Tumgik
#Alan Stern
fallensapphires · 21 days
Text
Tumblr media
Planets: Pluto
Of course Pluto is a planet: It's massive enough to have its shape controlled by gravity rather than material strength, which is the hallmark of planethood.
21 notes · View notes
lindahall · 4 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
New Horizons – Scientist of the Day 
The New Horizons spacecraft, bound for Pluto, blasted off its launch pad aboard an Atlas V rocket on Jan. 19, 2006. 
read more...
21 notes · View notes
jimmyspades · 1 month
Text
Tumblr media Tumblr media
16 notes · View notes
Text
BHOC: MARVEL TWO-IN-ONE #46
There was very little that could happen in a comic book at this point in 1978 that was more exciting to me than the prospect of a Thing vs Hulk fight. There had been a number of them previously over the years, but I hadn’t yet read any of those earlier stories, though I was aware of them and their influence in determining who was the big dog monster character of the Marvel Universe. As I was…
Tumblr media
View On WordPress
21 notes · View notes
evilhorse · 3 months
Text
Tumblr media
DCI with Johnny DC from May 1990
3 notes · View notes
Text
Elving’s Musings Tumblr Roundup #10
Starting #2024 with a Stack of Old Asks on Tumblr.
(Detail from ASM#700 Festive Variant Cover by Marcos Martin)Previous Tumblr Roundups: (#1) (#2) (#3) (#4) (#5) (#6) (#7) (#8)(#9) My last Tumblr Roundup was January 2023. So let’s ring in the new year with a stack of old asks. I have explained my situation in my End of Year 2023 Post, so I won’t explain anything beyond that today. JUNE 01, 2023: Thoughts on the “Death” of Kamala…
Tumblr media
View On WordPress
5 notes · View notes
a-typical · 7 months
Text
Tumblr media Tumblr media
The Ethnic Cleansing of Palestine - Ilan Pappé (2006)
4 notes · View notes
marvelousmrm · 5 months
Text
Tumblr media
Doctor Strange #32 (Stern/Kupperberg, Dec 1978). Inspired by Nightmare, the Dweller in Darkness conjures a Dream Weaver to slip past the Sanctum Sanctorum’s defenses.
4 notes · View notes
omegaplus · 1 year
Text
# 4,354
Tumblr media
Depeche Mode: “Policy Of Truth” limited edition disc single (1991)
What was my first-ever Depeche Mode experience? “Policy Of Truth”, but not in a way you expect. Paul Reubens was arrested in Sarasota for pulling on himself in an adult movie theater. Though lots of co-stars and celebrities went up to bat to defend him, some decided to take the ball and run with it all the way home. That’s where Howard Stern came into play. Always the one to ridicule celebrities and other people to his benefit, decided to parody Pee-Wee Herman’s Playhouse on his politically-incorrect but bonkers TV show. He’s brought in many weird types on his late-night Saturday hour and this episode was no different.
So he’s dressed up as Pee-Wee in the worst possible job ever and, like Reuben’s character, brought in special guests. However, those guests where fetishists - S&M couples, adult infants, and other deviants. One of them he had on his show was this ginger mistress who brought her slave over (who looked like Gomez Addams). She had him lie on the floor and stepped all over his face with her high heels as “Policy Of Truth” played in the background. Robin Quivers was laughing her fat ass off (as usual) and both her and Stern found it exciting. It was one of the tamer scenes of that episode and one which wasn’t horribly censored to the point of being un-viewable.
It’s a scene that’s never left my mind, is in my personal VHS archive, and even on YouTube if you search hard enough. Fortunately, there was plenty of more Depeche Mode on the way. My city station constantly played “Enjoy The Silence” and “Personal Jesus” since that moment up until Songs Of Faith And Devotion was released. I really don’t need to tell you how that album blew me away; an album which made me one of only two people in my high-school who was into them.
5 notes · View notes
dailyretrogames · 2 years
Text
Tumblr media
Berzerk is a multidirectional shooter maze game, released for arcades in 1980 by Stern Electronics of Chicago. Berzerk places the player in a series of top-down, maze-like rooms containing armed robots.
Tumblr media
Alan McNeil, an employee of Universal Research Laboratories (a division of Stern Electronics), had a dream one night involving a black-and-white video game in which he had to fight robots. It was named for Fred Saberhagen's Berserker series of science fiction novels.
