for a full rendered full background several-characters-picture". Nothing.

The other day I decided to search what he was up to. He's now released... THREE books for this series. There's a single review in the first one. Not even written, just a stars one. Also, notably, he had a webpage put together promoting the book, and. Yeah.

All the art is AI crap.

Which makes sense. My guy was very on his high horse about how fantastic of a writer he is, but I guess art isn't really to be compensated fairly. When he saw the "art stealing machine you just pay a subscription for", I'm guessing he was very excited.

So, uh, here's some of the marvelous pictures he generated of the characters, which surely tell you about how great the book is. AI is theft, so I don't give a f*** about reposting it.

I have a lot of opinions about creators who write, draw or make music, who are more than happy to use AI for other stuff- Album covers made with AI, writers using AI crap for book illustrations, artists using AI-made music. It feels like you're sh*tting in any other artistic field and showing how little you respect anyone but yourself. Like, I'll be honest, I don't have interest reading a book from someone who considers that other forms of art aren't real or worth any money. It just tells me you're devoid of any interest for art or humanity.

As an ending note, his instagram description is "More closer to god than to human", which does add to the clownery.

#anti ai #clients from hell #long story #long post #ai bros

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am-i-the-asshole-official · 4 months

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WIBTA if I start giving some very *very* Christian family members religious pamphlets from non-Christian religions as gifts?

To be clear, I am writing this while firmly believing I'm NTA but I am angry and don't trust my own judgment too much right now.

Background and Players: My Son (19) was adopted out as a baby by his incubator behind (my husband, 40) his father's back. He was abandoned at 4 by his adopted family because of behavioral issues related to what his incubator was putting into her body while she was pregnant with him, and went into foster care with people I will call Amom and Adad. Adad is a pastor in his 90s and Amom is a pastor's wife in her 80s. When Son was 13 and I had been with Husband for 5ish years, we had been told (by someone from his incubator's family but we didn't know that at the time) he was non-verbal and "mentally an infant" and that trying to pull him out of the routine he had would just be incredibly harmful to him, so we had given up hope of finding him and having a relationship with him. We got a phone call one day, a worker who was looking for a medical history for Son. Husband spent close to 3 hours on the phone with her, answering questions and asking anything he could squeeze in. Turns out, we had been lied to about his mental health just... completely. He's impossible to shut up and he graduated high school last year despite, you know, *gestures vaguely at everything* and I am incredibly proud of him. Half an hour after that call ended, she called back and told us Son might be interested in meeting us, was it okay for her to pass on our contact info. A month later, Son, Amom, Adad, Husband and I were sitting in a restaurant together and a month after that we went to their place for a week to spend Christmas with them. This is when they informed us that they had finalized his legal adoption a couple of weeks earlier. 2 years after that, my QPP moved in with us, and another year later 16 year old Son asked if he could move in with us. He still does.

The Issue: Son wants a continuing relationship with Amom and Adad, but due to the previously mentioned substances used by his incubator, he has memory and time management issues so I have to regularly remind him to contact them. I have no problem doing this, but the contact we have had with them over the last few years has soured me on their company. I've got no problem reminding Son to contact them and organizing rides for him to visit (usually QPP and I driving him, the trip is a couple of hours each way) but I'd rather never speak to them myself if it can be avoided. It didn't start out this way, but over the years they have made it very clear that they don't respect anyone else's beliefs. Not just us, like there was one night where they were going off about some Danish surgeon saying publicly that he was Muslim first, Danish second, and they were trying to convince us to be terrified by that. The conversation ended awkwardly when Husband asked if Adad was Nationality or Christian first (because that's different you see). We have found books on the bookshelves in the guest room about how any kind of queerness at all is demonic possession, one of which they wrote. They talk about things like being sent on a mission by their god to save as many (and I hate that these are quotes) "brown heathen children" by making them Christians as possible (Son and his adopted siblings are all First Nations, Amom and Adad are as white as I am), or how Jewish people are evil for stopping Christians from claiming their suffering because "Jesus was a Jew so aren't all Christians also Jews?". Amom once spent a week trying to convince me to go to church with her and share the details of my childhood sexual abuse with the entire congregation because "it will show God you are ready to be forgiven". QPP is a shintoist and after they found that out, we started seeing more literature about the Japanese, specifically during WWII, around their house when we visited.

We have politely made it clear that we are not interested in Christianity, especially not their version. Multiple times. We thought it was finally over after Son had a meltdown at them at his graduation ceremony because he wanted JUST ONE conversation with them that wasn't about Jesus. He was in tears trying to explain that to them, and their response was to tell him he needed to come back to church so they could lay on hands and chase all the demons making him say these horrible disrespectful things to them out of him. He was supposed to stay with them for a few days to visit after that, but by the time I tracked him down and got him calm, he didn't want to go anymore. They seemed to stop after that, like they actually backed off and I think I got maybe 2 emails that didn't mention God or Jesus, not even a "God bless" in the sign off. We were optimistic. Son was late organizing it but we dropped him off (at his request, he's worried that Adad won't make it to next Christmas and wanted to see him) at their place on Boxing Day. We did not hang around, we did not send gifts, we didn't even reply to the Family Christmas Email (it had a video of a Jordan B Peterson rant embedded in it and I've told them before that we are not interested in anything that sack of hateful arrogance has to say please stop putting him in my inbox). We have done everything we can to make it clear that we do not want a relationship with them for ourselves, including outright directly telling them politely to their faces that we will not stop Son from seeing them but we don't feel comfortable around them and don't want a relationship with them for ourselves. Son came back with "gifts" from them - a study guide for a specific Bible book (I got John, Husband got Michael, QPP set his on fire before we saw who it was) and a bag of candy that looked like it came out of a thrift store (I got the same one they always get me, which I laughed off the first and second and third time and explained I couldn't stand them because my abuser used to give me one when he was done. Husband is diabetic and got York Patties. QPP actually got something decent though, $20 for gas).

I have managed to keep my "I'd rather you hadn't bothered actually" rantingvto Tumblr, which i don't think they even know exists, but I'm still pissed about the Bible crap as "gifts". I am considering changing tactics completely and being super friendly, mirroring their energy, and giving them the same treatment they've given us. I want to make excuses to visit so I can explain the finer points of shintoism and Celtic paganism in every single conversation. I want to give them books for gifts, books like The Tao of Pooh and The Gospel of The Flying Spaghetti Monster. I want to wrap cash in pamphlets about The Invisible Pink Unicorn and leave it on their fridge.

QPP and husband think I should give myself more time to calm down and just keep ignoring it and playing nice when I'm forced to play at all but like, IT'S BEEN 6 YEARS.

What are these acronyms?

