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#A) i already committed to drawing 7 characters i don't know how to draw i wasn't about to make it 8
1morteveryday · 1 year
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365/365 👣
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lonelylonelyghost · 4 months
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Under the Skin analysis nobody asked for
a.k.a why I think that Du Cheng is pretty awesome actually.
SPOILERS for Under the Skin - Chinese drama, NOT a vore? body-snatcher?? movie with Scarlet Johansson. You have been warned.
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OK, let's get one thing out of the way first. People give Du Cheng a lot of shit about how he treated Shen Yi at first, which - fair, but hear me out.
Captain Lei for Du Cheng was not just a mentor and a fellow police officer, he was practically a father to him, the one who supported and showed young Mr. Du that he could redirect his anger and strength towards greater cause and help other people.
So imagine, in a very short amount of time, during the phone call with your almost-PARENT you hear him getting stabbed, find his dead body in a ditch, and then the reason the killers were able to identify him at all - a smug little shit of an artist who bragged about remembering every face he saw - couldn't draw for some reason the only face that mattered.
You'd also probably flip out and hold a grudge for 7 years.
Du Cheng also didn't know at this point that Shen Yi couldn't remember the face due to being dumped into the sea, he assumed that the artist just didn't want to do it.
I'm not saying that all this excuses Du Cheng's behavior, he's still a dick to an innocent person, a victim of circumstances - the fact which he already knew. What I'm saying is that it makes sense.
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The scene in the interrogation room was amazing but I think we all know it
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Now, onto the thing:
The initial impression of Du Cheng's character is that yes, he's the police captain, and he's capable, but he's also kinda goofy. Like, where the work is not involved he's simple, straightforward person, not a genius like Shen Yi with his art or good with technology like Li Han, not very sophisticated, etc.
He's pretty chill overall (unless it's about murder cases or Shen Yi). Typical big gruff police captain that can be a butt of several jokes in other shows, but here is where things get interesting.
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When we first see him in the series, he's submerged in a bath inside of a suitcase, trying to figure out how a crime was committed. (Typing this I realized that there's even more of a theme of water and drowning, specifically of self-inflicted kind, than I'd thought before).
It shows that he's willing to go to great lengths to solve a case, including getting himself in a harm's way in the process, and this is demonstrated constantly throughout the show.
Later we see that he's also a good leader of his team, street-smart and physically strong.
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A lot of wet men this show has
Speaking of physicality, I like how Du Cheng carries himself. With his height and size he could seem awkward, but Du Cheng is in complete control of his body.
His movements are big (wide? idk but you get my point) but fluid and calculated at the same time, partly because of the years' worth of training, partly because like many other tall people he's used to moving in the world that's occupied by smaller humans and a lot of fragile items.
He's not using his size for his advantage in everyday life, unless it's for the case and he needs to save one ever-unlucky Shen-laoshi from trouble for the tenth time that week.
He moves with the grace of a wild animal, calm and seemingly tame until he isn't, which is why although I understand his comparison to a dog in the show, I feel like he's more of a wolf.
Basically, there are three things I can watch forever - how the fire burns, how Shen Yi draws, and how Du Cheng jumps into the swimming pool.
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Another little mystery about Du Cheng that just doesn't let me go is - what the hell is his family background?
At first it seemed like he was just an ordinary rebellious teenager from some kind of tumultuous household. We don't hear anything about his parents, so we're simply left to assume (the same goes for Shen Yi).
That was until Du Qing comes into the picture. Du Cheng's sister is like rich-rich, so she could either amount to such power herself (girlboss ❤), or she's already come from money.
If the latter is the case, then what was Du Cheng doing on the streets all those years ago? Rich boy's tantrum? It didn't seem like it. Also, Du siblings seem pretty close, so I don't think that Du Qing would let her younger brother roam the streets if she had a choice.
Maybe I missed something? I don't know, but this tidbit just tickles my fancy for some reason, like what's his deal?
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But the thing that proved to me the fact that Du Cheng is as complex of a character as She Yi was when he framed himself as M's killer.
(I mean, I knew that he was innocent from the start, because hello, this is s Chinese contemporary show about cops, there's only so much wiggle room in terms of morality the censorship would allow - either he's guilty and he dies at the end, or he's not and everything will be fine. It didn't seem like the first option, so...)
Even before the whole thing went down, Du Cheng in general never seemed like a sidekick, simply a load of big muscles compared to Shen Yi's torturous genius, but this particular decision really cemented the quality of this partnership - in different ways, but they're equal. Neither can do without the other, and both of them can adapt and change their usual tactics when required.
And do you realize how rare this kind of thing is??
When two people have this sort of dynamic in a show - where one is very smart and the other is more down to earth - the second person more often than not would just feel like an assistant to the first one, and it's incredibly annoying to me personally.
But here it's different and oh my god IT'S SO GOOD! I practically screamed in excitement when it happened.
The motherfucker can scheme! This guy fell down from the stairs, hit his head, saw that M was dead, instantly understood what was happening and came up with a whole plan, which granted, involved getting himself in huge trouble, but it's not like Du Cheng is the only one who likes to be self-sacrificial fool in this show.
He sets a trap for the villain like a predator for the prey and then patiently waits. He knows that the price for this stunt is not only getting framed for the murder and demoted/imprisoned/executed? (I don't know the terms for death sentences in China very well), it's also the trust and potential well-being of his colleagues, and Du Cheng still agrees to pay it. He's ruthless both to himself and others, and I LOVE IT.
The later parts of the show provides us with not only deliciously tense moments, full of suspicions and drama and angst (the dinner with Du Qing, and Shen Yi drawing the eyes from the security footage are especially great), but also proves that BOTH of main characters have this darker undercurrent beneath their friendly exteriors.
And although it can't really be explored properly due to censorship, it still is fascinating to think about.
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mcnuggyy · 4 months
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Sorry to bother, just curious, is there a pause on Primavera still?:0 I am still so hyped for when it comes out :)
hi hi!! not a bother at all!! Can't remember if I've really spoken about this outside of my close circles but I have decided to focus exclusively on Cryptid♡Crush, commissions, and other projects at the moment. As an artist I've realized it's silly for me to force myself to work on projects that just don't bring me joy anymore, ya know? Not to say Primavera never brought me any joy, but more like I've outgrown the story and characters in a few ways. This was definitely a story I wrote for early 20's Izel, someone who was stil struggling with themselves gender and sexuality wise, and not sure how to feel comfort in this truth while being the child of mexican immigrants who were struggling to accept me.
Now I'm very much heading into my late 20's, I've moved out of what used to be an abusive household for me during much of my life. My parents have made great leaps in accepting me to the point where i've finally found the peace and ability to get married with my partner of 7 years. Of course I'm still figuring myself out in a lot of ways but I think more than anything I want to focus on something where characters already know who they are... they're just looking for that space of acceptance, a place to be themselves unabashedly and have fun and make friends and deal with the things i'm currently going through!
A lot of times I think our oc's tend to grow with us or we grow out of them and make new ones to fit our current selves ykno. And I think that's just kind of whats happened jajaja. Maybe one day I'll take a dive back into those characters, but they are very much tied to a very specific story and period of time in my life for me. I know I've kind of fucked myself in a lot of ways by committing to making art my job, and I know jobs aren't inherently fun, but god damn it I want to make sure I'm enjoying myself anyways... even if that means having to get a part time in order to work on a project that is less accessible to audiences but much more fun for me jajaja
In other words, I no longer find myself interested in telling the story about awkward gay mex-am 20 year olds figuring themselves out cause I'm now an extremely queer 26 year old who knows who they are and is much more focused on meeting other queer and trans people like me and making friends and surviving adulthood jajaja. And in a lot of ways those two things are very similar when it comes to acceptance and belonging! Just in different stages if that makes sense! And I'm sure when I'm in my 30's this will change, and 50's and so on!
Regardless I want to make sure I'm doing everything in my power to make sure I'm making myself happy in my own work... I originally became an artist because I loved the joy it brought to others, and it still is a very important to me that a lot of that remains true in my art! But I think keeping that joy sincere, by making sure its something I also find joy in, is even more important. :o]
ANYWAYS!!! I didn't mean to go on such a long rant just to say I wanna draw gay t4t monster sex but well there ya go JAJAJAJA!
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citrus-cactus · 1 year
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I finished my first playthrough of Digimon Survive (Moral Route)! Some not-plot-specific rambling under the cut, but still spoilery if you haven't played the game at all:
Re: The moral route, I really liked it! The only things I wish I could have done better (and I’m a little mad at myself for not doing) is actually unlocking Labramon or Dracmon’s Mega evolutions (I made too many mistakes early on with Aoi and Kaito's affinity points. I had been trying to play naturally and not minding if I didn't pick the “right” answers for the first several parts of the game, but I gave that up around part 6 because I wanted to be better friends with Saki, and I HAD to continue being BFFs with Minoru and Miu!). I did get Floramon, Syakomon, and Falcomon's Megas though! I love all of those cutscenes so much dfasdfasjghaskdfha
I'm also a little mad at myself for being two points shy on Wrathful to unlock all three "regular" endings on my first playthrough. I was SO CLOSE!! I just thought I needed to keep the points even-ish, I didn't know until I looked it up that there was an actual numerical threshold. I feel like not doing that complicates my desire to play as efficiently as possible. Right now I have a save in Part 7 that I could go back to to bump up my Wrathful score, then play through Harmony and Wrathful from Part 8... but I may have slightly spoiled myself on those two routes and now I'm not even sure I want to play them, because OOF. But since recruited digimon and evolutions carry over between game and new game+, it does make sense to keep playing on the same file, regardless of which route I choose to do. I will also say that I am so INTENSELY curious about all of Labramon's Megas because her line from Rookie to Ultimate is SO INTERESTING (also I may have spoiled myself on one or two of those Megas, they are thematic AS HECK and I REALLY want to understand exactly how we get there character-wise for at least one of them. The mythology and symbolism and implications for Aoi as a character have me REELING... but playing that route... OOF!).
Right now, I'm really tempted to just do NG+ and go for the Truthful route, but I think if I do I will be even less likely to go back to Wrathful and Harmony. Technically I already started NG+, but I've only finished the prologue. Can you have all four endings unlocked at the branching point on your second playthrough, or once Certain Things happen, are you fully committed to Truthful? Anyway. I don't want to play the game all the way through four times to unlock all the things is what I'm saying, but I acknowledge it might be unavoidable.
I also kind of want to participate in Survive Week, which starts on January 27th, I think? I honestly don't know how that's going to happen for me personally, because so much of my spare time is still going toward playing the game, so maybe I just need to give that up as a goal and just enjoy finishing my playthroughs and creating art on my own schedule. I already have an idea for a specific piece that I want to make SO BAD, but I also really want to take my time with it and fully understand the things I am assuming about character arcs before diving in (but I will say, "Pair of Sad Digigirls with Flower Symbolism" is apparently a theme I like to explore in my art these days, who knew that would become a theme?) . I also want to draw a bunch of Minorus being goofy. And Miu!!!! Honestly, all my top favorites. This group of kids and their partners ended up being pretty great, and even though I do have some minor criticisms of the game itself (pacing, difficulty curves, translation, the nature of choice in visual novels), I really love how much it has made me think about platonic soulmates. Survive been a great ride thus far, some wonderful character exploration through psychological horror, and the Moral Route did end up warming my heart so much :D
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theunwellkingdom · 5 months
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Design Deep-Dive #1: The Blank Canvas
This project started as a simple idea:
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"I want to create new Magic cards I can play with friends, based on the world and characters of our shared D&D campaign."
