If you’re so smart, then why are you dead?
To start, heres a list of scientists that some characters were named after:
Lisa Meitner (physicist, bad bitch)
Otto Hahn (physicist)
Kurt Gödel (mathematician) (shawn was sort of correct with the pronunciation)
Robert Goddard (physicist)
William Shockley (racist)
I thought this was an accident because James seems to snicker after but apparently it was planned by Dulé’s stand in Gyle (Gile?)
Gus really should have known this was Avogadros number if he took any kind of chemistry.
Were they originally going to have Shawns mom a cop too and thats why he said he was born with “an extra normal amount [of paranormalevolance]. Two cops to be exact.” I have a vague memory of someone mentioning it on a commentary.
I wish they had let Juliet have a little more participation in the solve and therefore the victory. Or better yet, gave her a separate case to solve on her own so we saw her really get a win under her belt. She could still ask Shawn for advice, or maybe while he’s doing his whole psychic episode bit to give her a clue she solves it without him, and Shawns left standing impressed. But also, you’re telling me that she wasn’t the primary when she went undercover at the sorority??
The way Dulé says “i never got carsick a day in my life!” ABSOLUTELY SENDS ME
But what really made the Gusters keep him from going? Was it just their overprotectiveness? Was shawn really his only friend? Are they still trying to protect him from the truth?
Somehow i got it in my brain that Shawn was responsible for Gus not getting in. I think i headcanoned that so hard i made it feel true lol i thought Shawn knew the whole time (i mean he must have seen Gus practicing and being extra anxious about something) and he somehow convinced his parents that Gus wouldn’t have been happy there. maybe part of that was true, but little Shawn just didn’t want him to go.
Either way, if the Gusters were actually concerned about quality of life, then they chose Gus’s happiness over his success which is such a juxtaposition to Shawn and his dad.
Or maybe they visited the school and saw a kid getting shocked and said fuck that.
Here’s another instance of Gus looking for where he went wrong in life. If only he’d spelt aggiornamento correctly, if only he’d gone to Meitner. Gus seems so unhappy with himself, and theres this underlying narrative happening that Gus might actually be depressed. Like in 9 lives when he’s convincing himself he’s happy, or in down the stretch when Shawn says Gus needed a victory more than him at the moment. This poor guy spent so much of his life being told he would go far, that he could do anything, so when he didn’t, he felt like a failure. And I don’t think that was his parents fault necessarily, i think he put that pressure on himself, simply because it was expected. He was the gifted kid who burned out, and now he’s settled into something safe, reliable, and unfulfilling.
Then you have this chess match with Shawn and Henry and we see Shawn demonstrate his own genius. But the juxtaposition here is that shawns pressure was external. Shawn also had the potential to go far but that ultimately isn’t what he strives for. Shawn just wants to have a good, fun life. Probably because his dad sucked the fun out of everything (let the kid call the knight Dwight, jesus henry).
Sidenote: I’m obsessed with finding this blonde guy in the background now haha
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small things to stop doing in your fics
(or any kind of writing, but i live on ao3. we begin with flat-out crimes and then slowly start moving into things that just bug me personally but aren’t wrong)
epithets. if i’ve said it once, i’ve said it a thousand times. you should only be using epithets for characters whose names we do not know. they can also be used VERY rarely to break up the repetition of names/pronouns or to emphasize characters’ relationships/viewpoints, ie “his boyfriend” or “the asshole.”
writing out accents. please stop. you can include a couple of small things, like “somethin’” or “ya” (for “you”), but even keep that to a minimum. specific turns of phrase/references go way farther imo to establish a character’s culture/background/etc. a little goes a long way, and doing it repeatedly can make sentences hard to parse. this also! applies! to children and babytalk! have you ever listened to a child speak? toddlers can enunciate pretty well!
not enough commas. put commas before names and titles. it’s not “Hey John” or “I’m on it captain,” it’s “Hey, John” and “I’m on it, captain.” also, put them after discourse markers/interjections such as “well,” “so,” and “now.” you should be writing “So, how are the kids?” not “So how are the kids?” even if your character is speaking quickly, you still want the commas because of grammar. it can occasionally be acceptable to omit them if you want to indicate extreme excitement/panic/anger/etc, but use it sparingly.
too many commas. i’m a comma fiend like the rest of you so i’m guilty here too, but we gotta at least stop with the comma splices. commas split and independent and dependent clause, meaning that one part of the sentence cannot grammatically stand alone. if all parts are complete sentences on their own, that’s a comma splice. try splitting it into two sentences, using a semicolon, or rewriting. this is usually fine in dialogue, though, that’s just how people talk.
also, using a lot of commas to denote panic is something i used to be HUGELY guilty of and now i hate it. instead of, “I, I, I don’t, I don’t know,” you can try, “I-I…I don’t—I don’t know!” probably not that much punctuation that close together, but for the sake of example. emdashes and ellipses, my beloveds 🫶
roleplay speak. i don’t know what else to succinctly call this? i’m referring to the tendency to be redundant and over-explain, especially in dialogue. it’s a phenomenon i see constantly in rp circles, usually because of post length requirements (and i have little issue with it there, it’s just the culture). things like:
“Surprise!” Adam shouted, popping out from behind the door.