#aita #am i the asshole

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stergeon · 4 months

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spending some more time chewing on the concept of byleth and edelgard constantly writing each other letters—both while one of them is off traveling and also when they're both at home and seeing each other every day. there's one on the emperor's desk in her study; one in byleth's storage locker in the barracks; one left on a pillow or slipped into a pocket or tucked into a book the other is reading.

the emperor is interrupted during a big meeting by a page delivering a "most crucial missive from the commander." she unseals it in front of everyone and it's a crude drawing of a smiley face that says "hello i love you"

edelgard would write these excessively verbose things, very heavy on the poetry and flowery language. there are a couple paragraphs of updates and then page after page after page of "i love you"s and "i miss you"s communicated in ten thousand different and increasingly grandiloquent ways. byleth has learned to bring a dictionary along on her trips so she can decode all the sesquipedalian nightmare terms edelgard uses to tell her she's pretty. most letters start and end with an implied threat that if anyone other than byleth reads it or finds out how soft the emperor is, there will be hell to pay, but it doesn't stop her from proceeding to go ham on the romantic sappiness.

meanwhile byleth's letters are. pretty straight and to the point. she's keeping her posted about the weather, about this dog that she met, about a cool tree she saw, and transcribing direct quotes and best wishes from their friends. but she also includes little mementos she picked up or shiny things she found (she's like a crow with pretty rocks, shells, and baubles), and presses flowers that she thinks edelgard will like, and attempts to sketch things she wishes edelgard got to see with her. it's painfully obvious that byleth will never have an artistic career, but edelgard adores every single drawing all the same.

(hubert made a suggestion to have the emperor and her adviser use different seals or envelopes for their personal and official correspondence. this was accepted as reasonable. several months later, edelgard found out he made the suggestion after the third instance in which he'd been doing his secretarial duties and responding to the emperor's mail, only to find the message from the emperor's adviser did not, in fact, contain the woman's latest report on the situation in fhirdiad or fodlan's locket, but a rather lurid list of her intentions for the emperor upon returning home to enbarr. one contained a diagram. hubert did not examine it.)

edelgard, who hoards every paper she's ever had reason to touch and who has a (frankly, pathological) filing system for everything in her life, has a special container for byleth's letters that is under lock and key. byleth, who lived out of a rucksack for most of her life and constantly had to consider carry weight when vetting her few belongings, doesn't really know how to... have... things. she struggled with toting around all this paper for a while, but couldn't bear to toss out even the simplest "meet me at 4pm for the council meeting" message. she had to make peace with the concept of using a drawer for something like long-term storage and frequently checks to make sure they're all still there.

both of them keep their favorite ones in the back of their respective journals and act like they're not so extremely, terminally soft on each other.

#sterge.rtf #edeleth #fe3h #fire emblem #fire emblem three houses #edelgard von hresvelg #byleth eisner #byleth x edelgard #them girls. y'know?#maybe i'll write something with this at some point. mostly i just think it's cute to shitpost about #i have them on the brain today #because i'm putting off solving a problem i ran into on a wip #and also putting off an annoying worldbuilding thing i have to sort out for a Different story i'm working on #so here you are. more fluffy nonsense about them girls.

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livsoulsecrets · 4 months

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I just finished reading Nando’s book about his journey in the Andes and I highly recommend it for its honest retelling of those 72 days, and his personal experience dealing with them.

I wanted to share some quotes that truly made me appreciate his and Roberto’s friendship even more. He spares no words to define Roberto’s stubborn, competent and unique personality and that’s how you see they’re truly brothers.

“After seeing how Arturo and Rafael suffered at night as they lay on the floor of the plane (and bellowing at them fiercely to stop their pathetic moaning), Roberto spent hours the next morning fashioning the swinging hammocks that gave those two injured boys some relief from their pain. It was not compassion, exactly, that spurred him to do these things, it was more a sense of duty. He knew his gifts and abilities, and it simply made sense to him to do what he knew no one else could do.”

“But more than anything I wanted him with me simply because he was Roberto, the most determined and strong-willed person I had ever known. If there was anyone in our group who could stand up to the Andes through sheer stubbornness alone, Roberto was the one. ”

“Roberto was Roberto, on the field or off, and even in the middle of a hard-fought match, he refused to be told what to do.”

It reassured me that Roberto was becoming his grumbling self again.

“Roberto,” I said, “can you imagine how beautiful this would be if we were not dead men?” I felt his hand wrap around mine. He was the only person who understood the magnitude of what we had done and of what we still had to do. I knew he was as frightened as I was, but I drew strength from our closeness. We were bonded now like brothers. We made each other better men.”

“Roberto stood beside me. I saw the fear in his eyes, but I also saw the courage, and I instantly forgave him all the weeks of arrogance and bullheadedness. […]

Roberto nodded. “You and I are friends, Nando,” he said. “We have been through so much. Now let’s go die together.”

“He was forcing himself forward now through stubbornness and the sheer power of his will. As I watched him, I knew I had been right in choosing him as my traveling companion.”

“But no one has been a better brother to me than Roberto Canessa, my partner in that long trek through the Andes.”

“In that moment, neither of us trusted that we had any kind of future, but we did, and more than thirty years later I am proud to say that I am still best friends with Roberto, who has only grown more resourceful, more confident, and, yes, more hardheaded with the passage of time.”

I tease him mercilessly about his ego, but I would not have him any other way.

#miracle in the andes #nando parrado #roberto canessa #society of the snow #la sociedad de la nieve #Nando and Roberto

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dduane · 25 days

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So it came to my attention a couple of weeks back that the version of Stealing the Elf-King's Roses that until recently was available over at Ebooks Direct had somehow managed to evade being updated using the cutting-edge Vellum ebook software, when we were doing all the other books in the store.

I have no idea how this happened. Anyway, I've been taking care of that update, and the book will be available again in a day or three.

Meanwhile I'm having the usual conniptions over new cover art and font choices. Fantasy covers these days need to have one or another of a group of very specific looks. So do SF covers. And when you have a novel that splits the difference between the genres (or bashes them together...) the way this one does—as STEKR is an alternate-Earth police procedural—it can seem impossible to get it right. You don't want to leave people who're buying-at-a glance feeling, later on, that they thought they were getting one thing and were sold something else.

The art above is okay enough to go forward with. (Though I'd feel better if I could get Lee something a little more like her judicial robes and less like a "little black [cocktail] dress".) The real problem right now, though, is the font choice.

After some consideration I grabbed the one above from Derek Murphy's fabulous DIY cover site. (Simply because how could I not try a font called The Princess And The Frog?...) But I'm going to go back tomorrow or the next day and try using a much more SF-looking font, and see how that comes out. Who knows... maybe when it's in the store again, we'll offer both cover versions and see what people prefer.

Anyway, this is just an early warning for those of you here who may have picked up the book earlier (possibly as part of our whole store bundle*). When the updated book goes live, you're entitled to be updated to the new version of STEKR, with its improved graphics on the inside as well as the outside, if you feel like it. Just drop a note to the store's support email address, quoting your order number, and we'll refresh your download links when the book's back up in the store.

Meanwhile, for those who may not know anything about this novel: look under the cut for the description.

*Which, along with all our other bundles, is on sale at 20% off right now.

It's CSI, Jim, but not as you know it...!