"Evil Otto" was named after Dave Otto, security chief at McNeil's former employer Dave Nutting Associates. According to McNeil, Dave Otto would "[smile] while he chewed you out". He would also lock McNeil and his fellow employees out of the building to enforce a noon-hour lunch, as well as piping beautiful music into every room.
The idea for a black-and-white game was abandoned. At that point Stern decided to use a color overlay board for Berzerk. A quick conversion was made, and all but the earliest versions of the game shipped with a color CRT display. The game was test-marketed successfully at a Chicago singles bar before general release.
Tumblr media
Berzerk is one of the first video games to use speech synthesis, featuring talking robots.In 1980, computer voice compression was extremely expensive, estimated to have cost the manufacturer US$1,000 (equivalent to $3,290 in 2021) per word; the English version has a thirty-word vocabulary
Tumblr media
Milton-Bradley produced a Berzerk board game designed for two players, one playing Evil Otto and the robots, the other playing the hero. The playing pieces are plastic yellow rectangular panels that are labeled with the corresponding characters. The hero figure is differently shaped and labeled only on one side. It also has a slot in which a second piece is inserted representing the character's arms, both equipped with laser pistols. Pressing down on the back tab raises the guns and if the figure is properly positioned in the space, it knocks down a robot. Firing the weapon counts as one move.
4 notes · View notes
superallihoran · 9 months
Text
También hice estas etiquetas para útiles escolares hace unos días JAJAJAJAJAJAJ AMO 💛💙❤️💚🧡
Links:
https://www.canva.com/design/DAFsniAsS1w/AgmqH77-s5iN4RhU6eBW5Q/edit?utm_content=DAFsniAsS1w&utm_campaign=designshare&utm_medium=link2&utm_source=sharebutton
https://drive.google.com/drive/folders/198I3-5yA09AF85dlN4R5Uxmhu49CohRr?usp=drive_link
0 notes
eclecticpjf · 1 year
Text
Just got a new batch of bound comics.
Tumblr media Tumblr media
I’m glad the table of contents for the Alan Moore volume made it into the book. I made them for the Roger Stern volume and the John Ostrander volume in the last batch, but there’s no sign of them in the books.
1 note · View note
the-ace-with-spades · 3 months
Text
(I adore fics where Johnny’s family loves Ghost from day one, but, you know…angst)
Soap and Ghost had been together for almost two years. They never name the relationship, really, but it's serious and they both know it.
Thing is, Johnny's seen Ghost's face a total of four times, counting Las Almas.
Well, he sees parts of it regularly, more than others. Ghost will either roll the balaclava up when they're reading together in bed or when they're eating. Sometimes, when Soap wants to go out and Ghost indulges him, he goes in public in just either a face mask or a gaiter and Soap can see his short wavy blonde hair sticking all over the place and 
The four times he had seen Simon’s face in it’s whole — obviously, Las Almas; one time when he was unconscious and bleeding from a head wound and Johnny had to check; one time when they took a shower together, Simon stayed with his back toward him through most of it, but when they finished, he let Johnny dry off his hair; one time, when Johnny asked him to see him for his birthday presents, a few minutes after midnight.
Johnny wasn’t sure why exactly Simon didn’t want to show him his face. It wasn’t a trust thing — he trusted Johnny with more than his own life — and it wasn’t like he was ugly — he was downright sinful. He never drilled the topic because he didn’t care, if SImon wasn’t ready, then he wasn’t ready, but if he had to guess, it was all to do with identity and being seen. No one knew his face — people could know his name, Simon “Ghost” Riley, but they wouldn’t know the man behind the mask. Wouldn’t know the people behind Simon “Ghost” Riley.
(Johnny wasn’t completely off on the assumption — Simon didn’t want anyone to know his face because faceless people weren’t missed. Faceless graves — like his own — didn’t have people to leave behind, and faceless soldiers didn’t have loved ones to find and he was both. No one could get hurt if he remained faceless. Or at least that’s what he’d been telling himself.)
And Johnny is okay with that — if Simon never showe him his face again, he’d still love him all the same. Johnny’s family? Not so much.
