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#American Narrative
romasantos · 1 month
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nobody-2116 · 5 months
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Trevor Hills from American Arcadia
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katabay · 6 months
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captain hook and peter pan's shadow
okay so hear me out. I had a weird dream a few months back about hook suddenly waking up on a ship and everyone else is dead. decaying. dismembered and disassembled. for some reason, the blood on the floors is still wet. an absolute nightmare of a time. the only other person in neverland who isn't a corpse is the shadow of peter pan, who, over time, has slowly come into form as a vaguely fashionable adult since there's nothing tying it to the body of a youth that refuses to grow up (since he was originally nothing but a shadow, he will remain forever shadowless tho)
('One day, Peter decided he didn't need a shadow, that it was more fun to sneak up on people without giving them a chance to notice, and I was left to do whatever I wanted. Eventually I started to care, to feel, and from there I became what I am now.')
it was. some kind of murder mystery, where it's very clearly peter who committed the murders, but hook and the shadow go about trying to figure out the events leading up to it. as one does!
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writinghistorylit · 10 months
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pagansphinx · 3 months
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Celebrating Black History Month with a selection of artworks and the art history of Black American artists.
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Tar Beach Story Quilt • # 1 of 5 in the series Woman on a Bridge • 1988 • Acrylic paint, canvas, printed fabric, ink, and thread • The Guggenheim Museum, New York City
Ringgold’s creates quilts — a traditional American craft associated with women’s communal work that also has roots in African culture. She originally collaborated on the quilt motif with her mother, a dressmaker and fashion designer in Harlem. That Ringgold’s great-great-great-grandmother was a Southern slave who made quilts for plantation owners suggests a further, perhaps deeper, connection between her art and her family history. – The Guggenheim Museum
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quinnsaturn · 2 months
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favorite genre of fictional woman: streak of red hair, bit of a loser, loves violence, corrals a pathetic white man around to keep him from getting killed
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packet-of-staples · 5 months
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I am praying, if American Arcadia does get a big fandom, that we dont do to Vivian what the undertale Fandom did to Chara and put the entire villain role and blame onto her.
Of course, she is a lot more responsible and reprehensible than Chara ever was. She is actively perpetuating the cycle and represents the monetary greed of content like the American Arcadia show.
But we cant forget that the AUDIENCE and by extension WE are also the villains here, not just Vivian. We are what give her power and consume without considering the lives of those locked in the content cage.
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alwaysbewoke · 7 days
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luckthebard · 1 year
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Genuinely confused as to how so much of the fandom watched the first 2 CR campaigns and Calamity and yet still ended up in a “Ludinus is right let’s kill all the gods” position. Like it’s baffling to me how much content/context people have just decided to completely forget? We had 2 full campaigns of very positive interactions with the gods and the moment there’s some hypothetical and interesting musing and speculation about their roles in the world from a more disconnected place we’re just throwing that out the window?*
Tbh the number of people who watched episode 4 of Calamity and still saw Asmodeus as sympathetic or having a legitimate point is unsettling to me, but while that’s a related issue it’s not quite the same conversation.
But like legitimately how did we so quickly make a hard turn from “The Stormlord teaches his barbarians to use the power of friendship, he’s a funny kindergarten teacher” memes to…this.
*(This is not, btw a comment on the characters having philosophical debates in-world because I think those are interesting and on-theme for the campaign and are also nearly always concluding with “our personal relationship to individual gods and feelings about them are irrelevant actually, the people trying to destroy them are doing wider harm and are in the wrong and must be stopped.” I’m actually loving the engagement with this by the characters in-universe but the fandom is exhausting me.)
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soldier-poet-king · 10 months
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Ik the internet has collectively decided liking Hamilton is cringe bc ppl were writing real person fic, making founding father self inserts, and because anything that gets a big enough following must be mercilessly shunned after 6-12 months but like, I got surprise tickets to a matinee today as a bday gift and it really IS that good?