Psychoforensics specialist and freelance prosecutor Lee Enfield works with the Los Angeles District Attorney’s office as a lanthanomancer—a magic-worker trained in Seeing and revealing the truth. When she and her fayhound partner Gelert are brought in to do discovery for the investigation into the murder of an Elf named Omren dil’Sorden, at first it seems an ordinary homicide: just one more hate crime in a city and culture where violence against the immensely wealthy, uncannily beautiful Alfen is becoming more and more commonplace.

But Lee and Gelert discover that there's more to this Elf's murder than meets the eye. When political pressure from above the DA's office pushes the two partners out of the investigation, Lee's unwillingness to drop the case gets her and Gelert drafted into a mission to the heart of the forbidden realm of Alfheim. Their involvement makes them targets of a shadowy conspiracy involving powerful multinationals and governments of the Eleven Worlds, intent on taking the secret of the Elves' power for themselves. Drawn into an ambivalent and potentially deadly alliance with the shadowy and much-feared Elf-King, and with the fates of entire worlds on the line, does Lee dare trust her Sight to reveal his true motives—and can the Elf-King be trusted to be on anyone's side but his own?...

This stand-alone fantasy police/legal-procedural novel by DD, originally published in 2002, is reissued exclusively here in a new edition -- revised and updated, with an afterword about the project's genesis and an appendix featuring never-before-published background material on the Eleven Worlds.

#Stealing the Elf-King's Roses #Eleven Worlds meta

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queens-of-spirits · 1 year

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Why the svsss papapa scenes are literary genius actually, Part 1:

So, fun fact, I originally wanted to do a funny little post where I ranked the four papapa scenes in svsss (with special mention to the start of the return to childhood extra and LMY’s writing) but my deranged ass decided to go full quirky English prof and turn this shit into a proper analysis.

So, believe it or not, the svsss papapa scenes are actually really important for understanding a lot of the characters and themes of the story. So yes. I am going to go through them all and explain why. Starting with…

Maigu Ridge (spoilers, obviously):

If this were actually my silly rankings post (which I still may make), Maigu ridge would rank dead last in any category related to actually being an enjoyable smut scene to read. That’s fine, because, to put it bluntly, that wasn’t the point.

It’s a subversion of the pressure and idea of the perfect first time or instinctive sexual skill seen in both power fantasy and romance/bl novels. That subversion and the shock of what happens is meant to take us out of the scene and make us think about the characters, the situation, and the tropes we take for granted. Remember, svsss is genre savvy twice over, both in Danmei/bl and power fantasy fiction. It explores both those worlds and the complicated aspects of both (I.e the obsession with revenge). It’s not trying to be a good smut scene, it’s setting up the characterization of the couple and the character arc seen throughout the rest of the papapa moments in the extras (more on that in future posts, but it’s about SQQ learning to be more open with his desire and pleasure) and exemplifying the main themes of the book (forgiveness and intention)

So without further ado, here is my analysis on this scene.

The notes about SQQ’s character in the Maigu Ridge scene should be obvious and understood by looking at the broad context of the scene. Like the Without a Cure moment, it shows how much he cares for LBH and his willingness to put his own life and body on the line to save him. It is devotion, pure and simple. However, more depth is revealed when examining specific passages (note all quotes are from the English publications because I don’t speak Chinese, so I’m sorry if the translation muddled the meaning).

The most vital part to me for Binghe’s character is this line:

“he’d done this out of consideration for Luo Binghe’s convenience, but unexpectedly he was flipped back around. Luo Binghe jammed himself between Shen Qingqiu’s legs, his entire attention rapt on Shen Qingqiu’s face.”

This refers to how SQQ tries to turn around so that LBH would not see his face during what is about to happen and LBH flipping him over again.

This, I believe is symbolic. SQQ turns around because he thinks that anyone will do and he is the only one willing, but that’s not true LBH wants SQH specifically. He needs to relieve the energy from the sword’s influence, yes, but despite that pain, he is focused solely on SQQ’s face.

The transformation from the stallion protagonist Bingge to our Bingmei is exemplified here better than any scene before it (I would argue it is later topped by the Bingge vs Bingmei extra). Unlike Binghe, Bingmei is not looking for mindless pleasure to escape his lonely life (represented here by the corrupting energy of the sword) he is seeking the one he adores above all, the one who he cares for more than anything. He has found true connection and THAT is what drives him to madness (remember, he’s trying to destroy everything to be the only one in SQQ’s world so he can’t be abandoned). That’s why, even when supposedly in a mad state, he seeks to look at SQQ’s face, because it isn’t about the sex, it’s about them, the two of them together.

The other vital part is the aftermath, before even the jade pendant. Specifically, this exchange:

“Shizun don’t hate me…I didn’t know…I never wanted to hurt you…why didn’t you push me away? Why didn’t you kill me?”

“This master knows. This master was willing”

Again, this was an act not born out of lust, like with Bingge and his wives, but something different. Bingge takes what he wants and feels no guilt because nothing was ever given to him, but Bingmei was given the world by one person and struggles with not feeling like, with not BEING the animal or monster that the rest of the world sees him as’

LBH had no intention to hurt SQQ

Just like how SQQ had no intention to hurt him by avoiding him

It’s symbolic of their relationship as a whole. Unintentional hurt and the forgiveness that follows. THATS why the remaining papapa scenes are so important. It’s about them learning to not hurt each other. Every single papapa scene that follows builds on this idea of them learning the right way to love each other (remember, their story together is just beginning after the last page of the book) and learning how to not hurt each other unintentionally, LBH physically, SQQ emotionally.

Again, clear themes of forgiveness and intention. The reasons behind why people do bad things (hence the focus on SJ and TLJ as complex characters) and the act of forgiveness and learning from mistakes, which I argue are the two main themes of SVSSS

So while Maigu ridge is terrible in terms of being an enjoyable scene to read, that was not it’s purpose. It’s purpose was to utilize the tropes of both Danmei and male fantasy to take us out of those genres (where first times always go well) and get us to THINK about the characters and why they do what they do, their intentions.

#bingqiu #svsss #shen qingqiu #luo binghe #luo bingge #luo bingmei #maigu ridge #scum villains self saving system #scum villian self saving system #papapa #SQQ #LBH #analysis #of things that maybe should not be #would my English teacher be proud or horrified?#you decide

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sink-me-in-your-ocean · 8 months

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𝔊𝔥𝔬𝔲𝔩𝔦𝔰𝔥 ℌ𝔢𝔞𝔡𝔠𝔞𝔫𝔬𝔫𝔰 IV

It's time to kick off spooky season!

What is it like watching scary movies with the ghouls? And what movies are you watching with them?

Mentions of gore/slight spoilers for the movies mentioned.

Swiss:

Loves jumpscares

Loves scaring you (or anyone else that’s watching) too

No matter what you watch he will always want something scarier

But he also loves comedy

You watched “It” with him and he won’t stop quoting the movie

“You’ll float too!” He cackles maniacally and wiggles his fingers as he chases you around the dark loft.

“Swiss, stop!” You aren’t really scared, but you jump up on the couch anyway, grabbing a pillow to hold out as a shield.