I knew this would be a massive undertaking, but at first, I didn't know HOW massive. A blank canvas can be a terrifying thing, so I set off researching and defining scope. This brought me to several realizations, which became my guiding pillars to start making cards...
1. This will need to be an entirely self-contained set.
I do not have professional design and balance teams at my disposal. Rather than attempt to slot my cards in with 30+ years of existing Magic, I knew my best chance of creating fun, playable cards was to keep them self-contained. However! This meant I also needed to commit to a full-sized set, to ensure there's a deep enough pool for a proper sealed/draft experience.
2. I don't want any reprints of existing Magic cards.
This one's selfish, but it wouldn't feel right to simply re-skin real cards. Of course there will be staple effects in each color (burn, counterspells, ramp, etc), but a huge incentive to start this mad journey was to give my design chops a good workout... I would quickly learn that this is easier said than done. Turns out it's very easy to think you have a clever idea, only to search online and find that clever idea on a decades-old piece of cardboard!
3. I want to design new mechanics.
This goes hand-in-hand with #2, but it wouldn't feel like a proper set without a few flagship mechanics to call its own! These came surprisingly quickly, and became invaluable tools to structure the entire set. Look forward to deep-dives on each of these in the future.
4. I want to celebrate art we've already made.
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Our D&D group is comprised of a bunch of artsy folks, and we've got over 5 years of stories to draw from (literally). I've made sure to get everyone's blessing to use their art and characters, and I hope it makes the set feel more personal. We even put together a zine-style artbook for it during the pandemic, so there are already some great pieces ready to get slapped onto cardboard.
5. I'm going to need a LOT more art.
Even counting all our existing work, I knew I could only count on those to cover a fraction of the cards. The good news is, I love to draw. But the honest truth is that this will be the longest part of this endeavor. At the rate I've been drawing so far, I've probably got another two-ish years to go.
(NOTE: I will absolutely NOT be pilfering art from strangers online or using any sort of AI-generated content. This project is a labor of love, and I'm in it for the long haul -- not looking for unethical shortcuts.)
6. I want to leverage my custom token template.
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I've printed off several batches of custom tokens recently, and that's helped me develop a Photoshop template for stylish custom cards! It would need lots of tweaks to accommodate all the card types in a full set, but at least in this aspect, I wouldn't be starting completely from scratch.
7. I don't actually know how to build a set cube!
Cards on the table, I only started playing MtG a couple years ago. I've got a decent grip on the fundamentals, but I've certainly never tried to build a cube before. This Lucky Paper article was a perfect primer for me to get ballpark numbers, and I cross-referenced it heavily against recent set cardlists to create my own.
....And with all that in mind, it was off to the races!
🔮NEXT TIME -- New Mechanics in the Unwell Kingdom
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oh-cramity-its-amity · 4 months
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For TOH ask game, how about 1, 7 and 9? :)
Hi!! Thank you sm for the ask!! I'm gonna switch the numbers up a bit because I've answered a few you've listed but still wanna answer more.
(Here is the ask game for those who want to see it)
I have already answered questions: 1, 2, 5, 7, 8, 11, 16, 19, 20
1.) What episode got you invested in the show? Why?
I already answered this one here so I'll exchange this with 3.
3.) Favorite episode? Why? Ramble as much as you'd like.
My favorite episode most definitely for nostaligic and sentimental reasons would be Enchanting Grom Fright, and I KNOW like there are a TON of other episodes but I cannot deny the fact that EGF really does hold a special place in my heart for being (as I answered in question 1.) the reason I even got into TOH in the first place back in 2020. The entire course of this hyperfixation is BECAUSE of that episode. I love it sm because it literally was the spark of the fandom's outrage over shipping Lumity. Everyone was racing to draw and commit every art medium to fandom space. Ao3 was such a different place back then too for TOH fanfic. I think after EGF came out a lot of things really came to be TOH. Of course then we had WIng It Like Witches (which that's an entire discussion in itself!!) that made us all freak out even more about Lumity. I don't know haha. EGF really holds a special place in my heart that I love more than s2. WHICH- Don't even get me wrong. I absolutely love LOVE LOVE s2. We got the Lumity kiss and all that fun cannon stuff- It's just that nothing to me compares to the absolute sheer ferality I had over them because of that episode. TOH really had a chokehold on me because of that.
7.) Has the show ever made you cry? What scene(s)?
I already answered this one too here :( (its so funny yall asked like almost the same thing whoops.)
I'll do 6 because 4 is super obvious lol.
6.) A character you didn't expect to love? What made you start liking them?
Honestly, I'm gonna give a hot take here but Willow. In the beginning back during s1 I didn't feel like she was all that cool. (I didn't HATE her- I just didn't see the appeal of her) Of course Understanding Willow definitely had an impact but it wasn't until s2 when we really got to see into her more that I started to really think she wasn't half bad. Like s1 was mostly not as plot driven so it kinda felt that she was mid. Was indifferent but I'm so glad the show changed my mind about her because she truly was one of the best characters.
9.) If the show had a full three seasons, whats something you genuinely think would happen? Not a wishful thinking, what do you think is something that would've happened?
Well Beach Episode got hinted at so obviously I would be down for that, but I think most importantly seeing more interactions between the hexsquad. I would've wanted to see a picnic lumity cemetery date obviously, and maybe even the hexsquad going to a convention together. I just would want more shenanigans with them all.
Also more Raeda?? Like I would be down for that. And Steve!! And Lilith!! Lilith and Hooty moments.
I think we would've gotten more clarification on the whole curse and the inner lore of it, because I know KNOW theres more to it there. More lore with Hooty and what even that worm was too. I just know there would've been more lore if we had more time.
Thanks sm for the ask!! Hope you didn't mind I switched them a bit so this wasn't so short.
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napo-leo-art · 1 year
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Hi! From the OC asks: 7, 17 and 23 for Gavin? No pressure though!
Of course! And no worries, I love answering these. Thank you for the questions! (Under the cut for length)
7. What's one way your OC has changed since you first came up with them?
I haven't really changed Gavin all that much, but I do have one bit! TBH, the first time I played him was Book 2, and I hadn't played him in Book 1 (I did one of those "make a new character with summary" things). And then I ended up really liking him and went back and played 1 with him LOL. So, I am very into things like musicals and dancing and singing, so I have the tendency to lump those onto my OCs. Gavin was the most recent one of these! And then I realized that trait combined with his skills and his general attitude was pretty similar to another OC I had*, who I really love and have had for several years, so I thought I should explore some other options. I especially wanted to do stuff that I'm not familiar with, so I fell into frat boy stuff and sports LMAO. I'd love to draw some shit for that, but I'm really not a team sports kinda person.
*Jesse Acevedo, he's my Breach: The Archangel Job oc and I've rped with him quite a bit.
17. What is the worst thing you have put your OC through story-wise?
That's a great question. I'm gonna avoid anything that happened in the Wayhaven books, since a lot of characters went through that and I'd like to give more info LOL.
Outside of Wayhaven stuff, it would probably be the experience that led him to quit law school. This is a sensitive topic so I don't want to add a ton of details, but in short he (as a defense attorney*) was legally on the side of a defendant who really did commit the crime that was alleged, which was already terrible. Then the defendant physically attacked the plaintiff (accuser) in the trial, between actual court appearances.
Gavin (and myself) would put priority on the victim of this attack, but it still was the sort of experience that was life-altering for him, and a terrible twist of his good intentions. His goal was to provide a good defense to the accused who couldn't afford a good attorney, but the reality of having to defend the people who actually did commit the crimes they were accused of had a much bigger toll on him than he expected, and it felt wrong to keep pursuing pretty unfiltered cases.
*this is not the correct term, but I can't think of the right one at this moment- in the US, the court will provide you a defense attorney if you can't afford one, and that was the job he was going for. District attorney? Point is, they are a defense in criminal cases for people who do not have the resources to defend themselves legally.
23. What emotion is the hardest for your OC to process? How about express?
I almost said 'vulnerability', but that's not strictly an emotion LOL. It's the most "true" answer, but let me give a bit more.
I think maybe lovesickness? is the hardest for him to process. He's had a lot of shallow relationships and hookups and he gets into them completely willingly, even considering he knows he'll get his feelings hurt. The part where it *actually* hurts is the worst, because he has nobody to blame but himself. Like, let's say Mason didn't have feelings for him. Mason made it completely clear, and he caught feelings anyway. So why is he hurt? He knew what he was getting into.
But really, he can still be hurt by that of course. He made a bad decision, but it still hurts.
As for expressing? Probably sadness, it's one of those emotions where people feel the need to protect or help you in some way, and he always feels very weird not dealing with those things on his own. He's definitely not the gossipy type, and sometimes the kinda sadness you have really needs to be explained to get it all out. It's easier not to express it.
I think anger could very easily be the replacement outlet for him, but he's not an angry person in the least. So he buries it under a lot of other emotions, or just hopes it'll go away on its own.
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sorry if this has been asked before but i'd love to know your process for creating animatics. not only are they so incredibly fluid and perfect to the music but they're COLORED! absolutely inspiring. i'd love to know what you do for planning and editing, basically how to put an animatic together in general. i use procreate to make art but other than that i'm completely clueless on how to make animatics
ooooh okay i would LOVE to tell you!!!! So first things first I will say that my animatic process is probably not the most like. Efficient way to do it. I'm not an artistic expert and I'm very self-taught so this is just what I've come up with over the years with the resources I had.
This has ended up VERY long so I'm sticking a read more in
All that to say I have two main programs that I use, one to draw (Medibang Paint Pro) and one to put the frames together for my animatics (Davinci Resolve). These days, I have both of these programs on my laptop so I have everything on one device. Before I had my current laptop, I used Medibang Paint on my iPad and iMovie on my laptop, but the overall process is basically the same.
So. I have five main stages of making an animatic once I have a song and a character/narrative in mind.
Stage 0 is arguably the most important stage, which is deciding it's something I for real want to do. Making an animatic is a big commitment, so it has to be something im 100% on board with or I'll get bored before I finish it. So usually when I hear a song and I think "oh I can apply that to x character" I'll have to listen to that song on repeat for at least a few weeks just to iron out the story in my head, decide what moment I'm going to put with each lyric, basically plot out the narrative internally.
This stage is a bit different for every animatic. For some of them, like the Snackrifice as an example, I heard the song for the very first time and went: i know EXACTLY how this is going to go and then I went home and started planning it out immediately. Others, like Aequitas Aug, I had the song as a vague "oh this is Coin vibes" for months before Expansion Era ended and I finally knew I had all the material I would need for a full cohesive narrative. And then a bit longer to really decide "okay so the redactions are going to be at this point, the semicentennial will be at This moment" and so on.
