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#911 season six spoilers
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They all have their own spots on the couch! Buck on the left, Chris in the middle, and Eddie on the right. They’re a family!
We’re gonna see them all together on the couch in the finale, right?
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kinardbuckley · 2 years
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every time a inconvenience happens to me no matter how small or big im just gonna ask if its because i don't have a couch.
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adarkermiserablecrow · 10 months
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I finally watched 6x11, 'In another life' and boy did some writer put their whole pussy into this one.
And I have Thoughts about this which I am gonna share with the class, because I have been crying/yelling at my tv/hysterically laughing for 45 minutes now, and if my neighbours are going to hate me, the least I can do is hop on here and be annoying.
It got really long and ramble-y so I'll put it under a cut.
1. Coma Buckley family: I think it's really interesting that, in the beginning, it's implied that the buckley parents dote on evan to daniel's detriment (''oh i didnt know you remembered he had a brother") but not neglecting him like they neglected Buck irl. Daniel seems well-adjusted, implied to be a caring doctor ("maybe you should listen to your patients") but also a bit aloof, oblivious (not noticing anything weird about doug - a bit more on that later). It does seem like a picture perfect family, on its surface, with bickering siblings and family dinners, but it sets up a very important theme that runs throughout the episode: this dream life, buck being a teacher and on good terms with his parents and having his brother be alive, comes at the expense of his ability to help. First and foremost, his ability to help his sister escape, offer safe haven, because in this reality he never left PA. And later on in the episode, people insist that he has the ability to fix anything in the coma, but that was disproved at the very beginning when he tried to help maddie and failed, and failed to get daniel to help. From the get go, we see that even in here, not everything is fixable, and we're told this later on as well, when bobby says 'you cant bring me back to life in this dream'. The point here is that at the beginning we're dealing with buck who wants the happy family he never knew as a child, the neglected kid who wishes his parents would be the kind of people that they were in the dream, happy and involved in his life. But at the end, having been through the rest of the dream, it's his parents in their new shiny caring version that try to hold him back, it's his parents dragging him down. But, this is his subconscious, so in reality, it's that wish of having a happy family and the resentment towars his parents that is dragging him down, and he recognises that, and he forgives them, because thats the only way he can move on, return to life. Many people complain about the parents' redemption, and maybe ill change my mind when i watch the rest of the season, but I dont think it was a redemption for them. It was all on buck, he forgave them, he chose to move past it, and let them into his life. In the end, back in the real world, his parents still don't really listen to him, when he says his apartment is fine, he does not need a couch. Buck tells maddie he doesn't mind them. That doesnt mean they're meant to have changed, Buck is the one who changed. And, the choice to go hard on the father/son dynamic with bobby, and buck telling daniel his family is different out there, adds a layer: he doesn't really view them as his parents anymore. He doesn't get hung up on it now, but he lets go of the idea that they would ever be the doting family he needed as a child, and recognises that he found that family elsewhere. He accepts them as people in his life, and rejects them as parents. It ties into Chimney's storyline with his own father, how Chim and Buck both move toward forgiveness, and it also ties back to the sperm donor storyline and the argument between chim and buck's fathers. The point of the buckleys' 'redemption' is that buck forgives, even if he does not forget.
2. Buck's other fixes: it has been established that this all happens in buck's subconscious. The way he slowly realises the impact his life has had on others is just... The starting point is maddie and yeah I said that already, but then he finds chim and hen pretty much the same, and he assumes the only person he's ever helped is maddie. But then he finds out about bobby and eddie, and it occurs to him for the first time ever that he helped them too, got them out of a tough spot. It's not a sure thing that things would have turned out that way in buck's absence, but the point here is for him to realise that he helped, he was needed. It's particularly strong with Bobby, who appears like a little psychopathic gremlin in the dream, drinking here and there and guzzling down pills, and essentially tells buck that, in the dream, he can fix almost anything. And it all snowballs into buck realising he helped bobby, essentially by annoying him. And it's so important that at the end of the 'i made you mad and i made you laugh sometimes' speech, bobby calls that 'being buck', because it's essentially saying that buck helped bobby just by being himself. Again, this is the way buck's mind conjures it up, but it's no less important that he comes to the conclusion that being himself was enough. That he doesn't need to be someone else to help the people he loves (and to me that sentiment calls back to s4, him climbing that crane to protect everyone, and bobby saying that's who he is - not a compliment).