“Beep beep Richie!” He grins as wide as possible, bugging his eyes out at you, and lunges.

You swing the pillow like you’re a heroine slaying a dragon in a fantasy book. He dodges and jumps on you, pinning you under him.

“You’re an animal!” You scream as he tickles you, making you squirm beneath him.

At least it’s an improvement from him running after you repeating, “Here’s Johnny!”

Phantom:

Only wants to watch vampire movies

You offered him a plethora of choices, ranging from silly ones like “Once Bitten” to more serious action movies like “Underworld”

He got overwhelmed and ended up closing his eyes and picking one at random

“The Invitation” wasn’t your first choice, but what Phantom wants, Phantom gets

“Okay she is definitely a vampire.” He stared at the pale, tall woman on screen.

“How can you tell? You can barely see out of that fortress you’ve built yourself.” You teased lightly, offering him a handful of popcorn.

He accepted it, huffing, “I have to be prepared.”

“For what?” You stifled a laugh.

“The jumpscares, duh.”

You rolled your eyes, nodding along. The movie continued and eventually a spicy scene between the two main characters happened, making you both turn red.

“Well I was not prepared for that.” He said sheepishly.

Towards the end, it got a little too scary for him, and he ended up throwing the bowl of popcorn on the floor.

You held him close, protecting him from the sexy and not-so-scary vampires.

Dewdrop/Sodo:

Gets super into it

Loves any and all horror movies

The bloodier the better - blood and guts are hilarious to him

The Saw films are his comfort movies, he has definitely watched YouTube videos on how to escape all the traps

You put on a classic slasher for him once you learned he had never watched A Nightmare on Elm Street

“Oh come on! Just pop through the ceiling already and grab her!”

“Dew, stop! This is supposed to be building tension. They do that to get the audience on the edge of their seat… although it looks like you’re off yours.” You realize he’s sitting on the floor directly in front of the screen.

A few minutes later.

“That blood doesn’t look very real.” He scoffed.

“Do you think they use real blood?”

He made a face. “How else would they slice everybody like that?”

You spend the next two hours explaining to him that movies are not, in fact, real. His mind is blown to say the least.

By the time you resume watching the movie, he forgets most of what you told him, resuming shouting at the screen for Freddy Krueger to kill the teenagers.

Rain:

This ghoul does NOT watch scary movies

Why? He gets bored easily

Also, he ruins the movie by calling out all of the jumpscares

(He still gets scared though, he is just deflecting)

Hypercritical as heck

You still beg him to watch Cabin in the Woods with you

“Why do they run so stupidly?!”

You reach over and grab his leg, “Rain, we are supposed to be enjoying the movie, not yelling at the characters every two seconds.”

“I can’t help it, there’s no one to root for.” He whines, “They did it to themselves wandering into that creepy basement and playing with the weird stuff down there.”

You raised your eyebrow in an “oh really?” look.

“Plus, they shouldn’t be in this cabin in the middle of the woods anyway!” He gestures for emphasis. “Who does that?”

You hold up the remote, “Okay Rain, I can turn it off if you want.”

“No, no, it’s fine, might as well finish it.” He immediately backpedals.

“Good.” You settled back in, at least hoping he would enjoy the plot twist coming up.

Spoiler alert: He didn’t.

He waved his arms at the screen, “What in the hell is the lady from Alien doing here?!”

Maybe next time you’ll think twice about watching a scary movie with this ghoul.

Mountain:

Likes Halloween-themed movies with humor

Will indulge in a “real” horror movie from time to time, but usually at the behest of others

He will comfort you if you get too scared

So you insist on an actual scary movie

What could possibly go wrong?

“Oh hells no!” You clapped your hands over your eyes, the scene with the reverse bear trap simply proving to be too much for you.

“Come on, it’s okay - she actually escapes it!” He watched the movie Saw already, vetting it so he could make sure it would be okay for you to watch since he knows you’re a scaredy-cat.

He was a little too lenient with this one though, overconfident in your limited bravery.

“Practical effects like that really scare me, Mountain, you could have given me a warning!”

“Please, those intestines she found the key in don’t look real at all.” He was amused, then turned and opened his arms, “Get over here, I’ll protect you.”

“Good.” You scooted closer, putting the blanket over you both.

Once your heartbeat went back to a normal cadence, your eyelids started to droop.

The rest of the movie was fine, not that you noticed, you were too busy doing… other things. Spoiler alert: you passed out, comfortably snuggled up nice and warm.

Cirrus:

Prefers artsy horror movies over slashers

She is not so much picky, but she is very opinionated

Cirrus will not hesitate to tell you when a movie is bad, often pausing a film to interject her thoughts at multiple points

(But we love her for it)

She left it up to you to choose between two of her favorite modern horror movies: Hereditary and Us

You mistakenly chose the former

“I’m going to be sick.”

The car scene just played, and now you can never look at Alex Wolff of The Naked Brothers Band the same.

“Please, just wait, I promise it’s so good!” She held your hand and squeezed softly.

You looked at her pleading eyes and sighed, giving in, “As long as the rest of the people’s heads are staying where they’re meant to be, I’m okay.”

You were not okay. The movie, to you, was a nightmare.

“Cirrus, can we please turn this off? I’m getting seriously nauseous.”

She was apologetic, forgetting your weak human stomach in regard to scary things, “Okay, okay no worries, can I just spoil the rest for you?”

“Sure.” You croaked weakly.

You managed to lighten up significantly, as Cirrus talked about the movie and highlighted important parts in the plot you had missed, she seemed to glow. You loved seeing her get so passionate over something she liked so much.

Cumulus:

She’s ready for a scary movie marathon

Cumulus already has a list of the best movies including The Craft, Interview With The Vampire, and Jennifer’s Body just to name a few

She also comes prepared with matching blankets and Halloween-themed onesies for you both to wear

You bake little pumpkin cookies to share between the two of you

Comfy time + spooky movie time = pure happiness

“So, what do you want to watch first?”

“Uh, how about you choose?” You felt indecisive but warm, all snuggly inside your onesie.

“Okay, let’s start with Carrie, it makes sense because it’s one of my all-time favorites and it was also made such a long time ago.”

“Wait, there’s a chronological order to these?”

“Of course!" She says matter-of-factly, "I’ve been curating this list for years!”

In your periphery you saw that she kept looking over to watch your reactions. You loved the movie, and before you could ask she already queued up the next one.

The two of you stayed up all night watching some of the best scary movies ever made, eventually falling asleep around sunrise like a couple of vampires, covered with cookie crumbs.

Sunshine/Aurora:

Loves Halloween movies, not such a big fan of scary movies (also will not watch sad movies)

Her favorites are stop motion, like Corpse Bride, Nightmare Before Christmas, etc.

You debated ad nauseam over Nightmare Before Christmas though, whether it was a Christmas or Halloween movie

(You agreed to disagree, there's so such thing as winning an argument with her)

She likes to talk while watching, so… RIP your ears

She also likes to eat while watching, choosing the crunchiest candies and snacks

“Sunshine, you sweet beam of light, can you please stop chomping so loudly in my ear?”