They’re supposed to be in Glasgow for five days total, leaving after Boxing Day. Johnny gives them all a warning, that Ghost is a bit shy and doesn’t like showing his face, he’ll most likely stay covered the whole time, he might be wearing a balaclava, or a mask, he probably won't eat at the table.
When they arrive at his parents house, it almost seems like everyone forgot. Like everyone thought it'd be more mild or that Johnny was exaggerating.
There are looks. There is silence. People can't stop staring.
His mam takes one look at Simon’s balaclava once they enter the living room and looks funny at them. “Ah thooght Ah tauld ye boays tae strip doon.”
“Mam, lea him alane,” he tries but he can tell that Simon is getting tense and his mam is getting tense.
His mam, who is usually the sweetest person ever, is uncharacteristically quiet and curt whenever Simon is around. Simon doesn't really know how to make it better — Johnny's never seen him so silent outside of stealth missions, he just stands there like a sore thumb, not making anything less awkward. He didn't expect him to — Simon's social skills are lacking and he loves him that way — but he expected his own family to not make such a big deal out of that mask.
His da is stern and silent, which is as disapproving as he gets. His sisters are a bit weirded out, but mostly focused on teasing Johnny, even making fun of the mask. With a stupid grin, his older sister asks, “Does he keep it oan in bed?”
Johnny doesn't say anything to that, even though his face feels red. His sisters stop laughing.
“He does?” When Johnny tries to step out of the room and avoid the conversation, his sister’s tone changes. “Hae ye e’en seen his face?”
“O’ coorse Ah hae,” he spits out. He doesn’t specify it was only four times — he doesn’t think it’d help. “And ‘s a bonnie ane, alricht.”
It doesn’t save the situation and his sisters are also weirded out and wary from then on.
 The kids do not care — they ask maybe two questions, tilts their head as Simon explains and that’s it — and Johnny breathes a little easier as soon as his nieces push Simon outside to help them build a snowman.
The judgment doesn’t stop. Johnny’s blood boils any time it shows and even though Simon says it’s all fine, he can’t stop feeling angry about this. They just can’t get past the mask.
Christmas Eve and Christmas Day are difficult to Simon and Johnny knows it. He’s given him the option to omit the family dinner on both those days if he’s not feeling alright enough to spend those days in crowdy house filled with a flock of loud and cheery people of all ages.
Simon knows this. He also knows that if he says he wants to stay at Johnny’s flat for the time being, Johnny is going to insist he doesn’t have to go either, that he’d prefer to stay in with him and not go for the Christmas dinner. Which he also knows is bullshit — Johnny loves Christmas, loves spenidng time with his family, that was basically why he kept on insisting Simon couldn’t stay alone at the base for Christmas another year in a row. It was the main reason why he agreed to go with Johnny in the first place, he was pretty sure if he didn’t go with him, Johnny would insist he stays, too. 
So Simon stays in for Christmas Eve — or rather goes to a pub while Soap spends the day with his parents — but insists they go to Christmas dinner. 
His family is disappointed to see him there, to the point the usual manuevering around politeness and disapproving go onto a backburner.
“John said yer nae a fan o’ Christmas,” Johnny’s mum says to him pointedly.
“That’s right.”
“And yet ye’r ’ere,” she notes.
Johnny is far away from the earshot and he doesn’t want to lie to her so he admits, “If I didn’t come, Johnny would insist on keepin’ me company.”
“How come ye dinnae try to hae a bit mair cheer fur th' holidays then? Put a bit mair effort in for ma baby.” 
Johnny notices and soon enough, he’s next to him, their arms brushing, Johnny’s hand on the small of his back. “Lea him alane, mam.”
“It’s fine,” he says even though it’s not fine. They deserve an explanation, even just to know what they son is getting himself into. “My family was murdered on Christmas Eve. I’m—I’m trying.”
The silence falls over the room — Johnny’s mum, dad, his sister, all present, not looking at them. Simon closes his eyes, tries to breathe.
Johnny rubs his back. “Let’s gae home.”
“I’m not ruining Christmas for you, Johnny,” he says. Before Johnny can deny it — and he knows he’d try — he tries to placate, “Let’s just have ourselves a minute to calm down.”
Maybe it’s the way his voice is perfectly levelled or the way his hand trembles as he squeezes Johnny’s, but he lets him leave the room.
He steps outside — to the backyard. Sits down on the step to the garden and lets the snow soak through his jeans and the top o his balaclava.