3. Eddie. This part may be the buddie shipper in me getting high on copium, but I think eddie's absolute absence from the dream was connected to him never stepping foot in buck's room irl, except to bring in chris. I mean, in the coma buck was with chim, irl chim is by his bedside. Coma, he's talking with bobby, irl bobby has busted out the rosary beads. It wasnt a hard rule as far as I can tell, though we know buck had some awareness of the room and the goings on, he could hear them (thats why i think the copium might play a part in this paragraph). But also, it feels so important that the people who tell buck explicitly to come back and get better are essentially proxys. Athena on behalf of bobby and Chris on behalf of eddie. And, in the coma, Eddie does not physically appear, but he is the first flash of irl buck remembers (not chim, but eddie's 'go get em') and also, of course, the last 'fix' of buck's, bringing the total of people he helped in a big way to three: maddie, bobby, and eddie. Doesnt really tell us anything about buddie, but it does reinforce the strong relationship between the characters, platonic or not. (Also, eddie 'pain is weakness' diaz crying even a single tear in public feels like a Big Thing).
4. Daniel. Honestly? The chase in the end of the episode and the subsequent argument between buck and daniel (who, yes, is also buck, but ill keep calling daniel to avoid confusion) might be one of my favourite scenes in the entire show. Maybe one of my favourite scenes in any tv show ive watched. First off, that part of buck represents essentially every self worth issue he has. It's the part of him that is the most broken, tells him he isn't needed, isn't wanted, he's spare parts that turned out defective (a sentiment buck has expressed out loud in s4 and it was the 118 reassuring him he is much more than spare parts). And all of this stems from buck's childhood, so it makes sense that it took on the appearance of daniel, since daniel was the source of it all, through no fault of his own, even long before buck knew of his existence. It's daniel's death that brings on the grief that swallows the buckleys and leads to buck's childhood being the way it was. Things would have been different had daniel survived, or so buck believes. Beyond that, daniel's ignorance of maddie's situation reflects on buck blaming himself for not seeing that his sister was suffering (which buck even says out loud in the kitchen scene in this episode). And, when the switch flips, daniel becomes buck, the part of buck that is broken and hateful not to others but to himself, buck borrows a lesson from bobby and manages to break free of his own low self worth. I dont think thats the end of that, but buck's jourmey this episode was all about realising that he is needed, so he could look in the mirror in this scene and say no, you're wrong, they don't want me gone, they care about me. And, as someone who deeply relates to having that voice in your head, and to buck in general, it's so powerful to see a character manage to overcome that. It's so powerful to see buck, textbook people pleaser that he is, realise that he's talking to himself and say 'oh you're me. I dont have to feel bad about not listening to you', and use the first real artifact of firefighting we've seen in the coma dream to break free and return to his life, his real family. And, oliver stark's acting in this scene, whew - buck being confused and emotional but still relentless in pursuing his goal, and the other buck being cold and cruel and also relentless in his insistence that he is just not worth it, not needed. Just - chef's kiss. I cant really explain how much that scene spoke to me, because it is tangled up in how much I relate to buck as a character, and thats a whole other can of worms.
5. Random things. I appreciated that the traumatic events that happened to buck over the course of the show were at least acknowledged. Given that most of the other characters (barring chim, I think) have had storylines about dealing with trauma, it's a bit glaring that buck never really did. Sadly, I think it's too late for that now, aside from if they do something with the lightning going forward. But I am glad they were mentioned, because the man went through a bombing and a tsunami within six months of each other, and it was never really talked about. The bombing led into the lawsuit plot and then was resolved, and the tsunami trauma storyline was about chris (not complaining, it's just how it was). I do wish those traumas had been explored, but I really do think we're past that point and am happy we're at least acknowledging them. (Also, the implication that the tsunami left him so deeply traumatised that it's present in his parents' coma house, supposedly a safe haven from everything real, as a ferris wheel that 'doesnt fit with anything' because trauma stands out in your mind, im-).