Like. I'm not USamerican. I'm not sitting here like "oh yes this is absolutely historically accurate and this is how everything went down and how these ppl were irl". Its a story. A historical adaptation. But it's a Damn Good Story. It's thematically compelling. It's emotionally resonant. It's about hunger and imagining death and ambition, about that desperation that drives you towards elusive satisfaction, about legacy and memory and the construction and telling of narratives, it's about UNEARNED GRACE and impossible forgiveness.
Like it really IS a good story, and as someone who only know these people as /characters/ and not historical figures, they're compelling characters? Their arcs are interesting? Hamilton and Burr as foils is so good? Washington as a model of leadership and of regret? Of legacy earned and unearned? ELIZA??MY EVERYTHING?? She's not a "main" character but the narrative hinges on her, when Hamilton is stripped bare of his ambition he thinks of her. She controls and saves the narrative, ultimately. It comes down to Eliza as the centre of it all, best of wives and best of women truly.
The music is a bop, the choreography fun, the set design simple but effective. Like? I get things that have a massive teen fandom can be annoying, and taking it as Historical Fact would be stupid. But as a story???? It really is that good?
Also we had an understudy as Hamilton and he was v young with such a soft higher voice and it REALLY worked esp in act 1 with the whole young scrappy hungry thing. He was also shorter than Eliza which imo. Perfect. Tiny man among a cast of largely very tall men and a few very tall women.
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dribs-and-drabbles · 6 months
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The t-shirts are definitely t-shirting...
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"C HERE"
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"It is only with the heart that one can see rightly; what is essential is invisible to the eye."
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yellowocaballero · 8 months
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ORV Characters Ranked by Least to Most Likely to Commit White Collar Crime
You guys said you wanted my ORV takes, and I try not to say things unsolicited, so I'll drop the good meta-analysis and literary criticism that I'm known for. For comedy purposes please pretend that ORV is American.
Omniscent Reader's Viewpoint characters broken down by likelihood to commit white collar crime, least to most:
Lee Hyeonseong: he's convinced that he's never committed a crime in his life. Intentionally, of course not. Unintentionally, he takes shopping for groceries extremely seriously, and is sometimes so wrapped up in the fruit inspection experience that he'll leave without paying. Due to his innocent face, bulk, and sheer confidence, he's never caught. In an economically thrifty maneuver, KDJ always sends him on snack runs for parties and texts him math problems while he's there. He insists it's like couponing. It's not couponing.
Jeong Huiwon: similarly, of course she would never choose to commit a crime. Also similarly, when KDJ says, 'Hey, wanna commit a crime?' she always participates. Since the crime is normally targeted at rich people, KDJ can usually morally justify it to her. She calls this harm reduction. It's not harm reduction.
Lee Jihye: would love to commit a crime in theory, almost never in practice. She has an idealized image in her mind of the ideal high school experience and it involves grand theft auto. However, the worst she ever gets is breaking & entering and trespassing, mostly because she didn't stop to wonder if the building was abandoned or not. She can't even shoplift from Claire's.
Shin Yuseung: the kind of kid who sets the dissection frogs in the school laboratory free. Looks up illegal exotic animal trading on the deepweb and sighs in longing. But exotic pet trading isn't very Animal Rights of her, so she just leaks information to the CIA and busts the rings. Lee Gilyeong convinces her to track down shady sellers on Craigslist and bust their kneecaps. Neither of them view this as significantly different from the dissection frog liberation. KDJ gets her a rescued exotic cat for her birthday as a reward.
Lee Gilyeong: self-explanatory.
Han Suyeong: she's been pirating media since she was eleven and has never stopped. World-class expert in pirating everything. She's the unsung hero who rips the CDs and games and puts them online. Runs the pirating websites. Has never paid for a webnovel or manwha or manga in her life. Despite this, she insists that pirating books is immoral and that people should support small authors. The FBI knows she exists and has been trying to catch her for years. She brags about this constantly.