The kids come outside, tripping over Simon’s legs. They were all oblivious to the trails and errors of Simon’s integration into the family, so they approach him as always
“Whit's wrang?”
There’s just something so innocent in having a six-year-old girl covered from head to toe in pink and glitter worry about you. Simon would never admit it in front of Johnny, but he finds the accent cute.
Simon takes off the mask.
The kids all look at him and look at him, a bit unsure maybe a bit fearful — it can be a scary sight, he admits, the elongated, jagged smile that sticks to him no matter the mood, makes him more crazy than he already is — but only one of Johnny’s niece keeps her eyes on Simon’s face. 
Shily, she asks, “Does it hurt?”
“No,” he replies. When she smiles, he smiles back.
Not anymore.
This is Johnny’s family. Simon can deny it all he wants, but Johnny’s seen him as family, as someone he’d leave behind, and it hadn’t been unrequited. He can’t hide behind a mask forever and maybe this was the kick he needed.
He steps back inside when his hands turn numb. He doesn’t put the mask back on.
Johnny’s eyes widen. “Simon?”
Simon just—smiles. He can feel the scars pulling on the corners of his mouth, the stiffer skin, but he’s not faceless. He’s not been faceless for a while.
Edit (29/03/24): This is now a WIP for a minimum 15k fic, titled don't shoot me, santa, that will have 4 chapters and will be posted (hopefully) later in the year
509 notes · View notes
Text
BHOC: INVADERS #33
I still had a real liking for INVADERS and these all-new tales of Marvel’s earliest super hero characters set back during the era in which they were initially conceived, World War II. But around this time, my enthusiasm for the series began to wane a little bit, for reasons I wouldn’t have been able to articulate then, but boiling down to not loving a lot of the art and not being wild about the…
Tumblr media
View On WordPress
44 notes · View notes
wee-chlo · 6 months
Text
I'm rereading Harry Potter and it's baffling how people just... pretend Snape was a completely different person than who he actually was?
Granted, Alan Rickman's Snape and Book Snape are two genuinely different people, to the point that I think Movie Snape would be mildly disgusted by Book Snape. Movie Snape came off more as someone who was angry and spiteful to a select few for reasons that ranged from Understandable to Irrationally Petty, but generally very grim and stern, with a good heart beneath it all. Book Snape is a piece of shit.
Movie Snape doesn't have the same cruelty as Book Snape: his targeting of anyone other than Harry is framed in a more slapstick way and his teaching isn't neary as abusive. Neville being terrified of him doesn't have the same implicit showcasing of Snape being abusive but rather Snape being stern and unforgiving while Neville is meek and needs positive reinforcement to flourish.
Movie Snape is stoic, deadpan. I saw a clip of Rickman on YouTube and either he, a commenter, or both noted that a touchstone of Rickman's performance for Snape was that he didn't raise his voice. Not so in the books, where Snape's described several times loosing his temper and screaming, even shrieking. Snape is terrifyingly volatile in the books, in contrast to the movies where even at his most furious, most emotional, he remains in control of himself.
Book Snape is, unambiguously, just a bad person. Not just a bad teacher, a bad PERSON. He is a small, bitter, petty bully who shouldn't be anywhere near children, and honestly Dumbledore letting him near children is probably more of an indictment of Dumbledore's character than the fact that he used to be a wizard supremacist.
And to be clear, while teenage Snape isn't AS bad as adult Snape by virtue of being a teenager... he was also just Not Good. He ran around with Wizard Nazis. Lily called him out on that, on the fact that he was clearly ready and rearing to join Voldemort, that he used Dark Magic on other students alongside his death eater buddies, etc.
James and Co were little shits who teased and picked on students. But Remus and Sirius made a point that Snape and James had a uniquely, mutually hostile relationship. Remus and Sirius state directly that ultimately, one of the primary reasons James targeted Snape was because Snape was "up to his eyeballs in the Dark Arts and James hated the Dark Arts".
I've seen people use the fact that James never apologized to Snape as an indictment of James' character but like... when and why would he have apologized?
Genuinely, I think if Snape had made a good faith effort to be a better person BEFORE the death of the Potters, James may have apologized. But Snape at the time of James' death was a literal wizard nazi and honestly? I can't see him feeling terribly bad about bullying him, or at least not feeling obliged to apologize. And even if he had, how would he have done so? Send an owl to wizard nazi HQ?