Another thing is the lighting, the cold, grey hues of the real hospital, versus warm colour in the coma dream which gradually gets colder the closer buck gets to waking up, and the return of warm lighting in the end, when buck wakes up in the hospital and his family is there to see him. Also, people irl dressed in drab, muted colours, vs. the characters in the dream being more vibrant, esp buck in that green sweater which btw was a gold star choice from the costume department.
Basically everyone put their whole pussy into this, from the writers to the crew to the actors, and while it's not the only time this has happened, I'm really glad it did.
The end. Pretty much. Ive probably managed to forget some things, and maybe I was Captain Obvious abour others, and wrong about some, but this episode made it right to the top of my list of favourites right away, and it'll probably keep me up tonight lmao. Thanks for coming to my TED talk, hope it made sense.
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an-optimist-prime · 1 year
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Buck surviving the lightning strike and going back to work means that Hen has to go to that bakery (she goes to the same one every time) to get him a 'welcome-back' cake (one which will have a terrible pun written on it in icing, something like "we're not shocked you're back"), and you just know that every time she walks into that bakery the staff drop what they're doing because they just know that it's going to be something absolutely wild
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loserdiaz · 1 year
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they all look so wrecked. i'm literally crying
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Everything ive ever learned about evan buckley's nut has been against my will
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wh0re-behavi0r · 1 year
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Buck gets hit by lightning 6.10
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very-feral-lesbian · 1 year
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the season six finale has officially become the lowest rated episode of 911 ever. here's my thoughts as to why season six as a whole is bad. this is long. it is needed.
objectively, the show has become repetitive.
kirsten reidel has no creativity when it comes to the storylines of buck and eddie. i am going to be focusing a lot on buck and eddie during this talk due to the fact that they have been the most neglected characters when it comes to relationships, and because there has been some serious, queerbaiting throughout the season alongside the worst of the show's writing.
this is our third love interest that buck has had that was representing one singular aspect of himself that becomes suddenly prominent due to the plot at the time. ali made buck realize that he needed someone who was going to appreciate his line of work and that it was a non-negotiable part of himself. abby served as a tool for buck to realize he could be in a serious relationship involving something more than sex. and now with natalia, she just represents this part of his life where he gets himself into near death situations and how to deal with them. these are all important aspects to buck’s personality and life; however, they don’t represent him as a whole.
buck deserves someone who knows him for all parts of who he is, and this show refuses to do that, because if we go from a logical standpoint, if eddie was a woman, and they still had the kind of relationship that they have now, they would be together. their personalities match, they are fucking coparent, and their lives are parallel to one another. 75% of their storylines outside of the emergencies at work are intertwined and coexist with one another.
the only other people with such interconnected storylines are the other couples and the families.
yes, hypothetically if they introduced a character who is basically like a woman version of eddie, and genuinely had this chemistry with buck then i wouldn't be mad. yet they actively choose people who do not have chemistry with him. especially with natalia having chosen a woman who failed a chemistry read with him (oliver) for a fucking romance movie. how are we, as an audience, supposed to ignore their lack of chemistry?
and i will say there was also something that happened in an interview with oliver that made me mad. as we have seen throughout the show, chris has become one of, if not the most, important person to buck outside of his sister. he fathers chris like he wished his father did to him. and oliver has even discussed this in interviews before, stating that buck is coparenting with eddie. but in his most recent interview, he made it seem like the idea of parenting is completely new to buck.