I have a whole playlist full of songs that I COULD make into animatics that I vibe to on a regular basis, basically marinating them until I have enough content and ideas to start actually planning them out into an animatic.
Stage 1 is scripting it out: I write out all the lyrics of the song, count up how many beats correspond to each line, and plan out what I'm going to do with each section. As an example here's a portion of my script for Miguel's first animatic Autoignition. As you can see my script is often pretty loose and jokey at myself, because I already kinda know what I want it to look like by the time I start scripting it, this is just to get it down for pacing and to fill in any gaps.
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[Image ID: Screenshot of white writing on a dark background. There are eight lines, alternating between bolded writing to signify planned action, and regular writing to signify the lyrics of the song Everybody Loves Me by OneRepublic. Line 1, in bold: Uh oh Zack is fallin into fire and hell and disintegrating ur gonna earn that content warning. Line 2, regular: And you don't have to make a Line 3: Miguel left alone at edge of Solarium :) fire everywhere :) big f Line 4: Sound 'Cause they got what you Line 5: Miguel falls to her knees for a moment, stunned. Line 6: Need. What you need Line 7: Then he runs away Line 8: Oh, oh, oh, oh, oh /end ID]
Stage 2 I do my actual draft. I do every frame as a very quick sketch. This stage is where I put all my frames into Divinci Resolve and match it all up to the beats of the song. I work out my timings, I figure out if I need to add/delete frames somewhere. The majority of the fiddly work happens here in terms of lining it all up to the music. All the frames look about as basic as this lmao the idea is Quick and To the point so i get can idea of what I'm working with. Very often I'll have figures in this draft stage where, as an example, I know I'll need to put players from the Flowers or the Dale from a certain point in time, but I haven't decided exactly who yet, so they're just vague humanoid blobs.
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[Image ID: A very basic sketch with black lines on a white background, showing two figures facing away from the camera with loose lines showing the ground exploding in the distance. /end ID]
Stage 3 is Lineart, and this stage takes the longest because I'm actually doing the proper drawings for everything. I don't do colouring yet, because this stage takes so Long and I prefer to do my colouring all in one go so I can keep it consistent. it also allows me to catch any errors that I might make in my Lineart because I get to go over it again when I colour. This is where I make my final decisions on who all the extra characters are that show up that don't Really need to be there.
When it comes to deciding Who Gets To Appear in the Animatic, there are a few tiers.
Characters that NEED to be there for plot/emotional reasons (think like Nagomi Mcdaniel appearing in Alaynabella because Layna switched with her for the Shadows)
Characters that I want to put in there for theme reasons (think Luis Acevedo in Hall Stars, I included them as a cameo because they were later incinerated and the whole animatic was about incinerated players)
Characters that I like/my friends like (Esme and Howell making appearances at the start of Aequitas Aug)
Characters that are just easier to draw, depending on how many times I have to draw them and how tired I am at the time (when in doubt, I tend to default to humanoid characters with reasonably simple designs. If I'm like 400 frames in on Aequitas Aug and I have to choose between horse person Winnie Hess and regular human Eizabeth Guerra to help represent the Breath Mints getting got, I'm gonna go with Eizabeth even if Winnie is technically more iconic and recognisable.)
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[Image ID: Lineart of a digital drawing showing Miguel James and Zack Sanders as humans, facing away from the camera and looking towards the ground exploding in the distance. Miguel is kneeling on the ground while Zack is standing. /end ID]
And so of course Stage 4 is Colour. I add in the colours, any lighting effects, all the extra fun bits.
My colouring is USUALLY pretty basic, to save time and effort. For colours that I tend to reuse a lot (typically sunbeams uniforms and the main colours for the various beams) I have them saved in my paint app so I can access them easily. For other players I've drawn before I usually have to bring up one of my previous drawings to reference the colours. Backgrounds are the bane of my existence and as thus are usually kept as simple as possible, and lighting is typically something I use sparingly. Basically, I take as many shortcuts as I possibly can to save my sanity.
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[Image ID: The above picture but with basic colour. The background is a pale orange. There are some lighting effects on the explosion. /end ID]
And voila! Off to Youtube. Like I said above, I'm sure this isn't the quote unquote 'Best' way to do it. But it works for me, and doing it in these stages give me a fun little progress video to look back on when I'm slogging through the lineart stage.
It's definitely really tedious at times, and keeping up the motivation to do hundreds of frames three times in a row can be really difficult (especially with a full time job) but it's definitely sooooo exciting when I finally finish. I publish all the draft and lineart videos on youtube as well as unlisted videos, and its always fun to look back on them to see the difference between the draft and the final finished product.
Most of all though, it took me AGES to get to the point of animatic making where I am now. My very first animatics for Dimension 20 were SO different to what I do now, and I was very lucky for a while to have a lot of free time to focus on doing it a lot. My VERY first animatic wasn't even set to a song. It was from a Fantasy High clip, and i never got past the draft stage for it.
The other part of animatic making that I had to start taking really seriously was character design credit. For Quite a while, I did not include credits for designs of players that I did not create. It wasn't until Aequitas Aug (which had an OBSCENE number of players) that I realised what a massive oversight that was. Nowadays I have a big spreadsheet that lists every Blaseball player that has ever appeared in my animatics and the creator of the design that I used/riffed off of if I could narrow it down to one or two. For some players its trickier, often because their design was consistent over multiple artists or I couldn't be sure what the origin was, but I do my best to be as accurate as possible. If you're looking to make some blaseball animatics, I totally encourage you to do so, but I would advise getting on top of credits sooner rather than later! It's so much easier to add in new characters and their designers now as I find them rather than trying to backtrack and remember exactly which picture on the wiki I took inspiration from, along with it being a lot more respectful to all the other amazing artists in the fandom.
Overall, animatics are a lot of effort, but they're soooo worth it. If you have any more questions please feel free to ask me, I love to talk about my animatics and my process.
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leefi · 8 months
Text
The Flower that Bloomed Nowhere Read-through | Part 7: 90-100
Part 1: 1-14 | Part 2: 14-22 | Part 3: 22-34 | Part 4: 34-64 | Part 5: 64-80 | Part 6: 81-90 | Part 7: 90-100 | Part 8: 100-127 (caught up here)
Bal is soooo funny for choosing to simply sit out and wait the loop. If that were me I’d be acting out. I’d be skipping around the sanctuary acting mischevious and committing hooliganry. Hey does Fang have loop memories
SU NAME REVEAL!!! KUROKA!
raises hand. I have another question. did samium also fuck that old man
Shiko is so sweet oh my goddddd 😭 I wonder if Kuroka fell in love with her...
I hadn't even realized how much of a fan I was. That another me had been growing on those lonely nights, only waiting for someone to draw it out.
Even though it was such a small thing, for the first time, I felt like I was able to be someone other than myself. Someone who shined brightly.
Just like her. AWWWUWYYYYYYUUUUWUWUUUUUUUU!!!!! AWWWWWWWWWWWWWW
"Fang, Su, have you still got enough eris for barriers?"
Fang looked at their scepter, making a thoughtful hum. "Yeah, for a few minutes."
I thought Fang didn’t have their scepter?
Another thing I'd failed to understand at the time was that this was largely by design. Replicating high-quality food was impossibly cheap, and a low-hanging fruit in terms of helping people's quality of life. It was the politics of spite, or 'tough love' if you wanted to be charitable; choosing not to help others for no reason other than them having not earned it, or at least treating it as not worth the infinitesimally minor inconvenience to their betters.
oh i dont like this worldbuilding that much anymore
“Nowadays you can get your nutrition managed with pills anyway. It's not like when we were kids, when it actually mattered what you ate."
"There's still no long-term research into the subject," [Shiko]’s mother replied, frowning. "And besides, it's not simply a matter of health. There are social consequences to having a limited palate."
“social consequences”? lets kill her
"I'm just saying, it wouldn't hurt to be a little more conscientious," Shiko's mother insisted, holding up a hand. "And I know I've only been here for a couple of years now, but I really don't think it's that bad. Some parts in town seem a little deprived, but the theater is nice, and I've never had any trouble finding anything from the shops. It's hardly Altaia or Old Yru, but it's not as though we're eking out a living on the Lower Planes."
KUROKA BABY IM GONNA GET YOU OUT OF THERE. IM GONNA GET YOU OUT
Shiko’s granddad and Samium were conspiring to use her???? “Get the drop on her”???????? I mean this isn’t anything we didn’t already know but hearing them speak so plainly and shamelessly about it IN HER HOUSE is repulsive
I'd done a lot of stuff for a person my age, especially if you counted the stuff from-- Well, you know. I'd traveled by carriage, bus, tram, vacuum tram, boat and airship. I'd been to seven different countries and lived in four. I'd played in an amateur sport team (assuming chess counts as a sport).
it does not
Ophelia had been unspokenly left out as well; she apparently produced such an aura of eternal femininity that our minds had just silently registered it as the correct call after we'd only been able to find three shovels in the greenhouse.
also me if im being completely honest. *the gorillas get released* sorry sorry sorry sorry sorry sorry sorry
Hey while they’re digging I’ve been thinking. using the dying gods as their proxy has me wondering if this really is an integrated pneuma in some person enacting its long thought out (hehe) revenge. But that doesn’t explain multiple culprits especially considering they’ve been referring to death with different gendered pronouns
She looked between us. "Questions?"
Linos looked to the side. "Uh, do you see any problems with the plan, Zeno?"
There was a pause, then an approving thump from the luggage pile.
funniest character
a possible explanation for many of these contradictions was that there wasn't just one 'mastermind', but competing groups.
One calls it 'master'. The other calls it 'Her'...
YES YES YES YES YES YES YES. It's almost like...a battle of wills? A battle of competing ideologies?
"I think I-- I think I have a hernia," I said weakly.
"What you have is a case of the weeny-whinies.” THE WEENY WHINIES!!!!
KAMRANSU SWEEP!!! im doing yuri multiplication in my head rn
hum. "Indeed, you've stumbled upon the fundamental issue. After all, if what we inhabit is not the true reality, but merely the product of a physical process within another, it seems very improbable for our 'creators' to be playing with tools akin to our own. Our very conception of inter-dimensional spacetime - and the associated concepts of entropy, movement, and finite energy - could be nothing more than an amusing fabrication, with no bearing on actual physics."
Kind of like how a two-dimensional creature can only interpret a 3-dimensional world from a 2-dimensional perspective, and a 3-dimensional creature can only interpret a 5th-dimensional world from a 3rd and simplified 4th dimensional perspective…but what defines “actual?“ is any of your universe “actual”, for that matter? You have no confidence that your reality is real beyond the myths you’ve heard of the ironworkers. I don't mean to explicitly suggest this is a simulation by any means, but rather...I'm thinking back to Zeno's question. "Why turn back the self when you can turn back the world?". Well, if you're conflicted on what a "self" constitutes, it only follows to reason that the nature of the world around you too would also fall into question...