Yoo Sangah: has committed tax fraud before, will commit tax fraud tomorrow, is currently committing tax fraud. Embezzles her company's embezzlement. Insists that she's only committing victimless crimes, mainly because she doesn't view business executives as people. Her ability to evade the IRS is mythological and it's how KDJ got a crush on her.
Yoo Junghyeok: does not understand adult life well enough to knowingly commit any sort of white collar crime. He is this high on the list because he enables and helps KDJ in literally everything he does, especially using his clout as an influencer. This is because KDJ has convinced him that these things aren't crimes, and he doesn't understand adult life well enough to figure it out.
Kim Dokja: has done every white collar crime under the sun. I can't emphasize enough how much crime he does. He's currently blackmailing SYS's college tuition out of a US Senator. HSY makes the shell companies and launders so much money with him. Alternates between running a pyramid scheme and a ponzi scheme depending on the month. Started a cult that one time but we don't like to talk about that. Runs the betting ring for YJH's esports games. Fixes the games. YJH does not know he does this, but KDJ splits the profits and Yoo Mia also needs a college tuition so he decides not to think about it too hard. Big into crypto and runs every crypto scam you can possibly think of, which is normally where the the ponzi schemes come in. Steals YJH's identity often. Somehow everything he does is technically legal. The only crime he does not commit is pirating. Exclusively targets the wealthy and ultra-wealthy and has never stolen money from a poor person. Sugar daddies all of his friends and pays all college tuitions. Anonymously yet obviously sponsors huge amounts of money to YJH's Twitch streams, mostly in apology for the ID theft. Would really rather be living a quiet life in a big house with all of his friends, but that big house ain't gonna pay for itself.
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peonycats · 1 year
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did i just see someone hc South Korea to be the child of North Korea and America post-WWII
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bonefall · 7 months
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Tbh the whole 'bloodclan bans families and hates Cat God' thing really reminds me of the anti communist bullshit I was fed in highschool history class.
Every day I count my lucky stars that I got educated in a well-funded school in a blue state. My teachers were shockingly good in hindsight, I didn't get half of the same propaganda some of my friends in other states got.
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juniemunie · 1 year
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Tumblr glitched out this and my other post idk why???
Lowkey upset that Alice Asylum got axed. BUTTTT ig it gives me a chance to make our own canon now
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weldnas · 2 months
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#Seeing the dune part 2 american centric red carpet and as a devoted aficionado of the books and yk a moroccan person here are my 2 cents#Dune was one of the few Western works inspired by MENA culture that that felt genuine and respectful#But ofc despite the profound symbiosis with Middle Eastern and North African culture evident within the pages of the novels#the movie adaptation lack of substantive representation from these communities both in on-screen portrayals and within production roles was#very much disappointing in part 1 and i doubt there are any change now#While drawing inspiration from the Amazigh peoples of Algeria and Morocco#the film barely skims the surface of its MENA influences leaving substantial potential untapped#Herbert openly acknowledged the profound impact of Islam and MENA culture on his noveIs#from the metaphorical representation of Spice as oil#to the allegorical parallels drawn between the occupation of Arrakis and real-world MENA geopolitics#By marginalizing Arabs from the narrative fabric of Dune the essence of the story is being undermined particularly its anti-colonial core#the irony of this is kiIIing me because this was a direct resuIt of us impérialism on the middIe east#But the reality is that Dune is an American production tailored for an American audience so it makes sense for it to be what it is now#a big production running from its original essence#What adds to my disappointment is the fact that I liked Villeneuve's adaptation of Incendies and I had what you call foolish hope hfhg#Dune feIt Iike a squandered opportunity to authentically depict the cultural milieu that inspired it#Given the narrative's inherent anti-colonial themes#the omission of Arab and North African voices dilute its message if any of it is even left#without representation from Arabs and Amazigh people the cultural essence becomes another appropriated resource watered down to an aestheti#rather than serving as a critique of the destructive actions of colonialists seeking power and dominance#the narrative becomes susceptible to distortion and co-option by the very entities it was intended to condemn and hold accountable
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