She looks over to you, bug-eyed, mouth full of salty pretzels and sweet peanut M&M’s. “Mwha-?”

“It’s okay, just, chew what’s in your mouth,” you sighed, you kept supplying snacks for her and yet you never learned, “I’ll just turn the volume up.”

She went back to staring at the screen, witnessing Coraline travel down the tunnel for the first time. Her eyes were wide like she was witnessing a train wreck, she couldn’t look away for a second.

Towards the end of the film:

“Boo! Other Mother you suck! Get your scary spidery fingers away from Coraline!” She shouts and throws a fistful of candy at the screen.

Oh brother. Next, you’ll watch Corpse Bride for the fifth time this week and she’ll start yelling at Lord Barkis.

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weightedblankettt · 10 months

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An Analysis on the Literature Girl Insane MV!

Hey! You might not know me that much, as I’m not active in the DRDTheory community, as I’ve dubbed it, but my name is Blanket! Technically, this is a work of collaboration between the majority of DRDT Twitter, but it’s mainly just an analysis of stuff I couldn’t do by myself.

Okay, and now, onto the video!

So we start off with the spoiler warning. Pretty standard stuff, of course.

Many of my theories beginning here will be based on the colors and what I, personally, associate them with. Of course, the actual MV’s contents will be looked at further down the line.

As a bonus, take note of what pops up right after that. It’s a question: Do you want to forgive... someone? We’ll answer this question later on in the theories section.

These are mainly just lyrics, but the “final verdict” part catches my eye, as I believe it isn’t in the lyrics further down the line. Perhaps it’s about the current trial? As many people believe, David did not kill Arei. His reasons for lying about doing so are unknown, but we can assume that the singer is calling the listeners idiots, because of their incorrect final verdict. Whatever David wants to do, it’s certainly not leading them to the right one.

Next, these lyrics. While I believe it’s fairly obvious that the pink is meant to represent the typical Danganronpa-esque color of their blood, the color that the word “game” is in is probably relates to David. After all, his hair clips and star eyes, both prominent features of his “facade”, are in the same color.

Here is where the most prominent part of the MV is, to me. The text that flashes across the screen during transition points. The first one, in white text, is an excerpt from Osamu Dazai’s “The Flowers of Buffoonery.” The book, while I’ll spare you the greater details, greatly describes themes of suicide. The story’s main protagonist, Yozo Oba, can be described as so: “-But the narrator, a self-conscious writer, makes frequent first-person asides, breaking the fourth wall as he comments on the quality or believability of the novel he is writing.”

Something especially telling is this line, from an analysis of Yozo’s character. “Yozo is a person characterized by shame. Although I pretend to be someone who is confident and unabashedly themselves, that is not really true. I have always been ashamed of who I really am. I created a whole persona to interact with others because I believed my true self would never be enough.”

David’s character is someone very similar to that. Someone who has created a false persona to interact with others. Yozo is someone who feels resentful of other people, simply because he is forced to make them happy. “Yozo Oba is the tortured author and unreliable narrator of the three notebooks that comprise the bulk of No Longer Human. [That is the sequel to The Flowers of Buffoonery.] His appearance is depicted in three photographs examined by an unnamed narrator in the Prologue. These three photographs correspond to his appearance in each of the three notebooks. As a child, Yozo is precocious by design—an impish child who uses his antics to hide his fear, shame, and inability to relate to humanity. These fundamental flaws carry over into young adulthood; in the second notebook, he is a handsome young man whose smiling photograph lacks humanity, betraying the depth of terror and isolation that his comical persona seeks to hide. In the third photograph and notebook, he is only 27, but his gray hair and forgettable appearance prevent him from being labeled an ordinary human being.”

The quotes in yellow are from Agatha Christie’s “Murder on the Orient Express.” The full quote reads as follows. "If you confront anyone who has lied with the truth, they usually admit it – often out of sheer surprise. It is only necessary to guess right to produce your effect." I think the relevancy of this line in terms of David can be explained with his actions so far. Fun fact: Similarly to Danganronpa, “Murder on the Orient Express” is a murder mystery.

This is just a rickroll. DRDTDev thinks that they are FUNNY!? (They are.)

The “an archaic personal pronoun rarely used in real life, but popularized in fiction by the book” is most likely referring to thou/thy/etc. I’m not sure what this correlates to, but it’s probably important. I couldn’t find the green text, but from what I can tell, the green text probably relates to David’s nihilistic point of view towards humanity. Update: Bleuflower on Tumblr has located the source to be I Am A Cat by Natsume Soseki, so go check her out for that! If I had to say anything about that, it’d probably be relating to MonoTV, however, there’s also a continuation of David’s nihilism towards humanity that was also found in the Osamu Dazai references. The book itself is described as a “mordantly comic evocation of Sōseki's deep pessimism about his own humanity and indeed about humankind in general.”

The white text here is an excerpt from Osamu Dazai’s “No Longer Human,” which follows the same protagonist as “The Flowers of Buffoonery.” I’m sure you can all gather what that means in relation to David, but the main point is that he seems detached from his view of “normalcy.” @shidoutism on Twitter had this to say, as they’ve read the book itself: “OKOK so basically this first excerpt is from 'no longer human' by osamu dazai (its his last finished work because dazai sadly took his own life after publication of the book) now from the limited knowledge i have of david the meaning and message of the book might help in whatever analysis ur doing?? no longer human is about a man who never felt like he understood humans. like the title suggests, he never felt like a person. its revealed the protag was pretty sheltered and rich in childhood but experienced trauma from the familys housekeepers, but he never reported it. thats basically the start of it all as the protag grows up, he finds fear in communicating with humans. so he ends up either isolating himself and/or destroying all of his relationships with people. he's scared of people seeing the real him, so ever since he was a child he started putting up a happy, cheerful front. but it just creeped some ppl out bc it didn't feel genuine, it was more like a clown wanting to so badly entertain others. the protag starts resorting to bad coping mechanisms such as dr/gs and alc/hol and has many relationships with women to drown his sorrows and feel closer to being 'a human'. aaand the end of the book is kinda unsettling as the protag is sent to a rehab center and then when released, isolated himself somewhere far away without people, stating "everything passes. thats the one thing i learned in this living hell [somewhere along those lines]" and the book ends numbly like it feels like nothing”

I don’t know about you, but this sounds rather similar to our “protagonist.”

This quote is from “The Setting Sun”, by, you guessed it, Osamu Dazai. It tells a similar story, albeit with a different protagonist, but I feel like this ties in more with his facade, and how his inspirational speaking comes off to other people. Considering he is in his facade at this time of the MV, it’s safe to say that that’s what this is referring to.

And now, this all falls into place. These are the names of the Osamu Dazai books referenced in the text beforehand. The (I’m), next to No Longer Human, however, could signify how David views himself. Someone so sunken into depravity that they don’t register themselves as human anymore.