Well, that depends, Utsushikome. Do you believe a pawn is destined only to look across at its rival pieces for eternity, by its very nature?" She stabbed her fork into a tomato, spilling its red fluid. "Or, perchance, might it learn to crane its neck towards heaven?"
My eyes drifted from the tower towards the ceiling of the bioenclosure proper. The blackness.
Slowly, I clicked my tongue. OHHHHOHOHOHOGOGOGOGOGOOGOGOGOHOHHOHHOOHHOOHOGOGOGOGOYOYO RHHEEHEHEHHEHEHEHEHEHEHHEHEHEHEHEHHEHEHEHEHEHEHHEHEHE
She nodded several times, like I'd said something profound. "Yes. That's it exactly." She exhaled. "It's cowardice. People are afraid of death, so they try to turn it into something it isn't. Something beautiful and cathartic, something symbiotic with humanity, just like Grandmaster Melanthos was talking about. So they don't have to face the truth that it was all for fucking nothing. That being mortal is an accident of material circumstance, just as much as hunger or, or-- I don't know, going *bald*.” 🦍
"When people think of truly eternal lives, of sticking not just a few more centuries on the pile but outlasting the lifespan of stars, the scope of the proposition is harrowing. What would we become, in trying to achieve true stability as creatures of chaos and change? Could we?" Her voice grew a little quieter; solemn, almost. "What would we do, without that option to simply fade away?" She looked towards me. "What do you think, Su?"
I went for a third round of blinking, just to emphasize the point.
Why does [Kam] always single me out in these conversations?
big ass crush on you
Ohhh Kam is a 60 year old minor! Cool!
Even though she'd dismissed questions on the subject with an affect of far-sightedness back in the transpositioning chamber, the fact of the matter was that people our age getting stressed out about their own mortality was freakishly rare; I'd literally never met another person quite like [Kam].
This trait she and I share. I was having existential breakdowns at the tender age of 5
Ohhh Su is in her early-mid thirties! Okay yeah that checks out with her mental illness
You're only 32, Su," she said, frowning. "It's a little early to making world-weary statements like that, don't you think?
*looks at su* *looks at orv*
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*looks back at su*
Of all the years I could live, could thrive, until all those regrets are nothing more than a single drop in a vast lake. I'm sure the same is true for you, too."
This really was out of character for her. I felt a complicated feeling in my chest. "That's, uh... Kam..."
"Is this really the right time for this?" Ran asked flatly. "The philosophy was one thing, but this is getting weirdly romantic."
Kam scoffed, making a gesture of distaste. "Don't be peculiar, Ran."
KAMSU SWEEP WE HAVE LITEREALLY NEVER BEEN MORE BACK THAN WE ARE RIGHT NOW
"Perfect," Kam said, stepping towards it immediately.
"Feels a little weird to be looting the dead," I said, glancing around.
"This is no time for sentiment, Su," Kam replied. She walked up to the cabinet in question and, after unsuccessfully trying the lock, took the butt of her refractor rifle and shattered it, before casting it aside and sliding the larger weapon out.
this actually became a COD lobby im crying
saw Samium lying down in the bed, eyes half-open, staring at the ceiling. Other than the fact that there was a book by the side that seemed to be gone now - fiction, probably, the cover depicting a ship - that felt a little confusing. So he could read a novel, after all? Or maybe someone had left it here?
Ship of Theoseus chan?
Why did the playwright just look at me
"Okay, so. Here's the thing," they said. "The monster might be, uh, real."
SWEEEEEEEEEEEEEEEEEEEEEEPPPPPPPP
WE HAVE LITERALLY NEVER BEEN MORE BACK THAN THIS MOMENT FOLKS THIS IS IT. THIS IS REAL. IT'S HAPPENING
Okay for all my excitement about the beast is there any way to check if that’s actually the phantasm conjuring arcana they talked about earlier? Could explain the grim reaper but I don’t remember if it could produce sound or not…or how big it could get. Could also just be a really advanced golem since the power was active while this was happening? (And that was the negating factor when they were debating COBD (cause of Bardiyas death before))
I’m pretty sure the beak thing is actually real though, so many people have corroborated it. The beast only showed up while people were panicking
Man I wouldn’t be surprised if this conversation with Samium we’re seeing over the logic thing concluded with Su pushing him out the window. my rationale towards this is would that be fucking crazy or what
So, this sounds like it's coming from way off in the distance-- Like really far down the hall, or behind a wall, or something. Now, I'm getting a really bad vibe at this point,
Have i mentioned yet how much I love fang
Ann says we should just gun it." Anna's eyes narrowed slightly at her name being shortened, but didn't interject.
Have i mentioned yet how much i LOVE fang
I said something stupid about hiding up in the armory, maybe grabbing some of the grenades, so we went all the way up
they are addicted to those grenades
If Ptolema thinks the beast is fake then I believe that it's fake. She’s consistently proven to have the best observational skills of the entire group, picking things up that other people don’t see. As she says, she's got the mind of a surgeon. She knows how a body is meant to be built and interact with its environment. Believe women!!!! Ema sweep!!!!
Can I be honest. Creepy children’s stories scare me so much and I could barely get through that one barn quest in Cyberpunk 2077 and this children's slideshow with the piglet is reminding me of that. I literally couldn’t sleep for a few days after playing that. Anyway. Animal Farm? because there is a farm with animals
no i'm being deadass was that an animal farm redux. it felt like an animal farm redux
It would be so funny if Fang acted the way they do because something was wrong with them. But it would be even funnier if they're just like this
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not-poignant · 2 years
Note
how does it feel to be done with (the main) fae tales verse as far, as far as writing goes? is mallory and mount going forward or do you have other plans? :o
It still doesn't really feel real honestly! I don't think it will until like we all get to experience the end of the canon together? Right now I kind of feel like I'm in a holding pattern. :D
I felt sort of sad that it was ending a while back, probably a year ago. And then I felt kind of relieved too, because The Ice Plague has had...a lot of teething issues re: dropping popularity and just general engagement (it's still good! But it's just...it will never be like Game Theory or The Court of Five Thrones, and book 3 will never be like book 2 and that wasn't like book 1).
I've been doing Mallory & Mount worldbuilding but I actually haven't written anything yet and I don't think I will for another couple of months, which doesn't bode well for launching M&M straight after Fae Tales. Because I'll need a buffer of chapters for that story. Realistically speaking I'll probably have to maintain the Patreon with a Gary/Efnisien omegaverse AU, while I write buffer chapters.
Some of the lag is just that the worldbuilding is much more complicated (new days of the week, new names for months, new names for currency, new values of currency, inventing an entirely new language, drawing a world map, etc.), and some if it is that I just actually think I need a break from really intense, complicated writing.
Some of it is also just fear that it will do badly. Logistically in 2022 the Patreon does increasingly worse every single month, and it's been that way for 8 months. By the time Fae Tales is finished, I think I'll be looking at a year of downward trending (after 7 years of only upward trending). It's quite a blow, even though there are understandable economic reasons for it, and it has me questioning if this is even sustainable. It can be hard to...motivate yourself to write or commit yourself to a story that will take 4+ years to write properly, or months of really intensive worldbuilding, when it might be 4 years that are better spent elsewhere, y'know?
Like I think the story and characters are good, but are they good enough? I don't know. I won't know until I write it, and I am not motivated or inspired to write it right now. Though I will say certainly part of that is simply that I am still writing big wordcounts. I wrote 38k last month, most of it on FFS, and I've written 19k this month already, most of it on FFS and Smoke in Autumn. FFS is the most word hungry story I've ever written.
Tbh I had to also take a pretty big hiatus (like a year) between Court of Five Thrones and The Ice Plague, so I'm not entirely surprised this is happening. Some of this is certainly burn out, I may actually need a break from that level of writing (I can write 5 chapters of Falling Falling Stars in the time it takes me to write one chapter of The Ice Plague - and FFS is like...3 times as popular lmao). I really enjoy writing complex narratives, characters, and politics, and original worldbuilding, but it is more effort, and Fae Tales has been going for nearly a decade. Maybe I just need some breathing room before launching straight off with another half decade commitment!! aslkfjsdaka :D I'm sure that's a big part of it.
Incidentally my worldbuilding folder for Mallory & Mount currently looks like this:
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As you can see, I have been working on it pretty recently! Though I've taken a little break this month. So even if I take a break from it, I'll probably still be thinking about it and working on it in the background. I am almost certainly going to do early release re: Mallory & Mount - i.e. it goes up first on Patreon, and then it goes up on AO3 2 weeks later.
Whatever the case though, I'll still be writing something! I actually wrote 500 words of the Efnisien/Gary fic last night after busting out 4,600 words on the next FFS chapter sdslkajfsa the writing always continues, even if I don't know exactly what I'm doing with it.
As for the end of the Fae Tales canon, I think early August will be...Feelstown lmao. It's so soon!
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they-bite · 2 years
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What are your unpopular Danny Phantom opinions? I may have missed another version, but the reblog I saw from you only had a comment on the phandom’s various responses instead of listing your own, so I’m all curiousy about it :3c
Revised from my initial comment, bc I did leave one on that post but it got lost in the ether:
-Danny Phantom the show is moderately successful at what it intended to do while having enough elements to successfully sustain a fandom, but those two facts are perpetually at war with each other. It's a show meant to socialize 7-year-olds and commit Butch's enjoyment of Scooby-Doo and superheroes to paper. While some of the writers did provide satisfying character moments, it still wasn't meant to provide tangible lore, thoughtful character arcs or deep dives into the horror genre. Have your cake and eat it too, God knows I do, but it makes no sense to resent a cartoon for being a cartoon.
-I only trust trans!Danny when it's an ownvoices thing. It's still not my favorite idea, but I know how much it means to people it resonates with.
-White fans, we could all do a lot more to be more welcoming to fans of color. Rep by way of POC headcanons or OCs doesn't count for anything if you're going to dismiss POC fan content and analysis as niche or reactionary.
-My stance on the Fenton parents goes like this: I think the abusive things they do in canon are a product of cartoon exaggeration, and I'm tired of fans interpreting them in bad faith. However, I do still think that the Useless Parent trope is relevant here, so I gravitate towards media that depicts them as good people but bad parents. However however, I can totally understand fans who are tired of seeing dysfunctional families in child- or teen-centric media.
-I'm pretty okay with most of the villains not having a lot of depth to them lmao. There are exceptions, like Johnny, Kitty and Sidney, but the others don't offer much imo.
-I don't much care for Dani
-Fans are way too quick to draw Valerie skinny and/or give any of the characters of color more Western features
-I said in the initial comment that the trio's friendship is tepid and that Jazz is kind of annoying, but I'm going to go ahead and say that both subjects are all too often plot obstacles, and fanon often fails in the same way canon does to give Tucker, Sam and Jazz interesting roles. (Tl;dr there are so many fics where any/all of them are Just Kind of There because they're obligated to be.)