But I think the thing that made me bristle the most about the books was the gaslighting that happened in book 6.
Remus is... going through it in that book, fair enough, but when Harry is talking to him about his suspicious, he gently accuses Harry of "inheriting James' and Sirius' prejudice" and being "determined to hate [Snape]". Like.... I'm sorry, but did Remus get hit in the head? Are we supposed to just casually forget EVERYTHING SNAPE HAS SAID AND DONE TO HARRY IN THE LAST FIVE BOOKS?!
If anyone came into it with an inherited prejudice and a determination to hate, it was Snape.
Justice for Book 6 Harry, everyone's treating him like he's bonkers but he's right.
420 notes · View notes
hexespheres · 3 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
𝟲𝟬 𝙔𝙚𝙖𝙧𝙨 𝙤𝙛 𝙎𝙘𝙖𝙧𝙡𝙚𝙩 𝙒𝙞𝙩𝙘𝙝
(inspired by 40 Years of Psylocke)
→ First appearance: X-Men vol.1 #4 (1964)
→ Writers: Stan Lee (creator), Roy Thomas, Len Wein, Steve Englehart, Bill Mantlo, Jim Starlin, Chris Claremont, Mark Gruenwald, Steven Grant, Ralph Macchio, Roger Stern, Dennis Mallonee, John Byrne, Dann Thomas, Andy Lanning, Dan Abnett, Kurt Busiek, Geoff Johns, Brian Michael Bendis, Allan Heinberg, Rick Remender, James Robinson, Jim Zub, Al Ewing, Kelly Thompson, Steve Orlando & more.
→ Artists: Jack Kirby (creator), Don Heck, George Tuska, John Romita Sr., John Buscema, Sal Buscema, Rick Buckler, Bob Brown, Gil Kane, Jim Starlin, Jim Mooney, Jerry Bingham, Michael Golden, Rick Leonardi, Dan Green, Al Migrom, Richard Howell, John Ridgway, John Byrne, Steve Butler, David Ross, Andy Kubert, John Higgins, Mike Deodato, Ian Churchill, George Pérez, Joe Jusko, Mark Texeira, Alan Davis, Kieron Dwyer, Scott Kollins, David Finch, Olivier Coipel, Jim Cheung, John Cassaday, Jorge Molina, Daniel Acuña, Kevin Wada, Tula Lotay, Sean Izaakse, Pepe Larraz, Paco Medina, Javier Pina, Cian Tormey, Sara Pichelli, Russell Dauterman & more.
→ Costume designers: Jack Kirby, Don Heck, John Buscema, John Byrne, Richard Howell, Al Migrom, Colin McNeil, Mike Deodato, George Pérez, Alan Davis, Kieron Dwyer, Olivier Coipel, Jim Cheung, John Cassaday, Daniel Acuña, Kevin Wada & Russell Dauterman.
→ 𝘼𝙣𝙞𝙢𝙖𝙩𝙚𝙙 𝙖𝙙𝙖𝙥𝙩𝙖𝙩𝙞𝙤𝙣𝙨: Vita Linder (The Marvel Super Heroes), Katherine Moffat and Jennifer Darling (Iron Man), Susan Roman (X-Men: The Animated Series), Stravoula Logothettis (Avengers: United They Stand), Kelly Sheridan (X-Men: Evolution), Kate Higgins (Wolverine and the X-Men) & Tara Strong (The Super Hero Squad Show)
→ Various games: X-Men Legends II: Rise of Apocalypse, Marvel Super Hero Squad: The Infinity Gauntlet, Marvel: Avengers Alliance, Marvel Avengers: Battle for Earth, Marvel Heroes, Marvel Contest of Champions, Marvel Future Fight, Marvel Ultimate Alliance 3: The Black Order & more.
→ Current books: Scarlet Witch & Quicksilver by Steve Orlando & Lorenzo Tammetta, The Avengers (vol. 9) by Jed Mackay & C.F. Villa, Avengers United: Infinity Comic by Derek Landy & Marcio Fiorito, Blood Hunt by Jed Mackay & Pepe Larraz; Scarlet Witch (vol.4) by Steve Orlando & Jacopo Camagni
168 notes · View notes