The faded text here is the first sentence of Yasunari Kawabata’s “Snow Country”. I don’t know what this refers to in terms of David, but this also seems important.

David still views himself as manipulative. Even if he does love people, even if he does have a semblance of care for those in his life, he views himself as an evil, irredeemable sack of shit, incapable of any emotion other than selfishness and cruelty.

This part is especially intriguing to me. David still wants to live, as anyone else does, but he can’t bring himself to find a reason to leave. His career is dead. He’s worthless, and nobody needs him around. Where would he go? There’s no room for him anywhere, even if he escaped, he’d just be shunned for good now that his entire life has been thrown away.

The excerpt from “And Then There Were None” by Agatha Christie, describes someone losing motivation to leave the island. The island is a metaphor for the building, that the students are trapped inside, and David has lost the will to leave in the first place. He doesn’t want to leave, because there’s nowhere else for him to even go. He doesn’t have a home. He doesn’t have a fanbase. There’s nothing left.

The text here reads: “If you’re Hythlodaeus, then I must be Morus.” This refers to the work “Utopia”, written by Thomas More. The book follows Raphael Hythlodaeus, a man who claims to be from Utopia, a perfect place for everyone. His surname quite literally means “Bringer of Nonsense,” or something along those lines. While this may be a stretch, I believe that “Hythlodaeus” is referring to Pre-Reveal David, and “Morus” could possibly be either Post-Reveal David or someone affected by his speeches, for example Xander.

Also, I find it interesting how the girl in this frame, most likely David’s “sister,” Diana, and David himself are both tilting their heads at similar angles. It’s possible that their relation is hinted at through this, but I’m not sure.

The excerpt right here is from Kajii Motojiro’s entry in the Kyoto Journal, entitled “Lemon”. While some of the text has been altered, the main story is about a man who finds himself suffering, and walks through his neighbourhood only to find a greengrocer selling lemons. He goes home, and finds himself happier than before. I’m not sure what this means when it comes to David, however if you’d like, you can analyze for yourself and let me know.

https://www.kyotojournal.org/fiction-poetry/lemon/

This part doesn’t have any external references, but I believe that the lyrics here reinforce David’s worldview, that no matter what you do and how hard you try, “nobody ever changes.”

The star imagery here is a direct reference to David. Stars are representative of his happy facade, and when he loses the stars, he quits the bullshit.

…And this frame. Alright, let’s start from the top. The electrocution definition is a callback to Xander, who’s referenced quite a few times in the video. The yellow text, which is from Antoine de Saint-Exupéry’s “The Little Prince”, is possibly a reference to David’s view on other people or himself- That nobody is special unless you were born special. However, the end of the text describes that if the boy were to tame the fox, the speaker, that they would need each other. I’m not sure if this is a description of manipulation, or a codependent relationship, but the David parallels are there. That, and the title of a “little prince” probably refers to David and how he’s idolized by many. The green text is, again, from “The Flowers of Buffoonery.” The full text is as follows. “A man crushed by reality puts on a show of endurance. If that's beyond your comprehension, dear reader, then you and I will never understand each other. Life's a farce, so we might as well make it a good one. But real life is a realm that I may never reach. The best that I can hope for is to loiter in the memory of these four days, so steeped with empathy. Four days that count more than

five or ten years of my life. Four days that count more than a lifetime.”

In reference to David, this is more representative of his true feelings. Not the asshole persona or the facade, but the genuine feelings he has. He already feels far too gone by his own standards, and constantly puts on a “show” for other people in the form of his speeches.

The red text is possibly a person dealing with depression speaking on one of their symptoms. There’s no way I could find a source for such a short quote. A common symptom of depression is losing interest in things you previously found enjoyable.

The white text on the side describes someone who finds pleasure in solitude as opposed to being bossed around by other people. It’s a reference to David’s backstory, as someone who was pressured into putting on a performance for others, finding comfort in being alone rather than having to play pretend whenever around other people.

The white text at the bottom is a continuation of the white text at the top.

The only theory I can think of for this is that it’s a foreshadowing to either gaps in their memory or the amount of survivors left in the killing game being four. Not sure.

Update: I don’t know how I missed this, but the “11” next to the suspicious gaps refers to this. It’s possible that the suspicious gaps are gaps in their memory now, being as he doesn’t remember having an older sister, but her existence is most likely confirmed, as we saw her.

This part here is referring to “Catch 22,” when the main character realizes that without a soul, humans are just… matter, if you will. Empty husks.

For this part, I had to call upon my not-so-trustworthy old friend, Google Translate! The translation of this from Latin is “I think, therefore I am (not.)” That’s what makes the most sense to me. We’ll refer back to this part later, for I have a different intention for it in my mind than David himself.

The dark blue text is another excerpt from “The Little Prince.” The prince in question is talking to a castaway, and the main takeaway of his words is that only your heart can tell you what you really need. If you were to simply look with your eyes, then what you truly need would be drowned out by the blinding light of superficial desires. I’m pretty sure that’s what that means. David is looking through his eyes, seeing a cruel world where nobody changes unless they were born to.

Now, let’s get into the next big part of the MV: The crossword puzzle. You might be wondering how this relates to David, but its moreso his own commentary on his classmates. Let’s go back to the latin. Pay attention to this reference of the solved crossword by raspbeyes on Tumblr. It will be very important for you to follow along.

Notice how there’s roman numerals in some of David’s lyrics? For example, this that we established earlier meant “I think therefore I am (not.)” This is referring to Rose. Her photographic memory can be linked to the description of “thinking.” The context of this may become clearer in future parts of the story.

III. That’s Charles. “If you doubt brittle things are broken.” Is, in my mind, referring to his memories. He has a recurring element of not remembering things, but he doesn’t seem to be aware of this until Chapter 2. For example, his secret- “Your older brother died, but you don’t remember him at all.”

IV. Arei. Her breakdown sequence should be all you need to associate this with her.

V. This is Ace. He’s going insane, obviously, because of the paranoia and failed murder attempt against him. That, and he’s become more disheveled as the game progressed.

XIV. Veronika, correct? Substance to the arts relates to her talent as a Horror Fanatic. Naturally, she’d be related to things like that.

XV. Whit’s refusal to accept his mother’s death, staying ignorant to the tragedies around him, is one of the “happiest” members of the cast.

XI. Mai Akasaki is not mentioned in the current story, and all of her quotes hidden amongst the cast members describe her in past tense. She was someone everyone viewed as reliable, trustworthy, and perhaps, if you exaggerated it, as God.

These two walls of text are both from the same source: Hamlet’s Solliloquy of “To Be, or Not to Be?”

This is what the thing actually means, in case you aren’t aware, which even I wasn’t until just now. It represents David’s suicidal ideology, from what we can assume with the way he’s trying to get everyone to vote wrong in the trial for Arei, quite well. Whether he wants to live, or die, is most likely a constant struggle for David to answer.

Which is why he leaves it up to… whoever can answer.

This is an absolute reference to the trial. The class trial rules are overlaid over the death portrait texture, which is “conveniently” covering David’s face. The seventeen here is also telling, considering what the description has to say about it!