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i don’t wanna put the blame on oliver, but the way that he is speaking so differently within such a short amount of time about these relationships, indicates that there was a change at some point. because during the second interview, it was very obvious that they were treating Buck like a second parent to christopher. they said that he was giving him the parental love that he never had. and now they are acting like buck has never experienced what it’s like to be a parental figure, which we have seen (and been told in the past) is the furthest thing from the truth.
before i get into eddie’s relationships, i do want to point out a couple things that also did make me mad this season that are smaller, but still important.
there was a scene between hen, karen and hen's mom when denny was trying to have a relationship with his father. hen's motherly "said that a boy needs his father". this is homophobia. it’s not even subtle. saying to two fantastic mothers of a child that that a child needs a father figure to grow up correctly. this show prides itself on having diversity, although a negligent amount. having a black lesbian family can go so far and be great representation. but now they are just throwing all of their work away by having this character say the most homophobic shit.
in general, the show is very good at not including repercussions of actions or situations. we have not gotten discussion about athena‘s father since the episode about him. they completely abandoned hen's medical storyline, giving an unjust ending that felt incomplete. and bobby’s storyline about that sponsor of his was just dropped like nothing. yes this happens a lot in procedural dramas. however, that doesn’t mean it should happen. this show is nothing without these characters, they make the show. yet, they set up all these gigantic plot lines only to not follow through or provide any insight about how it’s impacting the character going forward, leaving so many things feeling incomplete. and this leads me to eddie.
last time that we saw eddie date, christopher literally ran away from home to bucks because he was upset. and now, with zero resolution about christopher‘s feelings, with little to no talks about it, eddie has allowed chris to have information regarding a woman that he might possibly date before even dating her. this makes no sense for who eddie is as a person. his number one priority is his son, and he has made that clear several times that his son comes before dating. why suddenly is he spreading this information to christopher like it’s nothing? yes, chris has grown up a lot since then, but it was still an unresolved plot line that heavily impacted two of our main characters, but it was dropped like nothing.
i want to talk about the couch theory. oliver had hinted that the couch theory was very important and was going to come to a head at the season finale. i find it extremely difficult to believe that the couch theory that has been set up since the beginning of this season was created to be finalized with a character that we have seen for less than 10 minutes of screen time and has been in less than three episodes. you cannot begin to tell me that all of this work towards this metaphor that has been beautifully written is now just finished with a random character, that we know little to nothing about except her job. hypothetically, if we go with the idea that this was what it was meant to be from the beginning, they did a terrible job doing it. that is really undeniable. but if the originally story involved buddie due to the heavy involvement of eddie and chris in this metaphor, why change it? there have been undeniable parallels throughout the season and an almost frame by frame shot of buck and christopher doing the exact same thing on eddie’s couch, only for the answer to buck's "couch problem" to be natalia? i dont buy it.
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as for this season six finale, it was a fucking disaster. for a drama about fire fighters, for all they have been through, a bridge collapse is nothing. there was no moment where i thought one of our main characters were dead. there was no intensity and very little emotion about the scene, except from maddie.
it was only made worse by the jumpcut at the end where all the characters are just fine. eddie had several broken ribs? nope, he's all healed, let him cheer and jump in the air. chim had a rod through his abdomen (that he proceeded to pull out because despite him being a paramedic, he definitely wouldn't know proper procedure)? he's perfectly fine, no mention of any repercussions of that injury. and cap had no injuries after being crushed by a literal bridge? of course, makes perfect sense!
when comparing this season finale to other plot lines like the tsunami, the earthquakes, the texas fires, the lightning strike, the firetruck on bugs leg, and countless others, this felt so subtle. and it was only exasperated by the last 20 minutes of the episode feeling incredibly out of place, like someone wrote it without seeing the first half of the script.
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in general, i think that if 911 continues to have the same show runners and writers from this point forward, it is going to be a repetitive nightmare of a mess of a procedural drama. it is no longer good, there is no creativity in the show anymore, they have created these backstories for all of their characters and refuse to follow through with them.
i have loved this show and the community of 911 since season two when I started watching it, and it is undeniable that there have been some masterpieces of storytelling in the show. nothing will ever beat the tsunami, or any of the "_____ begins" episodes. that is where they peak. they peak when they focus on their main characters and showing their history and how human they are. and yet with every new episode, they undo the work.
i don’t like to throw queerbaiting around for a plethora of reasons, but season six has changed my mind on that. if they truly created the couch theory just to have it end up with natalia, then why include buck being on eddie’s couch then parallels it to their son? why would you cast someone who failed a chemistry test with your main character to be that character's love interest? i legitimately want a reason. because at this point it is just homophobia. they don’t want to do the storyline because it would mean that two more of their characters are queer. and it seems like they want the minimum diversity possible. they already have one gay couple, so why have another? they already hit the gay diversity mark.
there’s a reason that this episode is the lowest rated episode of 911 of all time. If ABC does not listen to 911 fans, season eight will be the last season of the show.