-A lot of popular fanon lore (obsessions, ghost hunger, territory/lairs, cores) only serves to deprive ghosts of any humanity/agency and add a bunch of plot wires to trip over
-the concept of a social structure in the Ghost Zone was already bad but then it became a useless cocktail of American & European political structures for no reason
-I never miss an opportunity to say this. They fucked up making Sam Danny’s friend (and later love interest) instead of his sister like they’d originally drafted
-Wes Weston, similar community OCs and Pitch Pearl all exist because of the cast’s dearth of svelte white boys besides Danny
-gay ships don’t automatically yield more interesting characters
-there are other traumatic and invasive medical procedures than vivisection and I’m begging you to use them
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doctorbunny · 3 years
Text
MILGRAM theory time: Haruka!
This isn't going to go super in depth (famous last words) but there's a few heavily debated parts of Haruka's MV I want to share my findings/thoughts on because I think this is my new special interest and during my quest to get best boy's song to 1 million views I have been looking over his first MV with a fine tooth comb so to speak.
Disclaimer: As the Jackalope said in the "This is the MILGRAM" trailer, we don't necessarily know everyone's crime from just the first video, its possible that a lot of things will be re-contextualized in the second MV, however I am not psychic or bilingual and thus will only be working with content released before August 20th 2021 and translated into English (which could cause some language/cultural details to be lost on me as translation is not a 1 to 1 process).
TW for discussions of ableism, child abuse, murder and animal death. Also this is really long so sorry to all the people that follow me for non-MILGRAM stuff
Firstly, I want to start on the topic of Haruka as a person. He is disabled. He does not have 'the mind of a child' (although he is 17, making him legally a minor in both North America and Japan). He is not just 'child-like'. And he is not mentally ill (well he might be, in the sense that many disabilities like Haruka's have strong comorbidities [where a person has two or more conditions but neither directly causes the other] with anxiety, depression and PTSD, but usually when I see people talk about him 'struggling with mental illness' they go on to refer to aspects of his disability). Sometimes on tumblr, people like myself, will see canonical traits written into a character and identify them as being traits associated with our disabilities/mental illness and headcanon them as such. Sometimes this even involves saying things like "It's basically canon!" Although we understand that these characters were probably not the result of a writer intending to write a disabled person. When I say that Haruka is being written as a person with a neurodevelopmental disability, I mean the writer intended to write a disabled character and wrote them in a way that they wanted the audience to pick up on. As an autistic person (which is one of many neurodevelopmental disorders and also something I probably didn't have to specify because who else would be writing an essay about a series they got into a few days ago at 11 o'clock at night) I really like how Haruka has been written so far. There's definitely some parts of him that have been exaggerated so abled normies can pick up on his disability (namely how his MV 's main motif is really child-like drawings) but the writers also included a lot of smaller details I appreciate like how it is noted he avoids eye contact when talking to other people and is depicted as nervously pulling at his sleeves in official artwork, or how he says he finds his prison uniform (which has tight straps) 'relaxing' and when he gets nervous/tense, he will dig his fingernails into the palm of his hands. (These last two potential being examples of 'self stimulation' [aka stimming] where a person seeks out specific sensory stimuli in order to help regulate their nervous system/emotions, in this case the tight uniform creates a comforting, secure feeling [you may have heard about some people preferring to sleep under weighted blankets for this reason] and digging nails into his palms sounds uncomfortable/painful but is done in an attempt to deal with a greater sensory discomfort caused by the situation/environment) I also appreciate the depth he is written with, he struggles to communicate verbally but in his MV and interactions with other inmates is shown to have insecurities, opinions and a consistent thought process (this is all basic character stuff but unfortunately not always present in disabled characters)
Also I want to add that (in terms of what we've been shown so far) Haruka did not kill anyone because of his disability/mental illness. Disabled people are not inherently more innocent than abled people. But there is no disability/mental illness where a symptom is that you kill people and real people have to live with the stigma when you speak carelessly and suggest things like "Haruka is the kind of mentally ill person who kills people as a cry for help" 🧂 (or at the very least real people have to read BS like that and cringe). TL;DR Haruka is less child-like and more onion-like (as in, he has layers) 🧅🧅🧅
Now is the actual theory stuff, oops:
Every prisoner in MILGRAM is supposed to have committed murder in some way, obviously considering Yuno just had an abortion (which i personally do not consider an act of murder) whilst Mu literally stabbed someone to death, this definition is stretched a bit. But it is not agreed upon yet who Haruka killed/how many people he killed or why he killed.
In his MV he is shown to have chased after his dog into a forest, seen something off-screen, then beaten something into a messy pulp with a rock. Some people think the dog is a red herring and that Haruka actually killed his mother/the girl from the fireworks show/his brother. I do not agree.
First: I believe Haruka when he says he doesn't have a brother. The MV literally starts by Haruka looking in the mirror and then switching between the him now
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and a really similar looking younger child who just so happened to be a key feature of his memories (I don't have the vocabulary to explain it but its like cinematic parallels that establish this is the same person at different points of their life)
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Its not impossible that this is Haruka's secret younger brother, but i think its unlikely. I saw someone saying they had to be different people because Haruka looks less happy than the child but like, most 17 year olds are less visibly happy than when they were 7 (or however old the child is meant to be). Life happens.
So when Haruka is shown pushing the child around and eventually strangling him, this isn't meant to be literal (homicide or suicide), but a representation of how conflicted Haruka feels about his younger self, who may have committed the murder (if you've ever been kept awake cringing at memories of something you said in the past and wishing you could go slap some sense into your former self, this is like that but 10 times more self loathing). The lyric "I am always repeating yesterday," implies he might think about this specific past event a lot.
Moving on, its pretty well accepted that Haruka's parents were abusive in some way and Haruka internalised a lot of it: he constantly apologises, he says in his interrogation questions that his one wish come true is that "[he] want[s] to be loved" and describes in his MV how when he couldn't find the words he was looking for ("you're unfair") one of his parents "would get angry at me and say “You’re hopeless.”". He seems to know its unfair but also still says he 'loves' his family, possibly mistakenly believing it is his fault, but also showing an awareness of his situation (and how his parents might behave).
Now, the MV is stylised in a way that makes certain details unclear, but there is one clear detail showing that Haruka's dog was killed
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This is the first close up of Haruka and the dog. Haruka's mother is just out of frame supervising, but they look pretty happy. Notice how the puppy has a silvery chain for a collar. Somehow, this dog gets out of the house but only Haruka is shown chasing after it (whether his mother was searching elsewhere or didn't bother following her disabled son into the forest is unclear). Either way, young Haruka is now in the forest, unsupervised.
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By the time he finds the dog, there is already blood, suggesting it was initally attacked by something else.
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is this a sigh of relief from a boy whose finally found his beloved pet or a jealous weakling glad that nature took its course and he is finally free of that meddling mutt stealing all his mummy's attention? /j
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I think this shock at the discovery that 'there is blood on his hands' could imply that rather than literally getting the blood from his dog, Haruka has seen his already injured dog and realises that if the dog got out because of him (he is previously shown to be aware his parents seem to blame him for everything) then he is the reason his dog is injured/dying and will be blamed for it. (this scene plays over the lyrics "It’s fine, though it’s really not It’s really fine, though I don’t really think so When I tried to understand it, You’ll make that disappointed face again" suggesting he is trying to avoid making his parents disappointed and letting the family pet escape into danger is something that could make them very disappointed)
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now we get into rock murder (this is present-day Haruka implying that this is either: not how the scene really played out; the writers really wanting the audience to know that this was Haruka's doing and not someone else's; or this turns into a separate incident that happened much later [although note that the red sky and blue moon is the same as when young Haruka first appears at the start])
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b the corpse is beyond mangled now, but its clearly the dog because the silver chain collar is still there, to the right of the body. (circled in red for your convenience :3)
My hypothesis is: Haruka didn't set out to kill his dog, but upon finding it injured (we don't know the severity aside from bleeding and also it not being able to run away from Haruka kneeling down above it w/ a big rock so it could range from treatable with a lot of vet help to already on death's door, TBH I don't think Haruka would know the difference) He knew he'd be blamed for this; made into a villain who let the poor puppy come to harm. He panicked and killed the dog out of some idea that it would make him the victim here (since he'd be found crying over a dog corpse, which might make a parent go comfort him rather than getting angry about what could've happened to the dog). This is over the lyrics: "I cried, I screamed I wanted to be a pitied and loved weakling I was in denial, I was in denial I just had to make sure I’ve become a victim, I’ve become a victim" (there's another theory that he was also jealous of the dog, which could work here too, since this is not some calculated plot; rather its a rash decision) This ties in with his Japanese song title (translated as Weakness) which is a play on a phrase sort of like "The strong eat, the weak do not" to become "The weak are eaten by society" or "The weak eat each other to survive" [once again I am reminding everyone this is based on second hand information from the youtube comments section (from users mitchki and Alphaistic) because I do not speak Japanese] This second meaning (The weak eat each other to survive) makes sense under the reading that Haruka killed his dog in order to 'survive' making his parents disappointed for the dog escaping.
Miscellaneous points:
We don't know where Haruka's necklace came from yet, it must be a gift since the most expensive thing he's ever bought was cotton candy. The younger child in the video isn't wearing it and neither is his mother or the girl in the purple dress.
Haruka's home seems quite big, at the start we can see a large flower garden outside the window and there's a forest in walking distance. This might suggest his family is quite wealthy
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Haruka probably did go to school at some point as homeschooling is not a legally accepted as an alternative to public schools in Japan. (However it is estimated that up to 5000 families homeschool, this is uncommon) A lot (about 62%) of Japanese schools apparently have a 'special needs' classes and there are about 505 schools focused on educating intellectually disabled students (although I do not know which sort Haruka would've needed as whilst intellectual and development disabilities can be comorbid they aren't the same). Now, if children aged 7-14 don't go to school, their parents receive a fine, but its possible that if Haruka's parents are wealthy, they just paid it to avoid sending him to school. (This might imply they wanted to hide him or were generally ashamed of him in some way) However high school education (for students over 14) is not legally required and its likely that even if Haruka went to elementary/middle school, he hasn't been around people his own age in at least 3 years. As he seems quite lonely and glad that the other prisoners give him attention.