“Oh my god!” Scott screamed, having been completely startled and not expecting Adam to be home yet.
yeah, we can guess that Scott is startled, right? because of the screaming? and clearly if Adam is surprising Scott it stands to reason his presence is unexpected? why are we stating this twice?
i believe this also comes from the mistaken idea that every line of dialogue needs a tag attached, which is….horrible. you can let the dialogue exist on its own sometimes, friends. you can also include an action beat without a tag. like above, i could have just said “Adam popped out from behind the door” and omitted the shouting altogether. we can assume he is being loud because that’s usually how people do surprises. anyway. moving on.
condescending to readers. this isn’t so much about writing as it is author’s notes and the like, and “condescending” may be a strong word, but i’m trying to be succinct. at any rate, please stop telling your audience to not read your fic? “do not read if sensitive to [blank]” or “if you have [disorder] skip this fic!” is a horrible way to trigger warn. people know their own boundaries. tell them what the work actually contains and let them self-select.
i also find “rest stop/check-in” type notes condescending, like “if you are reading this between the hours of 10pm-4am, go to sleep” and “STOP! have you eaten/drank/walked around in the past few hours? go do that!” again, we know ourselves. i’m not your kid, don’t tell me what to do. i don’t mind a polite, casual little “thanks for reading, remember to drink water and take your meds, bye” note, though.
the others in this category? i will straight up not read the fic over that on some days. ESPECIALLY because, in my experience, the people who are most intense about warning for every little thing are the ones with the mildest fics, and that’s not what i’m here for.
complaining about your own wrong tags. this is, admittedly, such a nitpick, and it definitely is more common in certain communities than others. but as longtime followers may know, i’m a bit obsessed with ao3’s tagging system and it drives me BONKERS when people use the wrong tags and follow it with “not actually but there’s no tag for xyz.” here’s the thing: you can still look at all the works that have ANY tag, just the non-canonized ones can’t be filtered on. and the best way to get a tag canonized is, guess what, to USE it! imagine that. also, if you’re using the wrong tag, you’re just going to clog the filter results and get people who don’t actually want to read your fic. just stop.
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I haven’t been insane about Vi enough lately so time to pour out some random thoughts. free association thinking time:
been thinking about her “It's my savings. I wanna be rich, okay? So I can travel, eat well, buy cool stuff… So no one can say I can't do something!” And none of the following will really be insightful or revelatory because it’s just what she says here but. yeah! that’s vi! the main reason she’s so big on money is because she has to be to get what she wants out of life! it’s what lets her say no to people telling her what to do, and that’s important to her because she has no choice but to be independent and support herself. because no one else will. No one at the Hive had anything positive or supportive to say about her being an explorer until she went out and did it (to a ridiculously successful degree, too. I have to wonder if/how it might’ve differed if she was on a regular accomplishment level team. not the one leading them all to the mission to the Hive). she never had a choice not to be. I could also see that being a little part of why she starts out not really being a teamwork person. past experiences have taught her she can’t rely on anyone else for support. (does make me wonder about what if she’d met Chubee before leaving the Hive. obviously she still would’ve left, but how might even a bit of support have changed other things?)
I feel like we don’t talk about the fact that The Beemerang Is Also Knives enough
ok so at one point there was this post talking about people with money and how it affects their life like. if you can afford to get a nanny then you can only do the fun parts of childcare and when you stop feeling like taking care of the kid you can just hand them to someone else to take them away. and again likely not especially revelatory but I would guess that’s the kind of way queen bianca handled the bees as her daughters (she does care about them. absolutely. but not in the same hands-on attached way as we usually associate with parents) and thinking about how that kind of treatment would then apply to vi....hm
in universes where discussions of Gender and Pronouns etc happen I think she has moments where she gets frustrated with the everything of Being Referred To and Having Complicated Identity She Hasn’t Quite Figured Yet and is like. gender is cancelled how dare you refer to me. but especially anyone else calls me a girl ever i will be stabbing them
also I think a lot about what circumstances she finds out about gayness/Gender being things. and whether she’s thought about it in herself before and whether she’d been dismissed on it/told it wasn’t a thing etc. most circumstances she ends up angry about the finding out times because of (un)consicious internal conflict stuff
underground tavern stuff implies she was definitely doing quests and stuff for money with them precanon. would kill to know what specifically it was. but also the first talk with utter implies that she was doing stuff off that questboard as well which is even more intriguing. utter’s spy also implies you don’t have to be an explorer to do them but otherwise you would think you did I feel. so again very curious what was up there
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