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tennant-davids · 10 days
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i was literally in the middle of typing a post about how absurdly short buck's sleeves are, and how it has to be impossible to work in them, but he's just been struck by lightning 😭 out of nowhere 😭 so what do i do now
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flowereclipsie · 1 year
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peak romance is buddie squished together in the fire truck, knees touching and all while eddie sarcastically talks about his sign to marry shannon and buck looks at him with the biggest fondest love face ever.
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Nate? My boy! Is that you?
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Yes, Buck remembered Eddie. But his brain’s also trying to also remember Chris. His kids? The cards?
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(x new photos from article here)
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kinardbuckley · 1 year
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a very big fuck you to the writers 😁 i hope your coffee is burnt someone steals your lunch your car breaks down and you step on a lego.
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I SWEAR TO GOD THAT IS EDDIE I SWEAR IT IS RIGHT??? MY EYES AND EARS ARENT PLAYING TRICKS ON ME EDDIE SCREAMS BUCKS NAME ‼️‼️‼️‼️‼️
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loserdiaz · 1 year
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the way eddie just kept screaming and he immediately run up the ladder to pull buck up with his bare hands I’m not well, i'm crying sobbing throwing up
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tails89 · 1 year
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20 for the prompts
"How bad is the pain right now"
Started writing. No plot in mind. Bon appetite 😅
Read below or on AO3
Buck shifts, biting back a groan. “‘S not bad,” he murmurs, blinking back the heavy exhaustion weighing on him. He aches— his ribs, his hands, his knee. His whole body feels like one giant bruise.
“Buck—“
He doesn’t need to see his sister to know exactly what expression is on her face. He can hear the worry in her voice and rushes to reassure her.
“‘m okay.” He forces his eyes open, searching for Maddie beside the bed. He finds her, taking in the dark circles beneath her eyes. “‘look tired, Mads. Go home.”
“I just got you back,” she tells him, her voice soft, almost too quiet to catch. “I don’t want to leave you alone.” She has his hand clutched in both of hers and she squeezes it tight.
There are tears on her cheeks and Buck hates that he’s the reason she’s crying. He can’t imagine what it must have been like for them - his family - while he slept, unaware.
His arm doesn’t feel like his own. It’s a dead weight on the bed and when he raises it his hand shakes. It takes all his energy cup Maddie’s cheek and wipe away the tears.
“Not alone.” Buck’s eyes flick towards the window. The blinds are down now, but he can see the silhouette behind it.
Since waking, he’s seen everyone… mostly everyone.
Bobby and Athena were by earlier. He’d fallen asleep during their visit and woken to Hen and Chim. Even his parents have been in, offering sympathetic words that felt hollow in comparison to Bobby’s warm comfort.
“Are you kicking me out?” Maddie’s mouth pulls up at the corner. “Do I really look that bad?”
“You look like you need a shower.”
“You’re one to talk,” Maddie teases, running a hand through Buck’s hair. He closes his eyes, sinking back against the pillows and relaxing into the touch.
“Mads—“
“Fine. I’m going.” She doesn’t make any move to leave, one hand still brushing through Buck’s hair while the other rubs small circles into the inside of his wrist.
He finds himself drifting, his eyelids dragging shut.
There’s still a hand in his hair when Buck wakes again.
”‘said you were gonna go home, Mads.”
“She did.”
Buck rolls his head against the pillow, his eyes blinking open.
“Hey, kid.”
“Bobby?” It takes two goes, the words catching in his aching throat.
“I’m right here.” Bobby leans forward over his bed. “You want something to drink?”
Buck nods, his hands shaking as he accepts the plastic cup. He stares at them, willing them to still as water splashes over the rim.
“Here.” Bobby helps him steady the cup so he can take a sip.