I don't think Haruka's parents are divorced and if they are, its not his father who left. Haruka mentions in the 30 questions that he thinks he disappointed his father. But still includes him as part of his family ("My father and mother and me"). A theory I've seen is that his father was disappointed by his son being disabled and left. but developmental disabilities (especially in non verbal and semi verbal children like Haruka) can be diagnosed before the age of 3, so I feel it is unlikely that Haruka would bring up his father if he left that early in Haruka's life
All MILGRAM prisoners have covered one of DECO*27's older vocaloid songs (DECO*27 is a well known producer who composes the music for MILGRAM) Haruka covered 'Two Breaths Walking' (https://youtu.be/puXLfVWrz2Q) which is about a boy's first relationship and how his mother's jealousy set him up for failure as the relationship becomes toxic (specifically it has some very funny out of context lines like "Whose breasts are you sucking on now?") so yeah, mommy issues: the song (Also: some people say in the song, the boy kills the girl at the end, but this isn't literal, TBW is the first of a trilogy of songs about the same relationship, it is followed by Android girl then Two Breaths Walking: Reloaded and the story resolves with the couple reuniting as adults and getting in the relationship again, although its not necessarily as abusive as before, its still implied to be codependant ending on the line 'We should live like oxygen tanks, sucking breathe from the words each of us exhale, until our last breathe')
In all seriousness, the scene where younger Haruka is walking through the city with his mother but it keeps repeating until older Haruka pulls the younger one away might indicate an attempt to focus the happier memories of his parents (since this is also over the lyrics "Why is it breaking? Tell me why? Please don’t change If I tried and couldn’t say it, You would get angry at me and say “You’re hopeless.”" which depict a worse scene) I think both his parents are still physically present but have become far more emotionally distant, not giving him as much attention, which exacerbates his loneliness from not having any friends his own age to talk to
And if one of his parents did leave? I think its likely his mother since she is shown disappearing out of his reach after the dog-incident (inferring she got angry/disappointed in Haruka anyway) This could also be where he got his necklace from: Its something his mother used to wear (although this is 100% a guess) and that's why its shown to be important to him
This one is just me, but i didn't realise until a rewatch that when Haruka is watching the younger him and the girl running together, the background has fireworks. Haruka mentions fireworks being a key memory to him so I wonder if this was one of the first/last times he got to make a friend...
On three separate occasions in the interrogation, Haruka mentions not liking animals. Despite this, he is depicted as sleeping with a rabbit plush and on his birthday art (I'd include that too but tumblr only allows 10 pictures per post, so here's a link) he is standing next to a giant blueberry and strawberry cake with two bunny themed biscuits at the side. Through my experiences of seeing Japanese fandom art on pixiv, sometimes rabbits are used to insinuate a character is cute and timid in fanart.
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Meaningless details: Haruka sleeps with his necklace on; he sleeps on a bed and not a futon; at first I thought he woke up holding his plush's hand but his hand is merely next to the toy; and considering the state of the pillow and blanket, I wonder if he moves a lot in his sleep or if the is just because in this case he seems to be waking up from a nightmare about the dog incident...
Final note: I've spent so many hours writing this I don't remember if i was building up to any big finale or not but I hope you enjoyed reading this! Feel free to add on in the comments/reblogs.
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Wakasa Rumi Theory Series: Part 3 of 3
So this is it, the final part of my Wakasa Rumi Theory Series!
WARNING: SPOILERS AHEAD
Here I'll be talking about the last two points in bold. Part 1 and Part 2 already covered points 1-3 and points 4-5.
Why I think she's Asaca
Her probable relationship to Haneda Koji.
How she became Amanda's bodyguard.
What might have happened on the day of Haneda Koji's murder.
How Haneda Koji's dying message directly refers to RUM as his killer.
Why Wakasa went on a hiatus for 17 years since the murder.
Reason behind Haibara liking Wakasa.
As usual, happy reading 😁💛
6. Why Wakasa went on a hiatus for 17 years since the murder.
Now this point will have so many things that will go into it, so hopefully no one gets lost along the way 🙌🏼
As per my theory in Part 2, I believe Wakasa had a full on confrontation with RUM after she found Haneda Koji dead. And now that she's also the lead suspect for a crime she didn't commit, the logical thing would be that she goes into hiding. The first case she was ever involved in (Chapter 968) foreshadowed the possibility of someone going into hiding for years. And after literally crossing paths with a dangerous BO member, she probably changed her appearance. This was also foreshadowed in the Pro-golfer murderer case that probably hints to the fact that she is in disguise or had plastic surgery altogether. That's why I'm not entirely sure if we can judge that she could be Atsushi's sister based on appearance (I talked about it in an ask here).
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Now during the time she was in hiding, she could have still been trying to investigate the BO or trying to find a way to infiltrate it. During that time, she must have crossed paths with Kuroda 10 years ago. If they were both investigating around the same time, they could have very well crossed paths. Her reaction to meeting Kuroda the first time was just as triggered as when she saw Wakita leave the school, except this time, she wasn't as scared to talk back to Kuroda which implies she has interacted with him before and knows of him. At the same time, Kuroda's knowing smirk when he found out Wakasa was going on a camping trip. Implying it's not like her to go camping further strengthens that they met each other before.
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Then, Kuroda must have fallen a victim to the accident that put him in a coma for 10 years. During that time, Wakasa must have trained even more and eventually joined some security or intelligence department like the PSB, FBI, CIA or MI6. I am drawing more parallels of her character based on Jodie who was very suspicious in the Vermouth arc but was in fact an FBI agent. Another such similarity is just like Jodie lived in a high rise apartment that Heiji noted is very expensive for an English teacher, Wakasa also lives in an expensive building. A pro-golfer even lived there so rent must have not been cheap.
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So yes, my theory is Wakasa started working for some intelligence security department ever since Kuroda's accident and her main goal was to investigate the BO and steal information about them. If like Haibara she managed to hack into the BO's database, the following points would make sense:
She holds a very recent list of the APTX-4869 victims that has Kudo Shinichi on it.
She managed to find out about Miyano Shiho and 'Hell Angel'.
She could have discovered that Amuro is a BO agent which is why she fought him to retrieve the shogi piece, especially after Kobayashi-sensei introduced him as a private eye.
She described Karasu as someone that has 'Karasu' in their name as someone who is difficult to approach and a conspirator so it's very likely she tried to infilitrate the BO to get close to him.
The reason why she briefly triggered Haibara's BO sense was because she recalled her confrontation with Wakita while gripping the bishop and Uma shogi piece that refers to him in Haneda Koji's dying message.
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Now coming onto the final point in this series:
7. Why Haibara likes Wakasa.
I don't know if I am entirely convinced it's because Haibara is in fact related to Wakasa or if her being Atsushi's sister bears any weight since we can't really judge by appearances if Wakasa did get plastic surgery or is sporting a disguise. But, let's backtrack a little. When Okiya Subaru was first introduced, Conan was incredibly trusting of what seemed to be a very suspicious character. Turns out this is because he was Akai in disguise and Conan was the mastermind behind this. Haibara may not be the mastermind behind Wakasa's situation but I'm guessing she knows something about her that we don't and it shall be revealed to us later.
And that's it! Omg I can't believe how long it took me to put this out. As exhausting as it was, it was so much fun to write 😂.
(In cased you stumbled upon this post first, these are the links for Part 1 and Part 2)!
I hope you guys enjoyed it as much as I did and I'm open to everyone's thoughts and opinions 😁 💛🖤
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howtosingit · 3 years
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I haven't had a chance to fully dive into all the goodies last nights video has produced.. nor have I had a chance to read all your thoughts which you know I crave love . I was dumb and watched 3 911 episodes last night ignoring my ig notification that ronen had shared anything so then I had to go to bed bc of work and work has been crqzy. But anyways I just wanted to hear some of your thoughts and say Tarlos officially fried my brain and I really want to write in the spare time I don't have bc of work 🙈🙊 their soft smiles, kisses, possibly meeting the fam, their date (and let's be honest Carlos was hot as fuck sauntering up to the bar announcing he was tks boyfriend... you know someone got laid that night) sorry not sorry 🙈
Anyways hit me with your thoughts when you're free if you want ❤
LISTEN, LAUREN. I am always up to share my thoughts because they never end and they just keep coming and I have to unleash them somehow or I will definitely explode.
My brain was just like, ALL CAPS SCREAMING, for about 7 hours yesterday, so I’ll leave you to explore that hot mess on my blog if you want. 😅 But, in the time since, I’ve seen a lot of discourse and stuff about the moments that we’ve seen, so I’m going to use this ask as an opportunity to weigh in on everything under the cut...
FIRST, CAN I JUST SAY that at the moment that I am writing this post, we are still trending at #5 and we’ve been in the 4-7 range for at least the past, like, IDK, 18-20 hours maybe?! I LOVE THIS FANDOM AND HOW WE LOSE OUR SHIT AT THE SMALLEST THINGS
Okay, so let me go through this thing and comment on the parts, and then give some general thoughts below:
LOVE that this is a promo entirely about the LGBTQIA+ characters and characters of color. Not exactly surprised that they still tried to put as much Rob Lowe in it as possible (that’s Fox/the writers’ M.O. it seems - to squeeze Rob/Owen in whether he fits or not). Some of his comments were a little awkward, I thought (referring to Paul’s trans storyline as “stuff” makes me go 😬), but whatever. He’s not the point of all of this, so that’s the last I’m going to talk about him.
TOMMY VEGA. I AM READY TO STAN. I love Gina Torres, I already love how much heart and soul she is giving just in these quick peeks, I cannot wait to see her in action!
Also let me use this moment to say that while it’s obvious I’m not getting my Grace + Carlos friendship (that’s fine if it stays in fandom, I’ll live), I’m SO GLAD that her and Tommy are gonna be friends! One promo mentioned that Judd has known Tommy before, so it would not surprise me if they’ve been friends for awhile. LOVE THAT.
SPECULATION: This gives me a good time to just throw out a theory that I’ve been thinking about... We know Owen and Gwen are hosting Tommy at their place for a backyard dinner. I assume her husband may be there as well, and I wouldn’t be surprised if Judd and Grace are there too. 
I ALSO would not be surprised if this is when one of the nights at Carlos’s place happens, like a parallel of the two dinner parties. That at least keeps every main character involved in both locations. We shall see though.
So this gathering at the firehouse seems like it’s going to be a pretty big scene, probably for episode 1. I think everyone’s gathered so that Owen can announce he’s in remission (we’ll hear him tell TK first, which is the hug that they share earlier in the trailer, I think). 
But this gathering also includes a Tommy/Grace moment, a Tarlos moment, the others doing other things kind of moments. It’ll serve the same purpose as a lot of the season 1 bar scenes, and I’m so glad they’ve moved those to the firehouse. I want that place to really start feeling like a home this year. 
(I want all of the locations to feel a little more grounded and special, if I’m being honest. Like, I’m SO GLAD that Carlos’s place is going to be a key location this season.)
There are now two instances of Carlos being next to Gwen (standing next to her while Owen makes an announcement and now sitting next to her at the table), so we better get some dialogue between them or I WILL BE SO UPSET. I WANT GWEN TO STAN CARLOS AS MUCH AS I DO.
EVERYONE IS SO CUTE IN THIS SCENE OKAY
TARLOS TARLOS TARLOS TARLOS
Like, WTF is TK’s face in this moment?! He looks so shy and bashful but also so happy and mushy and soft and in love. And then the way that Carlos softens because of how soft TK look?!?! WHAT IS GOING ON?!?! WHY AM I CRYING.
Seriously, I have to know what they’re talking about though to make TK fucking melt like that. 