This is what I believe is David’s end goal. To get everyone executed as a result of his own hopelessness. By pretending to be the killer and antagonizing the class, he believes he can easily sway the votes by “manipulating the public” as he always believes he’s done. By getting everyone to vote for him, he can end the killing game and his own “pathetic life” in one fell swoop.

After all, it’s not like he believes they have a chance of winning and escaping in the first place.

And here, is where we left off in Episode 11. David completely drops his facade in order to effectively kill himself, along with everyone else. After realizing the hopelessness of his situation, he makes a drastic turn to accept it readily. Someone who self-sabotages continues to do so because they develop a warped perspective of having control.

And again referring to the description, the 12 near the “Tallying Votes” caption refers to this. It’s David’s way of justifying his selfishness, with a diluted form of justice serving as an “ultimately fair verdict to the trial.”

However, David has always wanted to be loved. It’s why he even bothers with his facade, because he’s been putting it up for so long that disregarding his persona would effectively ruin everything he’s worked so hard to maintain in the first place. The repeated imagery of applause could also be a callback to his status as a celebrity, especially with how he reacted to Xander and Arei’s reliance on him.

While this does have a small fade of text pointing out that the “degraded copy” is the cover, which is not true because the MV is amazing, but. I believe this–

Oh. That’s literally it. Well, that makes one mystery solved!

Hey, look, we’re already halfway through! nice! Eden’s optimistic personality can be referenced here. She wants to live with everyone, together, and make sure that nobody gets hurt.

This is another reference to David’s rambling on about how attempting to change is utterly futile, and that nobody changes.

The yellow text is the definition of a television show, I believe. The blue text is an excerpt from “And Then There Were None,” by Agatha Christie. The full quote is this: “Breakfast was a curious meal. Everyone was very polite…. Six people, all outwardly self-possessed and normal. And within? Thoughts that ran round in a circle like squirrels in a cage…. ‘What next? What next? Who? Which?’...” …Do you get it? It’s a parallel to the killing game. Or, rather, how David views it. Everyone is terrified and scared for their lives, but they still greet eachother with mock kindness.

The blue text on the side is an excerpt from Shakespeare’s “Macbeth.”, and it goes like this: “I am in blood / Stepped in so far, that, should I wade no more, / Returning were as tedious as go o'er.” A critical analysis of the original work reads as follows: Shakespeare is saying here that Macbeth has involved himself in so many murders that it is as easy for him to carry on than to turn back. Macbeth compares his course of action with wading across a river of blood, creating a vivid image of his bloody reign. The word 'tedious' reveals the hardening of Macbeth's heart.

And now, the moment I’m sure most of you have been waiting for. Xander. Something I took notice of was that the cracks line up directly with his left eye, while his right eye is the one that’s actually missing in the game. Nonetheless, Xander clearly did mean something to David. Whether it be through his idolization of David, or if he inspired David in some way, his death had an impact on him. Manipulative persona or not.

XVI translates to Hu from the crossword puzzle. He’s taunting her, similarly to how he did in the trial, although the ??? makes me wonder if it actually IS David…

XII, that’s Eden. I assume it’s because of her optimistic persona that she is standing in someone’s way, although we’re not sure who.

For the next part, let’s say we take this at face value. It could definitely be referencing David allegedly pushing Arei to commit suicide, although this could also be something he internalizes, with the themes of suicide and wishing to be dead explored previously.

These are all repeats of the previous works included in the MV, like The Little Prince, Ozamu Dazai’s series, Agatha Christie’s works, etc etc.

Now, this is code, I’m assuming, but I tried translating it and couldn’t find anything. It’s a common encryption language. In case you want to translate it, it’s: 3aqxw97pktc8uki458fbdpfoacllex2f07bf8mg24b4mpfx2adc6v3f5yhxjd8i7sf11312zaj5lazet47jod5jczec5mvb6bz2o59r143sf2pe916sczcn7emvbl55ehe9iqb2708tt83482c8tw3c77gn47ojca634gbcfz0016s647wwlakcn46brcle0eam9

NOTE: @glorywelpchild on Twitter says… “For this, it may have been encrypted multiple times by different engines? I'm not a programmer so I'm not really familiar lmao. Another thing, it could be a type of programming the dev knows/commonly uses.”

The VI here is Arturo, but I don’t know what this means. Perhaps the description can give us some insight?

Hmm… Well, I don’t mind. Whatever you say.

Nico’s number is VIII, and this is referring to the defense they put up when asked about their intentions against Ace’s life. They claim they never thought about it, and “even if they try to think, they don’t know.”

This is Levi’s, as per the IX.

I actually managed to find the original image in the background. It’s a study on Comet Shoemaker-Levy 9’s orbit around Jupiter for several years before crashing into the planet. While the name, Shoemaker Levy, may be a play on Levi’s name, I believe this is also referencing that he may die soon. Maybe this is a stretch, but the symbolism of a comet named “Shoemaker Levy” crashing into Jupiter being right under a symbol that represents Levi, our prime suspect in a game where being caught results in death, is too far to be a coincidence. Part of my theory for Chapter 2 is that Levi is the blackened, after all, but that is in a previous post. Nonetheless, we can move on.

This is “Enterance of the Gladiators.” While it is now associated with silly things like clowns, it was originally a military march song. Hmm, where have I heard this description before?

Ah, that’s right! In the description!

These two are relatively straightforward. The David we meet in the prologue is his facade, and it serves as an introduction. However, we are re-introduced to him with a whole personality change, and that comes delayed from all the others.

This is a direct reference to MonoTV and the throne in the trial room.

The truth bullets. Typical Danganronpa symbolism, and it’s also a neat little reference to Xander’s custom weapon.

References to some of the students. The dresser is Levi, the bowl of fruit is Rose, the gun is Xander, the teapot is Hu, and the candle is maybe J?

The clock is Eden, the portrait, maybe a reference to the game? The stupid kid’s toy might be Whit.

Teruko and Mai. Teruko’s misfortune and Mai’s idealization are both key parts of their characters.

The gavel, another reference. The kitchen knife, Min. The skull, Veronika. The mirror… Possibly Xander because we’ve seen him with broken glass earlier in the MV, but it might be David and his personas making another reference.

The mastermind, sitting atop their comfortable chair.

The noose is Arei, the gas mask is Charles, the mouse is Nico, the theater mask… Perhaps the mastermind again, or Veronika again. The safe is David’s locked away and suppressed emotions. These are all mainly theories based on observation, don’t take it as the wholehearted truth.

David being mentioned again with the hair clips. The lemon has been brought up beforehand, it’s a callback to the journal entry. The dummies represent David’s detachment from his humanity, and the television is a callback to the fact that they’re on a television show.

David views himself as a snake, a liar, a murderer. Snakes are common imagery to use when referring to the Devil as well. The blood is a callback to the killing game itself.