“Thanks.” Buck sinks back against the bed, looking around the room. “Maddie went home?”
“Yeah, she did.” Bobby’s face does something weird, but Buck’s too tired to question it.
“Good.” He lets his eyes shut again and he drifts.
“Buck?”
There’s a new voice that drags him back to the surface.
“Chris?” He fights against the draw of sleep, reaching out to the figure by the bed. “Hey, kiddo.”
The boy falls into his arms, sobbing.
“I missed you so much,” Chris sobs, his words muffled against Buck’s shoulder. “They wouldn’t let me see you. They just said you were sleeping.”
“I’m sorry.” Buck whispers the words into Chris’ hair, his arms tightening around the boy. “I’m so sorry.”
They stay like that for a long time— Chris half on the bed, tucked into Buck’s side. It’s not comfortable. Chris’ weight against Buck’s ribs makes it hard to get a full breath, and he’s pretty sure one of his IVs is caught somewhere but he doesn’t want to move Chris.
If he closes his eyes, and focuses on the strawberry scent of Chris’s hair instead of the astringent scent of the room, he can almost pretend they’re back at home, dozing on the couch.
He half drifts, still mumbling soft reassurances, more soft sounds than actual words.
“Dad helped me sneak in so I could see you.”
Chris’ voice pulls him back again.
“He did?”
“Yeah.” Chris shifts, easing up on Buck’s side. “I didn’t like seeing you like that. It was really scary. There were all these machines and nobody knew when you were going to wake up.”
“’m sorry I scared you.”
“I’m just really happy you’re okay.” Chris leans in to give him another hug before shuffling off the bed and into one of the chairs nearby. “Dad is too. He was really sad before. He didn’t want anyone to see though.”
“Where is your dad?” Buck asks, struggling to prop himself up a little higher.
Eddie is the last thing he remembers before waking up surrounded by doctors and since waking, Eddie’s the only person he hasn’t seen.
“He’s outside,” Chris says, looking back towards the door. “I think he was really scared,” Chris says, his voice dropping to a whisper. “We all were, but— Dad was really scared. I think that’s why he didn’t want to come and see you.”
“Oh.”
“He wouldn’t come home through,” Chris continues. “He stayed here every day.”
“He did?” Buck rolls his head towards the door.
“Yeah.” Chris bounces in his seat. “I can go get him,” he offers. “Maybe he’ll come in now that you’re okay.”
“Mm.” He’s so tired still, but he wants to see Eddie, so he nods.
“I’ll get him,” Chris promises, reaching for his crutches. “Just stay awake a little bit longer, Buck. I’ll be right back.”
The door to Buck’s room creaks open, and soft footfalls echo across the floor.
Buck stirs, expecting a nurse, and the footsteps stop.
“Sorry, didn’t mean to wake you.”
It’s not the nurse who’d woken him earlier, and that throws him until he places the voice.
“Eds?” His voice is raspy with sleep and for a moment Buck thinks Eddie didn’t hear him.
A chair scapes across the floor to settle by the bed.
“Yeah. I’m here, Buck.”
He blinks, head fuzzy with sleep and turns towards Eddie.
“Hey.” Seeing Eddie ignites something in his chest. It bubbles up into his face, tugging his lips up into a smile. “Where’ve you been?”
Buck watches Eddie rake a hand through his hair.
“I’m sorry,” Eddie starts, his voice low. “I should have been here. I just— I couldn’t see you like that.”
“‘t’s okay,'' Buck tells him. “‘missed you.”
Eddie stares at him, a smile pulling at the corner of his mouth.
“You missed me? You were asleep the whole time.”
“I was dreaming,” Buck murmurs, lifting his hands to rub at his eyes. The tremors haven’t gone away yet, and he doesn’t want to think about what that might mean. “You weren’t there. Woke up. You weren’t here.”
“I’m here now.”
“Yeah.” Buck lets his hands drop, one of them landing by Eddie’s on the bed. There’s only millimetres between them. If he was brave enough it wouldn't take much to close the gap. “You’ll stay?”
Warm fingers close around Buck’s hand.
“I’m not going anywhere.”
Prompt list
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