Emergency stuff blah blah blah
TARLOS KISS TARLOS KISS TARLOS KISS TARLOS KISS
IT’S SO FUCKING CASUAL AND PERFECT AND NATURAL AND LITERALLY JUST LIKE A “I came over to grab this food from you but since I’m here I might as well grab a kiss because I can’t help myself”
AND LIKE... Carlos just leans right into it?!?!?!? like it’s something that they do all the time?!?!?! WTF I LOVE THEM
Mateo watches this kiss and kind of looks like he was talking to Carlos, TK, or both of them, so I love that they’re like in the middle of conversation but still like “wait let me kiss my bf because he’s close by and so hot and I love him” SCREAMING
ALSO LET ME BE THIRSTY BUT CARLOS’S SHOULDERS AND BACK?!?!?! TK’S FUCKING ARMS?!?! I’M SO DAMN GAY
Speaking of arms: this rando bartender at the wrestling match (so Covid doesn’t last long on Lone Star, I’m assuming like 2 episodes maybe?) -- I love that they tried to put him in a tight shirt and make him look like a possible threat or something and I’m just like 😂😂😂😂😂😂😂😂😂
IT’S LIKE THEY’VE NEVER SEEN CARLOS REYES BEFORE
AND THEN THE FUCKING GREEK GOD HIMSELF SAUNTERS UP WEARING A TIGHT FUCKING POLO - CHEST OUT, ARMS JACKED, HANDS IN HIS POCKETS TO DRAW ATTENTION TO HIS DICK AND I’M JUST SCREAMING AT THIS POINT
BOYFRIEND 
BOYFRIEND
BOYFRIEND
But, like, seriously, there is no comparison. Carlos is fucking Hercules over here and this no-name wannabe boyband member could be a sand-colored rock for all I care. 
YOU CANNOT COMPETE WITH CARLOS REYES, DON’T EVEN TRY IT
I do feel like these two clips (the calendar line and then Carlos’s line) are spliced together but they might not be back-to-back, and I would love to see how TK responds to the flirting before Carlos comes over
HIS FACE IS KILLING ME THOUGH WHEN CARLOS COMES UP
BLESS RONEN
I feel like I *think* I know what he’s thinking, but I also feel like I don’t. Certainly, the scene seems to end with them both smiling and happy, but I wonder if there will be a conversation about jealousy or something?! IDK BUT THEY’RE DEFINITELY GONNA TALK. I NEED TO KNOW WHAT THEY SAY.
Someone posted how happy TK is going to be to have a boyfriend who is committed enough to him to be jealous, unlike Alex who didn’t care and cheated on him. I certainly think this could be a great moment for them to establish what this new relationship means for them, and I’m excited to see what they writers have planned.
I JUST LOVE CARLOS REYES THOUGH OKAY I LOVE HIM SO MUCH
How many times is Fox gonna use that clip of him holding his gun though? We get it, he raises his gun. I’ve seen it like 7 times at this point. 
I’m not complaining, really. I’ll take his face where I can get it.
LOVING the Marjan clips
LOVING the Grace/Judd clips
LOVING the Paul clips
I LOVE ALL OF MY FAVES
CANNOT WAIT TO SEE THEM DEVELOP THIS YEAR
Hearing Rafa talk about using his voice and speaking for his community just slaughters my heart, I love this man so fucking much and I’m so happy to be discovering him at the start of his career because he is going to go on to do big things and make the world a better place with his positivity and light and love and I’m so excited to follow him on that journey I just love him okay
ALSO THE MAN LOOKS SO FUCKING GOOD WHAT ARE THOSE ARMS I WANT TO DIE
THE FARMER’S MARKET SCENE
Are they shopping for food for the dinner party they’re hosting?! Maybe!
WE MEET SOME OF CARLOS’S PEOPLE
There is so much speculation surrounding who these two people could be, and I’ve heard some super interesting theories about Carlos’s backstory.
I’m gonna be basic though and stick with the fact that I think they’re his parents.
AND IF THEY ARE HIS PARENTS, THEY SEEM SO HAPPY TO MEET TK.
His dad/the man, like, shakes TK’s hand with so much gusto, a giant smile on his face
And Carlos smiles as he hugs his mom/the woman, and she’s smiling too
THEY ALL JUST SEEM SO HAPPY
I CAN’T BELIEVE WE MIGHT ACTUALLY BE AVOIDING THE HOMOPHOBIC PARENTS STORYLINE COMPLETELY
Y’ALL DON’T EVEN KNOW HOW MUCH I DO NOT WANT TO SEE THAT TRAUMA
I mean, I don’t know for sure, we’re going to have to wait for the episode. But god, do I hope for it with every fiber of my being. I want their trauma, if they have to have it, to be separate from their sexuality. They’ve done so well with TK so far, I want the same for Carlos. Let the story be fresh, let it be different, LET US HAVE DIVERSE GAY STORYLINES.
Y’ALL THE TEAM HANGING OUT AT CARLOS’S PLACE
I CANNOT
I’LL NEVER BE OVER IT
HE’S PART OF THE CREW. HE’S PART OF THE FAMILY.
IT’S EVERYTHING THAT I COULD EVER WANT FOR HIM OKAY
I’M SO FUCKING HAPPY
THEY ARE SO HAPPY
WE ARE ALL SO HAPPY
I’M CRYING
I’M DEAD
LOL that was a lot but so was this promo.
Now, some somewhat sobering thoughts...
We all know season 1 had a real diversity and inclusion problem, we’ve seen the numbers. We also know that during the promotion for season 1, we ALSO got a diversity promo focusing on the LGBTQIA+ characters and the characters of color. I love that Fox wants to highlight the incredibly talented actors and characters that they have, but all of it means nothing if they are still tokens on the show. 
I have full faith that season 2 will be better, that some of the justified anger and frustration made it back to the writers and they internalized it and then make some real changes. However, because we did get a diversity promo last year, I have to remain a little cautious. This promo doesn’t really mean anything and if, somehow, season 2 goes the way season 1 did, it will be another instance of Fox using the characters of color to draw people in without actually giving them screentime and development. Which is a HUGE PROBLEM. So... I’m very excited and very hopeful, but also slightly wary.
Similarly, I’ve seen people say that they’re worried that, while there is so much Tarlos in this promo, this might be all the Tarlos we get this season. I don’t share the same concern, but like the diversity issue, I understand where that comes from. There was a lot of Tarlos in season 1′s promos and, as we now know, they got screentime in episodes 1-3 and then virtually nothing until episode 10. 
I kind of lost track of the filming schedule, but I think before they went on the holiday/extended hiatus, they filmed the first 5-6 episodes? Maybe? And we know that we’re getting 14 total this season, which means it’s possible that they haven’t even filmed half of them. 
I think the footage that we got in this promo is from, like, 3 or 4 episodes max. Definitely episodes 1 and 2, maybe 4, possibly 5. The crossover is episode 3 and I am still expecting to barely see Carlos in it - I just think it’s going to be very fire heavy one, especially with the members of the 118 coming in to steal screentime. He could be in one scene, maybe? Idk, I’m just not expecting a lot from that episode. 
And sure, we could get a lot of Tarlos at the beginning and then nothing for a whole string of episodes, but that also just doesn’t seem possible with the way they’ve restructured the relationship dynamics. Like, it really does seem like Carlos is going to be a part of the family this year, so I think it will be easier to include him and harder to delete him entirely. (Please let him at least appear in every single episode, I don’t want to be so fucking angry like last year.)
Also, if all of these scenes stay in the episodes, we are getting AT LEAST 4 Tarlos conversations - the firehouse, the wrestling match, the farmer’s market, the flirting by the truck - and other scenes of them being in the same space as part of a group. I’m sure there will be even more that we’re just not seeing. I’m very optimistic for this season and for the Tarlos content, and I really don’t think we’ll see the front-loaded imbalance that we saw last season. I think when they get back to filming the later episodes, there will be a good amount of Tarlos content in those, too!
I will say, though, that I am worried we’ve just seen the only kiss that they’ll share in the first 5 or so episodes. I’m just so used to network TV placing a limit on gay kisses, and Idk how much that has really changed in recent years. I truly love this kiss, and I hope there are more, but I would not be surprised if we end the season having only gotten like 2-3. (PLEASE LET ME BE WRONG.)
ONLY TWO MORE WEEKS UNTIL WE FIND OUT FOR SURE!!!!!!!!!!!!!!!
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So, I sent you (@disgruntledspacedad) a pretty long ask a while ago (back when you had anon on) and I'm decently sure Tumblr ate it (or maybe you ignored it, in which case, feel free to ignore this one as well). But then I saw one of those "writers appreciate feedback no matter how long" posts, so I'm back here. Here is my mediocre attempt to rewrite my original review of your work. Bear in mind that English is not my first language, so if at any point my phrasing sounds weird to you, you know why. Mandatory disclaimer/apology: this might get a little too long 😅
RULES OF ENGAGEMENT
I remember being SO mad at myself for not finding this sooner. I binge read it one afternoon with no thoughts for any real life responsibilities I might have had (and no regrets). Javiears is one hell of an unconventional relationship in the beginning, and I really love what you did with them. The whole premise of your story is quite refreshing, and you somehow manage to convey the trust and mutual respect there two feel for one another without explicitly showing us the beginning of their "entanglement".
Also, fuck you for what you did to poor Emilio, that man was a saint and he deserved better! I honestly can't believe that I got so attached to a character that appeared so little in the story, but it happened, and his death kind of broke my heart.
But the Javiears reunion + mild confession was lovely, and felt completely deserved. And of course the sex scene. I won't lie, I expected a bit better from Javi there, but I did like how utterly /human/ it was. Capturing that humanity, the imperfections in each character is something you're really good at (more on that later).
AFTERSHOCKS
Ah, my emotionally constipated babies who really need to work out their communication issues. I do love them, though. And this short series did a really good job of delving a bit deeper into Ears's and Javi's psyche. Kudos to you for dealing with the medical "aftershocks" of living through an explosion AND using that experience to move your emotional plot forward. These two need to grow a lot before they can get to a stable point in their relationship, and you really manage to convey their insecurity and fear of commitment/intimacy while making it clear that they're in it for the long run and that theirs is a relationship that WILL work out so help them God.
IF I FALL
Ouch. Punch me in the gut while you're at it, why don't you?
But seriously, "If I Fall" is SO FUCKING GOOD. Don't get me wrong, it's angstier than an image of Jesus on the cross (don't judge me, it's Holy Week and I just got home from accompanying my grandma to church), but it somehow works beautifully. You, my dear, play heartstrings like they're a fucking guitar and I AM HERE FOR IT.
You're doing an amazing job at making me feel everything these characters are feeling, which is both awful (bc pain) and impressive.
Also, if anything happens to Ana I will cry, because she is adorable and wonderful and has suffered way too much already and really deserves a break and some cookies.
Also also, if anything happens to Ears I will cry, because she is badass and wonderful and has suffered way too much already and really deserves a break and some cookies.
Also also also, if anything happens to Javi I will cry, because he is loving and wonderful and has suffered way too much already and really deserves a break and some cookies.
Basically, I am really invested in the well-being of these characters and can't wait until they're happy and safe again (please tell me they will be, my heart can't handle much more pain).