Either a reference to Min, or the fact that all the books are empty could be visual dramatization of David’s feelings. There’s supposed to be something in them, but the books are empty. The “various kinds” could also be how many personas he puts on, if that’s a prominent part of his backstory.

The killing game is being broadcasted, so that counts as terrorist iconography, if nothing else. Dandelions, while beautiful in their own way, don’t belong in a garden. The megaphone is David’s custom weapon, and it’s a way for him to broadcast his speeches to those around the world.

The letters are from the joke comic that the dev released. You know the one, where Xander writes a letter for David and he accidentally throws it away thinking that it’s garbage. The popular toy refers to the commercializing of the Tragedy, as Veronika explained on the first day of Chapter 2. How horror movies will put black-and-white designs in their films to up the fear factor because of the subliminal/primal fear of the design back in the days of the Tragedy. The flowers… No idea.

This is cleverly disguised, but it’s a reference to the debate between continuing to live and killing yourself. To be or not to be, to stop or to keep going, but they’re both lit up. How are you to do both at the same time? You have to make a choice.

Main Roles are David and Xander. It makes sense, considering they both have full-body moments and we know who they are. The crossed out name is Mai Akasaki, but the cut off name is a bit harder to decipher. Thanks to some inspiration and help, I’ve come to my final conclusion regarding this.

They are related to Arei, 100%. The letters match perfectly.

Even in comparison to Arei, the “N” in her name starts only a bit earlier, but that’s because the first word is probably only two or three letters, in comparison to the four letters in Arei.

Originally, I couldn’t translate any of these. All I could make out was that the first hand was Xander and the second hand was Min or Mai. However. @MAHIRUMILGRAM on twitter managed to translate them! They are as follows:

After this point, the truth bullet breaks through David’s words, similarly to how Teruko is fighting against David, despite the truth bullet being in agreement towards David’s idea.

There’s also this, which could be David trying to deflect us from the truth, or that the lyrics genuinely don’t relate to him. I’m leaning towards the former.

The white text at the top here is from a story, entitled “The Ones Who Walk Away from Omelas.” It is about a beautiful city where everyone is happy. However, their city is not as beautiful as it seems. They tell the story of how the townspeople have locked a child in a basement, and left it to suffer. Their happiness, as they’ve been told, requires a sacrifice. “Inside the room, which is behind a locked door, there are a couple of dirty mops, a bucket, and a young child. The child is ten years old, but looks younger. The child is scared and completely miserable. It is never allowed to leave the room. Occasionally, someone opens the door and kicks the child to make it stand up. The person fills the food bowl halfway with corn meal and grease, fills the water jug, and leaves. The child can remember what the outside world looks like and begs and pleads to be let out. The child is naked and covered in sores, and it wails at night in its misery. The people of Omelas all know about the child in the basement. They all understand that everything good about Omelas, from their abundance of food to the good weather, depends upon the suffering of the child. They all understand this because when children are between the ages of eight and twelve, they are brought to see the child, and this tradeoff is explained to them. During this experience, the children of Omelas are disgusted. They want to help, but they are told they can’t. If anyone helps the child by clothing, feeding, or otherwise caring for it, then the perfect happiness of Omelas and its abundance would die. Therefore, no one may even speak kindly to the child.” I wanted to include this because it describes David so well. Someone who has been cast away because they’re deemed useless to society, someone who’s happiness would destroy the happiness of anyone else. I find the story truly fascinating, as it might describe David’s suppressed emotions and the depressive tendencies he indulges himself in.

“Their tears at the bitter injustice dry when they begin to perceive the terrible justice of reality, and to accept it. Yet it is their tears and anger, the trying of their generosity and the acceptance of their helplessness, which are perhaps the true source of the splendor of their lives. Theirs is no vapid, irresponsible happiness. They know that they, like the child, are not free.”

“How you have felt, O men of Athens, at hearing the speeches of my accusers, I cannot tell; but I know that their persuasive words almost made me forget who I was—such was the effect of them; and yet they have hardly spoken a word of truth [alēthēs]. But many as their falsehoods were, there was one of them which quite amazed me—I mean when they told you to be upon your guard, and not to let yourselves be deceived by the force of my eloquence. They ought to have been ashamed of saying this, because they were sure to be detected as soon as I opened my lips and displayed my deficiency; they certainly did appear to be most shameless in saying this, unless by the force of eloquence they mean the force of truth [alēthēs]; for then I do indeed admit that I am eloquent. But in how different a way from theirs! Well, as I was saying, they have hardly uttered a word, or not more than a word, of truth [alēthēs]; but you shall hear from me the whole truth [alēthēs]: not, however, delivered after their manner, in a set oration duly ornamented with words and phrases.”

Do you remember, in the prologue, where Xander describes the “rumors” against David’s positive front? This is a direct parallel. Here, Socrates denounces the words of his attackers, similarly to how nobody truly believes the rumors except for the critics themselves. Even Xander was fooled by his charisma.

“Was't Hamlet wrong'd Laertes? Never Hamlet: If Hamlet from himself be ta'en away, And when he's not himself does wrong Laertes, 240 Then Hamlet does it not, Hamlet denies it. Who does it, then? His madness: if't be so, Hamlet is of the faction that is wrong'd; His madness is poor Hamlet's enemy.”

Hamlet blames his own insanity for the death of Laertes’ father. Just like David tries to get everyone killed, and blames himself for murdering Arei, because of his own insanity.

This is a line from the poem “Be Not Defeated by The Rain,” by Kenji Miyazawa. It describes a man wishing to become someone strong, someone who cannot be bested. I believe this is exactly what David wants, too. To be as strong and as hopeful as he is forced to pretend to be, instead of a hopeless mess who would rather die than be seen as worthless.

David reaches the height of his insanity, before finally quieting down after being basked in green light. I don’t know if this was intentional, but I believe that it represents how he’s given up on even death after the students manage to vote correctly, hence the green coloring.

And now, number 19.

I severely doubt that David will actually die in Chapter 3. That is not “foreshadowing,” that is just giving out the answer, and DRDTDev is much more careful than that. I believe this is a final representation of David’s suicidal ideologies. He says he will forget, he says guilt will not weigh him down, but he’s lying to himself. That’s why the stars are still behind him, because he’s still lying. He says he is satisfied, he says he’s okay with death, but when has David ever been truthful with us?

And he leaves an empty throne behind. Not because he is dead, but because he has relinquished his career and his reputation for nothing.

Even though he is missing, nothing else has changed. That is how he views his life.

And that concludes the main analysis of David’s MV! It’s such a beautiful thing, really, I don’t know how to phrase any of it properly. Thank you to everyone who’s read this far, and everyone who helped me out. The decoding and puzzles? Ah, I’ll let you all do that… But, maybe I can help a little! Blanket, out~! See you all next time!

#danganronpa despair time #david chiem #dr #mv analysis #WOOH THAT TOOK ME 6 HOURS.#levi fontana #nico hakobyan #mai akasaki #ace markey #veronika grebenshchikova #eden tobisa #teruko tawaki #hu jing #arei nageishi #whit young #charles cuevas #rose lacroix

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