A quick note on the angst complaints: yes, this story is way angstier than most other fics out there and it can be a bit too much at times, especially considering how many chapters of pain it's been. BUT it's obvious that "If I Fall" NEEDS this amount of angst to get where it's going, to send the message it wants to and to properly develop its characters. The pain is as important to this story as flour is to bread. You may not like eating flour on its own (I don't think anyone does), but you love bread (because bread is amazing) and you must recognize that bread NEEDS flour to work. It wouldn't be bread otherwise. And eating the flour as part of the bread even makes you like the flour because the bread is just DELICIOUS.
I fully understand and sympathize with the people who have elected to table "If I Fall" until it's completed so they can binge read it knowing there's a happy ending in sight, but in case you're feeling a bit self conscious about all the angst, please know that your story is beautiful not in spite of the pain, but rather /because of it/.
PS: No, I'm not high/drunk, I just really like bread
AUTHOR'S NOTES
Silly thing to comment on, I know, but I do feel like it's important that you know how useful your ANs have been. There are many details in the story that I simply wouldn't fully get without reading your comments at the end of each chapter, and I appreciate your writing a hell of a lot more knowing how deeply you understand and care for each one of your characters. Plus, it is obvious how much work you've put into researching a country and a time period that are (from what I gather) unfamiliar to you, and I really do believe you've done an amazing job of it.
JAVIER PEÑA
My boy. I love your characterization of this complicated character, and I have eagerly read each and every one of your headcanons about him. I can't really say if your version is fully faithful to the source material because it's been a while since I saw Narcos, but your Javi most definitely reads like a real person. He's fairly consistent as a character, and I feel like everything he does is perfectly natural for him to do as a character. He makes for an unconventional yet deeply interesting romantic lead, and so far I have thoroughly enjoyed all his POV chapters/scenes.
OCs
I know you've gotten some flack for making her into an OC halfway into the story, and while I get why the sudden change may have felt like a disappointment for some, I don't share that sentiment. I firmly believe that this fandom is unfairly harsh towards Original Characters and their creators, and I don't really understand why. Listen, I love Reader fics, and consume many Reader fics. I have read dozens, maybe even hundreds, and I can safely say that I've only ever "inserted" myself in approximately 10% of those stories. Reader characters are not as blank as their writers may want them to be. They can't be. They're characters, and character have personalities and moral values and senses of humor and a bunch of other things. Reader characters may not have a backstory or a physical description attached (and even that's not guaranteed), but they're still characters.
And on a more personal note, pretending they're actual blank slates is naive at best and insensitive at worst. Reader characters are American coded 99% of the time, and white coded 95% of the time. Not every readers is white nor American, even if that's the predominant demographic on Tumblr. When I read a JavixReader fic about a woman who speaks exactly zero Spanish, I know she's not me. The story may be beautifully written and have an amazing plot and character development, but the Reader *isn't me*. There is absolutely nothing wrong with that, and some of my favorite xReader stories feature a "reader" who couldn't be more different from me, but it's something that enemies of OC fics should take into account. Particularly if they are white and/or American. But I digress.
HANNAH AARONS
Your character is amazing. She's strong, smart, confident, independent and an all-around badass. She gets kidnapped while pregnant and still focuses on problem solving and survival. But she's also overly guarded and mistrustful, and really needs to work on her communication skills. There are times when I absolutely love her and even admire her, and other times when I want to whack her with a slipper. She's no Mary Sue, but remains interesting and likeable throughout the story. She feels wholly human and real, and that's no easy task. I like her, I am invested in her, and I can't wait to see what's next for her. She's a compelling and three dimensional protagonist in a complex story who never fails to draw me in. I love her. She's your baby, and you should be proud of her.
Also, quick question about personality types: I know you've typed Javi as ESFP and Ears as ENTP (100% agree on both, btw), but have you given any thought to their enneagram types? I personally have always seen Ears as being somewhere on the thinking triad, maybe a 7 or even a 6w7, but I'm not too sure about Javi. 9w8 maybe? He could also be a 6w5 🤔
PARTING THOUGHTS
Basically, I love your story, your characters and your writing in general. You are a fantastic storyteller and wordsmith. You get into the heads of incredibly different characters personality-wise (Ears, Javi, Berna...) and manage to capture all of their complexities and quirks every single time. And it doesn't feel like it's something innate for you either. To me, it seems that you have put a lot of work and effort into understanding each and every one of your characters, who they are, why they do what they do and what they want. And let me tell you, all that effort has been more than worth it. "Better Love" is a fanfic, but it wouldn't be out of place in a regular bookstore, if I'm honest. I don't know what you do for a living or if you've ever considered writing professionally, but you clearly have the skills and the drive to create some masterpieces.
You are amazing and your writing is a gift. Thank you for sharing it with us, and have a nice day! ~ 🍪
~
My friend, I apologize for hoarding your first ask. I’ve been sitting on it because I’m not gonna lie, I enjoy going back and rereading it. It gave me a lot of comfort when I was in a pretty dark place, both personally and in regards to my writing, and I was reluctant to send it out into the the abyss of Tumblr where I might never see it again. 
That’s not fair, though. You put just as much effort into sending me that review as I put into my writing, and I apologize for never responding to you.
Okay, anyway, so twice now, you’ve made me cry. In a good way, I promise! 
I absolutely love your bread/flour metaphor. It made perfect sense. I want the emotional release of Javi and Hannah’s reunion to be earned, and in order to do that, the angst has to come first (there are also a few plot “ingredients” that have yet to make their appearances). Thank you very much for understanding that, and for voicing it so eloquently.
I appreciate your comments on my research and characterization. You’re correct that I’ve put a lot of time and effort into crafting a universe. In a lot of ways, I’m doing my best to stay true to the source material (regarding culture and timelines in particular), and in others, I’m branching into my own territory. 
On that note, I’ve never once regretted fully embracing Hannah Aarons’ identity as an OC. She’s stayed consistent in my mind from the beginning, and it was a relief to finally share my vision of her with the audience. And for the record, I totally agree with you regarding “reader” characters. Every reader insert echoes the perspective of their author, no matter how vague the physical description. I can only imagine how grating that must be from the perspective of a non-white, non-american reader. Thank you so much for sharing your insight! I will certainly keep it in mind the next time I write a “reader insert” fic.
Okay, enneagrams! I am much less familiar with enneagram than I am MBTI, but I agree 110% that Javi is a 9 with a strong 8 wing. I waffled back and forth on Ears a little, but eventually landed on 8w7 for her. It came down to the eight’s deepest fear, which is being controlled. That’s Ears all over, and the fact that she and Javi share that eight willfulness means that they might butt heads a little, which also seems very appropriate for them. Big thanks to @remusstark for her insight into the eight frame of mind - our conversations helped solidify my decision on this. :)
Anyway, I’m just rambling now. The big take-away point that I want you to get is that I am so, so grateful to you, both for your insightful feedback and your dedication in making sure that I actually saw it. You are an absolute gem and a deep thinker, Cookie-Anon, and if you ever feel like sliding into my DM’s, I’d welcome the opportunity to get to know you better.
Mad love and soft hugs, 
~ Jay
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quickspinner · 5 years
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I don't think Luka is poorly written at all. I think he is a good foil to Adrien. I never understood why people always say that Adrien is "perfect" while Marinette has flaws bc to me they've always seemed equally flawed.
At the end of the day, I don’t expect anybody to change their mind based on any argument made by one side or the other. You either like Luka or you don’t, and I think those of us that like him are just as aware of the areas where his characterization is lacking as those that don’t, and I’m just weirded out by the influx of posts that seem to be trying to enlighten us Luka-lovers. It’s like the people who see someone knitting socks and go “You know you can buy those in the store.” I...know? Thanks for ‘helping’?
(Tangent: Years ago I decided to learn how to spin yarn on a spinning wheel and my mother, who bless her soul is not the crafty type, said, “Why can’t you just buy yarn?” I said, “Mom, if I thought that way, I would just buy a sweater.” Anyway.)
“Poorly written” is honesty such a general term as to be kind of useless, so let me put it another way. Due to the limitations imposed by the format of the show, and the show’s determination to focus on Adrien wherever possible, I can agree that Luka is underdeveloped and while his role of consistently seeing and supporting Marinette is important, I equally enjoy the few scenes we’ve gotten with him on his own.
However, I do think that considering the limited amount of screen time Luka’s had, we actually know a lot about him as a character. I’d argue that in order to do that, it’s necessary to draw on some tropes and stereotypes to drive the viewer’s assumptions because there isn’t enough time to say things outright when you’re as committed to nonlinear serialization as the showrunners want to be.
Disclaimer: As a fanfic author I am a bit naturally biased towards my own interpretation of the character, but I’m going to try to stick to the in show facts to support this.
Captain Hardrock did a lot in a short span of time to introduce Luka as a character. Part of this is his character design and part of this is his context. He’s got this sort of punk aesthetic (I am unreasonably partial to his shoes, they’re so funny to me for some reason) that automatically implies things about who he is and what he’s like, that builds on the context we’ve already been given because we’ve been introduced to Juleka and Anarka. His aesthetic isn’t as dark or goth as Juleka and we’re introduced to him in meditation so we see immediately he’s not loud and in your face like Anarka, but he’s still got that look that implies he’s unconventional. When he opens his eyes he doesn’t speak immediately or jump up and introduce himself like we might expect Anarka to do, nor is he shy or shrinking like we might expect Juleka to be. He just smiles (in the French dub he actually chuckles a little when he opens his eyes), and waits for Marinette to speak first. So really, that’s a lot of information in a short amount of time, and the whole introduction only lasts for about 2 minutes. 
And that’s the only way we ever learn anything about Luka because he’s never on screen for very long, because unlike Kagami who is kind of allowed to exist on her own, he’s hardly ever on screen. He gets about 4 or 5 minutes in Captain Hard Rock (a little more if you count all the time he’s on screen without speaking). He gets about 6 minutes in Frozer. In Silencer the entire segment from Kitty Section’s meeting on the steps to Luka’s akumatized confession is 6 minutes long, and that included the music montage. You get maybe another minute total of Luka at the end.  In Desperada, by 7 minutes in (including the intro) he’s stuffed in a locker, and it’s another 8 minutes before he gets any meaningful screen time (there is that one short conversation before CN stuffs him back in the locker). Then there’s about 5-6 minutes left in the episode for Viperion to do his thing, very little of which involves talking. 
Honestly, I have literally wondered before if his voice actor is just really expensive so they use him sparingly. (I do think his English voice actor does him a bit of disservice, especially in Desperada, making him sound a bit more soft and bland than necessary. I like French Luka better, honestly.)
So really, given the limited amount of time we see him, I think it’s pretty impressive that he is as solid a character as he is. I’ve seen people say ‘he loves Marinette, that’s it, that’s all there is to him’ and I don’t really think that’s true, but it’s hard to argue because so much is implied and left to interpretation rather than said straight out. I mean, if you look at the way I write Luka, and the way @voltisubito writes him, and the way @universeenthusiast writes him, and the way @verfound writes him, (and you should, because they’re all amazing, and there are many other amazing authors out there writing Luka), you can see the base jumping off point in all of them, even though we all took him in different directions. That’s what makes it fun to explore.
That...was probably more than you bargained for, but there you go, that’s my thoughts.
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